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Star Trek

2020-01-01T00:01:55Z

2406:3400:20F:FFC0:C5AE:5EA8:36B2:B52D: /* The Orville */

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[[File:Enterprise.jpg|thumb|500px|right|If you aren't already hearing the theme song you might not belong here.]]

{{Topquote|Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no man has gone before!|James T. Kirk, third captain of the starship USS Enterprise}}

'''''Star Trek''''' is a multimedia science-fiction series and one of the cornerstones of nerdy media properties, and one of the few to crossover into mainstream popularity (alongside ''[[Star Wars]]'', ''[[Doctor Who]]'' and a few others). It's also one of the longest-running science fiction franchises, as it began when the the first episode of The Original Series aired in 1966, and since then has had over 50 years of geek history spanning several generations. Needless to say, it's had a huge influence on all things sci-fi, and, by extension, [[/tg/]].

Originally, ''Star Trek'' was [[noblebright]] beyond noblebright and, in many ways, was the polar opposite of ''[[Warhammer 40,000|Warhammer 40K's]]'' [[grimdark]]. The more recent reboot films, however, have taken a much, ''much'' more grimdark tone, which is delightfully [[skub]]tastic.

== Games ==
There's been plenty of tabletop games and [[/v/|vidya gaems]] featuring ''Star Trek'' without being merchandising bullshit (see: themed ''[[Monopoly]]'' sets), including one of the earliest action multiplayer wargame: ''Netrek''.

*'''''Star Trek: Adventure Gaming in the Final Frontier''''' (1978) The very first Trek tabletop [[RPG]]. Written by, I shit you not, Michael Scott. Groggy (grokky?) as all hell, and due for an OSR.
* '''''[[Star Fleet Battles]] (SFB)''''' (1979-) The crunchiest starship combat game you're ever going to find outside of a computer. Based on the original series and not any of the later series, for licensing reasons. Takes some liberties with the setting, which (combined with the aforementioned licensing) is why "''Star Trek''" isn't actually in the title. It's had its own video game spinoff in the form of Starfleet Command. The series died when the last company owned by Interplay broke up in the early 2000s.
* '''''Star Trek: The Role Playing Game''''' (1982-1989) Made by [[FASA]], essentially ''[[Traveller]]''-lite, or a happier, shinier ''[[Rogue Trader]]''. Hasn't aged terribly well, what with having been made when the only canonical ''Star Trek'' materials to work with were the original and animated series, the first four films, and a couple of now non-canon novels. If you try to dust it off, expect tons of conflict with the rest of the show. Died as they were trying to update it for ''TNG'', because Paramount's corporate suits (surprise, surprise) had no idea what an RPG actually entailed and were worried about violence, and getting their cut, and... oh you know the drill by now. Welcome to the 80's.
* '''''Star Trek: Starship Tactical Combat Simulator''''' (1983) FASA designed this, so it feels like ''[[Battletech]]'' but not as good.
* '''''Prime Directive''''' (1993-2008) The most successful tabletop RPG line (but that's not saying much), it's actually still in print. Produced by Amarillo Design Bureau, so again no direct name-dropping of "''Star Trek''." Lasted as long as it did by constantly evolving, in Borg-like fashion, to adapt to the current zeitgeist. Has had 4 editions, with the second using [[GURPS]], the third using [[Wizards of the Coast|d20]], and the fourth [[d20 Modern]].
* '''''Star Trek [[Card_Game|CCG]]''''' (1994-2007, 2011-2014, 2013-2015, 2018-) There's been a few of these, most notably the games released by [[Decipher]], but never globally popular. They also suffered from game balance problems from fans wanting their fave character, but needing extra rules for their quirks. There's also the problem of putting numbers to character stats, such as one game that asserted that [[Heresy|Picard having about twice the integrity of a Klingon pig]]. Later versions are "deck-building" games to try to cash in on the popularity of ''[[Dominion]]'' and ''[[Thunderstone]]''. And now virtual CCGs are the order of the day.
* '''''Star Trek: The Next Generation Role Playing Game''''' (1998-1999) The next attempt, made by Last Unicorn Games. Won an award for best new game, which makes it a complete shame that no one has ever played it.
* '''''Star Trek Red Alert''''' (2000) A Diskwars game themed to ''Star Trek''.
* '''''Star Trek Roleplaying Game''''' (2002-2005) When [[Decipher]] had the CCG license, they decided, "What the hell, let's make an RPG, too." It, like so many of its predecessors, died unnoticed and unmourned.
* '''''Star Trek Online''''' (2010-) An [[MMORPG|MMO]]. Decent gameplay mechanics, especially starship combat. Storyline leaves something to be desired, especially when the ostensibly [[Noblebright|peaceful]] Federation trades shots at least once with every other faction in the galaxy.
* '''''Call To Arms: Star Trek''''' (2011) [[Mongoose_Publishing|Mongoose]]'s license for ''Babylon 5'' expired, so they collaborated with Amarillo Design Bureau (the ''Star Fleet Battles'' guys), re-themed the game to Star Trek along with improving the system to make it more nifty. Less micro-management than SFB, and ships get some cinematic feats.
* '''''Star Trek: Expeditions''''' (2011) Ignore the tie-ins to the movie, Reiner Knizia designed this. Explore the gameboard, flip over missions, try to have the proper crew to get victory points.
* '''''Star Trek: Fleet Captains''''' (2011) Tile flipping, exploring, and spaceships fighting over resources
* '''''Star Trek: Attack Wing''''' (2013-) [[WizKids]] license the flightpath system from [[Fantasy Flight Games]] and adds ''Star Trek'' to the mix, [[Skub]] ensues. The game has been consistently plagued with balance issues, to the point that the rules errata is more than ten times longer than the actual rules. The actual current rules for things like the Borg special movement and fighter squadrons are completely different than the rules as written.
* '''''Star Trek: Ascendancy''''' (2016-) 4X table top boardgame from GaleForce9. Most of the races are represented, though the base set only has the Federation, Klingons and Romulans. Andorians, Vulcans, Cardassians and Ferengi can be purchased as expansions. There is even a Borg expansion that turns the game semi-coop as everyone tries real hard not to be assimilated.
* '''''Star Trek Adventures''''' (2017-) The latest attempt at an RPG, by Modiphius, coming out soon to tentative praise. It also comes with a whole range of miniatures of the various crews from the show.

== So why should I care? ==
Because between them, these six TV series and their assorted spinoff movies, books, etc. can provide inspiration for any sci-fi game you could care to run. If you want light-hearted action, look at the sort of things that happened in ''TOS'' or ''DS9'' to get the crew into some dangerous situation. If you want a charismatic villain, look at Gul Dukat or the Borg Queen. If you want moral issues and debates, look at the shit that happened to Voyager and remove all the transparent deck-stacking and cheesy moralizing (or you could read any decent SF book/watch a ''Twilight Zone'' episode written in the previous 50 years, if you don't need your source material to be served at a 2nd grade level). Like [[Tolkien]] is to fantasy it's a prime gateway drug to science fiction and especially science fiction which is more than "action movie IN SPACE!"

Not to mention in any sci-fi RPG with remotely free-form rules you're likely to encounter ''Star Trek'' fanboys, so you might as well know what they're talking about. The unholy spawn of a Trekkie and a [[Furry]] is known as a [[Chakat]], and you should fear it.

At its best ''Star Trek'' is thoughtful, optimistic futurism with a positive human element and brings you to strange new worlds in the grand tradition of speculative fiction which is accessible to even the layman. At its worst ''Star Trek'' is arrogant, smug, hypocritical, preachy, dull, sloppy and prone to the strawman fallacy.

== Setting ==
Here's the Cliff's Notes on ''Star Trek''. A couple of general warnings; firstly, ''Star Trek'' likes to ''really'' take its "racial themes" bits just a little too far. Second, despite this, it's rare for an entire race to be completely irredeemable the way many fictional aliens are: there are heroic and sympathetic characters from nearly every race listed below, able to put more-positive spins on their racial themes. Thirdly, aside from very occasional appearances by [[H.P. Lovecraft|aliens who are so bizarre that humankind can barely comprehend them]], all of the aliens look like dudes with rubber masks on (because they are). In real life, this was because there was no budget for anything else, but in-universe it's been explained by some kind of [[Old Ones|Precursor]] race who seeded all of the planets with their broadly humanoid DNA, and every race evolved slightly differently from there. There isn't much [[fluff]] on what these precursors were like, and some of it was contradictory, and Gene Roddenberry didn't like the idea (although he still had to work with the rubber forehead stuff). The good news for fa/tg/uys who like [[homebrew]] is that this makes it fairly easy to write [[d20 system]] rules for all of the races - after all, most ''D&D'' races are just humans with rubber masks on...

=== A Composite Creation ===
This is a general note that one should consider: Star Trek was created in pretty much the opposite way as The Hobbit and The Lord of the Rings. Tolkien worked out a bunch of linguistic stuff and general history of Arda in his spare time, then decided to use that as the basis for some stories that he eventually gave to some publishers which in the end sold quite well.

Roddenberry by contrast pitched a very broad general idea (it's the future, things are good, we got guys some on a ship exploring space; a "wagon train to the stars") to the networks who eventually took it up on it and had him work with a variety of writers and actors who added to this rough skeleton of an idea in a process that would continue on to this day.

This is not to knock either approach, but both have their advantages and disadvantages. In regards to Star Trek, a franchise which relies mostly on an episode of the week format that's been going on for more than half a century this means that the canon is a fucking mess. There were numerous people at the helm and many of them had often very different ideas about what should be done that were just thrown out to see what stuck, many of which were contradictory and some of which we'd frankly rather forget. In general fans and fluff writers have been spending a whole lot of time trying to straighten out things and much of the lore is basically a rough consensus of what people like and what fits in with it. Later series got more systematic about this, but there are still points of contention and a lot of flat out contradictions due to its scattershot nature.

=== Factions ===
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'''The Federation'''
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[[File:Federation_Ships.jpg|thumb|500px|left|Starfleet's ships of the Line (primary timeline)]]
Might as well talk about that main faction. The United Federation of Planets is what the [[Tau]] think they are. Its backstory is that in the distant future of the 1990s, [[God-Emperor of Mankind|übermensch]] [[Space Marines|created by genetic engineering]] began conquering the Earth. The [[Imperial Guard|normies]] fought back and won through sheer numbers, cryogenically freezing the Augments and kicking them out of Earth, but the damage and mass political unrest of World War III got half the planet nuked. This was why genetic engineering was banned. Fortunately, in 2063, a <s>drunken asshole</s> heroic visionary named Zefram Cochrane created humanity's first warp drive (though it functioned based on the principle that gravity bends space-time, and was therefore more akin to an Alcubierre drive than anything that's dependent on the [[Warp]]) and made first contact with the Vulcans. The Vulcans eventually helped humanity rebuild and overcome poverty, disease, war and hunger. With its Earthly problems solved, man turned to the stars and found out its three closest neighbors were [[Imperium of Man|racist xenophobic dicks trying to murder each other]]. Since any war between them would've swept up puny little Earth and gotten it glassed, humans decided to force their neighbors to sit down and talk things out. Incredibly, it worked, and the United Federation of Planets was born.

The Federation is a commie [[noblebright]] hippieland society with a strong democratic government ([[Mary Sue|pretty much Roddenberry's idea of utopia]]). As a result, Federation citizens work not because they have to, but because they want to. However, despite their advanced technology, transhumanism, that is intentionally making [[Space Marines|SPESS MEHREENS]] and mutants like the infamous antagonist Khan Noonien Singh, is illegal.

The Federation's Navy is almost always called Starfleet. It's a mix between a military, a coast guard and a space agency, and usually rates scientific research as a higher priority than defense. One of its quirks is that it doesn't subscribe to the "bigger is better" policy used in most [[Warhammer 40K|sci-fi]], and even by most of the other ''Star Trek factions''. If the Federation ''does'' make a large ship, it's because they want it to have a daycare, swimming pool and ice cream bar. If they want a warship, they'll take a little gunship half the size of a modern day destroyer and pack it with enough antimatter nukes and guns to exterminate a solar system. In some cases, especially when dealing with ships from several centuries into the future, the ship is bigger on the inside than on the outside [[Creed|allowing it to hide a vast array of powerful armaments, ''space-bending'' equipment, and even whole planetary landscapes]]. They can get away with this because they out-tech almost everyone else by a country mile. The reason for the series' infamous "technobabble" is that <s>even ''they'' don't know everything their tech can do!</s> their technology is always evolving, and they know it so well that they can often use it in ways that even the original in-show design schematics did not intend.

In theory, Starfleet follows a rule called the "Prime Directive", which says that you're not allowed to interfere with low-tech races ("low-tech" being defined as "not having invented the warp drive", since warp technology apparently follows naturally from the laws of physics) or else things like turning the locals into Nazis might happen. The Original Series talked about this rule all the time, and Captain Kirk threw it aside whenever there was a sexy alien babe in sight. From ''TNG'' onward, it tended to instead be brought up whenever a hack writer needed a reason for the heroes to ''not'' instantly resolve a given problem with their superior technology or a way of making our heroes look like assholes for following it rigidly (yes, we could save this species from extinction but that would be interfering with the cosmic plan!), though there were a few good episodes that took it seriously.

Some of the more important member races are:
* [[Humans]]: You know 'em, you love 'em. Comprise seemingly 90% of Starfleet for reasons in no way related to the cost of makeup/CGI.
* Vulcan: The Original [[Eldar|Space Elves]], very emotional, especially during "pon'farr" (see below), who followed the teachings of an enlightened sage and embraced logic and rationalism after their emotions nearly led to them [[Slaanesh|wiping themselves out]]. They are what the average race of fantasy elves think they are, except on ''Enterprise'' because the writers wanted to artificially inject tension into the show (some of that was retconned to be a Romulan plot). Occasionally enter a state called "pon'farr," where they need to either [[Dark Eldar| fuck something half to death]], kill it with the nearest sharp object, or die of a brain aneurysm to let out all that pent-up emotional tension. Fa/tg/uys may recognize this as the sensation they feel every time [[Games Workshop]] puts out a new army book. Pretty bro-tier overall.
* Andorians: Blue dudes with antennae and constant fits of passion, the polar opposite of Vulcans and their one time foes. Pretty much fa/tg/uys, right down to the romantic streak, in the technical sense. Also, they live underground on a diet of meatbread and rage. Most of what defined them happened in Enterprise as they rarely showed up in the TNG-era, and even then did so as set dressing, allegedly because one of the showrunners hated their antennae and banned anyone from using them.
* Tellarites: Space [[Dwarf|Dorfs]]; like insulting everyone and arguing a lot (no, really, petty insults are considered a polite gesture in Tellarite culture), mostly because the very first tellarite ever shown in the series got in an argument with Spock's dad and now it's their whole racial thing. “Sarek said something in a scene once that was meant to demonstrate that he was stand-offish and kinda rude, but we like Sarek so it's now the defining attribute of this species.” It's all in good fun you understand, your confidence in your ideas and actions should be sturdy enough to withstand honest assessment and critique.
* Betazoids: Invariably attractive humanoid aliens with telepathic powers. Half-betazoid, half-humans apparently only have "empathic" powers, so they are well-regarded by Starfleet captains for their ability to point out the obvious and fill out the tight bodygloves that make up the Starfleet uniform in a pleasing manner, especially since theirs seem to come in a custom cut for reasons entirely unrelated to Roddenberry's erection. Their homeworld is like dropping a really hippie college and Space Vegas into a blender.
* Trill: Originally a one-off race introduced as a sapient parasite that possesses and controls a barely, or even unintelligent humanoid host, they were radically reworked in ''Deep Space Nine'', right down to losing their rubber foreheads in favor of spots. Now, the host is itself an intelligent humanoid, and some, but not all, of their kind are able to willingly merge with a symbiont (because someone can't spell) that allows them to access a mixture of the memories and personalities of all previous hosts, though in a way that, theoretically, enhances the host's personality rather than destroying it or subsuming it. Then, when they die, they can pass on the symbiont to another host, theoretically one they mentored. Also, because the makeup artist didn't want to ruin the leads' good looks on DS9, they went from having a rubber forehead to some spots.
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'''The Klingon Empire'''
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[[Image:Batleth.jpg|thumb|right|A Bat'Leth (sword of honor), one of several types of Klingon bladed weapons. Frequently mocked IRL for being a poorly designed weapon.]]
[[Commissar|''"It is a good day to die!"'']]

The Federation's main rival and (movie era and afterwards) the quintessential ''Star Trek'' race of lumpy foreheaded aliens. Originally they were a rough analogue to the Russians (though they took some elements from [[Communism|communist China]]) in a rough cold war allegory with the Federation (even though the Federation are as commie as they come, though admittedly much of that came around in the TNG era). Their defining feature was that they were militaristic and imperialistic while the Federation was scholarly and respected liberty. This gradually moved more and more into them becoming Imperial Japan/[[Vikings]] In SPESSS obsessed with honor, fighting and dying honorably in battle while worshiping at the altar of [[Sigmar|warrior Jesus]], even as they turned from the Federation's bitter enemies into that friend who's fun to be around when he's not getting into drunken bar fights. You see shades of it in during the movie era and it became more and more prominent through ''TNG'', culminating in ''DS9''. Do not make the mistake of thinking that Klingons are nothing more than barbaric savages however; with Worf being part of the crew, and with ''DS9'' dealing with Klingon politics an awful lot we can see Klingon society as it truly is. Even so they do often wander into self parody territory.

The Klingons, in their current iteration, are a feudal society ruled by a council made up of the most powerful families. Klingon society holds very little value on things such as currency and material gain (which results in the Klingon empire [https://www.youtube.com/watch?v=Q65l7RHUx2A having a very simplistic understanding of economics]), believing that anything you acquire without some form of blood, sweat and/or tears on your part is a pathetic and dishonorable way of going about things, much the same way many cultures used to hurl abuse at merchants and bankers. Another thing to keep in mind is that a Klingon's reputation is literally everything. This can be easily seen in the episode "The House Of Quark" where dying honorably can literally change the outcome of an entire noble house, later when the Grand Council is visibly disgusted at D'Ghor. No respectable Klingon uses ''money'' to defeat his opponents. And no respectable Klingon would be so eager to perform an execution of an unarmed Ferengi in what was supposed to be an honorable duel. Klingons are still capable of being cunning and crafty however, and having a high diplomacy score is viewed as honorable as they still have examples of cunning and clever heroes tricking boorish and stupid monsters.

[[Warhammer 40000|Klingons often carry swords into battle in an age of energy beam guns]]. In-universe, this is less suicidal than it sounds in the context of boarding actions and tight starship corridors. The Bat'leth is actually a rather shitty weapon. The Mek'leth is noted to be better in most situations. They use the same Disruptor weapons as the Romulans, and at one point used similar starship designs. While is explained as the result of a temporary and unholy alliance, given the eventual animosity between the two races, it was just an excuse to reuse props on a limited budget.

The Klingons are tied with the Vulcans and the Borg as being the most prominent and recognizable non-human species in Star Trek. Beloved of the Internet and the general public, to the point that there are published books like "A Klingon Christmas" in the world. The Klingons have their own constructed language. If you are ever worrying that you might not be a nerd, learning Klingon will solve that problem for you. Please note that this is in general considered by experts to be pathognomonic of [[Chris Chan|autism]]. You have not experienced Shakespeare until you hear it in the original Klingon.
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'''The Romulan Star Empire'''
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''"It's always chess with the Romulans"''

You know those [[Eldar|Vulcans]]? Well a few thousand years ago, as their planet was ravaged by war, some of them turned to intense emotional control and logic to tame their murderous passions, while most others left the planet altogether, founding a colony on the planet Romulus and dubbing themselves [[Dark Eldar|Romulans]]. Since said planet shares a name with a mythical figure known for founding [[Roman Empire|a city which built a vast empire]], and they had warp drive while those around them did not, you probably know that they turned to building an empire of their own. They hold the second place of prominence as immediate rivals to the Federation. Comically, they actually have better emotional control than the average Vulcan, since they gene-engineered most of their problems away years ago, and don't have to deal with the emotional blowback from pon'farr. The downside is that they lost some of their cousins' niftier powers, like mind reading and being able to transfer their soul into another person for safekeeping. Although Star Trek Online also revealed that their trip to Romulus was a terrible ordeal, and their gene-engineering was taking during that time resulting in them losing most emotions save for bitterness of being "forced out".

The difference between the Klingons and the Romulans is basically the difference between Gork and Mork, or Khorne and Tzeentch. Klingons will fight you up front with simple brute force. Romulans are sneakier guys, preferring to fight you when you're not looking with spies, cloaked ships and complex plots behind the scenes and playing the long game. There is a lot of political infighting among them, though where the Klingons would duel to the death Romulans would seek to discredit their rivals, have them die in unfortunate "accidents" or disappear. This difference has left both Romulans and Klingons with a big hate-boner for each other, to the Romulans the Klingons are crude brutish barbarians and to the Klingons the Romulans are a pack of scheming cowardly weaklings.

