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George R. R. Martin

2020-10-05T14:52:29Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62:

[[File:Troll-martin.jpg|500px|center]]
[[File:George_rr_martin.jpg|200px|thumb|Right|I like you, I'll kill you last.]]
George Raymond Richard Martin is a high level [[neckbeard]] who prestige classed in fantasy author and created the much loved ([[skub|and hated, and loved-to-be-hated]]) ''[[A Song of Ice and Fire]]'' series. Like most full time authors, he actually has a massive body of other work that you've neither heard of nor give a shit about. (Hey, you do know he invented the [[githyanki]], right?)

Martin is an avid [[Board Game|tabletop]] player, making him somewhat [[/tg/]] related. He is regarded as the American [[J. R. R. Tolkien|Tolkien]]. He might see himself as living in Tolkien's shadow, considering how often George mentions the works of the aforementioned author, uses the "R.R" Tolkien was also referred to with, analyzing his works ''ad nauseam'' and repeating how his own works are different. His comment about "whuddabout Aragorn's tax policy" is a meme throughout /tv/ and /lit/.

Recently, has been criticized for losing his narrative pacing and creating 31 view point characters, most of whom are boring as fuck and don't do much. Primarily, some argue that the series has been going on for like more than <s>a decade</s>TWOSCORE YEARS and we're not even near to the beginning of the resolution. Also likes to kill off characters in horrific and brutal ways, such as getting massacred at your own wedding, or SPOILERS SPOILERS SPOILERS SPOILERS assholes who really deserve it like [[That Guy|Joffrey Baratheon]] or Gregor Clegane (though Ramsay Bolton is alive and well and Rorge; a murderous marauding pedophile rapist, got a quick and clean death). The morally black or morally white characters come to bad ends in the series; the morally gray and smart ones, such as Bronn and Littlefinger, prosper.

Nonetheless, promises that ''The Winds of Winter'' will pick things up a bit.

Much like [[Darius Hinks]], he too has an awesome beard.
also he is notorius for killing off characters people liked for the lolz.

[[Category:Writers]]

George R. R. Martin

2020-10-05T14:51:31Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62:

[[File:Troll-martin.jpg|500px|center]]
[[File:George_rr_martin.jpg|200px|thumb|Right|I like you, I'll kill you last.]]
A high level [[neckbeard]] who prestige classed in fantasy author and created the much loved ([[skub|and hated, and loved-to-be-hated]]) ''[[A Song of Ice and Fire]]'' series. Like most full time authors, he actually has a massive body of other work that you've neither heard of nor give a shit about. (Hey, you do know he invented the [[githyanki]], right?)

Martin is an avid [[Board Game|tabletop]] player, making him somewhat [[/tg/]] related. He is regarded as the American [[J. R. R. Tolkien|Tolkien]]. He might see himself as living in Tolkien's shadow, considering how often George mentions the works of the aforementioned author, uses the "R.R" Tolkien was also referred to with, analyzing his works ''ad nauseam'' and repeating how his own works are different. His comment about "whuddabout Aragorn's tax policy" is a meme throughout /tv/ and /lit/.

Recently, has been criticized for losing his narrative pacing and creating 31 view point characters, most of whom are boring as fuck and don't do much. Primarily, some argue that the series has been going on for like more than <s>a decade</s>TWOSCORE YEARS and we're not even near to the beginning of the resolution. Also likes to kill off characters in horrific and brutal ways, such as getting massacred at your own wedding, or SPOILERS SPOILERS SPOILERS SPOILERS assholes who really deserve it like [[That Guy|Joffrey Baratheon]] or Gregor Clegane (though Ramsay Bolton is alive and well and Rorge; a murderous marauding pedophile rapist, got a quick and clean death). The morally black or morally white characters come to bad ends in the series; the morally gray and smart ones, such as Bronn and Littlefinger, prosper.

Nonetheless, promises that ''The Winds of Winter'' will pick things up a bit.

Much like [[Darius Hinks]], he too has an awesome beard.
also he is notorius for killing off characters people liked for the lolz.

[[Category:Writers]]

Githyanki

2020-10-05T14:47:14Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62:

[[File:Githyanki_5e.jpg|400px|thumb|right|Arrogant, haughty raiders of the [[Astral]].]]
The '''Githyanki''' (also known as the '''Gith''', or "them damn Yankis") are an evil race in the [[Dungeons and Dragons]] setting, and look like either emaciated, jaundiced [[elf|elves]] or some horrible cross of [[elf]] and [[goblin]], depending on the edition. The Githyanki are classic 1st edition monsters; Charles Stross wrote them for [[White Dwarf]]'s Fiend Factory in the 70s. They were so awesome they got into [[Dragon Magazine]] 12, in 1979 and thence one became the posterboy for [[Fiend Folio]]. Stross himself pilfered the name "Githyanki" from [[George R. R. Martin]]'s ''The dying of the light''; which he's copped to, so Martin has looked the other way.

The githyanki are the twisted, estranged kin of the [[githzerai]], divided from their cousins by a philosophical breach that occurred centuries ago. To recap, the original Gith-kin were humanoids (and/or humans) who were enslaved and mutated by the [[Mind flayer]] empire for untold generations, until two figures rose up and led their people in a massive slave uprising; [[Zerthimon]] the mystic, and [[Gith]] the warrior-woman. At the brink of total illithid annihilation, Gith began planning to "truly" free her people by... well, basically enslaving every other race and making the Gith-kin as bad as the illithids had been. Zerthimon objected to this, an act called the Pronouncement of Two Skies, and thus the illithid's former slaves were divided into "Those Who Spurn Gith" (Githzerai) and "The Children of Gith" (Githyanki), with the former bogging off to [[Limbo]] (or the [[Elemental Chaos]]) and the latter disappearing into the [[Astral Plane]].

Gith herself disappeared after a trip to [[Baator]] to secure an alliance with the dragon-goddess [[Tiamat]], but one of her greatest warriors, Vlaakith, took her place as Warrior-Queen of the Githyanki and kept her people on the path that Gith had said. More than one person has wondered if Vlaakith didn't betray Gith in some way, earning the pact with red [[dragon]]s by, say, feeding Gith to Tiamat, but the githyanki won't hear of it.

In fact, githyanki don't like to hear a lot of ugly things about their race, mostly because they're all true. The first and foremost is that they're a bunch of hypocrites; obsessed with "being free" that they have become convinced their manifest destiny is to conquer & enslave every other race in the multiverse, and they hate religion but worship the Warrior-Queen.

Secondly, they get really snippy if one notes that their practice of raiding Astral communities, taking a certain amount of the goods and then leaving in a form of "sustainable pillaging" is essentially a master-slave relation dressed up in piracy clothing. See, although the githyanki aren't completely dependent on raiding to survive, the simple truth is that their choice of residence and their war-focused culture means they can't produce enough food, goods and other essentials to support their own population. And, if they steal everything from the astral villages they raid or ships they rob, then they'll ultimately starve to death because those sources of goods will either die out or stop coming where they can get them. So, they steal the bulk of the goods from their victims, do as little damage as they can, and let them scrape a living until eventually they have enough of a stockpile to make robbing them profitable again. But, if you ever point out that this basically makes them slave-owners collecting their serfs' taxes in a very dramatic way, they'll immediately kill the entire band they were robbing from in order to "prove" they're not slave-owners. Yeah, they're not the sanest race in the multiverse by a long shot.

Mind you, this "we're not slavers, honest!" thing varies a little depending on edition/cosmology; in the [[World Axis]], [[Tu'narath]] is home to a sizable population of slave-farmers who exist to try and cultivate food for their githyanki masters - and who are summarily eaten by both the resident [[dragon]]s ''and'' the githyanki themselves when they are used up.

And, finally, don't call them out on how they preach total freedom for themselves, but in reality they've become nothing but a race of warrior-slaves for their "divine" god-queen. Oh, yes. See, Vlaakith was so beloved by the first githyanki that they made her daughter their ruler, and her daughter, and her daughter, and so on, an unbroken line of god-queens that lasted until [[Vlaakith CLVII]] (that's Vlaakith the 157th, if you don't know your Latin numerals). She never had a daughter, but she turned herself into a [[lich]], so it's all good; now she can reign forever as an immortal, undying tyrant.

If you need more proof that the githyanki have turned themselves into slaves and never even realized it; one of the drawbacks of being a lich (or at least a githyanki lich, depending on edition) is that Vlaakith CLVII needs to eat souls on a regular basis to sustain herself. More importantly, she's terrified of being ousted from power by a stronger githyanki even though they've been worshipping her and adoring her for generations. So, she solves both problems by making it a simple cultural practice that when a githyanki gets powerful enough, they are granted the "honor" of having her eat their souls. And the githyanki are so mindlessly loyal to her that they actually ''do consider this an honor''!

Interestingly, the 4th edition article on [[Tu'narath]] and githyanki society explicitly states that this has had serious negative effects on githyanki society, and that Vlaakith's actions are basically pushing her people to be made up of the mediocre. Which is harming their race's long-term goals.

Fifth edition, in ''Mordenkainen's Tome of Foes'', which devoted an entire chapter to discussing the gith race, instead reframes or reflavors most of the above. Rather than explicitly eating her people's souls when they get too strong, Vlaakith is sort of deliberately holding them back, preventing any one of her lieutenants from gaining too much experience and power and so overthrowing her. And because they live in the Astral Plane, where no one ages and time has no meaning, the githyanki are instead basically jaded war-hipsters, spending all the time they aren't fighting or raiding bored out of their fucking minds and desperate for some novelty as they futz about their decadent metropolis of a city toying with various hobbies without ever really getting into any of them. Thus, as Mordenkainen himself notes, Vlaakith's system does a great job of churning out indoctrinated fanatics without actually creating people fit for doing anything useful.

Also, rather than taking slaves for slavery's sake, they mostly just abandon or kill captives who have no extrinsic value, though there is a small community of random people they've kidnapped living in a slum of the great city.

Aside from their practice of flying around on red dragons, githyanki are most known for two things in terms of combat ability.

Firstly, githyanki are big believers in the concept of [[multiclassing]], with a long tradition of [[fighter]]/[[wizard]] combatants. Indeed, the idea of the warrior-mage is so iconic, and so associable with the githyanki, that their culture's name for it - the [[Gish]] - has been adopted as a general term in greater /tg/ culture. Well, the alternative was the githzerai term "Zerth", but that wasn't as catchy.

Secondly, their most iconic weapon; baroque greatswords forged of a strange, silvery metal native to their extraplanar environment. Known simply as Silver Swords, or, at most, Githyanki Silver Swords, these weapons are uniquely suited to fighting people who are using astral projection, as they can cut the "astral thread" of these people which is, generally, instant death (ironically, less lethal in 1e, when it just booted you back to the material). The other bonuses of the Silver Swords varies from edition to edition; in 1e, they were sentient +3 weapons that weren't very smart, but did have nebulous other magical powers. In 2e, they lost their sentience, but there was also a "Greater" version that was a +5 weapon ''and'' a Vorpal Sword in addition to its astral cord-cutting ''and'' it could cut the threads of people under the Mind Bar power. In 3e, they were initially downgraded to +1 weapons that could potentially nullify a victim's psionic abilities for 1d4 rounds, but in the Psionics Handbook, the classic +3 astral cord-cutters and +5 vorpal versions returned. 4e gave them the ability to convert damage dealt with them into the Psychic type, gaining the feat support that brings, and 5e made them into just +3 weapons. Needless to say, githyanki are ''extremely'' protective of these swords and will go to almost any length to retrieve them.

Needless to say, being that they are huge dicks and pretty much all willing slaves to their evil god-queen, githyanki aren't traditionally considered suitable for PCs, unlike their [[Githzerai]] cousins, who were actually in the first wave of [[Planescape]] PCs, alongside the [[Tiefling]] and the [[Bariaur]]. They do, however, have PC writeups in about a dozen Third Edition books, because Third edition will make a playable or pseudo-playable race out of [[ixitxachitl|literally fucking anything]], and in the Monster Manual for 4e.

In D&D and 5e, the githyanki have a particular interest in the material plane; not just because it's where they go to hunt illithids, but because nothing ages on the Astral Plane, so they need to lay their eggs (yeah, they do that) and rear their children on the prime so they can reach maturity.

They were also the subject of a pair of epic, edition-spanning campaigns; 3.5 gave us [[Incursion]], a combination adventure path/campaign setting spread over the pages of [[Dragon Magazine]] #309, [[Dungeon Magazine]] #100, and Polyhedron #159, in which the players fight against a githyanki conquest of their home world, and 4e gave us a sequel in [[Scales of War]], which ran from Dungeon #156 to Dungeon #175.

These adventures introduced the [[Duthka'gith]]s; fiendish half-red dragon githyanki bred at Vlaakith's creation, and the source of considerable consternation from many other githyanki despite the eons of loyal partnership between the two races.

==Githyanki Castes==
As the githyanki race is basically one giant army, they have divided themselves into a number of different ranks, which function effectively as castes. These first debuted in "A Guide to the [[Astral Plane]]" for [[Advanced Dungeons & Dragons]], and continued over to 3rd edition, where they were discussed in the [[Polyhedron]] #159 part of the [[Incursion]] campaign tie-in. In 4th edition, they explored in the article on [[Tu'narath]] in Dragon #377, and in "The Plane Above: Secrets of the Astral Sea".

Precise details have fluctuated over the editions as certain titles have risen and fallen in favor; this has also prevented a concise list of ranks from every being established. Still, these are the various castes that have appeared over the many editions...

'''Knights:''' Also known as ''Antipaladins'', githyanki knights are the direct servitors of [[Vlaakith CLVII]], and their devotion to her gives them a number of [[paladin]]-like abilities, but reversed to evil - they were some of D&D's first [[blackguard]]s.

'''Githwarriors:''' Also called simply "Warriors", these are the mainstay of the githyanki culture, representing the [[fighter]]s and other martial types. Known ranks include ''Sarth'' (Sergeant), ''Kith'rak'' (Captain) and ''Supreme Commander'' (District Ruler) - 4th edition renamed the Sergeant-equivalent rank to ''Terrth'', and the Captain-analogue to ''Kithrak''. In 3rd edition, it was established that [[barbarian]]s, [[monk]]s, [[ranger]]s, [[rogue]]s and [[assassin]]s are all considered part of this caste.

'''Warlock:''' Created before the [[warlock]] became a class, this is the caste of the githyanki's users of [[magic]] and [[psionics]] - back in AD&D, this meant [[Wizard]]s, but the term has grown as the editions have grown. Most obviously, from 3rd edition on, this caste included the [[Sorcerer (Dungeons & Dragons)|Sorcerer]] and the actual [[Warlock]].
* Githyanki sorcerers in 3e were stated to trace their ancestry to similar unions as the [[duthka'gith]], which resulted in their tendency to manifest distinctly draconic traits as they matured. This was presented as a mechanical option called "The Path of the Duthka'ariy" in Polyhedron #159.
* In 3rd edition, the '''[[Blackweave Warlock]]''' was introduced as a particularly elite sub-caste of warlock, building from AD&D lore on the unique approach githyanki [[necromancer]]s had of focusing on necromantic damage-dealing spells over the traditional "master of the undead" archetype. Presented as a prestige class in Polyhedron #159. They retained this status in 4th edition.

'''[[Gish]]:''' These are multiclassed warrior-mages - specially Fighter/Wizards back in AD&D, but the term again has grown more diverse since 3rd edition. These guys are considered particularly elite. In 3rd edition, [[bard]]s are considered part of the gish caste. The [[Gish Mindslayer]] is a gish class prestige class featured in Polyhedron #159, as is the [[Holocaust Warrior]] and [[Sword Stalker]]

'''[[Mlar]]:''' One of noncombatant castes, mlar are basically [[artificer]]s, but existed before that class became a thing. Their role is using magic to create and repair all the various physical goods that githyanki society needs. This is also the "artisans" caste, covering sculptors, painters, and other artistic types. In Polyhedron #159, they were presented as a 16-level NPC class, similar in nature to the [[Magewright]] of [[Eberron]].

'''Hr'a'cknir:''' These inpronouncable bastards are githyanki mages who have learned to manipulate astral energies, giving them access to certain spells and abilities closer in nature to divine magic or otherwise used for utilitarian purposes that aren't covered by the Mlar. There are several subcastes of Hr'a'cknir:
* '''[[Ghustil]]:''' Healers. These were presented as a prestige class in Polyhedron #159, and as a monster for 4th edition in "Secrets of the Astral Sea".
* '''Var'ith'n:''' Arcane engineers who work with the Mlar to create things like astral ships.
* '''Senja'si:''' Seers.
* '''Y'rn:''' Masters of teleportation able to carry large quantities of goods through the [[Astral Plane]].
* '''Varsh:''' The caretakers for githyanki eggs and younglings, as well as their tutors. These were described as their own caste in AD&D, but became part of the Hr'a'cknir caste in 3e.
* In 3e, the Y'rn were removed from this caste (disappearing entirely), and whilst both Ghustil and Senja'si were still mages (arcane healers for the former, [[diviner]]s for the latter), the Hr'a'cknir and Varsh were considered to be made up of [[Expert]]s and [[Commoner]]s.
* In 4th edition, they were renamed the '''Hracknir''' and made a subcaste of the Mlar. The term became almost synomynous with the Ghustil (who appeared as monsters in Secrets of the Astral Sea), and the caste becamse loathed and scorned for its connection, however dim, to the gods.

'''G'lathk:''' The farming caste of the githyanki, who study special ways of manipulating astral energy in order to make it possible to grow food on the Astral Plane. Since said plane prevents the githyanki from needing to eat, they aren't very respected. In 4th edition, they were renamed the '''Glathk''', and defined as the farmers and laborers, as well as the thrall overseers.

'''Ch'r'ai:''' Introduced in Dungeon #100 for 3rd edition, the Ch'r'ai are warlocks who have either cottoned onto Vlaakith CLVII's plans to achieve godhood and want to throw in with her, or who have become so devoted to her that they're already worshipping her as a goddess. She thinks of them as being spineless toadies, but eagerly exploits their fanaticism, using them as her special inquisitors. They remained in 4th edition.

===Hierarchy===
The clearest and most explicit outline of the githyanki appeared in 4th edition, as part of the article "Tu'narath, City of Death" in Dragon #377. Prior to this, the castes had generally been described as pretty much equal, although the militant castes were more important.
In the 4e version of the hierarchy, the caste system goes like this, from greatest authority to least:
::'''Military Caste:''' Combines the ''Githwarrior'', ''Warlock'' and ''Gish'' castes of past editions. Githwarriors are the base of this caste, led by terrths (sergeants) who serve under kithraks (captains), who serve Supreme Commanders. Gish and Warlocks are generally ranked analoguous to terrths and kithraks. Githyanki knights are the elite of the sect, and hold equal rank to the Supreme Commanders.
::'''Mlar Caste:''' The "civilian" caste, defined by at least limited access to magic. Their writeup cites "landowners, crafters, mages, seers, healers and artisans". The '''Hracknir''' are the closest thing to divine magic users in githyanki society, and whilst this makes them technically a subcaste of Mlar, it also earns them the scorn of their antitheistic fellows.
::'''Glathk Caste:''' Farmers, laborers and thrall-overseers, completely lacking in magical/psionic talent or unsuited for military life. They are the lowest of the githyanki, but at least they have it better than the...
::'''Thralls:''' The githyanki's multitude of slaves, who serve as labor, sport, and even food.

==Githyanki Sects==
'''Sha'sal Khou:''' This is a secret and slowly growing faction devoted to mending the age-old rift between githyanki and [[githzerai]], arguing that their two races restored as one would be finally able to end the [[illithid]] threat and know true peace at last.

'''Gul'othran:''' Only mentioned in 4th edition's "Secrets of the Astral Plane", this is a githyanki sect that is marked by its extreme militantism; they are devoted to the "Eternal Crusade", an endless ongoing search-and-destroy mission against the entire [[illithid]] race.

==Playable Githyanki==
Given their rather heavy-handed "Always Evil!" setup, it goes without saying that Githyanki have been rather absent from the line-up of PCs. Still, D&D really does have a solid tradition of Monster Adventurers, and so whilst the githzerai get all the press, the Githyanki have been playable since AD&D too.

The first appearance of githyanki PCs was in "A Guide to the Astral Plane", which admitted that rogue githyanki ''are'' a possibility and not all of them fall for Vlaakith's efforts. Their writeup looked like this:
::+1 Dexterity, +1 Intelligence, -1 Wisdom, -1 Charisma
::Racial Maximums of 19 Dex and Int
::Class Restrictions: [[Fighter]], [[Wizard|Mage]], [[Gish]] (Fighter/Mage), [[Psion]]icist
::Astral Movement rate of 96
::Double odds of having psionic wild talents
::Same access to psionic Sciences and Devotions as humans
::Malign Reputation: -2 reaction penalty with Good NPCs, -1 reaction penalty with Neutral NPCs
::Racial Enmity: Githzerai: -8 reaction penalty with Githzerai, stacks with Malign Reputation
::The Lich-Queen Is Watching: Upon hitting 11th level, the PC has Vlaakith CLVII's attention; if they reach 12th level, she senses it and will dispatch several waves of githyanki "retrieval teams", then turn to local resources ([[assassin]]s, etc), not stopping until either she or the githyanki character is dead. Githyanki can choose to deliberately not gain any levels after 11th to avoid her wrath.

In 3.5, your Githyanki writeup looked like this when it appeared in the Expanded Psionics Handbook:
::+2 Dexterity, +2 Constitution, -2 Wisdom
::Medium
::Base Land Speed 30 feet
::Darkvision 60 feet
::Naturally Psionic: Increase your Psionic Points Pool by +3 psi points.
::Psi-Like Abilities: At 1st level, you can use the Psi-Like Abilities of ''Far Hand'' and ''Psionic Daze'' 3/day each. You also gain the Psi-Like Abilities of ''Concealing Amorpha'' (3/day) at 3rd level, ''Psionic Dimension Door'' (3/day) at 6th level, before finishing with ''Telekinetic Thrust'' (3/day) and ''Psionic Plane Shift'' (1/day) at 9th level.
::Power Resistance: Hit Dice + 5
::[[Favored Class]]: [[Fighter]]
::[[Level Adjustment]]: +2

Polyhedron's writeup was similar, but different: it replaced the Naturally Psionic and Psi-Like Abilities with "Psionics", replacing its psi-like abilities with the spell-like abilities of ''Mage Hand'' (3/day) and ''Daze Humanoid'' (3/day) at 1st level, ''Dimension Door'' (3/day) at 6th level, and both ''Telekinesis'' (3/day) and ''Plane Shift'' (1/day) at 9th level. Likewise, Power Resistance was replace with Spell Resistance (5 + 1 per character level) and they gained the Extraplanar trait, making them vulnerable to Banishment and similar spells when outside of the Astral Plane.

Over in 4th edition, although arguably somewhat weaker than many other 4e races due to being in the back of the Monster Manual 1, githyanki were a lot less of a hassle to play with and still surprisingly viable:
::Ability Scores: +2 Constitution, +2 Intelligence
::Size: Medium
::Speed: 6 squares
::Vision: Normal
::Skill Bonuses: +2 History
::Danger Sense: +2 bonus to Initiative checks.
::Githyanki Willpower: +1 to Will defense, +2 to saving throws against Charm effects.
::Racial Power - Telekinetic Leap: Usable 1/Encounter, Move Action, target Self or 1 ally within 10 squares. The target of this power can Fly up to 5 squares; if you use this on an ally, that ally must remain in your line of sight at all times during the effect.

In 5th edition, githyanki resurfaced in the September 2017 issue of [[Unearthed Arcana]], with results that were... different to what'd come before, but technically also more of the same. Weirdly, while both subraces clearly got the shaft in terms of being designed by people who actually cared about the race in question, they're significantly more powerful and in-line with the majority of other 5e PC races compared to their poor, more PC-friendly cousins:
::+2 Strength, +1 Intelligence
::Medium
::Speed 30 feet
::Vision: Normal
::Decadent Mastery: One free language proficiency and one free tool or skill proficiency of your choice.
::Martial Prodigy: Free proficiency with Light and Medium Armor.
::Githyanki Psionics: Mage Hand at-will, Jump 1/day at 3rd level, Misty Step 1/day at 5th level, all keying off of Intelligence.

Gith PCs were used in a teaser adventure previewing the Tome of Foes, letting fans get an early look at the official version. The only real difference for githyanki was that their Martial Prodigy feature now gives them Proficiency in the Shortsword, Longsword and Greatsword, which after all are as thematically tied to their race as the axe & hammer are to [[dwarves]] or the longsword & bow are to [[elves]].

==Gallery==
<center><gallery>
Image:Githyanki_1e.png|The very first depiction of a Githyanki.
Image:Fiend-folio-cover.jpg|Back then, they kept their testicles on their elbows; even the women.
Image:Githyanki_2e.png|Now slightly harder to confuse for an undead creature.
Image:Githyanki_3e.jpg|The definitive model, or so it seems.
Image:Githyanki_4e.jpg|The Githyanki as they appear in 4e. Notably more muscular than in their earlier depictions.
File:Githyanki vs Mindflayer.jpg
File:DiTerlizzi Githyanki.jpg
File:3e Giths.jpg
File:Githyanki Astral Sailor.jpg
File:TotOP Githyanki.jpg
Image:Ur-Quan Kzer-Za.gif|The Githyanki's backstory is basically same as the Ur-Quan [[Star Control]]
</gallery></center>

{{D&D2e-Races}}
{{D&D4e-Races}}
{{D&D5e-Races}}
{{Gith}}
{{D&D-Outsiders}}

A Song of Ice and Fire

2020-10-05T14:44:23Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62: /* The appeal of A Song of Ice And Fire */

[[image:Game_of_Thrones_Title-DVD.png|300px|thumb|WIENER PARTY! WIENER PARTY!]]

{{Spoilers}}
'''Warning: This article contains so many spoilers we're ruining books that haven't even been released yet.'''

