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Star Trek

2020-02-09T19:06:47Z

2406:3400:20F:FFC0:E89A:D163:A38A:4389: /* Galaxy Quest */

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[[File:Enterprise.jpg|thumb|500px|right|If you aren't already hearing the theme song you might not belong here.]]

{{Topquote|Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no man has gone before!|James T. Kirk, third captain of the starship USS Enterprise}}

'''''Star Trek''''' is a multimedia science-fiction series and one of the cornerstones of nerdy media properties, and one of the few to crossover into mainstream popularity (alongside ''[[Star Wars]]'', ''[[Doctor Who]]'' and a few others). It's also one of the longest-running science fiction franchises, as it began when the the first episode of The Original Series aired in 1966, and since then has had over 50 years of geek history spanning several generations. Needless to say, it's had a huge influence on all things sci-fi, and, by extension, [[/tg/]].

Originally, ''Star Trek'' was [[noblebright]] beyond noblebright and, in many ways, was the polar opposite of ''[[Warhammer 40,000|Warhammer 40K's]]'' [[grimdark]]. The more recent reboot films, however, have taken a much, ''much'' more grimdark tone, which is delightfully [[skub]]tastic.

== Games ==
There's been plenty of tabletop games and [[/v/|vidya gaems]] featuring ''Star Trek'' without being merchandising bullshit (see: themed ''[[Monopoly]]'' sets), including one of the earliest action multiplayer wargame: ''Netrek''.

*'''''Star Trek: Adventure Gaming in the Final Frontier''''' (1978) The very first Trek tabletop [[RPG]]. Written by, I shit you not, Michael Scott. Groggy (grokky?) as all hell, and due for an OSR.
* '''''[[Star Fleet Battles]] (SFB)''''' (1979-) The crunchiest starship combat game you're ever going to find outside of a computer. Based on the original series and not any of the later series, for licensing reasons. Takes some liberties with the setting, which (combined with the aforementioned licensing) is why "''Star Trek''" isn't actually in the title. It's had its own video game spinoff in the form of Starfleet Command. The series died when the last company owned by Interplay broke up in the early 2000s.
* '''''Star Trek: The Role Playing Game''''' (1982-1989) Made by [[FASA]], essentially ''[[Traveller]]''-lite, or a happier, shinier ''[[Rogue Trader]]''. Hasn't aged terribly well, what with having been made when the only canonical ''Star Trek'' materials to work with were the original and animated series, the first four films, and a couple of now non-canon novels. If you try to dust it off, expect tons of conflict with the rest of the show. Died as they were trying to update it for ''TNG'', because Paramount's corporate suits (surprise, surprise) had no idea what an RPG actually entailed and were worried about violence, and getting their cut, and... oh you know the drill by now. Welcome to the 80's.
* '''''Star Trek: Starship Tactical Combat Simulator''''' (1983) FASA designed this, so it feels like ''[[Battletech]]'' but not as good.
* '''''Prime Directive''''' (1993-2008) The most successful tabletop RPG line (but that's not saying much), it's actually still in print. Produced by Amarillo Design Bureau, so again no direct name-dropping of "''Star Trek''." Lasted as long as it did by constantly evolving, in Borg-like fashion, to adapt to the current zeitgeist. Has had 4 editions, with the second using [[GURPS]], the third using [[Wizards of the Coast|d20]], and the fourth [[d20 Modern]].
* '''''Star Trek [[Card_Game|CCG]]''''' (1994-2007, 2011-2014, 2013-2015, 2018-) There's been a few of these, most notably the games released by [[Decipher]], but never globally popular. They also suffered from game balance problems from fans wanting their fave character, but needing extra rules for their quirks. There's also the problem of putting numbers to character stats, such as one game that asserted that [[Heresy|Picard having about twice the integrity of a Klingon pig]]. Later versions are "deck-building" games to try to cash in on the popularity of ''[[Dominion]]'' and ''[[Thunderstone]]''. And now virtual CCGs are the order of the day.
* '''''Star Trek: The Next Generation Role Playing Game''''' (1998-1999) The next attempt, made by Last Unicorn Games. Won an award for best new game, which makes it a complete shame that no one has ever played it.
* '''''Star Trek Red Alert''''' (2000) A Diskwars game themed to ''Star Trek''.
* '''''Star Trek Roleplaying Game''''' (2002-2005) When [[Decipher]] had the CCG license, they decided, "What the hell, let's make an RPG, too." It, like so many of its predecessors, died unnoticed and unmourned.
* '''''Star Trek Online''''' (2010-) An [[MMORPG|MMO]]. Decent gameplay mechanics, especially starship combat. Storyline leaves something to be desired, especially when the ostensibly [[Noblebright|peaceful]] Federation trades shots at least once with every other faction in the galaxy.
* '''''Call To Arms: Star Trek''''' (2011) [[Mongoose_Publishing|Mongoose]]'s license for ''Babylon 5'' expired, so they collaborated with Amarillo Design Bureau (the ''Star Fleet Battles'' guys), re-themed the game to Star Trek along with improving the system to make it more nifty. Less micro-management than SFB, and ships get some cinematic feats.
* '''''Star Trek: Expeditions''''' (2011) Ignore the tie-ins to the movie, Reiner Knizia designed this. Explore the gameboard, flip over missions, try to have the proper crew to get victory points.
* '''''Star Trek: Fleet Captains''''' (2011) Tile flipping, exploring, and spaceships fighting over resources
* '''''Star Trek: Attack Wing''''' (2013-) [[WizKids]] license the flightpath system from [[Fantasy Flight Games]] and adds ''Star Trek'' to the mix, [[Skub]] ensues. The game has been consistently plagued with balance issues, to the point that the rules errata is more than ten times longer than the actual rules. The actual current rules for things like the Borg special movement and fighter squadrons are completely different than the rules as written.
* '''''Star Trek: Ascendancy''''' (2016-) 4X table top boardgame from GaleForce9. Most of the races are represented, though the base set only has the Federation, Klingons and Romulans. Andorians, Vulcans, Cardassians and Ferengi can be purchased as expansions. There is even a Borg expansion that turns the game semi-coop as everyone tries real hard not to be assimilated.
* '''''Star Trek Adventures''''' (2017-) The latest attempt at an RPG, by Modiphius, coming out soon to tentative praise. It also comes with a whole range of miniatures of the various crews from the show.

== So why should I care? ==
Because between them, these six TV series and their assorted spinoff movies, books, etc. can provide inspiration for any sci-fi game you could care to run. If you want light-hearted action, look at the sort of things that happened in ''TOS'' or ''DS9'' to get the crew into some dangerous situation. If you want a charismatic villain, look at Gul Dukat or the Borg Queen. If you want moral issues and debates, look at the shit that happened to Voyager and remove all the transparent deck-stacking and cheesy moralizing (or you could read any decent SF book/watch a ''Twilight Zone'' episode written in the previous 50 years, if you don't need your source material to be served at a 2nd grade level). Like [[Tolkien]] is to fantasy it's a prime gateway drug to science fiction and especially science fiction which is more than "action movie IN SPACE!"

Not to mention in any sci-fi RPG with remotely free-form rules you're likely to encounter ''Star Trek'' fanboys, so you might as well know what they're talking about. The unholy spawn of a Trekkie and a [[Furry]] is known as a [[Chakat]], and you should fear it.

At its best ''Star Trek'' is thoughtful, optimistic futurism with a positive human element and brings you to strange new worlds in the grand tradition of speculative fiction which is accessible to even the layman. At its worst ''Star Trek'' is arrogant, smug, hypocritical, preachy, dull, sloppy and prone to the strawman fallacy.

== Setting ==
Here's the Cliff's Notes on ''Star Trek''. A couple of general warnings; firstly, ''Star Trek'' likes to ''really'' take its "racial themes" bits just a little too far. Second, despite this, it's rare for an entire race to be completely irredeemable the way many fictional aliens are: there are heroic and sympathetic characters from nearly every race listed below, able to put more-positive spins on their racial themes. Thirdly, aside from very occasional appearances by [[H.P. Lovecraft|aliens who are so bizarre that humankind can barely comprehend them]], all of the aliens look like dudes with rubber masks on (because they are). In real life, this was because there was no budget for anything else, but in-universe it's been explained by some kind of [[Old Ones|Precursor]] race who seeded all of the planets with their broadly humanoid DNA, and every race evolved slightly differently from there. There isn't much [[fluff]] on what these precursors were like, and some of it was contradictory, and Gene Roddenberry didn't like the idea (although he still had to work with the rubber forehead stuff). The good news for fa/tg/uys who like [[homebrew]] is that this makes it fairly easy to write [[d20 system]] rules for all of the races - after all, most ''D&D'' races are just humans with rubber masks on...

=== A Composite Creation ===
This is a general note that one should consider: Star Trek was created in pretty much the opposite way as The Hobbit and The Lord of the Rings. Tolkien worked out a bunch of linguistic stuff and general history of Arda in his spare time, then decided to use that as the basis for some stories that he eventually gave to some publishers which in the end sold quite well.

Roddenberry by contrast pitched a very broad general idea (it's the future, things are good, we got guys some on a ship exploring space; a "wagon train to the stars") to the networks and eventually Lucy from "I love Lucy" took it up on it and had him work with a variety of writers and actors who added to this rough skeleton of an idea in a process that would continue on to this day.

This is not to knock either approach, but both have their advantages and disadvantages. In regards to Star Trek, a franchise which relies mostly on an episode of the week format that's been going on for more than half a century this means that the canon is a fucking mess. There were numerous people at the helm and many of them had often very different ideas about what should be done that were just thrown out to see what stuck, many of which were contradictory and some of which we'd frankly rather forget. In general fans and fluff writers have been spending a whole lot of time trying to straighten out things and much of the lore is basically a rough consensus of what people like and what fits in with it. Later series got more systematic about this, but there are still points of contention and a lot of flat out contradictions due to its scattershot nature.

=== Factions ===
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'''The Federation'''
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[[File:Federation_Ships.jpg|thumb|500px|left|Starfleet's ships of the Line (primary timeline)]]
Might as well talk about that main faction. The United Federation of Planets is what the [[Tau]] think they are. Its backstory is that in the distant future of the 1990s, [[God-Emperor of Mankind|übermensch]] [[Space Marines|created by genetic engineering]] began conquering the Earth. The [[Imperial Guard|normies]] fought back and won through sheer numbers, cryogenically freezing the Augments and kicking them out of Earth, but the damage and mass political unrest of World War III got half the planet nuked. This was why genetic engineering was banned. Fortunately, in 2063, a <s>drunken asshole</s> heroic visionary named Zefram Cochrane created humanity's first warp drive (though it functioned based on the principle that gravity bends space-time, and was therefore more akin to an Alcubierre drive than anything that's dependent on the [[Warp]]) and made first contact with the Vulcans. The Vulcans eventually helped humanity rebuild and overcome poverty, disease, war and hunger. With its Earthly problems solved, man turned to the stars and found out its three closest neighbors were [[Imperium of Man|racist xenophobic dicks trying to murder each other]]. Since any war between them would've swept up puny little Earth and gotten it glassed, humans decided to force their neighbors to sit down and talk things out. Incredibly, it worked, and the United Federation of Planets was born.

The Federation is a commie [[noblebright]] hippieland society with a strong democratic government ([[Mary Sue|pretty much Roddenberry's idea of utopia]]). As a result, Federation citizens work not because they have to, but because they want to. However, despite their advanced technology, transhumanism, that is intentionally making [[Space Marines|SPESS MEHREENS]] and mutants like the infamous antagonist Khan Noonien Singh, is illegal.

The Federation's Navy is almost always called Starfleet. It's a mix between a military, a coast guard and a space agency, and usually rates scientific research as a higher priority than defense. One of its quirks is that it doesn't subscribe to the "bigger is better" policy used in most [[Warhammer 40K|sci-fi]], and even by most of the other ''Star Trek factions''. If the Federation ''does'' make a large ship, it's because they want it to have a daycare, swimming pool and ice cream bar. If they want a warship, they'll take a little gunship half the size of a modern day destroyer and pack it with enough antimatter nukes and guns to exterminate a solar system. In some cases, especially when dealing with ships from several centuries into the future, the ship is bigger on the inside than on the outside [[Creed|allowing it to hide a vast array of powerful armaments, ''space-bending'' equipment, and even whole planetary landscapes]]. They can get away with this because they out-tech almost everyone else by a country mile. The reason for the series' infamous "technobabble" is that <s>even ''they'' don't know everything their tech can do!</s> their technology is always evolving, and they know it so well that they can often use it in ways that even the original in-show design schematics did not intend.

In theory, Starfleet follows a rule called the "Prime Directive", which says that you're not allowed to interfere with low-tech races ("low-tech" being defined as "not having invented the warp drive", since warp technology apparently follows naturally from the laws of physics) or else things like turning the locals into Nazis might happen. The Original Series talked about this rule all the time, and Captain Kirk threw it aside whenever there was a sexy alien babe in sight. From ''TNG'' onward, it tended to instead be brought up whenever a hack writer needed a reason for the heroes to ''not'' instantly resolve a given problem with their superior technology or a way of making our heroes look like assholes for following it rigidly (yes, we could save this species from extinction but that would be interfering with the cosmic plan!), though there were a few good episodes that took it seriously.

Some of the more important member races are:

'''Founding members:'''
* [[Humans]]: You know 'em, you love 'em. Comprise seemingly 90% of Starfleet for reasons in no way related to the cost of makeup/CGI.
* Vulcan: The Original [[Eldar|Space Elves]], very emotional, especially during "pon'farr" (see below), who followed the teachings of an enlightened sage and embraced logic and rationalism after their emotions nearly led to them [[Slaanesh|wiping themselves out]]. They are what the average race of fantasy elves think they are, except on ''Enterprise'' because the writers wanted to artificially inject tension into the show (some of that was retconned to be a Romulan plot). Occasionally enter a state called "pon'farr," where they need to either [[Dark Eldar| fuck something half to death]], kill it with the nearest sharp object, or die of a brain aneurysm to let out all that pent-up emotional tension. Fa/tg/uys may recognize this as the sensation they feel every time [[Games Workshop]] puts out a new army book. Pretty bro-tier overall.
* Andorians: Blue dudes with antennae and constant fits of passion, the polar opposite of Vulcans and their one time foes. Pretty much fa/tg/uys, right down to the romantic streak, in the technical sense. Also, they live underground on a diet of meatbread and rage. Most of what defined them happened in Enterprise as they rarely showed up in the TNG-era, and even then did so as set dressing, allegedly because one of the showrunners hated their antennae and banned anyone from using them.
* Tellarites: Space [[Dwarf|Dorfs]]; like insulting everyone and arguing a lot (no, really, petty insults are considered a polite gesture in Tellarite culture), mostly because the very first tellarite ever shown in the series got in an argument with Spock's dad and now it's their whole racial thing. “Sarek said something in a scene once that was meant to demonstrate that he was stand-offish and kinda rude, but we like Sarek so it's now the defining attribute of this species.” It's all in good fun you understand, your confidence in your ideas and actions should be sturdy enough to withstand honest assessment and critique.
'''Notable Additional Members:'''
* Betazoids: Invariably attractive humanoid aliens with telepathic powers. Half-betazoid, half-humans apparently only have "empathic" powers, so they are well-regarded by Starfleet captains for their ability to point out the obvious and fill out the tight bodygloves that make up the Starfleet uniform in a pleasing manner, especially since theirs seem to come in a custom cut for reasons entirely unrelated to Roddenberry's erection. Their homeworld is like dropping a really hippie college and Space Vegas into a blender. They were taken over during The Dominion war because Earth or Vulcan would be seen as bullshit due to their large post Borg attack defense fleets/ship yards. While the writers would have to actually add new characters for the Andorians and Tellarites(such as Ambassadors for a government in exile). So Betazoid took the hit to raise the stakes.
* Trill: Originally a one-off race introduced as a sapient parasite that possesses and controls a barely, or even unintelligent humanoid host, they were radically reworked in ''Deep Space Nine'', right down to losing their rubber foreheads in favor of spots. Now, the host is itself an intelligent humanoid, and some, but not all, of their kind are able to willingly merge with a symbiont (because someone can't spell) that allows them to access a mixture of the memories and personalities of all previous hosts, though in a way that, theoretically, enhances the host's personality rather than destroying it or subsuming it. Then, when they die, they can pass on the symbiont to another host, theoretically one they mentored. Also, because the makeup artist didn't want to ruin the leads' good looks on DS9, they went from having a rubber forehead to some spots.
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'''The Klingon Empire'''
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[[Image:Batleth.jpg|thumb|right|A Bat'Leth (sword of honor), one of several types of Klingon bladed weapons. Frequently mocked IRL for being a poorly designed weapon.]]
[[Commissar|''"It is a good day to die!"'']]

The Federation's main rival and (movie era and afterwards) the quintessential ''Star Trek'' race of lumpy foreheaded aliens. Originally they were a rough analogue to the Russians (though they took some elements from [[Communism|communist China]]) in a rough cold war allegory with the Federation (even though the Federation are as commie as they come, though admittedly much of that came around in the TNG era). Their defining feature was that they were militaristic and imperialistic while the Federation was scholarly and respected liberty. This gradually moved more and more into them becoming Imperial Japan/[[Vikings]] In SPESSS obsessed with honor, fighting and dying honorably in battle while worshiping at the altar of [[Sigmar|warrior Jesus]], even as they turned from the Federation's bitter enemies into that friend who's fun to be around when he's not getting into drunken bar fights. You see shades of it in during the movie era and it became more and more prominent through ''TNG'', culminating in ''DS9''. Do not make the mistake of thinking that Klingons are nothing more than barbaric savages however; with Worf being part of the crew, and with ''DS9'' dealing with Klingon politics an awful lot we can see Klingon society as it truly is. Even so they do often wander into self parody territory.

The Klingons, in their current iteration, are a feudal society ruled by a council made up of the most powerful families. Klingon society holds very little value on things such as currency and material gain (which results in the Klingon empire [https://www.youtube.com/watch?v=Q65l7RHUx2A having a very simplistic understanding of economics]), believing that anything you acquire without some form of blood, sweat and/or tears on your part is a pathetic and dishonorable way of going about things, much the same way many cultures used to hurl abuse at merchants and bankers. Another thing to keep in mind is that a Klingon's reputation is literally everything. This can be easily seen in the episode "The House Of Quark" where dying honorably can literally change the outcome of an entire noble house, later when the Grand Council is visibly disgusted at D'Ghor. No respectable Klingon uses ''money'' to defeat his opponents. And no respectable Klingon would be so eager to perform an execution of an unarmed Ferengi in what was supposed to be an honorable duel. Klingons are still capable of being cunning and crafty however, and having a high diplomacy score is viewed as honorable as they still have examples of cunning and clever heroes tricking boorish and stupid monsters.

[[Warhammer 40000|Klingons often carry swords into battle in an age of energy beam guns]]. In-universe, this is less suicidal than it sounds in the context of boarding actions and tight starship corridors. The Bat'leth is actually a rather shitty weapon. The Mek'leth is noted to be better in most situations. They use the same Disruptor weapons as the Romulans, and at one point used similar starship designs. While is explained as the result of a temporary and unholy alliance, given the eventual animosity between the two races, it was just an excuse to reuse props on a limited budget.

The Klingons are tied with the Vulcans and the Borg as being the most prominent and recognizable non-human species in Star Trek. Beloved of the Internet and the general public, to the point that there are published books like "A Klingon Christmas" in the world. The Klingons have their own constructed language. If you are ever worrying that you might not be a nerd, learning Klingon will solve that problem for you. Please note that this is in general considered by experts to be pathognomonic of [[Chris Chan|autism]]. You have not experienced Shakespeare until you hear it in the original Klingon.
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'''The Romulan Star Empire'''
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''"It's always chess with the Romulans"''

You know those [[Eldar|Vulcans]]? Well a few thousand years ago, as their planet was ravaged by war, some of them turned to intense emotional control and logic to tame their murderous passions, while most others left the planet altogether, founding a colony on the planet Romulus and dubbing themselves [[Dark Eldar|Romulans]]. Since said planet shares a name with a mythical figure known for founding [[Roman Empire|a city which built a vast empire]], and they had warp drive while those around them did not, you probably know that they turned to building an empire of their own. They hold the second place of prominence as immediate rivals to the Federation. Comically, they actually have better emotional control than the average Vulcan, since they gene-engineered most of their problems away years ago, and don't have to deal with the emotional blowback from pon'farr. The downside is that they lost some of their cousins' niftier powers, like mind reading and being able to transfer their soul into another person for safekeeping. Although Star Trek Online also revealed that their trip to Romulus was a terrible ordeal, and their gene-engineering was taking during that time resulting in them losing most emotions save for bitterness of being "forced out".

The difference between the Klingons and the Romulans is basically the difference between Gork and Mork, or Khorne and Tzeentch. Klingons will fight you up front with simple brute force. Romulans are sneakier guys, preferring to fight you when you're not looking with spies, cloaked ships and complex plots behind the scenes and playing the long game. There is a lot of political infighting among them, though where the Klingons would duel to the death Romulans would seek to discredit their rivals, have them die in unfortunate "accidents" or disappear. This difference has left both Romulans and Klingons with a big hate-boner for each other, to the Romulans the Klingons are crude brutish barbarians and to the Klingons the Romulans are a pack of scheming cowardly weaklings.

Like the Klingons, they served as a rough Cold War allegory. In this case, they were rough analogs to Communist China (as seen by 1960s Americans), a distant horde of inscrutable and potentially dangerous Orientals who generally were unseen and projecting vague menace, but when encountered face-to-face could pack quite a punch indeed: the first major Interstellar War that Star Trek Earth fought was with the Romulans, which was fought entirely in space with neither side ever seeing the other face to face. Afterwards they set up a 'Neutral Zone' between the Federation and the Romulan Empire that no one even tried to cross for a century. From the Original Series onward, they frequently squabble and bicker with the Federation, before joining forces with them to fight the Dominion in ''Deep Space Nine'' and having their government devastated in ''Nemesis''. Finally, Romulus itself got caught in a supernova as part of the Abramsverse's backstory. ''Picard'' has revealed that Starfleet was going to help evacuate Romulus before the nova hit, but then some rogue androids destroyed the shipyards that the rescue fleet was being built at, so the Federation shrugged, flipped the Romulans the bird, and let them get blown up. The surviving Romulans are now scattered across half the galaxy, and some of them have got hold of a Borg cube and are presumably up to some nefarious shit with it.
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'''The Ferengi Alliance'''
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[[Image:GW_Ferengi.jpg|thumb|left|A typical ferengi engaged in typical ferengi activities]]
''"A Ferengi without profit is no Ferengi at all."''-Eighteenth Rule of Acquisition

Introduced in ''TNG's'' early days as the villains for the series, and what [[/pol/]] thinks Jews are. Some Jewish people have actually complained about their being subliminally Jewish and thus anti-Semetic, specifically mentioning that they were moneyhungry, lascivious, and ugly, and their large ear lobes were stand-ins for the sterotypical Jewish nose ([https://www.washingtonpost.com/news/made-by-history/wp/2018/08/14/science-fictions-anti-semitism-problem/?noredirect=on more on that here, we're not shitting you]), based on an old medieval stereotype that was enforced to prevent them owning land or assets. The idea was to make a caricature of capitalism as a contrast with the techno-communist Federation. This might have worked if these were not [[FAIL|''TNG's'' early days]]. Instead they overshot the mark by a light year or so, on top of other bad decisions, and you got a race of short (Gene wanted to make an evil short race as big evil races were overplayed), big-eared, [[goblin]]-like losers about as threatening as a grumpy pug. Over the first and second seasons they tried to make these guys threatening, but they fell flat on their face every time. Eventually the writers just said "fuck it" and the Ferengi got demoted to comic relief species, and their status as terrible enemies was demoted to propaganda designed to scare the Federation while the Ferengi government tried to figure out what to make of a species that rejected the acquisition of wealth as a goal. The Ferengi had some good moments in the later seasons of ''TNG'', but most of the best stuff that fleshed them out came from ''DS9'', which had an [[awesome]] Ferengi bartender named Quark as a major character. For an idea of what the Ferengi might have been like if the writers had their shit together, look up the Druuge of [[Star Control|Star Control II]] or the Magog Cartel from Oddworld.

Ferengi religion is only hinted upon in ''DS9'', but what is seen implies a simplistic system based on financial success. Ferengi all follow a rulebook/canon known as the Rules of Acquisition, which can be described as Ayn Rand IN SPACE and condensed into the form of Confucius' Analects. There are 285 of these, each a short piece of advice on how to stay in the black. Examples include "Peace is good for business," "War is good for business," "Never have sex with the boss's daughter," and "Dignity and an empty sack is worth the sack." The first, and most important, of these is "Once you have their money, you never give it back." Sometimes, the Ferengi Randian spirituality extends into outright interpretations of the afterlife: according to some, the afterlife consists of the Divine Treasury and the Vault of Eternal Destitution, which are respectively analogous to Heaven and Hell. Entrance into one or the other depends on one's business ventures at the time of death; those that were turning a profit are allowed to enter the Divine Treasury, and the rest are damned to the Vault.

Ferengi government is ruled over by a Grand Nagus, a mix between a <s>pope</s>chief rabbi and a CEO, and he basically treats his civilization like some sort of company, with citizens regarded as workers. Directly below him is the Ferengi Commerce Authority, a [[what|quasi-religious]] organization dedicated to ensuring that correct business practices were followed and correct moral behavior was shown (including keeping the proles in line), although to the Ferengi, these are one and the same. The agents of the FCA are the Liquidators, who are essentially Inquisitors crossed with IRS auditors on steroids. Be afraid. Be very afraid.

Ferengi females have no rights and are mentioned as [[PROMOTIONS|not even being allowed to wear clothes]], which leads to [[That Guy|boorish behavior]] on the part of Ferengi towards just about any species. Of course, we see female Ferengi on the show who push that envelope, but it seems that overall "regressive" does not even begin to describe the gender relationships in their culture. Quark's mother, a social climber who marries the head of their government, begins pushing through a women's rights movement during DS9, which proves more successful as time goes on.
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'''The Borg Collective'''
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[[Image:Borg cube.jpg|300px|thumb|right|The Borg have assimilated and improved your [[d6|die]]. It always rolls six. Crap your pants, 'cause resistance is futile.]]
{{Topquote|We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture shall adapt to service us. Resistance is futile.|The Borg's opening hail. This is not a boast or a brag, it's them simply explaining you how things are going to go down.}}
{{Topquote|One other thing. You may encounter Enterprise crew members who've already been assimilated. Don't hesitate to fire. Believe me, you'll be doing them a favour.|Picard going full [[grimdark]].}}

The Ferengi were utter failures as serious villains, so they needed something to fill that gap. Thus they made the Borg, an aggressive [[Tyranid|hive-minded]] collective of hyper-adaptive, [[Necron|regenerating]] cyborgs that assimilates entire species into itself in its attempt to improve and evolve. Shit, that's like coming up with [[Warforged]] while trying to replace [[Kender]].

In many ways, the Borg are the truest dark reflection of the Federation, and despite their name, they're not Swedish. While the Feds want you to join their little club on your own, to "add your culture to the galactic community," the Prime Directive means they will ultimately accept you turning them down, even if you have shit they really want. The Borg say "fuck that" and just absorb you. While the Federation believes everyone should work together [[Tau|for the greater good]], they still have a very strong sense of individualism and a culture of personal accomplishment (unless your individual belief happens to run counter to the Federation's principles anyway, in which case you're just WRONG because the Federation is the best). The Borg pool all their minds together into a massive collective consciousness in the pursuit of group perfection, becoming an almost-literal personification of techno-capital. The Federation is all about beauty and tranquility and all that hippie stuff, and their tech is eco-friendly and dolphin-safe. Borg [[Tyranids|strip mine entire planets and drain entire oceans]] in the name of growth and efficiency.

Your standard Borg [[cube]] is a huge multi-kilometer [[Firaeveus Carron|metal box]] (yes, bigger than most [[Imperial Navy]] cruisers) able to go up against an entire Federation warfleet and win. That's right, one of their ships could threaten the entire Federation and [[Exterminatus]] Earth. When done right, [[Necron|they are a cold, calculating, nigh-unstoppable force, a threat to all life]] that wants to retain free and distinct personalities (although they will ignore a single person if not on an assimilation mission, as what they really want is to absorb whole civilizations). Apparently, in Picard's nightmare in ''First Contact'', the Borg assimilation process includes a surgical [[Grimdark|drill through the eye. While awake.]] Of all the stuff to come out of the TNG Era they are undoubtedly the most well recognized in mass pop culture.

Unfortunately the got a bad downgrade during ''Voyager'' (the Borg Queen blew up cubes full of tens of thousands of drones because a few of them have been severed from the Hive Mind), but even there they were frequently not to be messed with. One amusing thing to note for people that haven't watched ''TNG'': the Borg were actually only in six episodes (and three were breakaway drones) and one movie, yet they're arguably the franchise's most famous pure villains aside from Khan. Goes to show how good they were when written properly. Then in ''Voyager'' they get their shit completely pushed in when they discover a new race of extradimensional aliens which they label Species 8472, which were immune to being assimilated, and had to ask the Federation for help in dealing with them. [[Necron#Regarding_Fluff_Change_-_Sore_Butts_Everywhere.|Wait, this sounds familiar...]]
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'''The Cardassian Union'''
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Introduced in ''TNG'', they are third fiddle to the Klingons and the Romulans. If the Klingons are hypothetically-honorable techno-barbarian warriors and the Romulans are an empire of civilized and refined but sly and ruthless expansionists, the Cardassians are essentially scaly fascists re-enacting ''[[1984]]'' IN SPACE. Their trials announce the outcome at the beginning, and the defense attorney is executed if he wins. Also, THERE ARE FOUR LIGHTS!

Originally a race of peaceable, spiritual artists called the Hebitians (ironically not dissimilar to the Bajorans), modern Cardassia was born in hunger and desperation when their homeworld began to suffer simultaneous mass famine, pandemic, resource depletion, and ecological collapse. A military junta seized power, figuratively and literally auctioned off the soul of their culture through liquidating all the planet's art and religious artifacts into cold hard cash, and turned the Cardassians into the opportunistic imperialists they are today.

Despite being a whole lot weaker than the Federation, the Cardassians manage to hold their own, partly because what they lack in resources and raw power is made up for by a combination of intense cunning and high charisma stats. Compared to the equally deceptive Romulans, the Cardies are more likely to flash you a smile while tickling your ribs with a knife. They'll use any tool they can to gain the upper hand and while that often means unpleasant and terminal sessions in dark rooms, strip mined planets and the enslavement of entire species, they'll gladly become your bestest buddy if it would achieve their goals. Their intelligence service, the Obsidian Order, is also one of the most ruthlessly efficient organizations in the entire sector, managing to outscale the Romulan Tal Shiar when it comes to producing magnificent bastards and manipulating the politics of entire worlds to their advantage. Unlike the Romulans or the Klingons, they don't tolerate the sort of literal infighting that is rampant in both those states, that shit only serves to weaken '''GLORIOUS CARDASSIA''' and needs to be stamped out with ruthless efficiency. Exposing that someone who just happens to be your enemy as being a dangerous subversive is just a benefit, although this can result in both sides of a conflict shouting "For Cardassia!" as they charge each other. Sort of how Democrats and Republicans are both for America, yet oppose each other.

Cardassia has a very fluid hierarchical government, similar to the political realities of post-Stalin but pre-Collaspe Soviet Russia. Broadly speaking, there are three different facets of the government: the Central Command (which holds all the power) the Obsidian Order (who holds the least amount of power, but controls the most puppets) and the Detapa Council (similar to the [[High Lords of Terra]] and just as worthless). Cardassian society holds a very strict view of family, placing family just below the needs of the State.

The State holds a semi-divine mythical status in the eyes of its citizens, with it being viewed as impossible for the State to ever make mistakes. The ideal Cardassian life was one of complete loyalty and servitude to the State and family, with the "repetitive epic," detailing how generations of Cardassians go on to serve both in exactly the same way over and over seen as the height of their culture. The Cardassian government is assumed to be omniscient, omnipotent, and benevolent by pretty much every Cardassian, with all Cadassians gladly giving of themselves to the State. Such was this level of belief that when Picard was tortured by the Obsidian order, the torturer saw nothing wrong with bringing his daughter to work because he was working for the State, and therefore the torture of Picard could never be disturbing or wrong. That's why their trials announce their sentences at the beginning and execute the defense attorney if he wins; their "trials" are more excuses to show off the power and infallibility of the State to the masses than actually determine guilt or innocence.

As far as plot significant activities went, they had a war with the Federation a few years before ''TNG'' which ended in the creation of a Demilitarized Zone between the two powers and (significant to ''Deep Space Nine'') abandoning the previously occupied planet of Bajor they had exploited for resources. After a disastrous war with the Klingons and The Maquis led to a popular revolution and overthrow of the existing government, one leader seized power, declared himself absolute leader, and joined the Dominion towards the end of ''DS9'', which was some serious bad news for the ''DS9'' crew.
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'''The Bajoran Republic'''
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The Bajorans are a species native to the Planet Bajor. They were, until shortly before the events of ''Deep Space Nine'', under a brutal occupation by the Cardassians who strip mined their planet. They had a fighting resistance which veered in and out of being considered terrorists and all in all were often represented as Palestinians IN SPEHSS. After that, they got their independence, although they're thinking about joining the Federation. The Bajorans have one system and are technologically backwards; the Federation is technically breaking the Prime Directive by interacting with them, but as they've spent years under the oppression of a warp-capable species, they can probably handle it. Also ''DS9'' proves that ancient Bajorans managed to travel at warp speeds to Cardassia using solar sails and an enormous amount of luck, which technically makes them a warp-capable species. The only reason why they are significant in terms of the politics of ''Star Trek'' is that they have a wormhole near their planet, which has some timey-wimey aliens living it that they worship as gods, and serves as the only way to get to or from the Gamma Quadrant that won't take decades, making it strategically priceless. Hilariously, this was discovered almost immediately after the Cardassians ''thought'' they'd extracted everything of value from the Bajorans and peace'd out, certain that the system was no longer worth the PR hit they were taking from it, only to get burned by some harsh seller's remorse. Also, their species has the oldest civilization (roughly a half-million years) of any major ''Star Trek'' race, and the wormhole aliens have gifted them some cool shit, like the Orb of Time.

The big thing that makes the Bajorans unique is that they actually have a serious religion going on -the human race is depicted as mostly non-religious. They're also probably one of the most accurate depictions of any highly religious alien race in a sci-fi franchise, because they are divided between the majority who interpret their religion as [[Noblebright|peace and love]], and a small but loud minority of bastards who interpret it as [[Grimdark|condoning acts of terrorism]]. A blatant attempt to simulate Israelis for criticism, although that can apply to many religions nowadays.
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'''The Dominion'''
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A vast empire which exists on the other side of the galaxy in the Gamma Quadrant. The Dominion is ruled over by a species of liquid shapeshifters called The Founders.(aka Changlings aka Odo's people) They have at their disposal a military composed of two genetically engineered species that worship the Founders as gods: the short and articulate Vorta who serve as ambassadors, bureaucrats, and political commisars and the big brutal Jem'hadar, who are vat grown, drug addicted, cannon fodder. These oversee a large number of vassal races, including (as of later seasons of ''DS9'') the Cardassians.

The Founders were once (according to them anyway) a peaceful, kind civilization of explorers who wished to see the galaxy, explore strange new worlds, and seek out new forms of life. Unfortunately, they did this in the wrong neighborhood, and quickly ran into species who did not tolerate others. The fact that the Founders were shapeshifters capable of mimicking almost anyone did not help either. Paranoia, mutual mistrust, and some very bad things eventually led to the Founders deciding "fuck this" and moving their planet into a nebula so nobody would bother them. So more or less, a [[Grimdark|grimmer]], [[Grimdark|darker]], counterpart to the Federation, but with spookier Real Aliens.

The Founders are obsessed with order and are both extremely racist and xenophobic, and believe that all alien life is inherently untrustworthy and evil, and the best thing to do is conquer/enslave them before they do the same to them. They don't care about the rights of "Solids", and will happily ignore any sense of decency when convenient. This can be seen when The Dominion runs a simulation of the Dominion dominating the Alpha Quadrant. When O'Brien is assaulted by a Jem'Hadar and severely beaten to the point of needing emergency teleportation to medical (the crime being "disrespectful"), the Founders (disguised as Federation Officers) do not press charges, and when Sisko comes barging in demanding answers, dismiss him with little concern about their own soldiers brutalizing citizens. Their overall ideology could be thought of as Qin legalism IN SPACE: people are inherently evil and the only way to make a better world is to impose order upon them through brute force from a position of absolute, unquestioned power.

The Founders, when not wandering around in various forms, tend to spend their time in a massive ocean literally made up of countless billions of Founders, something which is referred to as the Great Link. According to the Founders, this allows them to share information with each other and come to peaceful decisions. This is rapidly proved to be bullshit; when a separated-at-birth one of their own merged into the Great Link to share his memories of the Federation as peaceful and tolerant space hippies, not only did the Founders ignore his memories, but actively fucked with his mind in an attempt to turn him into a sleeper agent. And even if it weren't, it shows their hypocrisy through their willingness to share freedom and liberty among themselves while depriving all their various slaves and conquered peoples of the same.

The Founders are massive dicks, even to their own people. Failure among Jem'Hadar is rewarded with slow and painful death from deprivation of the drug they're created to need and their lifespans are incredibly short. To be even bigger dicks, the Vorta have no sense of taste and can't appreciate beauty. Not to make them better diplomats, but because they were raised from a primitive stone-age ape tribe, and the Founders think they shouldn't be ever allowed to forget that. (On the plus side, they did give the Vorta an immunity to poison that would make [[Mortarion]] himself jealous. [https://youtu.be/rACCZaBcq1g?t=1m29s Observe.]) This may also stem from their own neuroses: the Founders themselves have almost no bodily needs at all and require no nourishment, so they design their slaves to be like them. Notably, Vorta tend to come in [[Paranoia|packs of clones; a new one is activated when an old one dies, and they retain some memories and personality between "lives,"]] further hammering home how expendable they are to their makers.

And both races are literally engineered to love their makers for what they have done to them and worship and revere them as gods.

Continuing from the Cardassian Union section because the fate of both powers are linked in DS9. After joining the The Dominion. Everything was going seemingly for them and their leader Gul Dukat. They figured out how to bring down the minefield created by the Starfleet crew of Deep Space Nine to block access to the wormhole. (The Cardassians use its old name Terok Nor while in charge.)

However during the start of the sixth season the Founders learn that their not the only "gods" in the Galaxy. As the Sisko convinces the Bajoran Prophets to remove the Jem'Hadar reinforcements in transit. Forcing them to retreat back to Cardassian Space and Dukat's old friend Damar shoots Dukat's half Bajorion daughter Ziyal. This makes Dukat jump off the deep end as the sod loses his sanity and than goes full nutcase after his rehab transport is destroyed by the Jem Hadar, and ends up fighting an injured Benjamin Sisko after hide inside some caverns on a hell planet for a few days.

After escaping he allows one of the evil wormhole aliens to possess him, kills Jadzia Dax, forgives Damar for killing a family member. Creates a cult of Bajorions dedicated to the Pai-Wraths,than abandons the cult when Major Kira knocks over the suicide pill jar that mixes it in with his fake. Than has sex with an old woman and becomes a demi-god. Bent on buring the universe despite the fact that his own people suffered heavily under the rule of the Dominion. After getting a final bitch slap from the Sisko who gets to have a happy ending living with his god alien parents. At the same time teaching them not to be huge dicks. While Dukat himself is trapped in the Fire Caves on Bajor.

His old friend Damar despite murdering a half breed woman is a lot more sane. Lacking Dukat's crimisa, things get worse for him and the Cardassians under Dominion rule. Most of their victories are off screen such as taking over Betazed. One of the none few major non founding planets of the Federation. This forces the Sisko to bring the Romulans into the war on the side of the Klingon-Federation alliance. With some underhanded methods from a former member of the Cassidian Obsidian Order(Elim Garak). I.e. blow up a Romulan Senator's shuttlecraft and tricking the pointy ears into thinking a damaged but fake datarod(an advanced form of Solid State Drive) was the real deal.

Thus the blame for his death will be switched from the Feds and pals are shifted to the Cardassians. By the final season this leads to the Dominion finding new best buds in the form of The Breen. Damar decides he has enough of the bullshit and in the ultimate irony realizes that the status of his people are now no different from the Cardassian occupied Bajor.

So after the Breen score the Domain a temporary victory over the Federation Alliance. Damar and his Cardi buds destroy a Dominion cloning facility while their backs are turned. Just so he can stick it to his "friend" the Vorta, Weyoun 8. Leaving them and the Klingons being the only thing stopping The Dominion from steamrolling over the Alpha Quadrant. As one Bird of Prey(doesn't say if its the frigate sized B'rel or Light Cruiser sized K'vort class. Though DS9 almost always used the former) was immune to the Breen energy dampening weapon due to modding its warp core. Gowron, due to being a moron who did nothing to change course after his most trusted advisor(Martok) turned out to be a Founder and the first time the Jem Hadar kicked their asses during the Klingon-Cardassian War. Decides to take glory for himself and discredit General Martok(who now how his pre Dominion internment job). This goes as badly as your thinking. Forcing Worf(now a legitimate badass compared to his TNG days) to kill him and turning the role of Chancellor to Martok.

Meanwhile the Feds decided to help out Damar's resistance by sending him Colonel Kira(who now has the rank of a Starfleet Commander), Odo and Garak(Ziyal's former simi-boyfriend). The resistance eventually get their hands on one of the Breen Energy Dampeners. During some infighting Damar realizes that the restoring the old Cardassia is pointless. Killing one of his old friends. The Breen and Jem'hadar do eventually one up the resistance. But not before their brutality turns more Cardassian against them. So during the final space battle this makes the Cardi military switch sides.
Damar is killed during the final raid on the Dominion HQ. Focing Kira and Garak to lead the final push into the compound.
The War between the Alpha Quadrant Alliance and The Dominion ends when Odo offers to share the cure to the disease created by Section 31(the Federation's answer to the Tal Shiar and Obsidian Order) which he passed after the Founders tricked him for into return to the Great Link. While also promising to join the Great Link.
It's harder to say who are the bigger dicks here. The Founders for having Wayoon 4 infect Odo to return and turned him into into a solid(who was restored because dying a Changeling baby merged with him a season later) for killing a Founder who hacked the Defiant and almost succeeded at starting a war in the Alpha Quadrant. Or Section 31 for making the disease in the first place.

With all their advanced technology. One would think the Founders would have discovered a cure before being handed one. But the bad guys being just as flawed as everyone else is a common theme in Star Trek. Even in Star Trek Online despiste Odo being the one in charge a few decades later. As their Ambassador to the Federation. The experiments of the Founders sketchy past cause them and everyone else huge headaches including the dishonorable mention of the revived True Way movement.(i.e. the guys who hated that fact that the civilian Detapa Council ran Cadassaia.)

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'''Species 8472 / Undine'''
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The one and only race in the galaxy even the Borg don't want to fuck with. Introduced in Voyager, Species 8472 are three-legged creatures that live in a space called Fluid Space. It's similar to the [[Eye of Terror]] for the fact that it connects to an alternate dimension and [[Khorne|everyone will be ripped apart upon entering.]]

When the Borg first came around to try and assimilate them they were completely obliterated in a war in which 4 million Borg were killed in the first few days at the cost of almost no members of Species 8472. This war was such a roflstomp that the Borg were forced to call on the Federation for help. [[Tau|The Federation being the better people swallowed their pride and decided to help their sworn enemies,]] [[Eldrad|but were dicks and sent only one ship.]]

Species 8472 fought with fast moving, small ships and devastating beam weapons so the small ship of the Federation could keep up with them and helped the Borg force the species back into Fluid Space. The Federation were the villains on this one. That said, they eventually came to an accord with Species 8472, preventing further wars between the denizens of Fluid Space, except in lots and lots of video games that want to use a fresh antagonist.

That and that in ''Star Trek Online'', [[Awesome|they look like the fucking Predator.]]
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===The Q===

The Q are a race of beings who have elevated themselves to the point where they are basically gods. Most of them do not interact directly with the younger races, who they tend to consider with disdain- if they consider them at all. However a few of them take a more enlightened view, and one in particular has been known to fuck with individual humans from time time. They are mostly a TNG thing, and even there they work mostly by grace of John de Lancie's acting chops as a counterpoint to the charisma of Patrick Stewart, as de Lancie played the ''character'' Q, an all-powerful epic [[troll]] (no, not the fantasy kind) who's occasionally [[Tzeentch]]ian games sometimes appeared to be for his own amusement and sometimes acted as education or event protection to the human race. Various subplots involving the Q ''species'' range from somewhat thought provoking to mildly entertaining to ridiculous and banal, but the classic episodes that highlighted the charisma and chemistry of the two actors were often quite excellent.

=== The Mirror Universe ===
Not so much of a faction as an alternate setting, this is a parallel universe in which [[Alternate History|things have gone differently]] in Earth's History. The main point of divergence appears to occur when the Vulcan scientists who landed at Bozeman, Montana in 2063 are not welcomed with alcohol and music but instead are killed and have their ship looted. It is equally clear that where the main universe is Noblebright the Mirror Universe is Grimdark. Instead of a peace loving Federation searching for knowledge and friendly cooperation for the betterment of all, Earth gave rise to the ''Terran Empire'' which seeks out new life and civilizations to conquer and enslave, as it had done with the Klingons. Pretty much it's the PG-13 version of the Imperium of Man with a bit more Grimderp. Junior officers get promoted by killing their superiors, those that fail at that get thrown in the agony booth for their troubles and Emperor gets the job by usurping the previous incumbent. In general everyone in the Mirror Universe is a selfish asshole version of themselves and following comic book logic the uniforms for the female characters are more revealing. Occasionally people can cross over from one universe to the next due to technobabble and cause mischief in either realm.

Originally it was a one off TOS setting for an episode of the week, but it was brought back in a few novels and some romps in Deep Space Nine in which [[Fail|the Terran Empire had fallen]]. In Enterprise's fourth season it got a two parter that was pretty good and would have been an annual thing if the show had been renewed, this one having little crossover with the main universe (a ship from TOS ended up in the Mirror Universe and is salvaged after all it's crew have died). We also went there in Discovery, for better or worse. Voyager never did the mirror universe, but instead got a homage episode with some alien historians in the far future getting the details wrong like historians tend to.

== The Star Trek Crew ==
Whether the focus of the show is exploration, manning a space station in an important locale or trying to get home, all Star Trek series have a basic set up of casting and focus: namely on a collection of people who are usually the senior most officers on the ship. If you decide to make a Star Trek inspired game take this into consideration.

* '''The Captain''': Big cheese. Makes the hard decisions. Needs to be able to talk, think or fight out of situations as needed. The third option fetishist finding the balance between empathy and reason. (Two least skubby examples: Kirk and Picard, but the skub will fly hard if you say one is better than the other, sufficed to say that people like both of them alot but for different reasons)
* '''The First Officer''': Second in command and trusted advisor. Added after the original series, where the role was combined with and split between two others. (Two least skubby examples: Riker and Kira)
* '''The Science Officer''': Got high Int stats. Can analyze the situation and work out solutions. The voice of reason. Almost never human. (Two least skubby examples: Data and Spock)
* '''The Engineer''': Hard working technically minded guy who gets shit done. (Two least skubby examples: Scotty and Geordi)
* '''The Doctor''': Ship's healer with a secondary scientific role. The voice of empathy, whether prickly or serene. (Two least skubby examples: Bones and the EMH Doctor)
* '''The Security Officer''': Rough and tumble no-nonsense sort whose job it is to keep these guys alive when diplomacy fails, which it often does. Often has to juggle providing ship's security with working the tactical station on the bridge in a crisis. (Two least skubby examples: Worf and Odo)
* '''The Helmsman''': Got mad spacecraft piloting skills, either full-sized starships, shuttles, or fighters. (Two least skubby examples: Sulu and Tom Paris)
* '''The Other Guy''': A crewmember whose role doesn't cleanly map onto other positions, a role often restricted to a single show. Example positions include communications officer, ship's councilor, transporter chief, and linguist. (Two Least skubby examples: Uhura and Troi)
* '''The Outsider''': Someone who is a passenger and regular cast member, but exists outside the organization, looking in and commenting. Usually works a side-job, like tailor, bartender, or cook. Either a beloved fan-favorite or utterly despised, there is no middle ground. (Two Least skubby examples: Guinan and Quark)

Some of these hats may be worn by more than one character, some may be worn by no one at all. This is especially true in the original series, which had a smaller cast overall, and which put less emphasis on an ensemble and more on the main trio of Kirk, Spock, and McCoy. The usual roles and character dynamics were instead set down by ''The Next Generation'', which later series generally copied.

== The Shows ==
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===''The Original Series''===
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Created in 1966 by legendary sci-fi [[spiritual liege]] and money-grubbing sexist lounge lizard Gene Roddenberry and pitched as a "Wagon Train to the stars", it's a pulpy adventure sci-fi, full of fistfights, sword fights, and hammy speeches. (The guns never work.)

The USS ''Enterprise'' is tasked by the Federation to go on a five year mission to explore space: the final frontier, to explore strange new worlds, to seek out new life and new civilizations and boldly go where no man has gone before, though due to budget constraints, her crew often finds that man has in fact gone there before. Or at least something that looks exactly like a man but is actually an [[Xenos|Alien]]; most episodes split the difference. James T. Kirk sleeps with [[Hot Chicks|hot alien babes]] who either die tragically or leave tearfully at the end of the episode, but it's 'k because he's too in love with the Enterprise to ever love a mere ''woman'' more. Mr. Spock and Dr. McCoy are cold and logical and rash and emotional respectively, and their constant friction must be resulting in the best make-up sex in the world, Mr. Sulu and Lieutenant Uhura wait in vain for focus episodes that never come, Ensign Chekhov suffers horribly to the approval of American Cold War audiences, and Scotty [[gets shit done]]. Uniforms, while iconic, tend to look a bit civilian though. Miniskirts are apparently mandated attire for the ship's fan-servicey female "yeomen" and others, because 1966. The civilian nature of the attire (including, one must assume, the miniskirts, but they had a visual appeal all their own) were apparently an intentional design decision by Roddenberry who didn't want uniforms to look military. Further specialness on the part of Roddenberry demanded phasers not look like guns, instead looking like nothing in particular at all (although looking back at them today they look sort of like TV remotes, which would be invented much later), and also (probably the only sensible decision in this category) ships that didn't look like rockets, giving ships their distinctive and iconic saucer-engineering-nacelles look that still stands out today.

The Original Series frequently ran out of budget and entire episodes were filmed using spare costumes belonging to the production company, resulting in a series of extremely goofy excuses to go to planets full of gangsters or [[Nazi]]s. This is often copied by shows who don't realize it was done out of pure expediency, and nowadays this [[TVTropes|"Planet of Hats"]] gimmick is practically a box to check off when doing sci-fi adventure. The lack of budget also resulted in one of the more memorable inventions; unable to budget for a sequence showing the ''Enterprise'' or a shuttle landing on a new planet every week, the writers instead decided to invent the transporter to "beam" the crew down to planets or between starships. Also worth noting: despite its mediocre critical reception, ratings and eventual cancellation, not to forget the uneven quality of many episodes, especially in the Roddenberry-less third season where poor Fred Freiberger had to come onto a show he didn't understand and try to get better ratings with less money, ''TOS'' had a hell of a cultural impact thanks to syndication and it has been said that since it entered syndication in 1969, there hasn't been a 24-hour period without some TV station, in some country, playing Star Trek. Cancellation of The Original Series is now considered one of the worst decisions in TV history, and while much of its silly 60's campiness is now laughable, it often still manages to teach relevant and important lessons today.

Fun fact: the ''Enterprise'' and each of her 11 sister ships have enough firepower to [[Exterminatus]] a planet by themselves, after getting issued an order called General Order 24. This however is likely a time-consuming task. According to a later DS9 episode, it takes a fleet of 20 warships 1 hour of sustained bombardment to destroy a planets crust and 5 hours of sustained bombardment to destroy a planet down to its mantle. These 20 ships were also in service 100 years after the Enterprise so they were also more powerful.
Kirk has the distinction of being the only known captain to issue a [[Exterminatus|General Order 24]], because a planet was ''too'' much into wargames (he changed his mind after they dropped wargaming).
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===''The Animated Series''===
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The often forgotten middle child. More or less "seasons 4-5" of ''TOS'' with the same writing staff and actors, sans poor Walter Koenig. He was replaced by a weird camel person. He learned this at a convention, from a fan, while he was trying to announce he'd be writing an episode, which Gene promptly demanded he rewrite over and over. Classy.

Being animated allowed the staff to get a lot more creative with the alien designs and plots, and the writing and acting remain... well, top notch is a stretch, but certainly at the same levels as ''The Original Series'', with the occasional low point. Not ''nearly'' as bad as you're probably picturing from the name, although still limited by the low budget and primitive, cheap animation techniques of the television era it was aired in. Notably some sci-fi novelists were brought in to write some episodes, such as Larry Niven, and at least one episode, "Yesteryear," is considered such a pivotal moment in Spock's development that even people who hate the series enough to consider it all non-canon often make an exception just for that one.

Also, since the series now has no excuse for throwing in lots of Space Puritans and Space Wizards, it of course continued to do so to derptastic results, because by this point it had become traditional. The presence of a straight-up [[furry]] on the bridge, however, is downright unacceptable.
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===''The Next Generation''===
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Here's where it starts getting a little deeper and a little darker, although with a lot of left-wing political subtext turned up to 11. The USS ''Enterprise-D'' (the original and C were destroyed in action while A and B were retired) is, like its predecessor, tasked with going where no-one has gone before, but this time around the problems are less likely to be solved in a single episode. Jean-Luc Picard is the captain and he plots and negotiates his way to victory; Mr. Data is cold and unemotional, though not by choice - as an android, he'd very much like to change that; Riker takes over the captain's "sleep with alien babes" duties since Picard is married to the job; Worf the Klingon gets beaten up by monsters to show how tough the monsters are, meaning that Worf winds up looking incredibly weak by the end of the show's run and doesn't regain his badassery until his run on ''DS9''; Dr. Beverly Crusher is good old Bones minus his temper; Dr. Pulaski is Bones ''plus'' temper; Counsellor Troy is so badly written she becomes a running joke; and Geordi LaForge [[gets shit done]]. Only two things need to be said about helmsman Wesley Crusher: he was [[Mary Sue|Gene Wesley Roddenberry's shitty self-insert fanfic character]], and his sueness got to the point that even his actor started to hate him within the first season of the show.