Like the Klingons, they served as a rough Cold War allegory. In this case, they were rough analogs to Communist China (as seen by 1960s Americans), a distant horde of inscrutable and potentially dangerous Orientals who generally were unseen and projecting vague menace, but when encountered face-to-face could pack quite a punch indeed: the first major Interstellar War that Star Trek Earth fought was with the Romulans, which was fought entirely in space with neither side ever seeing the other face to face. Afterwards they set up a 'Neutral Zone' between the Federation and the Romulan Empire that no one even tried to cross for a century. From the Original Series onward, they frequently squabble and bicker with the Federation, before joining forces with them to fight the Dominion in ''Deep Space Nine'' and having their government devastated in ''Nemesis''. Finally, Romulus itself got caught in a supernova as part of the Ambramsverse's backstory.
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'''The Ferengi Alliance'''
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[[Image:GW_Ferengi.jpg|thumb|left|A typical ferengi engaged in typical ferengi activities]]
''"A Ferengi without profit is no Ferengi at all."''-Eighteenth Rule of Acquisition

Introduced in ''TNG's'' early days as the villains for the series, and what [[/pol/]] thinks Jews are. Some Jewish people have actually complained about their being subliminally Jewish and thus anti-Semetic, specifically mentioning that they were moneyhungry, lascivious, and ugly, and their large ear lobes were stand-ins for the sterotypical Jewish nose ([https://www.washingtonpost.com/news/made-by-history/wp/2018/08/14/science-fictions-anti-semitism-problem/?noredirect=on more on that here, we're not shitting you]), based on an old medieval stereotype that was enforced to prevent them owning land or assets. The idea was to make a caricature of capitalism as a contrast with the techno-communist Federation. This might have worked if these were not [[FAIL|''TNG's'' early days]]. Instead they overshot the mark by a light year or so, on top of other bad decisions, and you got a race of short (Gene wanted to make an evil short race as big evil races were overplayed), big-eared, [[goblin]]-like losers about as threatening as a grumpy pug. Over the first and second seasons they tried to make these guys threatening, but they fell flat on their face every time. Eventually the writers just said "fuck it" and the Ferengi got demoted to comic relief species, and their status as terrible enemies was demoted to propaganda designed to scare the Federation while the Ferengi government tried to figure out what to make of a species that rejected the acquisition of wealth as a goal. The Ferengi had some good moments in the later seasons of ''TNG'', but most of the best stuff that fleshed them out came from ''DS9'', which had an [[awesome]] Ferengi bartender named Quark as a major character. For an idea of what the Ferengi might have been like if the writers had their shit together, look up the Druuge of [[Star Control|Star Control II]] or the Magog Cartel from Oddworld.

Ferengi religion is only hinted upon in ''DS9'', but what is seen implies a simplistic system based on financial success. Ferengi all follow a rulebook/canon known as the Rules of Acquisition, which can be described as Ayn Rand IN SPACE and condensed into the form of Confucius' Analects. There are 285 of these, each a short piece of advice on how to stay in the black. Examples include "Peace is good for business," "War is good for business," "Never have sex with the boss's daughter," and "Dignity and an empty sack is worth the sack." The first, and most important, of these is "Once you have their money, you never give it back." Sometimes, the Ferengi Randian spirituality extends into outright interpretations of the afterlife: according to some, the afterlife consists of the Divine Treasury and the Vault of Eternal Destitution, which are respectively analogous to Heaven and Hell. Entrance into one or the other depends on one's business ventures at the time of death; those that were turning a profit are allowed to enter the Divine Treasury, and the rest are damned to the Vault.

Ferengi government is ruled over by a Grand Nagus, a mix between a <s>pope</s>chief rabbi and a CEO, and he basically treats his civilization like some sort of company, with citizens regarded as workers. Directly below him is the Ferengi Commerce Authority, a [[what|quasi-religious]] organization dedicated to ensuring that correct business practices were followed and correct moral behavior was shown (including keeping the proles in line), although to the Ferengi, these are one and the same. The agents of the FCA are the Liquidators, who are essentially Inquisitors crossed with IRS auditors on steroids. Be afraid. Be very afraid.

Ferengi females have no rights and are mentioned as [[PROMOTIONS|not even being allowed to wear clothes]], which leads to [[That Guy|boorish behavior]] on the part of Ferengi towards just about any species. Of course, we see female Ferengi on the show who push that envelope, but it seems that overall "regressive" does not even begin to describe the gender relationships in their culture. Quark's mother, a social climber who marries the head of their government, begins pushing through a women's rights movement during DS9, which proves more successful as time goes on.
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'''The Borg Collective'''
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[[Image:Borg cube.jpg|300px|thumb|right|The Borg have assimilated and improved your [[d6|die]]. It always rolls six. Crap your pants, 'cause resistance is futile.]]
{{Topquote|We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture shall adapt to service us. Resistance is futile.|The Borg's opening hail. This is not a boast or a brag, it's them simply explaining you how things are going to go down.}}
{{Topquote|One other thing. You may encounter Enterprise crew members who've already been assimilated. Don't hesitate to fire. Believe me, you'll be doing them a favour.|Picard going full [[grimdark]].}}

The Ferengi were utter failures as serious villains, so they needed something to fill that gap. Thus they made the Borg, an aggressive [[Tyranid|hive-minded]] collective of hyper-adaptive, [[Necron|regenerating]] cyborgs that assimilates entire species into itself in its attempt to improve and evolve. Shit, that's like coming up with [[Warforged]] while trying to replace [[Kender]].

In many ways, the Borg are the truest dark reflection of the Federation, and despite their name, they're not Swedish. While the Feds want you to join their little club on your own, to "add your culture to the galactic community," the Prime Directive means they will ultimately accept you turning them down, even if you have shit they really want. The Borg say "fuck that" and just absorb you. While the Federation believes everyone should work together [[Tau|for the greater good]], they still have a very strong sense of individualism and a culture of personal accomplishment (unless your individual belief happens to run counter to the Federation's principles anyway, in which case you're just WRONG because the Federation is the best). The Borg pool all their minds together into a massive collective consciousness in the pursuit of group perfection, becoming an almost-literal personification of techno-capital. The Federation is all about beauty and tranquility and all that hippie stuff, and their tech is eco-friendly and dolphin-safe. Borg [[Tyranids|strip mine entire planets and drain entire oceans]] in the name of growth and efficiency.

Your standard Borg [[cube]] is a huge multi-kilometer [[Firaeveus Carron|metal box]] (yes, bigger than most [[Imperial Navy]] cruisers) able to go up against an entire Federation warfleet and win. That's right, one of their ships could threaten the entire Federation and [[Exterminatus]] Earth. When done right, [[Necron|they are a cold, calculating, nigh-unstoppable force, a threat to all life]] that wants to retain free and distinct personalities (although they will ignore a single person if not on an assimilation mission, as what they really want is to absorb whole civilizations). Apparently, in Picard's nightmare in ''First Contact'', the Borg assimilation process includes a surgical [[Grimdark|drill through the eye. While awake.]] Of all the stuff to come out of the TNG Era they are undoubtedly the most well recognized in mass pop culture.

Unfortunately the got a bad downgrade during ''Voyager'' (the Borg Queen blew up cubes full of tens of thousands of drones because a few of them have been severed from the Hive Mind), but even there they were frequently not to be messed with. One amusing thing to note for people that haven't watched ''TNG'': the Borg were actually only in six episodes (and three were breakaway drones) and one movie, yet they're arguably the franchise's most famous pure villains aside from Khan. Goes to show how good they were when written properly. Then in ''Voyager'' they get their shit completely pushed in when they discover a new race of extradimensional aliens which they label Species 8472, which were immune to being assimilated, and had to ask the Federation for help in dealing with them. [[Necron#Regarding_Fluff_Change_-_Sore_Butts_Everywhere.|Wait, this sounds familiar...]]
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'''The Cardassian Union'''
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Introduced in ''TNG'', they are third fiddle to the Klingons and the Romulans. If the Klingons are hypothetically-honorable techno-barbarian warriors and the Romulans are an empire of civilized and refined but sly and ruthless expansionists, the Cardassians are essentially scaly fascists re-enacting ''[[1984]]'' IN SPACE. Their trials announce the outcome at the beginning, and the defense attorney is executed if he wins. Also, THERE ARE FOUR LIGHTS!

Originally a race of peaceable, spiritual artists called the Hebitians (ironically not dissimilar to the Bajorans), modern Cardassia was born in hunger and desperation when their homeworld began to suffer simultaneous mass famine, pandemic, resource depletion, and ecological collapse. A military junta seized power, figuratively and literally auctioned off the soul of their culture through liquidating all the planet's art and religious artifacts into cold hard cash, and turned the Cardassians into the opportunistic imperialists they are today.

Despite being a whole lot weaker than the Federation, the Cardassians manage to hold their own, partly because what they lack in resources and raw power is made up for by a combination of intense cunning and high charisma stats. Compared to the equally deceptive Romulans, the Cardies are more likely to flash you a smile while tickling your ribs with a knife. They'll use any tool they can to gain the upper hand and while that often means unpleasant and terminal sessions in dark rooms, strip mined planets and the enslavement of entire species, they'll gladly become your bestest buddy if it would achieve their goals. Their intelligence service, the Obsidian Order, is also one of the most ruthlessly efficient organizations in the entire sector, managing to outscale the Romulan Tal Shiar when it comes to producing magnificent bastards and manipulating the politics of entire worlds to their advantage. Unlike the Romulans or the Klingons, they don't tolerate the sort of literal infighting that is rampant in both those states, that shit only serves to weaken '''GLORIOUS CARDASSIA''' and needs to be stamped out with ruthless efficiency. Exposing that someone who just happens to be your enemy as being a dangerous subversive is just a benefit, although this can result in both sides of a conflict shouting "For Cardassia!" as they charge each other. Sort of how Democrats and Republicans are both for America, yet oppose each other.

Cardassia has a very fluid hierarchical government, similar to the political realities of post-Stalin but pre-Collaspe Soviet Russia. Broadly speaking, there are three different facets of the government: the Central Command (which holds all the power) the Obsidian Order (who holds the least amount of power, but controls the most puppets) and the Detapa Council (similar to the [[High Lords of Terra]] and just as worthless). Cardassian society holds a very strict view of family, placing family just below the needs of the State.

The State holds a semi-divine mythical status in the eyes of its citizens, with it being viewed as impossible for the State to ever make mistakes. The ideal Cardassian life was one of complete loyalty and servitude to the State and family, with the "repetitive epic," detailing how generations of Cardassians go on to serve both in exactly the same way over and over seen as the height of their culture. The Cardassian government is assumed to be omniscient, omnipotent, and benevolent by pretty much every Cardassian, with all Cadassians gladly giving of themselves to the State. Such was this level of belief that when Picard was tortured by the Obsidian order, the torturer saw nothing wrong with bringing his daughter to work because he was working for the State, and therefore the torture of Picard could never be disturbing or wrong. That's why their trials announce their sentences at the beginning and execute the defense attorney if he wins; their "trials" are more excuses to show off the power and infallibility of the State to the masses than actually determine guilt or innocence.

As far as plot significant activities went, they had a war with the Federation a few years before ''TNG'' which ended in the creation of a Demilitarized Zone between the two powers and (significant to ''Deep Space Nine'') abandoning the previously occupied planet of Bajor they had exploited for resources. After a disastrous war with the Klingons and The Maquis led to a popular revolution and overthrow of the existing government, one leader seized power, declared himself absolute leader, and joined the Dominion towards the end of ''DS9'', which was some serious bad news for the ''DS9'' crew.
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'''The Bajoran Republic'''
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The Bajorans are a species native to the Planet Bajor. They were, until shortly before the events of ''Deep Space Nine'', under a brutal occupation by the Cardassians who strip mined their planet. They had a fighting resistance which veered in and out of being considered terrorists and all in all were often represented as Palestinians IN SPEHSS. After that, they got their independence, although they're thinking about joining the Federation. The Bajorans have one system and are technologically backwards; the Federation is technically breaking the Prime Directive by interacting with them, but as they've spent years under the oppression of a warp-capable species, they can probably handle it. Also ''DS9'' proves that ancient Bajorans managed to travel at warp speeds to Cardassia using solar sails and an enormous amount of luck, which technically makes them a warp-capable species. The only reason why they are significant in terms of the politics of ''Star Trek'' is that they have a wormhole near their planet, which has some timey-wimey aliens living it that they worship as gods, and serves as the only way to get to or from the Gamma Quadrant that won't take decades, making it strategically priceless. Hilariously, this was discovered almost immediately after the Cardassians ''thought'' they'd extracted everything of value from the Bajorans and peace'd out, certain that the system was no longer worth the PR hit they were taking from it, only to get burned by some harsh seller's remorse. Also, their species has the oldest civilization (roughly a half-million years) of any major ''Star Trek'' race, and the wormhole aliens have gifted them some cool shit, like the Orb of Time.

The big thing that makes the Bajorans unique is that they actually have a serious religion going on -the human race is depicted as mostly non-religious. They're also probably one of the most accurate depictions of any highly religious alien race in a sci-fi franchise, because they are divided between the majority who interpret their religion as [[Noblebright|peace and love]], and a small but loud minority of bastards who interpret it as [[Grimdark|condoning acts of terrorism]]. A blatant attempt to simulate Israelis for criticism, although that can apply to many religions nowadays.
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'''The Dominion'''
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A vast empire which exists on the other side of the galaxy in the Gamma Quadrant. The Dominion is ruled over by a species of liquid shapeshifters called The Founders.(aka Changlings aka Odo's people) They have at their disposal a military composed of two genetically engineered species that worship the Founders as gods: the short and articulate Vorta who serve as ambassadors, bureaucrats, and political commisars and the big brutal Jem'hadar, who are vat grown, drug addicted, cannon fodder. These oversee a large number of vassal races, including (as of later seasons of ''DS9'') the Cardassians.

The Founders were once (according to them anyway) a peaceful, kind civilization of explorers who wished to see the galaxy, explore strange new worlds, and seek out new forms of life. Unfortunately, they did this in the wrong neighborhood, and quickly ran into species who did not tolerate others. The fact that the Founders were shapeshifters capable of mimicking almost anyone did not help either. Paranoia, mutual mistrust, and some very bad things eventually led to the Founders deciding "fuck this" and moving their planet into a nebula so nobody would bother them. So more or less, a [[Grimdark|grimmer]], [[Grimdark|darker]], counterpart to the Federation, but with spookier Real Aliens.

The Founders are obsessed with order and are both extremely racist and xenophobic, and believe that all alien life is inherently untrustworthy and evil, and the best thing to do is conquer/enslave them before they do the same to them. They don't care about the rights of "Solids", and will happily ignore any sense of decency when convenient. This can be seen when The Dominion runs a simulation of the Dominion dominating the Alpha Quadrant. When O'Brien is assaulted by a Jem'Hadar and severely beaten to the point of needing emergency teleportation to medical (the crime being "disrespectful"), the Founders (disguised as Federation Officers) do not press charges, and when Sisko comes barging in demanding answers, dismiss him with little concern about their own soldiers brutalizing citizens. Their overall ideology could be thought of as Thomas Hobbes IN SPACE: people are inherently evil and the only way to make a better world is to impose order upon them through brute force from a position of absolute, unquestioned power.

The Founders, when not wandering around in various forms, tend to spend their time in a massive ocean literally made up of countless billions of Founders, something which is referred to as the Great Link. According to the Founders, this allows them to share information with each other and come to peaceful decisions. This is rapidly proved to be bullshit; when a separated-at-birth one of their own merged into the Great Link to share his memories of the Federation as peaceful and tolerant space hippies, not only did the Founders ignore his memories, but actively fucked with his mind in an attempt to turn him into a sleeper agent. And even if it weren't, it shows their hypocrisy through their willingness to share freedom and liberty among themselves while depriving all their various slaves and conquered peoples of the same.

The Founders are massive dicks, even to their own people. Failure among Jem'Hadar is rewarded with slow and painful death from deprivation of the drug they're created to need and their lifespans are incredibly short. To be even bigger dicks, the Vorta have no sense of taste and can't appreciate beauty. Not to make them better diplomats, but because they were raised from a primitive stone-age ape tribe, and the Founders think they shouldn't be ever allowed to forget that. (On the plus side, they did give the Vorta an immunity to poison that would make [[Mortarion]] himself jealous. [https://youtu.be/rACCZaBcq1g?t=1m29s Observe.]) This may also stem from their own neuroses: the Founders themselves have almost no bodily needs at all and require no nourishment, so they design their slaves to be like them. Notably, Vorta tend to come in [[Paranoia|packs of clones; a new one is activated when an old one dies, and they retain some memories and personality between "lives,"]] further hammering home how expendable they are to their makers.

And both races are literally engineered to love their makers for what they have done to them and worship and revere them as gods.

Continuing from the Cardassian Union section because the fate of both powers are linked in DS9. After joining the The Dominion. Everything was going seemingly for them and their leader Gul Dukat. They figured out how t bring down the minefield block the worhole created by the Starfleet crew of Deep Space Nine. (The Cardassians use its old name Terok Nor while in charge.)

However doing the start of the sixth season the Founders learn that their not the only "gods" in the Galaxy. As the Sisko convinces the Bajoran Prophets to remove the Jem'Hadar reinforcements in transit. Forcing them to retreat back to Cardassian Space and Dukat's old friend Damar shoots Dukat's half Bajorion daughter Ziyal. Forcing Dukat off the deep end as the sod loses his sanity and jumps off after his rehab transport is destroyed by the Jem Hadar, and ends up fighting an injured Benjamin Sisko after being forced to hide inside some caverns on a hell world.

After escaping he allows one of the evil wormhole aliens to possess him, kills Jadzia Dax, forgives Damar for killing a family member. Creates a cult of Bajorions dedicated to the Pai-Wraths,than abandons the cult when Major Kira scrambles the suicide pills in with his fake. Has sex with an old woman and becomes a demi-god. Bent on buring the universe despite the fact that his own people suffered heavily under the rule of the Dominion. After getting a final bitch slap from the Sisko who gets to have a happy ending living with his alien parents. While Dukat is trapped in the Fire Caves on Bajor.

His old friend Damar despite murdering a half breed woman is a lot more sane. Lacking Dukat's Crimisa things get worse for him and the Cardassians under Dominion rule. Most of their victories are off screen such as taking over Betazed. One of the none few major non founding planets of the Federation. This forces the Sisko to bring the Romulans into the war to on the side of the Klingon-Federation alliance. With some underhanded methods from a former member of the Cassidian Obsidian Order(Elim Garak). I.e. blow up a Romulan Senator's shuttlecraft and tricking the pointy ears into thinking a damaged but fake datarow was the real deal.

Thus the blame for his death will be switched from the Feds and pals are shifted to the Cardassians. By the final season this leads to the Dominion finding new best buds in the form of The Breen. Damar decides he has enough of the bullshit and in the ultimate irony that his status of his people are now no different from the Cardassian Occupation of Bajor.

So after the Breen score the Domain a temporary victory over the Federation Alliance. Damar and his Cardi buds destroy a Dominion cloning facility. Just so he can stick it to his "friend" the Vorta, Weyoun. Leaving them and the Klingons being the only thing stopping The Dominion from steamrolling the Alpha Quadrant. As one small Bird of Way was immune to the Breen energy dampening weapon due to modding its warp core. Gowron, due to being a moron who did nothing to change course after his most trusted advisor(Martok) turned out to be a Founder and the first time the Jem Hadar kicked their asses during the Klingon-Cardassian War. Decides to take glory for himself and discredit General Martok(who now how his pre Dominion internment job). This goes as badly as your thinking. Forcing Worf(now a legitimate badass compared to TNG) to kill him and turning the role of Chancellor to Martok.

Meanwhile the Feds decided to help out Damar's resistance by sending him Colonel Kira(who now has the rank of a Starfleet Commander), Odo and Garak(Ziyal's former simi-boyfriend). The resistance eventually get their hands on one of the Breen Energy Dampeners. During some infighting Damar realizes that the restoring the old Cardassia is pointless. Killing one of his old friends. The Breen and Jem'hadar do eventually one up the resistance. But not before their brutality turns more Cardassian against them. So during the final space battle this makes the Cardi military switch sides.
Damar is killed during the final raid on Dominion HQ. Focing Kira and Garak to lead the final push into the compound.
The War between the Alpha Quadrant Alliance and The Dominion is ended when Odo offers to share the cure to the disease created by Section 31(the Federation's answer to the Tal Shiar and Obsidian Order) passed on he forced to return to the great Link the first time. While also promising to join the Great Link.

With all their advanced technology. One would think the Founders would have discovered a cure before being handed one. But the bad guys being just as flawed as everyone else is a common theme in Star Trek. Even in Star Trek Online despiste Odo being the one in charge a few decades later. As their Ambassador to the Federation. The experiments of the Founders sketchy past cause them and everyone else huge headaches including the dishonorable mention of the revived True Way.

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'''Species 8472'''
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The one and only race in the galaxy even the Borg don't want to fuck with. Introduced in Voyager, Species 8472 are three-legged creatures that live in a space called Fluid Space. It's similar to the [[Eye of Terror]] for the fact that it connects to an alternate dimension and [[Khorne|everyone will be ripped apart upon entering.]]

When the Borg first came around to try and assimilate them they were completely obliterated in a war in which 4 million Borg were killed in the first few days at the cost of almost no members of Species 8472. This war was such a roflstomp that the Borg were forced to call on the Federation for help. [[Tau|The Federation being the better people swallowed their pride and decided to help their sworn enemies,]] [[Eldrad|but were dicks and sent only one ship.]]

Species 8472 fought with fast moving, small ships and devastating beam weapons so the small ship of the Federation could keep up with them and helped the Borg force the species back into Fluid Space. The Federation were the villains on this one. That said, they eventually came to an accord with Species 8472, preventing further wars between the denizens of Fluid Space, except in lots and lots of video games that want to use a fresh antagonist.

That and that in ''Star Trek Online'', [[Awesome|they look like the fucking Predator.]]
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===The Q===

The Q are a race of beings who have elevated themselves to the point where they are basically gods. Most of them do not interact directly with the younger races, who they tend to consider with disdain- if they consider them at all. However a few of them take a more enlightened view, and one in particular has been known to fuck with individual humans from time time. They are mostly a TNG thing, and even there they work mostly by grace of John de Lancie's acting chops as a counterpoint to the charisma of Patrick Stewart, as de Lancie played the ''character'' Q, an all-powerful epic [[troll]] (no, not the fantasy kind) who's occasionally [[Tzeentch]]ian games sometimes appeared to be for his own amusement and sometimes acted as education or event protection to the human race. Various subplots involving the Q ''species'' range from somewhat thought provoking to mildly entertaining to ridiculous and banal, but the classic episodes that highlighted the charisma and chemistry of the two actors were often quite excellent.

