Approved Literature

This page lists the genre fiction which is popular on /tg/, along with a brief description and the notable area's of merit. While paragons of Fantasy and Science Fiction...

Fantasy

• Brandon Carbaugh - Deep Sounding: A two-part story written by a fa/tg/uy, dealing with themes of isolation in a Dwarven society. Consistently humorous and socially relevant.
• Robert E. Howard - Conan the Barbarian: Conan the Barbarian was born from this quill. A seminal pulp classic which could be considered the father of sword and sorcery.
• George R. R. Martin - A Song of Ice and Fire: Best character development in genre, with a bit of mystery, political chess and realistically high death rate. Tends to drag at times, and since the release of the HBO series will be consistently overrated by those who've seen little else.
• Michael Moorcock - the Elric Saga, the Corum Saga, the Hawkmoon books, and anything he's ever wrote. - The spiritual liege of Drizzt Do Urden and the Witcher, with all of the Mary Sue replaced with badassery and getting shit done. Elric, the High Lord of Chaos, travels reality with a shadow puma and a soul-eating demon sword learning the true nature of Order and Chaos. He also is the destined guy who reincarnates to battle both the forces of Order and Chaos. Among these incarnates are Hawkmoon, a heroic dude who has a jewel implanted in his head, Corum, a badass motherfucker who kills BOTH CHAOS GODS AND GODS OF ORDER for fun, and Erekose, who is an alright bro. The saga that Dungeons and Dragons, Warhammer Fantasy, & Warhammer 40k blatantly stole and/or were influenced by it's ideas in it's concept of Chaos. In fact, pretty much almost everything from Warhmammer was arguably taken by the Elric mythos. Think of it; Warp Gods = Lords of Chaos. Dark Elves/Dark Eldar = Melniboneans, Malus Darkblade = Elric himself, Necrons = The King Under the Hill and the Doomed Folk. His best book of all time is still The War Hound and the World's Pain.
• Terry Pratchett - Discworld series: Starts from parodying Fantasy as genre, soon turns to far beyond AWESOME, then the last few books... eh. Rare combination of good humor and wise messages, until at the end when the humor goes out the window and the message becomes preachy. Still great read, though.
• Patrick Rothfuss - The Name of the Wind: A mary sue bard goes on mary sue adventures - world building may be weak but it's a fun read, so enough people on /tg/ have read it to count, even though nobody will praise it.
• J.R.R. Tolkien - The Hobbit, The Lord of the Rings, and anything else he wrote (eg; the Simarillion): The great grand-daddy of modern fantasy. Not having even the slightest familiarity with his work is inexcusable. He is the creator of the entire genre.
• Robin Hobb - The Farseer Trilogy and The Liveship Traders: First is a story of a royal bastard's horrible upbringing as an assassin. Second is a story of magical sailing ships that talk, dragons, pirates, rape, 14 year old girl overcoming terrible misfortune. It has it all. (Please note the following two sets of books in the series are a little average compared to these two).
• Charles De Lint - Someplace to be Flying and Trader, Pretty much all of his books, you can't really miss: Most of the books seem to be set in canada and revolve around gypsy folk-lore and native american spiritual stuff with urban settings. Don't get attached to characters.
• Fritz Leiber - Swords and Deviltry, et al.: A runaway momma's boy and a failed magician's apprentice lose everything and become thieves in Lankhmar, center of civilization and debauchery. They are Fafhrd and the Gray Mouser:, swordsmen supreme, insatiable adventurers, womanizers unequaled, and bros of the highest caliber. Together, they plunder the world of riches, bitches, and wine, while facing magic and horror of a decidedly cosmic sort.
• Glen Cook - The Black Company: I can't remember the exact quote, but someone put it best when he said "it's a story about level 5-8 badasses trying to make it in a world dominated by epic level Wizards". Follow the mercenary entourage known as the Black Company as they sell their swords to the highest contractors, who usually end up being The Big Bad Evils.
• Gene Wolfe - The Book of the New Sun: The setting is inspired by Jack Vance's Dying Earth series, so this could be either in SF or Fantasy. A torturer is exiled from his guild and old life after he helps kill the woman he loves to spare her from the agony of torture, now forced to journey through Urth; our Earth in the far, far, far future, in a time when our sun is beginning to die. These books do not make for easy reading, however. The author uses lots of very obscure words to create the worlds own unique lingo. Also, the main character is an unreliable narrator of the more extreme sort. The reader will be spending some time figuring out what are the truths and what are the lies.
• Richard Adams - Watership Down: The epic story of a tiny band of desperate people's odyssey to flee a great calamity and find a new homeland. Along the way, they fight dangerous battles, encounter dangerously seductive dystopia after dystopia, and ultimately destroy a fascist dictator before founding a new nation. Also, everyone's a rabbit. Badass storytelling, sweet worldbuilding, and an incredible level of quality for a children's book.
• Ursula K LeGuin - Earthsea trilogy+: Threads about /tg/-approved literature will consistently end up having a poster say something to the effect of "no Sea Jedi Wizard Chronicles WTF" about halfway down, immediately being followed by a chorus of agreement. Needless to say, this series is an excellent one, little-known but suprisingly influential. It's the series that established the concepts of the concept of nominal magic as understood in modern fantasy literature: names of power in the language of magic are spoken to exert power over the person, place, thing or idea that name refers to. Later, less-respectable novels such as those by Christopher Paolini would abuse this concept for fun and profit. Sadly, such novels seldom strive to equal the actual accomplishments of the Earthsea novels, such as the successful building and display of a rich, believable, and internally consistent setting without letting any of the world building bog down the narrative like in LotR.