Due to the massive success of The Original Series in syndication (and Paramount being [[Rage|pissed off]] by broadcast networks treating their most valuable IP like any other show), TNG was aired through syndication from the beginning. Although the first two seasons were laughably bad, the quality began to improve dramatically after an increasingly cocaine-addled Gene Roddenberry got too sick to keep ruining it and his partner-in-crime Maurice Hurley was thrown out on his ass, a moment often pinpointed via looking for when [[Meme|Riker grew a beard.]] The later seasons are widely considered to represent the apex of the franchise's episodic formula on the small screen (although ''DS9'' gave it a run for its money with a more serialized approach); sadly, this series only got one good movie.
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===''Deep Space Nine''===
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Unlike all the other series so far, ''Deep Space Nine'' primarily takes place in a fixed location - the titular space station Deep Space Nine, out near the borders of Federation Space. Said space station is near Bajor, which was recently freed from Cardassian occupation, and a wormhole to the other side of the galaxy which allows [[Warp|all sorts of of crazy shit to go down]]. If the other shows are a wagon train, this one's a border fort.

Benjamin Sisko is the captain, declared Emissary by the nearby Bajorans for making contact with the wormhole aliens they worship, and he successfully hybridizes the blow-the-shit-out-of-whatever-you-can't-punch Kirk approach with the talk-in-a-very-dignified-way-about-the-philosophy-of-the-thing-and-win-by-rhetoric Picard maneuver, in his ultimately-successful quest to become the baddest motherfucker in space, then literally becomes a space god. Kira the Bajoran ex-<s>terrorist</s> <S>''noble freedom fighter''</s> (who are we kidding she calls herself a terrorist) struggles to free and rebuild her people while coming to terms with the moral ambiguities of situations she prefers to see in black-and-white, Dr. Bashir works to find his character for several seasons before becoming a highlight, Dax gets often written poorly and has to switch bodies doing it, Odo IS ''Liquid Space Cop'', Quark runs his bar and [[troll|heckles]] the Federation, Garak pretends to be a tailor while definitely not being a super-spy and dropping killer lines, and Miles O'Brien [[gets shit done]]. Also, Worf wanders in halfway through, and actually gets to punch things instead of just getting punched by them. It's also a lot more political than other series (though ''TNG'' and ''Voyager'' have their moments) and the last series to have Gene Roddenberry's involvement (with less enthusiasm, in fact often much to the benefit of this particular series thematically, although Roddenberry's complete departure did not necessarily bode well for the franchise in general.)

It's the [[Awesome|closest the canon series ever get]] to [[Grimdark]], especially when the Dominion show up. The show has aged remarkably well and the terrorist/freedom fighter debate was repeatedly explored in a very mature and honest way. ''DS9'' is the most serialized of all Trek shows and could be considered a forerunner to the golden age of television with its long story arcs and deep character development. Overall, ''DS9'' has to be considered the most consistently good Trek show thanks to the excellent writing and fantastic performances from a truly wonderful ensemble cast. At least until the final season, when the writers who made it good were pulled to try and fail to make good movies, heralding the failure that was ''Voyager''. The finale episodes were mostly okay and tied up the story semi-satisfyingly, though a few die-hard subplots fell flat.

It wasn't without its controversies however. The show was airing around the same time as another thematically similar sci-fi show, ''Babylon 5''. Not only that but characters also shared similarities, as did the episodes. Interestingly, beginning of both series, introduction of characters and airing of similar episodes were often too close to each other for one show to copy the other but this did not stop massive [[Rage]] and [[/v/|fanboy wars]] from starting between fans of the two series accusing one another of plagiarism and having an inferior product. Happily, as time went on and both shows evolved, these hurt feelings have mostly faded.

How good is ''Deep Space Nine''? Every Star Trek series and even the reboot movies have pretty much ripped off ideas and concepts established during the series. Famously, within the "Trekker/Trekie" fan community, there's a little cell of fans who like it better than most other ''Star Trek''; these fans are typically called "Niners."
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===''Voyager''===
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Star Trek: Voyager centers around the eponymous USS ''Voyager'', a smallish ship which gets teleported over to the other side of the galaxy. The plot of the series centers on the crew's efforts to get back home, which COULD have made for an excellent premise. Unfortunately, there were few lasting story arcs, with most episodes being fully self-contained (as well as being littered with far too many episodes featuring holodeck or transporter incidents). As a consequence, despite being completely isolated from the Federation, no matter how bad things got Voyager always appeared in the next episode without a scratch, fully supplied, and with all its shuttlecraft intact. Think ''Gilligan's Island'' on a starship.

Like ''TNG'' and ''DS9'' it's a character-driven drama just as often as it is a sci-fi adventure romp, although compared to TNG only a few of the characters are particularly memorable. The captain and arguable "main character" is Kathryn Janeway, a Katharine Hepburn lookalike (I see what you did there) who is stern without being cold, and principled without being inflexible. The fan favorite is a character called "The Doctor" ([[Doctor Who|No relation]]); he's the solid-light hologram representative of the ship's emergency medical computer, who has to take on actual medical duties when their chief medical officer was conveniently killed in the pilot episode. Other than this, Chakotay is a peace-loving and spiritually rich indian <s>freedom fighter</s> <s>terrorist</s> [[FAIL|who was written with the help of a special cherokee consultant so native his name was Jamake Highwater and it turned out later on that he was actually jewish and didn't know dick about native cultures so he made everything up resulting in Chakotay basically being a borderline racist caricature of what you think indians are like. Akoochimoya.]] Tom Paris is an annoying jerk and is counterbalanced by Harry Kim who is the ideal boy-scout, making him only half as annoying and twice as boring. B'elanna Torres tries to perpetuate a lineage of dudes getting shit done but ends up blankly reciting her technobabble, having second degree plasma burns and – worst of all – systematically fails to get shit done whenever the warp core goes nuts. Tuvok tries hard to be as cool as Spock but ends up being a lame version of the n°1 Vulcan who uses logic to justify everything and makes it short for "you are wrong, I am right because I said so." Kes is passed as a fragile and nice character but it takes a couple of episodes to realize that having a short lifespan does not change the facts: [[powergamer|when you can boil someone to death from the inside of their body, drain life from everything around you to become stronger and do anything you want without knowing how, just by thinking of it]], you are a goddamn Mary Sue. From the fourth season onwards the only character the writers seemed to care about are Seven of Nine, [[Mary Sue|a human woman who recently escaped from Borg control and kept all of her cyborg enhancements but regained her free will]]; another Mary Sue, to be sure, but she's [[Hot Chicks|hot]], and the other characters are much worse, so that's not really a bad thing. Fortunately, The Doctor still received a lot of attention from the writers and almost single-handedly made the show watchable. There was also Neelix, who was the apparent inspiration for Jar-Jar Binks, and any sane crew would have pushed him out of an airlock on the first episode. Fans who stuck with the show despite its glaring failings were given one final slap in the face with the <s>controversial</s> shit final season, in which the producers decided "screw steadily crafting a satisfying conclusion to a story which we have wasted for most of the last seven years anyway; lets just ignore it until the final episode and then throw in some shit about trans-warp conduits and time travel, bitches love time travel!" If you did not care about any of the characters or the subplots or time travel making sense (the writers sure didn't), then the final episode was explosions (and the Borg got a major setback, just don't think about the setup too hard).

The Doctor never once stopped being totally fucking awesome though (enough so to even earn a cameo in First Contact), and the great acting from the cast carries the series from being horrific to ''occasionally'' watchable. Just goes to show that no matter how good your actors are, they can't make diamonds out of shit.

Overall, most Star Trek fans view Voyager's legacy with a shrug and a "meh." Unfortunately, hopes that Voyager's successor would revitalize the franchise would soon prove to be overly optimistic.

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===''Enterprise''===
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From the minute the Nickelback-tier theme tune started, Enterprise attempted to take Star Trek in a new direction and was only partially successful in doing so. The series never quite caught its footing, although it still managed to have some enjoyable moments. It was most notable for providing a first-hand view of the key events that directly led to the formation of the Federation. The Federation's founding races were also featured heavily, with Andorians, Tellarites, and Vulcans all enjoying significant screen time alongside the human characters.

It's a prequel to the rest of the canon, taking place on the first ''Enterprise'', before the Federation was founded and during the period when Earth was still an independent power- so there's a lot of primitive versions of things from other series. At least the uniforms were pretty cool in an Air Force sort of way. Captained by <s>that guy from ''Quantum Leap''</s> Jonathan Archer, in hindsight the fact that they had to rename him from their original choice of Jeffrey Archer to avoid confusion with the disgraced British MP and author of the same name probably cursed the series with bad karma before it had even begun shooting. In an unusual twist for a ''Trek'' series, his first officer isn't a <s>terrorist</s> ''noble freedom fighter,'' however she does share a trait with her ''Voyager'' predecessor in that the actress who portrayed her frequently criticized the show's writers in interviews. Other than that, well, Hoshi Sato screams a lot, Travis Mayweather was so dull even the writers forgot he existed, the resident Vulcan T'Pol serves as both the Science Officer and source of sexy fanservice, Malcolm Reed has an accent, Dr Phlox is a weird creepy alien with weird creepy alien moral (and gets surprisingly interesting when given enough screentime, which hardly happened), and Trip also has an accent and [[gets shit done]].

Was retooled twice, the third season tries to be ''24'' IN SPACE (stop some guys the Xindi from blowing up Earth) while the 4th season is a massive apology about the last three seasons that tries to fix all the problems they had, and as a result, the only season that's close to being good.

Unfortunately, the poorly-received final episode is set on the holodeck of the Enterprise-D, which leaves us with the firm impression that the producers would have much rather have just continued making ''The Next Generation''. Considering the mediocre quality of the ''TNG'' movies we got instead, this probably would have worked out better for all involved (Or not since ''Voyager'' was that; its first episode was even numbered 901, as in Season 9 Episode 1).

Yet despite all this bad directing, subpar plots, and frankly boring episodes, ''Enterprise'' still manages to be moderately enjoyable with occasional moments of awesomeness if you can suffer through a fair few awful spots and aggressive mediocrity almost everywhere else. The focus on founding Federation races like the Andorans was refreshing and the technology level, being somewhere between the original series and the real world present-day, was quite interesting. We also got to see the Vulcans portrayed as arrogant, superior dicks. Which makes a lot more sense than the way they're usually portrayed as fairly submissive towards humans because they are, obviously and objectively, the superior race. The Klingons certainly still considered themselves to be honorable but the show made it clear that the Klingon notion of honor is rarely analogous to the human concept which was interesting as all hell to watch. There have been a few small nods to it in discovery and the abrams movies.

And let's be fucking honest, [[/tg/]] loves 40k and the Xindi arc was about as grimdark as shit gets. And that was awesome.

Also makes a neat pairing with ''Voyager'' in that they really mess with the Prime Directive and question the Federation.
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===''Discovery''===
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----
<s>A LOAD OF SOCIAL JUSTICE SHIT!</s> Ahem, let's start again, shall we?

A new "prequel" series set 10 years before ''The Original Series.'' Again. Run exclusively on CBS' paid streaming service (unless you live outside the US and Canada, in which case you can get it on Netflix) to try and drum up sign-ups and revenue, it features a mix of ''Enterprise'' and Abramstrek aesthetics despite supposedly taking place in parallel to the TOS "The Cage" pilot while [[what|having technology superior to late DS9]] and introducing [[dune|mushroom-based space travel]] that would imply [[retcon|all later events and warp travel would be outdated]]. The trailer has attracted a lot of concern over the fact that Klingons have been completely redesigned to look like slit-nosed ogres wearing ancient Egyptian cosplay, and rumors that the Klingons shown were [[Racial Holy War|primitives who had been trapped in stasis]] proved to be unfounded, so there is no excuse. Not having a cold war to posture about, the new villains are based off of Trump-inspired xenophobia by the admission of the authors. Also the lead character is Spock's human sister that he never mentioned before, aka the ''exact'' origin of the [[Mary Sue]] which is just fucking depressing. To further reinforce this, there are ''numerous'' examples of dialogue and exposition that serve only to show how the Mary Sue main character was right all along, usually in conjunction with the death of the character that had foolishly disagreed with her. Want a new Star Trek episode about racism and immigration? Try the now-banned [https://youtu.be/3VEZH8bqytA Star Trek Continues]. Want Star Trek with humor, keep an eye out for the upcoming [https://ew-com.cdn.ampproject.org/c/s/ew.com/tv/2018/10/25/star-trek-animated-comedy/amp/?fbclid=IwAR2WN6auDNm5YiunYhaqiu7vt9f-P08AuUjMpLA5LlpUgvTm9_xloJNRYb0 Star Trek: Lower Decks]; want a pseudo-Star Trek show about other modern issues? Try ''The Orville'' below; that's right, American Dad In Space may right now be a better Star Trek than an actual Star Trek series.

Initial reviews have been... well, it's shit. The writing is overly convoluted, the massive injection of grimdark into pre-TOS continuity is anathema to the hardcore fans (the ''human'' characters are often the ones doing the nastiest shit, including [[Marines Malevolent|trying to kill a Klingon party by planting an explosive on the corpse of one of their comrades for when they came to collect the dead]]) and the Klingons are so flat and devoid of characterization that they might as well be Larry the Cable Guy lookalikes wearing Trump hats. This is a massive disappointment for a series that promised to put a spotlight on Klingon culture but ended up retconning all the characterization that happened in TNG and DS9. It ''may'' get better with time (remember that it took two seasons for TNG to get really good) but given the release schedule (split between 2017 and 2018 with a long break) it may come too late for the fanbase to care. Currently it's cause for more fans to lose their shit over whether it's better or worse than the Abrams movies, which is a new record of [[Skub|Trek Skub]]. Releasing the show on CBS All Access instead of cable or broadcast TV makes it seem that executives don't really give a shit if the show succeeds or fails, bringing up the question of [[Bioware|whether they're deliberately putting Star Trek: Discovery in a no-win scenario where, no matter what happens, the executives have an excuse to cancel Star Trek altogether]].

Another stupid decision was not shelling out the cash to bring back Bruce Greenwood and Zachary Quinto as Captain Pike and Spock, respectively. Their ages wouldn't have mattered either if CBS and Paramount weren't too cheap to use the anti-aging CGI tech that is so commonplace these days. That being said, Anson Mount's portrayal of Captain Pike was a revelation that was BY FAR the most well-received aspect of Season 2.

There were also allegations that large chunks of the plot were stolen from previews of an in-development indie game (the unreleased 2014 game featured giant Tardigrades that had the ability to use an interstellar network to travel anywhere they wanted to- sound familiar?).

While Season 2 had some watchable moments, it was still middling at best, and nobody is ''ever'' going to let this series live down the garbage fire that was Season 1.
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===''Picard''===
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Set to be a continuation of the original timeline, featuring old man Picard with Patrick Stewart reprising the role. Hopes are not high, but at the very least Patrick Stewart's presence should make it watchable if nothing else.

The story so far: Picard ragequit Starfleet after they sat back and let the Romulans get blown up by the supernova mentioned in the first Abrams movie. This happened because some rogue androids orbitally bombarded Mars and blew up the rescue fleet that was being built there, so the Federation has banned all R&D on synthetic lifeforms. Picard has been living in his family chateau ever since, making wine and hanging out with his dog and his Romulan housekeepers. Then a scared girl named Dahj turns up on his doorstep, and it turns out she's a highly advanced biological android constructed from the surviving bits of Data's positronic brain. Before Picard can really figure out what to do about her, she gets killed by secret society of Luddite anti-Android Romulan assholes, but it turns it that's okay because she has a twin "sister" who is working with some other Romulans on a derelict Borg cube. Picard decides it's time to saddle up and go be a hero again. Stay tuned.

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== Homages ==
Being such a long-running franchise with a wide audience, Star Trek has gained enough pop-culture recognition that it is often referenced in other works. In a few cases entire projects are made to pay homage Star Trek. Here are some examples.

=== Galaxy Quest ===
A sci-fi/comedy film released in 1999, directed by Dean Parisot. It parodies science fiction films and series in general, but particularly ''Star Trek'' and its fandom. The film stars big name actors including Tim Allen, Sigourney Weaver and the late great Alan Rickman. The plot revolves around the cast of a defunct cult television series called Galaxy Quest (for example, Tim Allen played the Kirk/Shatner expy and the late Alan Rickman played the Spock/Nimoy expy). They're also suffering fatigue that mirrors the experiences of the actual Star Trek actors (Rickman's character is typecast with his Galaxy Quest character and laments it, similar to how these things happened to the late Leonard Nimoy).

The cast are suddenly visited by actual aliens, the Thermians, who believe the series to be an accurate documentary (they have no concept of fiction and only the most bare bones idea of lying) and seek their help. The Thermians take the actors with them, who find themselves involved in a very real, and dangerous, intergalactic conflict, and unlike the show where it all wrapped up quickly they struggle to learn about and relate to the aliens. Spoiler; in a witty nod to the "rubber forehead aliens" so common in Star Trek, the Thermians look like humans with unnaturally pale skin and straight hair, but that's just a holographic disguise and the Thermian's true forms are squid-like. Can these actors find greatness within themselves, and possibly personal redemption? (Spoiler: yes, and it is incredible.)

Built around the basic premise of "What if the cast of ''Star Trek'' ended up on a real spaceship and had to actually do the shit they did in the show?" Featuring a veritable all-star cast of talented comedians and character actors, this is one of the best parodies ever made, and an affectionate love-letter to the franchise as a whole.

===Star Wreck: In the Pirkinning===
Another parody, parodying not only ''Star Trek'' but ''Babylon 5'' as well. The seventh in a series fan movies released in 2005, it's about Captain Pirk builds a starship called CPP ''Kickstart'', allies with Russia and takes over the world. He wants to take over more planets but the ships of his P-Fleet aren't fast enough to travel outside the Solar system. A maggot hole opens and it leads to an alternate reality. Pirk wants to take over the Earth of this reality, which leads to an [[awesome]] space battle between the P-Fleet and the fleet of the space station Babel 13 led by Johnny Sherrypie. The movie features some of the best special effects ever put in a sci-fi movie, which is pretty impressive, considering that this is an amateur film with a very low budget and was rendered in five years in someone's bedroom. The film is spoken in Finnish but subtitles are available for a wide variety of languages, including Klingon. They also made [https://web.archive.org/web/20070828010927/http://rpg.starwreck.com/ a role-playing game based on it], where your character [[Truenamer|becomes more incompetent]] [[Page 42|as he levels up]].

===Star Trek: Renegades===
Kickstarter Trek. The makers submitted their made-for-TV movie pilot to CBS in an attempt to get it made into a legit on-the-air series (and by god it shows), but they were not successful. As a result, while the project limped along for a few years afterward, it has good and bad in equal measure. As a non-official product it also cannot be considered canon. Some characters are actually interesting (about time we saw more of the Breen!) while others are pure Mary Sues (including a male Seven of Nine with a built-in Borg-gun/personal shield/fully-functional hand). Some of the ideas are interesting while others are boring or already-been-done. The CGI is all Hollywood-quality, but the practical effects are okay at best.
It's obvious that they made this without knowing that they were going to be able to make a TV show or not, and tried to cram the sort of build-up and intrigue we saw in DS9 into a span of 90 minutes. For now though, it's decidedly meh, and probably a dead project as well since it hasn't been mentioned on the maker's website in over a year as of late 2019.

===Star Trek Continues===
Of all the offerings listed here, Star Trek Continues is BY FAR the closest in theme and tone to the original 1960's series. Indeed, this is the whole point: from its inception, this fan-funded project was intended to represent a what-if "4th Season" of the Original Series, ending with the conclusion of the Enterprise's 5-year mission. It is surprisingly and at times ''delightfully'' watchable, with strong stories, consequences and arcs that carry over to later episodes, tons of attention to detail, unexpected cameos, and a cast that really came together, particularly in later episodes. It also delicately navigated a line between viewing female characters through the lens of a show that was rooted in 1960's culture while also not treating them as weak children dependent on men for protection. Star Trek Continues successfully concluded its "season" with all 11 episodes gradually released from 2014 to 2018, to heaps of industry awards and wide praise.

=== The Orville ===
A comedy drama sci-fi television series that began as a homage to Star Trek, created by and starring Seth MacFarlane of ''Family Guy'' infamy-- [[Skub|No wait, come back!]] The guy's a huge Trekkie and felt too many shows were up in their ass with grimdark, so he pitched his idea to the execs to make a loving comedic sendup of The Next Generation. Many of the executive producers and developers are notable industry Trekkies such as David Goodman (who wrote the ''Futurama'' Trek parody episode), or Trek alumni such as Brannon Braga. First airing in 2017, the series is about the strung-out not-Picard protagonist Captain Edward Mercer, played by MacFarlane himself, of the eponymous not-Enterprise spaceship "The Orville" ([https://en.wikipedia.org/wiki/Wright_brothers#Orville named after one of the Wright Brothers in a splash of genius]). His ex-wife Kelly is the first officer while the crew includes the not-T'Pol alien security officer Alara, gay beefy not-Worf alien Bortus, asshole not-Lore android Isaac, and John LaMarr and Gordon Malloy - an even more ridiculous parody of Harry Kim and Tom Paris. They explore the galaxy while dealing with personal problems and fighting various bad guys.

Season one started with a decent pilot about Ed and Kelly reconciling enough to work together, then had peaks and valleys to its final episode. Like Star Trek, there’s some commentary on real world issues, and while less preachy than ''Discovery'' on some subjects, it's just as bad or even worse on other subjects. The totally-not-Black-Mirror's-"Nosedive" episode "Majority Rule" had good commentary on social currency systems. The Season trod [[SJW|certain waters]] at times, such as the episode "About a Girl" being a surprisingly well done, Bortus-centered story about gender-fluid/sex-changing aliens... only for episode "Cupid's Dagger" to poke the hornet's nest when it revealed Kelly and Ed split because Kelly banged an alien whose seduction included pheromones (raising questions of consent, blame and date rape). Then, since it’s a Seth MacFarlane show, it has preachiness on atheism exceeding even Star Trek’s, with a quarter of Season 1 episodes all about beating the “Religion is Bad” drum - "If Stars Should Appear", "Mad Idolatry" and "Krill"; regarding the latter, the titular Krill are aliens and the only religious race in the setting, so ''of course'' they’re fanatical devotees of a dangerous religion (a monotheistic one teaching that [[The Culture#Other civilizations|all non-Krill are soulless abominations to be subjugated or destroyed]]). Between this and cues from villains like Nosferatu (all deliberate according to the devs) including a pallid reptilian look and being killed by UV sunlight, the Krill seemed set to be the show’s go-to bad guys. While there were teething problems with plots, the jokes were hit and miss and the preachiness could grate regardless of views, The Orville did well enough for a second season.

In the second season, Alara was written out of the show halfway through. The character's actress, Halston Sage, was rumoured to be dating Seth MacFarlane and given the apparent distance between them later, this may have indicated a breakup which led to her departure from the show. If the rumor was true, this likely factored into writing Alara out because [[Derp|dating a co-worker and subordinate 20 years younger than you almost never ends well]]. In any event, this change may come back to haunt them as she was one of the more well-received characters. In other events, Issac turns good at the last minute (becoming not-Data instead of not-Lore) and one episode has a plot hole where the Krill teacher Teleya - captured by Mercer and co. and imprisoned in Season 1 - comes back as part of a strike force targeting Ed with no explanation for her escape. Speaking of the Krill, they become the "lesser villains that need to team up with the good guys to fight worse villains" cliché, in a possible asspull given all the villainous setup they got in Season 1. The team up happens because the rest of Issac's robotic race, introduced this season and called the Kaylons, have gone [[Necrons|Full Skynet]] against organic life. The cast seems to be gelling better (rumoured friction between Seth and Halston aside), the writers have a better idea of what the show should be and the humour is now used in service of the stories. The criticized elements were watered down but still remain, and while the show is getting a third season, it was moved from TV to streaming service Hulu.

Ultimately, some commend The Orville as a breath of [[Noblebright|fresh air]] in an overly [[Grimdark|stagnant]] genre with good special effects and bouts of genius. Others denounce The Orville as derivative with sophomoric preachiness, clumsy pop-culture references and haphazard writing. Further criticisms include MacFarlane's stunt-casting of himself as the main character being the height of vanity and that his interactions with ex-wife character Kelly are uncomfortable to watch from the word "go." Some think both sides have a point. Trekkies are equally divided on the show; many Trekkies [[butthurt]] over Discovery endorse The Orville, a significant number of Discovery fans hate The Orville, and a small and overlooked group quietly enjoys both.

As always, stay tuned for how this turns out.

== Films ==
As a general rule, the even-numbered ones aren't complete shit.

* '''''Star Trek: The Motion Picture''''': AKA: The Slow Motion Picture, or the Motionless Picture. A giant space whatsit is flying towards Earth, the mostly-retired crew has to go figure out what's going on and stop it. Old school sci-fi geeks like the ideas, but terrible pace and interminable special effects that were clearly meant to capitalize on ''2001: A Space Odyssey'' while failing to understand what people like about that movie kill them dead for everyone else. Besides the uniform worn by Kirk, the uniforms also look like pajamas. So no wonder they were changed only a movie later. Features an entirely bald female alien who is [[What|so good at sex that she has to swear an oath not to get it on with the crew]]. Really. This is canon.
* '''''Star Trek II: The Wrath of Khan''''': As Kirk starts to feel his age, a one-off villain from the show makes a dramatic reapperance: [[Meme|KKKHHHAAAAAAAAAAAANNNN!!!!]] Widely considered the best of all the films, and the only one considered a straight up great film, no qualifiers. If you haven't seen it, see it. So good many later movies in the franchise just try to rip it off instead of finding their own identities. Interesting fact: due to time constraints, actors of Kirk and Khan weren't available at the same time. So the entire script was written so that Kirk and Khan never need to meet face-to-face. But you'd never notice if it weren't pointed out to you. Roddenberry screeched autistically and objected to some of the actions of his characters, including Kirk shooting a [[Enslavers|brain eating space parasite]] rather than "[[Noblebright|keeping it for study]]." The fact that his strongest objections came to the most [[win]] of the films says a great deal about his deprecating value to the franchise around the TNG era.
* '''''Star Trek III: The Search for Spock''''': Where is Spock? ''He's on Genesis.'' ALL AHEAD FULL! Not really bad, just mediocre and run of the mill compared to the superior films that surround it. It was also saddled with the misfortune of undoing some of the previous film's more-daring decisions, and having its only daring decision reversed a film later. If you had to say that any film broke the "odd numbers suck" rule, it would be this one.
* '''''Star Trek IV: The Voyage Home''''': The crew of the ''Enterprise'' travels back in time to save the whales. No, literally and unironically. Scott tries to talk to a computer through the mouse, Spock nerve-pinches a punk on a bus in San Francisco, and somehow it works, creating something perhaps not quite in the genre intended but a classic in sci-fi dramedy. ''The Voyage Home'' is a zany comedy romp beloved by the general public and fandom alike, leaving only the most intractable fanbois to bitch and moan. Nimoy directed this one but there was a contract stipulation that Shatner would get whatever Nimoy got, thus leading to...
* <del>'''''Star Trek V: The Final Frontier''''':</del> <s>The epitome of the "odd-numbered Star Trek films suck" rule.</s> {{BLAM|Lies! There is no}} '''''Star Trek V'''''{{BLAM|! It was not called}} '''''The Final Frontier'''''{{BLAM|! It was not directed by Kirk's egotistical actor and did not have a plot that could literally be summarized as "Kirk is betrayed by his incompetent crew, yet goes on to fight God and win!" The films mysteriously moved from four to six and ''we are all improved because of this!''}}
* '''''Star Trek VI: The Undiscovered Country''''': The Space Cold War ends amidst searing mystery and drama. The sendoff for the original cast, except Kirk who got a worse send-off a movie later. Gene Roddenberry watched it, hated it, and was going to seek legal advice but died a week later. And good riddance to that, because it's a pretty sweet political thriller if your hippie-panties don't get into a twist at the thought that the Federation isn't a perfect place full of perfect people.
* '''''Star Trek Generations''''': Malcolm McDowell blows up planets to get into a magic space ribbon to live forever, no it does not make any more sense in context. An already-weak story hamstrung by its obsession with being daring and unconventional rather than good. Also, Kirk dies on the bridge in the most face-palming manner possible.
* '''''Star Trek First Contact''''': The ''TNG'' crew face off with the Borg to ensure the future happens. Lots of action, a script that sparks with energy and snark, and some quite effective performances make this the only good ''TNG'' movie (we don't blame you TNG cast). It sadly is also the only appearance of the Defiant on screen, doing a pretty decent job of fighting the Borg before the Enterprise E saves the day of course. The Borg Queen was also introduced here before Voyager, ruining what could have been a good idea.
* '''''Star Trek Insurrection''''': If you thought the [[Avatar|Na'vi]] were a bunch of badly-written [[Mary Sue]]s, you ain't seen nothing yet! B-b-b-baby you ain't seen n-n-n-nothing yet! Also, Riker shaves his beard, and that's basically a war crime. Aged from terrible to forgettably bad thanks to that one scene of Picard and Data singing ''HMS Pinafore'' going memetic.
* '''''Star Trek Nemesis''''': The last stand of the ''TNG'' cast, ending not with a bang but a whimper. It also required amending the even=good/odd=bad rule to "''Galaxy Quest'' counts as a ''Star Trek'' film so this one is also odd."
* '''''Star Trek''''' (2009): Alternate timeline "reboot" (sideboot?) with the original crew, albeit with new younger actors. Timey-wimey shit happens and old prime timeline Spock (reprised by old Leonard Nemoy) is hurled back in time along with a bunch of Romulan assholes. The dickbag Romulans begin fucking shit up, slightly altering history in a way that ensures gratuitous lens flare. [[skub| Skubtastic]], but at least watchable, which is more than ''most'' odd-numbered films can muster. If you still even count it as odd, without the ''Galaxy Quest''-amendment.
* '''''Star Trek Into Darkness''''': Some [[edgy]] shit. The second of the alternate timeline ''Trek'' films. Terrorism, conspiracy and flapdoodle. Even more skubtastic, but generally considered worse than its predecessor, partially because (like ''Nemesis'') it tries to be a remake of ''The Wrath of Khan'' and having Kirk at his most punchable.
* '''''Star Trek Beyond''''': Controversial, but more in a question of whether it's decent or quite good. Lots of good character stuff and a decent story revolving around a race of mysterious space pirates trying to conquer a colony, but the action photography is poorly-lit shaky-cam horseshit and the sound work is awful. If it's the last "Kelvin Timeline" movie, as it seems it will be, at least it ended on a good note.

== Novels ==
Like most long time franchises ''Star Trek'' has a massive line of books. Unlike most they're basically just fanfics as nothing but the show and the movies is canon so the writers can do whatever they want. This changed after ''Nemesis'' since they might never have another show or movie in the "Prime" universe, so the writers got their shit together and wrote a group of books as a tight community very close to the shows. The relaunch novels are a continuation of the show they're about. Also there's the ''Titan'' book series which is about Riker and Troi getting their own ship, which happens to be staffed by every race in the Federation including living rocks, [[awesome|space dinosaurs]] that smell like [[meatbread|toast]] and a [[what|space cyborg ostrich]].

During yet another novel continuity (Star Trek: Destiny), the Borg go nuts and eat Pluto... yeah... and then they finally get sick of the Federation somehow managing to not get assimilated all the time, so they finally just send every last cube they have with orders to Exterminatus the absolute SHIT out of the entire Alpha Quadrant. Pretty much every important character from TNG, DS9, and Voyager has to team up to stop them, and even then the Federation still gets its shit kicked in and winds up having to rely on a vaguely ridiculous deus ex machina to win, and [[Grimdark|billions of people still die and dozens of planets are blown to shit]]. It was pretty insane.

Then all the Federation's main enemies get together to form an anti-Federation and start poking the bear, all the while telling their allies that they're somehow warmongering dicks, Section 31 gets its cover blown in a big way, and Riker gets promoted to Admiral. Also, a lot of the newer TNG novels have been devoted to following up on one-shot aliens from the show, like the guys that sent out the probe that made Barclay super-smart and those fish monks that were abducting crewmembers for experiments. Now that the Picard show is coming out, though, this will all presumably be chucked in the dustbin.

== Video Games ==
=== Star Trek Online ===
''Star Trek Online'' is the free-to-play online game built by Cryptic Studios and run by Perfect World. With an official license CBS, recurring characters voiced by various Trek alumni, and recently a license to include references to the reboot chronology (officially known as the "Kelvin Timeline"), it's the closest existing thing to an "official" continuation of the "Prime" timeline, and contains history and fluff extending nearly 40 years from the end of Star Trek: Nemesis.

Taking place in the 25th century (around the year 2409-2410), the Hobus supernova (the event that kicked Nero and Spock into the past during Star Trek 2009) has devastated the Romulans, and its near-collapse and fragmentation causes tensions between a resurgent Klingon Empire and the Federation. The tensions blow up into a war, with members of a new, nicer, breakaway Romulan Republic playing both sides in exchange for development aid.

The game contains deep cuts from all over Trek lore, and answers questions about what happened to various key characters, including Data (took over the Enterprise-E, then retired), the Enterprise (now an even bigger ship run by Andorian captain Shon), and the Voyager crew (it took Harry Kim 30 years to make Captain lol). Raises barely-shown, unnamed, and otherwise obscure races to new prominence as big bad foes, including the Iconians (ancient aliens with god complexes who mutated into energy beings, currently live in dyson spheres and were only defeated by predestination paradox), Tzenkethi (4-armed halo guys whose weak points are the FRONT of their shields), and Na'kuhl (the alien nazis from Enterprise as time-traveling terrorists who blame the Federation for a throwaway event that happened in TNG's beach episode).

Ostensibly free to play, but don't let that fool you... the ''not-so-micro''transactions are the only reason the lights stay on.

=== Starfleet Command ===

''Starfleet Command'' was a series real time space battle games by Interplay based on the much older tabletop game Star Fleet Battles. It came out in 1999 and was followed by several sequels and expansions. Gameplay was much like ''Battlefleet Gothic'', but with the player only controlling one ship. SFC remains Interplay's best selling game, topping even ''Baldur's Gate''.

=== Armada ===

A series of low effort RTS's churned out by Activision in 2000. Tried to take on both ''Homeworld'' and ''Age of Empires'', both of which have recently gotten HD remakes and ''Armada'' hasn't so that should tell you all you need to know. However, for one of the first 3D model space RTS's it was surprisingly easy to mod, resulting in many ship mod packs being made for it.

== Would you like to know more? ==
And oh Lordy, is there more...
*[http://en.memory-alpha.org/wiki/ Main Memory Alpha: A ''Star Trek'' wiki]
*[http://memory-beta.wikia.com/wiki/ Main Memory Beta: The flip-side of Memory Alpha for the less than official stuff]
*[http://sfdebris.com/ SF Debris: opinionated episode reviews, has some non ''Trek'' stuff as well]

[[Category: Television]]

Star Trek

2020-02-09T09:47:04Z

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[[File:Enterprise.jpg|thumb|500px|right|If you aren't already hearing the theme song you might not belong here.]]

{{Topquote|Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no man has gone before!|James T. Kirk, third captain of the starship USS Enterprise}}

'''''Star Trek''''' is a multimedia science-fiction series and one of the cornerstones of nerdy media properties, and one of the few to crossover into mainstream popularity (alongside ''[[Star Wars]]'', ''[[Doctor Who]]'' and a few others). It's also one of the longest-running science fiction franchises, as it began when the the first episode of The Original Series aired in 1966, and since then has had over 50 years of geek history spanning several generations. Needless to say, it's had a huge influence on all things sci-fi, and, by extension, [[/tg/]].

Originally, ''Star Trek'' was [[noblebright]] beyond noblebright and, in many ways, was the polar opposite of ''[[Warhammer 40,000|Warhammer 40K's]]'' [[grimdark]]. The more recent reboot films, however, have taken a much, ''much'' more grimdark tone, which is delightfully [[skub]]tastic.

== Games ==
There's been plenty of tabletop games and [[/v/|vidya gaems]] featuring ''Star Trek'' without being merchandising bullshit (see: themed ''[[Monopoly]]'' sets), including one of the earliest action multiplayer wargame: ''Netrek''.

*'''''Star Trek: Adventure Gaming in the Final Frontier''''' (1978) The very first Trek tabletop [[RPG]]. Written by, I shit you not, Michael Scott. Groggy (grokky?) as all hell, and due for an OSR.
* '''''[[Star Fleet Battles]] (SFB)''''' (1979-) The crunchiest starship combat game you're ever going to find outside of a computer. Based on the original series and not any of the later series, for licensing reasons. Takes some liberties with the setting, which (combined with the aforementioned licensing) is why "''Star Trek''" isn't actually in the title. It's had its own video game spinoff in the form of Starfleet Command. The series died when the last company owned by Interplay broke up in the early 2000s.
* '''''Star Trek: The Role Playing Game''''' (1982-1989) Made by [[FASA]], essentially ''[[Traveller]]''-lite, or a happier, shinier ''[[Rogue Trader]]''. Hasn't aged terribly well, what with having been made when the only canonical ''Star Trek'' materials to work with were the original and animated series, the first four films, and a couple of now non-canon novels. If you try to dust it off, expect tons of conflict with the rest of the show. Died as they were trying to update it for ''TNG'', because Paramount's corporate suits (surprise, surprise) had no idea what an RPG actually entailed and were worried about violence, and getting their cut, and... oh you know the drill by now. Welcome to the 80's.
* '''''Star Trek: Starship Tactical Combat Simulator''''' (1983) FASA designed this, so it feels like ''[[Battletech]]'' but not as good.
* '''''Prime Directive''''' (1993-2008) The most successful tabletop RPG line (but that's not saying much), it's actually still in print. Produced by Amarillo Design Bureau, so again no direct name-dropping of "''Star Trek''." Lasted as long as it did by constantly evolving, in Borg-like fashion, to adapt to the current zeitgeist. Has had 4 editions, with the second using [[GURPS]], the third using [[Wizards of the Coast|d20]], and the fourth [[d20 Modern]].
* '''''Star Trek [[Card_Game|CCG]]''''' (1994-2007, 2011-2014, 2013-2015, 2018-) There's been a few of these, most notably the games released by [[Decipher]], but never globally popular. They also suffered from game balance problems from fans wanting their fave character, but needing extra rules for their quirks. There's also the problem of putting numbers to character stats, such as one game that asserted that [[Heresy|Picard having about twice the integrity of a Klingon pig]]. Later versions are "deck-building" games to try to cash in on the popularity of ''[[Dominion]]'' and ''[[Thunderstone]]''. And now virtual CCGs are the order of the day.
* '''''Star Trek: The Next Generation Role Playing Game''''' (1998-1999) The next attempt, made by Last Unicorn Games. Won an award for best new game, which makes it a complete shame that no one has ever played it.
* '''''Star Trek Red Alert''''' (2000) A Diskwars game themed to ''Star Trek''.
* '''''Star Trek Roleplaying Game''''' (2002-2005) When [[Decipher]] had the CCG license, they decided, "What the hell, let's make an RPG, too." It, like so many of its predecessors, died unnoticed and unmourned.
* '''''Star Trek Online''''' (2010-) An [[MMORPG|MMO]]. Decent gameplay mechanics, especially starship combat. Storyline leaves something to be desired, especially when the ostensibly [[Noblebright|peaceful]] Federation trades shots at least once with every other faction in the galaxy.
* '''''Call To Arms: Star Trek''''' (2011) [[Mongoose_Publishing|Mongoose]]'s license for ''Babylon 5'' expired, so they collaborated with Amarillo Design Bureau (the ''Star Fleet Battles'' guys), re-themed the game to Star Trek along with improving the system to make it more nifty. Less micro-management than SFB, and ships get some cinematic feats.
* '''''Star Trek: Expeditions''''' (2011) Ignore the tie-ins to the movie, Reiner Knizia designed this. Explore the gameboard, flip over missions, try to have the proper crew to get victory points.
* '''''Star Trek: Fleet Captains''''' (2011) Tile flipping, exploring, and spaceships fighting over resources
* '''''Star Trek: Attack Wing''''' (2013-) [[WizKids]] license the flightpath system from [[Fantasy Flight Games]] and adds ''Star Trek'' to the mix, [[Skub]] ensues. The game has been consistently plagued with balance issues, to the point that the rules errata is more than ten times longer than the actual rules. The actual current rules for things like the Borg special movement and fighter squadrons are completely different than the rules as written.
* '''''Star Trek: Ascendancy''''' (2016-) 4X table top boardgame from GaleForce9. Most of the races are represented, though the base set only has the Federation, Klingons and Romulans. Andorians, Vulcans, Cardassians and Ferengi can be purchased as expansions. There is even a Borg expansion that turns the game semi-coop as everyone tries real hard not to be assimilated.
* '''''Star Trek Adventures''''' (2017-) The latest attempt at an RPG, by Modiphius, coming out soon to tentative praise. It also comes with a whole range of miniatures of the various crews from the show.

== So why should I care? ==
Because between them, these six TV series and their assorted spinoff movies, books, etc. can provide inspiration for any sci-fi game you could care to run. If you want light-hearted action, look at the sort of things that happened in ''TOS'' or ''DS9'' to get the crew into some dangerous situation. If you want a charismatic villain, look at Gul Dukat or the Borg Queen. If you want moral issues and debates, look at the shit that happened to Voyager and remove all the transparent deck-stacking and cheesy moralizing (or you could read any decent SF book/watch a ''Twilight Zone'' episode written in the previous 50 years, if you don't need your source material to be served at a 2nd grade level). Like [[Tolkien]] is to fantasy it's a prime gateway drug to science fiction and especially science fiction which is more than "action movie IN SPACE!"

Not to mention in any sci-fi RPG with remotely free-form rules you're likely to encounter ''Star Trek'' fanboys, so you might as well know what they're talking about. The unholy spawn of a Trekkie and a [[Furry]] is known as a [[Chakat]], and you should fear it.

At its best ''Star Trek'' is thoughtful, optimistic futurism with a positive human element and brings you to strange new worlds in the grand tradition of speculative fiction which is accessible to even the layman. At its worst ''Star Trek'' is arrogant, smug, hypocritical, preachy, dull, sloppy and prone to the strawman fallacy.

== Setting ==
Here's the Cliff's Notes on ''Star Trek''. A couple of general warnings; firstly, ''Star Trek'' likes to ''really'' take its "racial themes" bits just a little too far. Second, despite this, it's rare for an entire race to be completely irredeemable the way many fictional aliens are: there are heroic and sympathetic characters from nearly every race listed below, able to put more-positive spins on their racial themes. Thirdly, aside from very occasional appearances by [[H.P. Lovecraft|aliens who are so bizarre that humankind can barely comprehend them]], all of the aliens look like dudes with rubber masks on (because they are). In real life, this was because there was no budget for anything else, but in-universe it's been explained by some kind of [[Old Ones|Precursor]] race who seeded all of the planets with their broadly humanoid DNA, and every race evolved slightly differently from there. There isn't much [[fluff]] on what these precursors were like, and some of it was contradictory, and Gene Roddenberry didn't like the idea (although he still had to work with the rubber forehead stuff). The good news for fa/tg/uys who like [[homebrew]] is that this makes it fairly easy to write [[d20 system]] rules for all of the races - after all, most ''D&D'' races are just humans with rubber masks on...

=== A Composite Creation ===
This is a general note that one should consider: Star Trek was created in pretty much the opposite way as The Hobbit and The Lord of the Rings. Tolkien worked out a bunch of linguistic stuff and general history of Arda in his spare time, then decided to use that as the basis for some stories that he eventually gave to some publishers which in the end sold quite well.

Roddenberry by contrast pitched a very broad general idea (it's the future, things are good, we got guys some on a ship exploring space; a "wagon train to the stars") to the networks and eventually Lucy from "I love Lucy" took it up on it and had him work with a variety of writers and actors who added to this rough skeleton of an idea in a process that would continue on to this day.

This is not to knock either approach, but both have their advantages and disadvantages. In regards to Star Trek, a franchise which relies mostly on an episode of the week format that's been going on for more than half a century this means that the canon is a fucking mess. There were numerous people at the helm and many of them had often very different ideas about what should be done that were just thrown out to see what stuck, many of which were contradictory and some of which we'd frankly rather forget. In general fans and fluff writers have been spending a whole lot of time trying to straighten out things and much of the lore is basically a rough consensus of what people like and what fits in with it. Later series got more systematic about this, but there are still points of contention and a lot of flat out contradictions due to its scattershot nature.

=== Factions ===
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'''The Federation'''
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[[File:Federation_Ships.jpg|thumb|500px|left|Starfleet's ships of the Line (primary timeline)]]
Might as well talk about that main faction. The United Federation of Planets is what the [[Tau]] think they are. Its backstory is that in the distant future of the 1990s, [[God-Emperor of Mankind|übermensch]] [[Space Marines|created by genetic engineering]] began conquering the Earth. The [[Imperial Guard|normies]] fought back and won through sheer numbers, cryogenically freezing the Augments and kicking them out of Earth, but the damage and mass political unrest of World War III got half the planet nuked. This was why genetic engineering was banned. Fortunately, in 2063, a <s>drunken asshole</s> heroic visionary named Zefram Cochrane created humanity's first warp drive (though it functioned based on the principle that gravity bends space-time, and was therefore more akin to an Alcubierre drive than anything that's dependent on the [[Warp]]) and made first contact with the Vulcans. The Vulcans eventually helped humanity rebuild and overcome poverty, disease, war and hunger. With its Earthly problems solved, man turned to the stars and found out its three closest neighbors were [[Imperium of Man|racist xenophobic dicks trying to murder each other]]. Since any war between them would've swept up puny little Earth and gotten it glassed, humans decided to force their neighbors to sit down and talk things out. Incredibly, it worked, and the United Federation of Planets was born.

The Federation is a commie [[noblebright]] hippieland society with a strong democratic government ([[Mary Sue|pretty much Roddenberry's idea of utopia]]). As a result, Federation citizens work not because they have to, but because they want to. However, despite their advanced technology, transhumanism, that is intentionally making [[Space Marines|SPESS MEHREENS]] and mutants like the infamous antagonist Khan Noonien Singh, is illegal.

The Federation's Navy is almost always called Starfleet. It's a mix between a military, a coast guard and a space agency, and usually rates scientific research as a higher priority than defense. One of its quirks is that it doesn't subscribe to the "bigger is better" policy used in most [[Warhammer 40K|sci-fi]], and even by most of the other ''Star Trek factions''. If the Federation ''does'' make a large ship, it's because they want it to have a daycare, swimming pool and ice cream bar. If they want a warship, they'll take a little gunship half the size of a modern day destroyer and pack it with enough antimatter nukes and guns to exterminate a solar system. In some cases, especially when dealing with ships from several centuries into the future, the ship is bigger on the inside than on the outside [[Creed|allowing it to hide a vast array of powerful armaments, ''space-bending'' equipment, and even whole planetary landscapes]]. They can get away with this because they out-tech almost everyone else by a country mile. The reason for the series' infamous "technobabble" is that <s>even ''they'' don't know everything their tech can do!</s> their technology is always evolving, and they know it so well that they can often use it in ways that even the original in-show design schematics did not intend.

In theory, Starfleet follows a rule called the "Prime Directive", which says that you're not allowed to interfere with low-tech races ("low-tech" being defined as "not having invented the warp drive", since warp technology apparently follows naturally from the laws of physics) or else things like turning the locals into Nazis might happen. The Original Series talked about this rule all the time, and Captain Kirk threw it aside whenever there was a sexy alien babe in sight. From ''TNG'' onward, it tended to instead be brought up whenever a hack writer needed a reason for the heroes to ''not'' instantly resolve a given problem with their superior technology or a way of making our heroes look like assholes for following it rigidly (yes, we could save this species from extinction but that would be interfering with the cosmic plan!), though there were a few good episodes that took it seriously.

Some of the more important member races are:

'''Founding members:'''
* [[Humans]]: You know 'em, you love 'em. Comprise seemingly 90% of Starfleet for reasons in no way related to the cost of makeup/CGI.
* Vulcan: The Original [[Eldar|Space Elves]], very emotional, especially during "pon'farr" (see below), who followed the teachings of an enlightened sage and embraced logic and rationalism after their emotions nearly led to them [[Slaanesh|wiping themselves out]]. They are what the average race of fantasy elves think they are, except on ''Enterprise'' because the writers wanted to artificially inject tension into the show (some of that was retconned to be a Romulan plot). Occasionally enter a state called "pon'farr," where they need to either [[Dark Eldar| fuck something half to death]], kill it with the nearest sharp object, or die of a brain aneurysm to let out all that pent-up emotional tension. Fa/tg/uys may recognize this as the sensation they feel every time [[Games Workshop]] puts out a new army book. Pretty bro-tier overall.
* Andorians: Blue dudes with antennae and constant fits of passion, the polar opposite of Vulcans and their one time foes. Pretty much fa/tg/uys, right down to the romantic streak, in the technical sense. Also, they live underground on a diet of meatbread and rage. Most of what defined them happened in Enterprise as they rarely showed up in the TNG-era, and even then did so as set dressing, allegedly because one of the showrunners hated their antennae and banned anyone from using them.
* Tellarites: Space [[Dwarf|Dorfs]]; like insulting everyone and arguing a lot (no, really, petty insults are considered a polite gesture in Tellarite culture), mostly because the very first tellarite ever shown in the series got in an argument with Spock's dad and now it's their whole racial thing. “Sarek said something in a scene once that was meant to demonstrate that he was stand-offish and kinda rude, but we like Sarek so it's now the defining attribute of this species.” It's all in good fun you understand, your confidence in your ideas and actions should be sturdy enough to withstand honest assessment and critique.
'''Notable Additional Members:'''
* Betazoids: Invariably attractive humanoid aliens with telepathic powers. Half-betazoid, half-humans apparently only have "empathic" powers, so they are well-regarded by Starfleet captains for their ability to point out the obvious and fill out the tight bodygloves that make up the Starfleet uniform in a pleasing manner, especially since theirs seem to come in a custom cut for reasons entirely unrelated to Roddenberry's erection. Their homeworld is like dropping a really hippie college and Space Vegas into a blender. They were taken over during The Dominion war because Earth or Vulcan would be seen as bullshit due to their large post Borg attack defense fleets/ship yards. While the writers would have to actually add new characters for the Andorians and Tellarites(such as Ambassadors for a government in exile). So Betazoid took the hit to raise the stakes.
* Trill: Originally a one-off race introduced as a sapient parasite that possesses and controls a barely, or even unintelligent humanoid host, they were radically reworked in ''Deep Space Nine'', right down to losing their rubber foreheads in favor of spots. Now, the host is itself an intelligent humanoid, and some, but not all, of their kind are able to willingly merge with a symbiont (because someone can't spell) that allows them to access a mixture of the memories and personalities of all previous hosts, though in a way that, theoretically, enhances the host's personality rather than destroying it or subsuming it. Then, when they die, they can pass on the symbiont to another host, theoretically one they mentored. Also, because the makeup artist didn't want to ruin the leads' good looks on DS9, they went from having a rubber forehead to some spots.
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'''The Klingon Empire'''
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[[Image:Batleth.jpg|thumb|right|A Bat'Leth (sword of honor), one of several types of Klingon bladed weapons. Frequently mocked IRL for being a poorly designed weapon.]]
[[Commissar|''"It is a good day to die!"'']]

The Federation's main rival and (movie era and afterwards) the quintessential ''Star Trek'' race of lumpy foreheaded aliens. Originally they were a rough analogue to the Russians (though they took some elements from [[Communism|communist China]]) in a rough cold war allegory with the Federation (even though the Federation are as commie as they come, though admittedly much of that came around in the TNG era). Their defining feature was that they were militaristic and imperialistic while the Federation was scholarly and respected liberty. This gradually moved more and more into them becoming Imperial Japan/[[Vikings]] In SPESSS obsessed with honor, fighting and dying honorably in battle while worshiping at the altar of [[Sigmar|warrior Jesus]], even as they turned from the Federation's bitter enemies into that friend who's fun to be around when he's not getting into drunken bar fights. You see shades of it in during the movie era and it became more and more prominent through ''TNG'', culminating in ''DS9''. Do not make the mistake of thinking that Klingons are nothing more than barbaric savages however; with Worf being part of the crew, and with ''DS9'' dealing with Klingon politics an awful lot we can see Klingon society as it truly is. Even so they do often wander into self parody territory.

The Klingons, in their current iteration, are a feudal society ruled by a council made up of the most powerful families. Klingon society holds very little value on things such as currency and material gain (which results in the Klingon empire [https://www.youtube.com/watch?v=Q65l7RHUx2A having a very simplistic understanding of economics]), believing that anything you acquire without some form of blood, sweat and/or tears on your part is a pathetic and dishonorable way of going about things, much the same way many cultures used to hurl abuse at merchants and bankers. Another thing to keep in mind is that a Klingon's reputation is literally everything. This can be easily seen in the episode "The House Of Quark" where dying honorably can literally change the outcome of an entire noble house, later when the Grand Council is visibly disgusted at D'Ghor. No respectable Klingon uses ''money'' to defeat his opponents. And no respectable Klingon would be so eager to perform an execution of an unarmed Ferengi in what was supposed to be an honorable duel. Klingons are still capable of being cunning and crafty however, and having a high diplomacy score is viewed as honorable as they still have examples of cunning and clever heroes tricking boorish and stupid monsters.

[[Warhammer 40000|Klingons often carry swords into battle in an age of energy beam guns]]. In-universe, this is less suicidal than it sounds in the context of boarding actions and tight starship corridors. The Bat'leth is actually a rather shitty weapon. The Mek'leth is noted to be better in most situations. They use the same Disruptor weapons as the Romulans, and at one point used similar starship designs. While is explained as the result of a temporary and unholy alliance, given the eventual animosity between the two races, it was just an excuse to reuse props on a limited budget.