=== The Mirror Universe ===
Not so much of a faction as an alternate setting, this is a parallel universe in which [[Alternate History|things have gone differently]] in Earth's History. The main point of divergence appears to occur when the Vulcan scientists who landed at Bozeman, Montana in 2063 are not welcomed with alcohol and music but instead are killed and have their ship looted. It is equally clear that where the main universe is Noblebright the Mirror Universe is Grimdark. Instead of a peace loving Federation searching for knowledge and friendly cooperation for the betterment of all, Earth gave rise to the ''Terran Empire'' which seeks out new life and civilizations to conquer and enslave, as it had done with the Klingons. Pretty much it's the PG-13 version of the Imperium of Man with a bit more Grimderp. Junior officers get promoted by killing their superiors, those that fail at that get thrown in the agony booth for their troubles and Emperor gets the job by usurping the previous incumbent. In general everyone in the Mirror Universe is a selfish asshole version of themselves and following comic book logic the uniforms for the female characters are more revealing. Occasionally people can cross over from one universe to the next due to technobabble and cause mischief in either realm.

Originally it was a one off TOS setting for an episode of the week, but it was brought back in a few novels and some romps in Deep Space Nine in which [[Fail|the Terran Empire had fallen]]. In Enterprise's fourth season it got a two parter that was pretty good and would have been an annual thing if the show had been renewed, this one having little crossover with the main universe (a ship from TOS ended up in the Mirror Universe and is salvaged after all it's crew have died). We also went there in Discovery, for better or worse. Voyager never did the mirror universe, but instead got a homage episode with some alien historians in the far future getting the details wrong like historians tend to.

== The Star Trek Crew ==
Whether the focus of the show is exploration, manning a space station in an important locale or trying to get home, all Star Trek series have a basic set up of casting and focus: namely on a collection of people who are usually the senior most officers on the ship. If you decide to make a Star Trek inspired game take this into consideration.

* '''The Captain''': Big cheese. Makes the hard decisions. Needs to be able to talk, think or fight out of situations as needed. The third option fetishist finding the balance between empathy and reason. (Two least skubby examples: Kirk and Picard, but the skub will fly hard if you say one is better than the other, sufficed to say that people like both of them alot but for different reasons)
* '''The First Officer''': Second in command and trusted advisor. Added after the original series, where the role was combined with and split between two others. (Two least skubby examples: Riker and Kira)
* '''The Science Officer''': Got high Int stats. Can analyze the situation and work out solutions. The voice of reason. Almost never human. (Two least skubby examples: Data and Spock)
* '''The Engineer''': Hard working technically minded guy who gets shit done. (Two least skubby examples: Scotty and Geordi)
* '''The Doctor''': Ship's healer with a secondary scientific role. The voice of empathy, whether prickly or serene. (Two least skubby examples: Bones and the EMH Doctor)
* '''The Security Officer''': Rough and tumble no-nonsense sort whose job it is to keep these guys alive when diplomacy fails, which it often does. Often has to juggle providing ship's security with working the tactical station on the bridge in a crisis. (Two least skubby examples: Worf and Odo)
* '''The Helmsman''': Got mad spacecraft piloting skills, either full-sized starships, shuttles, or fighters. (Two least skubby examples: Sulu and Tom Paris)
* '''The Other Guy''': A crewmember whose role doesn't cleanly map onto other positions, a role often restricted to a single show. Example positions include communications officer, ship's councilor, transporter chief, and linguist. (Two Least skubby examples: Uhura and Troi)
* '''The Outsider''': Someone who is a passenger and regular cast member, but exists outside the organization, looking in and commenting. Usually works a side-job, like tailor, bartender, or cook. Either a beloved fan-favorite or utterly despised, there is no middle ground. (Two Least skubby examples: Guinan and Quark)

Some of these hats may be worn by more than one character, some may be worn by no one at all. This is especially true in the original series, which had a smaller cast overall, and which put less emphasis on an ensemble and more on the main trio of Kirk, Spock, and McCoy. The usual roles and character dynamics were instead set down by ''The Next Generation'', which later series generally copied.

== The Shows ==
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===''The Original Series''===
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Created in 1966 by legendary sci-fi [[spiritual liege]] and money-grubbing sexist lounge lizard Gene Roddenberry and pitched as a "Wagon Train to the stars", it's a pulpy adventure sci-fi, full of fistfights, sword fights, and hammy speeches. (The guns never work.)

The USS ''Enterprise'' is tasked by the Federation to go on a five year mission to explore space: the final frontier, to explore strange new worlds, to seek out new life and new civilizations and boldly go where no man has gone before, though due to budget constraints, her crew often finds that man has in fact gone there before. Or at least something that looks exactly like a man but is actually an [[Xenos|Alien]]; most episodes split the difference. James T. Kirk sleeps with [[Hot Chicks|hot alien babes]] who either die tragically or leave tearfully at the end of the episode, but it's 'k because he's too in love with the Enterprise to ever love a mere ''woman'' more. Mr. Spock and Dr. McCoy are cold and logical and rash and emotional respectively, and their constant friction must be resulting in the best make-up sex in the world, Mr. Sulu and Lieutenant Uhura wait in vain for focus episodes that never come, Ensign Chekhov suffers horribly to the approval of American Cold War audiences, and Scotty [[gets shit done]]. Uniforms, while iconic, tend to look a bit civilian though. Miniskirts are apparently mandated attire for the ship's fan-servicey female "yeomen" and others, because 1966. The civilian nature of the attire (including, one must assume, the miniskirts, but they had a visual appeal all their own) were apparently an intentional design decision by Roddenberry who didn't want uniforms to look military. Further specialness on the part of Roddenberry demanded phasers not look like guns, instead looking like nothing in particular at all (although looking back at them today they look sort of like TV remotes, which would be invented much later), and also (probably the only sensible decision in this category) ships that didn't look like rockets, giving ships their distinctive and iconic saucer-engineering-nacelles look that still stands out today.

The Original Series frequently ran out of budget and entire episodes were filmed using spare costumes belonging to the production company, resulting in a series of extremely goofy excuses to go to planets full of gangsters or [[Nazi]]s. This is often copied by shows who don't realize it was done out of pure expediency, and nowadays this [[TVTropes|"Planet of Hats"]] gimmick is practically a box to check off when doing sci-fi adventure. The lack of budget also resulted in one of the more memorable inventions; unable to budget for a sequence showing the ''Enterprise'' or a shuttle landing on a new planet every week, the writers instead decided to invent the transporter to "beam" the crew down to planets or between starships. Also worth noting: despite its mediocre critical reception, ratings and eventual cancellation, not to forget the uneven quality of many episodes, especially in the Roddenberry-less third season where poor Fred Freiberger had to come onto a show he didn't understand and try to get better ratings with less money, ''TOS'' had a hell of a cultural impact thanks to syndication and it has been said that since it entered syndication in 1969, there hasn't been a 24-hour period without some TV station, in some country, playing Star Trek. Cancellation of The Original Series is now considered one of the worst decisions in TV history, and while much of its silly 60's campiness is now laughable, it often still manages to teach relevant and important lessons today.

Fun fact: the ''Enterprise'' and each of her 11 sister ships have enough firepower to [[Exterminatus]] a planet by themselves, after getting issued an order called General Order 24. This however is likely a time-consuming task. According to a later DS9 episode, it takes a fleet of 20 warships 1 hour of sustained bombardment to destroy a planets crust and 5 hours of sustained bombardment to destroy a planet down to its mantle. These 20 ships were also in service 100 years after the Enterprise so they were also more powerful.
Kirk has the distinction of being the only known captain to issue a [[Exterminatus|General Order 24]], because a planet was ''too'' much into wargames (he changed his mind after they dropped wargaming).
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===''The Animated Series''===
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The often forgotten middle child. More or less "seasons 4-5" of ''TOS'' with the same writing staff and actors, sans poor Walter Koenig. He was replaced by a weird camel person. He learned this at a convention, from a fan, while he was trying to announce he'd be writing an episode, which Gene promptly demanded he rewrite over and over. Classy.

Being animated allowed the staff to get a lot more creative with the alien designs and plots, and the writing and acting remain... well, top notch is a stretch, but certainly at the same levels as ''The Original Series'', with the occasional low point. Not ''nearly'' as bad as you're probably picturing from the name, although still limited by the low budget and primitive, cheap animation techniques of the television era it was aired in. Notably some sci-fi novelists were brought in to write some episodes, such as Larry Niven, and at least one episode, "Yesteryear," is considered such a pivotal moment in Spock's development that even people who hate the series enough to consider it all non-canon often make an exception just for that one.

Also, since the series now has no excuse for throwing in lots of Space Puritans and Space Wizards, it of course continued to do so to derptastic results, because by this point it had become traditional. The presence of a straight-up [[furry]] on the bridge, however, is downright unacceptable.
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===''The Next Generation''===
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Here's where it starts getting a little deeper and a little darker, although with a lot of left-wing political subtext turned up to 11. The USS ''Enterprise-D'' (the original and C were destroyed in action while A and B were retired) is, like its predecessor, tasked with going where no-one has gone before, but this time around the problems are less likely to be solved in a single episode. Jean-Luc Picard is the captain and he plots and negotiates his way to victory; Mr. Data is cold and unemotional, though not by choice - as an android, he'd very much like to change that; Riker takes over the captain's "sleep with alien babes" duties since Picard is married to the job; Worf the Klingon gets beaten up by monsters to show how tough the monsters are, meaning that Worf winds up looking incredibly weak by the end of the show's run and doesn't regain his badassery until his run on ''DS9''; Dr. Beverly Crusher is good old Bones minus his temper; Dr. Pulaski is Bones ''plus'' temper; Counsellor Troy is so badly written she becomes a running joke; and Geordi LaForge [[gets shit done]]. Only two things need to be said about helmsman Wesley Crusher: he was [[Mary Sue|Gene Wesley Roddenberry's shitty self-insert fanfic character]], and his sueness got to the point that even his actor started to hate him within the first season of the show.

Due to the massive success of The Original Series in syndication (and Paramount being [[Rage|pissed off]] by broadcast networks treating their most valuable IP like any other show), TNG was aired through syndication from the beginning. Although the first two seasons were laughably bad, the quality began to improve dramatically after an increasingly cocaine-addled Gene Roddenberry got too sick to keep ruining it and his partner-in-crime Maurice Hurley was thrown out on his ass, a moment often pinpointed via looking for when [[Meme|Riker grew a beard.]] The later seasons are widely considered to represent the apex of the franchise's episodic formula on the small screen (although ''DS9'' gave it a run for its money with a more serialized approach); sadly, this series only got one good movie.
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===''Deep Space Nine''===
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Unlike all the other series so far, ''Deep Space Nine'' primarily takes place in a fixed location - the titular space station Deep Space Nine, out near the borders of Federation Space. Said space station is near Bajor, which was recently freed from Cardassian occupation, and a wormhole to the other side of the galaxy which allows [[Warp|all sorts of of crazy shit to go down]]. If the other shows are a wagon train, this one's a border fort.

Benjamin Sisko is the captain, declared Emissary by the nearby Bajorans for making contact with the wormhole aliens they worship, and he successfully hybridizes the blow-the-shit-out-of-whatever-you-can't-punch Kirk approach with the talk-in-a-very-dignified-way-about-the-philosophy-of-the-thing-and-win-by-rhetoric Picard maneuver, in his ultimately-successful quest to become the baddest motherfucker in space, then literally becomes a space god. Kira the Bajoran ex-<s>terrorist</s> <S>''noble freedom fighter''</s> (who are we kidding she calls herself a terrorist) struggles to free and rebuild her people while coming to terms with the moral ambiguities of situations she prefers to see in black-and-white, Dr. Bashir works to find his character for several seasons before becoming a highlight, Dax gets often written poorly and has to switch bodies doing it, Odo IS ''Liquid Space Cop'', Quark runs his bar and [[troll|heckles]] the Federation, Garak pretends to be a tailor while definitely not being a super-spy and dropping killer lines, and Miles O'Brien [[gets shit done]]. Also, Worf wanders in halfway through, and actually gets to punch things instead of just getting punched by them. It's also a lot more political than other series (though ''TNG'' and ''Voyager'' have their moments) and the last series to have Gene Roddenberry's involvement (with less enthusiasm, in fact often much to the benefit of this particular series thematically, although Roddenberry's complete departure did not necessarily bode well for the franchise in general.)

It's the [[Awesome|closest the canon series ever get]] to [[Grimdark]], especially when the Dominion show up. The show has aged remarkably well and the terrorist/freedom fighter debate was repeatedly explored in a very mature and honest way. ''DS9'' is the most serialized of all Trek shows and could be considered a forerunner to the golden age of television with its long story arcs and deep character development. Overall, ''DS9'' has to be considered the most consistently good Trek show thanks to the excellent writing and fantastic performances from a truly wonderful ensemble cast. At least until the final season, when the writers who made it good were pulled to try and fail to make good movies, heralding the failure that was ''Voyager''. The finale episodes were mostly okay and tied up the story semi-satisfyingly, though a few die-hard subplots fell flat.

It wasn't without its controversies however. The show was airing around the same time as another thematically similar sci-fi show, ''Babylon 5''. Not only that but characters also shared similarities, as did the episodes. Interestingly, beginning of both series, introduction of characters and airing of similar episodes were often too close to each other for one show to copy the other but this did not stop massive [[Rage]] and [[/v/|fanboy wars]] from starting between fans of the two series accusing one another of plagiarism and having an inferior product. Happily, as time went on and both shows evolved, these hurt feelings have mostly faded.

How good is ''Deep Space Nine''? Every Star Trek series and even the reboot movies have pretty much ripped off ideas and concepts established during the series. Famously, within the "Trekker/Trekie" fan community, there's a little cell of fans who like it better than most other ''Star Trek''; these fans are typically called "Niners."
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===''Voyager''===
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Star Trek: Voyager centers around the eponymous USS ''Voyager'', a smallish ship which gets teleported over to the other side of the galaxy. The plot of the series centers on the crew's efforts to get back home, which COULD have made for an excellent premise. Unfortunately, there were few lasting story arcs, with most episodes being fully self-contained (as well as being littered with far too many episodes featuring holodeck or transporter incidents). As a consequence, despite being completely isolated from the Federation, no matter how bad things got Voyager always appeared in the next episode without a scratch, fully supplied, and with all its shuttlecraft intact. Think ''Gilligan's Island'' on a starship.

Like ''TNG'' and ''DS9'' it's a character-driven drama just as often as it is a sci-fi adventure romp, although compared to TNG only a few of the characters are particularly memorable. The captain and arguable "main character" is Kathryn Janeway, a Katharine Hepburn lookalike (I see what you did there) who is stern without being cold, and principled without being inflexible. The fan favorite is a character called "The Doctor" ([[Doctor Who|No relation]]); he's the solid-light hologram representative of the ship's emergency medical computer, who has to take on actual medical duties when their chief medical officer was conveniently killed in the pilot episode. Other than this, Chakotay is a peace-loving and spiritually rich indian <s>freedom fighter</s> <s>terrorist</s> [[FAIL|who was written with the help of a special cherokee consultant so native his name was Jamake Highwater and it turned out later on that he was actually jewish and didn't know dick about native cultures so he made everything up resulting in Chakotay basically being a borderline racist caricature of what you think indians are like. Akoochimoya.]] Tom Paris is an annoying jerk and is counterbalanced by Harry Kim who is the ideal boy-scout, making him only half as annoying and twice as boring. B'elanna Torres tries to perpetuate a lineage of dudes getting shit done but ends up blankly reciting her technobabble, having second degree plasma burns and – worst of all – systematically fails to get shit done whenever the warp core goes nuts. Tuvok tries hard to be as cool as Spock but ends up being a lame version of the n°1 Vulcan who uses logic to justify everything and makes it short for "you are wrong, I am right because I said so." Kes is passed as a fragile and nice character but it takes a couple of episodes to realize that having a short lifespan does not change the facts: [[powergamer|when you can boil someone to death from the inside of their body, drain life from everything around you to become stronger and do anything you want without knowing how, just by thinking of it]], you are a goddamn Mary Sue. From the fourth season onwards the only character the writers seemed to care about are Seven of Nine, [[Mary Sue|a human woman who recently escaped from Borg control and kept all of her cyborg enhancements but regained her free will]]; another Mary Sue, to be sure, but she's [[Hot Chicks|hot]], and the other characters are much worse, so that's not really a bad thing. Fortunately, The Doctor still received a lot of attention from the writers and almost single-handedly made the show watchable. There was also Neelix, who was the apparent inspiration for Jar-Jar Binks, and any sane crew would have pushed him out of an airlock on the first episode. Fans who stuck with the show despite its glaring failings were given one final slap in the face with the <s>controversial</s> shit final season, in which the producers decided "screw steadily crafting a satisfying conclusion to a story which we have wasted for most of the last seven years anyway; lets just ignore it until the final episode and then throw in some shit about trans-warp conduits and time travel, bitches love time travel!" If you did not care about any of the characters or the subplots or time travel making sense (the writers sure didn't), then the final episode was explosions (and the Borg got a major setback, just don't think about the setup too hard).

The Doctor never once stopped being totally fucking awesome though (enough so to even earn a cameo in First Contact), and the great acting from the cast carries the series from being horrific to ''occasionally'' watchable. Just goes to show that no matter how good your actors are, they can't make diamonds out of shit.

Overall, most Star Trek fans view Voyager's legacy with a shrug and a "meh." Unfortunately, hopes that Voyager's successor would revitalize the franchise would soon prove to be overly optimistic.

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===''Enterprise''===
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From the minute the Nickelback-tier theme tune started, Enterprise attempted to take Star Trek in a new direction and was only partially successful in doing so. The series never quite caught its footing, although it still managed to have some enjoyable moments. It was most notable for providing a first-hand view of the key events that directly led to the formation of the Federation. The Federation's founding races were also featured heavily, with Andorians, Tellarites, and Vulcans all enjoying significant screen time alongside the human characters.

It's a prequel to the rest of the canon, taking place on the first ''Enterprise'', before the Federation was founded and during the period when Earth was still an independent power- so there's a lot of primitive versions of things from other series. At least the uniforms were pretty cool in an Air Force sort of way. Captained by <s>that guy from ''Quantum Leap''</s> Jonathan Archer, in hindsight the fact that they had to rename him from their original choice of Jeffrey Archer to avoid confusion with the disgraced British MP and author of the same name probably cursed the series with bad karma before it had even begun shooting. In an unusual twist for a ''Trek'' series, his first officer isn't a <s>terrorist</s> ''noble freedom fighter,'' however she does share a trait with her ''Voyager'' predecessor in that the actress who portrayed her frequently criticized the show's writers in interviews. Other than that, well, Hoshi Sato screams a lot, Travis Mayweather was so dull even the writers forgot he existed, the resident Vulcan T'Pol serves as both the Science Officer and source of sexy fanservice, Malcolm Reed has an accent, Dr Phlox is a weird creepy alien with weird creepy alien moral (and gets surprisingly interesting when given enough screentime, which hardly happened), and Trip also has an accent and [[gets shit done]].

Was retooled twice, the third season tries to be ''24'' IN SPACE (stop some guys the Xindi from blowing up Earth) while the 4th season is a massive apology about the last three seasons that tries to fix all the problems they had, and as a result, the only season that's close to being good.

Unfortunately, the poorly-received final episode is set on the holodeck of the Enterprise-D, which leaves us with the firm impression that the producers would have much rather have just continued making ''The Next Generation''. Considering the mediocre quality of the ''TNG'' movies we got instead, this probably would have worked out better for all involved (Or not since ''Voyager'' was that; its first episode was even numbered 901, as in Season 9 Episode 1).

Yet despite all this bad directing, subpar plots, and frankly boring episodes, ''Enterprise'' still manages to be moderately enjoyable with occasional moments of awesomeness if you can suffer through a fair few awful spots and aggressive mediocrity almost everywhere else. The focus on founding Federation races like the Andorans was refreshing and the technology level, being somewhere between the original series and the real world present-day, was quite interesting. We also got to see the Vulcans portrayed as arrogant, superior dicks. Which makes a lot more sense than the way they're usually portrayed as fairly submissive towards humans because they are, obviously and objectively, the superior race. The Klingons certainly still considered themselves to be honorable but the show made it clear that the Klingon notion of honor is rarely analogous to the human concept which was interesting as all hell to watch. There have been a few small nods to it in discovery and the abrams movies.

And let's be fucking honest, [[/tg/]] loves 40k and the Xindi arc was about as grimdark as shit gets. And that was awesome.

Also makes a neat pairing with ''Voyager'' in that they really mess with the Prime Directive and question the Federation.
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===''Discovery''===
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----
<s>A LOAD OF SOCIAL JUSTICE SHIT!</s> Ahem, let's start again, shall we?

A new "prequel" series set 10 years before ''The Original Series.'' Run exclusively on CBS' paid streaming service (unless you live outside the US and Canada, in which case you can get it on Netflix) to try and drum up sign-ups and revenue, it features a mix of ''Enterprise'' and Abramstrek aesthetics despite supposedly taking place in parallel to the TOS "The Cage" pilot while [[what|having technology superior to late DS9]] and introducing [[dune|mushroom-based space travel]] that would imply [[retcon|all later events and warp travel would be outdated]]. The trailer has attracted a lot of concern over the fact that Klingons have been completely redesigned to look like slit-nosed ogres wearing ancient Egyptian cosplay, and rumors that the Klingons shown were [[Racial Holy War|primitives who had been trapped in stasis]] proved to be unfounded, so there is no excuse. Not having a cold war to posture about, the new villains are based off of Trump-inspired xenophobia by the admission of the authors. Also the lead character is Spock's human sister that he never mentioned before, aka the ''exact'' origin of the [[Mary Sue]] which is just fucking depressing. To further reinforce this, there are ''numerous'' examples of dialogue and exposition that serve only to show how the Mary Sue main character was right all along, usually in conjunction with the death of the character that had foolishly disagreed with her. Want a new Star Trek episode about racism and immigration? Try the now-banned [https://youtu.be/3VEZH8bqytA Star Trek Continues]. Want Star Trek with humor, keep an eye out for the upcoming [https://ew-com.cdn.ampproject.org/c/s/ew.com/tv/2018/10/25/star-trek-animated-comedy/amp/?fbclid=IwAR2WN6auDNm5YiunYhaqiu7vt9f-P08AuUjMpLA5LlpUgvTm9_xloJNRYb0 Star Trek: Lower Decks]; want a pseudo-Star Trek show about other modern issues? Try ''The Orville'' below; that's right, American Dad In Space may right now be a better Star Trek than an actual Star Trek series.