{{Topquote|If you think this story has a happy ending, you haven't been paying attention.|Ramsay Bolton, nailing the grimdark theme of this series}}

'''''A Song of Ice and Fire''''' (more better known as '''''Game of Thrones''''') is a [[Grimdark]] fantasy book series for people who hate fantasy. Its central themes include [[Tzeentch|political Machiavellian scheming]], [[Khorne|ultraviolence]], [[Slaanesh|incest/sex with exposition]], and [[Nurgle|everyone trying to survive in such a Crapsack World of perpetual suffering]]. Thus it has become one of the most popular series of our generation and its author, [[George R. R. Martin]], has been praised for his highly realized world and gritty low fantasy style. He was even called "the American [[Tolkien]]" by <s>Time magazine</s> gormless idiots who lump diametrically different writers together for no other reason than that they're both fantasy authors, which would probably explain its sudden spike in popularity following the TV show (at least [[Skub|to a point, anyway.]]) The great joke of an actual World War veteran writing a story about heroic knights and elves being compared to and contrasted with a conscientious objector who writes what his more braindead fans see as a more 'realistic and gritty' take on fantasy is not lost on most.

The series itself is set on the [[Original character, do not steal|totally not medieval European ripoff]] realm of Westeros as it is wracked by a massive succession war drawing its realms into conflict. A bunch of dudes declare themselves kings (book two), they're burning the continent down in their scramble for power, and somehow all the fuck-ups managed to lose anyway (book three). Just when the guys who lost the least start thinking they get to rule over the remaining chaos, more fuck ups happen and more dudes show up (book four). Sadly, winter has finally come and, unbeknownst to most people, [[Thousand Sons|evil ice wizards leading soulless undead]] [[Alpha Legion|assumed to be only myths by most people]] are about to invade the continent from the north. By the fifth book, things are going and/or will go to shit even for the bad guys.

According to a leaked fan conversation, George R. R. Martin jokingly stated the series would end with an epic cock-slap fight between Samwell Tarly and Jaime Lannister.

TL;DR: [http://en.wikipedia.org/wiki/War_of_the_Roses War of Roses] redux, with a side helpin' of <s>cliched fantasy</s> George's old sci-fi writing plots given a fantasy overhaul and [[/d/]]-lite.

[[ASOIAF Miniature Game|Miniature game has their own page now]]

===Characters===
{{cleanup}}
Since these books have some thousand named characters, you won't remember most of them without an obsessive disorder over details.
Here's a relatively shortlist (mostly based on the TV series rather than the books, but seems to randomly switch between the two) for the characters you'll care about.

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'''House Stark'''

''"Winter Is Coming"''
<div class="mw-collapsible-content">Honourable, bro-tier northerners who always [[Space Wolves|compare themselves to direwolves]]. They have a tendency towards [[Lawful Stupid]] that proves to bite them in the ass due to naivete about how [[Tzeentch|Westerosi corrupt politics actually works]]. They're also arguably the protagonists of the setting. Basically Scotland and/or the [http://en.wikipedia.org/wiki/House_of_york House of York].
* Eddard Stark, ''The Quiet Wolf'': Patriarch, lord and POV death-puppet. Not nearly as stupid as everyone tries to pretend, but still a dead man walking.
* Robb Stark, ''The Young Wolf'': Shiny, [[Lawful Stupid]] King Arthur-like hero. After waging a successful war to avenge his murdered father, he was betrothed to a noblewoman but he ended having comfort sex with a virgin noblewoman which may have been arranged by her scheming bitch mother, while in softcore porno he got the hots for a commoner. Cacks it nastily: he got his head cut off and his pet's wolf's head stuck on his body, which was paraded around while his enemies chanted "HERE COMES THE KING IN THE NORTH!" In other words, he's a Scottish [[Roman Empire|Hannibal Barca]].
* Sansa Stark: Useless teenage girl extraordinaire at the start of the series with dreams of marrying a prince and "having lots of babies", but gets shat on hard by reality. Becomes Littlefinger's replacement goldfish when Catelyn's no longer around, her father got killed and her best friend was sold as a sex slave, and ended up in the worst relationship we can possibly imagine with King Joffrey. [[Grimdark|Even got deflowered via rape by Ramsey Bolton]] and married to him before managing to escape with the help of others. Currently acting as a co-ruler to her brother/cousin Jon Snow, and has learned much from her suffering, allowing her to kick Littlefinger out of the Great Game via throat slitting. While in the book Littlefinger is/was setting her up at House Arryn to claim the Vale and the North, the show version becomes QUEEN IN DA NORF in the final episode.
* Arya Stark: Little tomboy assassin. Has a kill list, but doesn't get to use it so long as she is an amnesiac apprentice of [[Officio Assassinorum|the Friendly Neighborhood Assassins Guild]]. After breaking away (in the TV series) from the Faceless Men she heads back to Westeros to get revenge on a LOT of people, giving her one of the highest kill counts in the series. Is currently back with her sister Sansa, acting as a general "troubleshooter". Kills the Night King like a fucking champion [[Skub|(or, alternatively, in a nonsensical plot twist)]] in Season 8, and is now riding south to add Cersei to her kill count. Instead, the Hound talks her out of it and she decides to sail into the unknown west.
* Catelyn Stark (nee Tully): A woman who trusts the wrong people at the worst time, causing a lot of misery. Gets killed along with Robb, then comes back (books only) as an undead witch bent on killing all the Boltons, Freys, Greyjoys, Lannisters... pretty much everyone she thinks was tangentially involved in betraying her and her family, or somebody who just pissed her off.
* Bran Stark: Intelligent little boy, named after the founder of House Stark, Brandon the Builder (basically Tony Stark combined with [[Leman Russ]]). He was crippled in the first sign of major [[GrimDark]]. Has prophetic dreams and becomes a [[druid]]. In the TV series, fucks things up by alerting the Others to where he's hiding, which gets all of the Children, his loyal wolf, the Three-Eyed Crow and Hodor killed. For good measure, turns out to have accidentally ''caused'' Hodor to become, well, Hodor, as he was using his druid powers to figure out why Hodor is only able to say Hodor, resulting in Hodor's gruesome death-by-zombies being beamed directly into young! Hodor's brain. He's now the Three-Eyed Raven and likes going around being creepy as fuck and generally weirding people out. Becomes King of the Six Kingdoms in a hilariously nonsensical plot twist in the finale.
* Rickon Stark: Four years old at the start, turning into a real little [[Barbarian]] from not being raised properly, because everyone who would have raised him was dead or missing. In the show, he ends up hanging out at the Umbers, then is handed over to Ramsay as a prisoner when Smalljon becomes afraid of the Wildlings living north of him (who were invited by Jon Snow to fight the Zombie Apocalypse), and finally dies via arrow in a sick game of "dodge the missiles" courtesy of Ramsey.
* Jon Snow, ''The White Wolf'': A bastard living in the Stark household before leaving for the Night's Watch (basically [[The Last Chancers|Colonel Schaeffer]] with more convicted rapists under his command) and excels there because nearly every one of his fellow recruits are peasants who have never had a formal days of training while Jon has had the serious training afforded to all lords. After he takes over by becoming the Watch Commander secures and alliance with the Wildlings, ancient barbarian enemies of the Night's Watch, because when the end of the world is coming you tend to think outside the box. Currently revived by R'hllor in the series after being stabbed to death by the senior members of the Watch. Isn't actually Eddard's bastard son, but rather the legitimate son of Rhaegar Targaryen and Lyanna Stark, meaning that he is, in fact, the rightful heir to the Iron Throne. The new KING IN DA NORF according to his supporters after he killed Ramsay Bolton and took back Winterfell, and is also currently hooking up with his own aunt. He turns on Daenerys once he realizes she's lost it and kills her in the throne room. The Unsullied want his head, but instead, King Bran exiles him to the Night's Watch and he fucks off into the far north to live with the Free Folk.
* Hodor: Hodor. Hodor, Hodor, Hodor. <s>An enormous and possibly retarded stable boy, and Bran's faithful steed.</s> Hodor. Ok, in all actual seriousness, this guy is probably one of the most tragic figures in this series (and that's saying something). [[Grimdark|The guy basically received horrible visions of his own death fighting a horde of zombies, buying time for his friends to escape by literally holding the door shut as he was hacked apart]]. This causes him to suffer a psychiatric break, leading him to develop Immature Personality Disorder and his only speech is to repeat a garbled phrase of his friend's last request "hold the door" for all of his adult life; the logic here is that "hold the door" devolves into "hol' th' door" and eventually "Hodor". You now feel bad for at laughing at the guy.
* Osha: A Wildling woman who surrendered to the Starks and becomes their servant in exchange for not getting killed. Now dead in the show thanks to Ramsay's dickery.</div></div>

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'''House Targaryen'''

''"Fire and Blood"''
<div class="mw-collapsible-content">The former Dragon kings and rulers of Westeros, [[Eldar|fair-haired purple-eyed beautiful people]] who have descended from the [[Dark Age of Technology|ancient technologically-advanced superpower]] of [[Roman Empire|Valyria]], which collapsed because of [[Fall of the Eldar|their colossal hubris]]. After the anarchic [[Age of Strife|Century of Blood]], the Targaryen patriarch Aegon I, instead of reconquering the lost cause of Essos and of Valyria's former empire, looked towards the rather primitive continent of Westeros, and its squabbling Seven Kingdoms, [[Great Crusade|to establish his own Imperial dynasty and unify the Realm]]. Aegon I is essentially the Low Fantasy version of [http://en.wikipedia.org/wiki/William_the_Conqueror William the Conqueror] and/or the [[God-Emperor of Mankind]], with a little dash of [[/d/|incest]].

[[Rules Lawyer|Thanks to a loophole]], the Targaryens were immune to the moral objections relating to incest. Common sense (and common decency) took back seat to a time-honoured policy of [[/d/|catastrophic inbreeding]], which made a number of problems. Aegon I married his older and younger sisters and had several kids with each, which would be the start of another Targaryen tradition: the occasional succession crisis. The inbreeding would also lead to a line of almost alternatingly great and lunatic kings, culminating in Aerys "The Mad King" Targaryen and a palace coup. Eventually, the lineage was banished to Essos after a brutal civil war, the remnants trying to gather armies to retake the Iron Throne which they see as rightfully theirs. Basically a family of inbreeding girly-men with a massive sense of superiority and as arrogant as they come, forgetting that most of what they accomplished was due to the fact that only they had dragons. Still, they occasionally did have genuinely good people like Aegon V (aka Egg), Jaeherys I the Conciliator, his wife Good Queen Alysanne and complete badasses like Brynden Bloodraven and Baelor Breakspear.
Pseudo-Romans and/or the [http://en.wikipedia.org/wiki/House_of_Normandy House of Normandy].

* Aerys II, ''The Mad King'': [[Kharn|A pretty fun guy to be around]]. Had a psychotic fascination for fire, which extended to being a psychotic fascination for burning traitors, a category of people that eventually grew to include anybody he disliked for any reason, anyone who disagreed with him, and a few people who were unlucky enough to be caught in the crossfire. [[Goge Vandire|Teamkilled by his bodyguard Jaime for planning to burn the city down with everyone inside it, and even refused to accept his death until he actually died]].
* [[Mary Sue|Daenerys Targaryen]], ''Stormborn'': She was sold by her brother to a barbarian leader [[Genghis motherfucking Khan|Khal (warlord) Drogo]] in exchange for the promise that he'd use his Khalassar (Warband/tribe) to conquer Westeros. She found her self esteem as his wife, then her husband killed her idiot brother Viserys and promised to conquer the world for Daenerys, making her a full-fledged badass barbarian war queen. Unfortunately, her husband died when [[Derp|Daenerys trusted one of the slaves whose town Drogo had pillaged and burnt to heal an infected wound of his]] and his horde fell apart (though the book is somewhat ambiguous as to whether the slave did kill Drogo). Then she hatched three dragons (completely by accident when she tried to commit suicide) bringing them back from extinction, and now everyone wants to marry her because she is now one of the most powerful people around due to said dragons and being good-looking (in the books this is by the age-of-consent in Westeros standards, where girls are women when they start getting their periods and boys are men at age 13). [[Gets shit done]] except the entire fifth book, in which she mopes around about wanting to marry an annoying, flamboyant mercenary instead of saving herself for political marriage. After banging the flamboyant mercenary, she later marries a Meereenese noble who guarantees he can get her some peace (more likely [[Just As Planned|just as he planned]]). She also does nothing while insurgents kill her men, a horde of plagued refugees spread disease to her city and standing idly by while an enemy army besieges her walls, all for realistically political reasons because the world is a horrible place. Learns how to train her dragon. While she's stuck with a Khalassar in the books, in the TV series she made it to Westeros invading the place with an army of elite hoplites, a massive horde of Dothraki and her dragons. By the time she gets to King's Landing she's taken significant losses, including two of her dragons, and is fucking her nephew (Jon Snow). Has officially gone Mad Queen as of S8E5, wherein she burned most of King's Landing after the city attempted to surrender. Jon kills her in the series finale so that she won't go around burninating the rest of the world.
* The dragons: The three dragons that Daenerys hatched. They're wyverns that breathe fire, [[Awesome|have blood hot enough to melt steel]], and [[List of /tg/ Cuisine|cook their meat before eating it]]. Naturally, some of the coolest things in the story.
** Drogon; named for her late husband, Khal Drogo. Black and Red, the biggest and [[Gork|most aggressive dragon]]. Starts eating people and then escapes, leading to the other two getting imprisoned. Interrupts a gladiator tournament, killing a lot of people before being whipped by Daenerys into flying her to a Khalassar that broke off from her husband's after his death. Is now the last dragon standing after Viserion bites it north of the Wall and his undead body is put down at Winterfell and Rhaegal gets shot down over Dragonstone. Takes Dany's body, destroys the Iron Throne and fucks off to who knows where after Dany is killed.
** Rhaegal; named for the first of her dead brothers, Rhaegar. Green and gold, the [[Mork|cunning one]] and the loudest (with a roar "...that would have sent a hundred lions fleeing,"). Kills Quentyn Martell when the latter is trying to goad Viserion (see below). After breaking out of jail with Viserion they go "all your bases are belong to us" on Meereen, killing people and taking over the pyramid of a loyal family as his lair. Last seen playing "sack the town" with Viserion in the books. Is now dead in the show thanks to Euron Greyjoy and some Diabolus ex Machina bullshit.
** Viserion; named for her other brother Viserys. White and gold and the [[Vulkan|friendliest]] (as dragons go, he still eats people). Dug cave for himself in his jail then moved into another pyramid after his and his brother's great escape. Gets killed by the [[Vampire Counts|Night's King in the show via a magic spear, then his corpse is reanimated to be the Night King's zombie dragon steed]] and blasts a hole in the famous Wall, allowing the armies of snow elves and zombies to start flooding Westeros. Now perma-dead thanks to the Night King biting it.
* Viserys Targaryen, ''The Beggar King'': Daenerys' physically abusive older brother. Best known for being a bully with incestuous lust for her, and an arrogant and incompetent fuck with a massive sense of entitlement. He eventually got himself killed for being an all-around jerk and whiny idiot, which culminated in him threatening his sister and unborn nephew with a sword while drunk in a sacred Dothraki place where weapons and bloodshed are forbidden on pain of death (execution is done by bloodless death - having a scarf wrapped tight around the neck and being drowned in a barrel). Daenerys' husband [[awesome|poured molten gold over his head and called it his promised crown, also ensuring his death didn't technically shed any blood in their sacred place]].
* Aegon Targaryen, ''Aegon VI'': Daenerys' nephew, the son of her brother Rhaegar. Been hiding in Essos for the entire length of the series, but recently raised an army of Westerosi exiles and threw them all a massive Welcome Home party with rape and pillage. Wants to marry his aunt because she has dragons, and might not actually be a member of House Targaryen if you believe some fans. He can actually count past 6, can multiply numbers, can read different language and has a minor understanding of geometry thus cementing him as one of the most educated people in this overwrought series. Can also do his own laundry.
* Brynden Rivers ''Bloodraven'': A Targaryen bastard who came to prominence about a hundred years before the series as sort of sorcerer, he later became known as the "Three-Eyed Raven/Crow" after encountering the Children of the Forest, and uses his powers to help advert the Long Night and train Bran. He's described as having long, white hair, missing an eye, bound to a tree, knows all and sees all, associated heavily with ravens and omens... [[Vikings|yeah, he's very much Odin, come to think of it.]]</div></div>

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'''House Lannister'''

''Hear Me Roar"/"A Lannister Always Pays His Debts"''
<div class="mw-collapsible-content">[[Monopoly|Westeros' richest family]], proud, pompous, selfish and fabulous assholes. Not much of a martial tradition but if you cross them [http://www.youtube.com/watch?v=R7t7cnwlOgY they will fucking cut you]. You can tell they are the bad guys because they have an army of sick fucks, including a zebra-riding mercenary band and 7' 8" Khornate Champion <s>not-Goliath</s> Gregor Clegane. House Lancaster combined with the House of Rothschild and the Mafia.
* Tywin Lannister, ''The Lion of Lannister'': The Godfather, head of the house, and obsessed with his reputation as a Magnificent Bastard extraordinaire. He was a most feared general whose greatest achievement was [[Exterminatus|erasing House Reyne from existence]], which was immortalised in his own sweet-yet-creepy-as-fuck theme song (The Rains of Castamere) that became used as a warning against anyone standing against him. During his tenure as Hand of the King (i.e. Prime Minister), he was a political genius who operates as the true power behind the Iron Throne, keeping the realm stable and prosperous despite the stupidity of Aerys II and Joffrey. However, despite all of his achievements, he was an [[Emperor|absolutely terrible father]], who treats his children as nothing more than tools to further his political agenda. He is completely blind to the incestuous relationship his two oldest children had, and hated Tyrion and made his life a living hell for very poor reasons. He humiliated Tyrion whenever it wouldn't threaten the family's reputation, berated Tyrion for being a whore-monger despite secretly being one himself, [[Grimdark|tried to get him killed multiple times]], and as the capstone of awful parenting, he taught Tyrion not to marry commoners after he married one called Tysha - by forcing Tyrion to watch Tysha get gang-raped, forcing him to rape her too and then annulling their marriage. The only person Tywin truly loved was his wife. He eventually gets his comeuppance when Tyrion finds out the truth about the Tysha incident and kills him with a crossbow, all while mentioning that out of all his children, Tyrion was the most alike to Tywin himself. He's based on [https://en.wikipedia.org/wiki/Richard_Neville,_16th_Earl_of_Warwick Warwick the Kingmaker].
* Joanna Lannister: Tywin's late wife and first cousin, meaning the next three characters are inbred as well, ironically. Dies giving birth to Tyrion, which is part of why Tywin hates him, though Cersei hates him for other reasons. Caught wind of Cersei and Jaime's incestuous tendencies, but she died before she could tell Tywin. It is implied that her ghost visits Jaime in a dream and mourns the current state of her family.
* Cersei Lannister, ''Cunt Queen'': Tywin and Joanna's first child. Twin sister to Jaime Lannister and wife to King Robert Baratheon. She fucks her brother Jaime all the time and had three of his children, whom she passed off as Robert's to grab power. She is a massive narcissist who thinks of herself as "female Tywin" and hence seeks to rule Westeros as the Queen, and will do anything to keep her power... even when [[Abbadon the Despoiler|most of her plans end up becoming utter failures]]. Crazy as all fuck and prophesied to be killed by the "little brother." This is because of a prophecy a Gypsy made when Cersei was a child that she'd be a beautiful queen, lose everything, her children would die before her, and the "Valonqar" would kill her. Though that does explain why she hates Tyrion as hard as all fuck, [[Just As Planned|the exact translation of the term]] that was used is "younger sibling", and not necessarily her sibling, which opens the door to all sorts of characters who hate the fuck out of her. Since Jaime is technically younger by a few seconds, him killing Cersei would be an interesting twist not without buildup. Possibly the Gypsy was messing with her head because of what a bitch Cersei was being to her; something Cersei never grew out of. Cersei is currently alive only because Varys wants her to be, [[Just As Planned|as she's a terrible queen who'll destabilize the realm enough for him to bring back the Targaryens]]. She was completely shaved, stripped of power in all but her royal heritage and forced to do a nude walk of penance throughout the city by the High Sparrow (ASOIAF Pope equivalent) after he uncovered her crimes. Now she's waiting for her hair to grow back and maybe thinking of revenge. She gets it in the show by blowing up the Sept (ASOIAF church) with everyone she doesn't like inside it, having her cousin killed near the Wildfire then capturing the nun who was her jailer and [[Grimdark|leaving her to be tortured to death by zombie Gregor Clegane]]. She is in short Thanquol disguised as a beautiful blonde woman. Gets anticlimactically squashed by a collapsing ceiling along with Jaime during Daenerys's assault on King's Landing.
* Jaime Lannister, ''The Kingslayer'': Younger twin brother (by about three seconds) to Cersei Lannister and commander of the Kingsguard. He loves his sister in every sense of the word and had three children with her. Killed the last king despite his oath, and is widely hated for it, even though everyone agrees that dying was a massive improvement for Aerys. The reason for this betrayal was that Aerys had a huge stockpile of Acme Brand Magic Napalm stockpiled under the city, ready to be set off the moment a siege broke through the town walls, and Jaime's options were to let it happen or kill Aerys before the crazy fuck got ''everybody'' killed. His desire to openly love his sister and win the respect he feels he deserves eventually causes Cersei to reject him. Starts off as an arrogant douche [[Grimdark|and tried to murder Bran Stark, but accidentally crippled him instead]]; he becomes otherwise quite bro-tier besides the whole wants-to-fuck-his-sister thing, though he grows out of ''that'' as well when he realizes what a bitch she is and that there's plenty of women who want his jock - even the hunky Brienne isn't that bad looking. Thoroughly humbled to boot after learning a few hard lessons, losing his sword hand, and having some time to rethink his life. Also, the only person in his family who treats Tyrion well, along with one of his aunts and two dead uncles. Essentially, a more incestuous and douchey Blood Angel. In the books, he is currently being lured into a trap by Lady Stoneheart. In the show, he has finally told Cersei to get fucked after realizing that she has well and truly lost it, and is riding north to help fight the White Walkers. He survives the Battle of Winterfell, hooks up with Brienne, and then rides south [[Derp|because he just can't let Cersei go.]] Winds up getting shanked by Euron Greyjoy and dies [[Fail|via collapsing ceiling]].
* Tyrion Lannister, ''Halfman'': a very intelligent dwarf who is awesome, but hated by all of the civilized characters in the books, except his brother Jaime. He seems to do much better when getting drunk with whores, rogues, bastards and barbarians. His silver tongue is one of his greatest strengths (he's witty and good at persuading people) and weaknesses (he's quick with insults and the truth in a city ruled by sociopaths and liars). Tyrion is also one of the only characters with an actual sense of the bigger picture, and an interest toward steering the world toward an outcome that ''doesn't'' involve a [[The End Times|Warhammer End Times]] scenario. Unfortunately, the world's movers, shakers, and those who generally have the power to make a difference are increasingly either a) dead, b) scattered to the winds or c) hate his dwarf guts. Despite the increasing difficulty and fruitlessness of his task, however, [[Awesome|Tyrion still fights]]. After being framed for killing Joffrey, he killed his own father and is currently in exile in the Free Cities, weaselling his way into leading a merc band and trying to sign them up with Daenerys' forces, recognizing her as one of the few chances Westeros has got of fixing its shit (provided she can get her own shit together, which she's having a bit of trouble with). Since characters in this series tend to either be walking tropes, rip-offs of other fantasy characters, or historical people with different names, Tyrion is probably based on the great [https://en.wikipedia.org/wiki/Miles_Vorkosigan Miles Vorkosigan] (who was himself based on a few people including Sir Winston Churchill) and is a nod to King Richard III (a deformed but competent king later demonized by historians of his era). Even if he is usually the smartest one in the room at any given time, though, Tyrion is still not above having some derp moments. Exhibit A, when Tyrion asked his father what happened to his first wife (right before killing him), he took an ''obvious'' "I don't know and I don't care," response ("Wherever whores go") as actual, literal directions. The show version meets Daenerys and becomes her Hand only to [[Fail|fuck up a bunch of stuff]] and lose her trust. Sells her out when he realizes that she's gone round the bend and winds up becoming Hand to King Bran.
* Kevan Lannister: Tywin's younger brother, considered "the reliable one". One of the few decent Lannisters, though saying that he is perfectly happy carrying out Tywin's bidding. Tried to talk sense into Cersei and was later called in to try and fix her mess. He did such a good job of it that Varys decided to personally thank him. With a crossbow. And a group of knife-wielding children.
* Cersei and Robert's (actually Jaime's) children:
** Joffrey Baratheon: "Heir" of the throne, and the technical king of Westeros during the War of the Five Kings since he lives in King's Landing and sits on the throne. Turned out to be worse than Aerys. He died and there was much rejoicing. [[Fail|Except by his mother, who instead had sex on his corpse]]. Fourteen years old at the time of his death.
** Tommen Baratheon: The new king on the Iron Throne. Nine years old. Married to a teenaged shotacon wife who's (unknown to him) the granddaughter of his brother's true killer. Trying to litigate the criminalization of beets. Loves [[Cats|kittens]]. He's pretty well-rounded and non-fucked up, which is a miracle considering his parents, both putative and biological. Also seems to be trying to take kinging seriously, but his mom is trying to quash that in her subliminal attempt to hold power indefinitely, so whether it holds is another matter entirely. Prophesied to die before Cersei, which doubly tragic due to his age and being a much better person than her. He commits suicide after Cersei gets her revenge via killing his wife, godfather, great-uncle, and all his religious friends via blowing up the ASOIAF equivalent of St. Peter's Basilica, because of course her power hunger was more important than his happiness and well being.
** Mycella Baratheon: Princess, and Cersei and "Robert's" second oldest child. She had her face fucked up because of Arianne Martell's amateur intrigues, which overlapped with poor planning, general stupidity, and another guy's backstabbing. Ten years old. Before the maiming, she was quite decent and non-evil. Who knows how she'll turn out now with half of her face cut off. Also prophesied to die before Cersei. In the show, she had a crush on Oberyn's surviving nephew but was killed by Elia in revenge for Oberyn's death, but alive in the books though missing an ear. Also, the readership all got on George's balls for maiming this girl, mostly because it was a sign that he had run out of ideas and was basically just milking Diabolus ex Machina ([[Just As Planned|or that's what he wants us to think]]).
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'''House Baratheon'''