The Klingons are tied with the Vulcans and the Borg as being the most prominent and recognizable non-human species in Star Trek. Beloved of the Internet and the general public, to the point that there are published books like "A Klingon Christmas" in the world. The Klingons have their own constructed language. If you are ever worrying that you might not be a nerd, learning Klingon will solve that problem for you. Please note that this is in general considered by experts to be pathognomonic of [[Chris Chan|autism]]. You have not experienced Shakespeare until you hear it in the original Klingon.
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'''The Romulan Star Empire'''
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''"It's always chess with the Romulans"''

You know those [[Eldar|Vulcans]]? Well a few thousand years ago, as their planet was ravaged by war, some of them turned to intense emotional control and logic to tame their murderous passions, while most others left the planet altogether, founding a colony on the planet Romulus and dubbing themselves [[Dark Eldar|Romulans]]. Since said planet shares a name with a mythical figure known for founding [[Roman Empire|a city which built a vast empire]], and they had warp drive while those around them did not, you probably know that they turned to building an empire of their own. They hold the second place of prominence as immediate rivals to the Federation. Comically, they actually have better emotional control than the average Vulcan, since they gene-engineered most of their problems away years ago, and don't have to deal with the emotional blowback from pon'farr. The downside is that they lost some of their cousins' niftier powers, like mind reading and being able to transfer their soul into another person for safekeeping. Although Star Trek Online also revealed that their trip to Romulus was a terrible ordeal, and their gene-engineering was taking during that time resulting in them losing most emotions save for bitterness of being "forced out".

The difference between the Klingons and the Romulans is basically the difference between Gork and Mork, or Khorne and Tzeentch. Klingons will fight you up front with simple brute force. Romulans are sneakier guys, preferring to fight you when you're not looking with spies, cloaked ships and complex plots behind the scenes and playing the long game. There is a lot of political infighting among them, though where the Klingons would duel to the death Romulans would seek to discredit their rivals, have them die in unfortunate "accidents" or disappear. This difference has left both Romulans and Klingons with a big hate-boner for each other, to the Romulans the Klingons are crude brutish barbarians and to the Klingons the Romulans are a pack of scheming cowardly weaklings.

Like the Klingons, they served as a rough Cold War allegory. In this case, they were rough analogs to Communist China (as seen by 1960s Americans), a distant horde of inscrutable and potentially dangerous Orientals who generally were unseen and projecting vague menace, but when encountered face-to-face could pack quite a punch indeed: the first major Interstellar War that Star Trek Earth fought was with the Romulans, which was fought entirely in space with neither side ever seeing the other face to face. Afterwards they set up a 'Neutral Zone' between the Federation and the Romulan Empire that no one even tried to cross for a century. From the Original Series onward, they frequently squabble and bicker with the Federation, before joining forces with them to fight the Dominion in ''Deep Space Nine'' and having their government devastated in ''Nemesis''. Finally, Romulus itself got caught in a supernova as part of the Abramsverse's backstory. ''Picard'' has revealed that Starfleet was going to help evacuate Romulus before the nova hit, but then some rogue androids destroyed the shipyards that the rescue fleet was being built at, so the Federation shrugged, flipped the Romulans the bird, and let them get blown up. The surviving Romulans are now scattered across half the galaxy, and some of them have got hold of a Borg cube and are presumably up to some nefarious shit with it.
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'''The Ferengi Alliance'''
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[[Image:GW_Ferengi.jpg|thumb|left|A typical ferengi engaged in typical ferengi activities]]
''"A Ferengi without profit is no Ferengi at all."''-Eighteenth Rule of Acquisition

Introduced in ''TNG's'' early days as the villains for the series, and what [[/pol/]] thinks Jews are. Some Jewish people have actually complained about their being subliminally Jewish and thus anti-Semetic, specifically mentioning that they were moneyhungry, lascivious, and ugly, and their large ear lobes were stand-ins for the sterotypical Jewish nose ([https://www.washingtonpost.com/news/made-by-history/wp/2018/08/14/science-fictions-anti-semitism-problem/?noredirect=on more on that here, we're not shitting you]), based on an old medieval stereotype that was enforced to prevent them owning land or assets. The idea was to make a caricature of capitalism as a contrast with the techno-communist Federation. This might have worked if these were not [[FAIL|''TNG's'' early days]]. Instead they overshot the mark by a light year or so, on top of other bad decisions, and you got a race of short (Gene wanted to make an evil short race as big evil races were overplayed), big-eared, [[goblin]]-like losers about as threatening as a grumpy pug. Over the first and second seasons they tried to make these guys threatening, but they fell flat on their face every time. Eventually the writers just said "fuck it" and the Ferengi got demoted to comic relief species, and their status as terrible enemies was demoted to propaganda designed to scare the Federation while the Ferengi government tried to figure out what to make of a species that rejected the acquisition of wealth as a goal. The Ferengi had some good moments in the later seasons of ''TNG'', but most of the best stuff that fleshed them out came from ''DS9'', which had an [[awesome]] Ferengi bartender named Quark as a major character. For an idea of what the Ferengi might have been like if the writers had their shit together, look up the Druuge of [[Star Control|Star Control II]] or the Magog Cartel from Oddworld.

Ferengi religion is only hinted upon in ''DS9'', but what is seen implies a simplistic system based on financial success. Ferengi all follow a rulebook/canon known as the Rules of Acquisition, which can be described as Ayn Rand IN SPACE and condensed into the form of Confucius' Analects. There are 285 of these, each a short piece of advice on how to stay in the black. Examples include "Peace is good for business," "War is good for business," "Never have sex with the boss's daughter," and "Dignity and an empty sack is worth the sack." The first, and most important, of these is "Once you have their money, you never give it back." Sometimes, the Ferengi Randian spirituality extends into outright interpretations of the afterlife: according to some, the afterlife consists of the Divine Treasury and the Vault of Eternal Destitution, which are respectively analogous to Heaven and Hell. Entrance into one or the other depends on one's business ventures at the time of death; those that were turning a profit are allowed to enter the Divine Treasury, and the rest are damned to the Vault.

Ferengi government is ruled over by a Grand Nagus, a mix between a <s>pope</s>chief rabbi and a CEO, and he basically treats his civilization like some sort of company, with citizens regarded as workers. Directly below him is the Ferengi Commerce Authority, a [[what|quasi-religious]] organization dedicated to ensuring that correct business practices were followed and correct moral behavior was shown (including keeping the proles in line), although to the Ferengi, these are one and the same. The agents of the FCA are the Liquidators, who are essentially Inquisitors crossed with IRS auditors on steroids. Be afraid. Be very afraid.

Ferengi females have no rights and are mentioned as [[PROMOTIONS|not even being allowed to wear clothes]], which leads to [[That Guy|boorish behavior]] on the part of Ferengi towards just about any species. Of course, we see female Ferengi on the show who push that envelope, but it seems that overall "regressive" does not even begin to describe the gender relationships in their culture. Quark's mother, a social climber who marries the head of their government, begins pushing through a women's rights movement during DS9, which proves more successful as time goes on.
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'''The Borg Collective'''
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[[Image:Borg cube.jpg|300px|thumb|right|The Borg have assimilated and improved your [[d6|die]]. It always rolls six. Crap your pants, 'cause resistance is futile.]]
{{Topquote|We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture shall adapt to service us. Resistance is futile.|The Borg's opening hail. This is not a boast or a brag, it's them simply explaining you how things are going to go down.}}
{{Topquote|One other thing. You may encounter Enterprise crew members who've already been assimilated. Don't hesitate to fire. Believe me, you'll be doing them a favour.|Picard going full [[grimdark]].}}

The Ferengi were utter failures as serious villains, so they needed something to fill that gap. Thus they made the Borg, an aggressive [[Tyranid|hive-minded]] collective of hyper-adaptive, [[Necron|regenerating]] cyborgs that assimilates entire species into itself in its attempt to improve and evolve. Shit, that's like coming up with [[Warforged]] while trying to replace [[Kender]].

In many ways, the Borg are the truest dark reflection of the Federation, and despite their name, they're not Swedish. While the Feds want you to join their little club on your own, to "add your culture to the galactic community," the Prime Directive means they will ultimately accept you turning them down, even if you have shit they really want. The Borg say "fuck that" and just absorb you. While the Federation believes everyone should work together [[Tau|for the greater good]], they still have a very strong sense of individualism and a culture of personal accomplishment (unless your individual belief happens to run counter to the Federation's principles anyway, in which case you're just WRONG because the Federation is the best). The Borg pool all their minds together into a massive collective consciousness in the pursuit of group perfection, becoming an almost-literal personification of techno-capital. The Federation is all about beauty and tranquility and all that hippie stuff, and their tech is eco-friendly and dolphin-safe. Borg [[Tyranids|strip mine entire planets and drain entire oceans]] in the name of growth and efficiency.

Your standard Borg [[cube]] is a huge multi-kilometer [[Firaeveus Carron|metal box]] (yes, bigger than most [[Imperial Navy]] cruisers) able to go up against an entire Federation warfleet and win. That's right, one of their ships could threaten the entire Federation and [[Exterminatus]] Earth. When done right, [[Necron|they are a cold, calculating, nigh-unstoppable force, a threat to all life]] that wants to retain free and distinct personalities (although they will ignore a single person if not on an assimilation mission, as what they really want is to absorb whole civilizations). Apparently, in Picard's nightmare in ''First Contact'', the Borg assimilation process includes a surgical [[Grimdark|drill through the eye. While awake.]] Of all the stuff to come out of the TNG Era they are undoubtedly the most well recognized in mass pop culture.

Unfortunately the got a bad downgrade during ''Voyager'' (the Borg Queen blew up cubes full of tens of thousands of drones because a few of them have been severed from the Hive Mind), but even there they were frequently not to be messed with. One amusing thing to note for people that haven't watched ''TNG'': the Borg were actually only in six episodes (and three were breakaway drones) and one movie, yet they're arguably the franchise's most famous pure villains aside from Khan. Goes to show how good they were when written properly. Then in ''Voyager'' they get their shit completely pushed in when they discover a new race of extradimensional aliens which they label Species 8472, which were immune to being assimilated, and had to ask the Federation for help in dealing with them. [[Necron#Regarding_Fluff_Change_-_Sore_Butts_Everywhere.|Wait, this sounds familiar...]]
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'''The Cardassian Union'''
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Introduced in ''TNG'', they are third fiddle to the Klingons and the Romulans. If the Klingons are hypothetically-honorable techno-barbarian warriors and the Romulans are an empire of civilized and refined but sly and ruthless expansionists, the Cardassians are essentially scaly fascists re-enacting ''[[1984]]'' IN SPACE. Their trials announce the outcome at the beginning, and the defense attorney is executed if he wins. Also, THERE ARE FOUR LIGHTS!

Originally a race of peaceable, spiritual artists called the Hebitians (ironically not dissimilar to the Bajorans), modern Cardassia was born in hunger and desperation when their homeworld began to suffer simultaneous mass famine, pandemic, resource depletion, and ecological collapse. A military junta seized power, figuratively and literally auctioned off the soul of their culture through liquidating all the planet's art and religious artifacts into cold hard cash, and turned the Cardassians into the opportunistic imperialists they are today.

Despite being a whole lot weaker than the Federation, the Cardassians manage to hold their own, partly because what they lack in resources and raw power is made up for by a combination of intense cunning and high charisma stats. Compared to the equally deceptive Romulans, the Cardies are more likely to flash you a smile while tickling your ribs with a knife. They'll use any tool they can to gain the upper hand and while that often means unpleasant and terminal sessions in dark rooms, strip mined planets and the enslavement of entire species, they'll gladly become your bestest buddy if it would achieve their goals. Their intelligence service, the Obsidian Order, is also one of the most ruthlessly efficient organizations in the entire sector, managing to outscale the Romulan Tal Shiar when it comes to producing magnificent bastards and manipulating the politics of entire worlds to their advantage. Unlike the Romulans or the Klingons, they don't tolerate the sort of literal infighting that is rampant in both those states, that shit only serves to weaken '''GLORIOUS CARDASSIA''' and needs to be stamped out with ruthless efficiency. Exposing that someone who just happens to be your enemy as being a dangerous subversive is just a benefit, although this can result in both sides of a conflict shouting "For Cardassia!" as they charge each other. Sort of how Democrats and Republicans are both for America, yet oppose each other.

Cardassia has a very fluid hierarchical government, similar to the political realities of post-Stalin but pre-Collaspe Soviet Russia. Broadly speaking, there are three different facets of the government: the Central Command (which holds all the power) the Obsidian Order (who holds the least amount of power, but controls the most puppets) and the Detapa Council (similar to the [[High Lords of Terra]] and just as worthless). Cardassian society holds a very strict view of family, placing family just below the needs of the State.

The State holds a semi-divine mythical status in the eyes of its citizens, with it being viewed as impossible for the State to ever make mistakes. The ideal Cardassian life was one of complete loyalty and servitude to the State and family, with the "repetitive epic," detailing how generations of Cardassians go on to serve both in exactly the same way over and over seen as the height of their culture. The Cardassian government is assumed to be omniscient, omnipotent, and benevolent by pretty much every Cardassian, with all Cadassians gladly giving of themselves to the State. Such was this level of belief that when Picard was tortured by the Obsidian order, the torturer saw nothing wrong with bringing his daughter to work because he was working for the State, and therefore the torture of Picard could never be disturbing or wrong. That's why their trials announce their sentences at the beginning and execute the defense attorney if he wins; their "trials" are more excuses to show off the power and infallibility of the State to the masses than actually determine guilt or innocence.

As far as plot significant activities went, they had a war with the Federation a few years before ''TNG'' which ended in the creation of a Demilitarized Zone between the two powers and (significant to ''Deep Space Nine'') abandoning the previously occupied planet of Bajor they had exploited for resources. After a disastrous war with the Klingons and The Maquis led to a popular revolution and overthrow of the existing government, one leader seized power, declared himself absolute leader, and joined the Dominion towards the end of ''DS9'', which was some serious bad news for the ''DS9'' crew.
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'''The Bajoran Republic'''
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The Bajorans are a species native to the Planet Bajor. They were, until shortly before the events of ''Deep Space Nine'', under a brutal occupation by the Cardassians who strip mined their planet. They had a fighting resistance which veered in and out of being considered terrorists and all in all were often represented as Palestinians IN SPEHSS. After that, they got their independence, although they're thinking about joining the Federation. The Bajorans have one system and are technologically backwards; the Federation is technically breaking the Prime Directive by interacting with them, but as they've spent years under the oppression of a warp-capable species, they can probably handle it. Also ''DS9'' proves that ancient Bajorans managed to travel at warp speeds to Cardassia using solar sails and an enormous amount of luck, which technically makes them a warp-capable species. The only reason why they are significant in terms of the politics of ''Star Trek'' is that they have a wormhole near their planet, which has some timey-wimey aliens living it that they worship as gods, and serves as the only way to get to or from the Gamma Quadrant that won't take decades, making it strategically priceless. Hilariously, this was discovered almost immediately after the Cardassians ''thought'' they'd extracted everything of value from the Bajorans and peace'd out, certain that the system was no longer worth the PR hit they were taking from it, only to get burned by some harsh seller's remorse. Also, their species has the oldest civilization (roughly a half-million years) of any major ''Star Trek'' race, and the wormhole aliens have gifted them some cool shit, like the Orb of Time.

The big thing that makes the Bajorans unique is that they actually have a serious religion going on -the human race is depicted as mostly non-religious. They're also probably one of the most accurate depictions of any highly religious alien race in a sci-fi franchise, because they are divided between the majority who interpret their religion as [[Noblebright|peace and love]], and a small but loud minority of bastards who interpret it as [[Grimdark|condoning acts of terrorism]]. A blatant attempt to simulate Israelis for criticism, although that can apply to many religions nowadays.
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'''The Dominion'''
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A vast empire which exists on the other side of the galaxy in the Gamma Quadrant. The Dominion is ruled over by a species of liquid shapeshifters called The Founders.(aka Changlings aka Odo's people) They have at their disposal a military composed of two genetically engineered species that worship the Founders as gods: the short and articulate Vorta who serve as ambassadors, bureaucrats, and political commisars and the big brutal Jem'hadar, who are vat grown, drug addicted, cannon fodder. These oversee a large number of vassal races, including (as of later seasons of ''DS9'') the Cardassians.

The Founders were once (according to them anyway) a peaceful, kind civilization of explorers who wished to see the galaxy, explore strange new worlds, and seek out new forms of life. Unfortunately, they did this in the wrong neighborhood, and quickly ran into species who did not tolerate others. The fact that the Founders were shapeshifters capable of mimicking almost anyone did not help either. Paranoia, mutual mistrust, and some very bad things eventually led to the Founders deciding "fuck this" and moving their planet into a nebula so nobody would bother them. So more or less, a [[Grimdark|grimmer]], [[Grimdark|darker]], counterpart to the Federation, but with spookier Real Aliens.

The Founders are obsessed with order and are both extremely racist and xenophobic, and believe that all alien life is inherently untrustworthy and evil, and the best thing to do is conquer/enslave them before they do the same to them. They don't care about the rights of "Solids", and will happily ignore any sense of decency when convenient. This can be seen when The Dominion runs a simulation of the Dominion dominating the Alpha Quadrant. When O'Brien is assaulted by a Jem'Hadar and severely beaten to the point of needing emergency teleportation to medical (the crime being "disrespectful"), the Founders (disguised as Federation Officers) do not press charges, and when Sisko comes barging in demanding answers, dismiss him with little concern about their own soldiers brutalizing citizens. Their overall ideology could be thought of as Qin legalism IN SPACE: people are inherently evil and the only way to make a better world is to impose order upon them through brute force from a position of absolute, unquestioned power.

The Founders, when not wandering around in various forms, tend to spend their time in a massive ocean literally made up of countless billions of Founders, something which is referred to as the Great Link. According to the Founders, this allows them to share information with each other and come to peaceful decisions. This is rapidly proved to be bullshit; when a separated-at-birth one of their own merged into the Great Link to share his memories of the Federation as peaceful and tolerant space hippies, not only did the Founders ignore his memories, but actively fucked with his mind in an attempt to turn him into a sleeper agent. And even if it weren't, it shows their hypocrisy through their willingness to share freedom and liberty among themselves while depriving all their various slaves and conquered peoples of the same.

The Founders are massive dicks, even to their own people. Failure among Jem'Hadar is rewarded with slow and painful death from deprivation of the drug they're created to need and their lifespans are incredibly short. To be even bigger dicks, the Vorta have no sense of taste and can't appreciate beauty. Not to make them better diplomats, but because they were raised from a primitive stone-age ape tribe, and the Founders think they shouldn't be ever allowed to forget that. (On the plus side, they did give the Vorta an immunity to poison that would make [[Mortarion]] himself jealous. [https://youtu.be/rACCZaBcq1g?t=1m29s Observe.]) This may also stem from their own neuroses: the Founders themselves have almost no bodily needs at all and require no nourishment, so they design their slaves to be like them. Notably, Vorta tend to come in [[Paranoia|packs of clones; a new one is activated when an old one dies, and they retain some memories and personality between "lives,"]] further hammering home how expendable they are to their makers.

And both races are literally engineered to love their makers for what they have done to them and worship and revere them as gods.

Continuing from the Cardassian Union section because the fate of both powers are linked in DS9. After joining the The Dominion. Everything was going seemingly for them and their leader Gul Dukat. They figured out how to bring down the minefield block the wormhole created by the Starfleet crew of Deep Space Nine. (The Cardassians use its old name Terok Nor while in charge.)

However during the start of the sixth season the Founders learn that their not the only "gods" in the Galaxy. As the Sisko convinces the Bajoran Prophets to remove the Jem'Hadar reinforcements in transit. Forcing them to retreat back to Cardassian Space and Dukat's old friend Damar shoots Dukat's half Bajorion daughter Ziyal. This makes Dukat jump off the deep end as the sod loses his sanity and than goes full nutcase after his rehab transport is destroyed by the Jem Hadar, and ends up fighting an injured Benjamin Sisko after hide inside some caverns on a hell planet for a few days.

After escaping he allows one of the evil wormhole aliens to possess him, kills Jadzia Dax, forgives Damar for killing a family member. Creates a cult of Bajorions dedicated to the Pai-Wraths,than abandons the cult when Major Kira knocks over the suicide pill jar that mixes it in with his fake. Than has sex with an old woman and becomes a demi-god. Bent on buring the universe despite the fact that his own people suffered heavily under the rule of the Dominion. After getting a final bitch slap from the Sisko who gets to have a happy ending living with his god alien parents. At the same time teaching them not to be huge dicks. While Dukat himself is trapped in the Fire Caves on Bajor.

His old friend Damar despite murdering a half breed woman is a lot more sane. Lacking Dukat's crimisa, things get worse for him and the Cardassians under Dominion rule. Most of their victories are off screen such as taking over Betazed. One of the none few major non founding planets of the Federation. This forces the Sisko to bring the Romulans into the war to on the side of the Klingon-Federation alliance. With some underhanded methods from a former member of the Cassidian Obsidian Order(Elim Garak). I.e. blow up a Romulan Senator's shuttlecraft and tricking the pointy ears into thinking a damaged but fake datarod(an advanced form of SSD) was the real deal.

Thus the blame for his death will be switched from the Feds and pals are shifted to the Cardassians. By the final season this leads to the Dominion finding new best buds in the form of The Breen. Damar decides he has enough of the bullshit and in the ultimate irony realizes that the status of his people are now no different from the Cardassian occupied Bajor.

So after the Breen score the Domain a temporary victory over the Federation Alliance. Damar and his Cardi buds destroy a Dominion cloning facility while their backs are turned. Just so he can stick it to his "friend" the Vorta, Weyoun 8. Leaving them and the Klingons being the only thing stopping The Dominion from steamrolling over the Alpha Quadrant. As one Bird of Way(doesn't say if its the frigate sized B'rel or Light Cruiser sized K'vort class. Though DS9 almost always used the former) was immune to the Breen energy dampening weapon due to modding its warp core. Gowron, due to being a moron who did nothing to change course after his most trusted advisor(Martok) turned out to be a Founder and the first time the Jem Hadar kicked their asses during the Klingon-Cardassian War. Decides to take glory for himself and discredit General Martok(who now how his pre Dominion internment job). This goes as badly as your thinking. Forcing Worf(now a legitimate badass compared to his TNG days) to kill him and turning the role of Chancellor to Martok.

Meanwhile the Feds decided to help out Damar's resistance by sending him Colonel Kira(who now has the rank of a Starfleet Commander), Odo and Garak(Ziyal's former simi-boyfriend). The resistance eventually get their hands on one of the Breen Energy Dampeners. During some infighting Damar realizes that the restoring the old Cardassia is pointless. Killing one of his old friends. The Breen and Jem'hadar do eventually one up the resistance. But not before their brutality turns more Cardassian against them. So during the final space battle this makes the Cardi military switch sides.
Damar is killed during the final raid on the Dominion HQ. Focing Kira and Garak to lead the final push into the compound.
The War between the Alpha Quadrant Alliance and The Dominion is ends when Odo offers to share the cure to the disease created by Section 31(the Federation's answer to the Tal Shiar and Obsidian Order) which he passed after the Founders tricked him for into return to the Great Link. While also promising to join the Great Link.
It's harder to say who are the bigger dicks here. The Founders for having Wayoon 4 infect Odo to return and turned him into into a solid(who was restored because dying a Changeling baby merged with him a season later) for killing a Founder who hacked the Defiant and almost succeeded at starting a war in the Alpha Quadrant. Or Section 31 for making the disease in the first place.

With all their advanced technology. One would think the Founders would have discovered a cure before being handed one. But the bad guys being just as flawed as everyone else is a common theme in Star Trek. Even in Star Trek Online despiste Odo being the one in charge a few decades later. As their Ambassador to the Federation. The experiments of the Founders sketchy past cause them and everyone else huge headaches including the dishonorable mention of the revived True Way movement.(i.e. the guys who hated that fact that the civilian Detapa Council ran Cadassaia.)

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'''Species 8472 / Undine'''
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The one and only race in the galaxy even the Borg don't want to fuck with. Introduced in Voyager, Species 8472 are three-legged creatures that live in a space called Fluid Space. It's similar to the [[Eye of Terror]] for the fact that it connects to an alternate dimension and [[Khorne|everyone will be ripped apart upon entering.]]

When the Borg first came around to try and assimilate them they were completely obliterated in a war in which 4 million Borg were killed in the first few days at the cost of almost no members of Species 8472. This war was such a roflstomp that the Borg were forced to call on the Federation for help. [[Tau|The Federation being the better people swallowed their pride and decided to help their sworn enemies,]] [[Eldrad|but were dicks and sent only one ship.]]

Species 8472 fought with fast moving, small ships and devastating beam weapons so the small ship of the Federation could keep up with them and helped the Borg force the species back into Fluid Space. The Federation were the villains on this one. That said, they eventually came to an accord with Species 8472, preventing further wars between the denizens of Fluid Space, except in lots and lots of video games that want to use a fresh antagonist.

That and that in ''Star Trek Online'', [[Awesome|they look like the fucking Predator.]]
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===The Q===

The Q are a race of beings who have elevated themselves to the point where they are basically gods. Most of them do not interact directly with the younger races, who they tend to consider with disdain- if they consider them at all. However a few of them take a more enlightened view, and one in particular has been known to fuck with individual humans from time time. They are mostly a TNG thing, and even there they work mostly by grace of John de Lancie's acting chops as a counterpoint to the charisma of Patrick Stewart, as de Lancie played the ''character'' Q, an all-powerful epic [[troll]] (no, not the fantasy kind) who's occasionally [[Tzeentch]]ian games sometimes appeared to be for his own amusement and sometimes acted as education or event protection to the human race. Various subplots involving the Q ''species'' range from somewhat thought provoking to mildly entertaining to ridiculous and banal, but the classic episodes that highlighted the charisma and chemistry of the two actors were often quite excellent.

=== The Mirror Universe ===
Not so much of a faction as an alternate setting, this is a parallel universe in which [[Alternate History|things have gone differently]] in Earth's History. The main point of divergence appears to occur when the Vulcan scientists who landed at Bozeman, Montana in 2063 are not welcomed with alcohol and music but instead are killed and have their ship looted. It is equally clear that where the main universe is Noblebright the Mirror Universe is Grimdark. Instead of a peace loving Federation searching for knowledge and friendly cooperation for the betterment of all, Earth gave rise to the ''Terran Empire'' which seeks out new life and civilizations to conquer and enslave, as it had done with the Klingons. Pretty much it's the PG-13 version of the Imperium of Man with a bit more Grimderp. Junior officers get promoted by killing their superiors, those that fail at that get thrown in the agony booth for their troubles and Emperor gets the job by usurping the previous incumbent. In general everyone in the Mirror Universe is a selfish asshole version of themselves and following comic book logic the uniforms for the female characters are more revealing. Occasionally people can cross over from one universe to the next due to technobabble and cause mischief in either realm.

Originally it was a one off TOS setting for an episode of the week, but it was brought back in a few novels and some romps in Deep Space Nine in which [[Fail|the Terran Empire had fallen]]. In Enterprise's fourth season it got a two parter that was pretty good and would have been an annual thing if the show had been renewed, this one having little crossover with the main universe (a ship from TOS ended up in the Mirror Universe and is salvaged after all it's crew have died). We also went there in Discovery, for better or worse. Voyager never did the mirror universe, but instead got a homage episode with some alien historians in the far future getting the details wrong like historians tend to.

== The Star Trek Crew ==
Whether the focus of the show is exploration, manning a space station in an important locale or trying to get home, all Star Trek series have a basic set up of casting and focus: namely on a collection of people who are usually the senior most officers on the ship. If you decide to make a Star Trek inspired game take this into consideration.

* '''The Captain''': Big cheese. Makes the hard decisions. Needs to be able to talk, think or fight out of situations as needed. The third option fetishist finding the balance between empathy and reason. (Two least skubby examples: Kirk and Picard, but the skub will fly hard if you say one is better than the other, sufficed to say that people like both of them alot but for different reasons)
* '''The First Officer''': Second in command and trusted advisor. Added after the original series, where the role was combined with and split between two others. (Two least skubby examples: Riker and Kira)
* '''The Science Officer''': Got high Int stats. Can analyze the situation and work out solutions. The voice of reason. Almost never human. (Two least skubby examples: Data and Spock)
* '''The Engineer''': Hard working technically minded guy who gets shit done. (Two least skubby examples: Scotty and Geordi)
* '''The Doctor''': Ship's healer with a secondary scientific role. The voice of empathy, whether prickly or serene. (Two least skubby examples: Bones and the EMH Doctor)
* '''The Security Officer''': Rough and tumble no-nonsense sort whose job it is to keep these guys alive when diplomacy fails, which it often does. Often has to juggle providing ship's security with working the tactical station on the bridge in a crisis. (Two least skubby examples: Worf and Odo)
* '''The Helmsman''': Got mad spacecraft piloting skills, either full-sized starships, shuttles, or fighters. (Two least skubby examples: Sulu and Tom Paris)
* '''The Other Guy''': A crewmember whose role doesn't cleanly map onto other positions, a role often restricted to a single show. Example positions include communications officer, ship's councilor, transporter chief, and linguist. (Two Least skubby examples: Uhura and Troi)
* '''The Outsider''': Someone who is a passenger and regular cast member, but exists outside the organization, looking in and commenting. Usually works a side-job, like tailor, bartender, or cook. Either a beloved fan-favorite or utterly despised, there is no middle ground. (Two Least skubby examples: Guinan and Quark)

Some of these hats may be worn by more than one character, some may be worn by no one at all. This is especially true in the original series, which had a smaller cast overall, and which put less emphasis on an ensemble and more on the main trio of Kirk, Spock, and McCoy. The usual roles and character dynamics were instead set down by ''The Next Generation'', which later series generally copied.

== The Shows ==
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===''The Original Series''===
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Created in 1966 by legendary sci-fi [[spiritual liege]] and money-grubbing sexist lounge lizard Gene Roddenberry and pitched as a "Wagon Train to the stars", it's a pulpy adventure sci-fi, full of fistfights, sword fights, and hammy speeches. (The guns never work.)

The USS ''Enterprise'' is tasked by the Federation to go on a five year mission to explore space: the final frontier, to explore strange new worlds, to seek out new life and new civilizations and boldly go where no man has gone before, though due to budget constraints, her crew often finds that man has in fact gone there before. Or at least something that looks exactly like a man but is actually an [[Xenos|Alien]]; most episodes split the difference. James T. Kirk sleeps with [[Hot Chicks|hot alien babes]] who either die tragically or leave tearfully at the end of the episode, but it's 'k because he's too in love with the Enterprise to ever love a mere ''woman'' more. Mr. Spock and Dr. McCoy are cold and logical and rash and emotional respectively, and their constant friction must be resulting in the best make-up sex in the world, Mr. Sulu and Lieutenant Uhura wait in vain for focus episodes that never come, Ensign Chekhov suffers horribly to the approval of American Cold War audiences, and Scotty [[gets shit done]]. Uniforms, while iconic, tend to look a bit civilian though. Miniskirts are apparently mandated attire for the ship's fan-servicey female "yeomen" and others, because 1966. The civilian nature of the attire (including, one must assume, the miniskirts, but they had a visual appeal all their own) were apparently an intentional design decision by Roddenberry who didn't want uniforms to look military. Further specialness on the part of Roddenberry demanded phasers not look like guns, instead looking like nothing in particular at all (although looking back at them today they look sort of like TV remotes, which would be invented much later), and also (probably the only sensible decision in this category) ships that didn't look like rockets, giving ships their distinctive and iconic saucer-engineering-nacelles look that still stands out today.

The Original Series frequently ran out of budget and entire episodes were filmed using spare costumes belonging to the production company, resulting in a series of extremely goofy excuses to go to planets full of gangsters or [[Nazi]]s. This is often copied by shows who don't realize it was done out of pure expediency, and nowadays this [[TVTropes|"Planet of Hats"]] gimmick is practically a box to check off when doing sci-fi adventure. The lack of budget also resulted in one of the more memorable inventions; unable to budget for a sequence showing the ''Enterprise'' or a shuttle landing on a new planet every week, the writers instead decided to invent the transporter to "beam" the crew down to planets or between starships. Also worth noting: despite its mediocre critical reception, ratings and eventual cancellation, not to forget the uneven quality of many episodes, especially in the Roddenberry-less third season where poor Fred Freiberger had to come onto a show he didn't understand and try to get better ratings with less money, ''TOS'' had a hell of a cultural impact thanks to syndication and it has been said that since it entered syndication in 1969, there hasn't been a 24-hour period without some TV station, in some country, playing Star Trek. Cancellation of The Original Series is now considered one of the worst decisions in TV history, and while much of its silly 60's campiness is now laughable, it often still manages to teach relevant and important lessons today.

Fun fact: the ''Enterprise'' and each of her 11 sister ships have enough firepower to [[Exterminatus]] a planet by themselves, after getting issued an order called General Order 24. This however is likely a time-consuming task. According to a later DS9 episode, it takes a fleet of 20 warships 1 hour of sustained bombardment to destroy a planets crust and 5 hours of sustained bombardment to destroy a planet down to its mantle. These 20 ships were also in service 100 years after the Enterprise so they were also more powerful.
Kirk has the distinction of being the only known captain to issue a [[Exterminatus|General Order 24]], because a planet was ''too'' much into wargames (he changed his mind after they dropped wargaming).
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===''The Animated Series''===
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The often forgotten middle child. More or less "seasons 4-5" of ''TOS'' with the same writing staff and actors, sans poor Walter Koenig. He was replaced by a weird camel person. He learned this at a convention, from a fan, while he was trying to announce he'd be writing an episode, which Gene promptly demanded he rewrite over and over. Classy.

Being animated allowed the staff to get a lot more creative with the alien designs and plots, and the writing and acting remain... well, top notch is a stretch, but certainly at the same levels as ''The Original Series'', with the occasional low point. Not ''nearly'' as bad as you're probably picturing from the name, although still limited by the low budget and primitive, cheap animation techniques of the television era it was aired in. Notably some sci-fi novelists were brought in to write some episodes, such as Larry Niven, and at least one episode, "Yesteryear," is considered such a pivotal moment in Spock's development that even people who hate the series enough to consider it all non-canon often make an exception just for that one.

Also, since the series now has no excuse for throwing in lots of Space Puritans and Space Wizards, it of course continued to do so to derptastic results, because by this point it had become traditional. The presence of a straight-up [[furry]] on the bridge, however, is downright unacceptable.
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===''The Next Generation''===
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Here's where it starts getting a little deeper and a little darker, although with a lot of left-wing political subtext turned up to 11. The USS ''Enterprise-D'' (the original and C were destroyed in action while A and B were retired) is, like its predecessor, tasked with going where no-one has gone before, but this time around the problems are less likely to be solved in a single episode. Jean-Luc Picard is the captain and he plots and negotiates his way to victory; Mr. Data is cold and unemotional, though not by choice - as an android, he'd very much like to change that; Riker takes over the captain's "sleep with alien babes" duties since Picard is married to the job; Worf the Klingon gets beaten up by monsters to show how tough the monsters are, meaning that Worf winds up looking incredibly weak by the end of the show's run and doesn't regain his badassery until his run on ''DS9''; Dr. Beverly Crusher is good old Bones minus his temper; Dr. Pulaski is Bones ''plus'' temper; Counsellor Troy is so badly written she becomes a running joke; and Geordi LaForge [[gets shit done]]. Only two things need to be said about helmsman Wesley Crusher: he was [[Mary Sue|Gene Wesley Roddenberry's shitty self-insert fanfic character]], and his sueness got to the point that even his actor started to hate him within the first season of the show.

Due to the massive success of The Original Series in syndication (and Paramount being [[Rage|pissed off]] by broadcast networks treating their most valuable IP like any other show), TNG was aired through syndication from the beginning. Although the first two seasons were laughably bad, the quality began to improve dramatically after an increasingly cocaine-addled Gene Roddenberry got too sick to keep ruining it and his partner-in-crime Maurice Hurley was thrown out on his ass, a moment often pinpointed via looking for when [[Meme|Riker grew a beard.]] The later seasons are widely considered to represent the apex of the franchise's episodic formula on the small screen (although ''DS9'' gave it a run for its money with a more serialized approach); sadly, this series only got one good movie.
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===''Deep Space Nine''===
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Unlike all the other series so far, ''Deep Space Nine'' primarily takes place in a fixed location - the titular space station Deep Space Nine, out near the borders of Federation Space. Said space station is near Bajor, which was recently freed from Cardassian occupation, and a wormhole to the other side of the galaxy which allows [[Warp|all sorts of of crazy shit to go down]]. If the other shows are a wagon train, this one's a border fort.

Benjamin Sisko is the captain, declared Emissary by the nearby Bajorans for making contact with the wormhole aliens they worship, and he successfully hybridizes the blow-the-shit-out-of-whatever-you-can't-punch Kirk approach with the talk-in-a-very-dignified-way-about-the-philosophy-of-the-thing-and-win-by-rhetoric Picard maneuver, in his ultimately-successful quest to become the baddest motherfucker in space, then literally becomes a space god. Kira the Bajoran ex-<s>terrorist</s> <S>''noble freedom fighter''</s> (who are we kidding she calls herself a terrorist) struggles to free and rebuild her people while coming to terms with the moral ambiguities of situations she prefers to see in black-and-white, Dr. Bashir works to find his character for several seasons before becoming a highlight, Dax gets often written poorly and has to switch bodies doing it, Odo IS ''Liquid Space Cop'', Quark runs his bar and [[troll|heckles]] the Federation, Garak pretends to be a tailor while definitely not being a super-spy and dropping killer lines, and Miles O'Brien [[gets shit done]]. Also, Worf wanders in halfway through, and actually gets to punch things instead of just getting punched by them. It's also a lot more political than other series (though ''TNG'' and ''Voyager'' have their moments) and the last series to have Gene Roddenberry's involvement (with less enthusiasm, in fact often much to the benefit of this particular series thematically, although Roddenberry's complete departure did not necessarily bode well for the franchise in general.)

It's the [[Awesome|closest the canon series ever get]] to [[Grimdark]], especially when the Dominion show up. The show has aged remarkably well and the terrorist/freedom fighter debate was repeatedly explored in a very mature and honest way. ''DS9'' is the most serialized of all Trek shows and could be considered a forerunner to the golden age of television with its long story arcs and deep character development. Overall, ''DS9'' has to be considered the most consistently good Trek show thanks to the excellent writing and fantastic performances from a truly wonderful ensemble cast. At least until the final season, when the writers who made it good were pulled to try and fail to make good movies, heralding the failure that was ''Voyager''. The finale episodes were mostly okay and tied up the story semi-satisfyingly, though a few die-hard subplots fell flat.

It wasn't without its controversies however. The show was airing around the same time as another thematically similar sci-fi show, ''Babylon 5''. Not only that but characters also shared similarities, as did the episodes. Interestingly, beginning of both series, introduction of characters and airing of similar episodes were often too close to each other for one show to copy the other but this did not stop massive [[Rage]] and [[/v/|fanboy wars]] from starting between fans of the two series accusing one another of plagiarism and having an inferior product. Happily, as time went on and both shows evolved, these hurt feelings have mostly faded.

How good is ''Deep Space Nine''? Every Star Trek series and even the reboot movies have pretty much ripped off ideas and concepts established during the series. Famously, within the "Trekker/Trekie" fan community, there's a little cell of fans who like it better than most other ''Star Trek''; these fans are typically called "Niners."
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===''Voyager''===
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Star Trek: Voyager centers around the eponymous USS ''Voyager'', a smallish ship which gets teleported over to the other side of the galaxy. The plot of the series centers on the crew's efforts to get back home, which COULD have made for an excellent premise. Unfortunately, there were few lasting story arcs, with most episodes being fully self-contained (as well as being littered with far too many episodes featuring holodeck or transporter incidents). As a consequence, despite being completely isolated from the Federation, no matter how bad things got Voyager always appeared in the next episode without a scratch, fully supplied, and with all its shuttlecraft intact. Think ''Gilligan's Island'' on a starship.

Like ''TNG'' and ''DS9'' it's a character-driven drama just as often as it is a sci-fi adventure romp, although compared to TNG only a few of the characters are particularly memorable. The captain and arguable "main character" is Kathryn Janeway, a Katharine Hepburn lookalike (I see what you did there) who is stern without being cold, and principled without being inflexible. The fan favorite is a character called "The Doctor" ([[Doctor Who|No relation]]); he's the solid-light hologram representative of the ship's emergency medical computer, who has to take on actual medical duties when their chief medical officer was conveniently killed in the pilot episode. Other than this, Chakotay is a peace-loving and spiritually rich indian <s>freedom fighter</s> <s>terrorist</s> [[FAIL|who was written with the help of a special cherokee consultant so native his name was Jamake Highwater and it turned out later on that he was actually jewish and didn't know dick about native cultures so he made everything up resulting in Chakotay basically being a borderline racist caricature of what you think indians are like. Akoochimoya.]] Tom Paris is an annoying jerk and is counterbalanced by Harry Kim who is the ideal boy-scout, making him only half as annoying and twice as boring. B'elanna Torres tries to perpetuate a lineage of dudes getting shit done but ends up blankly reciting her technobabble, having second degree plasma burns and – worst of all – systematically fails to get shit done whenever the warp core goes nuts. Tuvok tries hard to be as cool as Spock but ends up being a lame version of the n°1 Vulcan who uses logic to justify everything and makes it short for "you are wrong, I am right because I said so." Kes is passed as a fragile and nice character but it takes a couple of episodes to realize that having a short lifespan does not change the facts: [[powergamer|when you can boil someone to death from the inside of their body, drain life from everything around you to become stronger and do anything you want without knowing how, just by thinking of it]], you are a goddamn Mary Sue. From the fourth season onwards the only character the writers seemed to care about are Seven of Nine, [[Mary Sue|a human woman who recently escaped from Borg control and kept all of her cyborg enhancements but regained her free will]]; another Mary Sue, to be sure, but she's [[Hot Chicks|hot]], and the other characters are much worse, so that's not really a bad thing. Fortunately, The Doctor still received a lot of attention from the writers and almost single-handedly made the show watchable. There was also Neelix, who was the apparent inspiration for Jar-Jar Binks, and any sane crew would have pushed him out of an airlock on the first episode. Fans who stuck with the show despite its glaring failings were given one final slap in the face with the <s>controversial</s> shit final season, in which the producers decided "screw steadily crafting a satisfying conclusion to a story which we have wasted for most of the last seven years anyway; lets just ignore it until the final episode and then throw in some shit about trans-warp conduits and time travel, bitches love time travel!" If you did not care about any of the characters or the subplots or time travel making sense (the writers sure didn't), then the final episode was explosions (and the Borg got a major setback, just don't think about the setup too hard).

The Doctor never once stopped being totally fucking awesome though (enough so to even earn a cameo in First Contact), and the great acting from the cast carries the series from being horrific to ''occasionally'' watchable. Just goes to show that no matter how good your actors are, they can't make diamonds out of shit.

Overall, most Star Trek fans view Voyager's legacy with a shrug and a "meh." Unfortunately, hopes that Voyager's successor would revitalize the franchise would soon prove to be overly optimistic.

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===''Enterprise''===
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From the minute the Nickelback-tier theme tune started, Enterprise attempted to take Star Trek in a new direction and was only partially successful in doing so. The series never quite caught its footing, although it still managed to have some enjoyable moments. It was most notable for providing a first-hand view of the key events that directly led to the formation of the Federation. The Federation's founding races were also featured heavily, with Andorians, Tellarites, and Vulcans all enjoying significant screen time alongside the human characters.

It's a prequel to the rest of the canon, taking place on the first ''Enterprise'', before the Federation was founded and during the period when Earth was still an independent power- so there's a lot of primitive versions of things from other series. At least the uniforms were pretty cool in an Air Force sort of way. Captained by <s>that guy from ''Quantum Leap''</s> Jonathan Archer, in hindsight the fact that they had to rename him from their original choice of Jeffrey Archer to avoid confusion with the disgraced British MP and author of the same name probably cursed the series with bad karma before it had even begun shooting. In an unusual twist for a ''Trek'' series, his first officer isn't a <s>terrorist</s> ''noble freedom fighter,'' however she does share a trait with her ''Voyager'' predecessor in that the actress who portrayed her frequently criticized the show's writers in interviews. Other than that, well, Hoshi Sato screams a lot, Travis Mayweather was so dull even the writers forgot he existed, the resident Vulcan T'Pol serves as both the Science Officer and source of sexy fanservice, Malcolm Reed has an accent, Dr Phlox is a weird creepy alien with weird creepy alien moral (and gets surprisingly interesting when given enough screentime, which hardly happened), and Trip also has an accent and [[gets shit done]].

Was retooled twice, the third season tries to be ''24'' IN SPACE (stop some guys the Xindi from blowing up Earth) while the 4th season is a massive apology about the last three seasons that tries to fix all the problems they had, and as a result, the only season that's close to being good.

Unfortunately, the poorly-received final episode is set on the holodeck of the Enterprise-D, which leaves us with the firm impression that the producers would have much rather have just continued making ''The Next Generation''. Considering the mediocre quality of the ''TNG'' movies we got instead, this probably would have worked out better for all involved (Or not since ''Voyager'' was that; its first episode was even numbered 901, as in Season 9 Episode 1).

Yet despite all this bad directing, subpar plots, and frankly boring episodes, ''Enterprise'' still manages to be moderately enjoyable with occasional moments of awesomeness if you can suffer through a fair few awful spots and aggressive mediocrity almost everywhere else. The focus on founding Federation races like the Andorans was refreshing and the technology level, being somewhere between the original series and the real world present-day, was quite interesting. We also got to see the Vulcans portrayed as arrogant, superior dicks. Which makes a lot more sense than the way they're usually portrayed as fairly submissive towards humans because they are, obviously and objectively, the superior race. The Klingons certainly still considered themselves to be honorable but the show made it clear that the Klingon notion of honor is rarely analogous to the human concept which was interesting as all hell to watch. There have been a few small nods to it in discovery and the abrams movies.

And let's be fucking honest, [[/tg/]] loves 40k and the Xindi arc was about as grimdark as shit gets. And that was awesome.

Also makes a neat pairing with ''Voyager'' in that they really mess with the Prime Directive and question the Federation.
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===''Discovery''===
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----
<s>A LOAD OF SOCIAL JUSTICE SHIT!</s> Ahem, let's start again, shall we?

A new "prequel" series set 10 years before ''The Original Series.'' Again. Run exclusively on CBS' paid streaming service (unless you live outside the US and Canada, in which case you can get it on Netflix) to try and drum up sign-ups and revenue, it features a mix of ''Enterprise'' and Abramstrek aesthetics despite supposedly taking place in parallel to the TOS "The Cage" pilot while [[what|having technology superior to late DS9]] and introducing [[dune|mushroom-based space travel]] that would imply [[retcon|all later events and warp travel would be outdated]]. The trailer has attracted a lot of concern over the fact that Klingons have been completely redesigned to look like slit-nosed ogres wearing ancient Egyptian cosplay, and rumors that the Klingons shown were [[Racial Holy War|primitives who had been trapped in stasis]] proved to be unfounded, so there is no excuse. Not having a cold war to posture about, the new villains are based off of Trump-inspired xenophobia by the admission of the authors. Also the lead character is Spock's human sister that he never mentioned before, aka the ''exact'' origin of the [[Mary Sue]] which is just fucking depressing. To further reinforce this, there are ''numerous'' examples of dialogue and exposition that serve only to show how the Mary Sue main character was right all along, usually in conjunction with the death of the character that had foolishly disagreed with her. Want a new Star Trek episode about racism and immigration? Try the now-banned [https://youtu.be/3VEZH8bqytA Star Trek Continues]. Want Star Trek with humor, keep an eye out for the upcoming [https://ew-com.cdn.ampproject.org/c/s/ew.com/tv/2018/10/25/star-trek-animated-comedy/amp/?fbclid=IwAR2WN6auDNm5YiunYhaqiu7vt9f-P08AuUjMpLA5LlpUgvTm9_xloJNRYb0 Star Trek: Lower Decks]; want a pseudo-Star Trek show about other modern issues? Try ''The Orville'' below; that's right, American Dad In Space may right now be a better Star Trek than an actual Star Trek series.

Initial reviews have been... well, it's shit. The writing is overly convoluted, the massive injection of grimdark into pre-TOS continuity is anathema to the hardcore fans (the ''human'' characters are often the ones doing the nastiest shit, including [[Marines Malevolent|trying to kill a Klingon party by planting an explosive on the corpse of one of their comrades for when they came to collect the dead]]) and the Klingons are so flat and devoid of characterization that they might as well be Larry the Cable Guy lookalikes wearing Trump hats. This is a massive disappointment for a series that promised to put a spotlight on Klingon culture but ended up retconning all the characterization that happened in TNG and DS9. It ''may'' get better with time (remember that it took two seasons for TNG to get really good) but given the release schedule (split between 2017 and 2018 with a long break) it may come too late for the fanbase to care. Currently it's cause for more fans to lose their shit over whether it's better or worse than the Abrams movies, which is a new record of [[Skub|Trek Skub]]. Releasing the show on CBS All Access instead of cable or broadcast TV makes it seem that executives don't really give a shit if the show succeeds or fails, bringing up the question of [[Bioware|whether they're deliberately putting Star Trek: Discovery in a no-win scenario where, no matter what happens, the executives have an excuse to cancel Star Trek altogether]].

Another stupid decision was not shelling out the cash to bring back Bruce Greenwood and Zachary Quinto as Captain Pike and Spock, respectively. Their ages wouldn't have mattered either if CBS and Paramount weren't too cheap to use the anti-aging CGI tech that is so commonplace these days. That being said, Anson Mount's portrayal of Captain Pike was a revelation that was BY FAR the most well-received aspect of Season 2.

There were also allegations that large chunks of the plot were stolen from previews of an in-development indie game (the unreleased 2014 game featured giant Tardigrades that had the ability to use an interstellar network to travel anywhere they wanted to- sound familiar?).

While Season 2 had some watchable moments, it was still middling at best, and nobody is ''ever'' going to let this series live down the garbage fire that was Season 1.
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===''Picard''===
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Set to be a continuation of the original timeline, featuring old man Picard with Patrick Stewart reprising the role. Hopes are not high, but at the very least Patrick Stewart's presence should make it watchable if nothing else.

The story so far: Picard ragequit Starfleet after they sat back and let the Romulans get blown up by the supernova mentioned in the first Abrams movie. This happened because some rogue androids orbitally bombarded Mars and blew up the rescue fleet that was being built there, so the Federation has banned all R&D on synthetic lifeforms. Picard has been living in his family chateau ever since, making wine and hanging out with his dog and his Romulan housekeepers. Then a scared girl named Dahj turns up on his doorstep, and it turns out she's a highly advanced biological android constructed from the surviving bits of Data's positronic brain. Before Picard can really figure out what to do about her, she gets killed by some Romulan assholes, but it turns it that's okay because she has a twin "sister" who is working with some other Romulans on a derelict Borg cube. Picard decides it's time to saddle up and go be a hero again. Stay tuned.

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== Homages ==
Being such a long-running franchise with a wide audience, Star Trek has gained enough pop-culture recognition that it is often referenced in other works. In a few cases entire projects are made to pay homage Star Trek. Here are some examples.

=== Galaxy Quest ===
A sci-fi/comedy film released in 1999, directed by Dean Parisot. It parodies science fiction films and series in general, but particularly ''Star Trek'' and its fandom. The film stars big name actors including Tim Allen, Sigourney Weaver and the late great Alan Rickman. The plot revolves around the cast of a defunct cult television series called Galaxy Quest (for example, Tim Allen played the Kirk/Shatner expy and the late Alan Rickman played the Spock/Nimoy expy). They're also suffering fatigue that mirrors the experiences of the actual Star Trek actors (Rickman's character is typecast with his Galaxy Quest character and laments it, similar to how these things happened to the late Leonard Nimoy).

The cast are suddenly visited by actual aliens, the Thermians, who believe the series to be an accurate documentary (they have no concept of fiction and only the most bare bones idea of lying) and seek their help. The Thermians take the actors with them, who find themselves involved in a very real, and dangerous, intergalactic conflict, and unlike the show where it all wrapped up quickly they struggle to learn about and relate to the aliens. Spoiler; in a witty nod to the "rubber forehead aliens" so common in Star Trek, the Thermians look like humans with makeup, but that's just an advanced disguise device and the Thermian's true forms are squid-like. Can these actors find greatness within themselves, and possibly personal redemption? (Spoiler: yes, and it is incredible.)

Built around the basic premise of "What if the cast of ''Star Trek'' ended up on a real spaceship and had to actually do the shit they did in the show?" Featuring a veritable all-star cast of talented comedians and character actors, this is one of the best parodies ever made, and an affectionate love-letter to the franchise as a whole.

===Star Wreck: In the Pirkinning===
Another parody, parodying not only ''Star Trek'' but ''Babylon 5'' as well. The seventh in a series fan movies released in 2005, it's about Captain Pirk builds a starship called CPP ''Kickstart'', allies with Russia and takes over the world. He wants to take over more planets but the ships of his P-Fleet aren't fast enough to travel outside the Solar system. A maggot hole opens and it leads to an alternate reality. Pirk wants to take over the Earth of this reality, which leads to an [[awesome]] space battle between the P-Fleet and the fleet of the space station Babel 13 led by Johnny Sherrypie. The movie features some of the best special effects ever put in a sci-fi movie, which is pretty impressive, considering that this is an amateur film with a very low budget and was rendered in five years in someone's bedroom. The film is spoken in Finnish but subtitles are available for a wide variety of languages, including Klingon. They also made [https://web.archive.org/web/20070828010927/http://rpg.starwreck.com/ a role-playing game based on it], where your character [[Truenamer|becomes more incompetent]] [[Page 42|as he levels up]].