Initial reviews have been... well, it's shit. The writing is overly convoluted, the massive injection of grimdark into pre-TOS continuity is anathema to the hardcore fans (the ''human'' characters are often the ones doing the nastiest shit, including [[Marines Malevolent|trying to kill a Klingon party by planting an explosive on the corpse of one of their comrades for when they came to collect the dead]]) and the Klingons are so flat and devoid of characterization that they might as well be Larry the Cable Guy lookalikes wearing Trump hats, which is a massive disappointment for a series that promised to put a spotlight on Klingon culture but ended up retconning all the characterization that happened in TNG and DS9. It ''may'' get better with time (remember that it took two seasons for TNG to get really good) but given the release schedule (split between 2017 and 2018 with a long break) it may come too late for the fanbase to care. Currently it's cause for more fans to lose their shit over whether it's better or worse than the Abrams movies, which is a new record of [[Skub|Trek Skub]]. Releasing the show on CBS All Access instead of cable or broadcast TV makes it seem that executives don't really give a shit if the show succeeds or fails, bringing up the question of [[Bioware|whether they're deliberately putting Star Trek: Discovery in a no-win scenario where, no matter what happens, the executives have an excuse to cancel Star Trek altogether]].

Other stupid decisions are: not bringing back Bruce Greenwood and Zachary Quinto as Captain Pike and (at this time a likely a Lieutenant Commander) Spock. Who wouldn't mind taking a pay cut to bring the characters to the small screen. Their ages wouldn't have mattered either if CBS and Paramount weren't such cheapskates. As they don't even care enough to shell out cash for the CGI technology that Marvel Studios uses to make their actors appear younger during flashback scenes. There's also allegations that large chunks of plot were stolen from previews of an in development indie game.

Naturally, nobody is ever going to let this series live down its unfortunate initials.
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===''Picard''===
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Set to be a continuation of the original timeline, featuring old man Picard with Patrick Stewart reprising the role. Stay tuned. Hopes are not high, but at the very least Patrick Stewart's presence should make it watchable if nothing else.
There is a lot of rumors coming out and if the comics can be considered canon. Than the Enterprise F from Star Trek Online is the successor to the Enterprise E. Making the game official apart of the main Star Trek universe.

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== Homages ==
Being a longrunner with a wide audience, Star Trek has gained enough acclaim to have numerous references. In a few cases entire works get made to homage Star Trek. Here are some of the examples.

=== Galaxy Quest ===
A sci-fi/comedy film released in 1999, directed by Dean Parisot. It parodies science fiction films and series in general, but particularly ''Star Trek'' and its fandom. The film stars big name actors including Tim Allen, Sigourney Weaver and the late great Alan Rickman. The plot revolves around the cast of a defunct cult television series called Galaxy Quest (for example, Tim Allen played the Kirk/Shatner expy and the late Alan Rickman played the Spock/Nimoy expy). They're also suffering fatigue that mirrors the experiences of the actual Star Trek actors (Rickman's character is typecast with his Galaxy Quest character and laments it, similar to how these things happened to the late Leonard Nimoy).

The cast are suddenly visited by actual aliens, who believe the series to be an accurate documentary (it helps that the aliens have no concept of fiction and only the most bare bones idea of lying) and seek their help. They take the actors with them, who find themselves involved in a very real, and dangerous, intergalactic conflict, and unlike the show where it all wrapped up quickly they struggle to learn about and relate to the aliens. Can these actors find greatness within themselves, and possibly personal redemption? (Spoiler: yes, and it is incredible.)

Built around the basic premise of "What if the cast of ''Star Trek'' ended up on a real spaceship and had to actually do the shit they did in the show?" Featuring a veritable all-star cast of talented comedians and character actors, this is one of the best parodies ever made, and an affectionate love-letter to the franchise as a whole.

===Star Wreck: In the Pirkinning===
Another parody, parodying not only ''Star Trek'' but ''Babylon 5'' as well. The seventh in a series fan movies released in 2005, it's about Captain Pirk builds a starship called CPP ''Kickstart'', allies with Russia and takes over the world. He wants to take over more planets but the ships of his P-Fleet aren't fast enough to travel outside the Solar system. A maggot hole opens and it leads to an alternate reality. Pirk wants to take over the Earth of this reality, which leads to an [[awesome]] space battle between the P-Fleet and the fleet of the space station Babel 13 led by Johnny Sherrypie. The movie features some of the best special effects ever put in a sci-fi movie, which is pretty impressive, considering that this is an amateur film with a very low budget and was rendered in five years in someone's bedroom. The film is spoken in Finnish but subtitles are available for a wide variety of languages, including Klingon. They also made [https://web.archive.org/web/20070828010927/http://rpg.starwreck.com/ a role-playing game based on it], where your character [[Truenamer|becomes more incompetent]] [[Page 42|as he levels up]].

===Star Trek: Renegades===
Kickstarter Trek. The makers submitted their made-for-TV movie pilot to CBS in an attempt to get it made into a legit on-the-air series (and by god it shows), but they were not successful. As a result, while the project limped along for a few years afterward, it has good and bad in equal measure. As a non-official product it also cannot be considered canon. Some characters are actually interesting (about time we saw more of the Breen!) while others are pure Mary Sues (including a male Seven of Nine with a built-in Borg-gun/personal shield/fully-functional hand). Some of the ideas are interesting while others are boring or already-been-done. The CGI is all Hollywood-quality, but the practical effects are okay at best.
It's obvious that they made this without knowing that they were going to be able to make a TV show or not, and tried to cram the sort of build-up and intrigue we saw in DS9 into a span of 90 minutes. For now though, it's decidedly meh, and probably a dead project as well since it hasn't been mentioned on the maker's website in over a year as of late 2019.

=== The Orville ===
A comedy drama sci-fi television series that began as a homage to Star Trek, created by and starring Seth MacFarlane of ''Family Guy'' infamy-- [[Skub|No wait, come back!]] The guy's a huge Trekkie and felt too many shows were up in their ass with grimdark, so he pitched his idea to the execs to make a loving comedic sendup of The Next Generation. Many of the executive producers and developers are Trek alumni or notable industry Trekkies, such as David Goodman (who wrote the ''Futurama'' Trek parody episode) and Trek alumni Brannon Braga. First airing in 2017, the series is about the strung-out not-Picard protagonist Captain Edward Mercer, played by MacFarlane himself, of the eponymous not-Enterprise spaceship "The Orville" ([https://en.wikipedia.org/wiki/Wright_brothers#Orville named after one of the Wright Brothers in a splash of genius]). His ex-wife Kelly is the first officer while the crew includes the not-T'Pol alien security officer Alara, gay beefy not-Worf alien Bortus, asshole not-Lore android Isaac, and John LaMarr and Gordon Malloy - an even more ridiculous parody of Harry Kim and Tom Paris. They explore the galaxy while dealing with personal problems and fighting various bad guys.

Season one started with a decent pilot about Ed and Kelly reconciling, then had peaks and valleys to its final episode. Like Star Trek, there’s some commentary on real world issues, and while less preachy than ''Discovery'' on some subjects, it's just as bad or even worse on other subjects. The episode “Majority Rule”, despite being a knockoff of Black Mirror’s “Nosedive”, had good commentary on social currency systems. The Season trod [[SJW|certain waters]] at times, such as the episode "About a Girl" being a surprisingly well done, Bortus-centered story about gender-fluid/sex-changing aliens... only for episode "Cupid's Dagger" to poke the hornet's nest when it revealed Kelly and Ed split because Kelly banged an alien whose seduction included pheromones (raising questions of consent, blame and date rape). Then, since it’s a Seth MacFarlane show, it has preachiness on atheism exceeding even Star Trek’s, with a quarter of Season 1 episodes all about beating the “Religion is Bad” drum. On that note there’s the alien race the Krill, the only religious race in the setting, so ''of course'' they’re fanatical devotees of a dangerous religion (a monotheistic one teaching that [[The Culture#Other civilizations|all non-Krill are soulless abominations to be subjugated or destroyed]]); between this and cues from villains like Nosferatu (all deliberate according to the devs, including their pallid reptilian look and being killed by UV sunlight), the Krill seemed set up to be the show’s go-to bad guys. While there were teething problems with plots, the jokes were more misses than hits and the preachiness could grate even for those who agreed with the messages, The Orville did well enough for a second season.

In the second season, Alara was written out of the show halfway through. The character's actress, Halston Sage, was rumoured to be dating Seth MacFarlane and given the apparent distance between them later, this may have indicated a breakup which led to her departure from the show. If the rumor was true, this likely factored into writing Alara out because [[Derp|dating a co-worker and subordinate 20 years younger than you almost never ends well]]. In any event, this change may come back to haunt them as she was one of the more well-received characters. In other events, Issac turns good at the last minute (becoming not-Data instead of not-Lore) and one episode has a plot hole where the Krill teacher Teleya - captured by Mercer and co. and imprisoned in Season 1 - comes back as part of a strike force targeting Ed with no explanation for her escape. Speaking of the Krill, they become the "lesser villains that need to team up with the good guys to fight worse villains" cliché, in a possible asspull given all the villainous setup they got in Season 1. The team up happens because the rest of Issac's robotic race, called the Kaylons and introduced this season, have gone [[Necrons|Full Skynet]] against organic life. The cast seems to be gelling better (rumoured friction between Seth and Halston aside), the writers have a better idea of what the show should be and the humour is now used in service of the stories. The criticized elements were watered down but still remain, and while the show got a third season, it was moved from TV to streaming service Amazon Prime.

Ultimately, some commend The Orville as a breath of [[Noblebright|fresh air]] in an overly [[Grimdark|stagnant]] genre with good special effects and bouts of genius. Others denounce The Orville as derivative with sophomoric preachiness, clumsy pop-culture references and haphazard writing. Further criticisms include MacFarlane's stunt-casting of himself as the main character being the height of vanity and that his interactions with ex-wife character Kelly are uncomfortable to watch from the word "go." Some think both its supporters and detractors have a point. Trekkies are equally divided on the show; many Trekkies [[butthurt]] over Discovery endorse The Orville, a significant number of Discovery fans hate The Orville while a small and overlooked group quietly enjoys both.

As always, stay tuned for how this turns out.

== Films ==
As a general rule, the even-numbered ones aren't complete shit.

* '''''Star Trek: The Motion Picture''''': AKA: The Slow Motion Picture, or the Motionless Picture. A giant space whatsit is flying towards Earth, the mostly-retired crew has to go figure out what's going on and stop it. Old school sci-fi geeks like the ideas, but terrible pace and interminable special effects that were clearly meant to capitalize on ''2001: A Space Odyssey'' while failing to understand what people like about that movie kill them dead for everyone else. Besides the uniform worn by Kirk, the uniforms also look like pajamas. So no wonder they were changed only a movie later. Features an entirely bald female alien who is [[What|so good at sex that she has to swear an oath not to get it on with the crew]]. Really. This is canon.
* '''''Star Trek II: The Wrath of Khan''''': As Kirk starts to feel his age, a one-off villain from the show makes a dramatic reapperance: [[Meme|KKKHHHAAAAAAAAAAAANNNN!!!!]] Widely considered the best of all the films, and the only one considered a straight up great film, no qualifiers. If you haven't seen it, see it. So good many later movies in the franchise just try to rip it off instead of finding their own identities. Interesting fact: due to time constraints, actors of Kirk and Khan weren't available at the same time. So the entire script was written so that Kirk and Khan never need to meet face-to-face. But you'd never notice if it weren't pointed out to you. Roddenberry screeched autistically and objected to some of the actions of his characters, including Kirk shooting a [[Enslavers|brain eating space parasite]] rather than "[[Noblebright|keeping it for study]]." The fact that his strongest objections came to the most [[win]] of the films says a great deal about his deprecating value to the franchise around the TNG era.
* '''''Star Trek III: The Search for Spock''''': Where is Spock? ''He's on Genesis.'' ALL AHEAD FULL! Not really bad, just mediocre and run of the mill compared to the superior films that surround it. It was also saddled with the misfortune of undoing some of the previous film's more-daring decisions, and having its only daring decision reversed a film later. If you had to say that any film broke the "odd numbers suck" rule, it would be this one.
* '''''Star Trek IV: The Voyage Home''''': The crew of the ''Enterprise'' travels back in time to save the whales. No, literally and unironically. Scott tries to talk to a computer through the mouse, Spock nerve-pinches a punk on a bus in San Francisco, and somehow it works, creating something perhaps not quite in the genre intended but a classic in sci-fi dramedy. ''The Voyage Home'' is a zany comedy romp beloved by the general public and fandom alike, leaving only the most intractable fanbois to bitch and moan. Nimoy directed this one but there was a contract stipulation that Shatner would get whatever Nimoy got, thus leading to...
* <del>'''''Star Trek V: The Final Frontier''''':</del> <s>The epitome of the "odd-numbered Star Trek films suck" rule.</s> {{BLAM|Lies! There is no}} '''''Star Trek V'''''{{BLAM|! It was not called}} '''''The Final Frontier'''''{{BLAM|! It was not directed by Kirk's egotistical actor and did not have a plot that could literally be summarized as "Kirk is betrayed by his incompetent crew, yet goes on to fight God and win!" The films mysteriously moved from four to six and ''we are all improved because of this!''}}
* '''''Star Trek VI: The Undiscovered Country''''': The Space Cold War ends amidst searing mystery and drama. The sendoff for the original cast, except Kirk who got a worse send-off a movie later. Gene Roddenberry watched it, hated it, and was going to seek legal advice but died a week later. And good riddance to that, because it's a pretty sweet political thriller if your hippie-panties don't get into a twist at the thought that the Federation isn't a perfect place full of perfect people.
* '''''Star Trek Generations''''': Malcolm McDowell blows up planets to get into a magic space ribbon to live forever, no it does not make any more sense in context. An already-weak story hamstrung by its obsession with being daring and unconventional rather than good. Also, Kirk dies on the bridge in the most face-palming manner possible.
* '''''Star Trek First Contact''''': The ''TNG'' crew face off with the Borg to ensure the future happens. Lots of action, a script that sparks with energy and snark, and some quite effective performances make this the only good ''TNG'' movie. It sadly is also the only appearance of the Defiant on screen, doing a pretty decent job of fighting the Borg before the Enterprise E saves the day of course. The Borg Queen was also introduced here before Voyager, ruining what could have been a good idea.
* '''''Star Trek Insurrection''''': If you thought the [[Avatar|Na'vi]] were a bunch of badly-written [[Mary Sue]]s, you ain't seen nothing yet! B-b-b-baby you ain't seen n-n-n-nothing yet! Also, Riker shaves his beard, and that's basically a war crime. Aged from terrible to forgettably bad thanks to that one scene of Picard and Data singing ''HMS Pinafore'' going memetic.
* '''''Star Trek Nemesis''''': The last stand of the ''TNG'' cast, ending not with a bang but a whimper. It also required amending the even=good/odd=bad rule to "''Galaxy Quest'' counts as a ''Star Trek'' film so this one is also odd."
* '''''Star Trek''''' (2009): Alternate timeline "reboot" (sideboot?) with the original crew, albeit with new younger actors. Timey-wimey shit happens and old prime timeline Spock (reprised by old Leonard Nemoy) is hurled back in time along with a bunch of Romulan assholes. The dickbag Romulans begin fucking shit up, slightly altering history in a way that ensures gratuitous lens flare. [[skub| Skubtastic]], but at least watchable, which is more than ''most'' odd-numbered films can muster. If you still even count it as odd, without the ''Galaxy Quest''-amendment.
* '''''Star Trek Into Darkness''''': Some [[edgy]] shit. The second of the alternate timeline ''Trek'' films. Terrorism, conspiracy and flapdoodle. Even more skubtastic, but generally considered worse than its predecessor, partially because (like ''Nemesis'') it tries to be a remake of ''The Wrath of Khan'' and having Kirk at his most punchable.
* '''''Star Trek Beyond''''': Controversial, but more in a question of whether it's decent or quite good. Lots of good character stuff and a decent story revolving around a race of mysterious space pirates trying to conquer a colony, but the action photography is poorly-lit shaky-cam horseshit and the sound work is awful. If it's the last "Kelvin Timeline" movie, as it seems it will be, at least it ended on a good note.

== Novels ==
Like most long time franchises ''Star Trek'' has a massive line of books. Unlike most they're basically just fanfics as nothing but the show and the movies is canon so the writers can do whatever they want. This changed after ''Nemesis'' since they might never have another show or movie in the "Prime" universe, so the writers got their shit together and wrote a group of books as a tight community very close to the shows. The relaunch novels are a continuation of the show they're about. Also there's the ''Titan'' book series which is about Riker and Troi getting their own ship, which happens to be staffed by every race in the Federation including living rocks, [[awesome|space dinosaurs]] that smell like [[meatbread|toast]] and a [[what|space cyborg ostrich]].

During yet another novel continuity (Star Trek: Destiny), the Borg go nuts and eat Pluto... yeah... and then they finally get sick of the Federation somehow managing to not get assimilated all the time, so they finally just send every last cube they have with orders to Exterminatus the absolute SHIT out of the entire Alpha Quadrant. Pretty much every important character from TNG, DS9, and Voyager has to team up to stop them, and even then the Federation still gets its shit kicked in and winds up having to rely on a vaguely ridiculous deus ex machina to win, and [[Grimdark|billions of people still die and dozens of planets are blown to shit]]. It was pretty insane.

Then all the Federation's main enemies get together to form an anti-Federation and start poking the bear, all the while telling their allies that they're somehow warmongering dicks, Section 31 gets its cover blown in a big way, and Riker gets promoted to Admiral. Also, a lot of the newer TNG novels have been devoted to following up on one-shot aliens from the show, like the guys that sent out the probe that made Barclay super-smart and those fish monks that were abducting crewmembers for experiments. Now that the Picard show is coming out, though, this will all presumably be chucked in the dustbin.

== Video Games ==
=== Star Trek Online ===
''Star Trek Online'' is the free-to-play online game built by Cryptic Studios and run by Perfect World. With an official license CBS, recurring characters voiced by various Trek alumni, and recently a license to include references to the reboot chronology (officially known as the "Kelvin Timeline"), it's the closest existing thing to an "official" continuation of the "Prime" timeline, and contains history and fluff extending nearly 40 years from the end of Star Trek: Nemesis.

Taking place in the 25th century (around the year 2409-2410), the Hobus supernova (the event that kicked Nero and Spock into the past during Star Trek 2009) has devastated the Romulans, and its near-collapse and fragmentation causes tensions between a resurgent Klingon Empire and the Federation. The tensions blow up into a war, with members of a new, nicer, breakaway Romulan Republic playing both sides in exchange for development aid.

The game contains deep cuts from all over Trek lore, and answers questions about what happened to various key characters, including Data (took over the Enterprise-E, then retired), the Enterprise (now an even bigger ship run by Andorian captain Shon), and the Voyager crew (it took Harry Kim 30 years to make Captain lol). Raises barely-shown, unnamed, and otherwise obscure races to new prominence as big bad foes, including the Iconians (ancient aliens with god complexes who mutated into energy beings, currently live in dyson spheres and were only defeated by predestination paradox), Tzenkethi (4-armed halo guys whose weak points are the FRONT of their shields), and Na'kuhl (the alien nazis from Enterprise as time-traveling terrorists who blame the Federation for a throwaway event that happened in TNG's beach episode).

Ostensibly free to play, but don't let that fool you... the ''not-so-micro''transactions are the only reason the lights stay on.

=== Starfleet Command ===

''Starfleet Command'' was a series real time space battle games by Interplay based on the much older tabletop game Star Fleet Battles. It came out in 1999 and was followed by several sequels and expansions. Gameplay was much like ''Battlefleet Gothic'', but with the player only controlling one ship. SFC remains Interplay's best selling game, topping even ''Baldur's Gate''.

=== Armada ===

A series of low effort RTS's churned out by Activision in 2000. Tried to take on both ''Homeworld'' and ''Age of Empires'', both of which have recently gotten HD remakes and ''Armada'' hasn't so that should tell you all you need to know. However, for one of the first 3D model space RTS's it was surprisingly easy to mod, resulting in many ship mod packs being made for it.

== Would you like to know more? ==
And oh Lordy, is there more...
*[http://en.memory-alpha.org/wiki/ Main Memory Alpha: A ''Star Trek'' wiki]
*[http://memory-beta.wikia.com/wiki/ Main Memory Beta: The flip-side of Memory Alpha for the less than official stuff]
*[http://sfdebris.com/ SF Debris: opinionated episode reviews, has some non ''Trek'' stuff as well]

[[Category: Television]]

Star Wars

2019-12-31T23:51:22Z

2406:3400:20F:FFC0:C5AE:5EA8:36B2:B52D: /* Episode 9: The Rise of Skywalker (aka Plan Palpa-Nine from Outer Space) */

{{Star Wars}}
[[File:Star-Wars-Logo (1).jpg|center|500px|]]

{{Topquote|A long time ago in a galaxy far, far away....|Star Wars opening text}}
'''[https://www.youtube.com/watch?v=_D0ZQPqeJkk/ Star Wars]''' is one of, if not ''the'', most influential media franchises of modern times, let alone its effect on science-fiction and fantasy. Indeed, among [[/tg/|nerddom]], it is challenged by only a few others, like [[Star Trek]] and [[The Lord of the Rings]]. The incredibly ardent fandom is spread worldwide and has a strong presence in popular culture. Many of the characters, like Darth Vader and Yoda, are iconic even to the general public. John Williams' score for the original trilogy is probably the best-known film score of all time. The universe has spawned numerous video games, hundreds of novels, multiple TV shows, one of the largest merchandising franchises ever, and, relevant to /tg/, a whole bunch of board, card, and roleplaying games.