''"Ours is the Fury"''
<div class="mw-collapsible-content">Ascended to the Iron Throne after a successful rebellion against the Mad King Aerys II Targaryen. Produces no less than three claimants to the succession, each one very different from the other. Technically a cadet branch of House Targaryen as their founder Orys was allegedly a Targaryen bastard, who took the original Storm Kings (House Durrandon) deer sigil after killing the last one and fucking his only child Argella and then 200 odd years later, King Egg's daughter married their grandfather, they're pretty much the [http://en.wikipedia.org/wiki/House_of_Plantagenet House of Plantagenet].
* Robert Baratheon, ''The Usurper'': Fat, old, former badass who led the rebellion, and now the king who married Cersei Lannister. Then he fucked a bunch of other women and had lots of illegitimate kids. He was killed while mixing boar hunting and drinking, but whether this death was planned or not is uncertain. On the surface, a king with a thing for easy laughs and partying; right underneath the surface, he's irresponsible and leaves the actual ruling of a nation to his staff, deeper under the surface he's pretty much a sad, lonely old bro who would rather not have been king. Comparable to [https://en.wikipedia.org/wiki/Henry_IV_of_England Henry IV], in that both were powerfully built military geniuses who overthrew the existing monarchy and later succumbed to an unhealthy lifestyle.
* Stannis '''The Mannis''' Baratheon: Robert's younger brother, an all-around badass who swings between [[Lawful Stupid]] (more so in the show than the books) and [[gets shit done|getting shit done]]. [[Judge Dredd|believes so strongly in the rule of law]] that he feels compelled to take the Iron Throne for himself despite wanting nothing to do with it. Is advised by a priestess of the God of light, Melisandre, and a lowborn smuggler named Davos Seaworth raised to knighthood and nobility. [[C.S Goto|His character is ruined in the show into an incompetent pawn of Melisandre and gets killed off just because one of the showrunners didn't like him]].
** Shireen Baratheon: Stannis's kid daughter. The sweet, charming, and intelligent little lady who was left with a deformity on her face from a disease called greyscale. Teaches Davos how to read, and is probably the most innocent person in the series alongside Tommen, Myrcella and a few others. Being the grim and dark universe A Song of Ice and Fire is, however, this means that she's likely going to end up becoming fuel for a vicious fire god. In the show she does, but in the books, she is safe and sound since Stannis isn't stupid enough to bring him with her while campaigning. His wife, on the other hand, being such an idiotic fanatical pyromaniac... well, her odds aren't exactly looking that great.
* Renly Baratheon, ''That Gay Guy'': Robert and Stannis's youngest brother. Took Loras Tyrell (a.k.a. Knight of Flowers, Pretty Boy, etc.) as his lover. Decided he was better suited to be king, though the bizarre and outdated laws of the land stated Stannis was next in line (though Joffrey and then Tommen were first since they were [[Pretend|officially]] Bobby B's legitimate kids). Was hugely popular since he had Robert's charisma, which led to him getting the most support, but he lacked Stannis's conviction and devotion to the duty of actually doing the work of a king, or even Robert's ability to wage war. Killed by Melisandre with some "help" by Stannis ''The Mannis'' for trying to steal his crown, though in the books Stannis may not have been completely aware of the role he played in Renly's death. He's basically [[That Guy]] of ASOIAF, since quite a lot of shit is his fault, indirectly or otherwise.
*Gendry Baratheon, the Bastard Son. One of Robert's many, many bastard children, and the one who gets the most page and screen time. He starts out as a humble blacksmith in King's Landing, who first comes to Ned's attention when Lord Stark is investigating the death of Jon Arryn. From there, he gets shipped off to the Night's Watch to avoid the imminent purge of Robert's bastards and winds up becoming friends with Arya and Hot Pie. After some adventuring and sexual tension with Arya (at least in the show), he joins the Brotherhood Without Banners. In the show, they sell him to Melisandre so she can use him for a blood magic ritual, while in the books he just goes on being a smith and doesn't get involved in anything particularly weird or shady. He has yet to reappear in the books, but in the show, Ser Davos sets him free and tells him to fuck off, which he does for a few seasons. He eventually turns up back in King's Landing, where Davos finds him and recruits him for Team Snow. He helps Jon capture a wight to show Cersei, makes dragonglass weapons for the Army of the Living, has sex with Arya, and fights in the Battle of Winterfell, after which Daenerys legitimizes him as the new lord of House Baratheon.</div></div>

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'''House Tully'''

''"Family, Duty, Honor"''
<div class="mw-collapsible-content"> Lords of the central river lands. Being the obligatory central nation they spend a lot of the series being fought over like a cake in between fat kids. Basically Poland/Netherlands, given they have so many rivers and how hard they've been fucked over.
*Edmure Tully: Basically the SoIaF universe's eternal butt monkey (because he happens to be a decent fucking person). A useless ponce with a dense streak a mile wide and a bad habit of bragging about things he shouldn't be proud of. It took hanging in a stockade for a few months to make him experience some growth. When Jaime was brought in to unfuck the situation and end the siege at Tully's house in Riverrun, Jaime's "negotiation" pressured him into convincing his house to surrender, but he made sure [[Troll|that Brynden got out first]]. Currently spending his days at the Lannister house as a hostage to make sure that the Tullys don't try to ruin the situation again. Tries to make a case for himself as king in the final episode, only to get shut down by Sansa.
*Brynden Tully ''the Blackfish'': He didn't catch the memo that he was part of the joke faction, and proceeds to spend the entire series fucking Lannister shit up and generally being a boss. Thought to be the black sheep in a family of fish. (Thus "Blackfish", geddit?) Ended up holed up in Riverrun, and got the fuck out right before the end of the siege, so that the Lannisters couldn't dick him over as a prisoner (or so he can keep dicking them over before he became a prisoner). Also widely accepted by the fans to be a closeted homosexual. In the HBO show, he gets killed when resisting arrest from Tully forces by order of Edmure. [[Rage|And it happens offscreen.]]</div></div>

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'''House Arryn'''

''"As High as Honor"''
<div class="mw-collapsible-content">Mountain lords turned [[NEET|neurotic shut ins]]. Goes through lords about as quickly as you would expect a castle equipped with a door that opens into empty air. Basically Switzerland/Afghanistan, seeing as how they stayed neutral in the War of Five Kings, their land is covered by nothing but mountains, and they're constantly fighting with the local tribes. They were being entertainingly screwed over by Littlefinger until his death.
*Jon Arryn: Only appears posthumously and is the catalyst for the whole plot. The true mastermind behind Robert's Rebellion was killed by Littlefinger via Lysa when he figured out that Robert's kids are bastards of Cersei and Jaime. His death was blamed on the Lannisters to destabilize Westeros.
*Lysa Arryn: Loli bride turned Lady of the Vale after the Lannisters forcibly retired her husband from life, at least officially. In reality, Littlefinger convinced her to poison her husband and blame the Lannisters [[Just As Planned|which pretty much started this whole clusterfuck to begin with]]. A closeted, crazy woman who spends the entire series in her castle "the Eyrie" being useless, breastfeeding her own son at age 10, obsessing over Littlefinger's cock, and [[Derp|refusing to help her sister and nephew in the war she and Littlefinger pretty much started]], which may have guaranteed their eventual horrific murders by their enemies. Finally gets her comeuppance when Littlefinger kicks her out the moon door (post-taunting, of course), putting her out of our collective misery. Long live the Lord Protector.
* Robert Arryn: ''Littlefuck'', Lysa's equally mentally unstable autistic son, who still sucks on his mom's tit, and enjoys seeing people "fly" out the moon door to their deaths. He actually seems to be a bit smarter than you would first think and is a really, really good judge of character, except with Sansa. Secretly being poisoned by Littlefinger and Sansa, so she can take over the Vale and North. Named Robin in the show because the showrunners were afraid that having two characters with the same name would be too confusing. The show version doesn't get poisoned but turns up in the series finale as the Lord of the Vale.</div></div>

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'''House Greyjoy'''

''"We Do Not Sow"''
<div class="mw-collapsible-content">[[Awesome|A house founded by Cthulhu-worshipping Norscans]]. While not actual Vikings in any sense of the word, there is little other way to describe them. They live on some islands and almost their entire culture is based around raiding and the ocean. Their religion holds it shameful for a man to pay for personal possessions, and states they have to get things either by trade or The Iron Price; seizing something from the body or belongings of someone he defeated in conquest rather than paying or trading for it. Also, only possessions acquired via The Iron Price command respect among the Ironborn.
*Balon Greyjoy: Asshole dad, crappy ruler and general shithead who rebelled against Robert Baratheon and failed miserably. All of his sons were killed, except for Theon, who was taken as a hostage to ensure his good behaviour. Despite being in a position to join either the Lannisters or the Starks during the War of Five Kings and thereby get whatever he wanted from either (independence and the North, or independence and Casterly Rock, respectively), he does the absolute stupidest thing possible and declares himself independent without support from anyone, attacking the North and the rest of Westeros, thereby virtually guaranteeing that he'll be on the receiving end of another one-sided battle. Never got that far, though, since he was pushed off a bridge during a storm by an assassin his brother Euron sent.
*Victarion Greyjoy: Admiral of the Iron Fleet. [[Gets shit done]] while wearing [[Dark Elves (Warhammer Fantasy)|Lokhir Fellheart's]] armour during boarding actions. Does it for vengeance, the lulz and as a ticket to Ironborn heaven (which they believe men can reach if they die in battle or by drowning). Worships both R'hllor and the Drowned God. For all his badassery, is far too stupid to realize that his black Red Priest sidekick's constant rambling about his "great destiny" is inevitably going to end in his burning to death on a sacrificial pyre. Said Red Priest impressed Victarion by surviving being marooned at sea for 3 weeks and turning Victarion's infected arm into a super-strong volcano arm. Seriously.
*Aeron Greyjoy ''Damphair'': A priestly Alan Moore who drank seawater. Once a fun-loving party animal, he nearly drowned during the Greyjoy Rebellion and became a dour and devout priest of the Ironborn [[Cthulhu]] religion. Confirmed to have been raped by Euron when they were kids. Planned to overthrow Euron, who bribed and manipulated his way into becoming king of the Ironborn. [[Grimdark|Was captured by Euron and tortured to try and make him renounce his faith, including feeding him spoiled food, drugging him and burning him. Later Euron tied Aeron, naked, to the prow of Euron's ship alongside Euron's tortured, pregnant former lover because she showed Aeron kindness by once giving him proper food]]. He tried to console her by saying their suffering will end in underwater Valhalla, [[Awesome|showing Euron failed to make him deny his faith]].
*Theon Greyjoy: Son of the Lord/King of the Iron Islands. Had the personality of a stereotypical high school jock, being an excellent archer and womanizer and proud of it. He was given to Ned Stark by his father after Balon failed to successfully rebel against Robert Baratheon. Swore an oath to Robb, but then ditched him out of a desperate need to please his father. Ends up castrated and acts as the personal slave of Ramsay Bolton after Ramsay puts him through horrific torture to turn him into Reek. Rescued by his sister, but the psychological trauma meant it took a while before he could stop calling himself Reek and start getting back to normal mentally (physically he's now missing a few parts that don't heal or grow back). Dead in the show, thanks to charging the Night King by himself while protecting Bran.
* Asha Greyjoy: Theon's older sister and a commander of some renown which is quite a feat - almost every man on the Iron Islands except her father either tried to get in her pants or told her to [[-4 STR|stop playing around and go do some actual women's work]], before she kicked enough ass that they respected her. Rescues Theon after he escapes Ramsay but then loses him to Stannis. Is named Yara in the show because the showrunners thought her name sounded too similar to Osha the wildling chick and is also apparently [[PROMOTIONS|bisexual]]. Eventually becomes Lady of the Iron Islands in the show because she's the last Greyjoy standing.
*Euron Greyjoy ''Crow's Eye'': A [[Chaos|sick fuck Lovecraftian pirate armed with unnatural sorcerous powers, so evil]] that Balon banished him from the Iron Islands. Every member of his crew is a mute because Euron ripped all their tongues out. Many of them are also the illegitimate sons of women he's raped around the world during his raids. Uses an eyepatch to conceal a pitch-black eye, his personal "obviously a villain" mark. Raped his brother Victarion's wife, then claimed she wanted it so Victarion had to kill her. Raped his younger brother Aeron. Also showed back up in the Iron Islands the day after Balon died, despite having been raping and pillaging in Essos before that, which is suspicious as fuck. Now the new Iron King. Plans to conquer Westeros and has some unknown plan to deal with Daenerys. Revealed in the book ''Winds of Winter'' to be [[Honsou|the sickest fuck in an entire setting of sick fucks (and that's saying something)]], including having a god complex while hating religion so much he [[Grimdark|tortures any clergymen he captures to try and make them give up their faiths using ironic tortures themed around their religions - such as preachers have their tongues cut out and burning priests of the fire god to death]]. Euron tried and failed to break his priest brother Aeron's faith so he lashed Aeron to the front of his ship to die [[Grimdark|alongside Euron's own pregnant lover Falia]]. Jaime kills him in the second-to-last episode of the show. </div></div>

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'''House Tyrell'''

''"Growing Strong"''
<div class="mw-collapsible-content">Lords of Highgarden and backstabbers par-excellence and owners of a lot of fertile land. Unlike the current lot of Lannisters they understand the value of good PR, balancing ruthlessness with being somewhat amicable, political savvy and not being stuck-up on honour. They're basically France. [[Fail|Unfortunately, they've all been wiped out in the show]].
*Mace "The Ace" Tyrell: Lord of Highgarden. Massively fat and overweight, while being stupid, overreaching and constantly mocked by everyone else, he's otherwise known as a friendly man, a good Lord when it comes to management and a good father; unfortunately, this isn't enough to save a man in the Game of Thrones. Gets killed with the rest of the noble houses when Cersei blows up the Great Sept of Baelor.
*Olenna Tyrell: The brains behind House Tyrell's schemes. Known as the ''Queen of Thorns'' for being an outspoken, prickly and venomous old lady. Schemed with Littlefinger to have Joffrey killed, but she carried it out with compressed powder "gems" that poisoned his wine. Now she keeps her family in line and is hailed as a more progressive version of Tywin. Became a fan favourite for constantly dropping awesome one-liners and telling the Sand Snakes to shut up. [[Fail|Later killed off in the show]], but not before revealing to Jaime that [[Awesome|she was the one who killed Joffrey and asking him to make sure Cersei knows it]].
*Willas Tyrell: Mace Tyrell's eldest son and heir, crippled at a very young age when jousting against Oberyn Martell. Probably one of the most pleasant and sensible characters in the series, which might explain why he's yet to make an appearance. Very fond of breeding animals, especially horses.
*Garlan Tyrell ''The Gallant'': Second-born son. Badass extraordinaire considered one of the best swords in Westeros, and one of the few people kind to Tyrion. Trains for real combat (often against multiple opponents by himself) unlike Loras, who's a tourney fighter. Single-handed wrecks many notable knights fighting for Stannis during the War of The Five Kings. And he is the only person other than Tywin to put Joffrey in his place, at his own wedding. Sadly no POV chapter yet and omitted from the TV series (Loras takes credit for his deeds).
*Loras Tyrell ''The Knight of Flowers'': The Tyrell who appears most in the series. Considered to be an example of the perfect knight, despite his youth. Is secretly Renly's gay lover and conspired to take the throne with him and his sister. Last seen badly injured in the books attempting to take Stannis' castle. In the show he ends up tortured by the members of the Faith for being gay [[C.S Goto|because the showrunners retconned them to hate gay people]], [[Protectorate of Menoth|later joins their ranks of questionable willingness]] then dies when Cersei blows up the Sept of Baelor.
*Margaery Tyrell: The would-be Queen of Westeros, she has married, in order, Renly Baratheon (gay), Joffrey Baratheon (evil), and Tommen Baratheon (8 years old) and has been crowned as queen three times. While she is nice, she is capable of manipulation. In the show, she marries and uses sex to control Tommen. Was arrested by the resident Chamber Militant The Sparrow and asked for a trial by faith in the books. In the show, this also happens but she tries to be pious in an attempt to save herself but ended up getting killed when Cersei blew up the Sept of Baelor.
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'''House Bolton'''

''"Our Blades Are Sharp"''
<div class="mw-collapsible-content">The Starks' most important (and most despised) vassal, a former arch-rival made of [[Grimdark]] because their entire theme [[Dark Eldar|revolves around Torture]]. Their sigil is a flayed man and their castle is [[Commorragh|a complex of eternal suffering called the Dreadfort]], which shows how stupid the Starks were for allying with them.
*Roose Bolton, ''The 'Leech Lord'': A Lawful Evil sociopathic health nut who's called the Leech Lord because he gets leeched regularly, believing they get rid of bad blood. Second-most powerful Lord in the North with ambitions to depose the Starks. Since the Starks are unable to think like crafty people and are blinded by honour this doesn't prove too difficult. He gets his wish when he stabs Robb Stark in the back, at his uncle's wedding no less, and has anyone associated with Robb killed. He then makes over Winterfell in his bloody image and is currently trolling Stannis. Believes in the abolished practice of "[[Rape|Droit du seigneur]]" (a tradition that allowed a lord to have sex with subordinate women, whether they wanted to or not) and killed at least one man for trying to hide his wife from Roose (before fathering Ramsay with her via rape). Believed that he and his son could be as evil as they wanted as long as no one found out. Killed by Ramsey in the show, which Ramsay tried to cover with a lie despite the witnesses to his actions.
*Ramsay Snow/Bolton: The bastard son of Roose Bolton and a peasant woman he raped. One of the most fucked up people in all of the Seven Kingdoms (alongside the original Reek, the paedophile marauder Rorge and Euron), because he [[Dark Eldar|loves to torture and kill people openly for the lulz]], such as Theon Greyjoy, who he crippled, knocked his teeth out, castrated, and brainwashed into calling himself Reek; Reek was originally a peasant appointed to try and control a young Ramsay, but instead Ramsay warped him into a mentally unstable necrophiliac before killing Reek to fake his death, but Ramsay seemed to hold some twisted affection for him. He also sent Theon's severed appendage to Theon's dad in a cutesy box with a letter mockingly detailing his evilness. Will torture anyone who points out his illegitimate heritage though now he's legally recognized as a Bolton. Also has a pack of hunting dogs he names after women he hunts, rapes and kills. Married a fake Arya Stark and regularly mistreats her, including forced bestiality. Not a fun guy to be around. The only reason he's gotten away with it for so long (as pointed out by his father) is that no one is strong enough to stand up to him yet, but when they are he's going to be killed. In the show, he killed his father with a knife, fed his stepmother and newborn half-brother to his dogs, then married Sansa Stark and deflowered her via rape. Ramsay was such a monster even Iwan Rheon, THE ACTOR WHO PLAYED THE GUY, hoped he'd die horribly. He got his wish: The consequences of Ramsay's actions catch up with him when Jon Snow shows up with an army capable of threatening him, and after surprise reinforcements from Littlefinger and his own fucked-up teamkilling, the Starks crush the Bolton army, forcing Ramsay to flee back to Winterfell. Despite this, the gate is smashed down, he is disarmed, beaten rather brutally and detained to await trial. Before the trial Sansa sets his dogs on him, which he had deliberately starved so they would eat Jon. Apparently they found him quite tasty.
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'''House Martell'''

''"Unbowed, Unbent, Unbroken"''
<div class="mw-collapsible-content">Desert dwelling survivalists who pride themselves on having never been conquered by the Targaryen dynasty (though they later married in). Moorish Spaniards, kinda. [[C.S Goto|Their story arc was completely FUBAR in the show, as Elia and Oberyn's daughters kill Oberyn's brother and nephew for taking too long to avenge him before being captured and killed themselves by Euron and Cersei]].
*Doran Martell: Lord of Sunspear and of royal descent. Still mad at the Lannisters about that whole "murdered-my-sister-and-infant-niece thing". Playing the longest of long games with Varys while trying to keep the rest of his psychotic family members in check. Wheelchair-bound due to his gout. [[What|Killed off in the show by Ellaria as part of her plan to avenge Oberyn]].
*Arianne Martell: One of GRRM's characters who seems to exists solely to fuck everything up at the worst conceivable moment. Still hot as Dornish girls come. Exists only in the books, where she is currently helping her dad get ready to topple the Lannisters after fucking everything up with her own stupid plan to crown Myrcella, which is what got the poor girl maimed.
*Oberyn Martell ''The Viper of Dorne'': Doran Martell's brother, a bisexual swinger, former mercenary, and a drunkard. His girlfriend is a spectacularly beautiful bastard named Ellaria Sand and he has many illegitimate children, mostly daughters, collectively called "The Sand Snakes". Crippled the Tyrell heir in a fight, causing a rift between the two houses; despite this, he's actually best mates with the aforementioned heir, due to Willas Tyrell being straight up the nicest and most balanced man in the series and Oberyn being a somewhat decent person. Known for poisoning his weapons, as well as his battle-cry. Died from a mutual kill, with Gregor Clegane crushing his skull in rather graphically, avenging his sister Elia who Gregor had raped and murdered. Though it's probably a win for Oberyn, since he got Clegane with a horribly painful and slow-acting venom which stretched his death over days or even weeks, during which time he was ruthlessly experimented upon by a mad scientist.
*Quentyn Martell: Didn't realize he was in Low Fantasy and thought he was in High Fantasy, poor bastard. A member of House Martell, sent to marry Daenerys to secure an alliance between the families since the original marriage plan to hook Arianne up with Viserys won't work with Viserys dead. Leaves Westeros and goes all the way to the city of Meereen to marry her, but he's too late, as she marries the Meereenese noble Hizdahr, and like Jorah he's not her type (Dany likes her bad boys). Tries to tame two of her dragons to impress her; the attempt goes wrong, he gets horribly burnt and gradually dies in agony from his wounds.
*The Sand Snakes: Oberyn's children. All daughters he had with various women throughout his travels (all consensual encounters, mind you). Mixed race and all hot with various skills including combat training and mastery of poisons. Working with Doran and Ellaria in the books. [[C.S Goto|Ruined in the show where they don't accomplish anything, are given atrocious dialogue (the "you need the bad pussy" line comes to mind), aren't great fighters]] and get killed by Euron's men, except for one who gets captured and poisoned by Cersei so an imprisoned Ellaria is forced to watch her die and decompose.</div></div>

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'''Night's Watch'''
<div class="mw-collapsible-content">The Night's Watch are an apolitical force in charge of manning The Wall, a giant ice wall that separates the relative tranquillity of the south from the Lovecraftian fucked-up-itude of the true north. They are chronically undermanned and undersupplied since nobody believes their stories of a barbarian army or the impending zombie apocalypse. Basically everybody else thinks they're in a game of [[Diplomacy]] and the Night's Watch are the only ones who realize they're actually in [[Warhammer Fantasy Battle]], though it's been so long since the last snow elf invasion that even they had forgotten about the undead hordes and focused too much on barbarians. They've allied with the Wildings and the North, but in the TV show, the Night's King used the undead dragon Viserion to burn a hole through The Wall.
*Jeor Mormont, ''The Old Bear'': 997th Lord Commander of the Night's Watch at the start of the series. Sees Jon Snow as something of a second son (since his own son Jorah was exiled for enslaving and refused to take the black for his crimes). Leads a ranging north of the Wall to investigate reports that the Others have returned. Ends up killed during a mutiny of survivors after the Others wiped out most of his force.
*Alliser Thorne: Prick of a knight who was favourite to be the next Watch Commander, but was passed over by Jon Snow. Unable to accept Jon Snow letting the Wildlings live on the other side of the wall in an alliance against the zombie hordes, he staged a coup against Jon. It failed because Jon was brought back to life. He is now dead in the show, having been executed for his treason by Jon Snow.
*Aemon Targaryen: Maester of the Citadel at Castle Black. Despite being the third born son of King Maekar I Targaryen, he declined the right to sit on the Iron Throne. One of the few people in the series to die of old age, at 102.
*Samwell Tarly, ''The Slayer'': Fat bookworm who was forced to take the black after his father Randyl threatened to murder him for being unmanly. Jon Snow's best friend among the Night's Watch, and knows everything because he "read it in a book". Despite being a self-professed coward, Sam became the first person in thousands of years to slay an Other with an obsidian dagger. George Martin himself said Sam's based on Samwise Gamgee from Lord of the Rings. Since then, he has started improving his combat skills and balls (in more ways than one for the latter, finding his spine and losing his virginity). He abandons the Night's Watch to help fight the dead and tell Jon who he really is, and winds up becoming the new Grand Maester by the end of the show.
*Eddison Tollett, ''Dolorous Edd'': Probably the most badass member of the Night's Watch. Responds to situations by making sarcastic jokes about them, and known for being a grim motherfucker in a setting of grim motherfuckers. In the show he [[Awesome|became the new Lord Commander]] while Jon was dead, but gave the title back to Jon when he was brought back to life, and then Jon handed it right back because he needed to go sort out Ramsay Bolton. Dies in Season 8 at the Battle of Winterfell. </div></div>

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'''Wildlings'''

<div class="mw-collapsible-content">Groups of nomadic hunter-gatherer tribes who live north of the Wall. Mostly First Men by blood, they have been heading toward the Wall for the past decade with the reputed reemergence of the Others. Nomadic, aggressive, and very much believing in "might makes right", they do not get along with anyone south of The Wall since they view them as "Kneeling weaklings". Basically every Celtic/Scandinavian/barbarian stereotype combined.
*Mance Rayder, ''The King Beyond The Wall'': A Wildling orphan who was taken in by the Night's Watch, he became their best Ranger before he deserted to join his people. He united the Wildlings and lead them south to escape the Others. Also a trained bard, but that was not enough to save him from death.
*Tormund Giantsbane: Claims to have a ten-inch penis, and invites his enemies to use their mouths if they want to clean it. Cool as fuck old guy who [[Furry|fucks mother-bears]] in his free time. Tough as nails motherfucker who preaches the merits of using one's cock for everything. He teams up with Jon Snow for the fight against the White Walkers, then fucks off back to the north once the Night King is dead, making him one of the most sensible people on the show. He and Jon go off to be bros at the end of the show.
*Ygritte: Wildling woman who Jon Snow ends up falling for and who returns his affections. Has red hair which is considered lucky among the Wildlings. This being ''A Song of Ice and Fire'', she ends up dying because her worldview is not compatible with Jon's.
*Craster: A sick bastard, formerly a member of the Night's Watch. [[Grimdark|Has lots of daughters who he marries and fucks regularly, giving him more children. So his wives are his daughters, granddaughters and so on... Girls grow up to become more wives, boys get sacrificed to the Others]]. This keeps them at bay, and that sanctuary is why the Night Watch barely tolerates him. Fortunately, he's been killed off in the story.
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'''House Frey'''

''"We Stand Together"''

<div class="mw-collapsible-content"> House of weasels who are always grumpy and have a thing for overreacting to perceived slights. Wouldn't be that important except for the fact that they own the only bridge over a strategically important river, and regularly extort anyone attempting to cross it.