===Star Trek: Renegades===
Kickstarter Trek. The makers submitted their made-for-TV movie pilot to CBS in an attempt to get it made into a legit on-the-air series (and by god it shows), but they were not successful. As a result, while the project limped along for a few years afterward, it has good and bad in equal measure. As a non-official product it also cannot be considered canon. Some characters are actually interesting (about time we saw more of the Breen!) while others are pure Mary Sues (including a male Seven of Nine with a built-in Borg-gun/personal shield/fully-functional hand). Some of the ideas are interesting while others are boring or already-been-done. The CGI is all Hollywood-quality, but the practical effects are okay at best.
It's obvious that they made this without knowing that they were going to be able to make a TV show or not, and tried to cram the sort of build-up and intrigue we saw in DS9 into a span of 90 minutes. For now though, it's decidedly meh, and probably a dead project as well since it hasn't been mentioned on the maker's website in over a year as of late 2019.

===Star Trek Continues===
Of all the offerings listed here, Star Trek Continues is BY FAR the closest in theme and tone to the original 1960's series. Indeed, this is the whole point: from its inception, this fan-funded project was intended to represent a what-if "4th Season" of the Original Series, ending with the conclusion of the Enterprise's 5-year mission. It is surprisingly and at times ''delightfully'' watchable, with strong stories, consequences and arcs that carry over to later episodes, tons of attention to detail, unexpected cameos, and a cast that really came together, particularly in later episodes. It also delicately navigated a line between viewing female characters through the lens of a show that was rooted in 1960's culture while also not treating them as weak children dependent on men for protection. Star Trek Continues successfully concluded its "season" with all 11 episodes gradually released from 2014 to 2018.

The show received heaps of industry awards and wide praise. Unfortunately, this success was somewhat marred by subsequent allegations of sexual misconduct against the lead actor, Vic Mignogna (also known for his work in anime), by accusers who never bothered to report it for eight years and still claimed to be his friends for those eight years afterward despite what they claim he did to them and have tried to avoid involving the proper authorities - such as the police and the courts - despite trying to frame Vic as a sex offender. In fact the first time the legal system was involved in the situation was Vic suing his accusers for defamation and unfair dismissal.

=== The Orville ===
A comedy drama sci-fi television series that began as a homage to Star Trek, created by and starring Seth MacFarlane of ''Family Guy'' infamy-- [[Skub|No wait, come back!]] The guy's a huge Trekkie and felt too many shows were up in their ass with grimdark, so he pitched his idea to the execs to make a loving comedic sendup of The Next Generation. Many of the executive producers and developers are notable industry Trekkies such as David Goodman (who wrote the ''Futurama'' Trek parody episode), or Trek alumni such as Brannon Braga. First airing in 2017, the series is about the strung-out not-Picard protagonist Captain Edward Mercer, played by MacFarlane himself, of the eponymous not-Enterprise spaceship "The Orville" ([https://en.wikipedia.org/wiki/Wright_brothers#Orville named after one of the Wright Brothers in a splash of genius]). His ex-wife Kelly is the first officer while the crew includes the not-T'Pol alien security officer Alara, gay beefy not-Worf alien Bortus, asshole not-Lore android Isaac, and John LaMarr and Gordon Malloy - an even more ridiculous parody of Harry Kim and Tom Paris. They explore the galaxy while dealing with personal problems and fighting various bad guys.

Season one started with a decent pilot about Ed and Kelly reconciling enough to work together, then had peaks and valleys to its final episode. Like Star Trek, there’s some commentary on real world issues, and while less preachy than ''Discovery'' on some subjects, it's just as bad or even worse on other subjects. The totally-not-Black-Mirror's-"Nosedive" episode "Majority Rule" had good commentary on social currency systems. The Season trod [[SJW|certain waters]] at times, such as the episode "About a Girl" being a surprisingly well done, Bortus-centered story about gender-fluid/sex-changing aliens... only for episode "Cupid's Dagger" to poke the hornet's nest when it revealed Kelly and Ed split because Kelly banged an alien whose seduction included pheromones (raising questions of consent, blame and date rape). Then, since it’s a Seth MacFarlane show, it has preachiness on atheism exceeding even Star Trek’s, with a quarter of Season 1 episodes all about beating the “Religion is Bad” drum - "If Stars Should Appear", "Mad Idolatry" and "Krill"; regarding the latter, the titular Krill are aliens and the only religious race in the setting, so ''of course'' they’re fanatical devotees of a dangerous religion (a monotheistic one teaching that [[The Culture#Other civilizations|all non-Krill are soulless abominations to be subjugated or destroyed]]). Between this and cues from villains like Nosferatu (all deliberate according to the devs) including a pallid reptilian look and being killed by UV sunlight, the Krill seemed set to be the show’s go-to bad guys. While there were teething problems with plots, the jokes were hit and miss and the preachiness could grate regardless of views, The Orville did well enough for a second season.

In the second season, Alara was written out of the show halfway through. The character's actress, Halston Sage, was rumoured to be dating Seth MacFarlane and given the apparent distance between them later, this may have indicated a breakup which led to her departure from the show. If the rumor was true, this likely factored into writing Alara out because [[Derp|dating a co-worker and subordinate 20 years younger than you almost never ends well]]. In any event, this change may come back to haunt them as she was one of the more well-received characters. In other events, Issac turns good at the last minute (becoming not-Data instead of not-Lore) and one episode has a plot hole where the Krill teacher Teleya - captured by Mercer and co. and imprisoned in Season 1 - comes back as part of a strike force targeting Ed with no explanation for her escape. Speaking of the Krill, they become the "lesser villains that need to team up with the good guys to fight worse villains" cliché, in a possible asspull given all the villainous setup they got in Season 1. The team up happens because the rest of Issac's robotic race, introduced this season and called the Kaylons, have gone [[Necrons|Full Skynet]] against organic life. The cast seems to be gelling better (rumoured friction between Seth and Halston aside), the writers have a better idea of what the show should be and the humour is now used in service of the stories. The criticized elements were watered down but still remain, and while the show is getting a third season, it was moved from TV to streaming service Hulu.

Ultimately, some commend The Orville as a breath of [[Noblebright|fresh air]] in an overly [[Grimdark|stagnant]] genre with good special effects and bouts of genius. Others denounce The Orville as derivative with sophomoric preachiness, clumsy pop-culture references and haphazard writing. Further criticisms include MacFarlane's stunt-casting of himself as the main character being the height of vanity and that his interactions with ex-wife character Kelly are uncomfortable to watch from the word "go." Some think both sides have a point. Trekkies are equally divided on the show; many Trekkies [[butthurt]] over Discovery endorse The Orville, a significant number of Discovery fans hate The Orville, and a small and overlooked group quietly enjoys both.

As always, stay tuned for how this turns out.

== Films ==
As a general rule, the even-numbered ones aren't complete shit.

* '''''Star Trek: The Motion Picture''''': AKA: The Slow Motion Picture, or the Motionless Picture. A giant space whatsit is flying towards Earth, the mostly-retired crew has to go figure out what's going on and stop it. Old school sci-fi geeks like the ideas, but terrible pace and interminable special effects that were clearly meant to capitalize on ''2001: A Space Odyssey'' while failing to understand what people like about that movie kill them dead for everyone else. Besides the uniform worn by Kirk, the uniforms also look like pajamas. So no wonder they were changed only a movie later. Features an entirely bald female alien who is [[What|so good at sex that she has to swear an oath not to get it on with the crew]]. Really. This is canon.
* '''''Star Trek II: The Wrath of Khan''''': As Kirk starts to feel his age, a one-off villain from the show makes a dramatic reapperance: [[Meme|KKKHHHAAAAAAAAAAAANNNN!!!!]] Widely considered the best of all the films, and the only one considered a straight up great film, no qualifiers. If you haven't seen it, see it. So good many later movies in the franchise just try to rip it off instead of finding their own identities. Interesting fact: due to time constraints, actors of Kirk and Khan weren't available at the same time. So the entire script was written so that Kirk and Khan never need to meet face-to-face. But you'd never notice if it weren't pointed out to you. Roddenberry screeched autistically and objected to some of the actions of his characters, including Kirk shooting a [[Enslavers|brain eating space parasite]] rather than "[[Noblebright|keeping it for study]]." The fact that his strongest objections came to the most [[win]] of the films says a great deal about his deprecating value to the franchise around the TNG era.
* '''''Star Trek III: The Search for Spock''''': Where is Spock? ''He's on Genesis.'' ALL AHEAD FULL! Not really bad, just mediocre and run of the mill compared to the superior films that surround it. It was also saddled with the misfortune of undoing some of the previous film's more-daring decisions, and having its only daring decision reversed a film later. If you had to say that any film broke the "odd numbers suck" rule, it would be this one.
* '''''Star Trek IV: The Voyage Home''''': The crew of the ''Enterprise'' travels back in time to save the whales. No, literally and unironically. Scott tries to talk to a computer through the mouse, Spock nerve-pinches a punk on a bus in San Francisco, and somehow it works, creating something perhaps not quite in the genre intended but a classic in sci-fi dramedy. ''The Voyage Home'' is a zany comedy romp beloved by the general public and fandom alike, leaving only the most intractable fanbois to bitch and moan. Nimoy directed this one but there was a contract stipulation that Shatner would get whatever Nimoy got, thus leading to...
* <del>'''''Star Trek V: The Final Frontier''''':</del> <s>The epitome of the "odd-numbered Star Trek films suck" rule.</s> {{BLAM|Lies! There is no}} '''''Star Trek V'''''{{BLAM|! It was not called}} '''''The Final Frontier'''''{{BLAM|! It was not directed by Kirk's egotistical actor and did not have a plot that could literally be summarized as "Kirk is betrayed by his incompetent crew, yet goes on to fight God and win!" The films mysteriously moved from four to six and ''we are all improved because of this!''}}
* '''''Star Trek VI: The Undiscovered Country''''': The Space Cold War ends amidst searing mystery and drama. The sendoff for the original cast, except Kirk who got a worse send-off a movie later. Gene Roddenberry watched it, hated it, and was going to seek legal advice but died a week later. And good riddance to that, because it's a pretty sweet political thriller if your hippie-panties don't get into a twist at the thought that the Federation isn't a perfect place full of perfect people.
* '''''Star Trek Generations''''': Malcolm McDowell blows up planets to get into a magic space ribbon to live forever, no it does not make any more sense in context. An already-weak story hamstrung by its obsession with being daring and unconventional rather than good. Also, Kirk dies on the bridge in the most face-palming manner possible.
* '''''Star Trek First Contact''''': The ''TNG'' crew face off with the Borg to ensure the future happens. Lots of action, a script that sparks with energy and snark, and some quite effective performances make this the only good ''TNG'' movie (we don't blame you TNG cast). It sadly is also the only appearance of the Defiant on screen, doing a pretty decent job of fighting the Borg before the Enterprise E saves the day of course. The Borg Queen was also introduced here before Voyager, ruining what could have been a good idea.
* '''''Star Trek Insurrection''''': If you thought the [[Avatar|Na'vi]] were a bunch of badly-written [[Mary Sue]]s, you ain't seen nothing yet! B-b-b-baby you ain't seen n-n-n-nothing yet! Also, Riker shaves his beard, and that's basically a war crime. Aged from terrible to forgettably bad thanks to that one scene of Picard and Data singing ''HMS Pinafore'' going memetic.
* '''''Star Trek Nemesis''''': The last stand of the ''TNG'' cast, ending not with a bang but a whimper. It also required amending the even=good/odd=bad rule to "''Galaxy Quest'' counts as a ''Star Trek'' film so this one is also odd."
* '''''Star Trek''''' (2009): Alternate timeline "reboot" (sideboot?) with the original crew, albeit with new younger actors. Timey-wimey shit happens and old prime timeline Spock (reprised by old Leonard Nemoy) is hurled back in time along with a bunch of Romulan assholes. The dickbag Romulans begin fucking shit up, slightly altering history in a way that ensures gratuitous lens flare. [[skub| Skubtastic]], but at least watchable, which is more than ''most'' odd-numbered films can muster. If you still even count it as odd, without the ''Galaxy Quest''-amendment.
* '''''Star Trek Into Darkness''''': Some [[edgy]] shit. The second of the alternate timeline ''Trek'' films. Terrorism, conspiracy and flapdoodle. Even more skubtastic, but generally considered worse than its predecessor, partially because (like ''Nemesis'') it tries to be a remake of ''The Wrath of Khan'' and having Kirk at his most punchable.
* '''''Star Trek Beyond''''': Controversial, but more in a question of whether it's decent or quite good. Lots of good character stuff and a decent story revolving around a race of mysterious space pirates trying to conquer a colony, but the action photography is poorly-lit shaky-cam horseshit and the sound work is awful. If it's the last "Kelvin Timeline" movie, as it seems it will be, at least it ended on a good note.

== Novels ==
Like most long time franchises ''Star Trek'' has a massive line of books. Unlike most they're basically just fanfics as nothing but the show and the movies is canon so the writers can do whatever they want. This changed after ''Nemesis'' since they might never have another show or movie in the "Prime" universe, so the writers got their shit together and wrote a group of books as a tight community very close to the shows. The relaunch novels are a continuation of the show they're about. Also there's the ''Titan'' book series which is about Riker and Troi getting their own ship, which happens to be staffed by every race in the Federation including living rocks, [[awesome|space dinosaurs]] that smell like [[meatbread|toast]] and a [[what|space cyborg ostrich]].

During yet another novel continuity (Star Trek: Destiny), the Borg go nuts and eat Pluto... yeah... and then they finally get sick of the Federation somehow managing to not get assimilated all the time, so they finally just send every last cube they have with orders to Exterminatus the absolute SHIT out of the entire Alpha Quadrant. Pretty much every important character from TNG, DS9, and Voyager has to team up to stop them, and even then the Federation still gets its shit kicked in and winds up having to rely on a vaguely ridiculous deus ex machina to win, and [[Grimdark|billions of people still die and dozens of planets are blown to shit]]. It was pretty insane.

Then all the Federation's main enemies get together to form an anti-Federation and start poking the bear, all the while telling their allies that they're somehow warmongering dicks, Section 31 gets its cover blown in a big way, and Riker gets promoted to Admiral. Also, a lot of the newer TNG novels have been devoted to following up on one-shot aliens from the show, like the guys that sent out the probe that made Barclay super-smart and those fish monks that were abducting crewmembers for experiments. Now that the Picard show is coming out, though, this will all presumably be chucked in the dustbin.

== Video Games ==
=== Star Trek Online ===
''Star Trek Online'' is the free-to-play online game built by Cryptic Studios and run by Perfect World. With an official license CBS, recurring characters voiced by various Trek alumni, and recently a license to include references to the reboot chronology (officially known as the "Kelvin Timeline"), it's the closest existing thing to an "official" continuation of the "Prime" timeline, and contains history and fluff extending nearly 40 years from the end of Star Trek: Nemesis.

Taking place in the 25th century (around the year 2409-2410), the Hobus supernova (the event that kicked Nero and Spock into the past during Star Trek 2009) has devastated the Romulans, and its near-collapse and fragmentation causes tensions between a resurgent Klingon Empire and the Federation. The tensions blow up into a war, with members of a new, nicer, breakaway Romulan Republic playing both sides in exchange for development aid.

The game contains deep cuts from all over Trek lore, and answers questions about what happened to various key characters, including Data (took over the Enterprise-E, then retired), the Enterprise (now an even bigger ship run by Andorian captain Shon), and the Voyager crew (it took Harry Kim 30 years to make Captain lol). Raises barely-shown, unnamed, and otherwise obscure races to new prominence as big bad foes, including the Iconians (ancient aliens with god complexes who mutated into energy beings, currently live in dyson spheres and were only defeated by predestination paradox), Tzenkethi (4-armed halo guys whose weak points are the FRONT of their shields), and Na'kuhl (the alien nazis from Enterprise as time-traveling terrorists who blame the Federation for a throwaway event that happened in TNG's beach episode).

Ostensibly free to play, but don't let that fool you... the ''not-so-micro''transactions are the only reason the lights stay on.

=== Starfleet Command ===

''Starfleet Command'' was a series real time space battle games by Interplay based on the much older tabletop game Star Fleet Battles. It came out in 1999 and was followed by several sequels and expansions. Gameplay was much like ''Battlefleet Gothic'', but with the player only controlling one ship. SFC remains Interplay's best selling game, topping even ''Baldur's Gate''.

=== Armada ===

A series of low effort RTS's churned out by Activision in 2000. Tried to take on both ''Homeworld'' and ''Age of Empires'', both of which have recently gotten HD remakes and ''Armada'' hasn't so that should tell you all you need to know. However, for one of the first 3D model space RTS's it was surprisingly easy to mod, resulting in many ship mod packs being made for it.

== Would you like to know more? ==
And oh Lordy, is there more...
*[http://en.memory-alpha.org/wiki/ Main Memory Alpha: A ''Star Trek'' wiki]
*[http://memory-beta.wikia.com/wiki/ Main Memory Beta: The flip-side of Memory Alpha for the less than official stuff]
*[http://sfdebris.com/ SF Debris: opinionated episode reviews, has some non ''Trek'' stuff as well]

[[Category: Television]]

Star Trek

2020-02-09T09:46:09Z

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[[File:Enterprise.jpg|thumb|500px|right|If you aren't already hearing the theme song you might not belong here.]]

{{Topquote|Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no man has gone before!|James T. Kirk, third captain of the starship USS Enterprise}}

'''''Star Trek''''' is a multimedia science-fiction series and one of the cornerstones of nerdy media properties, and one of the few to crossover into mainstream popularity (alongside ''[[Star Wars]]'', ''[[Doctor Who]]'' and a few others). It's also one of the longest-running science fiction franchises, as it began when the the first episode of The Original Series aired in 1966, and since then has had over 50 years of geek history spanning several generations. Needless to say, it's had a huge influence on all things sci-fi, and, by extension, [[/tg/]].

Originally, ''Star Trek'' was [[noblebright]] beyond noblebright and, in many ways, was the polar opposite of ''[[Warhammer 40,000|Warhammer 40K's]]'' [[grimdark]]. The more recent reboot films, however, have taken a much, ''much'' more grimdark tone, which is delightfully [[skub]]tastic.

== Games ==
There's been plenty of tabletop games and [[/v/|vidya gaems]] featuring ''Star Trek'' without being merchandising bullshit (see: themed ''[[Monopoly]]'' sets), including one of the earliest action multiplayer wargame: ''Netrek''.

*'''''Star Trek: Adventure Gaming in the Final Frontier''''' (1978) The very first Trek tabletop [[RPG]]. Written by, I shit you not, Michael Scott. Groggy (grokky?) as all hell, and due for an OSR.
* '''''[[Star Fleet Battles]] (SFB)''''' (1979-) The crunchiest starship combat game you're ever going to find outside of a computer. Based on the original series and not any of the later series, for licensing reasons. Takes some liberties with the setting, which (combined with the aforementioned licensing) is why "''Star Trek''" isn't actually in the title. It's had its own video game spinoff in the form of Starfleet Command. The series died when the last company owned by Interplay broke up in the early 2000s.
* '''''Star Trek: The Role Playing Game''''' (1982-1989) Made by [[FASA]], essentially ''[[Traveller]]''-lite, or a happier, shinier ''[[Rogue Trader]]''. Hasn't aged terribly well, what with having been made when the only canonical ''Star Trek'' materials to work with were the original and animated series, the first four films, and a couple of now non-canon novels. If you try to dust it off, expect tons of conflict with the rest of the show. Died as they were trying to update it for ''TNG'', because Paramount's corporate suits (surprise, surprise) had no idea what an RPG actually entailed and were worried about violence, and getting their cut, and... oh you know the drill by now. Welcome to the 80's.
* '''''Star Trek: Starship Tactical Combat Simulator''''' (1983) FASA designed this, so it feels like ''[[Battletech]]'' but not as good.
* '''''Prime Directive''''' (1993-2008) The most successful tabletop RPG line (but that's not saying much), it's actually still in print. Produced by Amarillo Design Bureau, so again no direct name-dropping of "''Star Trek''." Lasted as long as it did by constantly evolving, in Borg-like fashion, to adapt to the current zeitgeist. Has had 4 editions, with the second using [[GURPS]], the third using [[Wizards of the Coast|d20]], and the fourth [[d20 Modern]].
* '''''Star Trek [[Card_Game|CCG]]''''' (1994-2007, 2011-2014, 2013-2015, 2018-) There's been a few of these, most notably the games released by [[Decipher]], but never globally popular. They also suffered from game balance problems from fans wanting their fave character, but needing extra rules for their quirks. There's also the problem of putting numbers to character stats, such as one game that asserted that [[Heresy|Picard having about twice the integrity of a Klingon pig]]. Later versions are "deck-building" games to try to cash in on the popularity of ''[[Dominion]]'' and ''[[Thunderstone]]''. And now virtual CCGs are the order of the day.
* '''''Star Trek: The Next Generation Role Playing Game''''' (1998-1999) The next attempt, made by Last Unicorn Games. Won an award for best new game, which makes it a complete shame that no one has ever played it.
* '''''Star Trek Red Alert''''' (2000) A Diskwars game themed to ''Star Trek''.
* '''''Star Trek Roleplaying Game''''' (2002-2005) When [[Decipher]] had the CCG license, they decided, "What the hell, let's make an RPG, too." It, like so many of its predecessors, died unnoticed and unmourned.
* '''''Star Trek Online''''' (2010-) An [[MMORPG|MMO]]. Decent gameplay mechanics, especially starship combat. Storyline leaves something to be desired, especially when the ostensibly [[Noblebright|peaceful]] Federation trades shots at least once with every other faction in the galaxy.
* '''''Call To Arms: Star Trek''''' (2011) [[Mongoose_Publishing|Mongoose]]'s license for ''Babylon 5'' expired, so they collaborated with Amarillo Design Bureau (the ''Star Fleet Battles'' guys), re-themed the game to Star Trek along with improving the system to make it more nifty. Less micro-management than SFB, and ships get some cinematic feats.
* '''''Star Trek: Expeditions''''' (2011) Ignore the tie-ins to the movie, Reiner Knizia designed this. Explore the gameboard, flip over missions, try to have the proper crew to get victory points.
* '''''Star Trek: Fleet Captains''''' (2011) Tile flipping, exploring, and spaceships fighting over resources
* '''''Star Trek: Attack Wing''''' (2013-) [[WizKids]] license the flightpath system from [[Fantasy Flight Games]] and adds ''Star Trek'' to the mix, [[Skub]] ensues. The game has been consistently plagued with balance issues, to the point that the rules errata is more than ten times longer than the actual rules. The actual current rules for things like the Borg special movement and fighter squadrons are completely different than the rules as written.
* '''''Star Trek: Ascendancy''''' (2016-) 4X table top boardgame from GaleForce9. Most of the races are represented, though the base set only has the Federation, Klingons and Romulans. Andorians, Vulcans, Cardassians and Ferengi can be purchased as expansions. There is even a Borg expansion that turns the game semi-coop as everyone tries real hard not to be assimilated.
* '''''Star Trek Adventures''''' (2017-) The latest attempt at an RPG, by Modiphius, coming out soon to tentative praise. It also comes with a whole range of miniatures of the various crews from the show.

== So why should I care? ==
Because between them, these six TV series and their assorted spinoff movies, books, etc. can provide inspiration for any sci-fi game you could care to run. If you want light-hearted action, look at the sort of things that happened in ''TOS'' or ''DS9'' to get the crew into some dangerous situation. If you want a charismatic villain, look at Gul Dukat or the Borg Queen. If you want moral issues and debates, look at the shit that happened to Voyager and remove all the transparent deck-stacking and cheesy moralizing (or you could read any decent SF book/watch a ''Twilight Zone'' episode written in the previous 50 years, if you don't need your source material to be served at a 2nd grade level). Like [[Tolkien]] is to fantasy it's a prime gateway drug to science fiction and especially science fiction which is more than "action movie IN SPACE!"

Not to mention in any sci-fi RPG with remotely free-form rules you're likely to encounter ''Star Trek'' fanboys, so you might as well know what they're talking about. The unholy spawn of a Trekkie and a [[Furry]] is known as a [[Chakat]], and you should fear it.

At its best ''Star Trek'' is thoughtful, optimistic futurism with a positive human element and brings you to strange new worlds in the grand tradition of speculative fiction which is accessible to even the layman. At its worst ''Star Trek'' is arrogant, smug, hypocritical, preachy, dull, sloppy and prone to the strawman fallacy.

== Setting ==
Here's the Cliff's Notes on ''Star Trek''. A couple of general warnings; firstly, ''Star Trek'' likes to ''really'' take its "racial themes" bits just a little too far. Second, despite this, it's rare for an entire race to be completely irredeemable the way many fictional aliens are: there are heroic and sympathetic characters from nearly every race listed below, able to put more-positive spins on their racial themes. Thirdly, aside from very occasional appearances by [[H.P. Lovecraft|aliens who are so bizarre that humankind can barely comprehend them]], all of the aliens look like dudes with rubber masks on (because they are). In real life, this was because there was no budget for anything else, but in-universe it's been explained by some kind of [[Old Ones|Precursor]] race who seeded all of the planets with their broadly humanoid DNA, and every race evolved slightly differently from there. There isn't much [[fluff]] on what these precursors were like, and some of it was contradictory, and Gene Roddenberry didn't like the idea (although he still had to work with the rubber forehead stuff). The good news for fa/tg/uys who like [[homebrew]] is that this makes it fairly easy to write [[d20 system]] rules for all of the races - after all, most ''D&D'' races are just humans with rubber masks on...

=== A Composite Creation ===
This is a general note that one should consider: Star Trek was created in pretty much the opposite way as The Hobbit and The Lord of the Rings. Tolkien worked out a bunch of linguistic stuff and general history of Arda in his spare time, then decided to use that as the basis for some stories that he eventually gave to some publishers which in the end sold quite well.

Roddenberry by contrast pitched a very broad general idea (it's the future, things are good, we got guys some on a ship exploring space; a "wagon train to the stars") to the networks and eventually Lucy from "I love Lucy" took it up on it and had him work with a variety of writers and actors who added to this rough skeleton of an idea in a process that would continue on to this day.

This is not to knock either approach, but both have their advantages and disadvantages. In regards to Star Trek, a franchise which relies mostly on an episode of the week format that's been going on for more than half a century this means that the canon is a fucking mess. There were numerous people at the helm and many of them had often very different ideas about what should be done that were just thrown out to see what stuck, many of which were contradictory and some of which we'd frankly rather forget. In general fans and fluff writers have been spending a whole lot of time trying to straighten out things and much of the lore is basically a rough consensus of what people like and what fits in with it. Later series got more systematic about this, but there are still points of contention and a lot of flat out contradictions due to its scattershot nature.

=== Factions ===
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'''The Federation'''
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[[File:Federation_Ships.jpg|thumb|500px|left|Starfleet's ships of the Line (primary timeline)]]
Might as well talk about that main faction. The United Federation of Planets is what the [[Tau]] think they are. Its backstory is that in the distant future of the 1990s, [[God-Emperor of Mankind|übermensch]] [[Space Marines|created by genetic engineering]] began conquering the Earth. The [[Imperial Guard|normies]] fought back and won through sheer numbers, cryogenically freezing the Augments and kicking them out of Earth, but the damage and mass political unrest of World War III got half the planet nuked. This was why genetic engineering was banned. Fortunately, in 2063, a <s>drunken asshole</s> heroic visionary named Zefram Cochrane created humanity's first warp drive (though it functioned based on the principle that gravity bends space-time, and was therefore more akin to an Alcubierre drive than anything that's dependent on the [[Warp]]) and made first contact with the Vulcans. The Vulcans eventually helped humanity rebuild and overcome poverty, disease, war and hunger. With its Earthly problems solved, man turned to the stars and found out its three closest neighbors were [[Imperium of Man|racist xenophobic dicks trying to murder each other]]. Since any war between them would've swept up puny little Earth and gotten it glassed, humans decided to force their neighbors to sit down and talk things out. Incredibly, it worked, and the United Federation of Planets was born.

The Federation is a commie [[noblebright]] hippieland society with a strong democratic government ([[Mary Sue|pretty much Roddenberry's idea of utopia]]). As a result, Federation citizens work not because they have to, but because they want to. However, despite their advanced technology, transhumanism, that is intentionally making [[Space Marines|SPESS MEHREENS]] and mutants like the infamous antagonist Khan Noonien Singh, is illegal.

The Federation's Navy is almost always called Starfleet. It's a mix between a military, a coast guard and a space agency, and usually rates scientific research as a higher priority than defense. One of its quirks is that it doesn't subscribe to the "bigger is better" policy used in most [[Warhammer 40K|sci-fi]], and even by most of the other ''Star Trek factions''. If the Federation ''does'' make a large ship, it's because they want it to have a daycare, swimming pool and ice cream bar. If they want a warship, they'll take a little gunship half the size of a modern day destroyer and pack it with enough antimatter nukes and guns to exterminate a solar system. In some cases, especially when dealing with ships from several centuries into the future, the ship is bigger on the inside than on the outside [[Creed|allowing it to hide a vast array of powerful armaments, ''space-bending'' equipment, and even whole planetary landscapes]]. They can get away with this because they out-tech almost everyone else by a country mile. The reason for the series' infamous "technobabble" is that <s>even ''they'' don't know everything their tech can do!</s> their technology is always evolving, and they know it so well that they can often use it in ways that even the original in-show design schematics did not intend.

In theory, Starfleet follows a rule called the "Prime Directive", which says that you're not allowed to interfere with low-tech races ("low-tech" being defined as "not having invented the warp drive", since warp technology apparently follows naturally from the laws of physics) or else things like turning the locals into Nazis might happen. The Original Series talked about this rule all the time, and Captain Kirk threw it aside whenever there was a sexy alien babe in sight. From ''TNG'' onward, it tended to instead be brought up whenever a hack writer needed a reason for the heroes to ''not'' instantly resolve a given problem with their superior technology or a way of making our heroes look like assholes for following it rigidly (yes, we could save this species from extinction but that would be interfering with the cosmic plan!), though there were a few good episodes that took it seriously.

Some of the more important member races are:

'''Founding members:'''
* [[Humans]]: You know 'em, you love 'em. Comprise seemingly 90% of Starfleet for reasons in no way related to the cost of makeup/CGI.
* Vulcan: The Original [[Eldar|Space Elves]], very emotional, especially during "pon'farr" (see below), who followed the teachings of an enlightened sage and embraced logic and rationalism after their emotions nearly led to them [[Slaanesh|wiping themselves out]]. They are what the average race of fantasy elves think they are, except on ''Enterprise'' because the writers wanted to artificially inject tension into the show (some of that was retconned to be a Romulan plot). Occasionally enter a state called "pon'farr," where they need to either [[Dark Eldar| fuck something half to death]], kill it with the nearest sharp object, or die of a brain aneurysm to let out all that pent-up emotional tension. Fa/tg/uys may recognize this as the sensation they feel every time [[Games Workshop]] puts out a new army book. Pretty bro-tier overall.
* Andorians: Blue dudes with antennae and constant fits of passion, the polar opposite of Vulcans and their one time foes. Pretty much fa/tg/uys, right down to the romantic streak, in the technical sense. Also, they live underground on a diet of meatbread and rage. Most of what defined them happened in Enterprise as they rarely showed up in the TNG-era, and even then did so as set dressing, allegedly because one of the showrunners hated their antennae and banned anyone from using them.
* Tellarites: Space [[Dwarf|Dorfs]]; like insulting everyone and arguing a lot (no, really, petty insults are considered a polite gesture in Tellarite culture), mostly because the very first tellarite ever shown in the series got in an argument with Spock's dad and now it's their whole racial thing. “Sarek said something in a scene once that was meant to demonstrate that he was stand-offish and kinda rude, but we like Sarek so it's now the defining attribute of this species.” It's all in good fun you understand, your confidence in your ideas and actions should be sturdy enough to withstand honest assessment and critique.
'''Notable Additional Members:'''
* Betazoids: Invariably attractive humanoid aliens with telepathic powers. Half-betazoid, half-humans apparently only have "empathic" powers, so they are well-regarded by Starfleet captains for their ability to point out the obvious and fill out the tight bodygloves that make up the Starfleet uniform in a pleasing manner, especially since theirs seem to come in a custom cut for reasons entirely unrelated to Roddenberry's erection. Their homeworld is like dropping a really hippie college and Space Vegas into a blender. They were taken over during The Dominion war because Earth or Vulcan would be seen as bullshit due to their large post Borg attack defense fleets/ship yards. While the writers would have to actually add new characters for the Andorians and Tellarites(such as Ambassadors for a government in exile). So Betazoid took the hit to raise the stakes.
* Trill: Originally a one-off race introduced as a sapient parasite that possesses and controls a barely, or even unintelligent humanoid host, they were radically reworked in ''Deep Space Nine'', right down to losing their rubber foreheads in favor of spots. Now, the host is itself an intelligent humanoid, and some, but not all, of their kind are able to willingly merge with a symbiont (because someone can't spell) that allows them to access a mixture of the memories and personalities of all previous hosts, though in a way that, theoretically, enhances the host's personality rather than destroying it or subsuming it. Then, when they die, they can pass on the symbiont to another host, theoretically one they mentored. Also, because the makeup artist didn't want to ruin the leads' good looks on DS9, they went from having a rubber forehead to some spots.
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'''The Klingon Empire'''
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[[Image:Batleth.jpg|thumb|right|A Bat'Leth (sword of honor), one of several types of Klingon bladed weapons. Frequently mocked IRL for being a poorly designed weapon.]]
[[Commissar|''"It is a good day to die!"'']]

The Federation's main rival and (movie era and afterwards) the quintessential ''Star Trek'' race of lumpy foreheaded aliens. Originally they were a rough analogue to the Russians (though they took some elements from [[Communism|communist China]]) in a rough cold war allegory with the Federation (even though the Federation are as commie as they come, though admittedly much of that came around in the TNG era). Their defining feature was that they were militaristic and imperialistic while the Federation was scholarly and respected liberty. This gradually moved more and more into them becoming Imperial Japan/[[Vikings]] In SPESSS obsessed with honor, fighting and dying honorably in battle while worshiping at the altar of [[Sigmar|warrior Jesus]], even as they turned from the Federation's bitter enemies into that friend who's fun to be around when he's not getting into drunken bar fights. You see shades of it in during the movie era and it became more and more prominent through ''TNG'', culminating in ''DS9''. Do not make the mistake of thinking that Klingons are nothing more than barbaric savages however; with Worf being part of the crew, and with ''DS9'' dealing with Klingon politics an awful lot we can see Klingon society as it truly is. Even so they do often wander into self parody territory.

The Klingons, in their current iteration, are a feudal society ruled by a council made up of the most powerful families. Klingon society holds very little value on things such as currency and material gain (which results in the Klingon empire [https://www.youtube.com/watch?v=Q65l7RHUx2A having a very simplistic understanding of economics]), believing that anything you acquire without some form of blood, sweat and/or tears on your part is a pathetic and dishonorable way of going about things, much the same way many cultures used to hurl abuse at merchants and bankers. Another thing to keep in mind is that a Klingon's reputation is literally everything. This can be easily seen in the episode "The House Of Quark" where dying honorably can literally change the outcome of an entire noble house, later when the Grand Council is visibly disgusted at D'Ghor. No respectable Klingon uses ''money'' to defeat his opponents. And no respectable Klingon would be so eager to perform an execution of an unarmed Ferengi in what was supposed to be an honorable duel. Klingons are still capable of being cunning and crafty however, and having a high diplomacy score is viewed as honorable as they still have examples of cunning and clever heroes tricking boorish and stupid monsters.

[[Warhammer 40000|Klingons often carry swords into battle in an age of energy beam guns]]. In-universe, this is less suicidal than it sounds in the context of boarding actions and tight starship corridors. The Bat'leth is actually a rather shitty weapon. The Mek'leth is noted to be better in most situations. They use the same Disruptor weapons as the Romulans, and at one point used similar starship designs. While is explained as the result of a temporary and unholy alliance, given the eventual animosity between the two races, it was just an excuse to reuse props on a limited budget.

The Klingons are tied with the Vulcans and the Borg as being the most prominent and recognizable non-human species in Star Trek. Beloved of the Internet and the general public, to the point that there are published books like "A Klingon Christmas" in the world. The Klingons have their own constructed language. If you are ever worrying that you might not be a nerd, learning Klingon will solve that problem for you. Please note that this is in general considered by experts to be pathognomonic of [[Chris Chan|autism]]. You have not experienced Shakespeare until you hear it in the original Klingon.
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'''The Romulan Star Empire'''
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''"It's always chess with the Romulans"''

You know those [[Eldar|Vulcans]]? Well a few thousand years ago, as their planet was ravaged by war, some of them turned to intense emotional control and logic to tame their murderous passions, while most others left the planet altogether, founding a colony on the planet Romulus and dubbing themselves [[Dark Eldar|Romulans]]. Since said planet shares a name with a mythical figure known for founding [[Roman Empire|a city which built a vast empire]], and they had warp drive while those around them did not, you probably know that they turned to building an empire of their own. They hold the second place of prominence as immediate rivals to the Federation. Comically, they actually have better emotional control than the average Vulcan, since they gene-engineered most of their problems away years ago, and don't have to deal with the emotional blowback from pon'farr. The downside is that they lost some of their cousins' niftier powers, like mind reading and being able to transfer their soul into another person for safekeeping. Although Star Trek Online also revealed that their trip to Romulus was a terrible ordeal, and their gene-engineering was taking during that time resulting in them losing most emotions save for bitterness of being "forced out".

The difference between the Klingons and the Romulans is basically the difference between Gork and Mork, or Khorne and Tzeentch. Klingons will fight you up front with simple brute force. Romulans are sneakier guys, preferring to fight you when you're not looking with spies, cloaked ships and complex plots behind the scenes and playing the long game. There is a lot of political infighting among them, though where the Klingons would duel to the death Romulans would seek to discredit their rivals, have them die in unfortunate "accidents" or disappear. This difference has left both Romulans and Klingons with a big hate-boner for each other, to the Romulans the Klingons are crude brutish barbarians and to the Klingons the Romulans are a pack of scheming cowardly weaklings.

Like the Klingons, they served as a rough Cold War allegory. In this case, they were rough analogs to Communist China (as seen by 1960s Americans), a distant horde of inscrutable and potentially dangerous Orientals who generally were unseen and projecting vague menace, but when encountered face-to-face could pack quite a punch indeed: the first major Interstellar War that Star Trek Earth fought was with the Romulans, which was fought entirely in space with neither side ever seeing the other face to face. Afterwards they set up a 'Neutral Zone' between the Federation and the Romulan Empire that no one even tried to cross for a century. From the Original Series onward, they frequently squabble and bicker with the Federation, before joining forces with them to fight the Dominion in ''Deep Space Nine'' and having their government devastated in ''Nemesis''. Finally, Romulus itself got caught in a supernova as part of the Abramsverse's backstory. ''Picard'' has revealed that Starfleet was going to help evacuate Romulus before the nova hit, but then some rogue androids destroyed the shipyards that the rescue fleet was being built at, so the Federation shrugged, flipped the Romulans the bird, and let them get blown up. The surviving Romulans are now scattered across half the galaxy, and some of them have got hold of a Borg cube and are presumably up to some nefarious shit with it.
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'''The Ferengi Alliance'''
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[[Image:GW_Ferengi.jpg|thumb|left|A typical ferengi engaged in typical ferengi activities]]
''"A Ferengi without profit is no Ferengi at all."''-Eighteenth Rule of Acquisition

Introduced in ''TNG's'' early days as the villains for the series, and what [[/pol/]] thinks Jews are. Some Jewish people have actually complained about their being subliminally Jewish and thus anti-Semetic, specifically mentioning that they were moneyhungry, lascivious, and ugly, and their large ear lobes were stand-ins for the sterotypical Jewish nose ([https://www.washingtonpost.com/news/made-by-history/wp/2018/08/14/science-fictions-anti-semitism-problem/?noredirect=on more on that here, we're not shitting you]), based on an old medieval stereotype that was enforced to prevent them owning land or assets. The idea was to make a caricature of capitalism as a contrast with the techno-communist Federation. This might have worked if these were not [[FAIL|''TNG's'' early days]]. Instead they overshot the mark by a light year or so, on top of other bad decisions, and you got a race of short (Gene wanted to make an evil short race as big evil races were overplayed), big-eared, [[goblin]]-like losers about as threatening as a grumpy pug. Over the first and second seasons they tried to make these guys threatening, but they fell flat on their face every time. Eventually the writers just said "fuck it" and the Ferengi got demoted to comic relief species, and their status as terrible enemies was demoted to propaganda designed to scare the Federation while the Ferengi government tried to figure out what to make of a species that rejected the acquisition of wealth as a goal. The Ferengi had some good moments in the later seasons of ''TNG'', but most of the best stuff that fleshed them out came from ''DS9'', which had an [[awesome]] Ferengi bartender named Quark as a major character. For an idea of what the Ferengi might have been like if the writers had their shit together, look up the Druuge of [[Star Control|Star Control II]] or the Magog Cartel from Oddworld.

Ferengi religion is only hinted upon in ''DS9'', but what is seen implies a simplistic system based on financial success. Ferengi all follow a rulebook/canon known as the Rules of Acquisition, which can be described as Ayn Rand IN SPACE and condensed into the form of Confucius' Analects. There are 285 of these, each a short piece of advice on how to stay in the black. Examples include "Peace is good for business," "War is good for business," "Never have sex with the boss's daughter," and "Dignity and an empty sack is worth the sack." The first, and most important, of these is "Once you have their money, you never give it back." Sometimes, the Ferengi Randian spirituality extends into outright interpretations of the afterlife: according to some, the afterlife consists of the Divine Treasury and the Vault of Eternal Destitution, which are respectively analogous to Heaven and Hell. Entrance into one or the other depends on one's business ventures at the time of death; those that were turning a profit are allowed to enter the Divine Treasury, and the rest are damned to the Vault.

Ferengi government is ruled over by a Grand Nagus, a mix between a <s>pope</s>chief rabbi and a CEO, and he basically treats his civilization like some sort of company, with citizens regarded as workers. Directly below him is the Ferengi Commerce Authority, a [[what|quasi-religious]] organization dedicated to ensuring that correct business practices were followed and correct moral behavior was shown (including keeping the proles in line), although to the Ferengi, these are one and the same. The agents of the FCA are the Liquidators, who are essentially Inquisitors crossed with IRS auditors on steroids. Be afraid. Be very afraid.

Ferengi females have no rights and are mentioned as [[PROMOTIONS|not even being allowed to wear clothes]], which leads to [[That Guy|boorish behavior]] on the part of Ferengi towards just about any species. Of course, we see female Ferengi on the show who push that envelope, but it seems that overall "regressive" does not even begin to describe the gender relationships in their culture. Quark's mother, a social climber who marries the head of their government, begins pushing through a women's rights movement during DS9, which proves more successful as time goes on.
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'''The Borg Collective'''
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[[Image:Borg cube.jpg|300px|thumb|right|The Borg have assimilated and improved your [[d6|die]]. It always rolls six. Crap your pants, 'cause resistance is futile.]]
{{Topquote|We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture shall adapt to service us. Resistance is futile.|The Borg's opening hail. This is not a boast or a brag, it's them simply explaining you how things are going to go down.}}
{{Topquote|One other thing. You may encounter Enterprise crew members who've already been assimilated. Don't hesitate to fire. Believe me, you'll be doing them a favour.|Picard going full [[grimdark]].}}

The Ferengi were utter failures as serious villains, so they needed something to fill that gap. Thus they made the Borg, an aggressive [[Tyranid|hive-minded]] collective of hyper-adaptive, [[Necron|regenerating]] cyborgs that assimilates entire species into itself in its attempt to improve and evolve. Shit, that's like coming up with [[Warforged]] while trying to replace [[Kender]].

In many ways, the Borg are the truest dark reflection of the Federation, and despite their name, they're not Swedish. While the Feds want you to join their little club on your own, to "add your culture to the galactic community," the Prime Directive means they will ultimately accept you turning them down, even if you have shit they really want. The Borg say "fuck that" and just absorb you. While the Federation believes everyone should work together [[Tau|for the greater good]], they still have a very strong sense of individualism and a culture of personal accomplishment (unless your individual belief happens to run counter to the Federation's principles anyway, in which case you're just WRONG because the Federation is the best). The Borg pool all their minds together into a massive collective consciousness in the pursuit of group perfection, becoming an almost-literal personification of techno-capital. The Federation is all about beauty and tranquility and all that hippie stuff, and their tech is eco-friendly and dolphin-safe. Borg [[Tyranids|strip mine entire planets and drain entire oceans]] in the name of growth and efficiency.

Your standard Borg [[cube]] is a huge multi-kilometer [[Firaeveus Carron|metal box]] (yes, bigger than most [[Imperial Navy]] cruisers) able to go up against an entire Federation warfleet and win. That's right, one of their ships could threaten the entire Federation and [[Exterminatus]] Earth. When done right, [[Necron|they are a cold, calculating, nigh-unstoppable force, a threat to all life]] that wants to retain free and distinct personalities (although they will ignore a single person if not on an assimilation mission, as what they really want is to absorb whole civilizations). Apparently, in Picard's nightmare in ''First Contact'', the Borg assimilation process includes a surgical [[Grimdark|drill through the eye. While awake.]] Of all the stuff to come out of the TNG Era they are undoubtedly the most well recognized in mass pop culture.

Unfortunately the got a bad downgrade during ''Voyager'' (the Borg Queen blew up cubes full of tens of thousands of drones because a few of them have been severed from the Hive Mind), but even there they were frequently not to be messed with. One amusing thing to note for people that haven't watched ''TNG'': the Borg were actually only in six episodes (and three were breakaway drones) and one movie, yet they're arguably the franchise's most famous pure villains aside from Khan. Goes to show how good they were when written properly. Then in ''Voyager'' they get their shit completely pushed in when they discover a new race of extradimensional aliens which they label Species 8472, which were immune to being assimilated, and had to ask the Federation for help in dealing with them. [[Necron#Regarding_Fluff_Change_-_Sore_Butts_Everywhere.|Wait, this sounds familiar...]]
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'''The Cardassian Union'''
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Introduced in ''TNG'', they are third fiddle to the Klingons and the Romulans. If the Klingons are hypothetically-honorable techno-barbarian warriors and the Romulans are an empire of civilized and refined but sly and ruthless expansionists, the Cardassians are essentially scaly fascists re-enacting ''[[1984]]'' IN SPACE. Their trials announce the outcome at the beginning, and the defense attorney is executed if he wins. Also, THERE ARE FOUR LIGHTS!

Originally a race of peaceable, spiritual artists called the Hebitians (ironically not dissimilar to the Bajorans), modern Cardassia was born in hunger and desperation when their homeworld began to suffer simultaneous mass famine, pandemic, resource depletion, and ecological collapse. A military junta seized power, figuratively and literally auctioned off the soul of their culture through liquidating all the planet's art and religious artifacts into cold hard cash, and turned the Cardassians into the opportunistic imperialists they are today.

Despite being a whole lot weaker than the Federation, the Cardassians manage to hold their own, partly because what they lack in resources and raw power is made up for by a combination of intense cunning and high charisma stats. Compared to the equally deceptive Romulans, the Cardies are more likely to flash you a smile while tickling your ribs with a knife. They'll use any tool they can to gain the upper hand and while that often means unpleasant and terminal sessions in dark rooms, strip mined planets and the enslavement of entire species, they'll gladly become your bestest buddy if it would achieve their goals. Their intelligence service, the Obsidian Order, is also one of the most ruthlessly efficient organizations in the entire sector, managing to outscale the Romulan Tal Shiar when it comes to producing magnificent bastards and manipulating the politics of entire worlds to their advantage. Unlike the Romulans or the Klingons, they don't tolerate the sort of literal infighting that is rampant in both those states, that shit only serves to weaken '''GLORIOUS CARDASSIA''' and needs to be stamped out with ruthless efficiency. Exposing that someone who just happens to be your enemy as being a dangerous subversive is just a benefit, although this can result in both sides of a conflict shouting "For Cardassia!" as they charge each other. Sort of how Democrats and Republicans are both for America, yet oppose each other.

Cardassia has a very fluid hierarchical government, similar to the political realities of post-Stalin but pre-Collaspe Soviet Russia. Broadly speaking, there are three different facets of the government: the Central Command (which holds all the power) the Obsidian Order (who holds the least amount of power, but controls the most puppets) and the Detapa Council (similar to the [[High Lords of Terra]] and just as worthless). Cardassian society holds a very strict view of family, placing family just below the needs of the State.

The State holds a semi-divine mythical status in the eyes of its citizens, with it being viewed as impossible for the State to ever make mistakes. The ideal Cardassian life was one of complete loyalty and servitude to the State and family, with the "repetitive epic," detailing how generations of Cardassians go on to serve both in exactly the same way over and over seen as the height of their culture. The Cardassian government is assumed to be omniscient, omnipotent, and benevolent by pretty much every Cardassian, with all Cadassians gladly giving of themselves to the State. Such was this level of belief that when Picard was tortured by the Obsidian order, the torturer saw nothing wrong with bringing his daughter to work because he was working for the State, and therefore the torture of Picard could never be disturbing or wrong. That's why their trials announce their sentences at the beginning and execute the defense attorney if he wins; their "trials" are more excuses to show off the power and infallibility of the State to the masses than actually determine guilt or innocence.

As far as plot significant activities went, they had a war with the Federation a few years before ''TNG'' which ended in the creation of a Demilitarized Zone between the two powers and (significant to ''Deep Space Nine'') abandoning the previously occupied planet of Bajor they had exploited for resources. After a disastrous war with the Klingons and The Maquis led to a popular revolution and overthrow of the existing government, one leader seized power, declared himself absolute leader, and joined the Dominion towards the end of ''DS9'', which was some serious bad news for the ''DS9'' crew.
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'''The Bajoran Republic'''
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The Bajorans are a species native to the Planet Bajor. They were, until shortly before the events of ''Deep Space Nine'', under a brutal occupation by the Cardassians who strip mined their planet. They had a fighting resistance which veered in and out of being considered terrorists and all in all were often represented as Palestinians IN SPEHSS. After that, they got their independence, although they're thinking about joining the Federation. The Bajorans have one system and are technologically backwards; the Federation is technically breaking the Prime Directive by interacting with them, but as they've spent years under the oppression of a warp-capable species, they can probably handle it. Also ''DS9'' proves that ancient Bajorans managed to travel at warp speeds to Cardassia using solar sails and an enormous amount of luck, which technically makes them a warp-capable species. The only reason why they are significant in terms of the politics of ''Star Trek'' is that they have a wormhole near their planet, which has some timey-wimey aliens living it that they worship as gods, and serves as the only way to get to or from the Gamma Quadrant that won't take decades, making it strategically priceless. Hilariously, this was discovered almost immediately after the Cardassians ''thought'' they'd extracted everything of value from the Bajorans and peace'd out, certain that the system was no longer worth the PR hit they were taking from it, only to get burned by some harsh seller's remorse. Also, their species has the oldest civilization (roughly a half-million years) of any major ''Star Trek'' race, and the wormhole aliens have gifted them some cool shit, like the Orb of Time.

The big thing that makes the Bajorans unique is that they actually have a serious religion going on -the human race is depicted as mostly non-religious. They're also probably one of the most accurate depictions of any highly religious alien race in a sci-fi franchise, because they are divided between the majority who interpret their religion as [[Noblebright|peace and love]], and a small but loud minority of bastards who interpret it as [[Grimdark|condoning acts of terrorism]]. A blatant attempt to simulate Israelis for criticism, although that can apply to many religions nowadays.
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'''The Dominion'''
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A vast empire which exists on the other side of the galaxy in the Gamma Quadrant. The Dominion is ruled over by a species of liquid shapeshifters called The Founders.(aka Changlings aka Odo's people) They have at their disposal a military composed of two genetically engineered species that worship the Founders as gods: the short and articulate Vorta who serve as ambassadors, bureaucrats, and political commisars and the big brutal Jem'hadar, who are vat grown, drug addicted, cannon fodder. These oversee a large number of vassal races, including (as of later seasons of ''DS9'') the Cardassians.

The Founders were once (according to them anyway) a peaceful, kind civilization of explorers who wished to see the galaxy, explore strange new worlds, and seek out new forms of life. Unfortunately, they did this in the wrong neighborhood, and quickly ran into species who did not tolerate others. The fact that the Founders were shapeshifters capable of mimicking almost anyone did not help either. Paranoia, mutual mistrust, and some very bad things eventually led to the Founders deciding "fuck this" and moving their planet into a nebula so nobody would bother them. So more or less, a [[Grimdark|grimmer]], [[Grimdark|darker]], counterpart to the Federation, but with spookier Real Aliens.

The Founders are obsessed with order and are both extremely racist and xenophobic, and believe that all alien life is inherently untrustworthy and evil, and the best thing to do is conquer/enslave them before they do the same to them. They don't care about the rights of "Solids", and will happily ignore any sense of decency when convenient. This can be seen when The Dominion runs a simulation of the Dominion dominating the Alpha Quadrant. When O'Brien is assaulted by a Jem'Hadar and severely beaten to the point of needing emergency teleportation to medical (the crime being "disrespectful"), the Founders (disguised as Federation Officers) do not press charges, and when Sisko comes barging in demanding answers, dismiss him with little concern about their own soldiers brutalizing citizens. Their overall ideology could be thought of as Qin legalism IN SPACE: people are inherently evil and the only way to make a better world is to impose order upon them through brute force from a position of absolute, unquestioned power.

The Founders, when not wandering around in various forms, tend to spend their time in a massive ocean literally made up of countless billions of Founders, something which is referred to as the Great Link. According to the Founders, this allows them to share information with each other and come to peaceful decisions. This is rapidly proved to be bullshit; when a separated-at-birth one of their own merged into the Great Link to share his memories of the Federation as peaceful and tolerant space hippies, not only did the Founders ignore his memories, but actively fucked with his mind in an attempt to turn him into a sleeper agent. And even if it weren't, it shows their hypocrisy through their willingness to share freedom and liberty among themselves while depriving all their various slaves and conquered peoples of the same.

The Founders are massive dicks, even to their own people. Failure among Jem'Hadar is rewarded with slow and painful death from deprivation of the drug they're created to need and their lifespans are incredibly short. To be even bigger dicks, the Vorta have no sense of taste and can't appreciate beauty. Not to make them better diplomats, but because they were raised from a primitive stone-age ape tribe, and the Founders think they shouldn't be ever allowed to forget that. (On the plus side, they did give the Vorta an immunity to poison that would make [[Mortarion]] himself jealous. [https://youtu.be/rACCZaBcq1g?t=1m29s Observe.]) This may also stem from their own neuroses: the Founders themselves have almost no bodily needs at all and require no nourishment, so they design their slaves to be like them. Notably, Vorta tend to come in [[Paranoia|packs of clones; a new one is activated when an old one dies, and they retain some memories and personality between "lives,"]] further hammering home how expendable they are to their makers.