It is also the current leading world source of [[Skub]].

==The Basic Concept==
Star Wars was originally a series of epic science-fantasy "space operas" that roughly followed the mythic cycle that's been around since Homer. They're set "a long time ago in a galaxy far, far away," [Note: this makes the entire series a fairy tale] where a mysterious life force called (reasonably enough) the Force permeates everything. This, in turn, can be wielded by certain people, giving them pseudo-magical abilities; thank the Emperor (no, the other one) there were no Commissars in that universe. Those who use it for good become mystical, selfless warrior monks called Jedi, whereas those who use it for evil are ruthless, self-serving bastards called Sith. However, the Force must always be in balance, so any time the Sith arise to cause imbalance, the Jedi have to pull together and take them out to restore the natural order.

The so-called Original Trilogy (made up of films IV through VI, released from 1977 to 1983) followed a young man named Luke Skywalker who becomes a Jedi and re-balances the Force. Meanwhile, the Rebel Alliance is fighting to end the oppressive Galactic Empire, which is secretly led by the Sith. Luke and his Rebel companions eventually defeat the evil Emperor Palpatine, but along the way they discover that his lieutenant, Darth Vader, is actually Luke's father. A financial, critical, popular and cultural H-bomb, these movies are basically the filter through which Generation X perceives the world... for better or worse.

The so-called Prequel Trilogy (made up of films I through III, released from 1999 to 2005) explained how Anakin Skywalker became Darth Vader and how the Galactic Empire was established. This involves a lot of convoluted politicking in the Republic, which is then torn apart in the Clone Wars, where the Republic (with an army of clones led by the Jedi) fights against the Confederacy (with an army of robots led by [[Necrons|General Grievous]] and secretly controlled by the Sith). It was not as well received as the first trilogy, for reasons we'll talk about below.

There's also a so-called Sequel Trilogy (made up of film VII and presumably films VIII and IX), which started in 2015 and picked up the story some three decades after the Emperor's defeat with a new generation of heroes taking on the remains of the evil Empire, which is a group of extremist former Imperials calling themselves the First Order. However, Episode VII aka ''The Force Awakens'', was directed by J.J. Abrams, who's mostly known for the [[skub|skubtastic]] [[Star Trek]] reboot, while Episode VIII was written and directed by Ryan Johnson who was a young director known for plot twists and genre experimentation on a handful of movies and television episodes that openly said he wanted to "subvert expectations" and make half of viewers dislike his work, then got pissed when half of them disliked his work. The result managed to fracture the Star Wars fanbase over issues of dull rehashing for VII and a whole laundry list of reasons for VIII (ranging from small ones such as it being too different, to major issues like half the movie being filler), as well as those who still enjoyed them and very little common ground between the three groups.

Finally, there are the so-called Anthology movies, standalone one-shots involving characters and plotlines that aren't a part of the main "Saga" films, except they kind of are. The first, Rogue One (2016), is an immediate prequel to Episode IV that follows those Rebel spies who stole the Death Star plans. The second film follows a young Han Solo and pals Chewie and Lando. A third rumored one follows Boba Fett.

There are also three separate TV series. The first one, ''Clone Wars'', was based on traditional animation, whereas the later one, '''''The''' Clone Wars'', was a weird 3D animation. They're both pretty good. There was also a terrible theatrical release that was basically just an advertisement for ''The Clone Wars'', but, since it's even worse than the Prequel Trilogy (hint: babysitting Jabba the Hutt's kid), nobody talks about it much. The third series is Disney's ''"Rebels"'' which is set between Episodes III-IV and it takes itself far less seriously than Clone Wars did, and is more of a homage to the original trilogy since not every character in the series is the owner of a lightsaber nor are they constantly talking about grown-up politics, senators and trade embargoes... pretty much the things that clogged up the plot of the prequel trilogy.

And then there's the whole Expanded Universe, which covers pretty much everything not covered by the films, like the Old Republic (set thousands of years before the prequel trilogy, when there were a hell of a lot more Sith and Jedi around) and the New Republic (set immediately after the original trilogy, explaining what became of all the characters. It could also reach 40k levels of grimdark with races like the [[Dark Eldar|Yuuzhan]] [[Tyranids|Vong]] characters like [[Vampire|Darth Nihilus]] and beings like [[Old Ones|Abeloth]].

The EU is no longer considered in the main canon of the films and TV series, due to the new sequel trilogy which does not follow EU, the reason for this being, according to Disney, that following EU would restrict their creative freedom. The reaction to this was, well, [[skub|mixed, for lack of a better word.]] They've since noted that they'll slot ''some'' of it in on a case-by-case basis, but the canon is in a highly fluid state at the moment. EU is now officially called Star Wars Legends, though most fans still refer to it as EU.

==Why is it so popular?==

Star Wars is as accessible as science fiction gets. It doesn't require extensive knowledge of a fictional world (a la ''[[The Lord of the Rings]]'' or ''[[Warhammer 40,000]]'') or cultural background (as ''[[Star Trek]]'' sometimes does) to make sense. Those elements are present for those who want them, but they largely stay in the (very rich and vibrant) background. It has well-shot action and good ''enough'' dialogue to make it interesting for both kids and adults (as well as allowing parents who grew up with it to watch it with their children, thereby hooking the next generation of viewers). It has simple, good-vs.-evil themes that resonate with almost anyone, anywhere, at any time. The science fiction elements are generally handled well if you don't obsess over making science fiction realistic and hard. It's a prime gateway drug for sci-fi which still holds up to the experienced eye, Isaac Asimov saw and rather enjoyed the films. All in Fourteen hours of cinema, plus optional sides for those who want it.

There's a ton of merchandise that is, of course, really cool. Also, given it's crossed over into the mainstream, many people feel comfortable being part of the community without feeling judged as "nerds" (as they might with ''Lord of the Rings'', ''D&D'', ''Star Trek'', ''Warhammer'', etc.).

Again, they roughly follow the mythic cycle that's been around since Homer. If you think about it, 6 of the 9 films can be summarized as: hero begins his journey under the tutelage of a wise (more or less) man, they encounter a threat which has captured/enslaved a princess/girl, who was in one way or another connected to an important secret (usually a superweapon but could be the identity of a political figure or the location of someone); the heroes save the princess/girl but someone dies tragically in a battle against the villain while someone else is blowing up a space station or a spaceship afterwards they are happy, they celebrate and mourn the loss of the poor bloke who died.

Additionally, the first film can be summarized as a samurai and a gunslinger team up to save a princess from Nazis in space. That is multiple cinematic genres at once, following the style of the epic myth.

==Characters==
Originally, a list was on this page. It was idiotically long, and so has been given it's own page to help streamline this page in particular.
*[[Star Wars Characters]], For those of you who care.

==The rise of the original trilogy==

A long long time ago, in a galaxy far far away....etc etc you all know the lines.

A man called George Lucas had the idea to create a series of epic sci-fi space operas that would become so successful that Disney would take notice and give it the franchise fluttering eye lashes, trying to seduce it.

They would be called... ''Flash Gordon''.

Unfortunately for Georgie boy, and fortunately for modern nerddom, Dino de Laurentiis already owned ''Flash Gordon'', and were busy making their own, hilariously eighties version, so he said, screw it, I'll make my own!

He decided to start with the fourth movie in the series he envisioned, for at the time he didn't have the special effects to create the first three to the standard he wanted, and/or he just kinda made up the first movie as he went along (drawing heavily on Akira Kurosawa's seminal samurai action film, ''Hidden Fortress'' in the process as well as the book [https://en.wikipedia.org/wiki/The_Hero_with_a_Thousand_Faces ''The Hero with a Thousand Faces''], a complex 1949 Joseph Campbell analysis of the various mythologies of human history all boiled down into the basic archtypes and elements required in heroic myth). So Episode Four ''A New Hope'' was created (simply titled ''Star Wars'' at the time) and it is not an exaggeration to say it changed the face of sci-fi and general moviemaking forever, bringing a new era of special effects and imagination to cinema and changing the lives of many who would go onto to become dedicated fan boys.

Originally, the studio had forced Lucas to take ever-increasing paycuts for what they were sure was going to be a flop, and only let him keep merchandising rights. However, whatever his flaws, George Lucas was a man of vision. Having helped pioneer the summer blockbuster, he went on to do the same to ginormous piles of movie-tie-in memorabilia. His production company, Lucasfilm ended up rolling in dosh, and with Episode Five ''The Empire Strikes Back'' and Episode Six ''The Return of the Jedi'', the legend of Star Wars and its place in cultural history was assured.

tl;dr: [https://www.youtube.com/watch?v=Ij4w7ChpuaM Pretty much this.]

==The coming of the prequel trilogy==
With the year 2000 coming, George Lucas felt that special effects technology had reached the level he wanted and began to create the first three movies in the star wars story he had envisioned. (As a side-note, he also made some touch-ups to the three original films, re-mastering them with special effects and a couple of extra scenes that weren't doable with the eighties' animatronics. But those were mostly accepted/shrugged away since they didn't deeply modify anything.)

The hype for the movies was immense.

And then the first movie, Episode One ''The Phantom Menace'' came out.....and there was nerd rage beyond expectation.

Part of the problem was that the immense expectations of the fandom had grown until anything less-than-perfect simply would not do, so perhaps that is somewhat to blame for the reaction to the prequel trilogy. In a vacuum one has to admit that they aren't completely ''[[Twilight|terrible films]]'' .

Episode Two ''Attack of the Clones'' and Episode Three ''Revenge of the Sith'' followed after a few years each and didn't garner nearly as much hatred, though fans complained they didn't match the greatness of the original trilogy, more concerned with flashy action and effects than competent story-telling; but hooo-boy did it deliver in flashy action, with laser armed [[MI-24 Hind|MI-24's]] full of <s>storm</s>troopers extracting jedi from a coliseum full of shooty killbots.

''Revenge of the Sith'' did, however, receive higher ratings than ''Return of the Jedi'', and is generally seen as the best and most-complete of the three prequel films as a story. Unusually the novelization alters some details and is considered a legitimately good book on its own merits.

What was generally more well received (despite a rocky start with a two hour pilot being pressed into service as a movie and an art style that took some time to gel) during this time for Star Wars was the Clone Wars animated series (both the traditionally-animated ''Clone Wars'' and the later seasons of the CGI show '''''The''' Clone Wars'', the latter which most everyone agrees is what the prequels should have been), following the war between the Republic and the Confederacy that sprung up during the time between the second and third of the prequels.

It'd be ''really'' hard to find a group of movies more skubtastic than the prequel trilogy, and saying a good or bad thing about it in front of the wrong crowd's sure to provoke huge amounts of nerdrage. In defense of the prequel trilogy's sins, they did at least do their own thing. Because of how much money the original trilogy made, practically every form of media in the 80s and 90s aped it to some form or another, and instead of falling back on the same old shit the prequels branched out and tried to get out of the franchise's comfort zone a bit. While a lot of it sucked, it blazed a trail for better writers to follow and helped liven up the universe by showing us the galaxy beyond fuckhueg spaceships and faux-Western shitholes like Tatooine. And all but the most [[Neckbeard|diehard OT purists]] can get behind shit like Naboo architecture, the Clone Army and Mace "The Ace" Windu. From a story perspective the worst sin of the prequels was demystifying the force, and subsequent works have largely swept that detail under the carpet.

==Disney and the sequel trilogy==

Finally, all the efforts by Disney to woo George Lucas paid off and in 2012 Disney acquired the Star Wars franchise for 4 billion dollars and immediately announced they would produce a new trilogy of films set after the original trilogy.

Expectations were almost as high as the private fears of the fans. Bringing on the creative talent behind the [[skub|skubtastic]] ''[[Star Trek]]'' reboot was equally... well, [[skub|take a wild guess]].

===Episode 7: The Mouse Awakens===
''Star Wars Episode 7: The Force Awakens'' debuted in December of 2015, and reception was what you would expect: the film was immediately a massive success from a monetary standpoint as everyone ([[China|almost]]) everywhere rushed to the theaters in response to the hype, with children engaging in as many repeat viewings as their parent's money could allow as fans did the same thing with their own. It has become a financial hit with the general public and a (critically) generally well-reviewed piece, with decent cinematography, special effects, technical stuff, etc. It also went on to become the third biggest financial success in film history (at the time), when not adjusted for inflation.

Fan response was a good deal more mixed. Many criticize the plot for rehashing Episode IV, without doing anything to establish its own identity and claim that it had a bland main character, [[Mary Sue|who had too many abilities]] whereas others find the replication of ''Star Wars'' feel an acceptable trade and praise it for being a decent action film, [[skub|and claim the lead doesn't outdo any of the previous main characters]].

Some would argue that by rehashing the original trilogy it basically nullified the accomplishments of the original crew; the Empire's still around, they've got yet another superweapon, Han & Leia split up, Luke failed to rebuild the Jedi, etc. Other fans praised it simply for being a new Star Wars that was better than the prequel trilogy (expectations were lowered due to those, to be honest). Some see poor storytelling when there was no proper showing of what went on in the galaxy 3 decades since Palpatine died, and not explaining what caused big character changes like why Han returned to his old ways or Luke ran from his friends was critical. Other say this is going to be explained in the next film and people should keep their curiosity. Some argue even with their superweapon, none of the villains feel threatening. Others argue the incompetence of the main villain is a fresh change and the point of the plot will be to see him change, to be more competent, or even learn to become good.

Overall, those against argued JJ Abrams' mystery box approach may do well for a TV series but does not mesh with films that take years to make. Defendants held the position that fans should wait to see whether the next film will do anything with the unexplained plot points.

Coincidentally, when Hamill and Fisher were originally approached by Disney to reprise their roles as Luke and Leia, they ''didn't want to do it'' right from the start. But, they didn't want to give an out-and-out "no" answer either, so they told Disney they'd return if Harrison Ford agreed to return as Han Solo as well. Knowing how much Ford ''hated'' Solo, Hamill and Fisher figured they were safe, until Disney irresistibly sweetened the deal for Ford by agreeing to kill off his character, thus forcing a reluctant Hamill and Fisher to make good on their deal... [[skub|only for the three characters to never appear on the screen at the same time.]] To be fair, Hamill has a history of saying he won’t do something only to immediately agree like he’s making a standard sitcom gag in real life, even if that usually just applies to still voicing the Joker in Batman media.

===Rebels & Rogues: Star Wars Stories===
Disney also released their own CGI series: ''Star Wars: Rebels'', which is actually pretty ok (considering that it airs on Disney XD, it should be no surprise that they've toned down the graphic depictions of gratuitous violence, much to the chagrin of [[Neckbeards|those who love overly gory deaths]]). It focuses less on the Jedi that have come to dominate the franchise and more on the "boots on the ground" experience of the average characters, and while the show started slow and small, the plot gained momentum as the series progressed, especially after the first season. The Rebel movement started to grow, several characters returned from ''The Clone Wars'', and the enemies the main characters have had to face steadily got darker and more dangerous as more of the Empire’s attention was attracted. When Darth Vader gets involved (played by none other than [[Awesome|James Earl Jones himself]]) he immediately proceeds to [[Awesome|open a 24-pack of unstoppable whoop-ass on the rebel scum]]. The return of Maul resulted in three character deaths (possibly four), the crippling of one main character with another well on his way down the dark side, and to top it all off Maul himself was on the loose once again. Things did not turn out so well [[Grimdark|last time that happened]], so expect the body count to rise, especially with [[Creed|Grand Admiral Thrawn]] now also coming onto the scene. The show also continues the trend set by ''The Clone Wars'' in making the Force mystical again, though whether this is a good or bad thing depends on how you felt about the <s>bullshit</s> <s>scientific</s> [[Skub|skubtastic]] midichlorian explanation of the Prequels. The animation is on point with ''The Clone Wars'', which considering it's Disney should surprise less than nobody. Oh, and Steve Blum voices one of the main characters. However, it is also noted that Star Wars Rebels may indeed have [[Grimdark|dark ending]]. Which, to a degree, it did. An important character dies, and his padawan flees into the unknown regions, leaving us with two other characters to go look for him after the second Death Star blows up.

[[Skub|The way that Filoni (the creator of Rebels and The Clone Wars) has handled the Mandalorians, a fan-favorite warrior-culture based upon the Scots and Vikings, has either been met with praise from those who despised Traviss and her overpowering of said culture, or utter RAGE that he turned many of them into either pacifist morons or bloodthirsty barbarians- usually that particular criticism comes from the Traviss fanboys]]. Do take note, however, that the old ways for the Mandalorians are making their way back into canon, such as the language, the emphasis on martial honor, and the decentralized nature of their government.

December of 2016 brought us the first standalone Star Wars movie, "Rogue One", showing the theft of the original Death Star plans. While "Rogue One" has been criticised for being lacking in character development; (fair warning) literally the entire cast of the movie who doesn't appear in Episode IV dies by the end, and it still manages to pack more than it's fair share of awesome into the movie, with Donnie Yen, Alan Tudyk and Darth Vader all used to great effect. Rogue One also answers several questions, plugs several plot holes, and just generally makes A New Hope make a lot more sense in retrospect. (No wonder Vader wasn't impressed when Leia claimed to be on a "diplomatic mission.") It also has the distinction of being the only Star Wars movie to focus on regular soldiers instead of Jedi. Much, much [[Skub]] still exists of course, since no Star Wars movie will ever please all the neckbeards but out of the four post-Disney Star Wars movies released so far, this one is definitely the least divisive and arguably the best of the bunch.

===Episode 8: The Last Royalty Check (aka zomg Luke dies!)===
On December 14 2017, ''Star Wars Episode 8: The Last Jedi'' was released world wide. The critical reception was [[Bullshit|extremely positive]], with many critics considering it the best movie in the series since The Empire Strikes Back. The fan reception has been a great deal more negative and [[Skub|mixed]], and a number of fans are convinced that Disney leaned on media outlets to shill the new movie or else. If you have watched the Empire Strikes Back, you ''WILL'' be [[Rage|disappointed at best]], if you want to see a Star Wars film that would finally expand the characters of Kylo Ren and Rey, you ''WILL'' be satisfied and disappointed at the same time, if you want to watch the film because it is the last film starring the great and wonderful Carrie Fisher, you ''WILL'' feel hollow and sad inside, and if you came to see a pair of lightsaber-wielding punks involved in one of the [[Skub|greatest or worst lightsaber battles of the franchise, you ''WILL'' be pleased or horribly dissapointed]]. The Last Jedi is seen as one of the most divisive films in the franchise by the fandom, [[FAIL|which is one hell of an achievement]] considering other films.

The complaints about The Last Jedi are many: the treatment of Luke (which even his actor, Mark Hamill, hated, to the point that he has no interest in playing Luke again), Leia's Superman asspull, Finn's plot arc that serves practically zero purpose and has him undergo the same character arc as the last movie, the forced humor, the complete disregard for established [[fluff]], disregard for even the most basic laws of physics, the fact that the central conflict is essentially the same as the one in the originals right down to the last stand ripped straight out of ''Empire'', the PC bullshit (a hipster admiral who the plot always treats as being in the right despite killing 90% of the Resistance, the Gilded Age planet arc that [[Namek|sucks up a third of the movie to no benefit,]] Rose expressing her desire to get BLACKED with a horrendous and forced #LoveTrumpsHate one-liner in the final act) added solely to virtue-signal and the whole thing being basically a 2,5h screed against the franchise it belongs to and the culture which spawned it.

Fans have also criticized the movie for dropping or discarding major plot points from TFA and repeatedly invoking Shamalamadingdong-tier plot twists for cheap gotchas that are somehow less interesting than the recycled cliches they play off of. Director Rian Johnson has responded by shitting on said critics and trying to defend the film on social media like something out of an ED or RW article. (Important note: George Lucas never tried to defend the prequels, despite the huge backlash at the time, and he agreed with fans that [[C.S Goto|The Star Wars Holiday Special]] was an abomination.) It later came out that Johnson had not been given any kind of roadmap beyond Lucas' old and unfinished concept scripts and was not allowed to see what Abrams had done until TLJ was too far into production to write in most of the previous movie's plot points, which makes the fail Disney's fault just as much as it is Johnson's. Except we also know that he had at least a modicum of influence over the ending of TFA, so they must have talked on at least some degree. As with TFA Lucasfilm has tried to paper over the holes with tie-in material, and just like TFA the fans recognize the damage control.

The Last Jedi has without a doubt torn the fanbase apart in ways even the prequels didn't come close to, with many fans declaring that they have dropped the sequel trilogy. Even Star Wars' famous merchandising has taken a mauling, as [[/toy/]] giggles at Rose Tico and General Hux figures warming shelves while new product shipments go straight from the transport case to the clearance bin.

===[https://www.youtube.com/watch?v=lg_FoEy8T_A I'm Solo, Han Solo, Han Solo]===
On May 25th 2018, the 41st anniversary of the franchise, ''Solo: A Star Wars Story'' was released. The general consensus seems to be that it is the most average film in the series. At the very least, most people agree that it is at least better than The Last Jedi (if barely) and the backlash from that movie can be felt even in Solo: many fans have chosen to boycott the movie. Even before release, many fans had derided the whole affair as unnecessary: no one was really asking for a Han Solo origin movie, particularly one without Harrison Ford. Han Solo's entire life history had already been explored thoroughly in EU novels and comics, so the movie could only be a retread or a retcon, both things most fanbases tend to disapprove of. Whether it is because of this boycott or not, [[Not as planned|something no one expected happened:]] ''Solo'' was a box office bomb. Its opening weekend performed way below expectations and as of this writing, it has only made half of the money it needs for it to break even. Disney still continued to labor under the delusion that China would save their bottom line regardless of the fact that Star Wars has never been popular in China.