*Walder Frey: The ancient, terrible, ornery old man in charge of the Twins. Hates everyone for "looking down on him", and will readily betray an important ally for immediate gain, or if he feels he has been slighted in some minor way. His descendants are literally so numerous that no one except GRRM himself has been able to count them all, so we aren't even going to attempt it. Now dead in the show due to getting his throat slit by a vengeful Arya after she serves him two of his sons as meat pies. </div></div>

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'''Commoners, Knights, and Petty Lords'''

<div class="mw-collapsible-content">Basically any character not associated with any of the Great Houses.
* Varys, ''The Spider'': The eunuch spymaster of Westeros. You can't take a shit in the Seven Kingdoms without Varys finding out where, when, and how watery or dry it was. He does this through paid informants and his "little birds", a spy network of children who sneak through the castle's passageways and air flues to eavesdrop on everyone. Stabs everyone in the back because he's actually trying to bring the Targaryens back in order to strengthen the realm. Dead in the show, having decided to try and put Jon on the throne instead of Daenerys; Jon says no, Tyrion sells him out when he realizes Jon absolutely means it, and Dany has Drogon barbecue him.
* Petyr Baelish, ''Littlefinger'': The Master of Coin (the ASOIAF equivalent of a treasurer) and the closest person the Game of Thrones world has to a [[Daemon Prince]] of [[Tzeentch]], up to even declaring "[[Chaos]] is a Ladder". A dangerous manipulator who manages to trick and steal his way to positions of lordship and wealth because no one takes him seriously, and stabs all the Lannisters in the back when they become inconvenient. As a child, he wanted Catelyn Stark and was tricked into thinking she wanted him when her sister Lysa fucked him while he was drunk. Challenged Catelyn's betrothed Brandon Stark, Ned's older brother who was murdered by Aerys, for her hand in marriage and got his ass kicked because he was a small skinny boy and Brandon Stark was a big strapping man, making that his start of darkness. The guy responsible, directly or indirectly, for the War of the Five Kings because he was the mastermind behind poisoning Jon Arryn, the capture and execution of Ned Stark, feeding several half-truths to Catelyn to motivate her to arrest Tyrion, and eventually Joffrey's death by having Dontos and Olenna Tyrell carry out the plan to kill Joffrey and letting Tyrion take the fall; but no one in the story knows this, not even Varys. People think he can pull gold out of thin air, but he's really been buying debt while letting Robert Baratheon's extravagances and Joffrey and Cersei's dipshittery pull the country into a serious debt of its own. So he's pledged himself to [[Chaos]] and destroying Westeros all because he couldn't have Catelyn as his girlfriend, though he changed his focus to her daughter Sansa now, making him a paedophile. Hasn't yet got his comeuppance in the books, but is currently dead in the show after he was out-gambitted by Sansa and killed by Arya. According to GRRM, he's based on the title character from the Great Gatsby.
*Gregor Clegane, ''The Mountain'': A 7' 8" 400 pound mass of [[Khorne|testosterone, muscles, steroid overdose and murderous RAGE]], Gregor is Tywin Lannister's top muscle. Killed his own father and sister and permanently scarred his brother. Hobbies include rape, arson, murder, and random torture; he's also been married a few times but not now with the implication he kept killing his wives. He played an important part in destroying the Targaryens by killing a couple of Rhaegar's kids in rather brutal fashion, then raping and murdering his wife. Spends a few novels doing Tywin's dirty work before a Trial by Champion leads to him dying after being poisoned by Oberyn Martell. Qyburn later resurrected him as... something... called "Ser Robert Strong", and is now even stronger, less prone to psychotic rages, and is completely obedient. He's based on accounts of French knight Gilles de Rais and maybe also the scriptural giant Goliath. Tortures Cersei's nun jailer to death in a brutal and unspecified fashion kills Qyburn during the Siege of King's Landing and then nearly kills his little brother, only for Sandor to tackle him through a collapsing wall and into a gigantic inferno that claims both.
* Sandor Clegane, ''The Hound'': Younger brother to Gregor Clegane, called the Hound because of his hound-face helm, his family's heraldry, and being the king's hired muscle without being a knight. He hates knights due to the hypocrisy of being a professional "noble warrior" but mostly since his monstrous brother is a knight, showing it's not so much of a noble promotion. Terrified of fire after Gregor put his head against a brazier for playing with one of Gregor's old toys when they were children, burning half his face, but he's still the second-strongest person in Westeros. A brutal anti-hero with a soft spot for Sansa, but a better person than his brother. After falling sick from Biter's nasty teeth, he ends up being a silent monk burying people in the Silent Isles. In the show, he joins the Brotherhood without Banners and goes north to help fuck up the White Walkers. As of Season 8, he's survived the Battle of Winterfell and is riding south with Arya to put the boots to Gregor. Dies killing his now undead brother in a pretty epic fight amidst the crumbling ruins of the Red Keep.
*Grand Maester Pycelle: A shrewd, dangerous man putting on a "harmless old man act" and a high ranking scholar from the science/medical guild the Maesters. The longest-serving member of the King's advisory staff, and is actually Tywin Lannister's biggest lackey. He convinced the Mad King to let Tywin in as Baratheon's armies were marching on the capital, where Tywin proceeded to sack the city and claim it for Robert. Gets his head bashed in by Varys in the books and murdered by Qyburn in the show.
* Qyburn: Formerly a maester, who was kicked out of the order for unethical experiments on the living (taking people and performing vivisections to be precise). Introduced as a part of a mercenary company serving Roose Bolton, which should be a red flag. He moves up in the world when he's sent to escort Brienne and Jaime back to King's Landing and ends with Cersei employing him to replace Pycelle as "science advisor" and eventually Varys's Spymaster. Serves Cersei loyally as long as she lets him indulge his sick experiments, serving as a black magic variety of the court mage. He has resurrected Gregor Clegane as... something. [[Fabius Bile]] if he traded his robot limbs, eugenics and power armour for necromancy. He overestimated his hold on Gregor and got his head caved in for it as of the second-to-last episode of the show.
*Barristan Selmy, ''The Bold'': Knight of the Kingsguard. Which Kingsguard? Take your pick. He's served pretty much every king since Aerys and understandably feels pretty bad about it. Another sad old man who pretty much just wants to die until he decides to go pledge his services to Daenerys. Even in his old age, he is considered one of the most dangerous men in Westeros. [[Fail|Dead in the show]] (to be fair they gave him a huge last stand), but [[Awesome|alive]] and [[Roboute Guilliman|appointed himself Daenerys' steward in her absence to try and fix Meereen's situation in the books]].
*Melisandre, ''The Red Witch'': A priestess of R'hllor, the god of fire. Proclaimed Stannis to be the messiah-king and is doing everything in her power to make sure he wins (considerable given that she can scry, make shadow baby assassins and set things on fire with her mind). She'd be pretty bro-tier if her god wasn't so vicious. As it stands she's kind of in the grey (in the books, the show seems to zig-zag on her being evil 'cos the showrunners seem to hate religion). Most of the people she set on fire deserved it, and she hasn't ''succeeded'' in killing any babies yet. Show version now dead from suicide via rapid ageing after ensuring the Living defeat the Dead.
*Jorah Mormont: A knight and son of Jeor Mormont, exiled for trying to sell poachers into slavery and eventually joining the exiles of House Targaryen. He is offered a pardon in exchange for spying on the Targaryens but ultimately decides to stay with them after falling in love with Daenerys. Unfortunately, he gets friend-zoned hard. Despite saving her life from an assassin while she was pregnant, she still votes him off the Khalassar after learning he was a spy. He still loves her and follows her in secret, though. In the show, he goes on a quest to prove himself to her and contracts the dangerous disease Greyscale (it's like the unholy lovechild of smallpox and leprosy), but he gets cured and is now back at her side. He dies protecting her at the Battle of Winterfell.
*Davos Seaworth, ''The Onion Knight'': A former smuggler and bannerman to House Baratheon. During Roberts Rebellion he ran a blockade with a cargo of contraband onions to a castle Stannis Baratheon was besieged in. In exchange for the food he had, Stannis knighted Davos, but Stannis's law-worshipping mindset compelled him to remove four digits from his left hand. Despite this, Davos has served Stannis with unquestioning loyalty, because Stannis knighting him gave his children a future. The fact that Stannis's war for the throne has ended up killing several of his sons hasn't dented his loyalty at all. Doesn't like Melisandre because he sees her as a user and her beliefs as brutal. He's a devout follower of the Faith of the Seven in the books and the first season of the show [[C.S Goto|but is clumsily retconned into an anti-religious atheist in later show seasons]]. In the show, he's now pledged to DA NORF and is basically Jon's Hand of the King, except he doesn't get a fancy pin. He survives the Battle of Winterfell and the Second Sack of King's Landing and becomes Master of Ships in the final episode of the show.
*Shae: A former camp follower and Tyrion Lannister's squeeze for most of the story. Fled from an abusive family and became a camp follower to earn a living. Seems to fall in love with Tyrion, but it turns out she's a gold-digging bitch. When Tyrion doesn't marry Shae she sells him out to Cersei for a better offer, then fucks Tywin when she realizes Cersei won't keep her promise. Tyrion found her in his father's bed and strangled her to death with a necklace for betraying him. The discovery of Shae's corpse in Tywin's bed - posthumously outing him as a whoremonger - upsets Cersei to the point she unpersons Shae.
*Bronn: A mercenary who acts as Tyrion's enforcer and personal killer until Cersei outbids him and he settles down with a little wife and title. Routinely kills knights by exploiting how arrogant and stupid they are even after becoming one himself. Only in it for the money, which he'll happily tell you himself. The only character other than Littlefinger to end every book in a better position than he started it. In the show, he makes the very sensible decision to sit out the fighting and wait for his promised castle (Riverrun if Cersei wins, Highgarden if Daenerys wins). He gets Highgarden and is named Lord Paramount of the Reach and Master of Coin in the final episode.
* Brienne of Tarth, ''The Beauty'': Surprisingly badass lady knight wannabe (since no women can be knighted), legendarily unattractive but still pretty idealistic despite the shit she gets for her looks. Fate frequently gives her the shit end of the stick, because no matter how hard she tries to finish her quests, she ends up failing or stuff happens that makes it impossible. Secretly crushes on Renly and unaware he's gay. After he dies, Brienne switches her loyalty to Catelyn and helps her bring Jaime to King's Landing as Tyrion promised Sansa's return in exchange for Jaime. She later developed a crush on Jaime. Things don't go well because Jaime lost his hand and the Red Wedding happened. Next, Jaime sends her out to find and keep Sansa safe to make good on Tyrion's promise, since he isn't the complete dick everyone thinks he is. Brienne ends up getting captured by Cat, now known as Lady Stoneheart and an insane undead, who was going to hang Brienne for working with Jaime. Brienne was spared at the last moment to capture/manipulate Jaime. In the show, she's now sworn to House Stark and gets knighted by Jaime just before the Battle of Winterfell and then she and Jaime hook up afterwards, only for him to take off and break her heart. She is now Lady Commander of the Kingsguard as of the final episode.
* Lyanna Mormont: A badass ten-year-old girl who inherits Bear Island after her mother and older sister die horribly in the Riverlands - at least if we are going by the show; in the book, her mother is still alive somewhere in the Neck and her older sister Alysanne is the de-facto head of House Mormont. Her activities include pimp-slapping bitches, leading men twice as old as her, and being completely loyal to the Starks despite all their misfortunes. [[Awesome|"Bear Island knows no king but the King in the North, whose name is STARK."]] She dies killing an undead giant at the Battle of Winterfell, which is pretty badass.
* Wyman Manderly, ''Lord Too-Fat-To-Sit-A-Horse'': The Lord of White Harbour and one of the few Northerners who worship the Seven. Fervently loyal to House Stark, he pays lip-service to the Iron Throne long enough for his eldest son to return home, all to mask a plan to restore the Starks to power, mostly by destabilising the Frey-Bolton alliance, building a navy, marshalling the forces of the lands east of the White Knife river, "losing" Freys in the wilderness and sending Lord Davos Seaworth to rescue Rickon Stark from Skagos. His favourite food is lamprey, although he has also developed a taste for Frey Pie. Also a remarkably graceful dancer, and can survive taking a knife to the throat.
** Wylla Manderly: Granddaughter to the above. Another badass little girl, her activities include openly declaring undying loyalty to House Stark and dying her hair green. She and Lyanna Mormont would probably be best friends if they met. [[Awesome|"The city is built upon the land [the Starks] gave us. In return, we swore that we should always be their men. Stark men!"]]
* Jon Umber, ''The Greatjon'': At first he seems to be your stereotypical, boisterous Northern Lord. However, he becomes one of Robb's most loyal supporters, being first to declare him as 'King in the North' after Ned's execution. Had his moment of awesome [[Awesome|when he killed and wounded four Freys at the Red Wedding, all the while being drunk and needing eight additional men to take him down.]]
* Beric Dondarrion, ''The Lightning Lord'': Minor lord who agreed to head an expedition to take out Gregor Clegane. This being Game of Thrones, however, his party is ambushed by the Mountain and is beaten rather badly, and he loses his life in the process. Thanks to his drunken Red Priest friend, however, he manages to come back not once, but eight times, and each time he comes back, he becomes more powerful, though at the cost of his memory. He now heads an outlaw faction of grimdark Robin Hood types called "The Brotherhood Without Banners", who are dedicated to punishing those who abuse and mistreat the smallfolk. Ironically, he's one of the few book characters to have died (permanently) in the books but remain alive in the show, except now he's dead for real as of the Battle of Winterfell.
* Thoros of Myr: Aforementioned drunken priest who is dedicated to R'hllor, though at first he doesn't really give a rat's ass about the Red God, as he prefers to party it up with wine and women, but after he 'accidentally' resurrects Beric, he becomes quite serious about his religion and vows to curb his excesses in drinking. Dies on a mission beyond the Wall to capture a wight (show-version).
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'''The Free Cities'''

<div class="mw-collapsible-content">Nine city-states to the West of Westeros, for the most part, the old colonies of the Valaryian Freehold. Mostly they are ruled by Merchant Princes. They look down on the Westerosi for being a bunch of up jumped backwards war-mongering morons who are only a few silverware sets and maesters away from absolute barbarism. In turn, the Westerosi look down on the Free Cities as being money-grubbing effete cowards ruled by cheesemongers who use bribery, tall walls and dirty tricks to get ahead in the world.

* Illyrio Mopatis: A rich fat bastard and a Magister of Pentos. Old buddies with Varys and a bigtime schemer.
* [[Officio Assassinorum|The Faceless Men]]: A cult of shape-shifting assassins who worship The Many-Faced God of death based in the free city of Braavos that give up personal identity. They claim descent from escaped Valyrian slaves who considered death to be a better fate than perpetual slavery. Their mission hence became being servants of the Many-Faced God of Death. You can hire them to off your rivals, but they request a steep and equivalent price. Their motto is "Valar Morghulis": All Men Must Die.
* Xaro Xhoan Daxos: One of the thirteen leaders of the city of Qarth. A flamboyant, languid, bald rich man who looks after Daenerys while she stays in Qarth and gives her many gifts. He wants her dragons as much as anyone else and even tries to marry her despite his homosexual tendencies. He stops wanting the dragons later in the book series after seeing [[RIP AND TEAR|their work in Astapor]], and no longer wants her around as her anti-slavery stance is hampering his wealth, so he offers Daenerys ships to leave the area and declares war on her when she refuses. In the show, he's heterosexual, helps steal her dragons, fucks one of her handmaidens and gets locked in a vault for conspiring to have her killed. He's also black and fat in the show when he's white and lanky in the books, being Qartheen and all.
* Syrio Forel: The former First Sword of Braavos (aka the ruler's personal bodyguard) and later Arya's mentor in King's Landing. He teaches her the way of Braavosi fencing, called "Water Dancing", and sacrifices himself to save her from Lannister thugs, taking down at least six of them with a wooden sword. May have inadvertently set her on the path of becoming a badass assassin by telling her of his belief in the God of Death.

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'''The Dothraki'''

<div class="mw-collapsible-content">Horse people who live in a country of endless grass plains referred to by others as the Dothraki sea. They only have one city, called Vaes Dothrak, which is less of a city and more of a place they all meet when important things have to be discussed. Have traits borrowed from several cultures, including Mongols and Native Americans, all filtered through European misconceptions of those cultures of course, such as the Dothraki's antipathy for heavy armour, despite the fact that the Mongols were very heavily armoured and also excelled as infantry, see the Battle of Leignitz. They fear the ocean because of its size and the fact that horses won't drink from it, calling it the "poison water".

* Khal Drogo: An Expy of <s>Genghis Khan</s> Yesukhei Baatyr (his son would have been the equivalent to Chinggis Khaan). Leads the largest Khalassar among the Dothraki. Despite being a barbarian warlord, Drogo is surprisingly intelligent and treats Daenerys well. After an assassin tries to kill her he promises to conquer Westeros for her and their unborn son and immediately starts raiding towns for slaves and ships. At one town he gets cut in a leadership challenge and Daenerys gets a captive wise woman to heal him. However, the woman hates him because his tribe destroyed her hometown, raped/slaughtered or enslaved her friends and raped her three times so she curses him to become catatonic (along with killing his unborn son), leading a devastated Daenerys to perform an arguable mercy kill by smothering him with a pillow. After she burns herself, her stillborn child and the wise woman on his funeral pyre, Daenerys survives and it brings her dragons to life. GRRM named Drogo after [[The Lord of the Rings|Frodo's father]].
* Daenerys' handmaidens.
** Doreah: Daenerys' handmaiden and a wedding gift from Illyrio. A woman from Lysene brought by her brother to teach her how to pleasure a man. In the book she dies of fever and starvation crossing a desert, in the TV show, she betrays Daenerys for [[Salamanders|Xaro's BBC]] and gets locked in a vault to starve to death.
** Irri: Daenerys' handmaiden who teaches Daenerys how to ride a horse. [[PROMOTIONS|Also pleasures Daenerys twice after catching her masturbating once]], yet this canonical girl-on-girl action was left out of the show. The character was even killed off there when she survived in the books, but in this case, it was because her actress' visa had expired rather than [[C.S. Goto|author railroading]].
** Jhiqui: Daenerys' handmaiden who teaches her the Dothraki language and squabbles with Irri over wanting one of Daenerys' bodyguards when he becomes a badass. Also dies in the TV show while staying alive so far in the books.

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'''Slavers Bay'''

<div class="mw-collapsible-content">A civilization of [[Stupid Evil]] slavers. The remains of a previous civilization that was once the big powerful empire thanks to having phalanxes of obedient, pain-resistant soldiers which Valyria conquered a long while ago because phalanxes don't do too well against motherfucking dragons. They are ruled by wealthy slave mongers who buy slaves, train them up to do specific things and generally are a bunch of stuck up, decadent, puppy-eating (literally) assholes. Basically a civilization so repugnant even most hippies will be cheering when Dany decides to conquer them.

* The Unsullied: Eunuch phalanx fighting slave soldiers trained the Spartan way to produce totally obedient infantry that never break ranks. They also don't feel pain due to drinking a special drink daily, and each one has to take a new name from the name box each day so they can't develop a sense of identity. At least until Dany "bought" the lot of them, had them sack the city which trained them and freed them.
* Grey Worm: The Unsullied Commander and a no-nonsense badass. When given a chance to take a new name he keeps his slave name because it's the name he had when freed so he considers it lucky. He is completely loyal to Daenerys, considering her his saviour, and in the show, he falls in love with fellow freed-woman, Missandei. This being ASOIAF, however, he can only watch helplessly as his lover is beheaded in front of him by the Mountain. This drives him into a rage, and he eagerly takes part in the sacking of King's Landing in revenge for her death. After the war is over and both Daenerys and Cersei are dead, he takes the Unsullied forces to Naath, in order to fulfil his promise to Missandei that he'd protect her homeland.
* Strong Belwas: A fat but skilled eunuch gladiator. Loves liver and onions and referring to himself in the third person. Travelling companion/guide of Ser Barristan. Has an awesome scene where he beats the champion of Meereen then mocks the Meereenese by taking a shit in their direction and wiping his ass on their dead champion's cloak. Also saves Daenerys from eating poisoned sweets. [[FAIL|Left out of the show]].
* Daario Naharis: A Tyroshi mercenary captain who dyes his hair blue. Betrays his fellow commanders for Daenerys because he loves her as a queen. Fortunately for him, Daenerys loves him back and they pursue a romance for a time, though she doesn't marry him as she's still otherwise smart enough to know she has to save herself for a political marriage. Goes to Yunkai as a hostage in the war on Meereen. Also potentially a shapeshifter, if the show is to be believed.
*Missandei: A young slave woman with a remarkable talent for linguistics and one of the more empathetic people in this dark world, Missandei is freed by Daenerys during her campaign to liberate Slaver's Bay, eventually becoming one of her closest confidants and advisers. She falls in love with the Unsullied eunuch Grey Worm, but later is captured by Cersei and beheaded by the Mountain in front of all her friends, but not before telling her friends to burn the Lannisters to ashes.

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'''The Others'''

<div class="mw-collapsible-content">A mysterious race from beyond the Wall, known to [[newfag|HBO fans]] as "the White Walkers". Can be described as ice demons/snow elves with necromancy. Eight thousand years ago, they invaded Westeros during a decades-long winter known as "the Long Night". With an army of undead warriors, they proceeded to fuck Westeros up every which way to [[Sunday]] before the locals finally drove them out, established the Night's Watch, and built the Wall to keep them out. Like all fantasy aspects of ASOIAF, they are very cliched. In the TV series, it's revealed that they were created from human captives by "The Children", the pseudo-[[Elf]] fair folk race that lived in Westeros before humanity arrived, as an attempt to create a super-weapon. The idea was since humanity bred faster than the Children could keep up with, they would create icy [[lich]]-creatures that could create [[undead]] soldiers, and these would then wipe out all human life. Instead, it went disastrously wrong because it turned out that the Children actually couldn't control what they'd created, so the Others [[Ork|just want to exterminate '''all''' life.]]
* Night's King: A long time ago, when the Night's Watch was just barely getting set up, its Lord Commander, the thirteenth in line, decided to climb over the Wall and explore some. While in the woods to the north of the Wall, he found a beautiful [[Monstergirls|Other female]]. He fell in love with her, had [[/d/|sex with her on top of the Wall]], which somehow changed him into an albino version of [[Star Wars|Darth Maul]], and set himself up as King of the Wall, making everyone in the Watch his slaves and sacrificial fodder. Naturally, this didn't sit too well with the Starks and the Wildlings, and so they banded together to free the Watch and kick his ass, which they managed to do successfully. Now everyone thinks him as dead or a myth. In the HBO version of the story, this whole backstory is basically dropped; he was the very first White Walker ever created by the Children, and he decided to get back at them by wiping out all life. Also, whilst he was apparently beaten in the ancient past and sealed away behind the Wall, he's still "alive" and well, [[Daemonculaba|turning infant human boys into new White Walkers]]. Also, he can apparently raise up entire legions of undead, just by raising his arms and looking completely smug about it; unlike regular Others, who can just raise up maybe a village at most. Given that he's the resident [[BBEG|Dark Lord]] of the series, it makes sense that he can take down a dragon with seemingly little effort (a simple throw of his spear), and resurrect it to be his personal steed a la Arthas. Used it to blow a hole in the Wall and begin [[The End Times]] for Westeros. Now dead thanks to Arya's magic ninja haxx letting her kill the BBEG and his entire race and army of zombies in one blow.
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'''Gods and their followers'''
<div class="mw-collapsible-content"> The world of ASOIAF has various religions and faiths abound, just like in real life. Similarly, they range between fucking awesome to utterly useless.