And both races are literally engineered to love their makers for what they have done to them and worship and revere them as gods.

Continuing from the Cardassian Union section because the fate of both powers are linked in DS9. After joining the The Dominion. Everything was going seemingly for them and their leader Gul Dukat. They figured out how to bring down the minefield block the wormhole created by the Starfleet crew of Deep Space Nine. (The Cardassians use its old name Terok Nor while in charge.)

However during the start of the sixth season the Founders learn that their not the only "gods" in the Galaxy. As the Sisko convinces the Bajoran Prophets to remove the Jem'Hadar reinforcements in transit. Forcing them to retreat back to Cardassian Space and Dukat's old friend Damar shoots Dukat's half Bajorion daughter Ziyal. This makes Dukat jump off the deep end as the sod loses his sanity and than goes full nutcase after his rehab transport is destroyed by the Jem Hadar, and ends up fighting an injured Benjamin Sisko after hide inside some caverns on a hell planet for a few days.

After escaping he allows one of the evil wormhole aliens to possess him, kills Jadzia Dax, forgives Damar for killing a family member. Creates a cult of Bajorions dedicated to the Pai-Wraths,than abandons the cult when Major Kira knocks over the suicide pill jar that mixes it in with his fake. Than has sex with an old woman and becomes a demi-god. Bent on buring the universe despite the fact that his own people suffered heavily under the rule of the Dominion. After getting a final bitch slap from the Sisko who gets to have a happy ending living with his god alien parents. At the same time teaching them not to be huge dicks. While Dukat himself is trapped in the Fire Caves on Bajor.

His old friend Damar despite murdering a half breed woman is a lot more sane. Lacking Dukat's crimisa, things get worse for him and the Cardassians under Dominion rule. Most of their victories are off screen such as taking over Betazed. One of the none few major non founding planets of the Federation. This forces the Sisko to bring the Romulans into the war to on the side of the Klingon-Federation alliance. With some underhanded methods from a former member of the Cassidian Obsidian Order(Elim Garak). I.e. blow up a Romulan Senator's shuttlecraft and tricking the pointy ears into thinking a damaged but fake datarod(an advanced form of SSD) was the real deal.

Thus the blame for his death will be switched from the Feds and pals are shifted to the Cardassians. By the final season this leads to the Dominion finding new best buds in the form of The Breen. Damar decides he has enough of the bullshit and in the ultimate irony realizes that the status of his people are now no different from the Cardassian occupied Bajor.

So after the Breen score the Domain a temporary victory over the Federation Alliance. Damar and his Cardi buds destroy a Dominion cloning facility while their backs are turned. Just so he can stick it to his "friend" the Vorta, Weyoun 8. Leaving them and the Klingons being the only thing stopping The Dominion from steamrolling over the Alpha Quadrant. As one Bird of Way(doesn't say if its the frigate sized B'rel or Light Cruiser sized K'vort class. Though DS9 almost always used the former) was immune to the Breen energy dampening weapon due to modding its warp core. Gowron, due to being a moron who did nothing to change course after his most trusted advisor(Martok) turned out to be a Founder and the first time the Jem Hadar kicked their asses during the Klingon-Cardassian War. Decides to take glory for himself and discredit General Martok(who now how his pre Dominion internment job). This goes as badly as your thinking. Forcing Worf(now a legitimate badass compared to his TNG days) to kill him and turning the role of Chancellor to Martok.

Meanwhile the Feds decided to help out Damar's resistance by sending him Colonel Kira(who now has the rank of a Starfleet Commander), Odo and Garak(Ziyal's former simi-boyfriend). The resistance eventually get their hands on one of the Breen Energy Dampeners. During some infighting Damar realizes that the restoring the old Cardassia is pointless. Killing one of his old friends. The Breen and Jem'hadar do eventually one up the resistance. But not before their brutality turns more Cardassian against them. So during the final space battle this makes the Cardi military switch sides.
Damar is killed during the final raid on the Dominion HQ. Focing Kira and Garak to lead the final push into the compound.
The War between the Alpha Quadrant Alliance and The Dominion is ends when Odo offers to share the cure to the disease created by Section 31(the Federation's answer to the Tal Shiar and Obsidian Order) which he passed after the Founders tricked him for into return to the Great Link. While also promising to join the Great Link.
It's harder to say who are the bigger dicks here. The Founders for having Wayoon 4 infect Odo to return and turned him into into a solid(who was restored because dying a Changeling baby merged with him a season later) for killing a Founder who hacked the Defiant and almost succeeded at starting a war in the Alpha Quadrant. Or Section 31 for making the disease in the first place.

With all their advanced technology. One would think the Founders would have discovered a cure before being handed one. But the bad guys being just as flawed as everyone else is a common theme in Star Trek. Even in Star Trek Online despiste Odo being the one in charge a few decades later. As their Ambassador to the Federation. The experiments of the Founders sketchy past cause them and everyone else huge headaches including the dishonorable mention of the revived True Way movement.(i.e. the guys who hated that fact that the civilian Detapa Council ran Cadassaia.)

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'''Species 8472 / Undine'''
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The one and only race in the galaxy even the Borg don't want to fuck with. Introduced in Voyager, Species 8472 are three-legged creatures that live in a space called Fluid Space. It's similar to the [[Eye of Terror]] for the fact that it connects to an alternate dimension and [[Khorne|everyone will be ripped apart upon entering.]]

When the Borg first came around to try and assimilate them they were completely obliterated in a war in which 4 million Borg were killed in the first few days at the cost of almost no members of Species 8472. This war was such a roflstomp that the Borg were forced to call on the Federation for help. [[Tau|The Federation being the better people swallowed their pride and decided to help their sworn enemies,]] [[Eldrad|but were dicks and sent only one ship.]]

Species 8472 fought with fast moving, small ships and devastating beam weapons so the small ship of the Federation could keep up with them and helped the Borg force the species back into Fluid Space. The Federation were the villains on this one. That said, they eventually came to an accord with Species 8472, preventing further wars between the denizens of Fluid Space, except in lots and lots of video games that want to use a fresh antagonist.

That and that in ''Star Trek Online'', [[Awesome|they look like the fucking Predator.]]
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===The Q===

The Q are a race of beings who have elevated themselves to the point where they are basically gods. Most of them do not interact directly with the younger races, who they tend to consider with disdain- if they consider them at all. However a few of them take a more enlightened view, and one in particular has been known to fuck with individual humans from time time. They are mostly a TNG thing, and even there they work mostly by grace of John de Lancie's acting chops as a counterpoint to the charisma of Patrick Stewart, as de Lancie played the ''character'' Q, an all-powerful epic [[troll]] (no, not the fantasy kind) who's occasionally [[Tzeentch]]ian games sometimes appeared to be for his own amusement and sometimes acted as education or event protection to the human race. Various subplots involving the Q ''species'' range from somewhat thought provoking to mildly entertaining to ridiculous and banal, but the classic episodes that highlighted the charisma and chemistry of the two actors were often quite excellent.

=== The Mirror Universe ===
Not so much of a faction as an alternate setting, this is a parallel universe in which [[Alternate History|things have gone differently]] in Earth's History. The main point of divergence appears to occur when the Vulcan scientists who landed at Bozeman, Montana in 2063 are not welcomed with alcohol and music but instead are killed and have their ship looted. It is equally clear that where the main universe is Noblebright the Mirror Universe is Grimdark. Instead of a peace loving Federation searching for knowledge and friendly cooperation for the betterment of all, Earth gave rise to the ''Terran Empire'' which seeks out new life and civilizations to conquer and enslave, as it had done with the Klingons. Pretty much it's the PG-13 version of the Imperium of Man with a bit more Grimderp. Junior officers get promoted by killing their superiors, those that fail at that get thrown in the agony booth for their troubles and Emperor gets the job by usurping the previous incumbent. In general everyone in the Mirror Universe is a selfish asshole version of themselves and following comic book logic the uniforms for the female characters are more revealing. Occasionally people can cross over from one universe to the next due to technobabble and cause mischief in either realm.

Originally it was a one off TOS setting for an episode of the week, but it was brought back in a few novels and some romps in Deep Space Nine in which [[Fail|the Terran Empire had fallen]]. In Enterprise's fourth season it got a two parter that was pretty good and would have been an annual thing if the show had been renewed, this one having little crossover with the main universe (a ship from TOS ended up in the Mirror Universe and is salvaged after all it's crew have died). We also went there in Discovery, for better or worse. Voyager never did the mirror universe, but instead got a homage episode with some alien historians in the far future getting the details wrong like historians tend to.

== The Star Trek Crew ==
Whether the focus of the show is exploration, manning a space station in an important locale or trying to get home, all Star Trek series have a basic set up of casting and focus: namely on a collection of people who are usually the senior most officers on the ship. If you decide to make a Star Trek inspired game take this into consideration.

* '''The Captain''': Big cheese. Makes the hard decisions. Needs to be able to talk, think or fight out of situations as needed. The third option fetishist finding the balance between empathy and reason. (Two least skubby examples: Kirk and Picard, but the skub will fly hard if you say one is better than the other, sufficed to say that people like both of them alot but for different reasons)
* '''The First Officer''': Second in command and trusted advisor. Added after the original series, where the role was combined with and split between two others. (Two least skubby examples: Riker and Kira)
* '''The Science Officer''': Got high Int stats. Can analyze the situation and work out solutions. The voice of reason. Almost never human. (Two least skubby examples: Data and Spock)
* '''The Engineer''': Hard working technically minded guy who gets shit done. (Two least skubby examples: Scotty and Geordi)
* '''The Doctor''': Ship's healer with a secondary scientific role. The voice of empathy, whether prickly or serene. (Two least skubby examples: Bones and the EMH Doctor)
* '''The Security Officer''': Rough and tumble no-nonsense sort whose job it is to keep these guys alive when diplomacy fails, which it often does. Often has to juggle providing ship's security with working the tactical station on the bridge in a crisis. (Two least skubby examples: Worf and Odo)
* '''The Helmsman''': Got mad spacecraft piloting skills, either full-sized starships, shuttles, or fighters. (Two least skubby examples: Sulu and Tom Paris)
* '''The Other Guy''': A crewmember whose role doesn't cleanly map onto other positions, a role often restricted to a single show. Example positions include communications officer, ship's councilor, transporter chief, and linguist. (Two Least skubby examples: Uhura and Troi)
* '''The Outsider''': Someone who is a passenger and regular cast member, but exists outside the organization, looking in and commenting. Usually works a side-job, like tailor, bartender, or cook. Either a beloved fan-favorite or utterly despised, there is no middle ground. (Two Least skubby examples: Guinan and Quark)

Some of these hats may be worn by more than one character, some may be worn by no one at all. This is especially true in the original series, which had a smaller cast overall, and which put less emphasis on an ensemble and more on the main trio of Kirk, Spock, and McCoy. The usual roles and character dynamics were instead set down by ''The Next Generation'', which later series generally copied.

== The Shows ==
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===''The Original Series''===
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Created in 1966 by legendary sci-fi [[spiritual liege]] and money-grubbing sexist lounge lizard Gene Roddenberry and pitched as a "Wagon Train to the stars", it's a pulpy adventure sci-fi, full of fistfights, sword fights, and hammy speeches. (The guns never work.)

The USS ''Enterprise'' is tasked by the Federation to go on a five year mission to explore space: the final frontier, to explore strange new worlds, to seek out new life and new civilizations and boldly go where no man has gone before, though due to budget constraints, her crew often finds that man has in fact gone there before. Or at least something that looks exactly like a man but is actually an [[Xenos|Alien]]; most episodes split the difference. James T. Kirk sleeps with [[Hot Chicks|hot alien babes]] who either die tragically or leave tearfully at the end of the episode, but it's 'k because he's too in love with the Enterprise to ever love a mere ''woman'' more. Mr. Spock and Dr. McCoy are cold and logical and rash and emotional respectively, and their constant friction must be resulting in the best make-up sex in the world, Mr. Sulu and Lieutenant Uhura wait in vain for focus episodes that never come, Ensign Chekhov suffers horribly to the approval of American Cold War audiences, and Scotty [[gets shit done]]. Uniforms, while iconic, tend to look a bit civilian though. Miniskirts are apparently mandated attire for the ship's fan-servicey female "yeomen" and others, because 1966. The civilian nature of the attire (including, one must assume, the miniskirts, but they had a visual appeal all their own) were apparently an intentional design decision by Roddenberry who didn't want uniforms to look military. Further specialness on the part of Roddenberry demanded phasers not look like guns, instead looking like nothing in particular at all (although looking back at them today they look sort of like TV remotes, which would be invented much later), and also (probably the only sensible decision in this category) ships that didn't look like rockets, giving ships their distinctive and iconic saucer-engineering-nacelles look that still stands out today.

The Original Series frequently ran out of budget and entire episodes were filmed using spare costumes belonging to the production company, resulting in a series of extremely goofy excuses to go to planets full of gangsters or [[Nazi]]s. This is often copied by shows who don't realize it was done out of pure expediency, and nowadays this [[TVTropes|"Planet of Hats"]] gimmick is practically a box to check off when doing sci-fi adventure. The lack of budget also resulted in one of the more memorable inventions; unable to budget for a sequence showing the ''Enterprise'' or a shuttle landing on a new planet every week, the writers instead decided to invent the transporter to "beam" the crew down to planets or between starships. Also worth noting: despite its mediocre critical reception, ratings and eventual cancellation, not to forget the uneven quality of many episodes, especially in the Roddenberry-less third season where poor Fred Freiberger had to come onto a show he didn't understand and try to get better ratings with less money, ''TOS'' had a hell of a cultural impact thanks to syndication and it has been said that since it entered syndication in 1969, there hasn't been a 24-hour period without some TV station, in some country, playing Star Trek. Cancellation of The Original Series is now considered one of the worst decisions in TV history, and while much of its silly 60's campiness is now laughable, it often still manages to teach relevant and important lessons today.

Fun fact: the ''Enterprise'' and each of her 11 sister ships have enough firepower to [[Exterminatus]] a planet by themselves, after getting issued an order called General Order 24. This however is likely a time-consuming task. According to a later DS9 episode, it takes a fleet of 20 warships 1 hour of sustained bombardment to destroy a planets crust and 5 hours of sustained bombardment to destroy a planet down to its mantle. These 20 ships were also in service 100 years after the Enterprise so they were also more powerful.
Kirk has the distinction of being the only known captain to issue a [[Exterminatus|General Order 24]], because a planet was ''too'' much into wargames (he changed his mind after they dropped wargaming).
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===''The Animated Series''===
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The often forgotten middle child. More or less "seasons 4-5" of ''TOS'' with the same writing staff and actors, sans poor Walter Koenig. He was replaced by a weird camel person. He learned this at a convention, from a fan, while he was trying to announce he'd be writing an episode, which Gene promptly demanded he rewrite over and over. Classy.

Being animated allowed the staff to get a lot more creative with the alien designs and plots, and the writing and acting remain... well, top notch is a stretch, but certainly at the same levels as ''The Original Series'', with the occasional low point. Not ''nearly'' as bad as you're probably picturing from the name, although still limited by the low budget and primitive, cheap animation techniques of the television era it was aired in. Notably some sci-fi novelists were brought in to write some episodes, such as Larry Niven, and at least one episode, "Yesteryear," is considered such a pivotal moment in Spock's development that even people who hate the series enough to consider it all non-canon often make an exception just for that one.

Also, since the series now has no excuse for throwing in lots of Space Puritans and Space Wizards, it of course continued to do so to derptastic results, because by this point it had become traditional. The presence of a straight-up [[furry]] on the bridge, however, is downright unacceptable.
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===''The Next Generation''===
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Here's where it starts getting a little deeper and a little darker, although with a lot of left-wing political subtext turned up to 11. The USS ''Enterprise-D'' (the original and C were destroyed in action while A and B were retired) is, like its predecessor, tasked with going where no-one has gone before, but this time around the problems are less likely to be solved in a single episode. Jean-Luc Picard is the captain and he plots and negotiates his way to victory; Mr. Data is cold and unemotional, though not by choice - as an android, he'd very much like to change that; Riker takes over the captain's "sleep with alien babes" duties since Picard is married to the job; Worf the Klingon gets beaten up by monsters to show how tough the monsters are, meaning that Worf winds up looking incredibly weak by the end of the show's run and doesn't regain his badassery until his run on ''DS9''; Dr. Beverly Crusher is good old Bones minus his temper; Dr. Pulaski is Bones ''plus'' temper; Counsellor Troy is so badly written she becomes a running joke; and Geordi LaForge [[gets shit done]]. Only two things need to be said about helmsman Wesley Crusher: he was [[Mary Sue|Gene Wesley Roddenberry's shitty self-insert fanfic character]], and his sueness got to the point that even his actor started to hate him within the first season of the show.

Due to the massive success of The Original Series in syndication (and Paramount being [[Rage|pissed off]] by broadcast networks treating their most valuable IP like any other show), TNG was aired through syndication from the beginning. Although the first two seasons were laughably bad, the quality began to improve dramatically after an increasingly cocaine-addled Gene Roddenberry got too sick to keep ruining it and his partner-in-crime Maurice Hurley was thrown out on his ass, a moment often pinpointed via looking for when [[Meme|Riker grew a beard.]] The later seasons are widely considered to represent the apex of the franchise's episodic formula on the small screen (although ''DS9'' gave it a run for its money with a more serialized approach); sadly, this series only got one good movie.
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===''Deep Space Nine''===
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Unlike all the other series so far, ''Deep Space Nine'' primarily takes place in a fixed location - the titular space station Deep Space Nine, out near the borders of Federation Space. Said space station is near Bajor, which was recently freed from Cardassian occupation, and a wormhole to the other side of the galaxy which allows [[Warp|all sorts of of crazy shit to go down]]. If the other shows are a wagon train, this one's a border fort.

Benjamin Sisko is the captain, declared Emissary by the nearby Bajorans for making contact with the wormhole aliens they worship, and he successfully hybridizes the blow-the-shit-out-of-whatever-you-can't-punch Kirk approach with the talk-in-a-very-dignified-way-about-the-philosophy-of-the-thing-and-win-by-rhetoric Picard maneuver, in his ultimately-successful quest to become the baddest motherfucker in space, then literally becomes a space god. Kira the Bajoran ex-<s>terrorist</s> <S>''noble freedom fighter''</s> (who are we kidding she calls herself a terrorist) struggles to free and rebuild her people while coming to terms with the moral ambiguities of situations she prefers to see in black-and-white, Dr. Bashir works to find his character for several seasons before becoming a highlight, Dax gets often written poorly and has to switch bodies doing it, Odo IS ''Liquid Space Cop'', Quark runs his bar and [[troll|heckles]] the Federation, Garak pretends to be a tailor while definitely not being a super-spy and dropping killer lines, and Miles O'Brien [[gets shit done]]. Also, Worf wanders in halfway through, and actually gets to punch things instead of just getting punched by them. It's also a lot more political than other series (though ''TNG'' and ''Voyager'' have their moments) and the last series to have Gene Roddenberry's involvement (with less enthusiasm, in fact often much to the benefit of this particular series thematically, although Roddenberry's complete departure did not necessarily bode well for the franchise in general.)

It's the [[Awesome|closest the canon series ever get]] to [[Grimdark]], especially when the Dominion show up. The show has aged remarkably well and the terrorist/freedom fighter debate was repeatedly explored in a very mature and honest way. ''DS9'' is the most serialized of all Trek shows and could be considered a forerunner to the golden age of television with its long story arcs and deep character development. Overall, ''DS9'' has to be considered the most consistently good Trek show thanks to the excellent writing and fantastic performances from a truly wonderful ensemble cast. At least until the final season, when the writers who made it good were pulled to try and fail to make good movies, heralding the failure that was ''Voyager''. The finale episodes were mostly okay and tied up the story semi-satisfyingly, though a few die-hard subplots fell flat.

It wasn't without its controversies however. The show was airing around the same time as another thematically similar sci-fi show, ''Babylon 5''. Not only that but characters also shared similarities, as did the episodes. Interestingly, beginning of both series, introduction of characters and airing of similar episodes were often too close to each other for one show to copy the other but this did not stop massive [[Rage]] and [[/v/|fanboy wars]] from starting between fans of the two series accusing one another of plagiarism and having an inferior product. Happily, as time went on and both shows evolved, these hurt feelings have mostly faded.

How good is ''Deep Space Nine''? Every Star Trek series and even the reboot movies have pretty much ripped off ideas and concepts established during the series. Famously, within the "Trekker/Trekie" fan community, there's a little cell of fans who like it better than most other ''Star Trek''; these fans are typically called "Niners."
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===''Voyager''===
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Star Trek: Voyager centers around the eponymous USS ''Voyager'', a smallish ship which gets teleported over to the other side of the galaxy. The plot of the series centers on the crew's efforts to get back home, which COULD have made for an excellent premise. Unfortunately, there were few lasting story arcs, with most episodes being fully self-contained (as well as being littered with far too many episodes featuring holodeck or transporter incidents). As a consequence, despite being completely isolated from the Federation, no matter how bad things got Voyager always appeared in the next episode without a scratch, fully supplied, and with all its shuttlecraft intact. Think ''Gilligan's Island'' on a starship.

Like ''TNG'' and ''DS9'' it's a character-driven drama just as often as it is a sci-fi adventure romp, although compared to TNG only a few of the characters are particularly memorable. The captain and arguable "main character" is Kathryn Janeway, a Katharine Hepburn lookalike (I see what you did there) who is stern without being cold, and principled without being inflexible. The fan favorite is a character called "The Doctor" ([[Doctor Who|No relation]]); he's the solid-light hologram representative of the ship's emergency medical computer, who has to take on actual medical duties when their chief medical officer was conveniently killed in the pilot episode. Other than this, Chakotay is a peace-loving and spiritually rich indian <s>freedom fighter</s> <s>terrorist</s> [[FAIL|who was written with the help of a special cherokee consultant so native his name was Jamake Highwater and it turned out later on that he was actually jewish and didn't know dick about native cultures so he made everything up resulting in Chakotay basically being a borderline racist caricature of what you think indians are like. Akoochimoya.]] Tom Paris is an annoying jerk and is counterbalanced by Harry Kim who is the ideal boy-scout, making him only half as annoying and twice as boring. B'elanna Torres tries to perpetuate a lineage of dudes getting shit done but ends up blankly reciting her technobabble, having second degree plasma burns and – worst of all – systematically fails to get shit done whenever the warp core goes nuts. Tuvok tries hard to be as cool as Spock but ends up being a lame version of the n°1 Vulcan who uses logic to justify everything and makes it short for "you are wrong, I am right because I said so." Kes is passed as a fragile and nice character but it takes a couple of episodes to realize that having a short lifespan does not change the facts: [[powergamer|when you can boil someone to death from the inside of their body, drain life from everything around you to become stronger and do anything you want without knowing how, just by thinking of it]], you are a goddamn Mary Sue. From the fourth season onwards the only character the writers seemed to care about are Seven of Nine, [[Mary Sue|a human woman who recently escaped from Borg control and kept all of her cyborg enhancements but regained her free will]]; another Mary Sue, to be sure, but she's [[Hot Chicks|hot]], and the other characters are much worse, so that's not really a bad thing. Fortunately, The Doctor still received a lot of attention from the writers and almost single-handedly made the show watchable. There was also Neelix, who was the apparent inspiration for Jar-Jar Binks, and any sane crew would have pushed him out of an airlock on the first episode. Fans who stuck with the show despite its glaring failings were given one final slap in the face with the <s>controversial</s> shit final season, in which the producers decided "screw steadily crafting a satisfying conclusion to a story which we have wasted for most of the last seven years anyway; lets just ignore it until the final episode and then throw in some shit about trans-warp conduits and time travel, bitches love time travel!" If you did not care about any of the characters or the subplots or time travel making sense (the writers sure didn't), then the final episode was explosions (and the Borg got a major setback, just don't think about the setup too hard).

The Doctor never once stopped being totally fucking awesome though (enough so to even earn a cameo in First Contact), and the great acting from the cast carries the series from being horrific to ''occasionally'' watchable. Just goes to show that no matter how good your actors are, they can't make diamonds out of shit.

Overall, most Star Trek fans view Voyager's legacy with a shrug and a "meh." Unfortunately, hopes that Voyager's successor would revitalize the franchise would soon prove to be overly optimistic.

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===''Enterprise''===
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From the minute the Nickelback-tier theme tune started, Enterprise attempted to take Star Trek in a new direction and was only partially successful in doing so. The series never quite caught its footing, although it still managed to have some enjoyable moments. It was most notable for providing a first-hand view of the key events that directly led to the formation of the Federation. The Federation's founding races were also featured heavily, with Andorians, Tellarites, and Vulcans all enjoying significant screen time alongside the human characters.

It's a prequel to the rest of the canon, taking place on the first ''Enterprise'', before the Federation was founded and during the period when Earth was still an independent power- so there's a lot of primitive versions of things from other series. At least the uniforms were pretty cool in an Air Force sort of way. Captained by <s>that guy from ''Quantum Leap''</s> Jonathan Archer, in hindsight the fact that they had to rename him from their original choice of Jeffrey Archer to avoid confusion with the disgraced British MP and author of the same name probably cursed the series with bad karma before it had even begun shooting. In an unusual twist for a ''Trek'' series, his first officer isn't a <s>terrorist</s> ''noble freedom fighter,'' however she does share a trait with her ''Voyager'' predecessor in that the actress who portrayed her frequently criticized the show's writers in interviews. Other than that, well, Hoshi Sato screams a lot, Travis Mayweather was so dull even the writers forgot he existed, the resident Vulcan T'Pol serves as both the Science Officer and source of sexy fanservice, Malcolm Reed has an accent, Dr Phlox is a weird creepy alien with weird creepy alien moral (and gets surprisingly interesting when given enough screentime, which hardly happened), and Trip also has an accent and [[gets shit done]].

Was retooled twice, the third season tries to be ''24'' IN SPACE (stop some guys the Xindi from blowing up Earth) while the 4th season is a massive apology about the last three seasons that tries to fix all the problems they had, and as a result, the only season that's close to being good.

Unfortunately, the poorly-received final episode is set on the holodeck of the Enterprise-D, which leaves us with the firm impression that the producers would have much rather have just continued making ''The Next Generation''. Considering the mediocre quality of the ''TNG'' movies we got instead, this probably would have worked out better for all involved (Or not since ''Voyager'' was that; its first episode was even numbered 901, as in Season 9 Episode 1).

Yet despite all this bad directing, subpar plots, and frankly boring episodes, ''Enterprise'' still manages to be moderately enjoyable with occasional moments of awesomeness if you can suffer through a fair few awful spots and aggressive mediocrity almost everywhere else. The focus on founding Federation races like the Andorans was refreshing and the technology level, being somewhere between the original series and the real world present-day, was quite interesting. We also got to see the Vulcans portrayed as arrogant, superior dicks. Which makes a lot more sense than the way they're usually portrayed as fairly submissive towards humans because they are, obviously and objectively, the superior race. The Klingons certainly still considered themselves to be honorable but the show made it clear that the Klingon notion of honor is rarely analogous to the human concept which was interesting as all hell to watch. There have been a few small nods to it in discovery and the abrams movies.

And let's be fucking honest, [[/tg/]] loves 40k and the Xindi arc was about as grimdark as shit gets. And that was awesome.

Also makes a neat pairing with ''Voyager'' in that they really mess with the Prime Directive and question the Federation.
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===''Discovery''===
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----
<s>A LOAD OF SOCIAL JUSTICE SHIT!</s> Ahem, let's start again, shall we?

A new "prequel" series set 10 years before ''The Original Series.'' Again. Run exclusively on CBS' paid streaming service (unless you live outside the US and Canada, in which case you can get it on Netflix) to try and drum up sign-ups and revenue, it features a mix of ''Enterprise'' and Abramstrek aesthetics despite supposedly taking place in parallel to the TOS "The Cage" pilot while [[what|having technology superior to late DS9]] and introducing [[dune|mushroom-based space travel]] that would imply [[retcon|all later events and warp travel would be outdated]]. The trailer has attracted a lot of concern over the fact that Klingons have been completely redesigned to look like slit-nosed ogres wearing ancient Egyptian cosplay, and rumors that the Klingons shown were [[Racial Holy War|primitives who had been trapped in stasis]] proved to be unfounded, so there is no excuse. Not having a cold war to posture about, the new villains are based off of Trump-inspired xenophobia by the admission of the authors. Also the lead character is Spock's human sister that he never mentioned before, aka the ''exact'' origin of the [[Mary Sue]] which is just fucking depressing. To further reinforce this, there are ''numerous'' examples of dialogue and exposition that serve only to show how the Mary Sue main character was right all along, usually in conjunction with the death of the character that had foolishly disagreed with her. Want a new Star Trek episode about racism and immigration? Try the now-banned [https://youtu.be/3VEZH8bqytA Star Trek Continues]. Want Star Trek with humor, keep an eye out for the upcoming [https://ew-com.cdn.ampproject.org/c/s/ew.com/tv/2018/10/25/star-trek-animated-comedy/amp/?fbclid=IwAR2WN6auDNm5YiunYhaqiu7vt9f-P08AuUjMpLA5LlpUgvTm9_xloJNRYb0 Star Trek: Lower Decks]; want a pseudo-Star Trek show about other modern issues? Try ''The Orville'' below; that's right, American Dad In Space may right now be a better Star Trek than an actual Star Trek series.

Initial reviews have been... well, it's shit. The writing is overly convoluted, the massive injection of grimdark into pre-TOS continuity is anathema to the hardcore fans (the ''human'' characters are often the ones doing the nastiest shit, including [[Marines Malevolent|trying to kill a Klingon party by planting an explosive on the corpse of one of their comrades for when they came to collect the dead]]) and the Klingons are so flat and devoid of characterization that they might as well be Larry the Cable Guy lookalikes wearing Trump hats. This is a massive disappointment for a series that promised to put a spotlight on Klingon culture but ended up retconning all the characterization that happened in TNG and DS9. It ''may'' get better with time (remember that it took two seasons for TNG to get really good) but given the release schedule (split between 2017 and 2018 with a long break) it may come too late for the fanbase to care. Currently it's cause for more fans to lose their shit over whether it's better or worse than the Abrams movies, which is a new record of [[Skub|Trek Skub]]. Releasing the show on CBS All Access instead of cable or broadcast TV makes it seem that executives don't really give a shit if the show succeeds or fails, bringing up the question of [[Bioware|whether they're deliberately putting Star Trek: Discovery in a no-win scenario where, no matter what happens, the executives have an excuse to cancel Star Trek altogether]].

Another stupid decision was not shelling out the cash to bring back Bruce Greenwood and Zachary Quinto as Captain Pike and Spock, respectively. Their ages wouldn't have mattered either if CBS and Paramount weren't too cheap to use the anti-aging CGI tech that is so commonplace these days. That being said, Anson Mount's portrayal of Captain Pike was a revelation that was BY FAR the most well-received aspect of Season 2.

There were also allegations that large chunks of the plot were stolen from previews of an in-development indie game (the unreleased 2014 game featured giant Tardigrades that had the ability to use an interstellar network to travel anywhere they wanted to- sound familiar?).

While Season 2 had some watchable moments, it was still middling at best, and nobody is ''ever'' going to let this series live down the garbage fire that was Season 1.
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===''Picard''===
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Set to be a continuation of the original timeline, featuring old man Picard with Patrick Stewart reprising the role. Hopes are not high, but at the very least Patrick Stewart's presence should make it watchable if nothing else.

The story so far: Picard ragequit Starfleet after they sat back and let the Romulans get blown up by the supernova mentioned in the first Abrams movie. This happened because some rogue androids orbitally bombarded Mars and blew up the rescue fleet that was being built there, so the Federation has banned all R&D on synthetic lifeforms. Picard has been living in his family chateau ever since, making wine and hanging out with his dog and his Romulan housekeepers. Then a scared girl named Dahj turns up on his doorstep, and it turns out she's a highly advanced biological android constructed from the surviving bits of Data's positronic brain. Before Picard can really figure out what to do about her, she gets killed by some Romulan assholes, but it turns it that's okay because she has a twin "sister" who is working with some other Romulans on a derelict Borg cube. Picard decides it's time to saddle up and go be a hero again. Stay tuned.

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== Homages ==
Being such a long-running franchise with a wide audience, Star Trek has gained enough pop-culture recognition that it is often referenced in other works. In a few cases entire projects are made to pay homage Star Trek. Here are some examples.

=== Galaxy Quest ===
A sci-fi/comedy film released in 1999, directed by Dean Parisot. It parodies science fiction films and series in general, but particularly ''Star Trek'' and its fandom. The film stars big name actors including Tim Allen, Sigourney Weaver and the late great Alan Rickman. The plot revolves around the cast of a defunct cult television series called Galaxy Quest (for example, Tim Allen played the Kirk/Shatner expy and the late Alan Rickman played the Spock/Nimoy expy). They're also suffering fatigue that mirrors the experiences of the actual Star Trek actors (Rickman's character is typecast with his Galaxy Quest character and laments it, similar to how these things happened to the late Leonard Nimoy).

The cast are suddenly visited by actual aliens, the Thermians, who believe the series to be an accurate documentary (they have no concept of fiction and only the most bare bones idea of lying) and seek their help. The Thermians take the actors with them, who find themselves involved in a very real, and dangerous, intergalactic conflict, and unlike the show where it all wrapped up quickly they struggle to learn about and relate to the aliens. Spoiler; in a witty nod to the "rubber forehead aliens" so common in Star Trek, the Thermians look like humans with makeup, but that's just an advanced disguise device and the Thermian's true forms are squid-like. Can these actors find greatness within themselves, and possibly personal redemption? (Spoiler: yes, and it is incredible.)

Built around the basic premise of "What if the cast of ''Star Trek'' ended up on a real spaceship and had to actually do the shit they did in the show?" Featuring a veritable all-star cast of talented comedians and character actors, this is one of the best parodies ever made, and an affectionate love-letter to the franchise as a whole.

===Star Wreck: In the Pirkinning===
Another parody, parodying not only ''Star Trek'' but ''Babylon 5'' as well. The seventh in a series fan movies released in 2005, it's about Captain Pirk builds a starship called CPP ''Kickstart'', allies with Russia and takes over the world. He wants to take over more planets but the ships of his P-Fleet aren't fast enough to travel outside the Solar system. A maggot hole opens and it leads to an alternate reality. Pirk wants to take over the Earth of this reality, which leads to an [[awesome]] space battle between the P-Fleet and the fleet of the space station Babel 13 led by Johnny Sherrypie. The movie features some of the best special effects ever put in a sci-fi movie, which is pretty impressive, considering that this is an amateur film with a very low budget and was rendered in five years in someone's bedroom. The film is spoken in Finnish but subtitles are available for a wide variety of languages, including Klingon. They also made [https://web.archive.org/web/20070828010927/http://rpg.starwreck.com/ a role-playing game based on it], where your character [[Truenamer|becomes more incompetent]] [[Page 42|as he levels up]].

===Star Trek: Renegades===
Kickstarter Trek. The makers submitted their made-for-TV movie pilot to CBS in an attempt to get it made into a legit on-the-air series (and by god it shows), but they were not successful. As a result, while the project limped along for a few years afterward, it has good and bad in equal measure. As a non-official product it also cannot be considered canon. Some characters are actually interesting (about time we saw more of the Breen!) while others are pure Mary Sues (including a male Seven of Nine with a built-in Borg-gun/personal shield/fully-functional hand). Some of the ideas are interesting while others are boring or already-been-done. The CGI is all Hollywood-quality, but the practical effects are okay at best.
It's obvious that they made this without knowing that they were going to be able to make a TV show or not, and tried to cram the sort of build-up and intrigue we saw in DS9 into a span of 90 minutes. For now though, it's decidedly meh, and probably a dead project as well since it hasn't been mentioned on the maker's website in over a year as of late 2019.

===Star Trek Continues===
Of all the offerings listed here, Star Trek Continues is BY FAR the closest in theme and tone to the original 1960's series. Indeed, this is the whole point: from its inception, this fan-funded project was intended to represent a what-if "4th Season" of the Original Series, ending with the conclusion of the Enterprise's 5-year mission. It is surprisingly and at times ''delightfully'' watchable, with strong stories, consequences and arcs that carry over to later episodes, tons of attention to detail, unexpected cameos, and a cast that really came together, particularly in later episodes. It also delicately navigated a line between viewing female characters through the lens of a show that was rooted in 1960's culture while also not treating them as weak children dependent on men for protection. Star Trek Continues successfully concluded its "season" with all 11 episodes gradually released from 2014 to 2018.

The show received heaps of industry awards and wide praise. Unfortunately, this success was somewhat marred by subsequent allegations of sexual misconduct against the lead actor, Vic Mignogna (also known for his work in anime), by accusers who never bothered to report it for eight years and still claimed to be his friends for those eight years afterward despite what they claim he did to them, have tried to avoid involving the proper authorities such as the police and the courts despite trying to frame Vic as a sex offender - in fact the first time the legal system was involved was Vic suing them for defamation and unfair dismissal.

=== The Orville ===
A comedy drama sci-fi television series that began as a homage to Star Trek, created by and starring Seth MacFarlane of ''Family Guy'' infamy-- [[Skub|No wait, come back!]] The guy's a huge Trekkie and felt too many shows were up in their ass with grimdark, so he pitched his idea to the execs to make a loving comedic sendup of The Next Generation. Many of the executive producers and developers are notable industry Trekkies such as David Goodman (who wrote the ''Futurama'' Trek parody episode), or Trek alumni such as Brannon Braga. First airing in 2017, the series is about the strung-out not-Picard protagonist Captain Edward Mercer, played by MacFarlane himself, of the eponymous not-Enterprise spaceship "The Orville" ([https://en.wikipedia.org/wiki/Wright_brothers#Orville named after one of the Wright Brothers in a splash of genius]). His ex-wife Kelly is the first officer while the crew includes the not-T'Pol alien security officer Alara, gay beefy not-Worf alien Bortus, asshole not-Lore android Isaac, and John LaMarr and Gordon Malloy - an even more ridiculous parody of Harry Kim and Tom Paris. They explore the galaxy while dealing with personal problems and fighting various bad guys.

Season one started with a decent pilot about Ed and Kelly reconciling enough to work together, then had peaks and valleys to its final episode. Like Star Trek, there’s some commentary on real world issues, and while less preachy than ''Discovery'' on some subjects, it's just as bad or even worse on other subjects. The totally-not-Black-Mirror's-"Nosedive" episode "Majority Rule" had good commentary on social currency systems. The Season trod [[SJW|certain waters]] at times, such as the episode "About a Girl" being a surprisingly well done, Bortus-centered story about gender-fluid/sex-changing aliens... only for episode "Cupid's Dagger" to poke the hornet's nest when it revealed Kelly and Ed split because Kelly banged an alien whose seduction included pheromones (raising questions of consent, blame and date rape). Then, since it’s a Seth MacFarlane show, it has preachiness on atheism exceeding even Star Trek’s, with a quarter of Season 1 episodes all about beating the “Religion is Bad” drum - "If Stars Should Appear", "Mad Idolatry" and "Krill"; regarding the latter, the titular Krill are aliens and the only religious race in the setting, so ''of course'' they’re fanatical devotees of a dangerous religion (a monotheistic one teaching that [[The Culture#Other civilizations|all non-Krill are soulless abominations to be subjugated or destroyed]]). Between this and cues from villains like Nosferatu (all deliberate according to the devs) including a pallid reptilian look and being killed by UV sunlight, the Krill seemed set to be the show’s go-to bad guys. While there were teething problems with plots, the jokes were hit and miss and the preachiness could grate regardless of views, The Orville did well enough for a second season.

In the second season, Alara was written out of the show halfway through. The character's actress, Halston Sage, was rumoured to be dating Seth MacFarlane and given the apparent distance between them later, this may have indicated a breakup which led to her departure from the show. If the rumor was true, this likely factored into writing Alara out because [[Derp|dating a co-worker and subordinate 20 years younger than you almost never ends well]]. In any event, this change may come back to haunt them as she was one of the more well-received characters. In other events, Issac turns good at the last minute (becoming not-Data instead of not-Lore) and one episode has a plot hole where the Krill teacher Teleya - captured by Mercer and co. and imprisoned in Season 1 - comes back as part of a strike force targeting Ed with no explanation for her escape. Speaking of the Krill, they become the "lesser villains that need to team up with the good guys to fight worse villains" cliché, in a possible asspull given all the villainous setup they got in Season 1. The team up happens because the rest of Issac's robotic race, introduced this season and called the Kaylons, have gone [[Necrons|Full Skynet]] against organic life. The cast seems to be gelling better (rumoured friction between Seth and Halston aside), the writers have a better idea of what the show should be and the humour is now used in service of the stories. The criticized elements were watered down but still remain, and while the show is getting a third season, it was moved from TV to streaming service Hulu.

Ultimately, some commend The Orville as a breath of [[Noblebright|fresh air]] in an overly [[Grimdark|stagnant]] genre with good special effects and bouts of genius. Others denounce The Orville as derivative with sophomoric preachiness, clumsy pop-culture references and haphazard writing. Further criticisms include MacFarlane's stunt-casting of himself as the main character being the height of vanity and that his interactions with ex-wife character Kelly are uncomfortable to watch from the word "go." Some think both sides have a point. Trekkies are equally divided on the show; many Trekkies [[butthurt]] over Discovery endorse The Orville, a significant number of Discovery fans hate The Orville, and a small and overlooked group quietly enjoys both.

As always, stay tuned for how this turns out.

== Films ==
As a general rule, the even-numbered ones aren't complete shit.

* '''''Star Trek: The Motion Picture''''': AKA: The Slow Motion Picture, or the Motionless Picture. A giant space whatsit is flying towards Earth, the mostly-retired crew has to go figure out what's going on and stop it. Old school sci-fi geeks like the ideas, but terrible pace and interminable special effects that were clearly meant to capitalize on ''2001: A Space Odyssey'' while failing to understand what people like about that movie kill them dead for everyone else. Besides the uniform worn by Kirk, the uniforms also look like pajamas. So no wonder they were changed only a movie later. Features an entirely bald female alien who is [[What|so good at sex that she has to swear an oath not to get it on with the crew]]. Really. This is canon.
* '''''Star Trek II: The Wrath of Khan''''': As Kirk starts to feel his age, a one-off villain from the show makes a dramatic reapperance: [[Meme|KKKHHHAAAAAAAAAAAANNNN!!!!]] Widely considered the best of all the films, and the only one considered a straight up great film, no qualifiers. If you haven't seen it, see it. So good many later movies in the franchise just try to rip it off instead of finding their own identities. Interesting fact: due to time constraints, actors of Kirk and Khan weren't available at the same time. So the entire script was written so that Kirk and Khan never need to meet face-to-face. But you'd never notice if it weren't pointed out to you. Roddenberry screeched autistically and objected to some of the actions of his characters, including Kirk shooting a [[Enslavers|brain eating space parasite]] rather than "[[Noblebright|keeping it for study]]." The fact that his strongest objections came to the most [[win]] of the films says a great deal about his deprecating value to the franchise around the TNG era.
* '''''Star Trek III: The Search for Spock''''': Where is Spock? ''He's on Genesis.'' ALL AHEAD FULL! Not really bad, just mediocre and run of the mill compared to the superior films that surround it. It was also saddled with the misfortune of undoing some of the previous film's more-daring decisions, and having its only daring decision reversed a film later. If you had to say that any film broke the "odd numbers suck" rule, it would be this one.
* '''''Star Trek IV: The Voyage Home''''': The crew of the ''Enterprise'' travels back in time to save the whales. No, literally and unironically. Scott tries to talk to a computer through the mouse, Spock nerve-pinches a punk on a bus in San Francisco, and somehow it works, creating something perhaps not quite in the genre intended but a classic in sci-fi dramedy. ''The Voyage Home'' is a zany comedy romp beloved by the general public and fandom alike, leaving only the most intractable fanbois to bitch and moan. Nimoy directed this one but there was a contract stipulation that Shatner would get whatever Nimoy got, thus leading to...
* <del>'''''Star Trek V: The Final Frontier''''':</del> <s>The epitome of the "odd-numbered Star Trek films suck" rule.</s> {{BLAM|Lies! There is no}} '''''Star Trek V'''''{{BLAM|! It was not called}} '''''The Final Frontier'''''{{BLAM|! It was not directed by Kirk's egotistical actor and did not have a plot that could literally be summarized as "Kirk is betrayed by his incompetent crew, yet goes on to fight God and win!" The films mysteriously moved from four to six and ''we are all improved because of this!''}}
* '''''Star Trek VI: The Undiscovered Country''''': The Space Cold War ends amidst searing mystery and drama. The sendoff for the original cast, except Kirk who got a worse send-off a movie later. Gene Roddenberry watched it, hated it, and was going to seek legal advice but died a week later. And good riddance to that, because it's a pretty sweet political thriller if your hippie-panties don't get into a twist at the thought that the Federation isn't a perfect place full of perfect people.
* '''''Star Trek Generations''''': Malcolm McDowell blows up planets to get into a magic space ribbon to live forever, no it does not make any more sense in context. An already-weak story hamstrung by its obsession with being daring and unconventional rather than good. Also, Kirk dies on the bridge in the most face-palming manner possible.
* '''''Star Trek First Contact''''': The ''TNG'' crew face off with the Borg to ensure the future happens. Lots of action, a script that sparks with energy and snark, and some quite effective performances make this the only good ''TNG'' movie (we don't blame you TNG cast). It sadly is also the only appearance of the Defiant on screen, doing a pretty decent job of fighting the Borg before the Enterprise E saves the day of course. The Borg Queen was also introduced here before Voyager, ruining what could have been a good idea.
* '''''Star Trek Insurrection''''': If you thought the [[Avatar|Na'vi]] were a bunch of badly-written [[Mary Sue]]s, you ain't seen nothing yet! B-b-b-baby you ain't seen n-n-n-nothing yet! Also, Riker shaves his beard, and that's basically a war crime. Aged from terrible to forgettably bad thanks to that one scene of Picard and Data singing ''HMS Pinafore'' going memetic.
* '''''Star Trek Nemesis''''': The last stand of the ''TNG'' cast, ending not with a bang but a whimper. It also required amending the even=good/odd=bad rule to "''Galaxy Quest'' counts as a ''Star Trek'' film so this one is also odd."
* '''''Star Trek''''' (2009): Alternate timeline "reboot" (sideboot?) with the original crew, albeit with new younger actors. Timey-wimey shit happens and old prime timeline Spock (reprised by old Leonard Nemoy) is hurled back in time along with a bunch of Romulan assholes. The dickbag Romulans begin fucking shit up, slightly altering history in a way that ensures gratuitous lens flare. [[skub| Skubtastic]], but at least watchable, which is more than ''most'' odd-numbered films can muster. If you still even count it as odd, without the ''Galaxy Quest''-amendment.
* '''''Star Trek Into Darkness''''': Some [[edgy]] shit. The second of the alternate timeline ''Trek'' films. Terrorism, conspiracy and flapdoodle. Even more skubtastic, but generally considered worse than its predecessor, partially because (like ''Nemesis'') it tries to be a remake of ''The Wrath of Khan'' and having Kirk at his most punchable.
* '''''Star Trek Beyond''''': Controversial, but more in a question of whether it's decent or quite good. Lots of good character stuff and a decent story revolving around a race of mysterious space pirates trying to conquer a colony, but the action photography is poorly-lit shaky-cam horseshit and the sound work is awful. If it's the last "Kelvin Timeline" movie, as it seems it will be, at least it ended on a good note.

== Novels ==
Like most long time franchises ''Star Trek'' has a massive line of books. Unlike most they're basically just fanfics as nothing but the show and the movies is canon so the writers can do whatever they want. This changed after ''Nemesis'' since they might never have another show or movie in the "Prime" universe, so the writers got their shit together and wrote a group of books as a tight community very close to the shows. The relaunch novels are a continuation of the show they're about. Also there's the ''Titan'' book series which is about Riker and Troi getting their own ship, which happens to be staffed by every race in the Federation including living rocks, [[awesome|space dinosaurs]] that smell like [[meatbread|toast]] and a [[what|space cyborg ostrich]].

During yet another novel continuity (Star Trek: Destiny), the Borg go nuts and eat Pluto... yeah... and then they finally get sick of the Federation somehow managing to not get assimilated all the time, so they finally just send every last cube they have with orders to Exterminatus the absolute SHIT out of the entire Alpha Quadrant. Pretty much every important character from TNG, DS9, and Voyager has to team up to stop them, and even then the Federation still gets its shit kicked in and winds up having to rely on a vaguely ridiculous deus ex machina to win, and [[Grimdark|billions of people still die and dozens of planets are blown to shit]]. It was pretty insane.

Then all the Federation's main enemies get together to form an anti-Federation and start poking the bear, all the while telling their allies that they're somehow warmongering dicks, Section 31 gets its cover blown in a big way, and Riker gets promoted to Admiral. Also, a lot of the newer TNG novels have been devoted to following up on one-shot aliens from the show, like the guys that sent out the probe that made Barclay super-smart and those fish monks that were abducting crewmembers for experiments. Now that the Picard show is coming out, though, this will all presumably be chucked in the dustbin.

== Video Games ==
=== Star Trek Online ===
''Star Trek Online'' is the free-to-play online game built by Cryptic Studios and run by Perfect World. With an official license CBS, recurring characters voiced by various Trek alumni, and recently a license to include references to the reboot chronology (officially known as the "Kelvin Timeline"), it's the closest existing thing to an "official" continuation of the "Prime" timeline, and contains history and fluff extending nearly 40 years from the end of Star Trek: Nemesis.

Taking place in the 25th century (around the year 2409-2410), the Hobus supernova (the event that kicked Nero and Spock into the past during Star Trek 2009) has devastated the Romulans, and its near-collapse and fragmentation causes tensions between a resurgent Klingon Empire and the Federation. The tensions blow up into a war, with members of a new, nicer, breakaway Romulan Republic playing both sides in exchange for development aid.

The game contains deep cuts from all over Trek lore, and answers questions about what happened to various key characters, including Data (took over the Enterprise-E, then retired), the Enterprise (now an even bigger ship run by Andorian captain Shon), and the Voyager crew (it took Harry Kim 30 years to make Captain lol). Raises barely-shown, unnamed, and otherwise obscure races to new prominence as big bad foes, including the Iconians (ancient aliens with god complexes who mutated into energy beings, currently live in dyson spheres and were only defeated by predestination paradox), Tzenkethi (4-armed halo guys whose weak points are the FRONT of their shields), and Na'kuhl (the alien nazis from Enterprise as time-traveling terrorists who blame the Federation for a throwaway event that happened in TNG's beach episode).

Ostensibly free to play, but don't let that fool you... the ''not-so-micro''transactions are the only reason the lights stay on.

=== Starfleet Command ===

''Starfleet Command'' was a series real time space battle games by Interplay based on the much older tabletop game Star Fleet Battles. It came out in 1999 and was followed by several sequels and expansions. Gameplay was much like ''Battlefleet Gothic'', but with the player only controlling one ship. SFC remains Interplay's best selling game, topping even ''Baldur's Gate''.

=== Armada ===

A series of low effort RTS's churned out by Activision in 2000. Tried to take on both ''Homeworld'' and ''Age of Empires'', both of which have recently gotten HD remakes and ''Armada'' hasn't so that should tell you all you need to know. However, for one of the first 3D model space RTS's it was surprisingly easy to mod, resulting in many ship mod packs being made for it.

== Would you like to know more? ==
And oh Lordy, is there more...
*[http://en.memory-alpha.org/wiki/ Main Memory Alpha: A ''Star Trek'' wiki]
*[http://memory-beta.wikia.com/wiki/ Main Memory Beta: The flip-side of Memory Alpha for the less than official stuff]
*[http://sfdebris.com/ SF Debris: opinionated episode reviews, has some non ''Trek'' stuff as well]

[[Category: Television]]

Star Trek

2020-02-09T09:41:31Z

2406:3400:20F:FFC0:E89A:D163:A38A:4389: /* Homages */

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[[File:Enterprise.jpg|thumb|500px|right|If you aren't already hearing the theme song you might not belong here.]]

{{Topquote|Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no man has gone before!|James T. Kirk, third captain of the starship USS Enterprise}}

'''''Star Trek''''' is a multimedia science-fiction series and one of the cornerstones of nerdy media properties, and one of the few to crossover into mainstream popularity (alongside ''[[Star Wars]]'', ''[[Doctor Who]]'' and a few others). It's also one of the longest-running science fiction franchises, as it began when the the first episode of The Original Series aired in 1966, and since then has had over 50 years of geek history spanning several generations. Needless to say, it's had a huge influence on all things sci-fi, and, by extension, [[/tg/]].

Originally, ''Star Trek'' was [[noblebright]] beyond noblebright and, in many ways, was the polar opposite of ''[[Warhammer 40,000|Warhammer 40K's]]'' [[grimdark]]. The more recent reboot films, however, have taken a much, ''much'' more grimdark tone, which is delightfully [[skub]]tastic.

== Games ==
There's been plenty of tabletop games and [[/v/|vidya gaems]] featuring ''Star Trek'' without being merchandising bullshit (see: themed ''[[Monopoly]]'' sets), including one of the earliest action multiplayer wargame: ''Netrek''.