So what is it like? Well, rather than being a space opera like the other films, this is a space Western. Rather than being about large-scale battles and saving the galaxy from tyranny, it's about heists and the galactic underworld. (Except for the Mimban sequence, which you'd swear was lifted from a live-action Imperial Guard movie.) It's essentially Disney's reboot/retcon of the old EU Han Solo novels, taking things that were mentioned offhand in the original trilogy (like how Han did the Kessel Run in 12 parsecs) and making that the subject of an entire movie. The film was perhaps cursed from the beginning due to its [[Fail|troubled production.]] How troubled? The lead needed an acting coach to get through his shoots (Han may have walked away with the Falcon, but Danny Glover's Lando stole the spotlight every time) and 70% of the movie had to be reshot by a different director due to [[Butthurt|creative differences]] between Lucasfilm and the original directors.

The fail only compounded when it premiered and fans got to see what those "creative differences" may have wrought: the writing staff started spewing bullshit to the press about Lando being "pansexual" with no precedent in any Star Wars production including ''Solo'', the film's tone is a schizophrenic nightmare to the last-minute reshoots and Han's sidekick for most of the movie is [[What|a self-built female droid social justice warrior]] named [[/v/|L3-37]]. Audiences ''cheered and applauded'' when that <s>man</s>human-hating self-insert character finally fucking died. Perhaps the most damning sin is that these are the movie's only notable qualities: take them away and you're left with a movie that would make you think "Huh, that was okay," and then never think about it again for the rest of your life, were it not for the crippling disappointment of seeing one of the most beloved franchises in the world fall so far. Between the boycotts, the mediocrity of the movie itself, and [https://encyclopediadramatica.rs/Gawker certain news outlets] claiming that the driving force behind said boycotts was [[/pol/]], ''Solo'' cratered so badly that [[Exterminatus|all non-''Episode 9'' Star Wars movies were for a short time shelved indefinitely, and the only side-movie still being worked on is the obligatory Boba Fett origin movie, which is more likely to sell tickets based on the name alone.]] Incidentally, one of the writers picked by Lucasfilm to handle ''Solo'''s tie-in content, Cavan Scott, has been hired by [[Games Workshop]] for the [[Warhammer Adventures]] series.

===Episode 9: The Rise of Skywalker (aka Plan Palpa-Nine from Outer Space)===
Your opinion of this movie is very easy to predict based on what you thought of the others; if you found The Last Jedi to be "refreshing", you'll absolutely HATE this one. If you hate all Disney content aside from ''maybe'' The Mandalorian, you'll hate this one as much as the others. If you absolutely detested The Last Jedi but have mixed opinions of the rest, you'll probably consider this to be the best of the new movies to varying degrees of actual enthusiasm. The movie largely undoes or ignores swathes of the previous one.

After finishing shooting, the film was shown to test audiences. The film was so poorly received - for many aspects such as [[Mary Sue|Rey curb-stomping Palpatine by herself in the final battle]] - that Disney CEO Bob Iger personally demanded reshoots on the spot. [http://archive.ph/RLj94 The resulting reshoots were so extensive, they spanned months and the film didn't have a final edit till December 2019, the month of release], causing trailers to be so desperate for footage that wouldn't be cut they had to fill half the length with footage from prior films and stuff used in prior trailers. Further complicating matters was that the ''very stupid'' plot was leaked months before release. Despite extensive denials from Disney and media outlets, the leaks were proven correct by getting then unrevealed names and plot objects right. Regardless, camera leaks the week before release show very little of the fantastically stupid content leaked months beforehand was changed, only minor details.

Before reading on, be aware that Rey and Kylo are no longer movie-type Force users, they have been upgraded to video game characters. Like KOTOR and Jedi Academy type where you just get powers by killing enough dudes. None of the powers are new to the franchise, but have been rarely seen and in some cases never before have in movies.

The movie pressed on with breakneck speed that doesn't have time for musical interludes or wipe transitions, the opening crawl informing you that Palpatine has somehow returned and sent a message to the galaxy with the Resistance trying to rebuild and gather information, Rey being trained by Leia who had received partial training from Luke before stopping for reasons explained later in the movie and supplementing the rest with her pouring over the Jedi texts, and Kylo Ren trying to find Palpatine because his existence is a threat to his rule. The movie takes a lot of inspiration from KOTOR era lore with Ren finding a Sith McGuffin Holocron-type navigation device showing him the secret planet of the Sith (not Korriban/Pesegam/Moraband, this one is a planet in a red nebula that is under constant lightning storms called Exegol). There he finds a MASSIVE Sith cult that has kept itself secret and managed to not only build a fucking massive fleet of Star Destroyers equipped with planetkiller guns like something straight out of the old canon, but divisions of Stormtroopers, technicians, and officers to fill them along with the typical cultists in robes who administer to keeping Palpatine alive and seeing to his Sith alchemy shit...which includes tanks containing multiple clones of Snoke, revealing the guy was literally born looking like that with a manufactured backstory all so Palpatine could use him as a puppet to create the First Order (which is almost a meta commentary about the backstory controversy).

Kylo is offered the chance to be the new Emperor by Palpatine, who is a corpse kept barely alive through methods some would consider... Unnatural, while strapped to a machine with [[Lord Kroak|his spirit sticking nearby]] (In one of the few changes from the pre-reshoot leaks, he's ''not'' the original that somehow duped everyone in ''Return of the Jedi'' with a clone stand in, its the actual zombie-like rotting corpse animated by his lingering spirit). The only requirement for Palps to pass him Emperorship is killing Rey, although Ren is immediately suspicious of the other strings attached (including choking a guy in a hissyfit when that concern is voiced) and decides instead to recruit Rey again, this time as a co-Emperor.

Finn and Poe obtain information about a spy within the First Order (yeah, you know its fucking Hux even before they say there is a spy at all) while Rey gets visions during her training with Leia. The spy confirms that Palpatine is legit and the info about the fuckmassive deathfleet is legit, and Rey finds the Jedi texts contain notes from Luke about his search for that planet. They go to his last clue, a desert planet that isn't Tatooine and is the middle of a festival where they find Lando has been holed up enjoying himself since him and Luke traveled there. They are immediately spotted by the First Order and escape from them to find the ship of one of Palpatine's servants who had last been seen there. They fall into sinkholes around the ship created by giant tunneling worms, and find the skeleton of Sheev's boy as well as a Sith dagger. 3PO is programmed with the Sith language, but his programming from the Old Republic era forbids him from giving the translation to civilians. Rey manages to get the sand worms to leave them alone by using Force powers to heal one's wound, and they attempt to get the Sheev's servant's ship up and running before they are attacked by the First Order. Chewie is taken prisoner and Rey wrecks Kylo's TIE Fighter before the two engage in a Force tug of war to pull the transport Chewie is on, which ends in Rey accidentally Force Lightning it and causing it to explode when she becomes frustrated with the stalemate. Chewie is revealed to have been on another transport and is taken to Ren's flagship Star Destroyer while the heroes, instead of do something sensible like seek a Rebel leader who can give security clearance for 3PO's protocol (Leia's the obvious choice), they head to a planet under VERY Nazi-like occupation to find a droid technician who can hack 3PO's memory. They encounter a woman from Poe's past, revealing he was a former spice smuggler like Han until abandoning his crew (causing them to fall into debt and become bitter at him, which is only a thing in conversation) to join the Resistance. The technician unlocks 3PO's memory at the cost of wiping him. The translation reveals the dagger is the key to finding the Sith navigation McGuffin they are looking for. During this BB-8 reactivates Sheev's servant's old droid, who doesn't do much.

The heroes proceed to board Ren's flagship with the help of a First Order officer's badge, and shoot their way through as they free Chewie. Rey and Ren have another linked vision where her parents are revealed to have attempted to hide her from her grandfather Palpatine, who wanted to merge the souls of himself and '''ALL''' other preceding Sith (presumably not Revan, since his redemption is canon) while he discovers they are on his ship and orders it put on lockdown. Rey is confronted in the hangar by Ren, who offers her to join him again. She refuses and the Falcon appears, the engines blowing away the Stormtroopers while Rey jumps aboard. The crew head to Endor after finding out from Sheev's servant's old droid that it was where he was going to go next (this is the only thing the droid does other than serve as a "pet the dog moment" for the cast a few times) where the Death Star wreckage of the disk and throne room landed, encountering a division of former child-soldier Stormtroopers like Finn who went AWOL. The dagger has a slide-out metal prong from the handle which perfectly lines up with the corridor leading to Sheev's throne room. The team work on repairing the Falcon while Rey presses on ahead, alone, to the Death Star wreckage. Once in the throne room a hidden door opens, revealing a sanctum full of crystal mirrors that are the same as the ones she saw in her vision in Force Awakens (the scene where she snaps her fingers and all the mirrored ones do as well). There she finds the Sith McGuffin and gets a "The Cave" vision of herself as a Sith with a red double-bladed lightsaber which she fights. Kylo is waiting for her in the throne room, and crushes the Sith McGuffin in his hand before informing her they are linked in the Force as one soul inhabiting two bodies and offering her again to be the Vader to her Palpatine which she again refuses. The two fight while Finn and one of the Stormtroopers try to rescue her. They fight their way onto the remnants of the Death Star hangar, reminiscent of Anakin and Obi-wan in Revenge Of The Sith with water instead of lava, before Ren freezes as he senses his mother start to die. This pause gives Rey time to grab his lightsaber and stab him before she freezes sensing Leia actually pass away. Rey uses the Force to heal him, then steals his TIE Fighter while Poe and Finn return to the Resistance base. Rey initially attempts to hide on Luke's monastery to let Palpatine's bloodline die with her, but after lighting Kylo's TIE on fire (so she's destroyed 2 of his personal TIE at this point) Luke appears as a Force ghost to tell her <strike>Rian Johnson</strike> he was wrong, and was motivated by fear when he tried to hide. He reveals that all the Jedi who came before are rooting for her, and tells her where Leia's lightsaber is hidden. He reveals she stopped her training because in a vision she saw that her son would be destroyed by the Dark Side, and a Light Side counterpart would take up her blade instead. Meanwhile, Kylo is visited by the spirit of Han (making him the first non-Force user to appear as a Force ghost). The two reenact the scene from Force Awakens, only this time Kylo throws his lightsaber into the sea and renounces the name Kylo Ren to become simply Ben again. Meanwhile the First Order blow up Poe's home planet where the droid technician and Poe's old crew were, although they had managed to get offworld by that point. Also, R2-D2 deus ex machina's C-3PO's memory wipe by restoring it from a backup which contains everything from before the mission.

Luke lifts his X-Wing from the waves and Rey scavanges the Sith McGuffin from the flaming wreck of Kylo's ship. As she proceeds to the Sith planet she sends out a beacon to track her progress, giving the entire galaxy a map to the Sith fleet. Poe, now leader of the Resistance, sends Lando with the Falcon and Nien Nunb to gather any forces they can, all the ones who refused to aid them in The Last Jedi, while the rest of the Resistance gears up to attack Sheev's fleet before they can leave the storm cloud. The initial plan is to destroy the navigation device which orients them to the rest of the galaxy without which the fleet cannot leave, until the commander of the flagship (a former Imperial officer) realizes what they are doing and orders it to be shut down so his own ship could serve as the navigation for the rest. Rey confronts Sheev and is informed of his plan to have her kill him so all the Sith could merge with her and rule as basically the God Emperor of Star Wars. She raises her lightsaber before using the strange wormhole Force connection thing they have to pass it to Ben, who had gotten there with a salvaged TIE from the Death Star wreckage and was being beaten by his former servants, the Knights Of Ren. Armed with Luke's old lightsaber he kills them and proceeds to the throne room. Ben arrives and the two attempt to fight him. He simply Force Pushes them back and forces them to kneel before draining a portion of their souls, the "two bodies one soul" thing apparently being a massive source of Force power he can heal himself with to rule in his own rejuvenated body again (but with Darth Maul eyes) rather than Rey's. Meanwhile, the ex-Stormtroopers and Resistance ground personnel lead by Finn land on the flagship Star Destroyer (its still in the atmosphere of the Sith planet, thus gravity and breathable air applies) and due to bringing goat-horse things from Endor are not affected by onboard EMP that would otherwise short out speeders and tanks (which is a thing from past canon, mostly comics and novels, which they use to explain why such a thing doesn't happen more often). Meanwhile, Lando appears with a fucking enormous fleet (remember the backstory that the New Republic didn't have a fleet, instead paying for every planet to have a militia of their own which would unite when there was a big enough threat? Well, JJ finally remembered because all those fucks show up alongside a neat little game of "spot that ship from the series you know" in a few shots). They begin attacking the superweapons underneath the Star Destroyers directly, causing chain reactions that blow the entire ship.

Ben is Force-pushed by Sheev into a pit as revenge for how Vader did the same thing to him before taunting the dying Rey and unleashing a MASSIVE Force Lightning storm which shorts out the fleet. While this is going on the spirits of all the dead Jedi (like pretty much anyone they could find to record a line from any of the past movies or shows, including Ahsoka; which is pretty lame since it means she was killed off-screen, with natural causes being unlikely since Ashoka wouldn't have been 80 yet, and even that's below the average Togruta life expectancy) who inhabit her body the same way that Palpatine is currently full of all the Sith. Rey manages to stand and deflects his Force Lightning with Leia's lightsaber, which isn't enough until Ben manages to climb out of the pit and throw her Luke's lightsaber; with the two together she's able to walk close enough to Sheev for his Force Lightning to burn him, and despite this being the third fucking time this has happened he does not turn off the lightning and instead Raiders Of The Lost Ark's himself into a skeleton before blowing up and destroying not only himself but the spirits of all the past Sith. Despite Palpatine's plan being to possess Rey when she kills him, for some reason he doesn't do so. The Jedi spirits leave Rey and she dies, with the barely lingering on Ben healing her. They share a kiss (reminder that since Sheev created Anakin, they're basically cousins, and their relationship is so adversarial it makes Edward and Bella's from Twilight look healthy) before Ben dies. His body vanishes, as does Leia's. The Resistance/Militia fleet destroy all the Star Destroyers after Finn's ground crew hijacks one of the cannons of the flagship to shoot at the ship bridge, killing the last of the old Empire and First Order leadership.

The heroes return to the Resistance planet where they celebrate, scenes showing the rest of the galaxy shooting the last of the First Order Star Destroyers play, Chewie is given Han's old medal from A New Hope, and the ex-Stormtrooper leader is hinted to be Lando's daughter or grandaughter implying a spinoff with the two. After the celebrations Rey returns to Luke's old home on Tatooine where she buries Luke and Leia's lightsabers, revealing she built her own from her Force vision only with yellow blades instead of red ones. An old woman who was a neighbor of Owen and Beru comments nobody had been to that place in years and asks Rey's name. Seeing the Force Ghosts of Luke and Leia, she tells the woman her name is Rey Skywalker. The End.

Because god knows this fandom can no longer agree on fucking anything anymore, there was immediately fan wars going on everywhere Star Wars fans are found. Fans accused haters of review bombing, those who hated the movie claimed the critic score (which, if you recall, is mostly people who liked The Last Jedi and hate this movie for doing a U-turn on it) vindicates them. The fan fighting probably won't ever end, since now we apparently have to reevaluate if A New Hope and the Kenner Star Wars toys were ever good in the first place because some contrarians now claim the prequels are the pinnacle of Star Wars.

==Expanded Universe==

It can be said what makes a franchise into a long term lasting thing is when a wealth of extra story and background is created that expands on the original story far beyond what there was. It could be argued Star Wars leads the race in this, as the sheer amount of extra novels, graphic novels and games based on Star Wars can and does overwhelm the ordinary fan.

The background has expanded into the distant past before the founding of the current Jedi and Sith orders and into the (not-quite-so) far future looking at the descendants of Luke Skywalker and other popular characters. Uniquely, especially considering [[Warhammer 40K|other]] [[Star Trek|franchises']] track records, the Star Wars Expanded Universe is <strike>remarkably</strike> <strike>sorta</strike> sometimes internally consistent, both with other sources within the universe and with the films themselves, at least in comparison to other comparable settings. Of course, it's got plenty of its own [[C. S. Goto|problem children]] that slipped through, and the [[skub]] mine of it all isn't much shallower than that of 40K. Good portions of it do hold up well, largely due to the efforts of Lucas' company's continuity department leaning on everyone to hold it together. One thing that greatly helps is continuity books and articles aren't afraid to make small retcons to make even the most obscure and shitty sources (like that terrible PS1 fighting game) seem like part of an organized plot. Particularly well-loved parts include characters like Grand Admiral Thrawn (a rare alien officer in the Empire and popular enough that Disney brought him back to the canon from the EU) and Mara Jade (a Force-using former agent of Emperor Palpatine before she turned good, became a Jedi, married Luke and had a son with him) - interestingly both were created by the same author [[Timothy Zahn]].

Upon their acquisition, Disney said "fuck it" and threw out everything but the films and the Clone Wars cartoons. Some popular old stuff got mentions or appearances (and Thrawn got to be a major character), but the overall quality is even lower than the old EU. What was set up as a major book contains phrases like "The TIE wibbles and wobbles through the air" and random virtue signalling. As though to top the previous, Disney literally published a book with an entire chapter about mass wedding farts (Yes. Really.). The only good stuff is from established EU authors writing stuff far away from era of the Disney films.

The [[rage]] over the EU's scrapping was major among many fans of it, but for all Disney's shortcomings, they were in a tight spot. Towards the end all that continuity and consistency got thrown out the airlock for increasingly dumb and disjointed narratives and garbled plot threads to the point that the Star Wars logo was just about as much a sign of quality as the Nintendo approval stamp on shitty SNES games. Though they have their fans, particularly contentious parts include the grimdark invasion of the Yuuzhan Vong - forcenull space-Druchii (no no, not Comorrites though they have the pain and body modification fetishes for it, space-'''Druchii''', riding enslaved tyranid bioships) from another galaxy, a personal-sized spaceship that could blow up whole galaxies and destroy fleets on its own, Mnggal-Mnggal - mindraping gelatin lost on its way to Star Trek, and Abeloth - an ancient (she predates the Jedi and the Sith) yandere Force entity who wandered in from the Cthulhu Mythos and is so dangerous the Jedi and the Sith '''joined forces''' to fight her. It's difficult to envision how Disney could have kept the EU when even before all that it was struggling to find a market beyond the most [[neckbeards|dedicated fans]].

Granted it's [[skub|debatable]] how much less successful the new EU is over the old.

===The Books===

'''The Good EU'''
* '''The Thrawn Trilogy''': The origination point for the EU, and focuses on the conflict with the Imperial remnants left over after RotJ. Named for the main villain, Grand Admiral Thrawn, who went on to become one of Star Wars most well-loved characters. Basically the story "The Force Awakens" wishes it was. Also introduced Mara Jade, a sexy redhead that's everything Disney wishes Rey was and more.
* '''The Han Solo Adventures''': Star's End was the second spinoff book written and the first good one. Han and Chewie are trying to get some work done on the Falcon and wind up having to bust out some political prisoners to pay for it. Would have made for a better film than ''Solo'' did.
* '''Shadows of the Empire''': Shadows is set between ESB and RotJ and fills in the details of getting the Death Star II's plans, finding out where Han was taken, Luke building his own saber, etc by the introduction of another bounty hunter by the name of Dash Rendar. The Special Edition rerelease of ''A New Hope'' added the Outrider to the background of one scene. Most notable for the fact that it was also adapted into a video game for the N64 and PC.
*'''The Darth Bane Trilogy''': The origin of the Rule of Two for the Sith, along with a compelling protagonist and his apprentice.
* '''Revenge of the Sith''': The novelization is actually considered a serious improvement over the movie itself.

'''The Bad EU'''
* '''Jedi Academy Trilogy''': Luke sets up his academy on Yavin IV and tries to teach [[Rage|Kyp Durron]]. Imperial remnant superweapons hit ludicrous territory with the sun crusher. This was the beginning of Kevin J Anderson hammering out a couple dozen Star Wars books over about four years.
* '''Young Jedi Knights Series''': Set between Jedi Academy and New Jedi Order, mostly follows Han & Leia's kids.
* '''I, Jedi''': A retelling of the Jedi Academy Trilogy (see above) with more of Corran Horn from the first set of X-Wing books. Less derp in general but significantly more [[Mary Sue]]age of Horn.
* '''Legacy of the Force''': The survivors of the Yuuzhan Vong War are trying to rebuild the galaxy, but Jacen Solo turns Sith and becomes the main villain. The book series is infamous for nearly killing the Star Wars EU, threatening the franchise and issues between various writers years before Disney went down the same road (Jacen Solo was also a major influence for Kylo Ren). The biggest complaints were Jacen killing Mara, the heroes becoming idiots whenever they could've stopped the villains, poor dialogue, long-winded writing and the story being overstuffed with allusions to post 9/11 United States.

'''The [[Skub]] EU'''
* '''New Jedi Order''': The longest-running (19 books long) and most divisive story of the EU. Luke's married to Mara and they're rebuilding the Jedi Order while Han and Leia are trying to reconcile the New Republic and Imperial Remnants. Han and Leia are also raising three kids and Mara's got a terminal illness. Then extragalactic aliens called Yuuzhan Vong - [[Imperium of Man|religious fanatics]] with [[Tyranids|organic technology]], a thing for [[Dark Eldar|pain and body modification]] along with [[Culexus|partial immunity to The Force]] - start a war to conquer the Star Wars Galaxy. Chewie dies Majora's Mask style, Mara's illness is cured and she gives birth to Ben Skywalker, the Vong capture Coruscant, most factions team up against the Vong, lots is learned about the Force and the bodycount goes through the roof. A real love-it-or-hate-it series, some parts were good, some were bad and some were weird.
* '''Dark Empire''': Palpatine's back to save a dying franchise decades before Disney tried it. Starts off good, falls apart fast. Known for its love-it-or-hate-it artstyle and dialogue.
* '''Courtship of Princess Leia''': Deals with another Imperial remnant. This one has force witches. It's also ''really'' silly. If you like that, raise this higher. If not, it might even drop lower.
* '''Fate of the Jedi''': People are growing dissatisfied with the Jedi Order following LotF. Luke, Ben and the remaining Jedi are trying to fix things just as a Sith Tribe emerges from hiding. Things take a turn for cosmic horror when a yandere, Force-using eldritch abomination who could doom the galaxy escapes her prison. The Sith apprentice Vestara rises through the ranks and finds herself in a Catwoman/Batman situation with Ben Skywalker. While being an OoM better than the preceding trilogy,FotJ has a very divided opinion among SW fans.