*[[Ecclesiarchy|The Faith of the Seven]]: The Catholic Church stand-in, which gets both sympathetic (books only) and unsympathetic (books and show) characters associated with it. Holds an anti-slavery stance. The god/s are considered seven aspects of one deity with three male aspects (The Smith, the Father, the Warrior), three female aspects (The Maiden, the Mother, the Crone) and an asexual one representing Death. The places of worship are called Septs, and their system includes Septons, nun-equivalents called Septas and a Pope equivalent called a High Septon. The High Septons all give up their names when they become one to confuse future historians.
** High Septon 1: A fat, greedy man who used the position for personal gain. He ended up being [[Grimdark|torn apart in a riot]], because the people resented that he had enough food to stay fat while they were starving.
** High Septon 2: Successor of High Septon 1. Chosen by Tyrion so the Faith would be loyal to the Lannisters. Only ''slightly'' corrupt, being a pro-Lannister yes-man. Murdered on Cersei's order in the book, while in the show he's retconned into a whoremonger who gets deposed by the Sparrows (see below).
** High Septon 3/The High Sparrow: Successor of High Septon 2. After the second High Septon died, the smallfolk burst into the meeting to pick a successor and ordered their chosen candidate to be put in charge when his original successor was caught whoremongering. He'd been a wandering preacher beforehand, and his feet were dark and gnarled from lots of walking. When he reaches the position he starts [[gets shit done|getting things done]]. Since he was appointed by a smallfolk religious movement called Sparrows, he's given the moniker "The High Sparrow". The nobility underestimates him, either due to having other matters or disregard for religious people, but he turns out to be smart, well-meaning and somewhat ruthless. Under the High Sparrow, he and the other clergymen sell their fancy clothes and decorations [[Noblebright|replacing them with simple wool tunics, using the money to buy food and clothes for the poor in King's Landing]]. He also has their Knights-Templar-equivalent reformed to [[Inquisition|protect the faithful and help them root out]] [[heresy]] and sin. He also outwits Cersei and has her arrested and tried for all her evil deeds. While Cersei's scheming does lead to Margaery's arrest, Cersei confesses to some crimes while concealing others, leading to Cersei taking a nude walk of penance in front of the entire city. After this, he somewhat reined in the nobles' politicking to actually look after the commoners and the Faith, though this does make some enemies. In the show, he and the Sparrows are [[C.S Goto|retconned]] from assorted smallfolk and clergymen tired of the nobles' lawlessness and power plays into one-dimensional stereotypes and thinly-veiled jabs at the Catholic Church [[Imperial Truth|in a shoe-horned anti-religion message]]. While they do arrest Cersei and Margaery like in the books, during the trial most of the Faith, including the High Sparrow himself, get blown to kingdom come when Cersei has her agents ignite a massive amount of magical napalm underneath the Great Sept.
* [[Old Ones|Old Gods]]: Native American/Japanese Kame/Druid/nature spirits that reside in places called Godswoods. Their powers are limited to the North, where the last remaining Godswoods remain, but they can grant gifted individuals awesome psychic powers like Warging (mind-controlling animals) and Greensight (Time Travel). For some reason, Martin claims they're based off the Norse Gods. Probably has to do with the way the Vikings made sacrifices to their gods, by hanging them in Ash trees, a symbol for the World Tree Yggdrasil. The Weirwood trees are sacred to the followers of the Old Gods in a similar way. Mostly worship of them is quiet and informal.
* R'hllor: The God of Fire and Light, and like the Old Gods, actually shows evidence for existing. [[/tg/ gets shit done|He gets shit done]] such as fire magic and Resurrection. Has a nasty habit for burning heretics, though. GRRM said this faith is roughly based (read: poorly modelled after) upon Zoroastrianism and Gnosticism. His nemesis is The Great Other: the god of cold and darkness, the leader of the Others, and prophesied to be defeated by the chosen one, or messianic figure: [[Star Child|Azor Ahai/The Prince That Was Promised]], a figure who is the prophesied warrior that will fight with the Great Other/Night's King during the Apocalypse. Interestingly enough, the prophecy may not refer to a single person, but three (Jon, Tyrion/Bran, and Daenerys). Supposedly, one of these three will also receive an [[Emperor's Sword|awesome flaming sword called "Lightbringer"]].
* Him of Many Faces: The god of the Dead of the religion whose followers are the [[Officio Assassinorum|Faceless Men]]. According to his cult of assassins, whom Arya joins, every other god is him in a different form and he requires his assassins to utterly forget their past identities in service to him. Has a heyday during the Battle of King's Landing and the Red Wedding. His followers are granted shapeshifting abilities and powers to be the ultimate assassins.
* Drowned God: Cthulhu combined with Odin. Runs an underwater Valhalla were all Ironborn go whey they either if they drowned at sea, the men die a manly death or the women die in childbirth.

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==The appeal of A Song of Ice And Fire==
Exactly what catches the eyes of [[Skub|a given fan/critic/lout who complains about how bad it is anytime the show is mentioned within earshot]] to ASOIAF and its TV adaptation varies from individual to individual. Still, there's a couple of major draws.

'''The Worldbuilding:''' The main reason why this series gets compared to [[The Lord of the Rings]], ASOIAF is literally ''drowning'' under the weight of its worldbuilding, being crammed as full of facts about fictitious regions, histories, cultures, dynasties and races as GRRM can fit it. Your mileage will vary on how ''good'' that info is, but there's plenty of info in it.

'''Mainstream [[Dark Fantasy]]:''' Dark Fantasy is not exactly a mainstream niche. ASOIAF stands out by deliberately trying to market itself to the mainstream, despite embracing an abundance of dark fantasy tropes; gratuitous violence, sexuality and sexual violence, moral ambiguity, political intrigue, and a willingness to suddenly kill off any character, even the most likeable or heroic of them.

'''[[Low Fantasy]]:''' On the surface, ASOIAF is an old-school Low Fantasy setting, being a medieval-tech world with the story openly focused on the mundane lives of people struggling for political power.

'''[[High Fantasy]]:''' But if you scratch the surface, ASOIAF is also a High Fantasy setting, which is always the more marketable of the two, with the big backstory about how the world is facing impending doom from an army of wintery [[fey]] and their [[undead]] minions. There are also non-evil higher powers working against them, but they get swept under the rug in the show. Also, [[dragon]]s. As the more marketable genre, it's also inevitably the more skubby one, for whatever that's worth.

'''Gratuitous Sexuality:''' More a thing for the TV show than the book; the frequent scenes of nudity and sex in the early seasons were a ''big'' selling point for many people (the casting of people from the sex industry for some of these scenes also helped).

==Oh Yeah, About The TV Show==
[[image:KnightsWhoSayFuck.jpg|150px|thumb|left|Yeah, pretty much.]]
After the first three books became hits, many Hollywood producers and directors had come to the sadistic neckbeard, asking him about making a movie adaptation. At first, he was reluctant, at best, due to the fact that a whole lot of his content would've been cut out to be fit into a movie trilogy (see the Lord of the Rings live-action films). Then, a couple of dudes, David Benioff and D.B/Daniel Brett Weiss (AKA D&D, or more accurately as of the final season, Dumb & Dumber), decided to contact him and asked him at a local restaurant about turning ASOIAF into a Television show produced by HBO, the top-rated soft-core porno channel. The story goes that George, before giving them his consent, asks them a very specific question (Who is Jon Snow's mother?). Satisfied with the response they gave, he gave them permission to start work on the show, which would be titled after the first book, ''Game of Thrones''. They would later go on to prove that this is not a good way of choosing who should adapt your work.

The television show casts several well-known performers, such as Sean Bean as Eddard, Peter Dinklage as Tyrion, Lena Headey as Cersei, and Charles Dance as Tywin. They have also cast some comparatively less well-known actors and even ones new to cinema, such as Sophie Turner (Sansa), Maisie Williams (Arya), Kit Harington (Jon), Iwan Rheon (Ramsay), Alfie Allen (Theon), and Richard Madden (Robb).

'''TL;DR'''

[[GM|Producers Dumb&Dumber-style change characters and railroad the plot at a whim,]] [[/d/M|the tits and ultraviolence spigot is opened even wider than the books,]] and most scenes are made for the actors to show off their skills at making their signature angry/murder/brooding/etc. faces.

Thus, book snobs seem to think that every episode post-season 3 is nothing more than Emmy-bait. Regardless of the fact Kit Harington still [[Fail|doesn't have an Emmy]], there's a valid contention in that regard, with the number of liberties taken overshadowing the initial appeal.

The final season was eventually revealed to be such a train wreck because Dumb & Dumber did not want to work on the series anymore and had let the success with the earlier seasons go to their heads. In their arrogance, instead of handing the reins to someone else, they decided to plan out their own ending and use it as an audition to Disney so they could write for Star Wars. By then, they'd run out of books to adapt, there was no superior writing for them to leech off of and there was no one to gainsay them in their echo chamber of a writer's room (even George himself was cut out). The result was absolutely shit writing that caused a glorious breakage in the [[skub]] dam that left [[Butthurt|many a fan's anus weeping]] (provided they weren't early seasons fans, book series fans, or any of the other assorted onlookers [[Lulz|taking part in the mightiest of keks]]) and, if anything proved <s>George's </s> Ramsay's quote at the beginning of the article true. Goddamn Dumb & Dumber, could you talentless faggots do any worse if you tried? Luckily, comeuppance came after them and Disney, having some sense, told them to fuck off with their Star Wars ideas after the backlash towards the final season.

<div class="toccolours mw-collapsible mw-collapsed" style="width:100%">
'''What about the final season?'''
<div class="mw-collapsible-content">
Long story short, the Army of the Dead is destroyed in an epic battle, where the ancient and super-powerful BBEG gets killed by some sleight-of-hand. Meanwhile, Daenerys has spent the last two seasons being stripped of her plot armour; she's lost most of her supporters - including one of her dragons - and has been forced to confront the fact that nobody in Westeros wants her around. Especially not the Northerners, where Sansa is basically playing the "Northern Independence Now!" movement to try and get her own bum in a throne after seven seasons of being a plaything for people with actual power. The kicker is she's fallen in love with Jon Snow, but he learns he's actually her nephew - and the fruit of a legitimate marriage between her elder brother Rhaegar Targaryen and Lyanna Stark that was handled in secret. This discovery not only caused him to back away from her (because he's got Northerner values, so fucking his aunt squicks him out... not that it stopped him from doing it at least once), but also makes him a threat to her political standing, which is something Varys makes plans to exploit. When Tyrion found out Jon wouldn't back down, he told Danerys about it, for which she had Drogon burn Varys to ash. When she forces the survivors of the final battle to march on King's Landing, another of her dragons ends up dead and her only remaining friend captured and executed by Cersei. So she attacks King's Landing... and then, when her followers manoeuvre around her to get the city to surrender rather than die to the last, she snaps and burns most of the city to ashes. She then decides to continue ramming her head against the proverbial wall and embraces her personal narrative of herself as a divinely chosen hero-queen meant to "free" the world by conquering everybody, having lost interesting in just ruling Westeros around the same time she lost her fucking mind. Such is her insanity that Jon Snow ends up sticking a dagger in her heart rather than let her kill Sansa and Arya, who he knows will resist her.

Jon proceeds to somehow not get killed by her last surviving dragon who pretty much knows Jon killed his momma because plot reasons, and it destroys the Iron Throne ([[What|by accident, according to the showrunners]]) while chucking a tantrum over Dany's death before grabbing her body and flying off to parts unknown. This leaves everybody stuck trying to figure out what to do, [[The Empire (Warhammer Fantasy)|but ultimately they decide to replace a dynastic monarchy with an elective one]], and make Bran the new king because, hey, he's the 3-Eyed Raven and has the seer powers to see all of space and time, so he's the least worst option they have (he's also trying to find and take control of the aforementioned dragon). The North secedes from the Seven Kingdoms, but nobody gives a damn, and Jon Snow is formally banished to the Wall - where instead he wanders off into the wilderness with the surviving Wildlings, with the land showing signs of exiting its endless winter. [[The Lord of the Rings|Arya runs off to sail to the West,]] and Sansa is crowned Queen in the North.

</div></div>

==GRRM and [[Your Dudes]]==
Want to make your own ASoIF setting for a role-playing game? Well, readers have enough room to fantasize about their own minor noble House (or kingdom during the Age of the Hundred Kingdoms).

A good example of what you could do is the House from the old [[/v/|"Telltale Game of Thrones"]], House Forrester. Their relationship to the canon is as follows:

House Forrester (lords of someplace in the Wolfswood) '''-> is sworn to ->''' House Glover (overall lords of the entire Wolfswood) '''-> is sworn to ->''' House Stark (rulers of the North).

There's also an actual tie-in tabletop RPG now, which uses its own system and looks kind of like [[Warhammer Fantasy Roleplay]] with a heavy helping of resource-management strategy feel.
Players are assuming the role of a minor House to guide to glory, or, more accurately given the setting we're in, NOT to ruin utterly in a season or two, which would still be more than many A-list players mustered in canon. Each PC has a specific position within said House, and only the role of official Head is mandatory; the rest could be wife/children/brothers and sisters/all other kinds of siblings, bastards (with rules for obtaining the legitimate recognition), maesters, sworn/subservient knights, or most of anybody else. This naturally opens up near-infinite possibilities for families screwed up seven ways to high heavens, which would make Lannister's brand of infighting-slash-inbreeding look as sane as the High Septon.

The setting is also ill-suited for "adventures in Westeros" style of gaming for two reasons:
#In the grim darkness of low fantasy, a roaming nobody with no banner to talk about, no House allegiance, no nothing isn't generally treated to a Tavern With Quest Givers, but rather more to a Tavern Where You Are Shanked For Your Sword And Boots And Dumped At The Nearest Forest. Heck, even the big wheelers and dealers are routinely seen invited to the latter when they are slow to properly introduce themselves.
#Working on your initially-puny House will quite realistically involve thy neighbours first and foremost, then liege lords from the higher House yours is sworn to, and on occasion shopping around for an advantageous marriage - there simply ain't gonna be that much spare time to "travel to see places". Both of these are also why tourism wasn't a very popular pastime in medieval Europe and why those who were "living on the road" usually enjoyed the lowest social standing.

A note to aspiring Lords: do NOT, under any circumstances, allow your "combat-optimized" siblings an unsupervised minute in a social setting. Game's "social combat" system is a thing more brutal than the physical one, and it takes a socially-optimized character all of a few minutes to mindfuck one who is not (read: everyone but dedicated diplomats and Heads of the Houses, and not every one of the latter, to boot, as illustrated by several amazing boneheads in canon) into believing pretty much anything short of Grumpkins and Snarks. Stupid NPCs or a stupid GM will make said mindfuck obvious, allowing you to "mindfuck 'em back" without abuse of OOC info; cunning ones will not.

On a side-note; GRRM is said to take a dim view of fanfiction, saying it kills creative ability. This is kind of a double-edged statement, since a lot of George's characters here are either rehashes of his characters from previous works, references to other fictional characters (like Littlefinger and Samwell being based on Jay Gatsby and [[The Lord of the Rings|Samwise Gamgee]]), walking tropes (such as Ned Stark and Robb Stark being the "[[TVTropes|Honor Before ]] [[Lawful Stupid|Reason]]" characters) or historical references (such House Lannister ripping off House Lancaster and House Tyrell being totally-not-House-Tudor - to the point that Margaery Tyrell is played by Natalie Dormer from "The Tudors" TV show). While this makes everything he wrote just another...fanfiction, and his disapproval hypocritical. Still, given the "creative" output of the average neckbeard, he does have a point. Ironically he sold the rights to make a TV series of the books to HBO, who then went on to make a glorified fanfic.

==Games==
[[image:AGot-2nd-ed-cardfan.png|thumb|250px]]
Like any fantasy author who finds themselves unexpectedly in the warm embrace of commercial success Martin quickly licensed the shit out of his setting, spawning everything from resin miniatures to replica great swords. While most of this is worthless junk to foist on [[Neckbeard|obsessive fanboys]] /tg/ has agreed that a few of the games are made of win. The first two are a collectable [[CCG|card game]] put out in 2002 by [[Fantasy Flight Games]] and a [[risk]]-esque board game that followed shortly after in 2003. One of [[White Wolf]]'s subsidiaries also put out a d20 RPG in 2005 but it quickly tanked because, come on, White Wolf. Martin since wrested the rights back and developed a new version with Green Ronin games.

Now let's have some serious talks about the Game of Thrones games because they have become some sort of endless source of amusement and frustration for the gaming fanbase. Game of Thrones is roughly speaking the second franchise with the most licensed board games, after star wars, and some of them have acquired quite a legendary status and a fanbase that goes beyond the book or series fans.

The great juggernaut for all the ASOIAF based games is Fantasy Flight Games

First and foremost we have the Game of Thrones board game, a game that after two editions still ranks high in the BGG top 100 board games, and has recently had an expansion. The Game of Thrones board game has become some sort of meme for the modern board gamers and it could be considered the equivalent of a more advanced risk, in which dice and blank character got replaced by a very flavourful and brutal combat system and a lot of thematical mechanics fueling the engine. Overall this game has been associated with concepts such as requiring maximum player count to really be entertaining, having an amazing amount of length and depth and being a very faithful representation of the political feeling the series inspired. Almost any boardgamer or wargamer worth his salt has played this game and enjoyed its highs, its lows and the amazing amount of frustrations it brings. This is probably the most well known of all the ASOIAF games and it was released way before Game of Thrones was a cultural phenomenon back in 2003.

Another game that bears mention, both for its excellent mechanics and its historical significance is the game of thrones card game. It is one of the most balanced card game experiences you can get, also full of flavour and with quite a great amount of balance and non-linear thinking. The best part is, unlike other card games, the game has a "living card game" release format, in which players know exactly what each booster pack brings and can buy cards in a more responsible manner rather than playing bingo and hoping to get a rare card. Also, the sole core set already provides more replayability than some fully-fledged board games.

Finally, the last game to mention in the FFG venerable trilogy of games is "Battles of Westeros", arguably the most ambitious and least successful of the three. Battles of Westeros was a fully-fledged wargame that used the Memoir 44/battlelore rules as a base, but then evolved into its own by introducing mechanics such as commanders, tactic cards and very creative scenario rules. Miniatures were made in 15 mm and for their time and scale they were quite detailed, some commanders are real standouts(I´m looking at you Robb Stark(with his wolf jumping at his side) and Rickard Karstark). Thanks to its scale, the game was able to provide players with a great number of options and units at a fraction of the price of other board games. With a core set that was already stacked with units and variety and then faction-specific expansions that added several more units and commanders. The game also came with scenario books that provided narrative play with quite creative rule variants, such as storming palisades, having decoys in escort missions and bombarding enemies with catapults. One scenario even tried to bring to life the battle of the blackwater (the hybrid invasion of kings landing by Stannis the Mannis). The game was incredible and quite a creative wargame, but its main issue was that the setup time was just terrible. Incredibly complex and tiresome when compared to the actual gameplay time.

And then the miniature producing Kickstarter juggernaut CMON decided to produce its own wargame, with AMAZING miniatures.

As this is CMON the game began with a [[https://www.kickstarter.com/projects/cmon/a-song-of-ice-and-fire-tabletop-miniatures-game]kickstarter], and after that, the game has had at least 2 dozen more releases with 3 more factions added.

The game has some mechanics taken from rank and file games such as KOW combining them with mechanics taken out of "battles of Westeros" particularly the tactics deck.
A new page is in the works [[ASOIAF Miniature Game]]

==Books==
*''A Game of Thrones''
*''A Clash of Kings''
*''A Storm of Swords'': Split into 2
*''A Feast for Crows'': half the characters, the point where the series goes down the toilet
*''A Dance with Dragons'': split into 2 the first is about the other half of the characters, and manages to pick things up a bit
*''The Winds of Winter'': Most recent rumours say George could have it ready in late 2018. But will he ''really''?
** Nope, though he has shared chapters of the book.
** Officially set to release in summer 2020... but now that's come and gone and it's still unreleased (unless he means December 2020, which is summer in the southern hemisphere).
** It might happen by 2030 if we're really lucky
*''A Dream of Spring'' : Unreleased and unlikely to ever be.
** GRRM will most likely die before writing this
*''The Dunk and Egg Series'': A story about a landless hedge knight travelling across Westeros with a Targaryen squire, so he can teach him how not to be an asshole to peasants.

==See Also==
*[[/tg/ Song of Ice and Fire Houses]]
*[https://www.youtube.com/watch?v=3U7NpSubAJQ Weiner, Weiner weiner]

[[category: Literature]]

A Song of Ice and Fire

2020-10-05T14:25:43Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62: /* Books */

[[image:Game_of_Thrones_Title-DVD.png|300px|thumb|WIENER PARTY! WIENER PARTY!]]

{{Spoilers}}
'''Warning: This article contains so many spoilers we're ruining books that haven't even been released yet.'''

{{Topquote|If you think this story has a happy ending, you haven't been paying attention.|Ramsay Bolton, nailing the grimdark theme of this series}}

'''''A Song of Ice and Fire''''' (more better known as '''''Game of Thrones''''') is a [[Grimdark]] fantasy book series for people who hate fantasy. Its central themes include [[Tzeentch|political Machiavellian scheming]], [[Khorne|ultraviolence]], [[Slaanesh|incest/sex with exposition]], and [[Nurgle|everyone trying to survive in such a Crapsack World of perpetual suffering]]. Thus it has become one of the most popular series of our generation and its author, [[George R. R. Martin]], has been praised for his highly realized world and gritty low fantasy style. He was even called "the American [[Tolkien]]" by <s>Time magazine</s> gormless idiots who lump diametrically different writers together for no other reason than that they're both fantasy authors, which would probably explain its sudden spike in popularity following the TV show (at least [[Skub|to a point, anyway.]]) The great joke of an actual World War veteran writing a story about heroic knights and elves being compared to and contrasted with a conscientious objector who writes what his more braindead fans see as a more 'realistic and gritty' take on fantasy is not lost on most.

The series itself is set on the [[Original character, do not steal|totally not medieval European ripoff]] realm of Westeros as it is wracked by a massive succession war drawing its realms into conflict. A bunch of dudes declare themselves kings (book two), they're burning the continent down in their scramble for power, and somehow all the fuck-ups managed to lose anyway (book three). Just when the guys who lost the least start thinking they get to rule over the remaining chaos, more fuck ups happen and more dudes show up (book four). Sadly, winter has finally come and, unbeknownst to most people, [[Thousand Sons|evil ice wizards leading soulless undead]] [[Alpha Legion|assumed to be only myths by most people]] are about to invade the continent from the north. By the fifth book, things are going and/or will go to shit even for the bad guys.

According to a leaked fan conversation, George R. R. Martin jokingly stated the series would end with an epic cock-slap fight between Samwell Tarly and Jaime Lannister.

TL;DR: [http://en.wikipedia.org/wiki/War_of_the_Roses War of Roses] redux, with a side helpin' of <s>cliched fantasy</s> George's old sci-fi writing plots given a fantasy overhaul and [[/d/]]-lite.

[[ASOIAF Miniature Game|Miniature game has their own page now]]

===Characters===
{{cleanup}}
Since these books have some thousand named characters, you won't remember most of them without an obsessive disorder over details.
Here's a relatively shortlist (mostly based on the TV series rather than the books, but seems to randomly switch between the two) for the characters you'll care about.

<div class="toccolours mw-collapsible mw-collapsed" style="width:100%">
'''House Stark'''

''"Winter Is Coming"''
<div class="mw-collapsible-content">Honourable, bro-tier northerners who always [[Space Wolves|compare themselves to direwolves]]. They have a tendency towards [[Lawful Stupid]] that proves to bite them in the ass due to naivete about how [[Tzeentch|Westerosi corrupt politics actually works]]. They're also arguably the protagonists of the setting. Basically Scotland and/or the [http://en.wikipedia.org/wiki/House_of_york House of York].
* Eddard Stark, ''The Quiet Wolf'': Patriarch, lord and POV death-puppet. Not nearly as stupid as everyone tries to pretend, but still a dead man walking.
* Robb Stark, ''The Young Wolf'': Shiny, [[Lawful Stupid]] King Arthur-like hero. After waging a successful war to avenge his murdered father, he was betrothed to a noblewoman but he ended having comfort sex with a virgin noblewoman which may have been arranged by her scheming bitch mother, while in softcore porno he got the hots for a commoner. Cacks it nastily: he got his head cut off and his pet's wolf's head stuck on his body, which was paraded around while his enemies chanted "HERE COMES THE KING IN THE NORTH!" In other words, he's a Scottish [[Roman Empire|Hannibal Barca]].
* Sansa Stark: Useless teenage girl extraordinaire at the start of the series with dreams of marrying a prince and "having lots of babies", but gets shat on hard by reality. Becomes Littlefinger's replacement goldfish when Catelyn's no longer around, her father got killed and her best friend was sold as a sex slave, and ended up in the worst relationship we can possibly imagine with King Joffrey. [[Grimdark|Even got deflowered via rape by Ramsey Bolton]] and married to him before managing to escape with the help of others. Currently acting as a co-ruler to her brother/cousin Jon Snow, and has learned much from her suffering, allowing her to kick Littlefinger out of the Great Game via throat slitting. While in the book Littlefinger is/was setting her up at House Arryn to claim the Vale and the North, the show version becomes QUEEN IN DA NORF in the final episode.
* Arya Stark: Little tomboy assassin. Has a kill list, but doesn't get to use it so long as she is an amnesiac apprentice of [[Officio Assassinorum|the Friendly Neighborhood Assassins Guild]]. After breaking away (in the TV series) from the Faceless Men she heads back to Westeros to get revenge on a LOT of people, giving her one of the highest kill counts in the series. Is currently back with her sister Sansa, acting as a general "troubleshooter". Kills the Night King like a fucking champion [[Skub|(or, alternatively, in a nonsensical plot twist)]] in Season 8, and is now riding south to add Cersei to her kill count. Instead, the Hound talks her out of it and she decides to sail into the unknown west.
* Catelyn Stark (nee Tully): A woman who trusts the wrong people at the worst time, causing a lot of misery. Gets killed along with Robb, then comes back (books only) as an undead witch bent on killing all the Boltons, Freys, Greyjoys, Lannisters... pretty much everyone she thinks was tangentially involved in betraying her and her family, or somebody who just pissed her off.
* Bran Stark: Intelligent little boy, named after the founder of House Stark, Brandon the Builder (basically Tony Stark combined with [[Leman Russ]]). He was crippled in the first sign of major [[GrimDark]]. Has prophetic dreams and becomes a [[druid]]. In the TV series, fucks things up by alerting the Others to where he's hiding, which gets all of the Children, his loyal wolf, the Three-Eyed Crow and Hodor killed. For good measure, turns out to have accidentally ''caused'' Hodor to become, well, Hodor, as he was using his druid powers to figure out why Hodor is only able to say Hodor, resulting in Hodor's gruesome death-by-zombies being beamed directly into young! Hodor's brain. He's now the Three-Eyed Raven and likes going around being creepy as fuck and generally weirding people out. Becomes King of the Six Kingdoms in a hilariously nonsensical plot twist in the finale.
* Rickon Stark: Four years old at the start, turning into a real little [[Barbarian]] from not being raised properly, because everyone who would have raised him was dead or missing. In the show, he ends up hanging out at the Umbers, then is handed over to Ramsay as a prisoner when Smalljon becomes afraid of the Wildlings living north of him (who were invited by Jon Snow to fight the Zombie Apocalypse), and finally dies via arrow in a sick game of "dodge the missiles" courtesy of Ramsey.
* Jon Snow, ''The White Wolf'': A bastard living in the Stark household before leaving for the Night's Watch (basically [[The Last Chancers|Colonel Schaeffer]] with more convicted rapists under his command) and excels there because nearly every one of his fellow recruits are peasants who have never had a formal days of training while Jon has had the serious training afforded to all lords. After he takes over by becoming the Watch Commander secures and alliance with the Wildlings, ancient barbarian enemies of the Night's Watch, because when the end of the world is coming you tend to think outside the box. Currently revived by R'hllor in the series after being stabbed to death by the senior members of the Watch. Isn't actually Eddard's bastard son, but rather the legitimate son of Rhaegar Targaryen and Lyanna Stark, meaning that he is, in fact, the rightful heir to the Iron Throne. The new KING IN DA NORF according to his supporters after he killed Ramsay Bolton and took back Winterfell, and is also currently hooking up with his own aunt. He turns on Daenerys once he realizes she's lost it and kills her in the throne room. The Unsullied want his head, but instead, King Bran exiles him to the Night's Watch and he fucks off into the far north to live with the Free Folk.
* Hodor: Hodor. Hodor, Hodor, Hodor. <s>An enormous and possibly retarded stable boy, and Bran's faithful steed.</s> Hodor. Ok, in all actual seriousness, this guy is probably one of the most tragic figures in this series (and that's saying something). [[Grimdark|The guy basically received horrible visions of his own death fighting a horde of zombies, buying time for his friends to escape by literally holding the door shut as he was hacked apart]]. This causes him to suffer a psychiatric break, leading him to develop Immature Personality Disorder and his only speech is to repeat a garbled phrase of his friend's last request "hold the door" for all of his adult life; the logic here is that "hold the door" devolves into "hol' th' door" and eventually "Hodor". You now feel bad for at laughing at the guy.
* Osha: A Wildling woman who surrendered to the Starks and becomes their servant in exchange for not getting killed. Now dead in the show thanks to Ramsay's dickery.</div></div>

<div class="toccolours mw-collapsible mw-collapsed" style="width:100%">
'''House Targaryen'''

''"Fire and Blood"''
<div class="mw-collapsible-content">The former Dragon kings and rulers of Westeros, [[Eldar|fair-haired purple-eyed beautiful people]] who have descended from the [[Dark Age of Technology|ancient technologically-advanced superpower]] of [[Roman Empire|Valyria]], which collapsed because of [[Fall of the Eldar|their colossal hubris]]. After the anarchic [[Age of Strife|Century of Blood]], the Targaryen patriarch Aegon I, instead of reconquering the lost cause of Essos and of Valyria's former empire, looked towards the rather primitive continent of Westeros, and its squabbling Seven Kingdoms, [[Great Crusade|to establish his own Imperial dynasty and unify the Realm]]. Aegon I is essentially the Low Fantasy version of [http://en.wikipedia.org/wiki/William_the_Conqueror William the Conqueror] and/or the [[God-Emperor of Mankind]], with a little dash of [[/d/|incest]].