*'''''Star Trek: Adventure Gaming in the Final Frontier''''' (1978) The very first Trek tabletop [[RPG]]. Written by, I shit you not, Michael Scott. Groggy (grokky?) as all hell, and due for an OSR.
* '''''[[Star Fleet Battles]] (SFB)''''' (1979-) The crunchiest starship combat game you're ever going to find outside of a computer. Based on the original series and not any of the later series, for licensing reasons. Takes some liberties with the setting, which (combined with the aforementioned licensing) is why "''Star Trek''" isn't actually in the title. It's had its own video game spinoff in the form of Starfleet Command. The series died when the last company owned by Interplay broke up in the early 2000s.
* '''''Star Trek: The Role Playing Game''''' (1982-1989) Made by [[FASA]], essentially ''[[Traveller]]''-lite, or a happier, shinier ''[[Rogue Trader]]''. Hasn't aged terribly well, what with having been made when the only canonical ''Star Trek'' materials to work with were the original and animated series, the first four films, and a couple of now non-canon novels. If you try to dust it off, expect tons of conflict with the rest of the show. Died as they were trying to update it for ''TNG'', because Paramount's corporate suits (surprise, surprise) had no idea what an RPG actually entailed and were worried about violence, and getting their cut, and... oh you know the drill by now. Welcome to the 80's.
* '''''Star Trek: Starship Tactical Combat Simulator''''' (1983) FASA designed this, so it feels like ''[[Battletech]]'' but not as good.
* '''''Prime Directive''''' (1993-2008) The most successful tabletop RPG line (but that's not saying much), it's actually still in print. Produced by Amarillo Design Bureau, so again no direct name-dropping of "''Star Trek''." Lasted as long as it did by constantly evolving, in Borg-like fashion, to adapt to the current zeitgeist. Has had 4 editions, with the second using [[GURPS]], the third using [[Wizards of the Coast|d20]], and the fourth [[d20 Modern]].
* '''''Star Trek [[Card_Game|CCG]]''''' (1994-2007, 2011-2014, 2013-2015, 2018-) There's been a few of these, most notably the games released by [[Decipher]], but never globally popular. They also suffered from game balance problems from fans wanting their fave character, but needing extra rules for their quirks. There's also the problem of putting numbers to character stats, such as one game that asserted that [[Heresy|Picard having about twice the integrity of a Klingon pig]]. Later versions are "deck-building" games to try to cash in on the popularity of ''[[Dominion]]'' and ''[[Thunderstone]]''. And now virtual CCGs are the order of the day.
* '''''Star Trek: The Next Generation Role Playing Game''''' (1998-1999) The next attempt, made by Last Unicorn Games. Won an award for best new game, which makes it a complete shame that no one has ever played it.
* '''''Star Trek Red Alert''''' (2000) A Diskwars game themed to ''Star Trek''.
* '''''Star Trek Roleplaying Game''''' (2002-2005) When [[Decipher]] had the CCG license, they decided, "What the hell, let's make an RPG, too." It, like so many of its predecessors, died unnoticed and unmourned.
* '''''Star Trek Online''''' (2010-) An [[MMORPG|MMO]]. Decent gameplay mechanics, especially starship combat. Storyline leaves something to be desired, especially when the ostensibly [[Noblebright|peaceful]] Federation trades shots at least once with every other faction in the galaxy.
* '''''Call To Arms: Star Trek''''' (2011) [[Mongoose_Publishing|Mongoose]]'s license for ''Babylon 5'' expired, so they collaborated with Amarillo Design Bureau (the ''Star Fleet Battles'' guys), re-themed the game to Star Trek along with improving the system to make it more nifty. Less micro-management than SFB, and ships get some cinematic feats.
* '''''Star Trek: Expeditions''''' (2011) Ignore the tie-ins to the movie, Reiner Knizia designed this. Explore the gameboard, flip over missions, try to have the proper crew to get victory points.
* '''''Star Trek: Fleet Captains''''' (2011) Tile flipping, exploring, and spaceships fighting over resources
* '''''Star Trek: Attack Wing''''' (2013-) [[WizKids]] license the flightpath system from [[Fantasy Flight Games]] and adds ''Star Trek'' to the mix, [[Skub]] ensues. The game has been consistently plagued with balance issues, to the point that the rules errata is more than ten times longer than the actual rules. The actual current rules for things like the Borg special movement and fighter squadrons are completely different than the rules as written.
* '''''Star Trek: Ascendancy''''' (2016-) 4X table top boardgame from GaleForce9. Most of the races are represented, though the base set only has the Federation, Klingons and Romulans. Andorians, Vulcans, Cardassians and Ferengi can be purchased as expansions. There is even a Borg expansion that turns the game semi-coop as everyone tries real hard not to be assimilated.
* '''''Star Trek Adventures''''' (2017-) The latest attempt at an RPG, by Modiphius, coming out soon to tentative praise. It also comes with a whole range of miniatures of the various crews from the show.

== So why should I care? ==
Because between them, these six TV series and their assorted spinoff movies, books, etc. can provide inspiration for any sci-fi game you could care to run. If you want light-hearted action, look at the sort of things that happened in ''TOS'' or ''DS9'' to get the crew into some dangerous situation. If you want a charismatic villain, look at Gul Dukat or the Borg Queen. If you want moral issues and debates, look at the shit that happened to Voyager and remove all the transparent deck-stacking and cheesy moralizing (or you could read any decent SF book/watch a ''Twilight Zone'' episode written in the previous 50 years, if you don't need your source material to be served at a 2nd grade level). Like [[Tolkien]] is to fantasy it's a prime gateway drug to science fiction and especially science fiction which is more than "action movie IN SPACE!"

Not to mention in any sci-fi RPG with remotely free-form rules you're likely to encounter ''Star Trek'' fanboys, so you might as well know what they're talking about. The unholy spawn of a Trekkie and a [[Furry]] is known as a [[Chakat]], and you should fear it.

At its best ''Star Trek'' is thoughtful, optimistic futurism with a positive human element and brings you to strange new worlds in the grand tradition of speculative fiction which is accessible to even the layman. At its worst ''Star Trek'' is arrogant, smug, hypocritical, preachy, dull, sloppy and prone to the strawman fallacy.

== Setting ==
Here's the Cliff's Notes on ''Star Trek''. A couple of general warnings; firstly, ''Star Trek'' likes to ''really'' take its "racial themes" bits just a little too far. Second, despite this, it's rare for an entire race to be completely irredeemable the way many fictional aliens are: there are heroic and sympathetic characters from nearly every race listed below, able to put more-positive spins on their racial themes. Thirdly, aside from very occasional appearances by [[H.P. Lovecraft|aliens who are so bizarre that humankind can barely comprehend them]], all of the aliens look like dudes with rubber masks on (because they are). In real life, this was because there was no budget for anything else, but in-universe it's been explained by some kind of [[Old Ones|Precursor]] race who seeded all of the planets with their broadly humanoid DNA, and every race evolved slightly differently from there. There isn't much [[fluff]] on what these precursors were like, and some of it was contradictory, and Gene Roddenberry didn't like the idea (although he still had to work with the rubber forehead stuff). The good news for fa/tg/uys who like [[homebrew]] is that this makes it fairly easy to write [[d20 system]] rules for all of the races - after all, most ''D&D'' races are just humans with rubber masks on...

=== A Composite Creation ===
This is a general note that one should consider: Star Trek was created in pretty much the opposite way as The Hobbit and The Lord of the Rings. Tolkien worked out a bunch of linguistic stuff and general history of Arda in his spare time, then decided to use that as the basis for some stories that he eventually gave to some publishers which in the end sold quite well.

Roddenberry by contrast pitched a very broad general idea (it's the future, things are good, we got guys some on a ship exploring space; a "wagon train to the stars") to the networks and eventually Lucy from "I love Lucy" took it up on it and had him work with a variety of writers and actors who added to this rough skeleton of an idea in a process that would continue on to this day.

This is not to knock either approach, but both have their advantages and disadvantages. In regards to Star Trek, a franchise which relies mostly on an episode of the week format that's been going on for more than half a century this means that the canon is a fucking mess. There were numerous people at the helm and many of them had often very different ideas about what should be done that were just thrown out to see what stuck, many of which were contradictory and some of which we'd frankly rather forget. In general fans and fluff writers have been spending a whole lot of time trying to straighten out things and much of the lore is basically a rough consensus of what people like and what fits in with it. Later series got more systematic about this, but there are still points of contention and a lot of flat out contradictions due to its scattershot nature.

=== Factions ===
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'''The Federation'''
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[[File:Federation_Ships.jpg|thumb|500px|left|Starfleet's ships of the Line (primary timeline)]]
Might as well talk about that main faction. The United Federation of Planets is what the [[Tau]] think they are. Its backstory is that in the distant future of the 1990s, [[God-Emperor of Mankind|übermensch]] [[Space Marines|created by genetic engineering]] began conquering the Earth. The [[Imperial Guard|normies]] fought back and won through sheer numbers, cryogenically freezing the Augments and kicking them out of Earth, but the damage and mass political unrest of World War III got half the planet nuked. This was why genetic engineering was banned. Fortunately, in 2063, a <s>drunken asshole</s> heroic visionary named Zefram Cochrane created humanity's first warp drive (though it functioned based on the principle that gravity bends space-time, and was therefore more akin to an Alcubierre drive than anything that's dependent on the [[Warp]]) and made first contact with the Vulcans. The Vulcans eventually helped humanity rebuild and overcome poverty, disease, war and hunger. With its Earthly problems solved, man turned to the stars and found out its three closest neighbors were [[Imperium of Man|racist xenophobic dicks trying to murder each other]]. Since any war between them would've swept up puny little Earth and gotten it glassed, humans decided to force their neighbors to sit down and talk things out. Incredibly, it worked, and the United Federation of Planets was born.

The Federation is a commie [[noblebright]] hippieland society with a strong democratic government ([[Mary Sue|pretty much Roddenberry's idea of utopia]]). As a result, Federation citizens work not because they have to, but because they want to. However, despite their advanced technology, transhumanism, that is intentionally making [[Space Marines|SPESS MEHREENS]] and mutants like the infamous antagonist Khan Noonien Singh, is illegal.

The Federation's Navy is almost always called Starfleet. It's a mix between a military, a coast guard and a space agency, and usually rates scientific research as a higher priority than defense. One of its quirks is that it doesn't subscribe to the "bigger is better" policy used in most [[Warhammer 40K|sci-fi]], and even by most of the other ''Star Trek factions''. If the Federation ''does'' make a large ship, it's because they want it to have a daycare, swimming pool and ice cream bar. If they want a warship, they'll take a little gunship half the size of a modern day destroyer and pack it with enough antimatter nukes and guns to exterminate a solar system. In some cases, especially when dealing with ships from several centuries into the future, the ship is bigger on the inside than on the outside [[Creed|allowing it to hide a vast array of powerful armaments, ''space-bending'' equipment, and even whole planetary landscapes]]. They can get away with this because they out-tech almost everyone else by a country mile. The reason for the series' infamous "technobabble" is that <s>even ''they'' don't know everything their tech can do!</s> their technology is always evolving, and they know it so well that they can often use it in ways that even the original in-show design schematics did not intend.

In theory, Starfleet follows a rule called the "Prime Directive", which says that you're not allowed to interfere with low-tech races ("low-tech" being defined as "not having invented the warp drive", since warp technology apparently follows naturally from the laws of physics) or else things like turning the locals into Nazis might happen. The Original Series talked about this rule all the time, and Captain Kirk threw it aside whenever there was a sexy alien babe in sight. From ''TNG'' onward, it tended to instead be brought up whenever a hack writer needed a reason for the heroes to ''not'' instantly resolve a given problem with their superior technology or a way of making our heroes look like assholes for following it rigidly (yes, we could save this species from extinction but that would be interfering with the cosmic plan!), though there were a few good episodes that took it seriously.

Some of the more important member races are:

'''Founding members:'''
* [[Humans]]: You know 'em, you love 'em. Comprise seemingly 90% of Starfleet for reasons in no way related to the cost of makeup/CGI.
* Vulcan: The Original [[Eldar|Space Elves]], very emotional, especially during "pon'farr" (see below), who followed the teachings of an enlightened sage and embraced logic and rationalism after their emotions nearly led to them [[Slaanesh|wiping themselves out]]. They are what the average race of fantasy elves think they are, except on ''Enterprise'' because the writers wanted to artificially inject tension into the show (some of that was retconned to be a Romulan plot). Occasionally enter a state called "pon'farr," where they need to either [[Dark Eldar| fuck something half to death]], kill it with the nearest sharp object, or die of a brain aneurysm to let out all that pent-up emotional tension. Fa/tg/uys may recognize this as the sensation they feel every time [[Games Workshop]] puts out a new army book. Pretty bro-tier overall.
* Andorians: Blue dudes with antennae and constant fits of passion, the polar opposite of Vulcans and their one time foes. Pretty much fa/tg/uys, right down to the romantic streak, in the technical sense. Also, they live underground on a diet of meatbread and rage. Most of what defined them happened in Enterprise as they rarely showed up in the TNG-era, and even then did so as set dressing, allegedly because one of the showrunners hated their antennae and banned anyone from using them.
* Tellarites: Space [[Dwarf|Dorfs]]; like insulting everyone and arguing a lot (no, really, petty insults are considered a polite gesture in Tellarite culture), mostly because the very first tellarite ever shown in the series got in an argument with Spock's dad and now it's their whole racial thing. “Sarek said something in a scene once that was meant to demonstrate that he was stand-offish and kinda rude, but we like Sarek so it's now the defining attribute of this species.” It's all in good fun you understand, your confidence in your ideas and actions should be sturdy enough to withstand honest assessment and critique.
'''Notable Additional Members:'''
* Betazoids: Invariably attractive humanoid aliens with telepathic powers. Half-betazoid, half-humans apparently only have "empathic" powers, so they are well-regarded by Starfleet captains for their ability to point out the obvious and fill out the tight bodygloves that make up the Starfleet uniform in a pleasing manner, especially since theirs seem to come in a custom cut for reasons entirely unrelated to Roddenberry's erection. Their homeworld is like dropping a really hippie college and Space Vegas into a blender. They were taken over during The Dominion war because Earth or Vulcan would be seen as bullshit due to their large post Borg attack defense fleets/ship yards. While the writers would have to actually add new characters for the Andorians and Tellarites(such as Ambassadors for a government in exile). So Betazoid took the hit to raise the stakes.
* Trill: Originally a one-off race introduced as a sapient parasite that possesses and controls a barely, or even unintelligent humanoid host, they were radically reworked in ''Deep Space Nine'', right down to losing their rubber foreheads in favor of spots. Now, the host is itself an intelligent humanoid, and some, but not all, of their kind are able to willingly merge with a symbiont (because someone can't spell) that allows them to access a mixture of the memories and personalities of all previous hosts, though in a way that, theoretically, enhances the host's personality rather than destroying it or subsuming it. Then, when they die, they can pass on the symbiont to another host, theoretically one they mentored. Also, because the makeup artist didn't want to ruin the leads' good looks on DS9, they went from having a rubber forehead to some spots.
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'''The Klingon Empire'''
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[[Image:Batleth.jpg|thumb|right|A Bat'Leth (sword of honor), one of several types of Klingon bladed weapons. Frequently mocked IRL for being a poorly designed weapon.]]
[[Commissar|''"It is a good day to die!"'']]

The Federation's main rival and (movie era and afterwards) the quintessential ''Star Trek'' race of lumpy foreheaded aliens. Originally they were a rough analogue to the Russians (though they took some elements from [[Communism|communist China]]) in a rough cold war allegory with the Federation (even though the Federation are as commie as they come, though admittedly much of that came around in the TNG era). Their defining feature was that they were militaristic and imperialistic while the Federation was scholarly and respected liberty. This gradually moved more and more into them becoming Imperial Japan/[[Vikings]] In SPESSS obsessed with honor, fighting and dying honorably in battle while worshiping at the altar of [[Sigmar|warrior Jesus]], even as they turned from the Federation's bitter enemies into that friend who's fun to be around when he's not getting into drunken bar fights. You see shades of it in during the movie era and it became more and more prominent through ''TNG'', culminating in ''DS9''. Do not make the mistake of thinking that Klingons are nothing more than barbaric savages however; with Worf being part of the crew, and with ''DS9'' dealing with Klingon politics an awful lot we can see Klingon society as it truly is. Even so they do often wander into self parody territory.

The Klingons, in their current iteration, are a feudal society ruled by a council made up of the most powerful families. Klingon society holds very little value on things such as currency and material gain (which results in the Klingon empire [https://www.youtube.com/watch?v=Q65l7RHUx2A having a very simplistic understanding of economics]), believing that anything you acquire without some form of blood, sweat and/or tears on your part is a pathetic and dishonorable way of going about things, much the same way many cultures used to hurl abuse at merchants and bankers. Another thing to keep in mind is that a Klingon's reputation is literally everything. This can be easily seen in the episode "The House Of Quark" where dying honorably can literally change the outcome of an entire noble house, later when the Grand Council is visibly disgusted at D'Ghor. No respectable Klingon uses ''money'' to defeat his opponents. And no respectable Klingon would be so eager to perform an execution of an unarmed Ferengi in what was supposed to be an honorable duel. Klingons are still capable of being cunning and crafty however, and having a high diplomacy score is viewed as honorable as they still have examples of cunning and clever heroes tricking boorish and stupid monsters.

[[Warhammer 40000|Klingons often carry swords into battle in an age of energy beam guns]]. In-universe, this is less suicidal than it sounds in the context of boarding actions and tight starship corridors. The Bat'leth is actually a rather shitty weapon. The Mek'leth is noted to be better in most situations. They use the same Disruptor weapons as the Romulans, and at one point used similar starship designs. While is explained as the result of a temporary and unholy alliance, given the eventual animosity between the two races, it was just an excuse to reuse props on a limited budget.

The Klingons are tied with the Vulcans and the Borg as being the most prominent and recognizable non-human species in Star Trek. Beloved of the Internet and the general public, to the point that there are published books like "A Klingon Christmas" in the world. The Klingons have their own constructed language. If you are ever worrying that you might not be a nerd, learning Klingon will solve that problem for you. Please note that this is in general considered by experts to be pathognomonic of [[Chris Chan|autism]]. You have not experienced Shakespeare until you hear it in the original Klingon.
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'''The Romulan Star Empire'''
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''"It's always chess with the Romulans"''

You know those [[Eldar|Vulcans]]? Well a few thousand years ago, as their planet was ravaged by war, some of them turned to intense emotional control and logic to tame their murderous passions, while most others left the planet altogether, founding a colony on the planet Romulus and dubbing themselves [[Dark Eldar|Romulans]]. Since said planet shares a name with a mythical figure known for founding [[Roman Empire|a city which built a vast empire]], and they had warp drive while those around them did not, you probably know that they turned to building an empire of their own. They hold the second place of prominence as immediate rivals to the Federation. Comically, they actually have better emotional control than the average Vulcan, since they gene-engineered most of their problems away years ago, and don't have to deal with the emotional blowback from pon'farr. The downside is that they lost some of their cousins' niftier powers, like mind reading and being able to transfer their soul into another person for safekeeping. Although Star Trek Online also revealed that their trip to Romulus was a terrible ordeal, and their gene-engineering was taking during that time resulting in them losing most emotions save for bitterness of being "forced out".

The difference between the Klingons and the Romulans is basically the difference between Gork and Mork, or Khorne and Tzeentch. Klingons will fight you up front with simple brute force. Romulans are sneakier guys, preferring to fight you when you're not looking with spies, cloaked ships and complex plots behind the scenes and playing the long game. There is a lot of political infighting among them, though where the Klingons would duel to the death Romulans would seek to discredit their rivals, have them die in unfortunate "accidents" or disappear. This difference has left both Romulans and Klingons with a big hate-boner for each other, to the Romulans the Klingons are crude brutish barbarians and to the Klingons the Romulans are a pack of scheming cowardly weaklings.

Like the Klingons, they served as a rough Cold War allegory. In this case, they were rough analogs to Communist China (as seen by 1960s Americans), a distant horde of inscrutable and potentially dangerous Orientals who generally were unseen and projecting vague menace, but when encountered face-to-face could pack quite a punch indeed: the first major Interstellar War that Star Trek Earth fought was with the Romulans, which was fought entirely in space with neither side ever seeing the other face to face. Afterwards they set up a 'Neutral Zone' between the Federation and the Romulan Empire that no one even tried to cross for a century. From the Original Series onward, they frequently squabble and bicker with the Federation, before joining forces with them to fight the Dominion in ''Deep Space Nine'' and having their government devastated in ''Nemesis''. Finally, Romulus itself got caught in a supernova as part of the Abramsverse's backstory. ''Picard'' has revealed that Starfleet was going to help evacuate Romulus before the nova hit, but then some rogue androids destroyed the shipyards that the rescue fleet was being built at, so the Federation shrugged, flipped the Romulans the bird, and let them get blown up. The surviving Romulans are now scattered across half the galaxy, and some of them have got hold of a Borg cube and are presumably up to some nefarious shit with it.
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'''The Ferengi Alliance'''
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[[Image:GW_Ferengi.jpg|thumb|left|A typical ferengi engaged in typical ferengi activities]]
''"A Ferengi without profit is no Ferengi at all."''-Eighteenth Rule of Acquisition

Introduced in ''TNG's'' early days as the villains for the series, and what [[/pol/]] thinks Jews are. Some Jewish people have actually complained about their being subliminally Jewish and thus anti-Semetic, specifically mentioning that they were moneyhungry, lascivious, and ugly, and their large ear lobes were stand-ins for the sterotypical Jewish nose ([https://www.washingtonpost.com/news/made-by-history/wp/2018/08/14/science-fictions-anti-semitism-problem/?noredirect=on more on that here, we're not shitting you]), based on an old medieval stereotype that was enforced to prevent them owning land or assets. The idea was to make a caricature of capitalism as a contrast with the techno-communist Federation. This might have worked if these were not [[FAIL|''TNG's'' early days]]. Instead they overshot the mark by a light year or so, on top of other bad decisions, and you got a race of short (Gene wanted to make an evil short race as big evil races were overplayed), big-eared, [[goblin]]-like losers about as threatening as a grumpy pug. Over the first and second seasons they tried to make these guys threatening, but they fell flat on their face every time. Eventually the writers just said "fuck it" and the Ferengi got demoted to comic relief species, and their status as terrible enemies was demoted to propaganda designed to scare the Federation while the Ferengi government tried to figure out what to make of a species that rejected the acquisition of wealth as a goal. The Ferengi had some good moments in the later seasons of ''TNG'', but most of the best stuff that fleshed them out came from ''DS9'', which had an [[awesome]] Ferengi bartender named Quark as a major character. For an idea of what the Ferengi might have been like if the writers had their shit together, look up the Druuge of [[Star Control|Star Control II]] or the Magog Cartel from Oddworld.

Ferengi religion is only hinted upon in ''DS9'', but what is seen implies a simplistic system based on financial success. Ferengi all follow a rulebook/canon known as the Rules of Acquisition, which can be described as Ayn Rand IN SPACE and condensed into the form of Confucius' Analects. There are 285 of these, each a short piece of advice on how to stay in the black. Examples include "Peace is good for business," "War is good for business," "Never have sex with the boss's daughter," and "Dignity and an empty sack is worth the sack." The first, and most important, of these is "Once you have their money, you never give it back." Sometimes, the Ferengi Randian spirituality extends into outright interpretations of the afterlife: according to some, the afterlife consists of the Divine Treasury and the Vault of Eternal Destitution, which are respectively analogous to Heaven and Hell. Entrance into one or the other depends on one's business ventures at the time of death; those that were turning a profit are allowed to enter the Divine Treasury, and the rest are damned to the Vault.

Ferengi government is ruled over by a Grand Nagus, a mix between a <s>pope</s>chief rabbi and a CEO, and he basically treats his civilization like some sort of company, with citizens regarded as workers. Directly below him is the Ferengi Commerce Authority, a [[what|quasi-religious]] organization dedicated to ensuring that correct business practices were followed and correct moral behavior was shown (including keeping the proles in line), although to the Ferengi, these are one and the same. The agents of the FCA are the Liquidators, who are essentially Inquisitors crossed with IRS auditors on steroids. Be afraid. Be very afraid.

Ferengi females have no rights and are mentioned as [[PROMOTIONS|not even being allowed to wear clothes]], which leads to [[That Guy|boorish behavior]] on the part of Ferengi towards just about any species. Of course, we see female Ferengi on the show who push that envelope, but it seems that overall "regressive" does not even begin to describe the gender relationships in their culture. Quark's mother, a social climber who marries the head of their government, begins pushing through a women's rights movement during DS9, which proves more successful as time goes on.
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'''The Borg Collective'''
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[[Image:Borg cube.jpg|300px|thumb|right|The Borg have assimilated and improved your [[d6|die]]. It always rolls six. Crap your pants, 'cause resistance is futile.]]
{{Topquote|We are the Borg. Lower your shields and surrender your ships. We will add your biological and technological distinctiveness to our own. Your culture shall adapt to service us. Resistance is futile.|The Borg's opening hail. This is not a boast or a brag, it's them simply explaining you how things are going to go down.}}
{{Topquote|One other thing. You may encounter Enterprise crew members who've already been assimilated. Don't hesitate to fire. Believe me, you'll be doing them a favour.|Picard going full [[grimdark]].}}

The Ferengi were utter failures as serious villains, so they needed something to fill that gap. Thus they made the Borg, an aggressive [[Tyranid|hive-minded]] collective of hyper-adaptive, [[Necron|regenerating]] cyborgs that assimilates entire species into itself in its attempt to improve and evolve. Shit, that's like coming up with [[Warforged]] while trying to replace [[Kender]].

In many ways, the Borg are the truest dark reflection of the Federation, and despite their name, they're not Swedish. While the Feds want you to join their little club on your own, to "add your culture to the galactic community," the Prime Directive means they will ultimately accept you turning them down, even if you have shit they really want. The Borg say "fuck that" and just absorb you. While the Federation believes everyone should work together [[Tau|for the greater good]], they still have a very strong sense of individualism and a culture of personal accomplishment (unless your individual belief happens to run counter to the Federation's principles anyway, in which case you're just WRONG because the Federation is the best). The Borg pool all their minds together into a massive collective consciousness in the pursuit of group perfection, becoming an almost-literal personification of techno-capital. The Federation is all about beauty and tranquility and all that hippie stuff, and their tech is eco-friendly and dolphin-safe. Borg [[Tyranids|strip mine entire planets and drain entire oceans]] in the name of growth and efficiency.

Your standard Borg [[cube]] is a huge multi-kilometer [[Firaeveus Carron|metal box]] (yes, bigger than most [[Imperial Navy]] cruisers) able to go up against an entire Federation warfleet and win. That's right, one of their ships could threaten the entire Federation and [[Exterminatus]] Earth. When done right, [[Necron|they are a cold, calculating, nigh-unstoppable force, a threat to all life]] that wants to retain free and distinct personalities (although they will ignore a single person if not on an assimilation mission, as what they really want is to absorb whole civilizations). Apparently, in Picard's nightmare in ''First Contact'', the Borg assimilation process includes a surgical [[Grimdark|drill through the eye. While awake.]] Of all the stuff to come out of the TNG Era they are undoubtedly the most well recognized in mass pop culture.

Unfortunately the got a bad downgrade during ''Voyager'' (the Borg Queen blew up cubes full of tens of thousands of drones because a few of them have been severed from the Hive Mind), but even there they were frequently not to be messed with. One amusing thing to note for people that haven't watched ''TNG'': the Borg were actually only in six episodes (and three were breakaway drones) and one movie, yet they're arguably the franchise's most famous pure villains aside from Khan. Goes to show how good they were when written properly. Then in ''Voyager'' they get their shit completely pushed in when they discover a new race of extradimensional aliens which they label Species 8472, which were immune to being assimilated, and had to ask the Federation for help in dealing with them. [[Necron#Regarding_Fluff_Change_-_Sore_Butts_Everywhere.|Wait, this sounds familiar...]]
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'''The Cardassian Union'''
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Introduced in ''TNG'', they are third fiddle to the Klingons and the Romulans. If the Klingons are hypothetically-honorable techno-barbarian warriors and the Romulans are an empire of civilized and refined but sly and ruthless expansionists, the Cardassians are essentially scaly fascists re-enacting ''[[1984]]'' IN SPACE. Their trials announce the outcome at the beginning, and the defense attorney is executed if he wins. Also, THERE ARE FOUR LIGHTS!

Originally a race of peaceable, spiritual artists called the Hebitians (ironically not dissimilar to the Bajorans), modern Cardassia was born in hunger and desperation when their homeworld began to suffer simultaneous mass famine, pandemic, resource depletion, and ecological collapse. A military junta seized power, figuratively and literally auctioned off the soul of their culture through liquidating all the planet's art and religious artifacts into cold hard cash, and turned the Cardassians into the opportunistic imperialists they are today.

Despite being a whole lot weaker than the Federation, the Cardassians manage to hold their own, partly because what they lack in resources and raw power is made up for by a combination of intense cunning and high charisma stats. Compared to the equally deceptive Romulans, the Cardies are more likely to flash you a smile while tickling your ribs with a knife. They'll use any tool they can to gain the upper hand and while that often means unpleasant and terminal sessions in dark rooms, strip mined planets and the enslavement of entire species, they'll gladly become your bestest buddy if it would achieve their goals. Their intelligence service, the Obsidian Order, is also one of the most ruthlessly efficient organizations in the entire sector, managing to outscale the Romulan Tal Shiar when it comes to producing magnificent bastards and manipulating the politics of entire worlds to their advantage. Unlike the Romulans or the Klingons, they don't tolerate the sort of literal infighting that is rampant in both those states, that shit only serves to weaken '''GLORIOUS CARDASSIA''' and needs to be stamped out with ruthless efficiency. Exposing that someone who just happens to be your enemy as being a dangerous subversive is just a benefit, although this can result in both sides of a conflict shouting "For Cardassia!" as they charge each other. Sort of how Democrats and Republicans are both for America, yet oppose each other.

Cardassia has a very fluid hierarchical government, similar to the political realities of post-Stalin but pre-Collaspe Soviet Russia. Broadly speaking, there are three different facets of the government: the Central Command (which holds all the power) the Obsidian Order (who holds the least amount of power, but controls the most puppets) and the Detapa Council (similar to the [[High Lords of Terra]] and just as worthless). Cardassian society holds a very strict view of family, placing family just below the needs of the State.

The State holds a semi-divine mythical status in the eyes of its citizens, with it being viewed as impossible for the State to ever make mistakes. The ideal Cardassian life was one of complete loyalty and servitude to the State and family, with the "repetitive epic," detailing how generations of Cardassians go on to serve both in exactly the same way over and over seen as the height of their culture. The Cardassian government is assumed to be omniscient, omnipotent, and benevolent by pretty much every Cardassian, with all Cadassians gladly giving of themselves to the State. Such was this level of belief that when Picard was tortured by the Obsidian order, the torturer saw nothing wrong with bringing his daughter to work because he was working for the State, and therefore the torture of Picard could never be disturbing or wrong. That's why their trials announce their sentences at the beginning and execute the defense attorney if he wins; their "trials" are more excuses to show off the power and infallibility of the State to the masses than actually determine guilt or innocence.

As far as plot significant activities went, they had a war with the Federation a few years before ''TNG'' which ended in the creation of a Demilitarized Zone between the two powers and (significant to ''Deep Space Nine'') abandoning the previously occupied planet of Bajor they had exploited for resources. After a disastrous war with the Klingons and The Maquis led to a popular revolution and overthrow of the existing government, one leader seized power, declared himself absolute leader, and joined the Dominion towards the end of ''DS9'', which was some serious bad news for the ''DS9'' crew.
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'''The Bajoran Republic'''
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The Bajorans are a species native to the Planet Bajor. They were, until shortly before the events of ''Deep Space Nine'', under a brutal occupation by the Cardassians who strip mined their planet. They had a fighting resistance which veered in and out of being considered terrorists and all in all were often represented as Palestinians IN SPEHSS. After that, they got their independence, although they're thinking about joining the Federation. The Bajorans have one system and are technologically backwards; the Federation is technically breaking the Prime Directive by interacting with them, but as they've spent years under the oppression of a warp-capable species, they can probably handle it. Also ''DS9'' proves that ancient Bajorans managed to travel at warp speeds to Cardassia using solar sails and an enormous amount of luck, which technically makes them a warp-capable species. The only reason why they are significant in terms of the politics of ''Star Trek'' is that they have a wormhole near their planet, which has some timey-wimey aliens living it that they worship as gods, and serves as the only way to get to or from the Gamma Quadrant that won't take decades, making it strategically priceless. Hilariously, this was discovered almost immediately after the Cardassians ''thought'' they'd extracted everything of value from the Bajorans and peace'd out, certain that the system was no longer worth the PR hit they were taking from it, only to get burned by some harsh seller's remorse. Also, their species has the oldest civilization (roughly a half-million years) of any major ''Star Trek'' race, and the wormhole aliens have gifted them some cool shit, like the Orb of Time.

The big thing that makes the Bajorans unique is that they actually have a serious religion going on -the human race is depicted as mostly non-religious. They're also probably one of the most accurate depictions of any highly religious alien race in a sci-fi franchise, because they are divided between the majority who interpret their religion as [[Noblebright|peace and love]], and a small but loud minority of bastards who interpret it as [[Grimdark|condoning acts of terrorism]]. A blatant attempt to simulate Israelis for criticism, although that can apply to many religions nowadays.
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'''The Dominion'''
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A vast empire which exists on the other side of the galaxy in the Gamma Quadrant. The Dominion is ruled over by a species of liquid shapeshifters called The Founders.(aka Changlings aka Odo's people) They have at their disposal a military composed of two genetically engineered species that worship the Founders as gods: the short and articulate Vorta who serve as ambassadors, bureaucrats, and political commisars and the big brutal Jem'hadar, who are vat grown, drug addicted, cannon fodder. These oversee a large number of vassal races, including (as of later seasons of ''DS9'') the Cardassians.

The Founders were once (according to them anyway) a peaceful, kind civilization of explorers who wished to see the galaxy, explore strange new worlds, and seek out new forms of life. Unfortunately, they did this in the wrong neighborhood, and quickly ran into species who did not tolerate others. The fact that the Founders were shapeshifters capable of mimicking almost anyone did not help either. Paranoia, mutual mistrust, and some very bad things eventually led to the Founders deciding "fuck this" and moving their planet into a nebula so nobody would bother them. So more or less, a [[Grimdark|grimmer]], [[Grimdark|darker]], counterpart to the Federation, but with spookier Real Aliens.

The Founders are obsessed with order and are both extremely racist and xenophobic, and believe that all alien life is inherently untrustworthy and evil, and the best thing to do is conquer/enslave them before they do the same to them. They don't care about the rights of "Solids", and will happily ignore any sense of decency when convenient. This can be seen when The Dominion runs a simulation of the Dominion dominating the Alpha Quadrant. When O'Brien is assaulted by a Jem'Hadar and severely beaten to the point of needing emergency teleportation to medical (the crime being "disrespectful"), the Founders (disguised as Federation Officers) do not press charges, and when Sisko comes barging in demanding answers, dismiss him with little concern about their own soldiers brutalizing citizens. Their overall ideology could be thought of as Qin legalism IN SPACE: people are inherently evil and the only way to make a better world is to impose order upon them through brute force from a position of absolute, unquestioned power.

The Founders, when not wandering around in various forms, tend to spend their time in a massive ocean literally made up of countless billions of Founders, something which is referred to as the Great Link. According to the Founders, this allows them to share information with each other and come to peaceful decisions. This is rapidly proved to be bullshit; when a separated-at-birth one of their own merged into the Great Link to share his memories of the Federation as peaceful and tolerant space hippies, not only did the Founders ignore his memories, but actively fucked with his mind in an attempt to turn him into a sleeper agent. And even if it weren't, it shows their hypocrisy through their willingness to share freedom and liberty among themselves while depriving all their various slaves and conquered peoples of the same.

The Founders are massive dicks, even to their own people. Failure among Jem'Hadar is rewarded with slow and painful death from deprivation of the drug they're created to need and their lifespans are incredibly short. To be even bigger dicks, the Vorta have no sense of taste and can't appreciate beauty. Not to make them better diplomats, but because they were raised from a primitive stone-age ape tribe, and the Founders think they shouldn't be ever allowed to forget that. (On the plus side, they did give the Vorta an immunity to poison that would make [[Mortarion]] himself jealous. [https://youtu.be/rACCZaBcq1g?t=1m29s Observe.]) This may also stem from their own neuroses: the Founders themselves have almost no bodily needs at all and require no nourishment, so they design their slaves to be like them. Notably, Vorta tend to come in [[Paranoia|packs of clones; a new one is activated when an old one dies, and they retain some memories and personality between "lives,"]] further hammering home how expendable they are to their makers.

And both races are literally engineered to love their makers for what they have done to them and worship and revere them as gods.

Continuing from the Cardassian Union section because the fate of both powers are linked in DS9. After joining the The Dominion. Everything was going seemingly for them and their leader Gul Dukat. They figured out how to bring down the minefield block the wormhole created by the Starfleet crew of Deep Space Nine. (The Cardassians use its old name Terok Nor while in charge.)

However during the start of the sixth season the Founders learn that their not the only "gods" in the Galaxy. As the Sisko convinces the Bajoran Prophets to remove the Jem'Hadar reinforcements in transit. Forcing them to retreat back to Cardassian Space and Dukat's old friend Damar shoots Dukat's half Bajorion daughter Ziyal. This makes Dukat jump off the deep end as the sod loses his sanity and than goes full nutcase after his rehab transport is destroyed by the Jem Hadar, and ends up fighting an injured Benjamin Sisko after hide inside some caverns on a hell planet for a few days.

After escaping he allows one of the evil wormhole aliens to possess him, kills Jadzia Dax, forgives Damar for killing a family member. Creates a cult of Bajorions dedicated to the Pai-Wraths,than abandons the cult when Major Kira knocks over the suicide pill jar that mixes it in with his fake. Than has sex with an old woman and becomes a demi-god. Bent on buring the universe despite the fact that his own people suffered heavily under the rule of the Dominion. After getting a final bitch slap from the Sisko who gets to have a happy ending living with his god alien parents. At the same time teaching them not to be huge dicks. While Dukat himself is trapped in the Fire Caves on Bajor.

His old friend Damar despite murdering a half breed woman is a lot more sane. Lacking Dukat's crimisa, things get worse for him and the Cardassians under Dominion rule. Most of their victories are off screen such as taking over Betazed. One of the none few major non founding planets of the Federation. This forces the Sisko to bring the Romulans into the war to on the side of the Klingon-Federation alliance. With some underhanded methods from a former member of the Cassidian Obsidian Order(Elim Garak). I.e. blow up a Romulan Senator's shuttlecraft and tricking the pointy ears into thinking a damaged but fake datarod(an advanced form of SSD) was the real deal.

Thus the blame for his death will be switched from the Feds and pals are shifted to the Cardassians. By the final season this leads to the Dominion finding new best buds in the form of The Breen. Damar decides he has enough of the bullshit and in the ultimate irony realizes that the status of his people are now no different from the Cardassian occupied Bajor.

So after the Breen score the Domain a temporary victory over the Federation Alliance. Damar and his Cardi buds destroy a Dominion cloning facility while their backs are turned. Just so he can stick it to his "friend" the Vorta, Weyoun 8. Leaving them and the Klingons being the only thing stopping The Dominion from steamrolling over the Alpha Quadrant. As one Bird of Way(doesn't say if its the frigate sized B'rel or Light Cruiser sized K'vort class. Though DS9 almost always used the former) was immune to the Breen energy dampening weapon due to modding its warp core. Gowron, due to being a moron who did nothing to change course after his most trusted advisor(Martok) turned out to be a Founder and the first time the Jem Hadar kicked their asses during the Klingon-Cardassian War. Decides to take glory for himself and discredit General Martok(who now how his pre Dominion internment job). This goes as badly as your thinking. Forcing Worf(now a legitimate badass compared to his TNG days) to kill him and turning the role of Chancellor to Martok.

Meanwhile the Feds decided to help out Damar's resistance by sending him Colonel Kira(who now has the rank of a Starfleet Commander), Odo and Garak(Ziyal's former simi-boyfriend). The resistance eventually get their hands on one of the Breen Energy Dampeners. During some infighting Damar realizes that the restoring the old Cardassia is pointless. Killing one of his old friends. The Breen and Jem'hadar do eventually one up the resistance. But not before their brutality turns more Cardassian against them. So during the final space battle this makes the Cardi military switch sides.
Damar is killed during the final raid on the Dominion HQ. Focing Kira and Garak to lead the final push into the compound.
The War between the Alpha Quadrant Alliance and The Dominion is ends when Odo offers to share the cure to the disease created by Section 31(the Federation's answer to the Tal Shiar and Obsidian Order) which he passed after the Founders tricked him for into return to the Great Link. While also promising to join the Great Link.
It's harder to say who are the bigger dicks here. The Founders for having Wayoon 4 infect Odo to return and turned him into into a solid(who was restored because dying a Changeling baby merged with him a season later) for killing a Founder who hacked the Defiant and almost succeeded at starting a war in the Alpha Quadrant. Or Section 31 for making the disease in the first place.

With all their advanced technology. One would think the Founders would have discovered a cure before being handed one. But the bad guys being just as flawed as everyone else is a common theme in Star Trek. Even in Star Trek Online despiste Odo being the one in charge a few decades later. As their Ambassador to the Federation. The experiments of the Founders sketchy past cause them and everyone else huge headaches including the dishonorable mention of the revived True Way movement.(i.e. the guys who hated that fact that the civilian Detapa Council ran Cadassaia.)

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'''Species 8472 / Undine'''
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The one and only race in the galaxy even the Borg don't want to fuck with. Introduced in Voyager, Species 8472 are three-legged creatures that live in a space called Fluid Space. It's similar to the [[Eye of Terror]] for the fact that it connects to an alternate dimension and [[Khorne|everyone will be ripped apart upon entering.]]

When the Borg first came around to try and assimilate them they were completely obliterated in a war in which 4 million Borg were killed in the first few days at the cost of almost no members of Species 8472. This war was such a roflstomp that the Borg were forced to call on the Federation for help. [[Tau|The Federation being the better people swallowed their pride and decided to help their sworn enemies,]] [[Eldrad|but were dicks and sent only one ship.]]

Species 8472 fought with fast moving, small ships and devastating beam weapons so the small ship of the Federation could keep up with them and helped the Borg force the species back into Fluid Space. The Federation were the villains on this one. That said, they eventually came to an accord with Species 8472, preventing further wars between the denizens of Fluid Space, except in lots and lots of video games that want to use a fresh antagonist.

That and that in ''Star Trek Online'', [[Awesome|they look like the fucking Predator.]]
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===The Q===

The Q are a race of beings who have elevated themselves to the point where they are basically gods. Most of them do not interact directly with the younger races, who they tend to consider with disdain- if they consider them at all. However a few of them take a more enlightened view, and one in particular has been known to fuck with individual humans from time time. They are mostly a TNG thing, and even there they work mostly by grace of John de Lancie's acting chops as a counterpoint to the charisma of Patrick Stewart, as de Lancie played the ''character'' Q, an all-powerful epic [[troll]] (no, not the fantasy kind) who's occasionally [[Tzeentch]]ian games sometimes appeared to be for his own amusement and sometimes acted as education or event protection to the human race. Various subplots involving the Q ''species'' range from somewhat thought provoking to mildly entertaining to ridiculous and banal, but the classic episodes that highlighted the charisma and chemistry of the two actors were often quite excellent.

=== The Mirror Universe ===
Not so much of a faction as an alternate setting, this is a parallel universe in which [[Alternate History|things have gone differently]] in Earth's History. The main point of divergence appears to occur when the Vulcan scientists who landed at Bozeman, Montana in 2063 are not welcomed with alcohol and music but instead are killed and have their ship looted. It is equally clear that where the main universe is Noblebright the Mirror Universe is Grimdark. Instead of a peace loving Federation searching for knowledge and friendly cooperation for the betterment of all, Earth gave rise to the ''Terran Empire'' which seeks out new life and civilizations to conquer and enslave, as it had done with the Klingons. Pretty much it's the PG-13 version of the Imperium of Man with a bit more Grimderp. Junior officers get promoted by killing their superiors, those that fail at that get thrown in the agony booth for their troubles and Emperor gets the job by usurping the previous incumbent. In general everyone in the Mirror Universe is a selfish asshole version of themselves and following comic book logic the uniforms for the female characters are more revealing. Occasionally people can cross over from one universe to the next due to technobabble and cause mischief in either realm.

Originally it was a one off TOS setting for an episode of the week, but it was brought back in a few novels and some romps in Deep Space Nine in which [[Fail|the Terran Empire had fallen]]. In Enterprise's fourth season it got a two parter that was pretty good and would have been an annual thing if the show had been renewed, this one having little crossover with the main universe (a ship from TOS ended up in the Mirror Universe and is salvaged after all it's crew have died). We also went there in Discovery, for better or worse. Voyager never did the mirror universe, but instead got a homage episode with some alien historians in the far future getting the details wrong like historians tend to.

== The Star Trek Crew ==
Whether the focus of the show is exploration, manning a space station in an important locale or trying to get home, all Star Trek series have a basic set up of casting and focus: namely on a collection of people who are usually the senior most officers on the ship. If you decide to make a Star Trek inspired game take this into consideration.

* '''The Captain''': Big cheese. Makes the hard decisions. Needs to be able to talk, think or fight out of situations as needed. The third option fetishist finding the balance between empathy and reason. (Two least skubby examples: Kirk and Picard, but the skub will fly hard if you say one is better than the other, sufficed to say that people like both of them alot but for different reasons)
* '''The First Officer''': Second in command and trusted advisor. Added after the original series, where the role was combined with and split between two others. (Two least skubby examples: Riker and Kira)
* '''The Science Officer''': Got high Int stats. Can analyze the situation and work out solutions. The voice of reason. Almost never human. (Two least skubby examples: Data and Spock)
* '''The Engineer''': Hard working technically minded guy who gets shit done. (Two least skubby examples: Scotty and Geordi)
* '''The Doctor''': Ship's healer with a secondary scientific role. The voice of empathy, whether prickly or serene. (Two least skubby examples: Bones and the EMH Doctor)
* '''The Security Officer''': Rough and tumble no-nonsense sort whose job it is to keep these guys alive when diplomacy fails, which it often does. Often has to juggle providing ship's security with working the tactical station on the bridge in a crisis. (Two least skubby examples: Worf and Odo)
* '''The Helmsman''': Got mad spacecraft piloting skills, either full-sized starships, shuttles, or fighters. (Two least skubby examples: Sulu and Tom Paris)
* '''The Other Guy''': A crewmember whose role doesn't cleanly map onto other positions, a role often restricted to a single show. Example positions include communications officer, ship's councilor, transporter chief, and linguist. (Two Least skubby examples: Uhura and Troi)
* '''The Outsider''': Someone who is a passenger and regular cast member, but exists outside the organization, looking in and commenting. Usually works a side-job, like tailor, bartender, or cook. Either a beloved fan-favorite or utterly despised, there is no middle ground. (Two Least skubby examples: Guinan and Quark)

Some of these hats may be worn by more than one character, some may be worn by no one at all. This is especially true in the original series, which had a smaller cast overall, and which put less emphasis on an ensemble and more on the main trio of Kirk, Spock, and McCoy. The usual roles and character dynamics were instead set down by ''The Next Generation'', which later series generally copied.

== The Shows ==
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===''The Original Series''===
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Created in 1966 by legendary sci-fi [[spiritual liege]] and money-grubbing sexist lounge lizard Gene Roddenberry and pitched as a "Wagon Train to the stars", it's a pulpy adventure sci-fi, full of fistfights, sword fights, and hammy speeches. (The guns never work.)

The USS ''Enterprise'' is tasked by the Federation to go on a five year mission to explore space: the final frontier, to explore strange new worlds, to seek out new life and new civilizations and boldly go where no man has gone before, though due to budget constraints, her crew often finds that man has in fact gone there before. Or at least something that looks exactly like a man but is actually an [[Xenos|Alien]]; most episodes split the difference. James T. Kirk sleeps with [[Hot Chicks|hot alien babes]] who either die tragically or leave tearfully at the end of the episode, but it's 'k because he's too in love with the Enterprise to ever love a mere ''woman'' more. Mr. Spock and Dr. McCoy are cold and logical and rash and emotional respectively, and their constant friction must be resulting in the best make-up sex in the world, Mr. Sulu and Lieutenant Uhura wait in vain for focus episodes that never come, Ensign Chekhov suffers horribly to the approval of American Cold War audiences, and Scotty [[gets shit done]]. Uniforms, while iconic, tend to look a bit civilian though. Miniskirts are apparently mandated attire for the ship's fan-servicey female "yeomen" and others, because 1966. The civilian nature of the attire (including, one must assume, the miniskirts, but they had a visual appeal all their own) were apparently an intentional design decision by Roddenberry who didn't want uniforms to look military. Further specialness on the part of Roddenberry demanded phasers not look like guns, instead looking like nothing in particular at all (although looking back at them today they look sort of like TV remotes, which would be invented much later), and also (probably the only sensible decision in this category) ships that didn't look like rockets, giving ships their distinctive and iconic saucer-engineering-nacelles look that still stands out today.

The Original Series frequently ran out of budget and entire episodes were filmed using spare costumes belonging to the production company, resulting in a series of extremely goofy excuses to go to planets full of gangsters or [[Nazi]]s. This is often copied by shows who don't realize it was done out of pure expediency, and nowadays this [[TVTropes|"Planet of Hats"]] gimmick is practically a box to check off when doing sci-fi adventure. The lack of budget also resulted in one of the more memorable inventions; unable to budget for a sequence showing the ''Enterprise'' or a shuttle landing on a new planet every week, the writers instead decided to invent the transporter to "beam" the crew down to planets or between starships. Also worth noting: despite its mediocre critical reception, ratings and eventual cancellation, not to forget the uneven quality of many episodes, especially in the Roddenberry-less third season where poor Fred Freiberger had to come onto a show he didn't understand and try to get better ratings with less money, ''TOS'' had a hell of a cultural impact thanks to syndication and it has been said that since it entered syndication in 1969, there hasn't been a 24-hour period without some TV station, in some country, playing Star Trek. Cancellation of The Original Series is now considered one of the worst decisions in TV history, and while much of its silly 60's campiness is now laughable, it often still manages to teach relevant and important lessons today.

Fun fact: the ''Enterprise'' and each of her 11 sister ships have enough firepower to [[Exterminatus]] a planet by themselves, after getting issued an order called General Order 24. This however is likely a time-consuming task. According to a later DS9 episode, it takes a fleet of 20 warships 1 hour of sustained bombardment to destroy a planets crust and 5 hours of sustained bombardment to destroy a planet down to its mantle. These 20 ships were also in service 100 years after the Enterprise so they were also more powerful.
Kirk has the distinction of being the only known captain to issue a [[Exterminatus|General Order 24]], because a planet was ''too'' much into wargames (he changed his mind after they dropped wargaming).
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===''The Animated Series''===
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The often forgotten middle child. More or less "seasons 4-5" of ''TOS'' with the same writing staff and actors, sans poor Walter Koenig. He was replaced by a weird camel person. He learned this at a convention, from a fan, while he was trying to announce he'd be writing an episode, which Gene promptly demanded he rewrite over and over. Classy.

Being animated allowed the staff to get a lot more creative with the alien designs and plots, and the writing and acting remain... well, top notch is a stretch, but certainly at the same levels as ''The Original Series'', with the occasional low point. Not ''nearly'' as bad as you're probably picturing from the name, although still limited by the low budget and primitive, cheap animation techniques of the television era it was aired in. Notably some sci-fi novelists were brought in to write some episodes, such as Larry Niven, and at least one episode, "Yesteryear," is considered such a pivotal moment in Spock's development that even people who hate the series enough to consider it all non-canon often make an exception just for that one.

Also, since the series now has no excuse for throwing in lots of Space Puritans and Space Wizards, it of course continued to do so to derptastic results, because by this point it had become traditional. The presence of a straight-up [[furry]] on the bridge, however, is downright unacceptable.
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===''The Next Generation''===
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Here's where it starts getting a little deeper and a little darker, although with a lot of left-wing political subtext turned up to 11. The USS ''Enterprise-D'' (the original and C were destroyed in action while A and B were retired) is, like its predecessor, tasked with going where no-one has gone before, but this time around the problems are less likely to be solved in a single episode. Jean-Luc Picard is the captain and he plots and negotiates his way to victory; Mr. Data is cold and unemotional, though not by choice - as an android, he'd very much like to change that; Riker takes over the captain's "sleep with alien babes" duties since Picard is married to the job; Worf the Klingon gets beaten up by monsters to show how tough the monsters are, meaning that Worf winds up looking incredibly weak by the end of the show's run and doesn't regain his badassery until his run on ''DS9''; Dr. Beverly Crusher is good old Bones minus his temper; Dr. Pulaski is Bones ''plus'' temper; Counsellor Troy is so badly written she becomes a running joke; and Geordi LaForge [[gets shit done]]. Only two things need to be said about helmsman Wesley Crusher: he was [[Mary Sue|Gene Wesley Roddenberry's shitty self-insert fanfic character]], and his sueness got to the point that even his actor started to hate him within the first season of the show.

Due to the massive success of The Original Series in syndication (and Paramount being [[Rage|pissed off]] by broadcast networks treating their most valuable IP like any other show), TNG was aired through syndication from the beginning. Although the first two seasons were laughably bad, the quality began to improve dramatically after an increasingly cocaine-addled Gene Roddenberry got too sick to keep ruining it and his partner-in-crime Maurice Hurley was thrown out on his ass, a moment often pinpointed via looking for when [[Meme|Riker grew a beard.]] The later seasons are widely considered to represent the apex of the franchise's episodic formula on the small screen (although ''DS9'' gave it a run for its money with a more serialized approach); sadly, this series only got one good movie.
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===''Deep Space Nine''===
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Unlike all the other series so far, ''Deep Space Nine'' primarily takes place in a fixed location - the titular space station Deep Space Nine, out near the borders of Federation Space. Said space station is near Bajor, which was recently freed from Cardassian occupation, and a wormhole to the other side of the galaxy which allows [[Warp|all sorts of of crazy shit to go down]]. If the other shows are a wagon train, this one's a border fort.

