Dark Age of Cartoons
This article or section is about something oldschool - and awesome. Make sure your rose-tinted glasses are on nice and tight, and prepare for a lovely walk down nostalgia lane. |
This article is a stub. You can help 1d4chan by expanding it |
A twenty-year expanse between roughly 1970 and 1990.
So named because cartoonists and writers had virtually no creative control and were forced by management to create horribly-written and horribly-executed scripts, resulting in shit like the Smurfs and 1980s My Little Pony. These shows were shit, and the cartoonists fucking hated them. The biggest reason for this was the near-dominance of several animation studios at the time enforcing creative control; the fail would eventually cause what would become known as American Cartoon Syndrome, a terrible illness, in almost every work it could contact. A common refrain from these times is that management would allow for only 7 different types of story - and not in the usual literary archetype fashion, either. Many plots for these shows were blatantly and openly used by one another, and you would see the same stories over and over and over, just with the situation happening to different characters.
John Kricfalusi, founder of Spumco Cartoons (who would later create Ren and Stimpy, one of a few dozen shows that heralded the end of the Dark Ages), elaborated that the scripts that the writers and cartoonists would need to work on were literally retarded, with spelling and grammar errors, complete lack of actual character buildup, and mused that the situation was so bad that members of the staff would routinely light scripts on fire before throwing them into Kricfalusi's office, prompting his staff to have to stomp them out before getting to work.
It only stopped when smarter allowed less-known cartoonists on the air to release cartoons that had much greater control from the staff, paired with international shows starting to gain popularity.