[[Rules Lawyer|Thanks to a loophole]], the Targaryens were immune to the moral objections relating to incest. Common sense (and common decency) took back seat to a time-honoured policy of [[/d/|catastrophic inbreeding]], which made a number of problems. Aegon I married his older and younger sisters and had several kids with each, which would be the start of another Targaryen tradition: the occasional succession crisis. The inbreeding would also lead to a line of almost alternatingly great and lunatic kings, culminating in Aerys "The Mad King" Targaryen and a palace coup. Eventually, the lineage was banished to Essos after a brutal civil war, the remnants trying to gather armies to retake the Iron Throne which they see as rightfully theirs. Basically a family of inbreeding girly-men with a massive sense of superiority and as arrogant as they come, forgetting that most of what they accomplished was due to the fact that only they had dragons. Still, they occasionally did have genuinely good people like Aegon V (aka Egg), Jaeherys I the Conciliator, his wife Good Queen Alysanne and complete badasses like Brynden Bloodraven and Baelor Breakspear.
Pseudo-Romans and/or the [http://en.wikipedia.org/wiki/House_of_Normandy House of Normandy].

* Aerys II, ''The Mad King'': [[Kharn|A pretty fun guy to be around]]. Had a psychotic fascination for fire, which extended to being a psychotic fascination for burning traitors, a category of people that eventually grew to include anybody he disliked for any reason, anyone who disagreed with him, and a few people who were unlucky enough to be caught in the crossfire. [[Goge Vandire|Teamkilled by his bodyguard Jaime for planning to burn the city down with everyone inside it, and even refused to accept his death until he actually died]].
* [[Mary Sue|Daenerys Targaryen]], ''Stormborn'': She was sold by her brother to a barbarian leader [[Genghis motherfucking Khan|Khal (warlord) Drogo]] in exchange for the promise that he'd use his Khalassar (Warband/tribe) to conquer Westeros. She found her self esteem as his wife, then her husband killed her idiot brother Viserys and promised to conquer the world for Daenerys, making her a full-fledged badass barbarian war queen. Unfortunately, her husband died when [[Derp|Daenerys trusted one of the slaves whose town Drogo had pillaged and burnt to heal an infected wound of his]] and his horde fell apart (though the book is somewhat ambiguous as to whether the slave did kill Drogo). Then she hatched three dragons (completely by accident when she tried to commit suicide) bringing them back from extinction, and now everyone wants to marry her because she is now one of the most powerful people around due to said dragons and being good-looking (in the books this is by the age-of-consent in Westeros standards, where girls are women when they start getting their periods and boys are men at age 13). [[Gets shit done]] except the entire fifth book, in which she mopes around about wanting to marry an annoying, flamboyant mercenary instead of saving herself for political marriage. After banging the flamboyant mercenary, she later marries a Meereenese noble who guarantees he can get her some peace (more likely [[Just As Planned|just as he planned]]). She also does nothing while insurgents kill her men, a horde of plagued refugees spread disease to her city and standing idly by while an enemy army besieges her walls, all for realistically political reasons because the world is a horrible place. Learns how to train her dragon. While she's stuck with a Khalassar in the books, in the TV series she made it to Westeros invading the place with an army of elite hoplites, a massive horde of Dothraki and her dragons. By the time she gets to King's Landing she's taken significant losses, including two of her dragons, and is fucking her nephew (Jon Snow). Has officially gone Mad Queen as of S8E5, wherein she burned most of King's Landing after the city attempted to surrender. Jon kills her in the series finale so that she won't go around burninating the rest of the world.
* The dragons: The three dragons that Daenerys hatched. They're wyverns that breathe fire, [[Awesome|have blood hot enough to melt steel]], and [[List of /tg/ Cuisine|cook their meat before eating it]]. Naturally, some of the coolest things in the story.
** Drogon; named for her late husband, Khal Drogo. Black and Red, the biggest and [[Gork|most aggressive dragon]]. Starts eating people and then escapes, leading to the other two getting imprisoned. Interrupts a gladiator tournament, killing a lot of people before being whipped by Daenerys into flying her to a Khalassar that broke off from her husband's after his death. Is now the last dragon standing after Viserion bites it north of the Wall and his undead body is put down at Winterfell and Rhaegal gets shot down over Dragonstone. Takes Dany's body, destroys the Iron Throne and fucks off to who knows where after Dany is killed.
** Rhaegal; named for the first of her dead brothers, Rhaegar. Green and gold, the [[Mork|cunning one]] and the loudest (with a roar "...that would have sent a hundred lions fleeing,"). Kills Quentyn Martell when the latter is trying to goad Viserion (see below). After breaking out of jail with Viserion they go "all your bases are belong to us" on Meereen, killing people and taking over the pyramid of a loyal family as his lair. Last seen playing "sack the town" with Viserion in the books. Is now dead in the show thanks to Euron Greyjoy and some Diabolus ex Machina bullshit.
** Viserion; named for her other brother Viserys. White and gold and the [[Vulkan|friendliest]] (as dragons go, he still eats people). Dug cave for himself in his jail then moved into another pyramid after his and his brother's great escape. Gets killed by the [[Vampire Counts|Night's King in the show via a magic spear, then his corpse is reanimated to be the Night King's zombie dragon steed]] and blasts a hole in the famous Wall, allowing the armies of snow elves and zombies to start flooding Westeros. Now perma-dead thanks to the Night King biting it.
* Viserys Targaryen, ''The Beggar King'': Daenerys' physically abusive older brother. Best known for being a bully with incestuous lust for her, and an arrogant and incompetent fuck with a massive sense of entitlement. He eventually got himself killed for being an all-around jerk and whiny idiot, which culminated in him threatening his sister and unborn nephew with a sword while drunk in a sacred Dothraki place where weapons and bloodshed are forbidden on pain of death (execution is done by bloodless death - having a scarf wrapped tight around the neck and being drowned in a barrel). Daenerys' husband [[awesome|poured molten gold over his head and called it his promised crown, also ensuring his death didn't technically shed any blood in their sacred place]].
* Aegon Targaryen, ''Aegon VI'': Daenerys' nephew, the son of her brother Rhaegar. Been hiding in Essos for the entire length of the series, but recently raised an army of Westerosi exiles and threw them all a massive Welcome Home party with rape and pillage. Wants to marry his aunt because she has dragons, and might not actually be a member of House Targaryen if you believe some fans. He can actually count past 6, can multiply numbers, can read different language and has a minor understanding of geometry thus cementing him as one of the most educated people in this overwrought series. Can also do his own laundry.
* Brynden Rivers ''Bloodraven'': A Targaryen bastard who came to prominence about a hundred years before the series as sort of sorcerer, he later became known as the "Three-Eyed Raven/Crow" after encountering the Children of the Forest, and uses his powers to help advert the Long Night and train Bran. He's described as having long, white hair, missing an eye, bound to a tree, knows all and sees all, associated heavily with ravens and omens... [[Vikings|yeah, he's very much Odin, come to think of it.]]</div></div>

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'''House Lannister'''

''Hear Me Roar"/"A Lannister Always Pays His Debts"''
<div class="mw-collapsible-content">[[Monopoly|Westeros' richest family]], proud, pompous, selfish and fabulous assholes. Not much of a martial tradition but if you cross them [http://www.youtube.com/watch?v=R7t7cnwlOgY they will fucking cut you]. You can tell they are the bad guys because they have an army of sick fucks, including a zebra-riding mercenary band and 7' 8" Khornate Champion <s>not-Goliath</s> Gregor Clegane. House Lancaster combined with the House of Rothschild and the Mafia.
* Tywin Lannister, ''The Lion of Lannister'': The Godfather, head of the house, and obsessed with his reputation as a Magnificent Bastard extraordinaire. He was a most feared general whose greatest achievement was [[Exterminatus|erasing House Reyne from existence]], which was immortalised in his own sweet-yet-creepy-as-fuck theme song (The Rains of Castamere) that became used as a warning against anyone standing against him. During his tenure as Hand of the King (i.e. Prime Minister), he was a political genius who operates as the true power behind the Iron Throne, keeping the realm stable and prosperous despite the stupidity of Aerys II and Joffrey. However, despite all of his achievements, he was an [[Emperor|absolutely terrible father]], who treats his children as nothing more than tools to further his political agenda. He is completely blind to the incestuous relationship his two oldest children had, and hated Tyrion and made his life a living hell for very poor reasons. He humiliated Tyrion whenever it wouldn't threaten the family's reputation, berated Tyrion for being a whore-monger despite secretly being one himself, [[Grimdark|tried to get him killed multiple times]], and as the capstone of awful parenting, he taught Tyrion not to marry commoners after he married one called Tysha - by forcing Tyrion to watch Tysha get gang-raped, forcing him to rape her too and then annulling their marriage. The only person Tywin truly loved was his wife. He eventually gets his comeuppance when Tyrion finds out the truth about the Tysha incident and kills him with a crossbow, all while mentioning that out of all his children, Tyrion was the most alike to Tywin himself. He's based on [https://en.wikipedia.org/wiki/Richard_Neville,_16th_Earl_of_Warwick Warwick the Kingmaker].
* Joanna Lannister: Tywin's late wife and first cousin, meaning the next three characters are inbred as well, ironically. Dies giving birth to Tyrion, which is part of why Tywin hates him, though Cersei hates him for other reasons. Caught wind of Cersei and Jaime's incestuous tendencies, but she died before she could tell Tywin. It is implied that her ghost visits Jaime in a dream and mourns the current state of her family.
* Cersei Lannister, ''Cunt Queen'': Tywin and Joanna's first child. Twin sister to Jaime Lannister and wife to King Robert Baratheon. She fucks her brother Jaime all the time and had three of his children, whom she passed off as Robert's to grab power. She is a massive narcissist who thinks of herself as "female Tywin" and hence seeks to rule Westeros as the Queen, and will do anything to keep her power... even when [[Abbadon the Despoiler|most of her plans end up becoming utter failures]]. Crazy as all fuck and prophesied to be killed by the "little brother." This is because of a prophecy a Gypsy made when Cersei was a child that she'd be a beautiful queen, lose everything, her children would die before her, and the "Valonqar" would kill her. Though that does explain why she hates Tyrion as hard as all fuck, [[Just As Planned|the exact translation of the term]] that was used is "younger sibling", and not necessarily her sibling, which opens the door to all sorts of characters who hate the fuck out of her. Since Jaime is technically younger by a few seconds, him killing Cersei would be an interesting twist not without buildup. Possibly the Gypsy was messing with her head because of what a bitch Cersei was being to her; something Cersei never grew out of. Cersei is currently alive only because Varys wants her to be, [[Just As Planned|as she's a terrible queen who'll destabilize the realm enough for him to bring back the Targaryens]]. She was completely shaved, stripped of power in all but her royal heritage and forced to do a nude walk of penance throughout the city by the High Sparrow (ASOIAF Pope equivalent) after he uncovered her crimes. Now she's waiting for her hair to grow back and maybe thinking of revenge. She gets it in the show by blowing up the Sept (ASOIAF church) with everyone she doesn't like inside it, having her cousin killed near the Wildfire then capturing the nun who was her jailer and [[Grimdark|leaving her to be tortured to death by zombie Gregor Clegane]]. She is in short Thanquol disguised as a beautiful blonde woman. Gets anticlimactically squashed by a collapsing ceiling along with Jaime during Daenerys's assault on King's Landing.
* Jaime Lannister, ''The Kingslayer'': Younger twin brother (by about three seconds) to Cersei Lannister and commander of the Kingsguard. He loves his sister in every sense of the word and had three children with her. Killed the last king despite his oath, and is widely hated for it, even though everyone agrees that dying was a massive improvement for Aerys. The reason for this betrayal was that Aerys had a huge stockpile of Acme Brand Magic Napalm stockpiled under the city, ready to be set off the moment a siege broke through the town walls, and Jaime's options were to let it happen or kill Aerys before the crazy fuck got ''everybody'' killed. His desire to openly love his sister and win the respect he feels he deserves eventually causes Cersei to reject him. Starts off as an arrogant douche [[Grimdark|and tried to murder Bran Stark, but accidentally crippled him instead]]; he becomes otherwise quite bro-tier besides the whole wants-to-fuck-his-sister thing, though he grows out of ''that'' as well when he realizes what a bitch she is and that there's plenty of women who want his jock - even the hunky Brienne isn't that bad looking. Thoroughly humbled to boot after learning a few hard lessons, losing his sword hand, and having some time to rethink his life. Also, the only person in his family who treats Tyrion well, along with one of his aunts and two dead uncles. Essentially, a more incestuous and douchey Blood Angel. In the books, he is currently being lured into a trap by Lady Stoneheart. In the show, he has finally told Cersei to get fucked after realizing that she has well and truly lost it, and is riding north to help fight the White Walkers. He survives the Battle of Winterfell, hooks up with Brienne, and then rides south [[Derp|because he just can't let Cersei go.]] Winds up getting shanked by Euron Greyjoy and dies [[Fail|via collapsing ceiling]].
* Tyrion Lannister, ''Halfman'': a very intelligent dwarf who is awesome, but hated by all of the civilized characters in the books, except his brother Jaime. He seems to do much better when getting drunk with whores, rogues, bastards and barbarians. His silver tongue is one of his greatest strengths (he's witty and good at persuading people) and weaknesses (he's quick with insults and the truth in a city ruled by sociopaths and liars). Tyrion is also one of the only characters with an actual sense of the bigger picture, and an interest toward steering the world toward an outcome that ''doesn't'' involve a [[The End Times|Warhammer End Times]] scenario. Unfortunately, the world's movers, shakers, and those who generally have the power to make a difference are increasingly either a) dead, b) scattered to the winds or c) hate his dwarf guts. Despite the increasing difficulty and fruitlessness of his task, however, [[Awesome|Tyrion still fights]]. After being framed for killing Joffrey, he killed his own father and is currently in exile in the Free Cities, weaselling his way into leading a merc band and trying to sign them up with Daenerys' forces, recognizing her as one of the few chances Westeros has got of fixing its shit (provided she can get her own shit together, which she's having a bit of trouble with). Since characters in this series tend to either be walking tropes, rip-offs of other fantasy characters, or historical people with different names, Tyrion is probably based on the great [https://en.wikipedia.org/wiki/Miles_Vorkosigan Miles Vorkosigan] (who was himself based on a few people including Sir Winston Churchill) and is a nod to King Richard III (a deformed but competent king later demonized by historians of his era). Even if he is usually the smartest one in the room at any given time, though, Tyrion is still not above having some derp moments. Exhibit A, when Tyrion asked his father what happened to his first wife (right before killing him), he took an ''obvious'' "I don't know and I don't care," response ("Wherever whores go") as actual, literal directions. The show version meets Daenerys and becomes her Hand only to [[Fail|fuck up a bunch of stuff]] and lose her trust. Sells her out when he realizes that she's gone round the bend and winds up becoming Hand to King Bran.
* Kevan Lannister: Tywin's younger brother, considered "the reliable one". One of the few decent Lannisters, though saying that he is perfectly happy carrying out Tywin's bidding. Tried to talk sense into Cersei and was later called in to try and fix her mess. He did such a good job of it that Varys decided to personally thank him. With a crossbow. And a group of knife-wielding children.
* Cersei and Robert's (actually Jaime's) children:
** Joffrey Baratheon: "Heir" of the throne, and the technical king of Westeros during the War of the Five Kings since he lives in King's Landing and sits on the throne. Turned out to be worse than Aerys. He died and there was much rejoicing. [[Fail|Except by his mother, who instead had sex on his corpse]]. Fourteen years old at the time of his death.
** Tommen Baratheon: The new king on the Iron Throne. Nine years old. Married to a teenaged shotacon wife who's (unknown to him) the granddaughter of his brother's true killer. Trying to litigate the criminalization of beets. Loves [[Cats|kittens]]. He's pretty well-rounded and non-fucked up, which is a miracle considering his parents, both putative and biological. Also seems to be trying to take kinging seriously, but his mom is trying to quash that in her subliminal attempt to hold power indefinitely, so whether it holds is another matter entirely. Prophesied to die before Cersei, which doubly tragic due to his age and being a much better person than her. He commits suicide after Cersei gets her revenge via killing his wife, godfather, great-uncle, and all his religious friends via blowing up the ASOIAF equivalent of St. Peter's Basilica, because of course her power hunger was more important than his happiness and well being.
** Mycella Baratheon: Princess, and Cersei and "Robert's" second oldest child. She had her face fucked up because of Arianne Martell's amateur intrigues, which overlapped with poor planning, general stupidity, and another guy's backstabbing. Ten years old. Before the maiming, she was quite decent and non-evil. Who knows how she'll turn out now with half of her face cut off. Also prophesied to die before Cersei. In the show, she had a crush on Oberyn's surviving nephew but was killed by Elia in revenge for Oberyn's death, but alive in the books though missing an ear. Also, the readership all got on George's balls for maiming this girl, mostly because it was a sign that he had run out of ideas and was basically just milking Diabolus ex Machina ([[Just As Planned|or that's what he wants us to think]]).
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'''House Baratheon'''

''"Ours is the Fury"''
<div class="mw-collapsible-content">Ascended to the Iron Throne after a successful rebellion against the Mad King Aerys II Targaryen. Produces no less than three claimants to the succession, each one very different from the other. Technically a cadet branch of House Targaryen as their founder Orys was allegedly a Targaryen bastard, who took the original Storm Kings (House Durrandon) deer sigil after killing the last one and fucking his only child Argella and then 200 odd years later, King Egg's daughter married their grandfather, they're pretty much the [http://en.wikipedia.org/wiki/House_of_Plantagenet House of Plantagenet].
* Robert Baratheon, ''The Usurper'': Fat, old, former badass who led the rebellion, and now the king who married Cersei Lannister. Then he fucked a bunch of other women and had lots of illegitimate kids. He was killed while mixing boar hunting and drinking, but whether this death was planned or not is uncertain. On the surface, a king with a thing for easy laughs and partying; right underneath the surface, he's irresponsible and leaves the actual ruling of a nation to his staff, deeper under the surface he's pretty much a sad, lonely old bro who would rather not have been king. Comparable to [https://en.wikipedia.org/wiki/Henry_IV_of_England Henry IV], in that both were powerfully built military geniuses who overthrew the existing monarchy and later succumbed to an unhealthy lifestyle.
* Stannis '''The Mannis''' Baratheon: Robert's younger brother, an all-around badass who swings between [[Lawful Stupid]] (more so in the show than the books) and [[gets shit done|getting shit done]]. [[Judge Dredd|believes so strongly in the rule of law]] that he feels compelled to take the Iron Throne for himself despite wanting nothing to do with it. Is advised by a priestess of the God of light, Melisandre, and a lowborn smuggler named Davos Seaworth raised to knighthood and nobility. [[C.S Goto|His character is ruined in the show into an incompetent pawn of Melisandre and gets killed off just because one of the showrunners didn't like him]].
** Shireen Baratheon: Stannis's kid daughter. The sweet, charming, and intelligent little lady who was left with a deformity on her face from a disease called greyscale. Teaches Davos how to read, and is probably the most innocent person in the series alongside Tommen, Myrcella and a few others. Being the grim and dark universe A Song of Ice and Fire is, however, this means that she's likely going to end up becoming fuel for a vicious fire god. In the show she does, but in the books, she is safe and sound since Stannis isn't stupid enough to bring him with her while campaigning. His wife, on the other hand, being such an idiotic fanatical pyromaniac... well, her odds aren't exactly looking that great.
* Renly Baratheon, ''That Gay Guy'': Robert and Stannis's youngest brother. Took Loras Tyrell (a.k.a. Knight of Flowers, Pretty Boy, etc.) as his lover. Decided he was better suited to be king, though the bizarre and outdated laws of the land stated Stannis was next in line (though Joffrey and then Tommen were first since they were [[Pretend|officially]] Bobby B's legitimate kids). Was hugely popular since he had Robert's charisma, which led to him getting the most support, but he lacked Stannis's conviction and devotion to the duty of actually doing the work of a king, or even Robert's ability to wage war. Killed by Melisandre with some "help" by Stannis ''The Mannis'' for trying to steal his crown, though in the books Stannis may not have been completely aware of the role he played in Renly's death. He's basically [[That Guy]] of ASOIAF, since quite a lot of shit is his fault, indirectly or otherwise.
*Gendry Baratheon, the Bastard Son. One of Robert's many, many bastard children, and the one who gets the most page and screen time. He starts out as a humble blacksmith in King's Landing, who first comes to Ned's attention when Lord Stark is investigating the death of Jon Arryn. From there, he gets shipped off to the Night's Watch to avoid the imminent purge of Robert's bastards and winds up becoming friends with Arya and Hot Pie. After some adventuring and sexual tension with Arya (at least in the show), he joins the Brotherhood Without Banners. In the show, they sell him to Melisandre so she can use him for a blood magic ritual, while in the books he just goes on being a smith and doesn't get involved in anything particularly weird or shady. He has yet to reappear in the books, but in the show, Ser Davos sets him free and tells him to fuck off, which he does for a few seasons. He eventually turns up back in King's Landing, where Davos finds him and recruits him for Team Snow. He helps Jon capture a wight to show Cersei, makes dragonglass weapons for the Army of the Living, has sex with Arya, and fights in the Battle of Winterfell, after which Daenerys legitimizes him as the new lord of House Baratheon.</div></div>

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'''House Tully'''

''"Family, Duty, Honor"''
<div class="mw-collapsible-content"> Lords of the central river lands. Being the obligatory central nation they spend a lot of the series being fought over like a cake in between fat kids. Basically Poland/Netherlands, given they have so many rivers and how hard they've been fucked over.
*Edmure Tully: Basically the SoIaF universe's eternal butt monkey (because he happens to be a decent fucking person). A useless ponce with a dense streak a mile wide and a bad habit of bragging about things he shouldn't be proud of. It took hanging in a stockade for a few months to make him experience some growth. When Jaime was brought in to unfuck the situation and end the siege at Tully's house in Riverrun, Jaime's "negotiation" pressured him into convincing his house to surrender, but he made sure [[Troll|that Brynden got out first]]. Currently spending his days at the Lannister house as a hostage to make sure that the Tullys don't try to ruin the situation again. Tries to make a case for himself as king in the final episode, only to get shut down by Sansa.
*Brynden Tully ''the Blackfish'': He didn't catch the memo that he was part of the joke faction, and proceeds to spend the entire series fucking Lannister shit up and generally being a boss. Thought to be the black sheep in a family of fish. (Thus "Blackfish", geddit?) Ended up holed up in Riverrun, and got the fuck out right before the end of the siege, so that the Lannisters couldn't dick him over as a prisoner (or so he can keep dicking them over before he became a prisoner). Also widely accepted by the fans to be a closeted homosexual. In the HBO show, he gets killed when resisting arrest from Tully forces by order of Edmure. [[Rage|And it happens offscreen.]]</div></div>