Benjamin Sisko is the captain, declared Emissary by the nearby Bajorans for making contact with the wormhole aliens they worship, and he successfully hybridizes the blow-the-shit-out-of-whatever-you-can't-punch Kirk approach with the talk-in-a-very-dignified-way-about-the-philosophy-of-the-thing-and-win-by-rhetoric Picard maneuver, in his ultimately-successful quest to become the baddest motherfucker in space, then literally becomes a space god. Kira the Bajoran ex-<s>terrorist</s> <S>''noble freedom fighter''</s> (who are we kidding she calls herself a terrorist) struggles to free and rebuild her people while coming to terms with the moral ambiguities of situations she prefers to see in black-and-white, Dr. Bashir works to find his character for several seasons before becoming a highlight, Dax gets often written poorly and has to switch bodies doing it, Odo IS ''Liquid Space Cop'', Quark runs his bar and [[troll|heckles]] the Federation, Garak pretends to be a tailor while definitely not being a super-spy and dropping killer lines, and Miles O'Brien [[gets shit done]]. Also, Worf wanders in halfway through, and actually gets to punch things instead of just getting punched by them. It's also a lot more political than other series (though ''TNG'' and ''Voyager'' have their moments) and the last series to have Gene Roddenberry's involvement (with less enthusiasm, in fact often much to the benefit of this particular series thematically, although Roddenberry's complete departure did not necessarily bode well for the franchise in general.)

It's the [[Awesome|closest the canon series ever get]] to [[Grimdark]], especially when the Dominion show up. The show has aged remarkably well and the terrorist/freedom fighter debate was repeatedly explored in a very mature and honest way. ''DS9'' is the most serialized of all Trek shows and could be considered a forerunner to the golden age of television with its long story arcs and deep character development. Overall, ''DS9'' has to be considered the most consistently good Trek show thanks to the excellent writing and fantastic performances from a truly wonderful ensemble cast. At least until the final season, when the writers who made it good were pulled to try and fail to make good movies, heralding the failure that was ''Voyager''. The finale episodes were mostly okay and tied up the story semi-satisfyingly, though a few die-hard subplots fell flat.

It wasn't without its controversies however. The show was airing around the same time as another thematically similar sci-fi show, ''Babylon 5''. Not only that but characters also shared similarities, as did the episodes. Interestingly, beginning of both series, introduction of characters and airing of similar episodes were often too close to each other for one show to copy the other but this did not stop massive [[Rage]] and [[/v/|fanboy wars]] from starting between fans of the two series accusing one another of plagiarism and having an inferior product. Happily, as time went on and both shows evolved, these hurt feelings have mostly faded.

How good is ''Deep Space Nine''? Every Star Trek series and even the reboot movies have pretty much ripped off ideas and concepts established during the series. Famously, within the "Trekker/Trekie" fan community, there's a little cell of fans who like it better than most other ''Star Trek''; these fans are typically called "Niners."
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===''Voyager''===
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Star Trek: Voyager centers around the eponymous USS ''Voyager'', a smallish ship which gets teleported over to the other side of the galaxy. The plot of the series centers on the crew's efforts to get back home, which COULD have made for an excellent premise. Unfortunately, there were few lasting story arcs, with most episodes being fully self-contained (as well as being littered with far too many episodes featuring holodeck or transporter incidents). As a consequence, despite being completely isolated from the Federation, no matter how bad things got Voyager always appeared in the next episode without a scratch, fully supplied, and with all its shuttlecraft intact. Think ''Gilligan's Island'' on a starship.

Like ''TNG'' and ''DS9'' it's a character-driven drama just as often as it is a sci-fi adventure romp, although compared to TNG only a few of the characters are particularly memorable. The captain and arguable "main character" is Kathryn Janeway, a Katharine Hepburn lookalike (I see what you did there) who is stern without being cold, and principled without being inflexible. The fan favorite is a character called "The Doctor" ([[Doctor Who|No relation]]); he's the solid-light hologram representative of the ship's emergency medical computer, who has to take on actual medical duties when their chief medical officer was conveniently killed in the pilot episode. Other than this, Chakotay is a peace-loving and spiritually rich indian <s>freedom fighter</s> <s>terrorist</s> [[FAIL|who was written with the help of a special cherokee consultant so native his name was Jamake Highwater and it turned out later on that he was actually jewish and didn't know dick about native cultures so he made everything up resulting in Chakotay basically being a borderline racist caricature of what you think indians are like. Akoochimoya.]] Tom Paris is an annoying jerk and is counterbalanced by Harry Kim who is the ideal boy-scout, making him only half as annoying and twice as boring. B'elanna Torres tries to perpetuate a lineage of dudes getting shit done but ends up blankly reciting her technobabble, having second degree plasma burns and – worst of all – systematically fails to get shit done whenever the warp core goes nuts. Tuvok tries hard to be as cool as Spock but ends up being a lame version of the n°1 Vulcan who uses logic to justify everything and makes it short for "you are wrong, I am right because I said so." Kes is passed as a fragile and nice character but it takes a couple of episodes to realize that having a short lifespan does not change the facts: [[powergamer|when you can boil someone to death from the inside of their body, drain life from everything around you to become stronger and do anything you want without knowing how, just by thinking of it]], you are a goddamn Mary Sue. From the fourth season onwards the only character the writers seemed to care about are Seven of Nine, [[Mary Sue|a human woman who recently escaped from Borg control and kept all of her cyborg enhancements but regained her free will]]; another Mary Sue, to be sure, but she's [[Hot Chicks|hot]], and the other characters are much worse, so that's not really a bad thing. Fortunately, The Doctor still received a lot of attention from the writers and almost single-handedly made the show watchable. There was also Neelix, who was the apparent inspiration for Jar-Jar Binks, and any sane crew would have pushed him out of an airlock on the first episode. Fans who stuck with the show despite its glaring failings were given one final slap in the face with the <s>controversial</s> shit final season, in which the producers decided "screw steadily crafting a satisfying conclusion to a story which we have wasted for most of the last seven years anyway; lets just ignore it until the final episode and then throw in some shit about trans-warp conduits and time travel, bitches love time travel!" If you did not care about any of the characters or the subplots or time travel making sense (the writers sure didn't), then the final episode was explosions (and the Borg got a major setback, just don't think about the setup too hard).

The Doctor never once stopped being totally fucking awesome though (enough so to even earn a cameo in First Contact), and the great acting from the cast carries the series from being horrific to ''occasionally'' watchable. Just goes to show that no matter how good your actors are, they can't make diamonds out of shit.

Overall, most Star Trek fans view Voyager's legacy with a shrug and a "meh." Unfortunately, hopes that Voyager's successor would revitalize the franchise would soon prove to be overly optimistic.

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===''Enterprise''===
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From the minute the Nickelback-tier theme tune started, Enterprise attempted to take Star Trek in a new direction and was only partially successful in doing so. The series never quite caught its footing, although it still managed to have some enjoyable moments. It was most notable for providing a first-hand view of the key events that directly led to the formation of the Federation. The Federation's founding races were also featured heavily, with Andorians, Tellarites, and Vulcans all enjoying significant screen time alongside the human characters.

It's a prequel to the rest of the canon, taking place on the first ''Enterprise'', before the Federation was founded and during the period when Earth was still an independent power- so there's a lot of primitive versions of things from other series. At least the uniforms were pretty cool in an Air Force sort of way. Captained by <s>that guy from ''Quantum Leap''</s> Jonathan Archer, in hindsight the fact that they had to rename him from their original choice of Jeffrey Archer to avoid confusion with the disgraced British MP and author of the same name probably cursed the series with bad karma before it had even begun shooting. In an unusual twist for a ''Trek'' series, his first officer isn't a <s>terrorist</s> ''noble freedom fighter,'' however she does share a trait with her ''Voyager'' predecessor in that the actress who portrayed her frequently criticized the show's writers in interviews. Other than that, well, Hoshi Sato screams a lot, Travis Mayweather was so dull even the writers forgot he existed, the resident Vulcan T'Pol serves as both the Science Officer and source of sexy fanservice, Malcolm Reed has an accent, Dr Phlox is a weird creepy alien with weird creepy alien moral (and gets surprisingly interesting when given enough screentime, which hardly happened), and Trip also has an accent and [[gets shit done]].

Was retooled twice, the third season tries to be ''24'' IN SPACE (stop some guys the Xindi from blowing up Earth) while the 4th season is a massive apology about the last three seasons that tries to fix all the problems they had, and as a result, the only season that's close to being good.

Unfortunately, the poorly-received final episode is set on the holodeck of the Enterprise-D, which leaves us with the firm impression that the producers would have much rather have just continued making ''The Next Generation''. Considering the mediocre quality of the ''TNG'' movies we got instead, this probably would have worked out better for all involved (Or not since ''Voyager'' was that; its first episode was even numbered 901, as in Season 9 Episode 1).

Yet despite all this bad directing, subpar plots, and frankly boring episodes, ''Enterprise'' still manages to be moderately enjoyable with occasional moments of awesomeness if you can suffer through a fair few awful spots and aggressive mediocrity almost everywhere else. The focus on founding Federation races like the Andorans was refreshing and the technology level, being somewhere between the original series and the real world present-day, was quite interesting. We also got to see the Vulcans portrayed as arrogant, superior dicks. Which makes a lot more sense than the way they're usually portrayed as fairly submissive towards humans because they are, obviously and objectively, the superior race. The Klingons certainly still considered themselves to be honorable but the show made it clear that the Klingon notion of honor is rarely analogous to the human concept which was interesting as all hell to watch. There have been a few small nods to it in discovery and the abrams movies.

And let's be fucking honest, [[/tg/]] loves 40k and the Xindi arc was about as grimdark as shit gets. And that was awesome.

Also makes a neat pairing with ''Voyager'' in that they really mess with the Prime Directive and question the Federation.
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===''Discovery''===
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----
<s>A LOAD OF SOCIAL JUSTICE SHIT!</s> Ahem, let's start again, shall we?

A new "prequel" series set 10 years before ''The Original Series.'' Again. Run exclusively on CBS' paid streaming service (unless you live outside the US and Canada, in which case you can get it on Netflix) to try and drum up sign-ups and revenue, it features a mix of ''Enterprise'' and Abramstrek aesthetics despite supposedly taking place in parallel to the TOS "The Cage" pilot while [[what|having technology superior to late DS9]] and introducing [[dune|mushroom-based space travel]] that would imply [[retcon|all later events and warp travel would be outdated]]. The trailer has attracted a lot of concern over the fact that Klingons have been completely redesigned to look like slit-nosed ogres wearing ancient Egyptian cosplay, and rumors that the Klingons shown were [[Racial Holy War|primitives who had been trapped in stasis]] proved to be unfounded, so there is no excuse. Not having a cold war to posture about, the new villains are based off of Trump-inspired xenophobia by the admission of the authors. Also the lead character is Spock's human sister that he never mentioned before, aka the ''exact'' origin of the [[Mary Sue]] which is just fucking depressing. To further reinforce this, there are ''numerous'' examples of dialogue and exposition that serve only to show how the Mary Sue main character was right all along, usually in conjunction with the death of the character that had foolishly disagreed with her. Want a new Star Trek episode about racism and immigration? Try the now-banned [https://youtu.be/3VEZH8bqytA Star Trek Continues]. Want Star Trek with humor, keep an eye out for the upcoming [https://ew-com.cdn.ampproject.org/c/s/ew.com/tv/2018/10/25/star-trek-animated-comedy/amp/?fbclid=IwAR2WN6auDNm5YiunYhaqiu7vt9f-P08AuUjMpLA5LlpUgvTm9_xloJNRYb0 Star Trek: Lower Decks]; want a pseudo-Star Trek show about other modern issues? Try ''The Orville'' below; that's right, American Dad In Space may right now be a better Star Trek than an actual Star Trek series.

Initial reviews have been... well, it's shit. The writing is overly convoluted, the massive injection of grimdark into pre-TOS continuity is anathema to the hardcore fans (the ''human'' characters are often the ones doing the nastiest shit, including [[Marines Malevolent|trying to kill a Klingon party by planting an explosive on the corpse of one of their comrades for when they came to collect the dead]]) and the Klingons are so flat and devoid of characterization that they might as well be Larry the Cable Guy lookalikes wearing Trump hats. This is a massive disappointment for a series that promised to put a spotlight on Klingon culture but ended up retconning all the characterization that happened in TNG and DS9. It ''may'' get better with time (remember that it took two seasons for TNG to get really good) but given the release schedule (split between 2017 and 2018 with a long break) it may come too late for the fanbase to care. Currently it's cause for more fans to lose their shit over whether it's better or worse than the Abrams movies, which is a new record of [[Skub|Trek Skub]]. Releasing the show on CBS All Access instead of cable or broadcast TV makes it seem that executives don't really give a shit if the show succeeds or fails, bringing up the question of [[Bioware|whether they're deliberately putting Star Trek: Discovery in a no-win scenario where, no matter what happens, the executives have an excuse to cancel Star Trek altogether]].

Another stupid decision was not shelling out the cash to bring back Bruce Greenwood and Zachary Quinto as Captain Pike and Spock, respectively. Their ages wouldn't have mattered either if CBS and Paramount weren't too cheap to use the anti-aging CGI tech that is so commonplace these days. That being said, Anson Mount's portrayal of Captain Pike was a revelation that was BY FAR the most well-received aspect of Season 2.

There were also allegations that large chunks of the plot were stolen from previews of an in-development indie game (the unreleased 2014 game featured giant Tardigrades that had the ability to use an interstellar network to travel anywhere they wanted to- sound familiar?).

While Season 2 had some watchable moments, it was still middling at best, and nobody is ''ever'' going to let this series live down the garbage fire that was Season 1.
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===''Picard''===
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Set to be a continuation of the original timeline, featuring old man Picard with Patrick Stewart reprising the role. Hopes are not high, but at the very least Patrick Stewart's presence should make it watchable if nothing else.

The story so far: Picard ragequit Starfleet after they sat back and let the Romulans get blown up by the supernova mentioned in the first Abrams movie. This happened because some rogue androids orbitally bombarded Mars and blew up the rescue fleet that was being built there, so the Federation has banned all R&D on synthetic lifeforms. Picard has been living in his family chateau ever since, making wine and hanging out with his dog and his Romulan housekeepers. Then a scared girl named Dahj turns up on his doorstep, and it turns out she's a highly advanced biological android constructed from the surviving bits of Data's positronic brain. Before Picard can really figure out what to do about her, she gets killed by some Romulan assholes, but it turns it that's okay because she has a twin "sister" who is working with some other Romulans on a derelict Borg cube. Picard decides it's time to saddle up and go be a hero again. Stay tuned.

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== Homages ==
Being such a long-running franchise with a wide audience, Star Trek has gained enough pop-culture recognition that it is often referenced in other works. In a few cases entire projects are made to pay homage Star Trek. Here are some examples.

=== Galaxy Quest ===
A sci-fi/comedy film released in 1999, directed by Dean Parisot. It parodies science fiction films and series in general, but particularly ''Star Trek'' and its fandom. The film stars big name actors including Tim Allen, Sigourney Weaver and the late great Alan Rickman. The plot revolves around the cast of a defunct cult television series called Galaxy Quest (for example, Tim Allen played the Kirk/Shatner expy and the late Alan Rickman played the Spock/Nimoy expy). They're also suffering fatigue that mirrors the experiences of the actual Star Trek actors (Rickman's character is typecast with his Galaxy Quest character and laments it, similar to how these things happened to the late Leonard Nimoy).

The cast are suddenly visited by actual aliens, the Thermians, who believe the series to be an accurate documentary (they have no concept of fiction and only the most bare bones idea of lying) and seek their help. The Thermians take the actors with them, who find themselves involved in a very real, and dangerous, intergalactic conflict, and unlike the show where it all wrapped up quickly they struggle to learn about and relate to the aliens. Spoiler; in a witty nod to the "rubber forehead aliens" so common in Star Trek, the Thermians look like humans with makeup, but that's just an advanced disguise device and the Thermian's true forms are squid-like. Can these actors find greatness within themselves, and possibly personal redemption? (Spoiler: yes, and it is incredible.)

Built around the basic premise of "What if the cast of ''Star Trek'' ended up on a real spaceship and had to actually do the shit they did in the show?" Featuring a veritable all-star cast of talented comedians and character actors, this is one of the best parodies ever made, and an affectionate love-letter to the franchise as a whole.

===Star Wreck: In the Pirkinning===
Another parody, parodying not only ''Star Trek'' but ''Babylon 5'' as well. The seventh in a series fan movies released in 2005, it's about Captain Pirk builds a starship called CPP ''Kickstart'', allies with Russia and takes over the world. He wants to take over more planets but the ships of his P-Fleet aren't fast enough to travel outside the Solar system. A maggot hole opens and it leads to an alternate reality. Pirk wants to take over the Earth of this reality, which leads to an [[awesome]] space battle between the P-Fleet and the fleet of the space station Babel 13 led by Johnny Sherrypie. The movie features some of the best special effects ever put in a sci-fi movie, which is pretty impressive, considering that this is an amateur film with a very low budget and was rendered in five years in someone's bedroom. The film is spoken in Finnish but subtitles are available for a wide variety of languages, including Klingon. They also made [https://web.archive.org/web/20070828010927/http://rpg.starwreck.com/ a role-playing game based on it], where your character [[Truenamer|becomes more incompetent]] [[Page 42|as he levels up]].

===Star Trek: Renegades===
Kickstarter Trek. The makers submitted their made-for-TV movie pilot to CBS in an attempt to get it made into a legit on-the-air series (and by god it shows), but they were not successful. As a result, while the project limped along for a few years afterward, it has good and bad in equal measure. As a non-official product it also cannot be considered canon. Some characters are actually interesting (about time we saw more of the Breen!) while others are pure Mary Sues (including a male Seven of Nine with a built-in Borg-gun/personal shield/fully-functional hand). Some of the ideas are interesting while others are boring or already-been-done. The CGI is all Hollywood-quality, but the practical effects are okay at best.
It's obvious that they made this without knowing that they were going to be able to make a TV show or not, and tried to cram the sort of build-up and intrigue we saw in DS9 into a span of 90 minutes. For now though, it's decidedly meh, and probably a dead project as well since it hasn't been mentioned on the maker's website in over a year as of late 2019.

===Star Trek Continues===
Of all the offerings listed here, Star Trek Continues is BY FAR the closest in theme and tone to the original 1960's series. Indeed, this is the whole point: from its inception, this fan-funded project was intended to represent a what-if "4th Season" of the Original Series, ending with the conclusion of the Enterprise's 5-year mission. It is surprisingly and at times ''delightfully'' watchable, with strong stories, consequences and arcs that carry over to later episodes, tons of attention to detail, unexpected cameos, and a cast that really came together, particularly in later episodes. It also delicately navigated a line between viewing female characters through the lens of a show that was rooted in 1960's culture while also not treating them as weak children dependent on men for protection. Star Trek Continues successfully concluded its "season" with all 11 episodes gradually released from 2014 to 2018. The show received heaps of industry awards and wide praise. Unfortunately, this success was somewhat marred by subsequent allegations of sexual misconduct against the lead actor, Vic Mignogna (also known for his work in anime), by accusers who never bothered to report it for eight years and still claimed to be his friends for those eight years afterward despite what they claim he did to them, have avoided trying to get Mignogna put on trial despite their claims of guilt and the inevitable lawsuits that followed.

=== The Orville ===
A comedy drama sci-fi television series that began as a homage to Star Trek, created by and starring Seth MacFarlane of ''Family Guy'' infamy-- [[Skub|No wait, come back!]] The guy's a huge Trekkie and felt too many shows were up in their ass with grimdark, so he pitched his idea to the execs to make a loving comedic sendup of The Next Generation. Many of the executive producers and developers are notable industry Trekkies such as David Goodman (who wrote the ''Futurama'' Trek parody episode), or Trek alumni such as Brannon Braga. First airing in 2017, the series is about the strung-out not-Picard protagonist Captain Edward Mercer, played by MacFarlane himself, of the eponymous not-Enterprise spaceship "The Orville" ([https://en.wikipedia.org/wiki/Wright_brothers#Orville named after one of the Wright Brothers in a splash of genius]). His ex-wife Kelly is the first officer while the crew includes the not-T'Pol alien security officer Alara, gay beefy not-Worf alien Bortus, asshole not-Lore android Isaac, and John LaMarr and Gordon Malloy - an even more ridiculous parody of Harry Kim and Tom Paris. They explore the galaxy while dealing with personal problems and fighting various bad guys.

Season one started with a decent pilot about Ed and Kelly reconciling enough to work together, then had peaks and valleys to its final episode. Like Star Trek, there’s some commentary on real world issues, and while less preachy than ''Discovery'' on some subjects, it's just as bad or even worse on other subjects. The totally-not-Black-Mirror's-"Nosedive" episode "Majority Rule" had good commentary on social currency systems. The Season trod [[SJW|certain waters]] at times, such as the episode "About a Girl" being a surprisingly well done, Bortus-centered story about gender-fluid/sex-changing aliens... only for episode "Cupid's Dagger" to poke the hornet's nest when it revealed Kelly and Ed split because Kelly banged an alien whose seduction included pheromones (raising questions of consent, blame and date rape). Then, since it’s a Seth MacFarlane show, it has preachiness on atheism exceeding even Star Trek’s, with a quarter of Season 1 episodes all about beating the “Religion is Bad” drum - "If Stars Should Appear", "Mad Idolatry" and "Krill"; regarding the latter, the titular Krill are aliens and the only religious race in the setting, so ''of course'' they’re fanatical devotees of a dangerous religion (a monotheistic one teaching that [[The Culture#Other civilizations|all non-Krill are soulless abominations to be subjugated or destroyed]]). Between this and cues from villains like Nosferatu (all deliberate according to the devs) including a pallid reptilian look and being killed by UV sunlight, the Krill seemed set to be the show’s go-to bad guys. While there were teething problems with plots, the jokes were hit and miss and the preachiness could grate regardless of views, The Orville did well enough for a second season.

In the second season, Alara was written out of the show halfway through. The character's actress, Halston Sage, was rumoured to be dating Seth MacFarlane and given the apparent distance between them later, this may have indicated a breakup which led to her departure from the show. If the rumor was true, this likely factored into writing Alara out because [[Derp|dating a co-worker and subordinate 20 years younger than you almost never ends well]]. In any event, this change may come back to haunt them as she was one of the more well-received characters. In other events, Issac turns good at the last minute (becoming not-Data instead of not-Lore) and one episode has a plot hole where the Krill teacher Teleya - captured by Mercer and co. and imprisoned in Season 1 - comes back as part of a strike force targeting Ed with no explanation for her escape. Speaking of the Krill, they become the "lesser villains that need to team up with the good guys to fight worse villains" cliché, in a possible asspull given all the villainous setup they got in Season 1. The team up happens because the rest of Issac's robotic race, introduced this season and called the Kaylons, have gone [[Necrons|Full Skynet]] against organic life. The cast seems to be gelling better (rumoured friction between Seth and Halston aside), the writers have a better idea of what the show should be and the humour is now used in service of the stories. The criticized elements were watered down but still remain, and while the show is getting a third season, it was moved from TV to streaming service Hulu.

Ultimately, some commend The Orville as a breath of [[Noblebright|fresh air]] in an overly [[Grimdark|stagnant]] genre with good special effects and bouts of genius. Others denounce The Orville as derivative with sophomoric preachiness, clumsy pop-culture references and haphazard writing. Further criticisms include MacFarlane's stunt-casting of himself as the main character being the height of vanity and that his interactions with ex-wife character Kelly are uncomfortable to watch from the word "go." Some think both sides have a point. Trekkies are equally divided on the show; many Trekkies [[butthurt]] over Discovery endorse The Orville, a significant number of Discovery fans hate The Orville, and a small and overlooked group quietly enjoys both.

As always, stay tuned for how this turns out.

== Films ==
As a general rule, the even-numbered ones aren't complete shit.

* '''''Star Trek: The Motion Picture''''': AKA: The Slow Motion Picture, or the Motionless Picture. A giant space whatsit is flying towards Earth, the mostly-retired crew has to go figure out what's going on and stop it. Old school sci-fi geeks like the ideas, but terrible pace and interminable special effects that were clearly meant to capitalize on ''2001: A Space Odyssey'' while failing to understand what people like about that movie kill them dead for everyone else. Besides the uniform worn by Kirk, the uniforms also look like pajamas. So no wonder they were changed only a movie later. Features an entirely bald female alien who is [[What|so good at sex that she has to swear an oath not to get it on with the crew]]. Really. This is canon.
* '''''Star Trek II: The Wrath of Khan''''': As Kirk starts to feel his age, a one-off villain from the show makes a dramatic reapperance: [[Meme|KKKHHHAAAAAAAAAAAANNNN!!!!]] Widely considered the best of all the films, and the only one considered a straight up great film, no qualifiers. If you haven't seen it, see it. So good many later movies in the franchise just try to rip it off instead of finding their own identities. Interesting fact: due to time constraints, actors of Kirk and Khan weren't available at the same time. So the entire script was written so that Kirk and Khan never need to meet face-to-face. But you'd never notice if it weren't pointed out to you. Roddenberry screeched autistically and objected to some of the actions of his characters, including Kirk shooting a [[Enslavers|brain eating space parasite]] rather than "[[Noblebright|keeping it for study]]." The fact that his strongest objections came to the most [[win]] of the films says a great deal about his deprecating value to the franchise around the TNG era.
* '''''Star Trek III: The Search for Spock''''': Where is Spock? ''He's on Genesis.'' ALL AHEAD FULL! Not really bad, just mediocre and run of the mill compared to the superior films that surround it. It was also saddled with the misfortune of undoing some of the previous film's more-daring decisions, and having its only daring decision reversed a film later. If you had to say that any film broke the "odd numbers suck" rule, it would be this one.
* '''''Star Trek IV: The Voyage Home''''': The crew of the ''Enterprise'' travels back in time to save the whales. No, literally and unironically. Scott tries to talk to a computer through the mouse, Spock nerve-pinches a punk on a bus in San Francisco, and somehow it works, creating something perhaps not quite in the genre intended but a classic in sci-fi dramedy. ''The Voyage Home'' is a zany comedy romp beloved by the general public and fandom alike, leaving only the most intractable fanbois to bitch and moan. Nimoy directed this one but there was a contract stipulation that Shatner would get whatever Nimoy got, thus leading to...
* <del>'''''Star Trek V: The Final Frontier''''':</del> <s>The epitome of the "odd-numbered Star Trek films suck" rule.</s> {{BLAM|Lies! There is no}} '''''Star Trek V'''''{{BLAM|! It was not called}} '''''The Final Frontier'''''{{BLAM|! It was not directed by Kirk's egotistical actor and did not have a plot that could literally be summarized as "Kirk is betrayed by his incompetent crew, yet goes on to fight God and win!" The films mysteriously moved from four to six and ''we are all improved because of this!''}}
* '''''Star Trek VI: The Undiscovered Country''''': The Space Cold War ends amidst searing mystery and drama. The sendoff for the original cast, except Kirk who got a worse send-off a movie later. Gene Roddenberry watched it, hated it, and was going to seek legal advice but died a week later. And good riddance to that, because it's a pretty sweet political thriller if your hippie-panties don't get into a twist at the thought that the Federation isn't a perfect place full of perfect people.
* '''''Star Trek Generations''''': Malcolm McDowell blows up planets to get into a magic space ribbon to live forever, no it does not make any more sense in context. An already-weak story hamstrung by its obsession with being daring and unconventional rather than good. Also, Kirk dies on the bridge in the most face-palming manner possible.
* '''''Star Trek First Contact''''': The ''TNG'' crew face off with the Borg to ensure the future happens. Lots of action, a script that sparks with energy and snark, and some quite effective performances make this the only good ''TNG'' movie (we don't blame you TNG cast). It sadly is also the only appearance of the Defiant on screen, doing a pretty decent job of fighting the Borg before the Enterprise E saves the day of course. The Borg Queen was also introduced here before Voyager, ruining what could have been a good idea.
* '''''Star Trek Insurrection''''': If you thought the [[Avatar|Na'vi]] were a bunch of badly-written [[Mary Sue]]s, you ain't seen nothing yet! B-b-b-baby you ain't seen n-n-n-nothing yet! Also, Riker shaves his beard, and that's basically a war crime. Aged from terrible to forgettably bad thanks to that one scene of Picard and Data singing ''HMS Pinafore'' going memetic.
* '''''Star Trek Nemesis''''': The last stand of the ''TNG'' cast, ending not with a bang but a whimper. It also required amending the even=good/odd=bad rule to "''Galaxy Quest'' counts as a ''Star Trek'' film so this one is also odd."
* '''''Star Trek''''' (2009): Alternate timeline "reboot" (sideboot?) with the original crew, albeit with new younger actors. Timey-wimey shit happens and old prime timeline Spock (reprised by old Leonard Nemoy) is hurled back in time along with a bunch of Romulan assholes. The dickbag Romulans begin fucking shit up, slightly altering history in a way that ensures gratuitous lens flare. [[skub| Skubtastic]], but at least watchable, which is more than ''most'' odd-numbered films can muster. If you still even count it as odd, without the ''Galaxy Quest''-amendment.
* '''''Star Trek Into Darkness''''': Some [[edgy]] shit. The second of the alternate timeline ''Trek'' films. Terrorism, conspiracy and flapdoodle. Even more skubtastic, but generally considered worse than its predecessor, partially because (like ''Nemesis'') it tries to be a remake of ''The Wrath of Khan'' and having Kirk at his most punchable.
* '''''Star Trek Beyond''''': Controversial, but more in a question of whether it's decent or quite good. Lots of good character stuff and a decent story revolving around a race of mysterious space pirates trying to conquer a colony, but the action photography is poorly-lit shaky-cam horseshit and the sound work is awful. If it's the last "Kelvin Timeline" movie, as it seems it will be, at least it ended on a good note.

== Novels ==
Like most long time franchises ''Star Trek'' has a massive line of books. Unlike most they're basically just fanfics as nothing but the show and the movies is canon so the writers can do whatever they want. This changed after ''Nemesis'' since they might never have another show or movie in the "Prime" universe, so the writers got their shit together and wrote a group of books as a tight community very close to the shows. The relaunch novels are a continuation of the show they're about. Also there's the ''Titan'' book series which is about Riker and Troi getting their own ship, which happens to be staffed by every race in the Federation including living rocks, [[awesome|space dinosaurs]] that smell like [[meatbread|toast]] and a [[what|space cyborg ostrich]].

During yet another novel continuity (Star Trek: Destiny), the Borg go nuts and eat Pluto... yeah... and then they finally get sick of the Federation somehow managing to not get assimilated all the time, so they finally just send every last cube they have with orders to Exterminatus the absolute SHIT out of the entire Alpha Quadrant. Pretty much every important character from TNG, DS9, and Voyager has to team up to stop them, and even then the Federation still gets its shit kicked in and winds up having to rely on a vaguely ridiculous deus ex machina to win, and [[Grimdark|billions of people still die and dozens of planets are blown to shit]]. It was pretty insane.

Then all the Federation's main enemies get together to form an anti-Federation and start poking the bear, all the while telling their allies that they're somehow warmongering dicks, Section 31 gets its cover blown in a big way, and Riker gets promoted to Admiral. Also, a lot of the newer TNG novels have been devoted to following up on one-shot aliens from the show, like the guys that sent out the probe that made Barclay super-smart and those fish monks that were abducting crewmembers for experiments. Now that the Picard show is coming out, though, this will all presumably be chucked in the dustbin.

== Video Games ==
=== Star Trek Online ===
''Star Trek Online'' is the free-to-play online game built by Cryptic Studios and run by Perfect World. With an official license CBS, recurring characters voiced by various Trek alumni, and recently a license to include references to the reboot chronology (officially known as the "Kelvin Timeline"), it's the closest existing thing to an "official" continuation of the "Prime" timeline, and contains history and fluff extending nearly 40 years from the end of Star Trek: Nemesis.

Taking place in the 25th century (around the year 2409-2410), the Hobus supernova (the event that kicked Nero and Spock into the past during Star Trek 2009) has devastated the Romulans, and its near-collapse and fragmentation causes tensions between a resurgent Klingon Empire and the Federation. The tensions blow up into a war, with members of a new, nicer, breakaway Romulan Republic playing both sides in exchange for development aid.

The game contains deep cuts from all over Trek lore, and answers questions about what happened to various key characters, including Data (took over the Enterprise-E, then retired), the Enterprise (now an even bigger ship run by Andorian captain Shon), and the Voyager crew (it took Harry Kim 30 years to make Captain lol). Raises barely-shown, unnamed, and otherwise obscure races to new prominence as big bad foes, including the Iconians (ancient aliens with god complexes who mutated into energy beings, currently live in dyson spheres and were only defeated by predestination paradox), Tzenkethi (4-armed halo guys whose weak points are the FRONT of their shields), and Na'kuhl (the alien nazis from Enterprise as time-traveling terrorists who blame the Federation for a throwaway event that happened in TNG's beach episode).

Ostensibly free to play, but don't let that fool you... the ''not-so-micro''transactions are the only reason the lights stay on.

=== Starfleet Command ===

''Starfleet Command'' was a series real time space battle games by Interplay based on the much older tabletop game Star Fleet Battles. It came out in 1999 and was followed by several sequels and expansions. Gameplay was much like ''Battlefleet Gothic'', but with the player only controlling one ship. SFC remains Interplay's best selling game, topping even ''Baldur's Gate''.

=== Armada ===

A series of low effort RTS's churned out by Activision in 2000. Tried to take on both ''Homeworld'' and ''Age of Empires'', both of which have recently gotten HD remakes and ''Armada'' hasn't so that should tell you all you need to know. However, for one of the first 3D model space RTS's it was surprisingly easy to mod, resulting in many ship mod packs being made for it.

== Would you like to know more? ==
And oh Lordy, is there more...
*[http://en.memory-alpha.org/wiki/ Main Memory Alpha: A ''Star Trek'' wiki]
*[http://memory-beta.wikia.com/wiki/ Main Memory Beta: The flip-side of Memory Alpha for the less than official stuff]
*[http://sfdebris.com/ SF Debris: opinionated episode reviews, has some non ''Trek'' stuff as well]

[[Category: Television]]

Slaanesh

2020-02-09T09:12:28Z

2406:3400:20F:FFC0:E89A:D163:A38A:4389: /* Facts */

[[File:Slaanesh_mark.png|center]]
{{awesome}}
{{heresy}}
{{Promotions}}
{{/d/}}
{{sick|The hermaphrodite goddess of rape who wants to eat everyone's souls and rape them forever.}}

[[Image:Slaanesh_by_baklaher-d7dvohn.jpg|thumb|500px|right|Slaanesh... tempting you to join a [[rape|party in which you will never forget...]] [[Rule 34|also now in even more NSFW!]]]]

<span style='color:purple;font-size:100%'>'''''PORN FOR THE PORN GOD! SMUT FOR THE SMUT THRONE! RAPE FOR THE RAPE TRAIN!<br> - The Motto that Slaanesh wants YOU to believe in'''''</span>

{{Topquote|Give yourself over to absolute pleasure. Swim the warm waters of sins of the flesh - erotic nightmares beyond any measure, and sensual daydreams to treasure forever. Can't you just see it? Don't dream it, be it.|Dr. Frank-N-Furter, Rocky Horror Picture Show}}

{{Topquote|To be loved, feelings must be rationed. To love, the doors of hysteria, fantasy, and madness may be flung open.|Anton LaVey}}

{{Topquote|An oasis of horror in a desert of boredom.|Charles Baudelaire}}

{{Topquote|Everything is good when it is excessive.|Donatien-Alphonse-François, AKA Marquis de Sade}}

{{Topquote|Blood does more than turn me on, it makes me cum. And more than the sight of it, I love the taste of it. The taste of hot, freshly killed blood... Kill everyone now! Condone first degree murder! Advocate cannibalism! Eat shit! Filth are my politics! Filth is my life! Take whatever you like.|Divine, Pink Flamingoes}}

==Introduction: The Slaanesh Inquisition==
[[Image:Slaanesh by genzoman-d2y8ylf.jpg|thumb|500px|[http://www.youtube.com/watch?v=u2qT7GylRxw And to think... I hesitated.] Wait, one whip is held in the hand and the other is held in the...]]
Behold '''Slaanesh''', also known as '''Shaarnor (to [[Cult Of Slaanesh|Elves and some humans]]), Shornaal (to [[Warriors of Chaos|humans and some Elves]]), The Dark Prince, the Lord of Excess, Leviathan, Lord of the Labyrinth, The Sweet Transvestite, The Lusty Argonian Maid, the Colossal Pervert''' '''the Ultimate Trap''' and multiple other names. Slaanesh is the [[Chaos God]] of [[/d/|perversion, Hentai]], [[Extra Heresy|shamelessness]], [[Furry|excess]], [[Rebecca Black|the most disgusting Pop Music in the history of ever]]. Heretical Fa/tg/uys cannot resist the most disgusting [[heresy]] of masturbating furiously to Slaanesh and their [[daemonette]]s.

Slaanesh was 'born' (read: actively began to do shit rather than just being some nebulous, mostly-passive entity in the Warp) <s>in the 1800s, when [[Tzeentch]] tricked major film producers to establish a colony in the anarchistic frontiers of California where they could practice their most lecherous vices</s> at the fall of the [[Eldar]], when all their torture, [[rape]], S&M, bondage, decadence, eventually tore the fabric of reality a new one and gave birth to Slaanesh along with the [[Eye of Terror]], killing the majority of their race. Thus, the final chaos god is known as the one that was literally murderfucked into existence. As a result, Slaanesh owns almost every last Eldar soul in the entire galaxy. In the event of an Eldar dying without a spirit stone, he or she becomes Slaanesh's sex toy for all of eternity day and night forever and ever (excluding Exodites, whose soul will automatically go to their planet's world spirit and Harlequins, who are scooped up by the [[Cegorach|great clown]] himself, and the faithful of Ynnead). That is why Eldar are willing to manipulate entire worlds into [[Exterminatus|exterminating]] each other just to save one of their own. The [[Dark Eldar]] takes this up to eleven by sacrificing other souls to Slaanesh so that they don't get eaten. [[Khorne]] hates Slaanesh because he (or perhaps she? or both?) is a prissy little shit, but Slaanesh is concerned with the other Chaos gods only insofar as they can be a diverting plaything. Rumors that their relationship is beyond hate and occasional angry sex are just that; Khorne, certainly, is not telling.

Of course, that paragraph is Slaanesh's WH40K history. In WHFB, Slaanesh has no real backstory and sort of just came out of nowhere like the other Chaos gods.

Among other things, Slaanesh is the god of sex, drugs, and rock n' roll. Slaanesh is fueled by excess and pleasure, which means gratuitous amounts of anything generally fall under its influence. This actually becomes a big problem for Khorne, the [[God-Emperor of Mankind]] and the other Chaos Gods, whose worshipers have to constantly try not to enjoy themselves too much lest they end up feeding the Warp's whipping bitch. Especially when the Inquisition is all too enthusiastic about whipping heretics.

Many horny juveniles who have just found Warhammer seem to be obsessed with Slaanesh being a God(ess) of sexual pleasure. While [[fluff]] claims this is not true, in practical terms Slaanesh is the deity of pleasure, which can be broad. Pleasure can be derived from various sources, as such this can be anything from sex, eating, companionship, and so on and so forth. However, because Chaos is Chaos, Slaanesh is mostly associated with the extremes of pleasure. Lechery, gluttony, extreme masochism, and the likes, are the pleasures their followers partake in because Slaanesh's credo is to experience everything to the fullest. This basically means: why settle for one loving wife to have sex with you when you can have a hive world of loving concubines to satiate your desires? Or why eat one disgustingly expensive luxury meal when you could eat a Paradise world's supply of the stuff? Why just resort to cutting yourself to feel the pleasure of pain when you could be chopping off lumps of your flesh to heighten the sensation of pain? Numerous examples of 40k lore have made it apparent that while those who fall to Slaanesh might start off with a desire to fulfill their rather run-of-the-mill baser instincts, it always spirals out of control. For example, in the novel ''Shadowsword'', a young nobleman makes a deal with a devilish creature so that he can possess and sleep with his lady love, who is also his first cousin. By the time all is said and done, a grand party to welcome the forces of Chaos to their world turns into a charnel scene where the guests ''imagine'' themselves to be dancing and enjoying fine food and drink, but in reality they are tearing each other apart with their bare hands and engaging in cannibalism; others believe that they are embracing when their bodies and flesh are literally melding together. These are the types of scenes that truly grant Slaanesh power.

One would think that if, as claimed, Slaanesh was the lord of all ''pleasure'' then Slaanesh would be omnipotent because, in the end, biological and psychological fact tells us that every living thing with a fucking Neuron acts in order to feel pleasure and escape pain (the "pleasure principle"). However, the point of Slaanesh is not just to revel in ''any'' pain or pleasure, but to gain power from exposing mortals to the types of experiences that a sane person ''could not'' and ''would not'' ever be able to imagine in the first place. For all but the very strongest and most devout, this pollutes and twists their very souls to such an extent that they remain in thrall to Slaanesh forever. Such horizons of experience and sensation are far, far beyond the predictable inclinations and fetishes of your typical 4chan fa/tg/uy.

Even [[Khorne]], Slaanesh's primary rival, feels pleasure in killing, and Tzeentch feels pleasure in [[Just as Planned]]. That is why 40k lore tends to focus on Slaanesh as a God of the most disgusting pleasures ever, not as a God of all pleasure. Additionally, in the [[fluff]], it does state that most pleasures (like regular love or the desire to eat) that might be covered under the "pleasure principle" are too "weak" to sustain Slaanesh. Slaanesh being usually named the "God of Excess" it's more that they gain power from OVER-indulging in the small things like sex and eating, which in 40k is actually more rare than people would think. Considering that it's damn hard for anyone to get more than a piece of stale toast and a dry handjob before a grueling 48 hours of avoiding death in the name of the Emprah in the far corner of some forgotten forge-world, the only way to get enough sex, drugs, and partying in to impress Slaanesh on your average imperial world, is to be a ruthless, controlling, evil, bastard. (''It is worth noting that GW seems to have picked up somewhat on this fact. As of the latest daemon codex it does mention that Slaanesh has a particular way of influencing the other chaos gods and that they are all weary of them given that they draw some strength from the extreme behaviours they promote in their followers and are subject to themselves.'')

Slaanesh is also associated with the arts and creativity, as creativity means pursuing one's own personal desires. Self-indulgence and personal expression are the bedrock of the arts, after all. Those attracted to Slaanesh could theoretically be more than just aristocratic ravers, but also particularly eccentric artists, writers, etc. Slaanesh is Sex, Drugs, and Rock & Roll in the purest sense of the word; not just the orgy after the concert, but the brilliant concert that caused the orgy to begin with. One could assume that, in order to prevent Slaanesh's influence from spreading, the Imperium of Man would censor not just content but style. A radically structured poem, a painting with hints of sexual content, even a deviation from traditional chord structures would presumably bring the Inquisition to your doorstep.

If Slaanesh had a voice actor, it would be [https://www.youtube.com/watch?v=bc80tFJpTuo Tim Curry] and/or Tilda Swinton.

==What? Warhammer?==
[[File:Slaanesh Old.jpg|thumb|right|150px|The first depiction of Slaanesh in Warhammer art.]]
In the new [[Age of Sigmar]] setting, Slaanesh has gone missing. Tyrion and Malerion worked together to capture Slaanesh, unknowningly helped along by the machinations of Tzeentch. Thus Slaanesh has been removed from the Pantheon of Chaos and replaced by the [[Horned Rat]]. Derp. [https://www.youtube.com/watch?v=XIMg2Xw4_8s While it was thought Slaanesh is being kept in a hidden warehouse while Tyrion works him/her over to make Slaanesh give back Aliathra's soul], this is revealed to be mostly true. There was speculation that Slaanesh has been removed as an active part of Age of Sigmar in some attempt by [[Games Workshop]] to make the game more accessible to children. [[Derp|Somehow, they failed to take into account that an incredibly grimdark game with very complicated rules and such a high price of entry isn't going to be popular among kiddies anyways]]. They may be doing this so parents won't be put off by the game and be willing to buy it for their children and to get past the media watchdogs to make the game more mainstream; but that most likely won't work [[Games Workshop|due to reasons discussed on GW's page here]].
[[File:AoSBeholdSlaanesh.jpg|thumb|right|300px|Slaanesh imprisoned: Unable to decide which dildo to use first, Slaanesh is effectively neutralized! Ingenious! (Also, to answer the question you never asked, Slaanesh is not circumcised. Seriously, take a close look at where those chains pierce)]]

Yet hope for Slaanesh faction lovers still remains. With Slaanesh missing, his forces have split between those trying to find and free Slaanesh (the refer to themselves as Seekers), those who are trying to claim their former master's position (they are referred to as Pretenders and consists of every Chaos Lord and Keeper of Secrets that wants to claim their former masters position as the new god of depravity) and those who have continued to be allied to Archaon in his wars against the Mortal Realms (who are referred to as Invaders). This last faction is currently the biggest and is the main Slaanesh force fighting Order; it is mostly being led by Slaanesh's greater daemons who lead Slaanesh's demonic and mortal followers but some have actually looked to venerating Archaon as their replacement deity.

With the release of the Daughter of Khaine battletome it's revealed that Slaanesh have been trapped in the void space between Ulgu (Realm of Shadows) and Hysh (Realm of Light) by the collective work of [[Tyrion]] and [[Teclis]], now gods of the Hysh, [[Malekith|Malerion]], god of Shadow, and [[Morathi]]. There the elf gods are slowly taking back the elf souls the Chaos god had devoured after the End Times, reforging them to their liking, while Slaanesh is trapped in a position that will make it impossible for him to escape. That is, unless Morathi cast a spell to get more souls than it was initially planned for her to receive, a spell that would weaken the chains that are keeping Slaanesh trapped, which of course she did. Now Slaanesh is ever so slowly getting further from Hysh and closer to Ulgu, which enabled Slaanesh's followers to learn where he was. The only things standing in their way are the fact that they can't reach Slaanesh's prison, the elf gods and their forces. Even then, Slaanesh might eventually be able to free itself.

With the announcement of Realm of Chaos: Wrath and Rapture, it appears GW is ready to bring Slaanesh back to the 40k and AoS universes, along with a (daemonic) host of new models. And this did come to pass... Though it isn't as grand as many would have hoped. It has been revealed that the 66 chains holding Slaanesh (real subtle, GW) can be broken by certain depraved or powerful acts, ie, an excess of anger from Khorne, or a Stormhost turning on the people they protect (which did happen and was engineered by Slaanesh taking a leaf from Tzeentch's book). Having broken a handful of the chains Slaanesh cast illusions to prevent the elves from discovering this, and if the majority of chains get shattered Slaanesh will be strong enough to break the rest. If Slaanesh ever did escape, he would immediately try and engulf all of Ulgu and Hysh, securing two whole realms and thereby winning the great game though Khorne would object violently, as would Archaon.

== Followers ==
[[File:Slaanesh Banners.jpg|thumb|right|400px|Slaaneshi banners.]]
Slaanesh attracts mortal followers from those seeking to become charismatic and popular, but instead corrupts them to become [[Chris-Chan|colossal perverts]]; alternatively, she may attract followers from those who are already [[Ultramarines|colossal perverts]], and corrupt them to become more charismatic and popular. [[Just as planned]].

Alternatively, Slaanesh sometimes finds those in the mortal realm with far more looks than brains to approach and give them everything they could ever want because she tells them that they simply deserve it, with nothing expected in return...other than them turning into a collossal egotistical hedonist with no sense of responsibility, right and wrong, or empathy as they fuck over creation on whim or for the lulz due to the ultimate entitlement complex possible.

Slaanesh and Khorne actually compete for the same pool of followers more often than you'd think, which is part of their bitter rivalry. A good rule of thumb is this: if a warrior wants to be the ''best'', gets his thrills from making that perfect shot, that perfect move, [[/v/|that perfect 360 noscope,]] to [[powergamer|hone his or her skills the sharpest they can ever be]], or debasing their foes, they're Slaaneshi. If the thrill lies in just killing people-- the pure joy of murder-- and the skill is just a way of facilitating that, they're Khornate. Slaaneshi types also get off on the sensory overload rather than actual killing, even pain. See the Emperor's Children who get carved up by Raven Guard and won't fight back because the feeling of lightning claws dicing them up is too damn blissful. [[Troll|They also get off on the reactions they get from others]]- for example, the loyalist who Lucius tricks into slaughtering his own men.

When things come to more "social" followers, Slaanesh competes with Tzeentch, as followers of both are known for being a silver-tongued manipulative dicks with a huge hard-on for power. Here the difference lies in that Slaaneshi followers seek power for their own gain, usually through charismatic speeches and the like, while Tzeenchians often have more altruistic goals or are more interested in a process of gaining power than actually getting it, intentionally raising the challenge to impossible level just to feed their ambitions, for which they'd use the exchange of favors, blackmail, and other such forms of social politicking. The 'huge hard-on' part is also much more [[Heresy|literal]] in Slaanesh's case.

Apart from [[AIDS|the obvious]], Slaanesh and Nurgle rarely have any interaction. There was the matter of the [[Isha|qt Eldar waifu]] Slaanesh wanted to keep for [[/d/|some]] [[rape|after-party]] [[FATAL|entertainment]], but since Nurgle is a fa/tg/uy at heart he couldn't resist claiming the elf waifu for himself. But they're mostly over that... mostly. Otherwise, their domains are just too different that they don't overlap all that much. Those who are ambitious and feel they deserve better choose Slaanesh, while those who give up or accept their lot fall into Nurgle's open, sweaty arms. Conflict occurs, but love of the self and love of others aren't as mutually exclusive as the desire to destroy and the desire to create, or a demand for the spotlight against careful orchestration.

[[File:Slaaneshi Forces.JPG|thumb|right|500px|Slaaneshi forces in their realm.]]

Slaanesh units are:
* '''[[Daemonettes]]''', hideous crab-clawed hermaphrodites or seductive scythe-clawed elf-girls depending on which fluff you choose to believe, fa/tg/uys love Daemonettes and spend much time eagerly awaiting the drawfags to provide them with moar heresy. Some fluff seems to suggest that they're hot elf girls until they decide it's time to rip your face off, at which point they become something more akin to the BDSM glam-rock black-eyed lobster women seen in the current models. Moreover, they're supposedly attractive to the beholder (though these are often xenophobic assholes and thus only consider themselves beautiful) - this means that it is very likely that their appearance is entirely subject to the individual desires of whomever is perceiving them. This is represented by their hermaphroditic/androgynous appearance, supposedly rendering them attractive regardless of preference or sexuality. Their monstrous nature is a juxtaposition of slender sensuality and horrible, flesh-tearing daemonic claws. Like many Daemons, their appearance is supposed to be highly varied, which is never represented in the models unless you combine all the old and new, modify heavily, and use [[Raging Heroes|proxies]] randomly. Daemonettes are created by Slaanesh's waking thoughts, popping into existence as she contemplates trolling Khorne, destroying a civilization from within, or getting off.
* '''[[Seekers of Slaanesh]]''', Daemonettes mounted upon [[Steeds of Slaanesh]] which are the mix of an aardvark and a raptor [[dinosaur]]; fast and lots of attacks for not much points, prone to dying in a hail of arrow/bolter fire.
* '''[[Fiends of Slaanesh]]''', large creatures that look like a bizarre cross between an aardvark and a scorpion with rows of breasts, these are created when Slaanesh dreams (because apparently Chaos Gods sleep). They're basically if a Daemonette and a Seeker had a child.
* '''[[Seeker Chariots of Slaanesh]]''', hard hitting unit/squad-wipe models, this is whom you call for when you need that pesky [[tarpit]] removed. Right now. From other end of the board. Be cautious though, these things need protection like grimoire and preferrably invisibility,or at least [[Distraction Carnifex|target mitigation]] to live long enough to do their job since they are big targets with juicy 10 armor all round. Also never ever position yourself so that the enemy could have even remote chance of charging these things: even squad of retarded [[Tau|fire warriors]] or some [[High Elves (Warhammer Fantasy)|Spearmen]] can take these chariots down in melee if they get the charge. These things live and die by the hammer of wrath attacks, use them accordingly. Also comes in the "Exalted Seeker Chariot" variant, which is literally just a larger Seeker Chariot crewed by higher ranked Daemonettes.
* '''[[Hellflayer Chariots of Slaanesh]]''', what happens when you combine enough Chariots to make Daemonettes literally [[/d/|dripping]] with excitement at being in battle.
* '''[[Warriors of Chaos]]''', not-Vikings/Mongols who live in the desolate north of Warhammer Fantasy and fight against each other when not raiding the rest of the world. The closer to the [[Warp Gates]] they are, the more like living Daemons while the furthest south are generally only concerned with survival and not offending gods.
* '''[[Beastmen]]''', the rapist omnivorous (in every sense of the word) animal-mutants that infest the world. Beastmen serve all of Chaos, some serve specific gods more than others but few serve one entirely. Live to literally and canonically shit on civilization and order. Ironically treated like shit by all of the rest of Chaos. Slaanesh, in keeping with the trend, allows his followers to fuck their women and drink their wine.
* '''[[Keepers Of Secrets]]''', Slaanesh's Greater Daemons, like a Daemonette on steroids, ecstasy and Viagra. Created intentionally from Slaanesh's own darkest thoughts and desires, rather than the Daemonettes/Seekers/Fiends which are created passively, each is radically different (even though there's only been three different models, one of which is long out of production). Geniuses capable of turning entire armies to their side, or destroying civilizations. The default leaders of almost any Slaaneshi army, unless lead by a...
* '''[[Daemon Prince]]''', a human (with [[Dechala|one Elf]] as the exception) so devout to Slaanesh that they managed to become a Daemon. In Fantasy this is usually, but not always, a Warriors of Chaos Champion who made the perilous journey of getting not to little or too much attention while in her service.

=== 40k ===
* '''[[Chaos Space Marines]]''', the traitor marines of the [[Emperor's Children|third legion]] worship Slaanesh exclusively, as do warbands such as the Angels of Ecstasy and the Flawless Host. They also make up a large chunk of the Black Legion, as the Children of Torment.
** '''[[Noise Marines]]''', the specialist traitors dedicated to Slaanesh, akin to Khorne's [[Berserkers]], Nurgle's [[Plague Marines]] or Tzeentch's [[Thousand Sons]]. Aural-focused traitors who specialise in using [[Sonic Weaponry]] because the cacophony is the only thing that can register on their jaded senses anymore. [https://en.wikipedia.org/wiki/Berghain Can be found IRL also.]