==Star Wars:The Television Shows==
===Star Wars:The Clone Wars===
Technically, there are two series called similar titles. The first was 2004's ''Star Wars: Clone Wars'', an animated miniseries made by Genndy Tartakovsky (He of Dexter's Lab and [[Samurai Jack]] fame) chronicling, among other things, the titular Clone Wars and introducing a much more sinister General Grievous to the world.

But then we have ''The Clone Wars'', a CGI animated series (and tie-in movie) that we'll be talking about more and contributed more to the EU. One of the most universally known and loved parts of Star Wars, most fans worth their action figures and limited edition movie sets have watched the show and have an opinion on it one way or another. Some of the most notable characteristics are:

* The Clone Troopers are fleshed out,and we see that they are manly motherfuckers who make Guardsmen's balls of steel look like the cardboard their armor is made out of (seriously, in the movie, they literally charge straight into close combat with ''giant armored walkers with large guns'' and jump off roofs to get top of them to shoot them point blank, and punch droids in the face)
* Anakin Skywalker is actually a good, fleshed out character, with a good voice actor and shows his descent to child-murdering Force-choking asshat wasn't just him going 'welp, guess I'll fall to the Dark Side.' There was a fair amount of bad-cop “it was him or me” murder to get there.
* Introduces Ashoka Tano, a major character who's a female Togruta Jedi that's well-written, non-OP, non-Mary Sue and doesn't invalidate characters from the movies. Starts off a bit annoying in the Clone Wars movie, but manages to do something truly special: she ''learns''. Over the course of Clone Wars and Rebels, Ashoka probably has the most character development out of any other Star Wars character.
* Obi-Wan being a sexy one-liner spouting sarcastic badass.
* And many others.

However, there were some pretty derp moments too, such as

* Babysitting episode/movie.
* D-squad, where a bunch of droids become heroes of the Republic.
* Mandalore and how it's fluff was basically screwed 180 degrees, and then some.
* Droids were comic relief of the first and second seasons. It was annoying.

All in all, it was an good show that took some time to find it's feet.

===Star Wars: Rebels===
[[Image:WomanYellingAtLothcat.jpeg|right|400px|thumb|''Stop fooling our plan, you rebel scum!'']]
Now that Disney owns Star Wars they can't go a season without something new to run on Disney XD, so after ''The Clone Wars'' ended they needed a series to milk episodes out of and launched ''Rebels''. ''Rebels'' is set a few years before ''A New Hope'' and covers the early formation of the rebellion from the perspective of one cell focused on the planet Lothal. If you liked ''Rogue One'' but thought it should be about 25 hours long and done in cartoony CGI then this is the show for you.

So what did we see in ''Rebels''?

* Grand Admiral Thrawn makes his debut in Disney Star Wars, along with the TIE Defender project. The character doesn’t lose much in the translation, and later on is arguably treated better than the source.
* The bearded old guy in the Endor strike team in RotJ turns out to be Captain Rex. Fan theory at first, later confirmed.
* You CAN [[combi-weapon]] a lightsaber and a blaster, and it's OP as shit
* Force wolves (no, not [[Rune Priest|those force wolves]])
* [[A Song of Ice and Fire|Game of Thrones-style]] Mandos (Krownest is pretty much Space-Winterfell). Read it again, Disney managed to unfuck post-KOTOR Mandos. While simultaneously buttfucking them.
* Ahsoka fights Vader (and then escapes into the webway)
* The Obi-Wan Kenobi vs Maul in a duel that's as epic as it is brief
* Imperial Inquisitors. Sure they don’t last long, but they were intimidating while they were, and it planted the seed that was used elsewhere.

So about the wolves... ''Rebels'' turns the force mysticism up past 11. Forget just being precog space monks with laser swords; as far as ''Rebels'' is concerned the Jedi are [[craftworld]] [[eldar]] without the racism. Rebels picks up the torch of the Clone Wars “Force Gods” and mixes in some of the straight-up fantasy shit from the Lucas era novels and the KOTOR/Old Republic Jedi philosophy schools and heresies beyond just “Light good, Dark bad”.

However, there were levels of derp that we got to see in this show, such as the following:

* Since this is a Disney cartoon, the bad guys can't have even a temporary victory. This changes Thrawn and the other Imperials from an imposing force to [[Abbadon|cartoon villains]], although Rebels villains manage to stay intimidating more than Grievous did in Clone Wars.
* Battles slower paced than a Death Guard movement phase. Enjoy characters having full conversations in cover-based shooting when everyone has Stormtrooper aim.
* Lightsabers the shape of toothpicks.
* [[Bullshit|Helicopter lightsabers]]
* Complete bipolarity in tone. This can create some great moments, but invariably ruins the mood episode by episode, or between the A and B plots.
* Iron Squadron. Just...fucking [[Rage|Iron Squadron]]
* Star Destroyers look terrible, mostly due to their bridge towers being way taller than they should be.

All in all, it depends on your preference.

Since the show does have a fair amount of dedicated fans, <strike>likely</strike> possibly more than the sequel trilogy itself, Disney has made a habit of planting Easter Egg references to Rebels in basically everything moving forward, usually in the form of an appearance by the iconic ship The Ghost or the friendly-ish space pirate character Hondo Ohnaka.

===Star Wars: Resistance===
Annnd they had to go and change things again. With ''Rebels'' coming to a close and a burning need to keep Star Wars on their lineup, Disney had a choice: find a new plot and setting for a formula and art style that had produced two successful multi-season shows, or throw it all out and start from scratch. Remember, this is Disney we're talking about, the company that once [[Fail|paid a quarter billion dollars to fire the producer who made ''The Little Mermaid'', ''Beauty and the Beast'', ''Aladdin'', and ''The Lion King'']] only for him to go and [[profit|found Dreamworks]] out of spite.

Like its predecessor, ''Star Wars: Resistance'' sets itself up as a prequel to a trilogy, in this case following the early days of the Resistance in its fight against the First Order. Where it differs from ''Rebels'' is that ''Resistance'' is playing the warm up act for a trilogy that nobody likes. On top of which, the creators abandoned the 3D style that ''Rebels'' inherited from ''The Clone Wars'', and replaced it with a cel style that's half ''Treasure Planet'' and half ''Avatar: The Last Airbender''.

To be blunt, this show is 100% pure crystal derp. Our star is Kazuda Xiono, a manic depressive who literally fanboy-ed his way into being a spy under the cover story of being a mechanic, two jobs he is not qualified for. This kid is the Invader Zim of Star Wars. Filling out the cast we have the original only cockney girl in space, an autistic alien, their widower boss who is definitely gonna die, D.Va and her ex-imperial officer dad, and BB-8. Poe Dameron shows up regularly so he can be Ace Fucking Rimmer without having to compete against Rey for the TOP SUE trophy. Reception was so terrible it was confirmed canceled at 2 seasons before the second season even started.

Part of the problem with ''Resistance'' is that the First Order has a doomfort that can frag planets across the galaxy, yet has to resort to hiring pirates to encourage settlements into accepting the First Order's protection racket. Palpy's empire was a model of efficient, heavy handed governance; its evil intent veiled from the masses who mostly resent it for bringing order. The First Order on the other hand is basically just Cobra Command, a font of evil hamstrung by flailing incompetence. As mentioned earlier, the backstory for the Resistance and First Order is basically that the First Order are a mobile pirate fleet with one untested secret base weapon lead by old farts of dubious actual leadership abilities from the Empire and their fanatical children with grunts made up of brainwashed child soldiers kidnapped from pioneer settlements while the Resistance is just a tiny militia that is so poorly funded they don’t even qualify as a single fleet since their few outdated capital ships are crewed by outdated droids and they don’t even have enough fighters to protect them, but rather than depict the potentially interesting dynamic this suggests the series just tries to be Rebels again, the same path the movies took even though at this point both factions are even smaller than they were in the movies.

===Star Wars: The Mandalorian===

[[Image:The_mandalorian.jpg|right|200px|thumb|''Bounties?'']]
Because Disney didn't have enough money, they decided to try their hand at streaming services (despite already owning Hulu), and created Disney+ as a collection of their shows and movies. And with any streaming service, you need a flagship title. Thus, ''The Mandalorian'', the first live action Star Wars television series.

The show itself lives and breaths off your nostalgia for the Fetts, giving you a new lead character wearing the cool ass armor, bounty hunting, getting in gunfights, et cetera. The show's set five years after ''Return of the Jedi'', and leans into spaghetti western's so hard you wonder why Clint Eastwood hasn't shown up. Whether you like this show pretty much comes down to the question of can you accept [[Goblin Slayer|a show where the main character's face is never seen]] and whose name is never spoken (probably, considering this site's demographics), and can you stand a story wrapped entirely around the finger of a toddler that looks like Yoda.

Yes it is exactly as toy-baiting as you think. Lucas would complain that it's generic and contributes little and he'd be right but he got his 4.05 billion so he doesn't get complain. It's got some good action and the plot doesn't make itself obnoxious. It is generally considered to be the best thing to have come out of Disney Star Wars, only competing for that position with Rogue One. Time will tell, though, as the writing took a nose dive after the first episode, which had some glaring issues, too (which were merrily overlooked by content-starved SW fans after [[rape|what was done to SW with TLJ, Solo and TROS]]).

==Species==
One important thing to note about alien species in Star Wars is that almost all of them were originally singular costumes added to the films for background color or to make a character stand out, then had a species name and culture retconned onto them by Expanded Universe writers. As a result, most species' "personalities" are just shallow clones of the character they're derived from. Many of the species seen in the original trilogy were given names and backstories by [[Star Wars RPG|the original RPG from West End Games]] that became canon as every other EU novel to come after used Star Wars D6 as a reference.
* '''[[Human]]s''': Leias. They originated in the Galactic Core, but have spread to most inhabited planets, first as slaves to a now-extinct race of precursors and then through initial space exploration with pre-hyperdrive generation ships. As a result there are a lot of [[Abhuman|"near-human"]] species kicking around that are basically just weird-looking humans and pretty much the only species humans can crossbreed with.
** '''Mandalorians:''' Bobas. A society of space [[Spartans]]/[[Vikings]] with cool armor. Actually not human majority initially (Unless you are a Disney fan).
** '''Corellians:''' Hans. Literally an entire culture of dashing rogues and space cowboys who like to go fast and smuggle shit (and penniless street urchins looking for their big break to become dashing rogues and space cowboys). The Corellian Engineering Corporation made the ''Falcon'' (duh) and many of the Rebel ships seen in the original trilogy. Nearly ruined their planet with starship factories, but now they've gone green and relocated all of their heavy industry to space stations. Their home system reeks of precursor meddling and is detailed enough to be a setting in itself, complete with a Big Dumb Object in the middle (Centerpoint Station) for PCs to fuck with.
* '''Wookiees:''' Chewbaccas, and one of the only species to be named in the films. Huge, swole sloth people that do not live on Endor and can't speak (but absolutely understand) Basic. Most are actually pretty peaceful and intelligent and they have produced a lot of highly skilled engineers. They highly value people who save their life, becoming their eternal friend in what is known as a Life-debt; this is how Han met Chewie. Has the unfortunate distinction of being the first species in Star Wars lore to have their home planet and culture detailed... <s>in the Star Wars Holiday Special.</s> lore from the Legends.
* '''Trandoshan''': Bossks. Brutish, scaly [[Lizardfolk]] capable of regenerating severed limbs and absolutely obsessed with hunting shit. Have had a continuous race war with the Wookies since before FTL was a thing, which is a ''long-ass time'' in Star Wars. Their religion is about scoring "points", with the only known method of gaining them is violent action and the only known method of losing them is being captured alive by enemies. The system was first mentioned a mere three years after ''[[Doom]]'' so the fact that they essentially see life as a giant, violent video game is likely pure coincidence. Despite this they aren't universally evil, though they often are.
* '''[[Twi'lek]]s''': Hot alien babes. Enough have been transported off world, generally as slaves, they can be found anywhere, and many have never seen their ancestral home. Given it's a borderline death world whose chief economic exports are drugs and slaves, they aren't missing anything. Their most interesting quality is that they can communicate silently with the weird head-tails ("lekku") that they have instead of hair. TORtanic tried to rationalize their fetish for enslaving their own as being the result of a precursor project to design the perfect slave race, but nobody cares about this because TORtanic is shit.
* '''Duros''': Seen once in ''Hope'' during the cantina scene. Naturally they're one of the most important species in the EU despite not having a canon character until The Clone Wars introduced us to Cad Bane. Enslaved by precursors alongside humans, they were among the first to develop FTL travel based on salvaged hyperdrive technology and are the only non-human species to have an equivalent of "near-human" in a few "near-Duros" species.
* '''Bothans''': [[Meme|Died to bring you this information.]] A race of [[Beastmen (40k)|wolf-men/goat-men]] (depending on which author/illustrator) who are almost universally spies thanks to that one-off line from Mon Mothma. In truth the best and early EU works portray them as something far worse: politicians. The most prominent Bothan is Borsk Fey'lya, a Bothan politician who used his role in the acquisition of the second Death Star plans to maintain a place in the New Republic's senior leadership and uses his position for personal gain like any proper politician should. Now possibly NOT wolfgoatpeople, thanks to some Lucasfilm [[Troll|source]] being all like “it’s never explicitly stated that they’re aliens, maybe they’re humans, *WINK*”.
* '''Rodians''': Greedos. Their home planet being a death world full of predators means they are often aggressive and put hunters in high regard, which is the EU excuse for all the film Rodians being criminals.
* '''Chiss''': Thrawns. Near humans with blue skin, dark blue/black hair and red eyes. They dwell in the Unknown Regions, with they’re own fancy schmancy empire, crack navy and altogether superior technological advancements that make the rest of the galaxy look fucking backward (see blaster resistant clothes...whereas [[Derp|fucking stormtrooper armour can be defeated by arrows loosed by Care Bears]]). Known for being superb pilots, traders, negotiators, tacticians and all round scheming bastards with Danish accents.
* '''Gran''' are three eyed goat (?) like aliens with rough, tan skin. They are quite nice and peaceful with excellent vision, especially in distinguishing color. Unfortunately for the galaxy at large, Gran exile most of their criminals: They consider being unable to see the rich and beautiful environments of their homeworld a fate worse than death. These exiles often fall into criminal groups.
* '''Mon Calamari''': Ackbars. An aquatic species whose long history of making airtight vehicles for travel in three dimensions has made them excellent ship-builders. During the early days of the Rebellion the Mon Calamari were one of the few races to successfully throw off the Empire during Operation Domino and not be subject to immediate reprisal thanks to their isolated location and strategy of mining hyperspace routes to buttfuck any Imperial ships sent to shut them down (ships coming out of hyperspace don't have shields). Those weird-looking bubble ships from ''Return of the Jedi'' are built by Mon Calamari.
** '''Quarren''': Another background species from ''Jedi'' who share their homeworld of Dac with the Mon Calamari. Prideful isolationists who stick to the depths, with their main contact to the surface being trading deep sea mined materials to the Mon Calamari. Look more than a bit like [[Illithid]].
* '''Gamorreans''' are space [[Orc]]s: Pig-like, brutish, stupid and violent. Constantly at war with each other, their clan identity is so strong they'll try to kill each other if from opposing clans if they meet off-world. Frequently brought into the galaxy as slaves or by clans trading labor/muscles for outside resources. Like Wookiees, can't physically speak Basic. Unlike Wookiees, only their clan matrons and some high ranking men are literate in their native language.
* '''[[Robot|Droids]]''' aren't a true species, but are playable in all RPGs. They're supposed to be really smart appliances, but Star Wars technology is so fucked up that a few develop sapience if left on too long without formatting. Despite this droids aren't considered people by the galaxy at large because sapient droids are as rare as non-evil [[drow]] and most of the time leaving droids running for a long time just makes them slower and buggier until they can't do their jobs anymore, like Windows, or, at best, overly attuned to a specific user. That a good number of sapient droids have learned to bypass that pesky "no killing" clause doesn't exactly encourage experimenting with it either.
** Class 1 droids are designed to preform scientific applications like medicine or lab work. Since they were designed to be used in fixed locations most, but not all, have limited mobility.
** Class 2 droids are designed to preform technical labor like repair work. Since they are expected to work within artificial locations they are generally on wheels or treads and have short, non-human shapes. One notable subcategory of Class 2 droids are Astromech Droids (like the famed R2 series), which are designed to plug into fighters and bombers where they function as a co-pilot, navicomputer and in-flight repair.
** Class 3 droids are designed for human interaction, with jobs like translator or chef. Some lower end Class 3 droids were made for positions like waiter. Almost all of them are roughly human shape, with the main exception being those built by and for non-humans.
** Class 4 droids are the most varied but have one thing in common that clearly separates them: They are made for combat and (except for a few armed with only stun weapons) don't have programming against killing. Class 4 droids vary in intelligence from blaster turrets with some targeting AI to clever and ruthless assassins/commandos. Even [[Android|Human Replica Droids]], designed to be indistinguishable from humans, are technically Class 4. Many Class 4 droids have their nature obfuscated by building them into the shell of a Class 1 or Class 3 droid.
** Class 5 droids are made for manual labor like heavy lifting or a power generator with legs. They are barely intelligent, rarely have names and almost never become sapient. They are however cheap and quite common.
* '''Zabrak''': Mauls. Near-humans with mostly bald, spikey heads and two hearts. Those black markings Maul had are actually ritualistic tatoos that Zabrak men often get. They were pretty divided internally till the Empire decided to oppress them all and force them to join together. Eeth Koth of the Jedi Council was one.
** '''Dathomirians''' are a sub-species of Zabrak native to Dathomir who supposedly interbred with humans to create a new group, which was separated according to gender, though their origins have been neglected in current canon. Even so, the females of this sub-species do not have the spiked heads typical of other Zabraks. Darth Maul is the most prominent Dathomirian in the films and TV series.
* '''Togruta''': Red skinned humanoids with lekku and hollow horns that allow echolocation. Shaak Ti and Ahsoka were Togruta.
* '''Hutts''': Jabbas. (Fun fact: "the Hutt" was just a title in the original trilogy and Jabba was just some random slug dude. The original film didn't even intended for him to be an alien!) Naturally they're all mini-Jabbas who live in a clan/crime-family/zaibatsu type of arrangement known as the ''kadjic''. Kind of like the Mexican drug cartels in that they have their own corner of the galaxy that they rule independently, even after they join the Empire they pay the Moff to look the other way when they do shady shit. (They're always doing shady shit.) Because the Hutts own exactly one third of all organized crime (and a significant number of planets) in the galaxy and it is the third (after Basic and Binary) most widespread full language, Huttese is a good language to take, especially for criminal-types . Be warned! Hutts have four fingered hands and their numbering system uses base eight! Despite being looking and acting like fat [[neckbeards]] they're actually insanely strong and their less bulky youth are very agile for their size. They LOL at the Force, so the RPGs tend to give them a huge bonus to resist mental influence.
* '''Sullustan''': [[Dwarf|Short, tunnelfaring, crafters who can drink a lot without getting drunk]]. Near-humans with flappy jowls and black eyes that originally evolved for tunnels. Their SoroSuub company is one of the largest tech makers in the galaxy, and likely the largest that isn't Human run.
* '''Toydarians''': Wattos. Blue tapir-looking dudes from Hutt Space who can hover on fly-like wings. As their source character is a hilariously offensive Jewish stereotype, the EU largely ignored Toydarians until ''The Clone Wars'' reinvented them as a vaguely Cambodian monarchy on a mud world. Mind tricks don't work on them (only money).
* '''Jawa''': Utinni! They roam Tatooine (and a few other planets) scavenging technology and selling it. A handful of sources mention they are [[Skaven|rodents]] under the hoods.
* '''Ewoks''': If skub became a race, Ewoks would be a contender up there with Gungans and Yuuzhan Vong. Small koala-like creatures, similar to Jawas, that live on the forest moon of Endor, Ewoks are super primitive and live in tribes. They end up playing a big part in the Rebel victory in ''Return'' by attacking Imperial stormtroopers and destroying some walkers. Their reception didn't seem too bad at first, but in the following decades they've become reviled by many, not so much for their design but more for the idea that small bears with spears and rocks could defeat what were supposed to be the Emperor's finest troops. Some people don't mind them (and they were ''definitely'' profitable for merchandise) but others hate them and say they're a prime reason that attitudes toward ''Return'' have gotten increasingly negative over the years.
* '''Neimoidians''': Trade Federation flunkies; they will not survive this. Their reproductive cycle is really weird, producing lots of grubs which are raised in warrens fighting over a limited amount of food in which the weak are culled. Unlike how this usually goes, this process makes the Neimodians prone to hoarding resources and wary of danger.
* '''Noghri''': Primitive, short Suarian people who happen to be some of the deadliest non-Jedi melee combatants and assassins in the galaxy. Darth Vader bought their loyalty by saving them from the environmental damage a crashed ship caused. They are a major part of Timothy Zahn's Thrawn Trilogy, which they were invented for.
* '''Tarasin''': Invented whole-cloth for the Living Force campaign for [[Star Wars D20]]. Lizardmen with scales that change color based on their emotions and frilled necks. With focus they can control their colors enough to camouflage themselves and even "speak" silently amongst each other. They had a high degree of force sensitivity, though if this a result of their species or their home system being a place where the Force is strong is unknown.
* '''Shards''': Sapient crystals. They are incapable of movement and don't speak the way humans do. They can however control droid bodies they are implanted into. Several are force sensitive which led to a Jedi teaching them the ways of the Force. The Jedi order shunned these "Iron Knights" and excommunicated the master responsible. This wound up benefiting them though, as the master and his students were able to survive the Jedi purge due to the obscurity this granted. When Luke's new order emerged they welcomed the Shards with open arms.
* '''Rakata''': The aforementioned precursors, developed by [[BioWare]] for the ''Knights of the Old Republic'' game (though there were a few mentions of precursors here and there before that). Formed an "Infinite Empire" long before the Republic using dark side powered hyperdrives only they could use. When they gradually lost their force sensitivity their empire fell apart. Responsible for why there are so many Humans and Human off-shoots everywhere: They were seeded throughout the Infinite Empire as a slave race and abandoned when it fell. There is no evidence they existed past the Old Republic era, where a few fractured and primitive survivors were seen on their home planet and this planet was devoid of life by the time of the Ruusan Reformation.
* '''Sith''': Red skinned near-humans with boney tentacles growing out from near their nose and an affinity for the dark side, especially illusions. Natives of Korriban, the order most people know as Sith were a result of exiled dark Jedi interbreeding with them and adding their knowledge of technology. So diluted with human blood they were extremely rare by the Old Republic era and believed extinct by the time of of the prequels. A few small mostly primitive pockets had been discovered however, but were covered up by Palpatine so he could grab more dark side goodies. More or less invented whole-cloth for the EU.
* '''Yuuzhan Vong''': [[Tyranids|Extragalactic aliens who only use organic technology]]. Pallid humanoids with tapered skulls who came from a living planet they worshiped as a god called Yuuzhan'tar. The first time the Vong met aliens was an [[Necrons|interstellar robot war]]. Fighting off said robots made them hate all machines and [[Khorne|gain such a taste for conquest they made up a new war god and conquered their galaxy]]... only to destroy it due to infighting. To punish their tyranny, Yuuzhan'tar [[Culexus|cut them off from the Force, unintentionally making them mostly immune to it]]. They developed [[Dark Eldar|a race-wide pain and body modification fetish]] trying to fix this before finding and invading the Star Wars galaxy. The resulting religious war decimated the New Republic, caused mass genocides and had a death toll of around '''365 trillion''' ([[Lamenters|including Chewbacca]]). Then Luke and his family killed [[Goge Vandire|the guy manipulating their civilization behind the scenes]], found Yuuzhan'tar's living planet offspring and ended the wawr. The Vong colonized it, reconnected to the Force and became terraformers as penance. Rendered part of the Legends by Disney.
* '''Grysk''': A near mythical species from the Unknown regions, where starships usually can't go because the hyperspace along its border is a level of fucked-up that only warp storms can match. Little is known about them except that they live on a spacefleet, have a fierce warrior culture, are humanoids with tapered skulls, their weapons and armor are ritualistically disfigured on the right side and they had a penchant for [[Tesla|electrical weapons]]. Likely Disney's replacement for the Yuuzhan Vong, since Space Cenobites with bio-tech is too weird and grimdark for Disney. The Rak'gol to the Yuuzhan Vong's Tyranids.