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'''House Arryn'''

''"As High as Honor"''
<div class="mw-collapsible-content">Mountain lords turned [[NEET|neurotic shut ins]]. Goes through lords about as quickly as you would expect a castle equipped with a door that opens into empty air. Basically Switzerland/Afghanistan, seeing as how they stayed neutral in the War of Five Kings, their land is covered by nothing but mountains, and they're constantly fighting with the local tribes. They were being entertainingly screwed over by Littlefinger until his death.
*Jon Arryn: Only appears posthumously and is the catalyst for the whole plot. The true mastermind behind Robert's Rebellion was killed by Littlefinger via Lysa when he figured out that Robert's kids are bastards of Cersei and Jaime. His death was blamed on the Lannisters to destabilize Westeros.
*Lysa Arryn: Loli bride turned Lady of the Vale after the Lannisters forcibly retired her husband from life, at least officially. In reality, Littlefinger convinced her to poison her husband and blame the Lannisters [[Just As Planned|which pretty much started this whole clusterfuck to begin with]]. A closeted, crazy woman who spends the entire series in her castle "the Eyrie" being useless, breastfeeding her own son at age 10, obsessing over Littlefinger's cock, and [[Derp|refusing to help her sister and nephew in the war she and Littlefinger pretty much started]], which may have guaranteed their eventual horrific murders by their enemies. Finally gets her comeuppance when Littlefinger kicks her out the moon door (post-taunting, of course), putting her out of our collective misery. Long live the Lord Protector.
* Robert Arryn: ''Littlefuck'', Lysa's equally mentally unstable autistic son, who still sucks on his mom's tit, and enjoys seeing people "fly" out the moon door to their deaths. He actually seems to be a bit smarter than you would first think and is a really, really good judge of character, except with Sansa. Secretly being poisoned by Littlefinger and Sansa, so she can take over the Vale and North. Named Robin in the show because the showrunners were afraid that having two characters with the same name would be too confusing. The show version doesn't get poisoned but turns up in the series finale as the Lord of the Vale.</div></div>

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'''House Greyjoy'''

''"We Do Not Sow"''
<div class="mw-collapsible-content">[[Awesome|A house founded by Cthulhu-worshipping Norscans]]. While not actual Vikings in any sense of the word, there is little other way to describe them. They live on some islands and almost their entire culture is based around raiding and the ocean. Their religion holds it shameful for a man to pay for personal possessions, and states they have to get things either by trade or The Iron Price; seizing something from the body or belongings of someone he defeated in conquest rather than paying or trading for it. Also, only possessions acquired via The Iron Price command respect among the Ironborn.
*Balon Greyjoy: Asshole dad, crappy ruler and general shithead who rebelled against Robert Baratheon and failed miserably. All of his sons were killed, except for Theon, who was taken as a hostage to ensure his good behaviour. Despite being in a position to join either the Lannisters or the Starks during the War of Five Kings and thereby get whatever he wanted from either (independence and the North, or independence and Casterly Rock, respectively), he does the absolute stupidest thing possible and declares himself independent without support from anyone, attacking the North and the rest of Westeros, thereby virtually guaranteeing that he'll be on the receiving end of another one-sided battle. Never got that far, though, since he was pushed off a bridge during a storm by an assassin his brother Euron sent.
*Victarion Greyjoy: Admiral of the Iron Fleet. [[Gets shit done]] while wearing [[Dark Elves (Warhammer Fantasy)|Lokhir Fellheart's]] armour during boarding actions. Does it for vengeance, the lulz and as a ticket to Ironborn heaven (which they believe men can reach if they die in battle or by drowning). Worships both R'hllor and the Drowned God. For all his badassery, is far too stupid to realize that his black Red Priest sidekick's constant rambling about his "great destiny" is inevitably going to end in his burning to death on a sacrificial pyre. Said Red Priest impressed Victarion by surviving being marooned at sea for 3 weeks and turning Victarion's infected arm into a super-strong volcano arm. Seriously.
*Aeron Greyjoy ''Damphair'': A priestly Alan Moore who drank seawater. Once a fun-loving party animal, he nearly drowned during the Greyjoy Rebellion and became a dour and devout priest of the Ironborn [[Cthulhu]] religion. Confirmed to have been raped by Euron when they were kids. Planned to overthrow Euron, who bribed and manipulated his way into becoming king of the Ironborn. [[Grimdark|Was captured by Euron and tortured to try and make him renounce his faith, including feeding him spoiled food, drugging him and burning him. Later Euron tied Aeron, naked, to the prow of Euron's ship alongside Euron's tortured, pregnant former lover because she showed Aeron kindness by once giving him proper food]]. He tried to console her by saying their suffering will end in underwater Valhalla, [[Awesome|showing Euron failed to make him deny his faith]].
*Theon Greyjoy: Son of the Lord/King of the Iron Islands. Had the personality of a stereotypical high school jock, being an excellent archer and womanizer and proud of it. He was given to Ned Stark by his father after Balon failed to successfully rebel against Robert Baratheon. Swore an oath to Robb, but then ditched him out of a desperate need to please his father. Ends up castrated and acts as the personal slave of Ramsay Bolton after Ramsay puts him through horrific torture to turn him into Reek. Rescued by his sister, but the psychological trauma meant it took a while before he could stop calling himself Reek and start getting back to normal mentally (physically he's now missing a few parts that don't heal or grow back). Dead in the show, thanks to charging the Night King by himself while protecting Bran.
* Asha Greyjoy: Theon's older sister and a commander of some renown which is quite a feat - almost every man on the Iron Islands except her father either tried to get in her pants or told her to [[-4 STR|stop playing around and go do some actual women's work]], before she kicked enough ass that they respected her. Rescues Theon after he escapes Ramsay but then loses him to Stannis. Is named Yara in the show because the showrunners thought her name sounded too similar to Osha the wildling chick and is also apparently [[PROMOTIONS|bisexual]]. Eventually becomes Lady of the Iron Islands in the show because she's the last Greyjoy standing.
*Euron Greyjoy ''Crow's Eye'': A [[Chaos|sick fuck Lovecraftian pirate armed with unnatural sorcerous powers, so evil]] that Balon banished him from the Iron Islands. Every member of his crew is a mute because Euron ripped all their tongues out. Many of them are also the illegitimate sons of women he's raped around the world during his raids. Uses an eyepatch to conceal a pitch-black eye, his personal "obviously a villain" mark. Raped his brother Victarion's wife, then claimed she wanted it so Victarion had to kill her. Raped his younger brother Aeron. Also showed back up in the Iron Islands the day after Balon died, despite having been raping and pillaging in Essos before that, which is suspicious as fuck. Now the new Iron King. Plans to conquer Westeros and has some unknown plan to deal with Daenerys. Revealed in the book ''Winds of Winter'' to be [[Honsou|the sickest fuck in an entire setting of sick fucks (and that's saying something)]], including having a god complex while hating religion so much he [[Grimdark|tortures any clergymen he captures to try and make them give up their faiths using ironic tortures themed around their religions - such as preachers have their tongues cut out and burning priests of the fire god to death]]. Euron tried and failed to break his priest brother Aeron's faith so he lashed Aeron to the front of his ship to die [[Grimdark|alongside Euron's own pregnant lover Falia]]. Jaime kills him in the second-to-last episode of the show. </div></div>

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'''House Tyrell'''

''"Growing Strong"''
<div class="mw-collapsible-content">Lords of Highgarden and backstabbers par-excellence and owners of a lot of fertile land. Unlike the current lot of Lannisters they understand the value of good PR, balancing ruthlessness with being somewhat amicable, political savvy and not being stuck-up on honour. They're basically France. [[Fail|Unfortunately, they've all been wiped out in the show]].
*Mace "The Ace" Tyrell: Lord of Highgarden. Massively fat and overweight, while being stupid, overreaching and constantly mocked by everyone else, he's otherwise known as a friendly man, a good Lord when it comes to management and a good father; unfortunately, this isn't enough to save a man in the Game of Thrones. Gets killed with the rest of the noble houses when Cersei blows up the Great Sept of Baelor.
*Olenna Tyrell: The brains behind House Tyrell's schemes. Known as the ''Queen of Thorns'' for being an outspoken, prickly and venomous old lady. Schemed with Littlefinger to have Joffrey killed, but she carried it out with compressed powder "gems" that poisoned his wine. Now she keeps her family in line and is hailed as a more progressive version of Tywin. Became a fan favourite for constantly dropping awesome one-liners and telling the Sand Snakes to shut up. [[Fail|Later killed off in the show]], but not before revealing to Jaime that [[Awesome|she was the one who killed Joffrey and asking him to make sure Cersei knows it]].
*Willas Tyrell: Mace Tyrell's eldest son and heir, crippled at a very young age when jousting against Oberyn Martell. Probably one of the most pleasant and sensible characters in the series, which might explain why he's yet to make an appearance. Very fond of breeding animals, especially horses.
*Garlan Tyrell ''The Gallant'': Second-born son. Badass extraordinaire considered one of the best swords in Westeros, and one of the few people kind to Tyrion. Trains for real combat (often against multiple opponents by himself) unlike Loras, who's a tourney fighter. Single-handed wrecks many notable knights fighting for Stannis during the War of The Five Kings. And he is the only person other than Tywin to put Joffrey in his place, at his own wedding. Sadly no POV chapter yet and omitted from the TV series (Loras takes credit for his deeds).
*Loras Tyrell ''The Knight of Flowers'': The Tyrell who appears most in the series. Considered to be an example of the perfect knight, despite his youth. Is secretly Renly's gay lover and conspired to take the throne with him and his sister. Last seen badly injured in the books attempting to take Stannis' castle. In the show he ends up tortured by the members of the Faith for being gay [[C.S Goto|because the showrunners retconned them to hate gay people]], [[Protectorate of Menoth|later joins their ranks of questionable willingness]] then dies when Cersei blows up the Sept of Baelor.
*Margaery Tyrell: The would-be Queen of Westeros, she has married, in order, Renly Baratheon (gay), Joffrey Baratheon (evil), and Tommen Baratheon (8 years old) and has been crowned as queen three times. While she is nice, she is capable of manipulation. In the show, she marries and uses sex to control Tommen. Was arrested by the resident Chamber Militant The Sparrow and asked for a trial by faith in the books. In the show, this also happens but she tries to be pious in an attempt to save herself but ended up getting killed when Cersei blew up the Sept of Baelor.
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'''House Bolton'''

''"Our Blades Are Sharp"''
<div class="mw-collapsible-content">The Starks' most important (and most despised) vassal, a former arch-rival made of [[Grimdark]] because their entire theme [[Dark Eldar|revolves around Torture]]. Their sigil is a flayed man and their castle is [[Commorragh|a complex of eternal suffering called the Dreadfort]], which shows how stupid the Starks were for allying with them.
*Roose Bolton, ''The 'Leech Lord'': A Lawful Evil sociopathic health nut who's called the Leech Lord because he gets leeched regularly, believing they get rid of bad blood. Second-most powerful Lord in the North with ambitions to depose the Starks. Since the Starks are unable to think like crafty people and are blinded by honour this doesn't prove too difficult. He gets his wish when he stabs Robb Stark in the back, at his uncle's wedding no less, and has anyone associated with Robb killed. He then makes over Winterfell in his bloody image and is currently trolling Stannis. Believes in the abolished practice of "[[Rape|Droit du seigneur]]" (a tradition that allowed a lord to have sex with subordinate women, whether they wanted to or not) and killed at least one man for trying to hide his wife from Roose (before fathering Ramsay with her via rape). Believed that he and his son could be as evil as they wanted as long as no one found out. Killed by Ramsey in the show, which Ramsay tried to cover with a lie despite the witnesses to his actions.
*Ramsay Snow/Bolton: The bastard son of Roose Bolton and a peasant woman he raped. One of the most fucked up people in all of the Seven Kingdoms (alongside the original Reek, the paedophile marauder Rorge and Euron), because he [[Dark Eldar|loves to torture and kill people openly for the lulz]], such as Theon Greyjoy, who he crippled, knocked his teeth out, castrated, and brainwashed into calling himself Reek; Reek was originally a peasant appointed to try and control a young Ramsay, but instead Ramsay warped him into a mentally unstable necrophiliac before killing Reek to fake his death, but Ramsay seemed to hold some twisted affection for him. He also sent Theon's severed appendage to Theon's dad in a cutesy box with a letter mockingly detailing his evilness. Will torture anyone who points out his illegitimate heritage though now he's legally recognized as a Bolton. Also has a pack of hunting dogs he names after women he hunts, rapes and kills. Married a fake Arya Stark and regularly mistreats her, including forced bestiality. Not a fun guy to be around. The only reason he's gotten away with it for so long (as pointed out by his father) is that no one is strong enough to stand up to him yet, but when they are he's going to be killed. In the show, he killed his father with a knife, fed his stepmother and newborn half-brother to his dogs, then married Sansa Stark and deflowered her via rape. Ramsay was such a monster even Iwan Rheon, THE ACTOR WHO PLAYED THE GUY, hoped he'd die horribly. He got his wish: The consequences of Ramsay's actions catch up with him when Jon Snow shows up with an army capable of threatening him, and after surprise reinforcements from Littlefinger and his own fucked-up teamkilling, the Starks crush the Bolton army, forcing Ramsay to flee back to Winterfell. Despite this, the gate is smashed down, he is disarmed, beaten rather brutally and detained to await trial. Before the trial Sansa sets his dogs on him, which he had deliberately starved so they would eat Jon. Apparently they found him quite tasty.
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'''House Martell'''

''"Unbowed, Unbent, Unbroken"''
<div class="mw-collapsible-content">Desert dwelling survivalists who pride themselves on having never been conquered by the Targaryen dynasty (though they later married in). Moorish Spaniards, kinda. [[C.S Goto|Their story arc was completely FUBAR in the show, as Elia and Oberyn's daughters kill Oberyn's brother and nephew for taking too long to avenge him before being captured and killed themselves by Euron and Cersei]].
*Doran Martell: Lord of Sunspear and of royal descent. Still mad at the Lannisters about that whole "murdered-my-sister-and-infant-niece thing". Playing the longest of long games with Varys while trying to keep the rest of his psychotic family members in check. Wheelchair-bound due to his gout. [[What|Killed off in the show by Ellaria as part of her plan to avenge Oberyn]].
*Arianne Martell: One of GRRM's characters who seems to exists solely to fuck everything up at the worst conceivable moment. Still hot as Dornish girls come. Exists only in the books, where she is currently helping her dad get ready to topple the Lannisters after fucking everything up with her own stupid plan to crown Myrcella, which is what got the poor girl maimed.
*Oberyn Martell ''The Viper of Dorne'': Doran Martell's brother, a bisexual swinger, former mercenary, and a drunkard. His girlfriend is a spectacularly beautiful bastard named Ellaria Sand and he has many illegitimate children, mostly daughters, collectively called "The Sand Snakes". Crippled the Tyrell heir in a fight, causing a rift between the two houses; despite this, he's actually best mates with the aforementioned heir, due to Willas Tyrell being straight up the nicest and most balanced man in the series and Oberyn being a somewhat decent person. Known for poisoning his weapons, as well as his battle-cry. Died from a mutual kill, with Gregor Clegane crushing his skull in rather graphically, avenging his sister Elia who Gregor had raped and murdered. Though it's probably a win for Oberyn, since he got Clegane with a horribly painful and slow-acting venom which stretched his death over days or even weeks, during which time he was ruthlessly experimented upon by a mad scientist.
*Quentyn Martell: Didn't realize he was in Low Fantasy and thought he was in High Fantasy, poor bastard. A member of House Martell, sent to marry Daenerys to secure an alliance between the families since the original marriage plan to hook Arianne up with Viserys won't work with Viserys dead. Leaves Westeros and goes all the way to the city of Meereen to marry her, but he's too late, as she marries the Meereenese noble Hizdahr, and like Jorah he's not her type (Dany likes her bad boys). Tries to tame two of her dragons to impress her; the attempt goes wrong, he gets horribly burnt and gradually dies in agony from his wounds.
*The Sand Snakes: Oberyn's children. All daughters he had with various women throughout his travels (all consensual encounters, mind you). Mixed race and all hot with various skills including combat training and mastery of poisons. Working with Doran and Ellaria in the books. [[C.S Goto|Ruined in the show where they don't accomplish anything, are given atrocious dialogue (the "you need the bad pussy" line comes to mind), aren't great fighters]] and get killed by Euron's men, except for one who gets captured and poisoned by Cersei so an imprisoned Ellaria is forced to watch her die and decompose.</div></div>

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'''Night's Watch'''
<div class="mw-collapsible-content">The Night's Watch are an apolitical force in charge of manning The Wall, a giant ice wall that separates the relative tranquillity of the south from the Lovecraftian fucked-up-itude of the true north. They are chronically undermanned and undersupplied since nobody believes their stories of a barbarian army or the impending zombie apocalypse. Basically everybody else thinks they're in a game of [[Diplomacy]] and the Night's Watch are the only ones who realize they're actually in [[Warhammer Fantasy Battle]], though it's been so long since the last snow elf invasion that even they had forgotten about the undead hordes and focused too much on barbarians. They've allied with the Wildings and the North, but in the TV show, the Night's King used the undead dragon Viserion to burn a hole through The Wall.
*Jeor Mormont, ''The Old Bear'': 997th Lord Commander of the Night's Watch at the start of the series. Sees Jon Snow as something of a second son (since his own son Jorah was exiled for enslaving and refused to take the black for his crimes). Leads a ranging north of the Wall to investigate reports that the Others have returned. Ends up killed during a mutiny of survivors after the Others wiped out most of his force.
*Alliser Thorne: Prick of a knight who was favourite to be the next Watch Commander, but was passed over by Jon Snow. Unable to accept Jon Snow letting the Wildlings live on the other side of the wall in an alliance against the zombie hordes, he staged a coup against Jon. It failed because Jon was brought back to life. He is now dead in the show, having been executed for his treason by Jon Snow.
*Aemon Targaryen: Maester of the Citadel at Castle Black. Despite being the third born son of King Maekar I Targaryen, he declined the right to sit on the Iron Throne. One of the few people in the series to die of old age, at 102.
*Samwell Tarly, ''The Slayer'': Fat bookworm who was forced to take the black after his father Randyl threatened to murder him for being unmanly. Jon Snow's best friend among the Night's Watch, and knows everything because he "read it in a book". Despite being a self-professed coward, Sam became the first person in thousands of years to slay an Other with an obsidian dagger. George Martin himself said Sam's based on Samwise Gamgee from Lord of the Rings. Since then, he has started improving his combat skills and balls (in more ways than one for the latter, finding his spine and losing his virginity). He abandons the Night's Watch to help fight the dead and tell Jon who he really is, and winds up becoming the new Grand Maester by the end of the show.
*Eddison Tollett, ''Dolorous Edd'': Probably the most badass member of the Night's Watch. Responds to situations by making sarcastic jokes about them, and known for being a grim motherfucker in a setting of grim motherfuckers. In the show he [[Awesome|became the new Lord Commander]] while Jon was dead, but gave the title back to Jon when he was brought back to life, and then Jon handed it right back because he needed to go sort out Ramsay Bolton. Dies in Season 8 at the Battle of Winterfell. </div></div>

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'''Wildlings'''

<div class="mw-collapsible-content">Groups of nomadic hunter-gatherer tribes who live north of the Wall. Mostly First Men by blood, they have been heading toward the Wall for the past decade with the reputed reemergence of the Others. Nomadic, aggressive, and very much believing in "might makes right", they do not get along with anyone south of The Wall since they view them as "Kneeling weaklings". Basically every Celtic/Scandinavian/barbarian stereotype combined.
*Mance Rayder, ''The King Beyond The Wall'': A Wildling orphan who was taken in by the Night's Watch, he became their best Ranger before he deserted to join his people. He united the Wildlings and lead them south to escape the Others. Also a trained bard, but that was not enough to save him from death.
*Tormund Giantsbane: Claims to have a ten-inch penis, and invites his enemies to use their mouths if they want to clean it. Cool as fuck old guy who [[Furry|fucks mother-bears]] in his free time. Tough as nails motherfucker who preaches the merits of using one's cock for everything. He teams up with Jon Snow for the fight against the White Walkers, then fucks off back to the north once the Night King is dead, making him one of the most sensible people on the show. He and Jon go off to be bros at the end of the show.
*Ygritte: Wildling woman who Jon Snow ends up falling for and who returns his affections. Has red hair which is considered lucky among the Wildlings. This being ''A Song of Ice and Fire'', she ends up dying because her worldview is not compatible with Jon's.
*Craster: A sick bastard, formerly a member of the Night's Watch. [[Grimdark|Has lots of daughters who he marries and fucks regularly, giving him more children. So his wives are his daughters, granddaughters and so on... Girls grow up to become more wives, boys get sacrificed to the Others]]. This keeps them at bay, and that sanctuary is why the Night Watch barely tolerates him. Fortunately, he's been killed off in the story.
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'''House Frey'''

''"We Stand Together"''

<div class="mw-collapsible-content"> House of weasels who are always grumpy and have a thing for overreacting to perceived slights. Wouldn't be that important except for the fact that they own the only bridge over a strategically important river, and regularly extort anyone attempting to cross it.

*Walder Frey: The ancient, terrible, ornery old man in charge of the Twins. Hates everyone for "looking down on him", and will readily betray an important ally for immediate gain, or if he feels he has been slighted in some minor way. His descendants are literally so numerous that no one except GRRM himself has been able to count them all, so we aren't even going to attempt it. Now dead in the show due to getting his throat slit by a vengeful Arya after she serves him two of his sons as meat pies. </div></div>

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'''Commoners, Knights, and Petty Lords'''