Science Fiction

• Douglas Adams - The Increasingly Inaccurately Named Hitchhiker's Guide to the Galaxy Trilogy: On of the funniest works of science fiction ever made.
• Issac Asimov - Foundation Series: The seminal space opera.
• Robert Sheckley - short stories: once dubbed the clown prince of sci-fi, recommended by Douglas Adams.
• Edgar Rice Burroughs - the Barsoom Series-aka Mars Chronicles: Iconic, manly, and fuckin' A!
• Harlan Ellison - I Have No Mouth, and I Must Scream: The last five humans alive are being held deep in an underground complex, where they are perpetually tortured by AM, the sadistic AI that wiped out the rest of humanity, with no hope of escape. The most creepy thing in this book is that the author thought it was optimistic. If he someday went to wrote something pessimistic, the universe would implode from the sheer grimdark overdose.
• Robert A. Heinlein - Starship Troopers: Where Space Marines and Tyranids came from.
• Stanisław Lem - Tales Of Pirx the Pilot: Collection of short stories documenting gradual progress of humanity in space exploration and AI development. Nice deconstruction of all the shitty elements from space opera, before there even was space opera.
• Frank Herbert - Dune & its earlier sequels: World-building, politics, super-humans - it's one helluva party. The spice must flow!
• Walter M. Miller, Jr. - A Canticle for Leibowitz In the grim darkness of the far future there is only Catholicism. Think Fallout meets Farenheit 451 and you wouldn't be too far off.
• George Orwell - 1984, Animal Farm: WAR IS PEACE, FREEDOM IS SLAVERY, IGNORANCE IS STRENGTH! FOUR LEGS GOOD! TWO LEGS BAD!
• Neal Asher - The Gridlinked Series: Some of the best, hardest sci-fi out there, this is one of those universes that has unique, creative technologies (rare nowadays)as well as 007...EEEN SPESSS
• Aldous Huxley - Brave New World: Take 1984, and do the total opposite the way people are controlled (rather than "Do what I tell you or I'll beat you", it's "Do what I tell you and I'll make you feel good") mixed with a Tau-esque genetically enforced caste system and conditioning to make people embrace their servitude.
• Paolo Bacigalupi - Pump Six and Other Stories: Biopunk meet post-apo and hefty dose of shady business. Think Shadowrun, mins the magic.
• John Steakley - Armor

Horror

• H.P. Lovecraft - The Call of Cthulhu & Other Stories, Dreams in the Witch-House, At the Mountains of Madness, and anything else he wrote - Lovecraft is to modern horror what Tolkien was to fantasy.

Mystery

• Raymond Chandler - The Big Sleep: The grandfather of Noir.

Historical Fiction

• Kawabata Yasunari - The Master of Go: The story of a brash young power gamer challenging a grizzled old neckbeard to a championship Go match. Chronicles the national-scale edition war that was 1930s Japan through the medium of gaming obsessed hyper-autists.

Shunned/Hated

• Terry GoodBadkind - The Sword of Truth: An infamous series full of Terry's magical realm BDSM, utterly gratuitous rape and torture (Terry's cheap/lazy method of making his main characters look better by comparison), and "heroes" we're supposed to arbitrarily like no matter what horrible things they do. Badkind himself having nothing but contempt for the entire fantasy genre while bragging about how he is a "serious" novelist and packing the later books with his stupid Ayn Ranting (even when it contradicted previous fucking events) did him no favors. Model for George R. R. Martin.
• Stephanie Meyer - Twilight: ...Have you been on the internet lately? The series that singlehandedly killed an entire style of modern fantasy vampire for an entire generation of fantasy fans who aren't sexually-frustrated housewives and hormonally-addled teenage girls.
• Christopher Paolini - The Inheritance Series: A Mary Sue main character and a derivative plot. It was written when Paolini was a teenager and it shows. Every single book could stand to lose at least a third of its wordcount and there are lot of times when the plot grinds to a halt for entire chapters just for the characters to think and ramble about the most inane of topics. Less offensive than other stuff on this list since it lacks traits such as bootlick fans and an asshole author. The author also put a decent amount of effort into his worldbuilding which is more than can be said for Badkind and Smeyer.

Other Recommendations

Fatguys briefly exit their basement comfort zone to recommend /tg/ romance novels. DEAD LINK