=== Fantasy ===
* '''[[Dark Elves (Warhammer Fantasy)|Druchii]]''', the Warhamer Fantasy evil Elves who are the highest ranking worshipers of Slaanesh, who they call Shornaal, in the [[Cult Of Slaanesh|Cult Of Pleasure]]. In most of the games history (4 editions out of 8 total, the first two having virtually no story whatsoever), Dark Elves had their origin in their Queen [[Morathi]] being the high priestess of Slaanesh, who corrupted her [[Malekith|son]] and about half the Elf race. While most Dark Elves torture and kill in the name of [[Khaine]], Morathi lead a cult of Chaos Elves and regularly allied with other Slaaneshi factions (other than Beastmen, because Morathi kept [[Harpies|her own]] as pets and shits on all others like a good Chaos character should). In later editions, Chaos Elves were retconned away into worshipers of [[Atharti]], [[Hekarti]], and [[Ereth Khial]], three Elven Slaanesh-expy gods, in order to redo the Dark Elf faction as evil Elves who ally with other Elves in the interest of mutual survival instead of evil Elves who just want to watch the world burn while a slave who's skin has been torn off gives them oral. This choice split many fans, some asking why Elves should worship Slaanesh when they have Khaine instead of Khorne, others asking why they worship Khaine when Khorne is better.

==Potential semi-retcon of Slaanesh in 40k==
With the release of "Rise of the Ynnari: Wild Rider" we now have daemons of Slaanesh making an appearance during the [[War in Heaven]]? Now this could be just a case of timey wimey Warp shenanigans but it could also be an indication of something else! What if Slaanesh's "birth" was actually more akin to a rebirth of something far older; the original sin if you were.

It is known that even before the Fall agents of Slaanesh were already at large in the galaxy and actively seeking to bring it into being. If Slaanesh did indeed have a presence all the way back in the War in Heaven then perhaps it has always been there, seeking a way to return, as opposed to beginning to gestate within the Empyrean during the conflict itself.

Slaanesh isn't all about sex, [[Drug|drugs]] and more sex, but actually fits all of the seven deadly sins rather well: [[/d/|Lust]], [[RAGE|Wrath]], [[Blood Ravens|Greed]], [[Perturabo|Envy]], [[Giles|Gluttony]], [[Lazy Marines|Sloth]] and [[Cato Sicarius|Pride]] all fall under Slaanesh's domain; each of which play key roles in the other God's spheres of influence also. Of course these are taken to their extremes, as is Slaanesh's trade mark, but even the other Chaos Gods are extremes in their own way, and though they are all placed above the Dark Prince in terms of power they all may "fear" the influence that Slaanesh has the potential to hold over them and are very wary that the Dark Prince may eventually eclipse them all in power.

The War in Heaven is essentially the event(s) that created "Hell" in 40k as many races with a presence in the warp fought and died in the conflict, so it makes sense that there must have been an "original Satan"-like figure as well. Of course, this could be looking too much into this and talking out of our collective arse, but what with Slaanesh in [[Age of Sigmar]] no longer being counted amongst the Four, it opens up a lot of possibilities for when the Dark Prince does eventually return.

== Facts ==
[[File:Nope.jpg|200px|right|thumb|Alright, who's next for "Purifying"?]]
* [[Ynnead]] is secretly Slaanesh
*[[Sanguinius]] is jealous of Slaanesh because they are the only one more fabulous than hi-{{BLAM}}
* Slaanesh wants to fuck the Emperor, but every time they try, the Big E psychically bitch-slaps them, destroys all their sex toys and sex slaves and breaks their hands so they can't fap for a while.
* Slaanesh knows that you can't spell happiness without penis.
** Slaanesh is dyslexic.
***Slaanesh also knows that you can't spell dyslexic without sex
* The title of Slaanesh's greatest mortal champion is owned by Shädman''(ayyyyy)''
* Slaanesh is bitching over the fact how their only representation in the DoW series was the [[Emperor's Children]] paint scheme. And they aren't even Slaaneshi like, they're just a generic chaos army. Although, their did grant favor to Eliphas for smashing a ton of soulstones. (And their colours aren't even correct.)
**However, concerning stated above, the developers have added noise marines for Dawn of war 2: Retribution. This has made Slaanesh quite happy. However, he/she/it is still <s>pissed off of not getting enough representation</s> OFFENDED BY THIS SILENCE, considering Nurgle gets Plague Champion hero, the Plague Marine Tier 2 unit, and the Epic Great Unclean One daemon, Khorne then gets the Khornate Chaos Lord, Bloodletters and Bloodcrushers, while Tzeentch gets the Sorcerer hero, has the most effective upgrade for the basic CSM squad (Warpfire bolts make everything in front of them shit brix and was flat out broken in earlier versions of its introduction), and all of the Anti-armor upgrades, while they only get a single unit that frankly eclipsed by either Plague Marines or generic Havocs with an autocannon.
* Charlie Sheen is their first true Daemon Prince (though he was recently diagnosed with HIV which resulted from his sexcapades, so looks like he could swing towards [[Nurgle]]. But just like [[Fulgrim]] his body probably needs to be destroyed first before he can ascend). It was nearly Malcolm Mcdowell, on account of Mcdowell's filmography including two of Slaanesh's favorite films (see below) and Mcdowell's hedonistic younger years; before Charlie had even reached puberty, Mcdowell was already far into sex and drugs both in his films and real-life. But as he got older, Mcdowell turned away from hedonism and cleaned himself up. Other contenders include Gene Simmons and Tila Tequila.
* Slaanesh gets beaten up/off by all of the other Chaos Gods on a fairly regular basis, and gets off on it.
* If it exists, [[PROMOTIONS|Slaanesh faps/shlicks/shlaps to it]].
* Tzeentch likes to trick Slaanesh into fighting Khorne to get his daily dose of lulz. Slaanesh always loses these fights pretty badly; and each time, Slaanesh takes it pretty hard. [[C.S.Goto|And this pleases them.]]
* Slaanesh is secretly depressed that have no friends. Khorne is a dick, and Tzeentch is the biggest dick there is. Nurgle is nice, but Slaanesh can't get over the fact that he cucked them. ("Can't get over it" in both a [[PROMOTIONS|positive]] and [[RAGE|negative]] sense.)
** Also, Nurgle has ''all'' the STDs, which would make him Slaanesh's natural enemy out in the wild. Isha's immunity to all diseases is better than any protection, which is a pretty substantial reason why Slaanesh liked her.
* Slaanesh gets bullied by all the other Chaos Gods constantly because none of them like him/her/it. This does not upset the balance, though, because Slaanesh likes BDSM where they being bullied and tortured by the other Chaos Gods.
* Slaanesh is Tzeentch's second favorite victim for his hijinks, because it's oh so easy to string them along with offers of porn, whores, BDSM and/or drugs.
* Khorne [[Rip and Tear|regularly tears off Slaanesh's arms]] and beats them over the head with them (Again, this inadvertently makes Slaanesh orgasm).
* Slaanesh was doping when they killed the Eldar Gods, they couldn't really beat them all without using performance enhancing drugs. (at least that what Khaine, a god of war and destruction, keeps insisting when ever someone asks him why he got both figuratively and possibly literally raped by a god(ess) of sex drugs and rock'n'roll)
** Slaanesh is always on drugs (Except psychiatric medication, they kill sex drive down to the very biology)
* Slaanesh attempted to fight the Nightbringer in a desperate attempt to win back some street cred, they got their left boob cut off for their trouble. It hurt so bad/good that it retroactively cut off the left boobs of all of Slaanesh's greater daemons and that's why they all only have one boob (or six). Given the new backstory and their time of birth, this means that Slaanesh lost against a Necron Pokémon.
* Slaanesh is a great patron of the arts. Their favourite films include:
** Hellraiser: Slaanesh's number one film. In fact, they took a lot of inspiration on many of the movie's aspects... <strike>That is, of course, a lie. They actually ripped off Hellraiser.</strike> Hellraiser ripped them off. Slaanesh had a cameo appearance in the sequel dressed as a lozenge.
** A Serbian Film: Slaanesh's second favorite movie. They already started putting NEWBORN PORN into her/his daily schedule.
** Pink Flamingos: Slaanesh's third favourite movie, which is actually a film adaptation of Slaanesh's journal. Slaanesh especially enjoyed the depictions of their hobbies (including bestiality, scat fetishes and vore), that the movie quotes them directly (see Divine's quote above).
** A Clockwork Orange: One of Slaanesh's favorite movies; not so much the book it was adapted from as it was less about sex and more a commentary on the nature of morality. (Although Slaanesh faps/shlicks to commentaries on morality too.) They like to jerk-off at many of the movie's aspects, but more notably Malcolm Mcdowell's sexy face. They also find the death of one of the characters totally hilarious, due to the fact that said character was killed by a giant rocking ceramic phallus straight to the face. '''BLOWJOB OF DEATH !!! LULZ !!!''' Unbelievable and improbable? Well here's evidence to prove it: [http://www.youtube.com/watch?v=wbRSag-L-GQ Giant rocking ceramic phallus attack !!!].
** The Rocky Horror Picture Show: Mostly because of Tim Curry (who is actually Slaanesh).
** Legend: [https://www.youtube.com/watch?v=a3J91bPrW9A Also because of Tim Curry, who practically plays a daemon prince of Slaanesh].
** Caligula: The movie written by Gore Vidal for copious amounts of sex, incest and Malcolm Mcdowell as the title character. Slaanesh's favorite scenes are when Caligula engages in an incestuous threesome with his sister and his fiance, and the giant orgies on stage (don't watch the latter if you have a weak stomach - there's a real snake in one scene and [[FATAL|you don't want to know what the woman does with it]]).
** Eyes Wide Shut. Slaanesh has heard the film described as "Just Artsy Porn", but doesn't get the criticism. It's Art and it's Porn. What's not to love?
** Event Horizon: A documentary of how he/she/it is directly responsible for fucking up humanity's first venture into the Warp.
** High Rise: Some say it holds the essence of the one time Slaaneshi and Khaine got jiggy with it.
** Salo or 120 days of Sodom: Slaanesh liked it better when they thought it was real and not just special effects.
** The Stuff: A movie about the time some railroad workers found lakes of Slaanesh's jizz at a quarry and marketed it as dessert food due to its properties, leading to numerous shenanigans and giving Slaanesh much lulz that they never learned where it came from.
* Slaanesh enjoys the Song of Ice and Fire books due to the copious amounts of incest and midget sex and the TV adaption Game of Thrones because they added sex scenes and casting several porn stars on top of this.
* Slaanesh's favorite band is GWAR, because everything with them is sex, drugs, and rock and roll in excess, even covering their audience in jizz, blood, random chemicals, and mixtures of all three, and inciting massive blood orgies constantly.
* Eurythmics - Sweet Dreams is also suspected to be one of the early influences of Slaanesh in human music culture, the singer suspected to be one of his/her/its avatars.
* Slaanesh gets ALL the pussy, as well as all the dick, cloca, ovipositor, stamen, pistil, and pilus.
* Slaanesh tried to seduce all of the remaining C'tan at once. Slaanesh ended up getting the pleasure sensors in its brain lobotomized. S/he got off on this.
* Slaanesh found Captain Flashheart so magnificent in Blackadder that they created a daemon prince in his image. Woof woof!
* Despite psychic powers supposedly being Tzeentch's specialty, Slaanesh's tend to be the really [[cheese|cheesy]] ones. 3rd edition had a minor power called Siren, which forbids the caster from being shot at in the opponent's shooting phase (it's just as broken as it sounds). 4th edition has Lash of Submission, which the Chaos Marine tactics cover the usage of (in a nutshell, GW admitted they didn't realize how good it turned out to be and it was the most used on daemon princes even though the +1I from the required MoS wasn't very useful). And what about 6th edition? While Tzeentchian sorcerers focus on pwning the shit our of enemy with (mediocre) mind bullets and warp-beams, Slaaneshi ones pack a whole lot of cheesy buffs and debuffs, which makes them so much better. Similar deal in Fantasy, where Slaanesh, some of the time, offers a better selection of magic than Tzeentch.
*Slaanesh is the only entity in existence who listens to the My Dad Wrote A Porno podcast purely for erotic purposes. He/she/it cannot understand for the life of him/her/it why no one else finds cervix-grabbing sexy.
** Still, ]they fap/shlick/???-PROFIT at this.
* Considering that Slaanesh is about excess, there might be several other types of Marines besides Noise Marines we don't know about:
** Smell Marines, who use gasses to do whatever they wish through peoples noses, whether it be death, insanity, paralysis, suggestibility, 'seeing colors', and so on, always permanent brain damage. This is a way to get Nurgle followers to convert.
**Sight Marines, whose weapons create wondrously intricate bloom and color effects of equally detailed and aesthetically (only to a branch of masochists masochists can't stand) pleasing. This is a way to get Khorne followers to convert.
** Touch Marines, who know the nervous system better than a Bene Gesserit, able to bring the mightiest warriors down with the right jab in the right spot, consumed with uncontrollable orgasms.
**Taste Marines, think about the spiciest thing you've ever eaten, now imagine that a million times stronger, we are talking Exterminatus level of scovilles here, literally melt your god damn tongue off heat. It's like that only worse. They would use super pepper spray that can literally eat through armor.
*Also, a former Tzeentch follower gone Slaaneshi would be incredibly dangerous: Tzeentch followers understand indeterminism (from a very distorted, cynical perspective) and also see knowledge as power per circumstance to win where force, charisma and economics cannot. A devout Slaaneshi seeks to experience everything. Thus a former Tzeentchian, already well read on enough to convince themselves they experienced it, or well read enough to steal peoples experiences, who became a hedonist addict as well would be left with one desire: to be omnipotent and thus be able to go beyond the limits of mortal imaginings in pursuit of understanding and experience for the sake of understanding and experience.
*Slaanesh tried to get in Khorne's head by seeking to understand the appeal of skulls. Instead Slaanesh got bored and invented the idea of skullfucking. <br/> '''{{Blam|DAMN IT SLAANESH WHAT THE HELL DID YOU DO TO MY SKULL THRONE THIS IS DISGUSTING!! IT'S EVERYWHERE!! IT'S OOZING OUT OF EVERY EYE SOCKET!!! I'M NEVER GOING TO BE ABLE SIT ON THAT AGAIN AAAAAAAAHHHHHHHHH!!}}'''
**Khorne secretly loves it when Slaanesh does this, because now he has even more of an excuse to go out and collect enough skulls to replace it.
*[[If the Emperor had a Text-to-Speech Device|Slaanesh Patrols will skull fuck your family.]]
* Slaanesh secretly wants Khorne. S/he's upset that the 'Special K' hates her/him/it.
**However, if Slaanesh ever did create a copy of him/her/their/itself, then the two would immediately try to murderfuck each other, in a kinky simulacrum of Highlander. This would apply to all of the main ruinous powers, <s>apart from</s> including Nurgle, <s>who would simply hug his</s> whose female double <s>and then get to work with said double on a particularly virulent strain of super aids/crotch rot.</s> would get jealous of Isha and conspire with Slaanesh to get rid of that home-wrecking skank.
*Slaanesh is the patron <s>god</s> <s>goddess</s> deity of bonobos (look them up).
*Slaanesh's ''only'' criticism of the Cats movie is that there are no visible genitals.

== Gallery ==
{{heresy}}
{{promotions}}
{{/d/}}
<gallery>
Image:Slaaneshi.JPG|Slaanesh followers DO COCAINE!!!!!!!!
Image:Daemonette commisssar.JPG|That's a real [[commissar]], just look at the [[hat]].
Image:Daemonette02.JPG|DDaemonette
Image:Daemonette01.JPG|It's not furry, you can totally fap to it.

Image:Daemonette.JPG
Image:Slaaneshi2.JPG|Why it's good to be Slaanesh follower.
Image:Daemonxmas copy.jpg|Slaanesh can be festive as well.
Image:Lurvemudkipz.JPG|Evidence that it is possible that some [[pokémon]] are susceptible to Chaotic influence.

Image:Slaaneshi mudkips.JPG|Oh god. ;_;
Image:Slaanesh trainer.jpg|There is no excuse or explanation for this.
Image:Slaaneshijack copy.jpg|This image can be used to improve a bad thread.
Image:Irresistible.jpg|Simply Irresistible

Image:Dranon5.jpg|Mr Culexus' interpretation of Slaanesh. Notice the massive bulge in the crotch that's bigger than it's boobs.
Image:Not_too_abysmal_by_Mr_Culexus.jpg|Love can bloom in the galaxy of Transylvania
Image:1271157389405.jpg|What a Slaaneshi raptor would look like by non-GW canon.
Image:daemonette_minerva.png|Who else did you think furries worshiped?

Image:Slaanesh_LAWL.jpg|LAWL
Image:Trapmarine.jpg|Slaanesh Chaos Marines come with a little "extra"...
Image:Trapmarine_BW.jpg|... which may not be so "little".
Image:Daemonette_with_seeker_mount.jpg|She "rides" it... if you know what I mean... no seriously, zoom in if you don't believe me. Although for your sake you really should take my word for it.

Image:643214 - Daemonette Eldar Warhammer 40k howling banshee warhammer yuliapw.jpg|The more common and usual fate of Eldar.
Image:Slaanesh cosplay 1 by zk87-d2zo47q.jpg|Now 262.71% more real!
Image:Slaanesh Time.jpg|You might be mixing up love and lust.
Image:Slaanesh_miniature_closeup.jpg|Gimme some sugar

Image:Slaanesh+hr giger.jpg|H. R. Geiger is pleased
Image:Slaanesh by zk87-d2z4bpv.jpg|Lashes of Torment!
Image:Slaanesh-153102-SweetAngel.jpg|She Who Thirsts indeed
Image:Khorne-and-Slaanesh.jpg|Khorne is sooo tsundere...
Image:Slaanesh by genzoman-d2y8ylf.jpg|[http://www.youtube.com/watch?v=u2qT7GylRxw And to think... I hesitated]

Image:Dark_Prince_of_Pleasure_Slaanesh_wfrp.jpg|From the old [[WFRP]] days
Image:MoeSlaanesh.png|How can anyone not want to serve something so utterly <s>adorable</s> heretical?
Image:1419021850273.jpg|Yes, that is a Santa outfit.
Image:Anons_fall_to_Chaos.png|Anon heralds the Age of Strife.
Image:Champion of Slaanesh RL.png| We have the makings of a daemon prince here!
Image:HereticalUseOfChainswords.gif| When you say "Go Fuck Yourself with a Chainsword," Slaanesh will take it literally.
Image:Cultist-chan24.jpg|Slaanesh has improved cultist chan
Image:Wildslaanesh.png|Slaanesh Demon corrupts children
Image:Slaanesh-sorcerer.jpeg|Slaanesh makes the Cenobites from Hellraiser look good.
</gallery>

Give yourself over to absolute pleasure
Swim the warm waters of sins of the flesh
Erotic nightmares beyond any measure
And sensual daydreams to treasure forever
Can't you just see it. Whoa ho ho!
Don't dream it, be it...
Don't dream it, be it...

==See Also==
*[[Dechala]] - The oldest existing Chaos Champion special character of Slaanesh in [[Warhammer Fantasy Battle]].
*[[Azazel]] - The oldest existing [[Daemon Prince]] of Slaanesh in [[Warhammer Fantasy Battle]].
*[[The Masque]] - Slaanesh's former fav fab Daemonette stripper, and current PR rep.
*[[Sigvald]], Slaanesh's favorite not-Caligula/not-Joffrey.
*The [[Emperor's Children]] legion - The largest contingent of sick fucks on this side of the warp. And on that side of the warp.
*[[Fulgrim]] - Primarch of the largest contingent of sick fucks <strike>on this side (and that side) of the warp</strike> ever.
*[[Fabius Bile|Fabulous Bile]] - What you get by combining a self-obsessed homosexual and Dr. Frankenstein, only this one is played by geriatric [http://en.wikipedia.org/wiki/Kane_%28wrestler%29 Glenn Jacobs] instead of young Tim Curry.
*[[Lucius]] - Considered by some as the Sickest of Fucks amongst the living.
*[[Doomrider]] - He does COCAINE!
*[[Miriael Sabathiel]] - The <s>first</s> only Sister of Battle to <s>fall to</s> willingly embrace Chaos and champion of Slaanesh.
*[[Daemonette]] - Daemons of Slaanesh. Viewing said content is heretical, in 20 seconds or less after clicking the link, expect a squad of inquisitorial storm troopers to barge-in and blam you to hell.
*[[Reasonable Daemonette]] - Slaanesh's perversion knows no bounds. Hers does, and she respects yours.
*[[Loli D]] - The [[loli]] variant of the Slaaneshi Daemonette. Viewing said content is [[Extra Heresy|extra heretical]]. E-Commissars can and will [[Exterminatus|blam you from your monitor with the utmost prejudice]] if you click on this link.
*http://1d4chan.org/wiki/File:Slaanesh's_sacrifice.pdf
*[https://www.youtube.com/watch?v=X-gHgcmFB6Q Rick and Morty's visit to the Realm of Slaanesh]
*[https://pastebin.com/5QZMB7nH Excessively Vanilla] - AKA the '''one''' time Slaanesh goes full-on vanilla, including actual marriage, handholding, and under the cover missionary sex for the sole purpose of procreation
{{Template:ChaosGods}}
[[Category:Warhammer 40,000]][[Category:Age of Sigmar]][[Category:Hedonites of Slaanesh]]

Archaon

2020-02-09T09:07:18Z

2406:3400:20F:FFC0:E89A:D163:A38A:4389: /* Age of Sigmar */

[[Image:Archaon Book.jpg|570px|thumb|right|A wallpaper version of his solo [[Black Library]] novel cover art.]]
<div style="font-size:1.10em;font-weight:bold;font-style: FFF Tusj ;font-family:serif;margin-top:1em;margin-bottom:1em"><span style='color:
#A57164;font-size:100%'> I AM THE TRUE CHOSEN OF CHAOS!<br> - Archaon teaching [[Abaddon|a certain armless failure]] on how to actually be kick ass'''</span></div>
{{Topquote|Fear me, mortals, for I am the Anointed, the Favored Son of Chaos, the Scourge of the World. The armies of the gods rally behind me, and it is by my will and by my sword that your weakling nations shall fall.|Archaon the Everchosen, Lord of the End Times}}
{{Topquote|My hatred is a thousand times more powerful than all your good intentions.|Jim Goad}}
{{Topquote|Everyone, deep in their hearts, is waiting for the end of the world to come.|Haruki Murakami}}

'''Archaon the <S>Overchosen</s> Everchosen''', formerly known as '''Diederick Kastnar''', also known concurrently as '''The Three-Eyed King''', '''Lord of the End-Times''', '''[[A Song of Ice and Fire|Kingslayer]]''', and various other titles besides is the supreme Chaos Lord of [[Warhammer Fantasy]] and its successor, [[Age of Sigmar]], as well as in [[Total War: WARHAMMER]]. He is the current direct successor of the Kurgan High Zar Asavar Kul, who previously held the title of Everchosen before getting shived in the back by his subordinates. Archaon, on the other hand, managed to successfully destroy the world during the [[End Times]] and defeated Grimgor in single combat (while the latter was high off becoming the Incarnate of the Wind of Beasts, no less) and, more importantly, wrestled with Sigmar Heldenhammer himself before falling with him into a Chaos Portal to fight over the titular Warhammer for which the settings of Fantasy and 40K are named, which he just barely lost.

In other words, he shits all over the [[Abaddon|other guy]] in terms of competency and skill. Supposedly, his name is Tilean, meaning 'Warhammer Rome'. Because GW Latin fetish. Depending on how you look at him, he's either a badass legend of Chaos and terrifyingly powerful, or a lameass Gary Stu and the obnoxious conclusion of GW's recent Chaos fapfest.

This is, of course, his newest iteration. Archaon's been around before and was the titular Lord of the End Times during the Storm of Chaos, though both the event and his character were retconned and brought back with heavy modification for 8th Edition. See the End Times article itself for skub surrounding that.

[http://myglobalmind.com/2015/08/25/interview-with-archaon-from-norwegian-death-metal-band-1349/ Also moonlights as a guitarist for Norwegian Black Metal bands].

[https://www.youtube.com/watch?v=1a84RoIMa1Q In the latest of a long line of cool by GW, Archaon's sword, the Slayer of Kings, HAS BEEN MADE IN REAL LIFE]. This is in celebration of the new ''Everchosen'' contest, the flashy new international version of the [[Golden Demon]], and like the Slayer Sword, one fab enough painter gets to win this.

==The Legend==
[[Grimdark|Archaon was born to a Nordland townswoman after her home was paid a visit to by a raiding party of bloodthirsty Norscan Chaos Marauders where the leader of said party, a Marauder Champion, proceeded to rape her viciously before leaving her for dead amidst the burning husk of her village.]] Of course, the village woman [[Indrick Boreale|did not die, no,]] but was found clinging to life by her husband and children and later gave birth to the raider's bastard son. This child was left to wolves of Laurelorn before being found by a Sigmarite priest, was adopted as a page for the local church, and named Diederick.

As it happens, this fisherwoman was named Viktoria Rothschild in ''Archaon - Everchosen''. [[/pol/|Anyone interested enough in making the reach would claim this essentially makes Archaon an evil Jew bent on world domination.]]

Diederick grew up to a vigorous and devout lad, strong in the ways of Sigmar, and became a squire for the knight Sieur Kastnar. When the Sieur Kastnar ran afoul of some foes and died, Diederick, being a man of honour, took it upon himself to deliver the knight's ancestral sword to House Kastnar. The lady of the House, having been disregarded and despised by her husband, was touched by the young squire's dedication and integrity, and adopted him to her house, bequeathing the sword of Kastnar to him, along with the dead knight's horse Orberon. With her sponsorship, Kastnar then entered into the prestigious Order of the Twin-Tailed Orb, becoming the greatest warrior of the Order on account of his (unbeknownst) Northern bloodlust and a paragon of the Order's knightly ideals. [[Grimdark|Which essentially means he was a Black Templar level fanatic who didn't think twice of killing children if they were born with the taint of Chaos]].

Later on his career, while questing about and slaying whole tribes of Beastmen single-handed, Diederick came across a group of the Sisters of Sigmar who were transporting a heretical tome. This tome would turn out to be Liber Celestior itself, penned by Necrodormo the Insane under the direction of Be'Lakor himself, and said to hold the prophecy of the Everchosen of Chaos, the final champion who would herald the End Times. The tome was to be transported to the Grand Cathedral of Sigmar in Altdorf, where it would be kept protected from a warband of Chaos Warriors intent on using it to find the Everchosen. This warband being the Swords of Chaos.

Of course, young Diederick had not even seen the prophecy for himself. And indeed, for so many years, had been much too fanatical and thick in the head to realise that he fit the perfect profile of a Norscan warrior, not an Imperial knight. This also did not come fully to him when his own Order of the Twin-Tailed Orb began hunting him, despite him having been the greatest exemplar of their Order's religious and military ideals. Diederick, being a <s>complete badass</s> fucking Mary Sue, made quick work of the knights and also managed to evade the Swords of Chaos, seeking refuge at the Kastnar estate only to find it having been burned to the ground. There, he conferred with the Sister of Sigmar and the priest who had fostered him as to the reasons for which the Empire had declared him a heretic and why the Swords of Chaos wanted to suck his cock. They came to the conclusion that he fit the bill as the Everchosen based on the fact that:

* A). He was obviously of Norscan descent (fucking racists...)
* B). He was a knight of the Empire, like the Everchosen was foretold to be.

That's essentially it, really. It's a pretty fucking vague prophecy. But in fantasy worlds, this is often convincing enough, and so Diederick, on the advice of his foster father, journeyed to Altdorf to gain some confirmation of his dark destiny at the Grand Cathedral of Sigmar. Of course, this was after he succeeded in hanging himself because he couldn't live with the truth. Ballsy of him, but the Chaos Gods went 'lolno' and brought him back to life to get on without. They really wanted the End Times to happen, the little shits. So, after dragging his depressed ass to Altdorf and praying before an altar to Sigmar to give him some sign or indication that he was not forsaken by the God-King and not damned to a fate he did not choose and did not want, and receiving stone silence in return (<strike>and remember, this is a setting where magic and the direct presence of gods is not unheard of</strike>, unfortunately Sigmar was quite busy being stuck in the wind of Azyr, courtesy of Tzeentch. Though that doesn't explain why ANY other Human, Elf or Dwarf God didn't appear to prevent End Times) [[Awesome|Archaon went batshit and managed to take down the entire knightly garrison of the Sigmarite Cathedral]] and even managed to break the Grand Theogonist's limbs and hold him hostage. Interrogating the Grand Theogonist by breaking his fingers individually, Diederick demanded to know how exactly the Knights of the Twin-Tailed Orb were so sure that he was the Everchosen; after all, there countless half-Norscans running about in the Empire, and there were countless knights of the Empire who had fallen to Chaos. The Theogonist revealed that they weren't sure at all. They had been hunting people with his profile throughout the Empire. The clincher was that the true Everchosen was prophesied to travel to Altdorf and ask that exact question.

So yes, if Diederick had ''not'' gone to Altdorf to find this out, he would not have fulfilled the prophecy. [[Just as Planned]].

Having finally been driven to Joker levels of genocidal insanity by this tidbit of information, Archaon loudly denounced the God-King Sigmar and affirmed his allegiance to the Dark Gods of his father's race, swearing that he would bring the Empire crashing down and tear away the pageantry of Sigmar's religion to reveal the god for the craven liar and charlatan that he was. It was during this shouted oath of death and destruction that the Grand Theogonist gloatingly revealed that the entire Reikland army and pretty much the entirety of the Empire's gunpowder potential was primed on the Cathedral with the order to kill the Everchosen by any means necessary, including by destroying the Cathedral itself. Luckily for Diederick, the Swords of Chaos arrived and rescued him from the clutches of the Empire, fleeing northwards towards Norsca where the Everchosen could begin his journey. This is, of course, if you follow the later books. Originally he read the prophecy, lost his marbles, and ran off screaming in the night before deciding he'd go up north and join his new dark god daddies.

===Quest for the Six Treasures===

A'ight, bitches, y'all know the story that came after this.

Archaon traveled North, crossing into Norsca and the Chaos Wastes and began his centuries-long journey to find the Relics of Chaos - The Burning Mark of Chaos Eternal, which bestowed upon its bearer the ultimate favour all four of the Great Chaos Gods. The Armour of Morkar, the battle-scarred Chaos Plate born by the Norsii warlord and first and greatest of the Everchosen. The Slayer of Kings, the horrifyingly powerful regicidal greatsword forged by Vangel, the Second Everchosen; bound with the soul of U'zhul, the Fist of [[Khorne]]. The Crown of Domination, the ancient battle-helm borne by the first Northern warrior to bargain his soul to Chaos's Dark Lords. The Eye of Sheerian, which bestows upon its user prophetic powers. And Dorghar, Steed of the Apocalypse. (His shield was forged by Bob the arrowsmith, who never made a shield before, but makes some damn fine arrows. It has no special powers, but will presumably become a relic upon Archaon's death.)

Archaon got the first one by traveling to the Altar of Ultimate Darkness in Naggaroth where he single-handedly brought upon the genocide of the race of bloodthirsty, atavistic monster-men who infested the temple and who feasted upon the flesh of stray Dark Elves. In the newer version, he also fought a Dark Elf army led by a dragon-riding Sorceress and was saved by a Valkia cameo after he sacrificed a Dark Elf assassin to the Chaos Gods (strangely Valkia arrived when Archaon offered the assassin's heart even though Khorne's thing is skulls or just severed heads).

He earned the Armour of Morkar by travelling to the Norse King's cairn in the Southern Chaos Wastes and facing off against his vengeful spirit, and was nearly slaughtered by his predecessor then and there but for spitting out a 'yo mama' insult in the dead tongue of the Unberogens which managed to catch Morkar just off-guard due to its WTFness enough for Archaon to sucker-punch him and steal the armour. Actually, it turns out that Archaon said 'brinnan utva lioht', which means 'burn in the light', which if I'm being honest, sounds about as insulting as calling someone a scoundrel.

He claimed the Eye of Sheerian from Flamefang, the Claw of Tzeentch, a three-headed Chaos Dragon. Archaon found it sleeping in its lair and woke it up by hitting one of its heads with his axe. There was an intense fight, which ended when Flamefang swallowed Archaon and flew all the way to the Southern Wastes. The armor prevented Archaon from being digested and he cut his way out of the dragon's throat from the inside, which naturally killed it. Archaon plucked the Eye of Sheerian from the belly of its corpse and hung it around his neck.

The next wasn't an item, but a being, the daemonic creature called Dorghar - also known as Ghurshy'ish'phak, Wsyorach and Yrontalie - the Steed of the Apocalypse. At the time Dorghar was being kept in the menagerie of a Slaaneshi Daemon Prince. He entered the stables by clinging to the underbelly of one of the monsters as it returned to its roost, a part man, part mammoth and part insect abomination. Once there, he tracked Dorghar by Dorghar's smell (originally) or using the Eye of Sheerian (post-retcon) until he found the creature. He then jumped on Dorghar's back like a hellish rodeo - one where the mount burst into flame and changed shape while also fighting to dislodge and kill Archaon. Eventually he broke Dorghar's will and killed the daemon prince before riding back out of the Realm of Chaos.

He got the Slayer of Kings from a sleeping Krakanrok the Black, father of the Dragon Ogre race and a being the size of a mountain. The superstrong even for a follower of chaos Khornate Beastlord Ograx was ''just'' able to lift one of Krakanrok's fingers high enough for Archaon to grab the sword. It started screaming so loud that the mountain-sized Krakanrok began to stir and Archaon silenced the blade's screaming by impaling the Beastlord through the heart with it, thereby sating its regicidal thirst.

The search for the Crown took longer than all the others combined. But, as we know, he gained the Crown of Domination by travelling to the First Shrine of Chaos in the Northern World's Edge Mountains after Bea'lakor was made by the Chaos Gods to appear and show him the way (and some directions from Vitlich in the retcon). Archaon entered and overcame tests set by all 4 of the Chaos Gods, including a maze made by Tzeentch, fighting off every disease possible sent from Nurgle through [[awesome|sheer]] [[Humanity Fuck Yeah|willpower]], resisting a personal invitation from Slaanesh himself/herself and Khorne sending Skarbrand to fight him, whom he then strangled to death with his own whip (actually required a fair bit more cunning, planning and daemonic intervention than the armybook versions of the stories would have you believe).

==The Storm of Chaos fiasco ==
Eventually the Chaos Gods gave the order, and he led the most ferocious and largest army of [[Warriors of Chaos|Chaos Warriors]] ever assembled against the [[Empire]] during the [[Storm of Chaos]] campaign for 6th Edition. Before he reached the location where he was to end the world, he faced [[Valten]] (supposedly a reincarnation of Sigmar himself), who fought through the Swords of Chaos and killed Dorghar before pressing on to Archaon himself. Valten rushed in to strike Archaon after having dismounted him, but Archaon lunged out of the smoke left when Dorghar died and stabbed him in the chest; Valten pulled even closer though, and swung down, his hammer shredding through Archaon's armor and knocking him to his knees. But Valten let his guard down to un-impale himself on Archaon's sword, and the Lord of the End Times struck back and broke Valten's chestplate. In a moment of humanization and weakness, two things GW would make sure were removed from Chaos and Archaon later on, Archaon was fearful of a Sigmarite tattoo Valten had, and thought the big man himself had come to end him. Just then the [[Orcs & Goblins|Orc]] warlord [[Grimgor Ironhide|Grimgor]] smashed through the Chaos bodyguard single-handed, headbutted Arch in the junk, laughed at his sorry ass then went back to gather another army of greenskins.

The reason this bullshit happened? GW built the narrative around their battle reports, army by army. The problem is that Chaos kept losing. In fact, the good guys were winning so badly the only reason Archaon was pushing them back was due to plot. But GW had already pre-planned the story to become the grimderpofthe41stmilleniumwherethereisonlywar and make "End Times" be in the past tense. In the end, they resorted to having fans call-in the way they wanted the story to end, hoping that Warhammer Fantasy fans would pick the faction with the pointiest stuff on their armor.

They didn't.

They chose a faction that had been beaten in the last match.

Fans chose Orcs over Chaos.

GW had no backup plan.

Grimgor's entire army had been beaten by Crom while Valten and Archaon fought. Grimgor got sick of rallying his forces, went "ZOG DIS, I WANNA PIECE UV DA ACTION!" and charged in to sucker punch Archaon as he was about to deliver the final blow to Valten, shout for the silent and awed assembled armies of the world to hear that "GRIMGOR IZ DA BEST!", then went back home to rally his army. This resulted in the snide nickname of "Light Drizzle of Chaos." Archaon fled the field, somehow alive, but literally ran for the hills to escape Grimgor, who fucked off to who knows where, and the coming army of Karl-Franz.

With that pesky idea of "player agency" getting in the way of their attempt at a forced Chaos ending, GW went silent and further fluff never came. Later on, they retconned almost the entirety of Storm of Chaos and instead made it an alternate continuity. In the current narrative, <s>he's still amassing his army</s> the world ended, and this time, GW dropped the pretenses and didn't leave the ending up to the fans, and in response to complaints that Archaon was an Archy Sue, they amplified his power level through the roof.

So began the beginning of the end of the beginning of the end.

== Archaon's Posse ==
In first [[Storm of Chaos]] and now in [[The End Times]], Archaon isn't alone at the top of the hordes of chaos. He has some lieutenants to help him keep everyone organised. Closest of all is his Herald, [[Vardek Crom]], although officially Crom gets killed in a failed invasion.

In [[Storm of Chaos]], Games Workshop decided to go with the [[Your dudes]] approach, creating four lieutenants based on simply fluffing out the new Chaos Champion models for each of the four gods (save Khorne, who got a custom model based on an old Archaon head, Orc arms and an old Bloodletter body). Thusly, in [[White Dwarf]], we were introduced to:
* [[Haargroth]] the Blooded One, Champion of [[Khorne]].
* [[Feytor]] the Tainted, Champion of [[Nurgle]].
* [[Styrkaar]], Champion of [[Slaanesh]].
* [[Melekh]] the Changer and the sorcerous mutant-child Cyspeth, Champions of [[Tzeentch]].

The characters weren't received too well. So, perhaps realising their mistake, GW has revealed they're bringing back some of the big Chaos characters from their first ever Chaos Special Characters list:

* Representing [[Khorne]], it's [[Arbaal]] the Undefeated, giant Flesh Hound-riding army-butchering Chaos Lord.
* Representing [[Slaanesh]], it's [[Dechala]] the Denied One, corrupted High Elf turned six-armed poison-oozing snake-woman.
* Representing [[Nurgle]], it's [[Valnir]] the Reaper, undead soul-harvester.
* Representing [[Tzeentch]], it's [[Egrimm van Horstmann]], former Magister of the Light College turned dragon-riding daemon-commanding arch-warlock.

Unlike the others, these guys were at least respected enough to get cameos in [[The End Times]]. Two of them were even killed off, with Valnir being killed by Wulfrik in a novel and Egrimm being killed in End Times: Archaon after trying to bind the wind of Aqshy to himself. Dechala was mentioned to be in the final battle and it's said that Arbaal was kurmped as wel..

[[The End Times]] made a similar plan as well with champions representing each of the Gods, and again, Crom appears and gets his ass handed to him by Valten. This time, however, the posse is made of actually known characters:
*[[Valkia the Bloody]] representing her hubby Khorne during the invasion of Naggaroth. She eventually gets a mutual kill.
*[[Vilitch the Curseling]] being the top champion of Tzeentch while Aekold Hellbrass is busy sacking Kislev. As of ET: Thanquol, he gets sent to drag in [[Karl Franz]] so Archie may kill him once and for all. In End Times: Archaon, he and Thomin switch places, with Thomin calling the shots and Vitlich being the mindless slave.
*[[Sigvald]] the Magnificent being the only person of note dedicated to Slaanesh. He gets his face rekt by the Wight King Krell and then got killed and pissed on by Throgg the troll king.
*The [[Glottkin]] taking the position of top 3 champions of Nurgle after the guy before them gets a Runefang to the face. They get beaten in the same book they appear in by a superpowered Karl Franz and are currently sitting the rest of The End Times out in Nurgle's Mansion.

==Retcon/The End Times==
[[File:archaon.jpeg|500px|thumb|right|The Everchosen doing a badass pose.]]
GW recently realized that pushing ChaosChaosChaos in Warhammer Fantasy only turns off fans who want THEIR faction to be important (as the setting has a fair number of megalomaniacs that would put comicbook villains to shame), and as a result the End Times are finally being ushered in... by [[Nagash]]. The resident Undead [[BBEG]], who aims to take over the world by rendering everyone into undead slaves then consume the Warp. In its entirety. At that time Archaon was seeking the [[Glottkin]], the [[Maggoth Lords|Maggoth Riders]], and [[Gutrot Spume]], and upon finding them gave them three jars of plagues custom-made by Nurgle himself (they also had [[Festus the Leechlord|a man on the inside at Altdorf]] who cooked up his own plague). Archaon's plan was to use the followers of Nurgle like a magical bioweapon; softening up the Empire before he came in to finish it off. Upon hearing that Naggy's stealing his thunder, Archaon prematurely led his forces to battle.

At the border of the Empire and what was once Kislev, he encountered the Auric Bastion, a gigantic wall of metal, magic and holy energy made by [[Balthazar Gelt]] that he and his troops could not cross. Then they came under attack and his army ended up in a stalemate against the forces of [[Vlad von Carstein]], the head of the Dracula Bloodline brought back from death by big bone daddy himself. Vlad's job was to keep Archaon busy while Nagash invaded Nehekhara. Naggy himself was planning to eliminate the [[Tomb Kings]] as they were one of the few forces that can challenge his rule, then subsume them into his armies and go on to kill every living thing in the world and reanimate them.

Gelt fell prey to the separate manipulations of Vlad von Carstein and the Changeling and was outed as an up-and-coming necromancer. After a misunderstanding, Gelt is declared a traitor to the Empire and flees. With Gelt's fall from grace, the Auric Bastion loses the support of the Sigmarite priests, who deem the wall tainted due to its inventor's involvement with necromancy. Soon after the Auric Bastion crumbles, giving Chaos the green light to invade the Empire. Eager to make up for lost time, Archaon leads his forces in and bulrushes his way to Middenheim. Archaon planned to defeat the god Sigmar worshiped as a symbol of his superiority. However, Ulric had enough power to resist him and Chaos had a hard fight until [[Teclis|a meddling elf wizard]], unbeknownst to everyone else, stole Ulric's flame, allowing the power of Chaos to ravage Middenheim. Archaon took on Valten, Sigmar's heir, until a Verminlord decided to be a kill-stealing prick and decapitated Valten, enraging Archaon. Eventually Archaon and his forces conquered Middenheim.

After this Archaon claimed Sigmar's hammer from Valten's body as a trophy and set up camp in Middenheim, putting his throne in the room where the Flame of Ulric once burnt. While there he schemed to have Karl Franz killed, sending [[Kairos Fateweaver]] after him. While waiting, Archaon discovered a secret weapon under Middenheim. Under even where the Flame of Ulric was is a device left by the Old Ones. If properly tended to, it could form a third Warp Rift that would combine with the other two and destroy the world so he sought to activate it, not caring that as far as he knew, it would destroy him too. Due to [[Games Workshop|plot armor]], Kairos failed and Archaon kills the former to summon Ka'Bandha to take out Karl Franz. But he and the other Khornate daemons champed at the bit to start the fight while Archaon camped in Middenheim so he permitted them to hunt Karl Franz and the Incarnates as long as they gave him Karl Franz's flayed skin. During this time he gets several people pledging themselves to his cause who get used as auxiliaries including [[Isabella von Carstein|a possessed vampire]], [[Sigvald|a preening Chaos Lord]], the entire Skaven race and [[Settra the Imperishable|a dethroned undead king]] (though the latter's in it cos "the enemy of my enemy..." and ultimately says "fuck this shit" to Chaos).

Due to the machinations of Nurgle and the Skaven, Nagash is reduced from contender for the main villain and a burgeoning god of undeath to that "lesser villain that needs to team up with the good guys to fight the true villain" guy. The Bone Daddy approaches the Incarnates and offers an alliance which they, ''very'' grudgingly, accept. Eventually the Incarnates come to Middenheim and a gigantic clusterfuck of a battle occurs. The Orcs led by Grimgor throw in their lot with the Incarnates after some skillful manipulation from Malekith and even Sigmar himself makes a comeback. Despite everything arrayed against them, it eventually ends up being ChaosChaosChaos anyways when they fail to stop Archaon's ace-in-the-hole; his custom-made, Old-Ones-inspired WMD... Largely because Mannfred decided to betray Nagash (along with the rest of the good guys) at the last moment. While everyone else either dies or gets warped into some chaos bullshit, Archaon and Sigmar fall into the Warp Rift while wrestling for the hammer.

Whatever anyone says, if there was to be an ending to Warhammer Fantasy Battle, this is it: The Big Good and Big Bad of the setting falling into oblivion wrestling over The Warhammer. Fucking <strike>sweet</strike> <strike>gay</strike> however you feel about it.

==Age of Sigmar==
So by now I imagine you're thinking "well bugger me, how can this guy get any more badass and/or mary sueish?" Well let me answer that for you, with a new model. Move over, [[Nagash]], there's a new giant model in town and he's coming for you.

After completing a brand new series of challenges set by the Chaos Gods, smashing them all with ease and without a shred of loyalty for the Unholy Quintet, and rejecting the newly ascended [[Great Horned Rat]]'s offer of a blessing by spitting in his verminous face, Archaon has been made the Grand High Marshall of Chaos. Which basically means that he can do whatever the fuck he wants without the Chaos Gods doing anything to stop him. He could go around and murder the shit out of each of the gods' best followers and get away with it, because fuck you, he's Archaon.

That said, however, not everyone unanimously accepts his claim, and there were those like the Gaunt Summoners of Tzeentch (A bunch of possibly-daemonic sorcerers with eyes all over their helmets) that put up a resistance against the Marshall, and end up getting a serious ass-whooping for their troubles. Once that was dealt with he went on a rampage through the realms. One of his harder battles was in the realm of Shyish. Archaon took on Nagash as he was the only one strong enough to defeat him. Archaon did at one point, striking him down and destroying his body. From there he proceeded to lock up the souls of the dead in a giant bone cage so Nagash couldn't access them.
However Nagash was the god of death and Archaon had killed him in the Afterlife, so where was we going to go, Detroit? Due to Nagash's powers - and Arkhan and Neferata retrieving his remains afterwards - Nagash returned to try and lay a vengeful beatdown on Archaon's army, only to fail again. He used his powers to break the bone cage and gain access to the souls Archaon had contained. The two dueled, again but Archaon called on the Bloodthirsters for backup, forcing Nagash to retreat. Archaon's only defeat came at the hands of Malerion in the realm of Ulgu, and he is now fascinated by Ulgu.

On top of his legions, he also controls his own order of knights, called the Varanguard. These guys replace Archie's old warband and serve as his presence in every campaign, and in those he does deign worthy of his direct intervention, they serve as his mightiest warriors. These guys are called from every walk of Chaos, and each of them find some omen compelling them to serve the Everchosen to which they follow so devotedly that they abandon their god's calling to serve him under pain of death. Those that pass the trials laid before them on their route to the Varanspire (his new castle in the Realm of Chaos) are then chosen to join one of his eight circles and gain a giant mutant thing that possibly used to be a horse. Also joined by some of Slaanesh's followers and daemons - the Invaders faction - who now worships him as their god.

And that's not even mentioning the new changes to his look.

For a start, Archaon is now rocking some badass new black armour that makes him look much more sinister, powerful, and imposing, though at the cost of the Northern Warlord look he used to have. Slayer of Kings is also different, now a gigantic on-fire sword with a much more ornate design than before, very cool. But the real change isn't even Archaon himself, but the horse Dhorgar. Well, ex-horse, because Dhorgar is now a gigantic chimera monster with three heads to represent Nurgle, Khorne, and Tzeentch (Slaanesh has vanished without a trace) and two tails as a homage to the Great Horned Rat. He's now gathering all the forces of Chaos together to launch a massive campaign against Sigmar and finish what he started in the Old World, and stands as the greatest threat that Order may ever have to face. Just like old times, huh? To GW's credit, Sigmar's also gotten a lot stronger, so it's beginning to feel less like some author's pet stomping over non-opposition, but who will ultimately win?

Archaon also nearly scored a major win for Chaos during the Soul Wars. After searching, Archaon had found Slaanesh. He took his Varanguard, leaving a Chaos Lord and Gaunt Summoner behind to run the Varanspire while he went to free the Chaos God. Unfortunately for him and fortunately for everyone not Chaos-aligned, Nagash made his big move. The undead attacked through the Shyishian realmgate and captured it, with Olynder killing the Chaos Lord. Then Katakros and some Bonereapers moved in and fortified the gate, leaving part of the Allpoints under control of Nagash. Upon learning of this, Archaon abandoned his mission to free Slaanesh and rushed back to the Eightpoints. His forces combined with the defenders, decimated the undead armies and after a long duel Archaon cut down Katakros (though unbeknownst to Archaon, Katakros had planned for that and has lots of back-up bodies). Having repelled the undead but having lost part of the Eightpoints to Nagash, Archaon decided that next time he crossed paths with Nagash, he'd finish him for off once and for all.

== On the tabletop ==

===Warhammer Fantasy===
In an interesting irony, though probably not intentional, Archaon is also in a lot ways the opposite of Abaddon, not in a bad way. Where as Abaddon tends to get changed fairly heavily each edition, Archaon stays mostly the same with each book, with the only changes to him being armor save's not including bonus for him being mounted, what his steed can do, or whether or not you can field him on foot. Also, where as Abaddon is characterized by his hitting power while being respectably tough to kill, Archaon hits hard (base attack ignores armor and can double attacks for the rest of the game, though if does any 1s on to hit rolls have to be directed at him or his unit) although his most impressive trait is how freaking hard he is to kill. While his statline is only slightly better than a normal Chaos Lord, he has a 1+ armor save, a 3+ ward save, all to hit rolls against him have a -1 and he can't be wounded on better than 3+. Sadly, while an indestructible death machine, his cost keeps him from getting much use. Afterall, [[Dwarfs|cannons]] are the solution to all problems in Warhammer Fantasy.

===Age of Sigmar===
Age of Sigmar continues this trend of indestructibility in style. Now rocking a 3+ Save that he can easily buff to a 2+, a 5+ Save against Mortal Wounds, and now ''20 FUCKING WOUNDS! HOLY SHIT, THIS IS MEANT TO BE THE GAME WHERE 1 WOUND IS THE AVERAGE, RIGHT?'' Yeah, new monster-riding Archaon is even more of a tank than he used to be, and that's saying a lot. And in addition to this, his new three-headed Dorghar can use one of three special abilities every turn he kills somebody in melee. This can range from vomiting up the remains of his victims all over the unit he's fighting, Nurgle style, to ''eating their skulls and heal D3 wounds!'' Fucking hell, and I thought he was a tank before he could regenerate. In addition to his insane defensive ability, he can also bring the pain too. He has access to Arcane Bolt (as well as the ability to gain the spells of any other wizard if he feeds the unfortunate wizard to the Tzeentch head), though Mystic Shield is always a better choice to up his defense, Dorghar can hit like a truck like any monster, and the Slayer of Kings returns as potentially one of the strongest weapons in the game with an easy To Hit and To Wound, and very heavy Rend and Damage. In addition, if you roll two 6's To Wound on the same Hero or Monster with the Slayer of Kings, then it instantly kills them with no saves of any kind allowed. Though with only four attacks, this won't happen too often. Still, with those stats he's easily going to live long enough to pull it off sooner or later.

==Gallery==
<gallery>
Image: Original Archaon.jpg|Archaon, back in the early days of Warhammer Fantasy. He had a horsie.
Image: Archaon Old.jpg|Archaon's limited edition model, on-foot.
Image: Archaon New.jpg|Archaon's new model. He gets a daemon horsie now.
Image:ArchaonAOS.jpg|Archaon's newER model, now with a gigantic daemon chimera, the Evolved form of daemon horsie.
Image:Godbeasts.jpg|An evil, powerful warrior traveling from world to world, seeking further power from a godlike serpentine dragon... [https://www.youtube.com/watch?v=R4vjJrGeh1c that sounds familiar].
Image: The three eyed king.jpg
Image: Archaon end times.png
Image: Lord of the End Times.jpg
Image: Archaon 3.png|Archaon in [[Total War: WARHAMMER]]
</gallery>

==Memes==
Of course what would a Warhammer character be without the memes?

Archaon is notable for a fair few, given the tendency of writers to keep at least his foot in the spotlight.
* ANIME: Thanks to his art and general JRPG villain actions in Age of Sigmar, Archaon has become the embodiement of ANIME (always caps).
* Horns: Archaon's helmet horns have grown in each incarnation, leading to humor a la Abby's armlessness about horn growth, and the increasing difficulty lifting or turning his head.
* Penguins: Archaon has described the Beastmen inhabiting the south pole as "true Beastmen", free from human taint. Since there is no combination of Daemon, man, mutant, or beast not present in the Old World some have come to the conclusion that Archaon is scared of penguins.
* Archaos: The creator of the Archaon character identified his original intended name as the even more ludicrous "Archaos", destined to fall on his sword in the final battle after realizing what he had done to the laughter of the Chaos Gods. Since then Archaos the teenage suicide victim bullied by the Four has become a preferred way to mock the character.
* [[Slambo]]: A generic miniature from Oldhammer that some see as the REAL Everchosen.
* Everchozen: He'll have this world.... kid. A purposefully bad Paint drawing of Archaon in the style of Coldsteel the Hedgehog, complete with massive horns and a bio reminiscent of a twelve year old's Naruto OC. Commonly used by critics of the End Times and/or GW's sudden masturbation of Chaos in general (and ''boy'' are there plenty of critics), and/or as "Neverchozen", referencing pre-retcon Archaon and his failure.
* In the multiplayer portion of Total War WARHAMMER, he is often called the "Neverchosen" due to being overpriced when compared to other lords like [[Sigvald]] and [[Dragon Ogres|Kholek Suneater]]. Still, Archaon has been getting update buffs like extra physical resistance and frenzy, meaning he might be a much more viable choice by the time game 3 comes out.
* On a minor note, two memes about [https://www.warhammer-community.com/2019/11/15/meme-hammer-youre-welcome/ Archaon failing to destroy the world of Warhammer from Geedubs themselves] after the news about [[Warhammer Fantasy Battle]] returned.

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[[Category:Age of Sigmar]]