==Impact on 1d4chan and associated games etc==

Star Wars has had subtle and clear impacts on a number of other franchises and genres and it can be ''incredibly'' hard to gauge the extent of it all. Certainly it didn't create the concepts of sci-fi, space battles, sweeping storylines, and a blending of mystical and scientific ideas, but it certainly popularized them during the years of the original trilogy and influenced many people that would go on to have interests in sci-fi, fantasy and epic adventure today.

Hell, look me in the eye and tell me that the lightsaber didn't give us the [[power weapon]]. But then again, magic weapons.
==Sabacc and Pazaak==
A rather unusual entry here but it's well in line, Sabacc is an actual tabletop card game from the Star Wars universe which is basically a hybrid of Poker and Blackjack. A Sabacc Deck has 76 cards, most of which in four suits of 16 cards numbered one to 16, plus sixteen wildcards in two sets with values that were either negative or (in the case of the Idiot) Zero. The goal of the game is to have a set of three cards who's total as close as possible to, but not over, 23 or -23. If you got 23/-23 (Pure Sabacc) which could only be beaten by an Idiot's Array (One Idiot, a two and a three, thus 23). The stakes are raised every cycle until the cards go down or one player is left standing who gets the pot.

The notable thing about Sabacc that sets it apart from real world card games is that the Cards can change value every turn. A Pure Sabacc can easily become an instant lose 25 and an absolutely lousy hand can become an Idiot's Array. They can be stabilized to fix their value, but everyone knows when you do so. This feature has so far prevented Sabacc from being released in tabletop form as of yet. ''(Of course, there are ways to deal with this, such as simply re-dealing unfixed cards, but never let it be said that nerds will choose practicality over purity.)''

In universe, Han Solo won the Millenium Falcon off Lando in a game of Sabacc.

Pazaak is an older game from an in-universe perspective, similar to Blackjack but its player versus player rather than player versus dealer and also has some aspects of a collectible card game. Goal of the game is to raise cards from the main deck until their total value is 20 or they can also choose to stand if they get close but don't want to risk it. Best out of five wins.

CCG-aspect of Pazaak comes from the sidedeck: both players collect ten cards for their side deck and then randomly take four cards from their side deck to their hand in the beginning of the game. Hand cards are used to either lower or raise the total value: so if the player raises cards from the main deck to the total value of 25, they can prevent dropping out if they have a -5 card or higher in their hand.
Cards which only either raise or lower the value are the most common of the side cards.
More rarer are cards which can be used to both raise and lower the value.
Then there are flip cards, which change certain main deck cards on the table to negative ones. So if the player plays a 2&4 flip card, all 2:s and 4:s on the table become -2:s and -4:s. Flip cards exist in 2&4:s and 3&6:s.
Then there is the double card, which doubles the value of the last played card. So if the player raises a 5 from the main deck, playing the double card would turn it into a 10.
Finally, the rarest side deck card is the tiebreaker, which grants the player a win if the game would otherwise end in a tie.

==Tabletop games for Star Wars==

=== Role-playing Games ===

[[West End Games]] made a Star Wars [[role-playing game]] called [[Star Wars RPG|Star Wars: The Roleplaying Game]] AKA '''Star Wars D6'''. Like many West End products, it's a good game with the great misfortune of being published by West End games.

[[Wizards of the Coast]] picked up the license later and made two distinct RPGs based on their [[d20 System]], called [[Star Wars D20]] (imaginatively). Could be fun, but generally broken as hell, much like [[Dungeons & Dragons 3rd Edition|its parent game]]. It was then utterly revised that into what they called the '''Saga Edition''', which is relatively balanced and pretty good.

[[Fantasy Flight Games]] is presently selling [[Star Wars Roleplaying Game|a whole line of Star Wars-themed RPGs]], whether you want to play a bunch of scruffy space outlaws, members of the nascent Rebellion, or exiled Jedi Knights. Unlike their [[Warhammer 40,000 Roleplay]] games, which are all ''juuuuust'' different enough from one another to completely buttfuck any attempts at blending, all three gamelines use identical mechanics and are fully cross-compatible. Uses symbol-counting [[dice pool]]s with ludicrously overpriced custom dice.
Like the other RPGs they decided with the retardedly similar name, and thus this one is sometimes called '''Star Wars FFG''' to avoid confusion.

FFG have kept milking the franchise and in summer 2017, decided to [[Necromancer | reanimate]] the [[Star Wars RPG|Star Wars: The Roleplaying Game]] with a "30th Year Anniversary Edition" print of the original game. It '''''finally''''' shipped in July 2018 after spending a year in limbo.

=== Card Games ===

The big [[card game]] set in the Star Wars universe is the [[Star Wars Customizable Card Game]]. It's no longer produced by Decipher, but there is still a sufficiently large player community to organize annual tournaments, rule on cards, and so on. SWCCG was radically different from the norm of card games, being divided into light and dark side cards with different backings, with light and dark always playing against each other. For tournament play a player would need both a light and dark deck.

[[Wizards of the Coast]] made the [[Star Wars Trading Card Game]].

[[Fantasy Flight Games]] is presently selling [[Star Wars: The Card Game]].

Obviously, nobody is capable of creating a Star Wars card game with an interesting name.

Aside from the real, physical, games there was also ''Star Wars Galaxies Trading Card Game''. It was a real, functioning, card game within the MMO that used all virtual cards. Unfortunately no server emulators have implemented it yet.

=== Miniature Games ===
[[Wizards of the Coast]] did a tabletop battles game imaginatively called Star Wars: Miniatures, based on an extremely dumbed down version of the D&D ruleset. The figures were meant to tie in with the Saga edition RPG, it wasn't terrible on its own, just impossible to collect for competitive play since figures came in random booster packs so you never know what you were getting for what faction. Who could possibly stand for that?

[[Fantasy Flight Games]] is producing the [[X-Wing]] miniatures game based on individual starfighter combat (because, let's be honest, that's what ''Star'' Wars is all about). They have also released [[Star Wars: Armada]] which is a larger scale "fleet" combat simulator, using capital ships and squadrons of starfighters.

'''Star Wars: Imperial Assault'''

The latest [[Fantasy Flight Games]] addition to its Star Wars related games is a mix between a miniature board game and a skirmish wargame. It has two play modes:

One for campaign play where 1-4 players control a team of Rebel heroes and another player has the role of the DM, who controls the Imperial forces. The campaign, as the name suggests, focuses on character personalization, xp gain and the like, which you can find in any light RPG-esque (board)game. The main goal is to get a few friends together and casually play through the missions. Think of it as a Star Wars version of the original [[Hero Quest]].

The other play mode is skirmish play, where two players each get to assemble a team of miniatures plus a command deck (cards that have specific effects when played) and play against each other in an open-play scenario. The play area is still very limited to a few game tiles (as in a campaign mission) but players are free to bring whatever they want (with a few limitations of course). The skirmish part of Imperial assault is as close as you can get to an actual Star Wars skirmish wargame, but it is a missed opportunity from Fantasy Flight to create a true skirmish wargame (ala [[Infinity (wargame)|Infinity]]), not based on tiles and so confined spaces. Who knows what they have plans for though...

'''Star Wars Legion'''

And Fantasy Flight have now given us a fully fledged wargame, complete with AT-ST in the first wave. (They're 32mm scale, which means [[Games Workshop|no reusing your Imperial Assault miniatures]].) Legion has an integrated turn system, and the usual FF custom dice and forest worth of dead trees in cards and tokens that will be familiar to X-Wing and Armada players. The miniatures are PVC, reasonably detailed, easy to assemble pieces. A standard battle is 800 points, which could be anywhere from half a dozen to 16 units on the field, with an average army fielding 8-12 units comprising 30-ish models.

=== Board Games ===

The most famous and arguably best one is [[Star Wars: Rebellion]], a asymmetric two-player game that plays through the Original Trilogy in a wargame/worker placement-esque game. The Empire player must expand their already huge military base over the galaxy to build more ships and huge superweapons while searching for the Rebel Base, while the Rebels do their best to bite them in their heel, obscuring their movements and annoying the Empire until they have enough support to overthrow the Empire. As a [[Fantasy Flight Games|FFG]] boardgame, it's filled with a ludicrous amount of bits and pieces (including sweet models of Star Destroyers, Death Stars and Calamari Cruisers), as well as the trademark filled-with-small-exceptions ruleset. It's pretty sweet and still considered one of the best board games of its kind.

=== Card Miniature Games ===

In the late 00's, WizKids produced a short lived construct-able miniatures Star Wars game based on their styrene card system for Pirates of the Spanish Main. Although the game sold well, when NECA bought WizKids from Topps the rights did not transfer and it went out of print.

==Video Games for Star Wars==

To put it bluntly, every game which could possibly have ''Star Wars'' slapped onto it, exists. Flight simulators. Racers. Rail shooters. Doom clones. MMOs. Age of Empires reskins. Hell, there's even a Kinect variety game. Here's a few standouts...

* '''Knights of the Old Republic''': A pair of single player RPGs depicting a Sith war several thousand years before ''A New Hope''. KotOR is widely regarded as the best Star Wars video game ever, and was the framework for BioWare's ''Mass Effect'' series. Of all the Legends stuff, KotOR appears to still be in good standing with Disney since they continue to borrow from it. The sequel by Obsidian was the original skubtastic take on the franchise TLJ wanted to be but failed miserably. Got an MMO simply called "Old Republic" (since you can play as things other than Jedi and Sith) that is the sequel, which had a very rough start but stabilized enough to still survive to this day somehow). Possibly still canon in the Disney continuity since a lot of things get borrowed or referenced from it. Also the only thing in the EU to still receive new content.

* '''Jedi Knight:''' A series that started of as an early FPS named Dark Forces (so early that it was the time when FPS games were still known as [[Doom]]-clones) but Dark Forces II: Jedi Knight had the protagonist become a Jedi. The Dark Forces name was dropped in favor of Jedi Knight after this. The series combines surprisingly deep lightsaber combat with standard shooting, though the levels can get very mazy at times. Introduced Kyle Katarn, one of the most popular characters from EU. Unfortunately, there has not been a new game since 2003's ''Jedi Academy'' and likely will never be thanks to Disney.

* '''Republic Commando''': An FPS that has the player command a squad of commandos. Its a great shooter but unfortunately, it never received a sequel and to make things worse, ended on a cliffhanger. The second act of the game, set entirely on a drifting Acclamator-class assault ship is particularly memorable and highly atmospheric. If one can look past outdated graphics, its worth trying out for anyone who wants a good FPS experience.

* '''Empire at War''': Made by the original developers of [[Command and Conquer]], it is the most notable strategy game to have come out of Star Wars. Notable for featuring three different modes of play: ground battles, space battles and galactic conquest map. Though ground battles are a bit meh, the space battles are great and the galactic conquest is certainly more interesting than only playing random skirmish matches. Even though its over 10 years old, it has a very active modding community. Republic at War, which changes the games Galactic Civil War setting to Clone Wars and Thrawns Revenge, set much further into the Galactic Civil War than portrayed in the films, are particularly great. There is also a remake mod in the works, aiming to bring the game up to modern standards in terms of visuals, sound and UI and the results do look good. Unfortunately, no great 40k mod.

* '''Star Wars Galaxies''': An early MMO, launched after ''Everquest'' but before ''WoW''. Galaxies is noteworthy for making force powers a prestige achievement requiring enormous in-game effort to unlock. The first expansion pack added a subgame that's a pretty solid flight game in its own right and the game eventually added an original, fully playable, trading card game that sadly has not yet been implemented in any simulator. Then ''World of Warcraft'' hit, Sony panicked and made Jedi a starting class and replaced the skill system with massive level grind, and offered refunds to the raging army of neckbeards. Subscription numbers tanked and never recovered. It would effectively be replaced by ''The Old Republic'', an MMO using the acclaimed KotOR setting. Like most "dead" MMOs that people loved it still lives on through illegal private servers (don't worry, the guys providing it would get busted, not people playing on it).

* '''X-Wing (and TIE Fighter)''': A series of ''Wing Commander'' clones released in the 90's. While badly dated today, they were the best fighter sims of their time, and if you can get past the highly primitive graphics some people still consider them to be the best to this day. Interestingly, TIE Fighter is largely seen as the best of the series while the N64 era Rogue Squadron and Shadows Of The Empire games are seen as being far more visually modern but largely inferior sequels. Did we mention you had to use a flight stick controller basically made for these games to really do well at these?

* '''Star Wars Battlefront II (2005)''': Not to be confused with the one released by EA in 2017. Solid game from the new-defunct Pandemic studio (fuck you, EA) in 2005 told from the perspective of a clone trooper that survived all the way up to the battle of Hoth, with a very down to earth boots on the ground approach. Also, just being thrown into random matches as a soldier because fun. Despite some issues, it remains the high point of the Battlefront series as well as the entire PS2 era, and on PC still has fans via an active modding community to this day. There is of course also the original one but the second one pretty much completely overshadowed it.

* '''Star Wars Battlefront II (2017)''': The one by EA. You've probably heard everything important. An absolute mess at launch due to its lootbox-heavy progression system, so much so that it started discussion even on government level about lootboxes that continues to this day. A comment by EA that became the most downvoted comment in Reddit history. Yet despite all this, two years later, the game is arguably one of the best Star Wars experiences one can have and an Anakin-level redemption story. Like the previous Battlefront II, it completely overshadowed its predecessor.

* '''Jedi: Fallen Order''': It took them years but finally, EA managed to deliver a Star Wars game that is great on launch without cramming it with e-transactions. Its plot focuses on an unfortunate Jedi renegade between ''Revenge'' and ''A New Hope'' who's on the hunt for a hidden database that might document all the Force-sensitive individuals in the galaxy. A game inspired primarily by games such as Dark Souls and Uncharted, its a great action-adventure game in its own right and a must-play for any Star Wars fan.

* '''Monopoly Star Wars''': Its Star Wars Monopoly. With 90's FMV that plays for every square you land on. On floppy disks. Considered fucking amazing at the time, its too strange and tabletop to not mention. Also one of the last pre-Prequel things released.

* '''Super Star Wars''': A heavily modified retelling of the original trilogy (what, you don't remember how Luke chased down the Sandcrawler and murdered all the Jawas as well as their giant rat god in order to rescue R2-D2?) that was one of the ways to say "hard as fuck" by namedropping a game prior to Dark Souls existing. Amusing for the insanity of the added content in order to make a platformer sidescrolling beat'em'up as well as how neckbeardy you have to be to punish yourself trying to beat it without cheating.

* '''Star Wars: Yoda Stories''': A game geared for kids, released the same year as Monopoly above. Players play as Luke sometime after Empire Strikes Back, although an odd alternate version where Han sometimes is free from carbonite and Boba Fett and sometimes is not. They are assigned a quest by Yoda which requires them to traverse one or more procedurally generated planets doing whatever odd crap Yoda felt was necessary, including sometimes fighting Vader. Recieved middling scores as a PC release, with some individuals HATING the game and using it as a benchmark for how much they hate something when comparing the two, although to be fair that is because distributors tried to sell it like a full game when in reality its supposed to just be freebie software that came with other purchases and was meant to go with Solitaire and space pinball as default games on a computer to waste time with. It has lapsed into obscurity thanks to even those reviewers largely being forgotten on the modern internet. Noteworthy for being played on a grid with simultaneous turn-based movement with all enemies and NPCs on a screen, feeling very much like a tabletop game at times. A simple puzzle game, where getting blocked in a corner without enough space to pass the time by an idiot NPC is more dangerous than any foe.

*'''Shadows of the Empire''': Made on the Nintendo 64 and Windows PC, you play as Dash Rendar, a scoundrel in a ship like Han Solo working for the Rebellion. Takes place during Episode V as a side story. Despite being much beloved by fans for years and years, it's sadly not aged well thanks to the rather peculiar control scheme of the N64 and the graphics not having aged like cheap cheese in the sun. Main enemy of the game is a xeno named Xisor who is just a real uppity crime boss (and apparently a prince). This game has an absolute great opening first part where you're flying in a Snowspeeder on Hoth killing Imperials left and right while trying to use the cables to crash the AT-ATs like in the movie. After that the game begins to kinda just carry on with awkward controls.

==Assorted list of Awesome From Star Wars==
* What is likely the greatest duel in cinematic history, that takes place on a [[Death World|lava planet.]]
* Deathly Stormtroopers, heroic Clonetroopers or sinister First Order troopers; whatever they're called, stormtroopers are awesome!
* Darth Vader whenever he gets a speaking line or to murder rebel scum - that is to say, all the time.
* Darth Maul in both The Phantom Menace and TCW.
* Lightsaber Rifles
* The entirety of the Umbara campaign, where <s>Imperial Guardsmen</s> Clone Troopers die in the dozens attempting to win some godforsaken planet, earning them balls of titanium that make the guard look ba- {{BLAM| '''*BLAM*''' Heresy!}}
* 98% of the Starfighter designs.
* Boba and Jango Fett and the rest of the Mandalorians.
* Lightsabers.
* Obi-Wan Kenobi.
* TIE fighters. They have the most distinctive scream of any fighter in cinematic history that just yells "I'm evil!". Tell me I'm wrong. I'll wait.
** The fact that they managed to do that using what is essentially a shitty visual pun.
* Most of Episode 3.
* The entirety of Anakin's story, especially when you add the Clone Wars and prequels. While you're at it, watch CinemaWins' perspective on it the series.
* Admiral Ackbar the Memeable!
* Palpatine getting into some Tzeentchian-level scheming and backstabbing in order to overthrow the Jedi and the Republic.
* Grand Admiral Thrawn: So awesome that he rose to a high rank in the anthropocentric Empire despite being an alien and was one of the first (and rare few) things to be imported straight from Legends to Disney.
* Imperial Pilots get a mention, seeing as they fly literal garbage fighters against superior rebel fighters. By garbage, we mean that even the Imperium have better fighter designs than these guys. At least Imperial fighters conserve the life of the fucking pilot.
* Princess, later Senator Leia Organa; the original badass-yet-hot boss lady in space. Ends up leading two separate, successful underground freedom movements against impossible odds. Did we mention she's a Jedi in both canons?
* Just... Star Destroyers. When you see a huge, imposing warship from an evil Empire, this is the granddaddy they all look up to.

== See Also: ==
* ''[http://www.darthsanddroids.net/ Darths & Droids]'': A webcomic, made using photo-stills of the ''Star Wars'' movies to tell a story about gamers blundering through each of the six movies in sequence... though not quite exactly how you might expect. Think ''DM of the Rings'' in overall visual style, though unlike ''DM of the Rings'', ''Darths & Droids'' features several heavy twists on the actual events of the films, subplots about the players and their lives outside the game alongside the campaign, and a better overall quality of gamer.
* "[http://www.theforce.net/swtc/holocaust.html/ Endor Holocaust]": An excellent example of the [[skub]] Star Wars can create. Rebuttal: "[http://www.darthsanddroids.net/fanart/endortruth20040810.pdf Endor Rebuttal]"
*[[Timothy Zahn]]
*[[Star Wars:The Clone Wars]]
*[[Star Wars:Rebels]]
*[[Star Wars:Resistance]]
[[Category:Star Wars]]