<div class="mw-collapsible-content">Basically any character not associated with any of the Great Houses.
* Varys, ''The Spider'': The eunuch spymaster of Westeros. You can't take a shit in the Seven Kingdoms without Varys finding out where, when, and how watery or dry it was. He does this through paid informants and his "little birds", a spy network of children who sneak through the castle's passageways and air flues to eavesdrop on everyone. Stabs everyone in the back because he's actually trying to bring the Targaryens back in order to strengthen the realm. Dead in the show, having decided to try and put Jon on the throne instead of Daenerys; Jon says no, Tyrion sells him out when he realizes Jon absolutely means it, and Dany has Drogon barbecue him.
* Petyr Baelish, ''Littlefinger'': The Master of Coin (the ASOIAF equivalent of a treasurer) and the closest person the Game of Thrones world has to a [[Daemon Prince]] of [[Tzeentch]], up to even declaring "[[Chaos]] is a Ladder". A dangerous manipulator who manages to trick and steal his way to positions of lordship and wealth because no one takes him seriously, and stabs all the Lannisters in the back when they become inconvenient. As a child, he wanted Catelyn Stark and was tricked into thinking she wanted him when her sister Lysa fucked him while he was drunk. Challenged Catelyn's betrothed Brandon Stark, Ned's older brother who was murdered by Aerys, for her hand in marriage and got his ass kicked because he was a small skinny boy and Brandon Stark was a big strapping man, making that his start of darkness. The guy responsible, directly or indirectly, for the War of the Five Kings because he was the mastermind behind poisoning Jon Arryn, the capture and execution of Ned Stark, feeding several half-truths to Catelyn to motivate her to arrest Tyrion, and eventually Joffrey's death by having Dontos and Olenna Tyrell carry out the plan to kill Joffrey and letting Tyrion take the fall; but no one in the story knows this, not even Varys. People think he can pull gold out of thin air, but he's really been buying debt while letting Robert Baratheon's extravagances and Joffrey and Cersei's dipshittery pull the country into a serious debt of its own. So he's pledged himself to [[Chaos]] and destroying Westeros all because he couldn't have Catelyn as his girlfriend, though he changed his focus to her daughter Sansa now, making him a paedophile. Hasn't yet got his comeuppance in the books, but is currently dead in the show after he was out-gambitted by Sansa and killed by Arya. According to GRRM, he's based on the title character from the Great Gatsby.
*Gregor Clegane, ''The Mountain'': A 7' 8" 400 pound mass of [[Khorne|testosterone, muscles, steroid overdose and murderous RAGE]], Gregor is Tywin Lannister's top muscle. Killed his own father and sister and permanently scarred his brother. Hobbies include rape, arson, murder, and random torture; he's also been married a few times but not now with the implication he kept killing his wives. He played an important part in destroying the Targaryens by killing a couple of Rhaegar's kids in rather brutal fashion, then raping and murdering his wife. Spends a few novels doing Tywin's dirty work before a Trial by Champion leads to him dying after being poisoned by Oberyn Martell. Qyburn later resurrected him as... something... called "Ser Robert Strong", and is now even stronger, less prone to psychotic rages, and is completely obedient. He's based on accounts of French knight Gilles de Rais and maybe also the scriptural giant Goliath. Tortures Cersei's nun jailer to death in a brutal and unspecified fashion kills Qyburn during the Siege of King's Landing and then nearly kills his little brother, only for Sandor to tackle him through a collapsing wall and into a gigantic inferno that claims both.
* Sandor Clegane, ''The Hound'': Younger brother to Gregor Clegane, called the Hound because of his hound-face helm, his family's heraldry, and being the king's hired muscle without being a knight. He hates knights due to the hypocrisy of being a professional "noble warrior" but mostly since his monstrous brother is a knight, showing it's not so much of a noble promotion. Terrified of fire after Gregor put his head against a brazier for playing with one of Gregor's old toys when they were children, burning half his face, but he's still the second-strongest person in Westeros. A brutal anti-hero with a soft spot for Sansa, but a better person than his brother. After falling sick from Biter's nasty teeth, he ends up being a silent monk burying people in the Silent Isles. In the show, he joins the Brotherhood without Banners and goes north to help fuck up the White Walkers. As of Season 8, he's survived the Battle of Winterfell and is riding south with Arya to put the boots to Gregor. Dies killing his now undead brother in a pretty epic fight amidst the crumbling ruins of the Red Keep.
*Grand Maester Pycelle: A shrewd, dangerous man putting on a "harmless old man act" and a high ranking scholar from the science/medical guild the Maesters. The longest-serving member of the King's advisory staff, and is actually Tywin Lannister's biggest lackey. He convinced the Mad King to let Tywin in as Baratheon's armies were marching on the capital, where Tywin proceeded to sack the city and claim it for Robert. Gets his head bashed in by Varys in the books and murdered by Qyburn in the show.
* Qyburn: Formerly a maester, who was kicked out of the order for unethical experiments on the living (taking people and performing vivisections to be precise). Introduced as a part of a mercenary company serving Roose Bolton, which should be a red flag. He moves up in the world when he's sent to escort Brienne and Jaime back to King's Landing and ends with Cersei employing him to replace Pycelle as "science advisor" and eventually Varys's Spymaster. Serves Cersei loyally as long as she lets him indulge his sick experiments, serving as a black magic variety of the court mage. He has resurrected Gregor Clegane as... something. [[Fabius Bile]] if he traded his robot limbs, eugenics and power armour for necromancy. He overestimated his hold on Gregor and got his head caved in for it as of the second-to-last episode of the show.
*Barristan Selmy, ''The Bold'': Knight of the Kingsguard. Which Kingsguard? Take your pick. He's served pretty much every king since Aerys and understandably feels pretty bad about it. Another sad old man who pretty much just wants to die until he decides to go pledge his services to Daenerys. Even in his old age, he is considered one of the most dangerous men in Westeros. [[Fail|Dead in the show]] (to be fair they gave him a huge last stand), but [[Awesome|alive]] and [[Roboute Guilliman|appointed himself Daenerys' steward in her absence to try and fix Meereen's situation in the books]].
*Melisandre, ''The Red Witch'': A priestess of R'hllor, the god of fire. Proclaimed Stannis to be the messiah-king and is doing everything in her power to make sure he wins (considerable given that she can scry, make shadow baby assassins and set things on fire with her mind). She'd be pretty bro-tier if her god wasn't so vicious. As it stands she's kind of in the grey (in the books, the show seems to zig-zag on her being evil 'cos the showrunners seem to hate religion). Most of the people she set on fire deserved it, and she hasn't ''succeeded'' in killing any babies yet. Show version now dead from suicide via rapid ageing after ensuring the Living defeat the Dead.
*Jorah Mormont: A knight and son of Jeor Mormont, exiled for trying to sell poachers into slavery and eventually joining the exiles of House Targaryen. He is offered a pardon in exchange for spying on the Targaryens but ultimately decides to stay with them after falling in love with Daenerys. Unfortunately, he gets friend-zoned hard. Despite saving her life from an assassin while she was pregnant, she still votes him off the Khalassar after learning he was a spy. He still loves her and follows her in secret, though. In the show, he goes on a quest to prove himself to her and contracts the dangerous disease Greyscale (it's like the unholy lovechild of smallpox and leprosy), but he gets cured and is now back at her side. He dies protecting her at the Battle of Winterfell.
*Davos Seaworth, ''The Onion Knight'': A former smuggler and bannerman to House Baratheon. During Roberts Rebellion he ran a blockade with a cargo of contraband onions to a castle Stannis Baratheon was besieged in. In exchange for the food he had, Stannis knighted Davos, but Stannis's law-worshipping mindset compelled him to remove four digits from his left hand. Despite this, Davos has served Stannis with unquestioning loyalty, because Stannis knighting him gave his children a future. The fact that Stannis's war for the throne has ended up killing several of his sons hasn't dented his loyalty at all. Doesn't like Melisandre because he sees her as a user and her beliefs as brutal. He's a devout follower of the Faith of the Seven in the books and the first season of the show [[C.S Goto|but is clumsily retconned into an anti-religious atheist in later show seasons]]. In the show, he's now pledged to DA NORF and is basically Jon's Hand of the King, except he doesn't get a fancy pin. He survives the Battle of Winterfell and the Second Sack of King's Landing and becomes Master of Ships in the final episode of the show.
*Shae: A former camp follower and Tyrion Lannister's squeeze for most of the story. Fled from an abusive family and became a camp follower to earn a living. Seems to fall in love with Tyrion, but it turns out she's a gold-digging bitch. When Tyrion doesn't marry Shae she sells him out to Cersei for a better offer, then fucks Tywin when she realizes Cersei won't keep her promise. Tyrion found her in his father's bed and strangled her to death with a necklace for betraying him. The discovery of Shae's corpse in Tywin's bed - posthumously outing him as a whoremonger - upsets Cersei to the point she unpersons Shae.
*Bronn: A mercenary who acts as Tyrion's enforcer and personal killer until Cersei outbids him and he settles down with a little wife and title. Routinely kills knights by exploiting how arrogant and stupid they are even after becoming one himself. Only in it for the money, which he'll happily tell you himself. The only character other than Littlefinger to end every book in a better position than he started it. In the show, he makes the very sensible decision to sit out the fighting and wait for his promised castle (Riverrun if Cersei wins, Highgarden if Daenerys wins). He gets Highgarden and is named Lord Paramount of the Reach and Master of Coin in the final episode.
* Brienne of Tarth, ''The Beauty'': Surprisingly badass lady knight wannabe (since no women can be knighted), legendarily unattractive but still pretty idealistic despite the shit she gets for her looks. Fate frequently gives her the shit end of the stick, because no matter how hard she tries to finish her quests, she ends up failing or stuff happens that makes it impossible. Secretly crushes on Renly and unaware he's gay. After he dies, Brienne switches her loyalty to Catelyn and helps her bring Jaime to King's Landing as Tyrion promised Sansa's return in exchange for Jaime. She later developed a crush on Jaime. Things don't go well because Jaime lost his hand and the Red Wedding happened. Next, Jaime sends her out to find and keep Sansa safe to make good on Tyrion's promise, since he isn't the complete dick everyone thinks he is. Brienne ends up getting captured by Cat, now known as Lady Stoneheart and an insane undead, who was going to hang Brienne for working with Jaime. Brienne was spared at the last moment to capture/manipulate Jaime. In the show, she's now sworn to House Stark and gets knighted by Jaime just before the Battle of Winterfell and then she and Jaime hook up afterwards, only for him to take off and break her heart. She is now Lady Commander of the Kingsguard as of the final episode.
* Lyanna Mormont: A badass ten-year-old girl who inherits Bear Island after her mother and older sister die horribly in the Riverlands - at least if we are going by the show; in the book, her mother is still alive somewhere in the Neck and her older sister Alysanne is the de-facto head of House Mormont. Her activities include pimp-slapping bitches, leading men twice as old as her, and being completely loyal to the Starks despite all their misfortunes. [[Awesome|"Bear Island knows no king but the King in the North, whose name is STARK."]] She dies killing an undead giant at the Battle of Winterfell, which is pretty badass.
* Wyman Manderly, ''Lord Too-Fat-To-Sit-A-Horse'': The Lord of White Harbour and one of the few Northerners who worship the Seven. Fervently loyal to House Stark, he pays lip-service to the Iron Throne long enough for his eldest son to return home, all to mask a plan to restore the Starks to power, mostly by destabilising the Frey-Bolton alliance, building a navy, marshalling the forces of the lands east of the White Knife river, "losing" Freys in the wilderness and sending Lord Davos Seaworth to rescue Rickon Stark from Skagos. His favourite food is lamprey, although he has also developed a taste for Frey Pie. Also a remarkably graceful dancer, and can survive taking a knife to the throat.
** Wylla Manderly: Granddaughter to the above. Another badass little girl, her activities include openly declaring undying loyalty to House Stark and dying her hair green. She and Lyanna Mormont would probably be best friends if they met. [[Awesome|"The city is built upon the land [the Starks] gave us. In return, we swore that we should always be their men. Stark men!"]]
* Jon Umber, ''The Greatjon'': At first he seems to be your stereotypical, boisterous Northern Lord. However, he becomes one of Robb's most loyal supporters, being first to declare him as 'King in the North' after Ned's execution. Had his moment of awesome [[Awesome|when he killed and wounded four Freys at the Red Wedding, all the while being drunk and needing eight additional men to take him down.]]
* Beric Dondarrion, ''The Lightning Lord'': Minor lord who agreed to head an expedition to take out Gregor Clegane. This being Game of Thrones, however, his party is ambushed by the Mountain and is beaten rather badly, and he loses his life in the process. Thanks to his drunken Red Priest friend, however, he manages to come back not once, but eight times, and each time he comes back, he becomes more powerful, though at the cost of his memory. He now heads an outlaw faction of grimdark Robin Hood types called "The Brotherhood Without Banners", who are dedicated to punishing those who abuse and mistreat the smallfolk. Ironically, he's one of the few book characters to have died (permanently) in the books but remain alive in the show, except now he's dead for real as of the Battle of Winterfell.
* Thoros of Myr: Aforementioned drunken priest who is dedicated to R'hllor, though at first he doesn't really give a rat's ass about the Red God, as he prefers to party it up with wine and women, but after he 'accidentally' resurrects Beric, he becomes quite serious about his religion and vows to curb his excesses in drinking. Dies on a mission beyond the Wall to capture a wight (show-version).
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'''The Free Cities'''

<div class="mw-collapsible-content">Nine city-states to the West of Westeros, for the most part, the old colonies of the Valaryian Freehold. Mostly they are ruled by Merchant Princes. They look down on the Westerosi for being a bunch of up jumped backwards war-mongering morons who are only a few silverware sets and maesters away from absolute barbarism. In turn, the Westerosi look down on the Free Cities as being money-grubbing effete cowards ruled by cheesemongers who use bribery, tall walls and dirty tricks to get ahead in the world.

* Illyrio Mopatis: A rich fat bastard and a Magister of Pentos. Old buddies with Varys and a bigtime schemer.
* [[Officio Assassinorum|The Faceless Men]]: A cult of shape-shifting assassins who worship The Many-Faced God of death based in the free city of Braavos that give up personal identity. They claim descent from escaped Valyrian slaves who considered death to be a better fate than perpetual slavery. Their mission hence became being servants of the Many-Faced God of Death. You can hire them to off your rivals, but they request a steep and equivalent price. Their motto is "Valar Morghulis": All Men Must Die.
* Xaro Xhoan Daxos: One of the thirteen leaders of the city of Qarth. A flamboyant, languid, bald rich man who looks after Daenerys while she stays in Qarth and gives her many gifts. He wants her dragons as much as anyone else and even tries to marry her despite his homosexual tendencies. He stops wanting the dragons later in the book series after seeing [[RIP AND TEAR|their work in Astapor]], and no longer wants her around as her anti-slavery stance is hampering his wealth, so he offers Daenerys ships to leave the area and declares war on her when she refuses. In the show, he's heterosexual, helps steal her dragons, fucks one of her handmaidens and gets locked in a vault for conspiring to have her killed. He's also black and fat in the show when he's white and lanky in the books, being Qartheen and all.
* Syrio Forel: The former First Sword of Braavos (aka the ruler's personal bodyguard) and later Arya's mentor in King's Landing. He teaches her the way of Braavosi fencing, called "Water Dancing", and sacrifices himself to save her from Lannister thugs, taking down at least six of them with a wooden sword. May have inadvertently set her on the path of becoming a badass assassin by telling her of his belief in the God of Death.

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'''The Dothraki'''

<div class="mw-collapsible-content">Horse people who live in a country of endless grass plains referred to by others as the Dothraki sea. They only have one city, called Vaes Dothrak, which is less of a city and more of a place they all meet when important things have to be discussed. Have traits borrowed from several cultures, including Mongols and Native Americans, all filtered through European misconceptions of those cultures of course, such as the Dothraki's antipathy for heavy armour, despite the fact that the Mongols were very heavily armoured and also excelled as infantry, see the Battle of Leignitz. They fear the ocean because of its size and the fact that horses won't drink from it, calling it the "poison water".

* Khal Drogo: An Expy of <s>Genghis Khan</s> Yesukhei Baatyr (his son would have been the equivalent to Chinggis Khaan). Leads the largest Khalassar among the Dothraki. Despite being a barbarian warlord, Drogo is surprisingly intelligent and treats Daenerys well. After an assassin tries to kill her he promises to conquer Westeros for her and their unborn son and immediately starts raiding towns for slaves and ships. At one town he gets cut in a leadership challenge and Daenerys gets a captive wise woman to heal him. However, the woman hates him because his tribe destroyed her hometown, raped/slaughtered or enslaved her friends and raped her three times so she curses him to become catatonic (along with killing his unborn son), leading a devastated Daenerys to perform an arguable mercy kill by smothering him with a pillow. After she burns herself, her stillborn child and the wise woman on his funeral pyre, Daenerys survives and it brings her dragons to life. GRRM named Drogo after [[The Lord of the Rings|Frodo's father]].
* Daenerys' handmaidens.
** Doreah: Daenerys' handmaiden and a wedding gift from Illyrio. A woman from Lysene brought by her brother to teach her how to pleasure a man. In the book she dies of fever and starvation crossing a desert, in the TV show, she betrays Daenerys for [[Salamanders|Xaro's BBC]] and gets locked in a vault to starve to death.
** Irri: Daenerys' handmaiden who teaches Daenerys how to ride a horse. [[PROMOTIONS|Also pleasures Daenerys twice after catching her masturbating once]], yet this canonical girl-on-girl action was left out of the show. The character was even killed off there when she survived in the books, but in this case, it was because her actress' visa had expired rather than [[C.S. Goto|author railroading]].
** Jhiqui: Daenerys' handmaiden who teaches her the Dothraki language and squabbles with Irri over wanting one of Daenerys' bodyguards when he becomes a badass. Also dies in the TV show while staying alive so far in the books.

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'''Slavers Bay'''

<div class="mw-collapsible-content">A civilization of [[Stupid Evil]] slavers. The remains of a previous civilization that was once the big powerful empire thanks to having phalanxes of obedient, pain-resistant soldiers which Valyria conquered a long while ago because phalanxes don't do too well against motherfucking dragons. They are ruled by wealthy slave mongers who buy slaves, train them up to do specific things and generally are a bunch of stuck up, decadent, puppy-eating (literally) assholes. Basically a civilization so repugnant even most hippies will be cheering when Dany decides to conquer them.

* The Unsullied: Eunuch phalanx fighting slave soldiers trained the Spartan way to produce totally obedient infantry that never break ranks. They also don't feel pain due to drinking a special drink daily, and each one has to take a new name from the name box each day so they can't develop a sense of identity. At least until Dany "bought" the lot of them, had them sack the city which trained them and freed them.
* Grey Worm: The Unsullied Commander and a no-nonsense badass. When given a chance to take a new name he keeps his slave name because it's the name he had when freed so he considers it lucky. He is completely loyal to Daenerys, considering her his saviour, and in the show, he falls in love with fellow freed-woman, Missandei. This being ASOIAF, however, he can only watch helplessly as his lover is beheaded in front of him by the Mountain. This drives him into a rage, and he eagerly takes part in the sacking of King's Landing in revenge for her death. After the war is over and both Daenerys and Cersei are dead, he takes the Unsullied forces to Naath, in order to fulfil his promise to Missandei that he'd protect her homeland.
* Strong Belwas: A fat but skilled eunuch gladiator. Loves liver and onions and referring to himself in the third person. Travelling companion/guide of Ser Barristan. Has an awesome scene where he beats the champion of Meereen then mocks the Meereenese by taking a shit in their direction and wiping his ass on their dead champion's cloak. Also saves Daenerys from eating poisoned sweets. [[FAIL|Left out of the show]].
* Daario Naharis: A Tyroshi mercenary captain who dyes his hair blue. Betrays his fellow commanders for Daenerys because he loves her as a queen. Fortunately for him, Daenerys loves him back and they pursue a romance for a time, though she doesn't marry him as she's still otherwise smart enough to know she has to save herself for a political marriage. Goes to Yunkai as a hostage in the war on Meereen. Also potentially a shapeshifter, if the show is to be believed.
*Missandei: A young slave woman with a remarkable talent for linguistics and one of the more empathetic people in this dark world, Missandei is freed by Daenerys during her campaign to liberate Slaver's Bay, eventually becoming one of her closest confidants and advisers. She falls in love with the Unsullied eunuch Grey Worm, but later is captured by Cersei and beheaded by the Mountain in front of all her friends, but not before telling her friends to burn the Lannisters to ashes.

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'''The Others'''

<div class="mw-collapsible-content">A mysterious race from beyond the Wall, known to [[newfag|HBO fans]] as "the White Walkers". Can be described as ice demons/snow elves with necromancy. Eight thousand years ago, they invaded Westeros during a decades-long winter known as "the Long Night". With an army of undead warriors, they proceeded to fuck Westeros up every which way to [[Sunday]] before the locals finally drove them out, established the Night's Watch, and built the Wall to keep them out. Like all fantasy aspects of ASOIAF, they are very cliched. In the TV series, it's revealed that they were created from human captives by "The Children", the pseudo-[[Elf]] fair folk race that lived in Westeros before humanity arrived, as an attempt to create a super-weapon. The idea was since humanity bred faster than the Children could keep up with, they would create icy [[lich]]-creatures that could create [[undead]] soldiers, and these would then wipe out all human life. Instead, it went disastrously wrong because it turned out that the Children actually couldn't control what they'd created, so the Others [[Ork|just want to exterminate '''all''' life.]]
* Night's King: A long time ago, when the Night's Watch was just barely getting set up, its Lord Commander, the thirteenth in line, decided to climb over the Wall and explore some. While in the woods to the north of the Wall, he found a beautiful [[Monstergirls|Other female]]. He fell in love with her, had [[/d/|sex with her on top of the Wall]], which somehow changed him into an albino version of [[Star Wars|Darth Maul]], and set himself up as King of the Wall, making everyone in the Watch his slaves and sacrificial fodder. Naturally, this didn't sit too well with the Starks and the Wildlings, and so they banded together to free the Watch and kick his ass, which they managed to do successfully. Now everyone thinks him as dead or a myth. In the HBO version of the story, this whole backstory is basically dropped; he was the very first White Walker ever created by the Children, and he decided to get back at them by wiping out all life. Also, whilst he was apparently beaten in the ancient past and sealed away behind the Wall, he's still "alive" and well, [[Daemonculaba|turning infant human boys into new White Walkers]]. Also, he can apparently raise up entire legions of undead, just by raising his arms and looking completely smug about it; unlike regular Others, who can just raise up maybe a village at most. Given that he's the resident [[BBEG|Dark Lord]] of the series, it makes sense that he can take down a dragon with seemingly little effort (a simple throw of his spear), and resurrect it to be his personal steed a la Arthas. Used it to blow a hole in the Wall and begin [[The End Times]] for Westeros. Now dead thanks to Arya's magic ninja haxx letting her kill the BBEG and his entire race and army of zombies in one blow.
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'''Gods and their followers'''
<div class="mw-collapsible-content"> The world of ASOIAF has various religions and faiths abound, just like in real life. Similarly, they range between fucking awesome to utterly useless.

*[[Ecclesiarchy|The Faith of the Seven]]: The Catholic Church stand-in, which gets both sympathetic (books only) and unsympathetic (books and show) characters associated with it. Holds an anti-slavery stance. The god/s are considered seven aspects of one deity with three male aspects (The Smith, the Father, the Warrior), three female aspects (The Maiden, the Mother, the Crone) and an asexual one representing Death. The places of worship are called Septs, and their system includes Septons, nun-equivalents called Septas and a Pope equivalent called a High Septon. The High Septons all give up their names when they become one to confuse future historians.
** High Septon 1: A fat, greedy man who used the position for personal gain. He ended up being [[Grimdark|torn apart in a riot]], because the people resented that he had enough food to stay fat while they were starving.
** High Septon 2: Successor of High Septon 1. Chosen by Tyrion so the Faith would be loyal to the Lannisters. Only ''slightly'' corrupt, being a pro-Lannister yes-man. Murdered on Cersei's order in the book, while in the show he's retconned into a whoremonger who gets deposed by the Sparrows (see below).
** High Septon 3/The High Sparrow: Successor of High Septon 2. After the second High Septon died, the smallfolk burst into the meeting to pick a successor and ordered their chosen candidate to be put in charge when his original successor was caught whoremongering. He'd been a wandering preacher beforehand, and his feet were dark and gnarled from lots of walking. When he reaches the position he starts [[gets shit done|getting things done]]. Since he was appointed by a smallfolk religious movement called Sparrows, he's given the moniker "The High Sparrow". The nobility underestimates him, either due to having other matters or disregard for religious people, but he turns out to be smart, well-meaning and somewhat ruthless. Under the High Sparrow, he and the other clergymen sell their fancy clothes and decorations [[Noblebright|replacing them with simple wool tunics, using the money to buy food and clothes for the poor in King's Landing]]. He also has their Knights-Templar-equivalent reformed to [[Inquisition|protect the faithful and help them root out]] [[heresy]] and sin. He also outwits Cersei and has her arrested and tried for all her evil deeds. While Cersei's scheming does lead to Margaery's arrest, Cersei confesses to some crimes while concealing others, leading to Cersei taking a nude walk of penance in front of the entire city. After this, he somewhat reined in the nobles' politicking to actually look after the commoners and the Faith, though this does make some enemies. In the show, he and the Sparrows are [[C.S Goto|retconned]] from assorted smallfolk and clergymen tired of the nobles' lawlessness and power plays into one-dimensional stereotypes and thinly-veiled jabs at the Catholic Church [[Imperial Truth|in a shoe-horned anti-religion message]]. While they do arrest Cersei and Margaery like in the books, during the trial most of the Faith, including the High Sparrow himself, get blown to kingdom come when Cersei has her agents ignite a massive amount of magical napalm underneath the Great Sept.
* [[Old Ones|Old Gods]]: Native American/Japanese Kame/Druid/nature spirits that reside in places called Godswoods. Their powers are limited to the North, where the last remaining Godswoods remain, but they can grant gifted individuals awesome psychic powers like Warging (mind-controlling animals) and Greensight (Time Travel). For some reason, Martin claims they're based off the Norse Gods. Probably has to do with the way the Vikings made sacrifices to their gods, by hanging them in Ash trees, a symbol for the World Tree Yggdrasil. The Weirwood trees are sacred to the followers of the Old Gods in a similar way. Mostly worship of them is quiet and informal.
* R'hllor: The God of Fire and Light, and like the Old Gods, actually shows evidence for existing. [[/tg/ gets shit done|He gets shit done]] such as fire magic and Resurrection. Has a nasty habit for burning heretics, though. GRRM said this faith is roughly based (read: poorly modelled after) upon Zoroastrianism and Gnosticism. His nemesis is The Great Other: the god of cold and darkness, the leader of the Others, and prophesied to be defeated by the chosen one, or messianic figure: [[Star Child|Azor Ahai/The Prince That Was Promised]], a figure who is the prophesied warrior that will fight with the Great Other/Night's King during the Apocalypse. Interestingly enough, the prophecy may not refer to a single person, but three (Jon, Tyrion/Bran, and Daenerys). Supposedly, one of these three will also receive an [[Emperor's Sword|awesome flaming sword called "Lightbringer"]].
* Him of Many Faces: The god of the Dead of the religion whose followers are the [[Officio Assassinorum|Faceless Men]]. According to his cult of assassins, whom Arya joins, every other god is him in a different form and he requires his assassins to utterly forget their past identities in service to him. Has a heyday during the Battle of King's Landing and the Red Wedding. His followers are granted shapeshifting abilities and powers to be the ultimate assassins.
* Drowned God: Cthulhu combined with Odin. Runs an underwater Valhalla were all Ironborn go whey they either if they drowned at sea, the men die a manly death or the women die in childbirth.

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==The appeal of A Song of Ice And Fire==
Exactly what catches the eyes of [[Skub|a given fan/critic/lout who complains about how bad it is anytime the show is mentioned within earshot]] to ASOIAF and its TV adaptation varies from individual to individual. Still, there's a couple of major draws.

'''The Worldbuilding:''' The main reason why this series gets compared to [[The Lord of the Rings]], ASOIAF is literally ''drowning'' under the weight of its worldbuilding, being crammed as full of facts about fictitious regions, histories, cultures, dynasties and races as GRRM can fit it. Your mileage will vary on how ''good'' that info is, but there's plenty of info in it.

'''Mainstream [[Dark Fantasy]]:''' Dark Fantasy is not exactly a mainstream niche. ASOIAF stands out by deliberately trying to market itself to the mainstream, despite embracing an abundance of dark fantasy tropes; gratuitous violence, sexuality and sexual violence, moral ambiguity, political intrigue, and a willingness to suddenly kill off any character, even the most likeable or heroic of them.

'''[[Low Fantasy]]:''' On the surface, ASOIAF is an old-school Low Fantasy setting, being a medieval-tech world with the story openly focused on the mundane lives of people struggling for political power.

'''[[High Fantasy]]:''' But if you scratch the surface, ASOIAF is also a High Fantasy setting, which is always the more marketable of the two, with the big backstory about how the world is facing impending doom from an army of wintery [[fey]] and their [[undead]] minions. There are also non-evil higher powers working against them, but they get swept under the rug in the show. Also, [[dragon]]s. As the more marketable genre, it's also inevitably the more skubby one, for whatever that's worth.

'''Gratuitous Sexuality:''' More a thing for the TV show than the book; the frequent scenes of nudity and sex in the early seasons were a ''big'' selling point for many people (the casting of actual porn stars for some of these scenes also helped).

==Oh Yeah, About The TV Show==
[[image:KnightsWhoSayFuck.jpg|150px|thumb|left|Yeah, pretty much.]]
After the first three books became hits, many Hollywood producers and directors had come to the sadistic neckbeard, asking him about making a movie adaptation. At first, he was reluctant, at best, due to the fact that a whole lot of his content would've been cut out to be fit into a movie trilogy (see the Lord of the Rings live-action films). Then, a couple of dudes, David Benioff and D.B/Daniel Brett Weiss (AKA D&D, or more accurately as of the final season, Dumb & Dumber), decided to contact him and asked him at a local restaurant about turning ASOIAF into a Television show produced by HBO, the top-rated soft-core porno channel. The story goes that George, before giving them his consent, asks them a very specific question (Who is Jon Snow's mother?). Satisfied with the response they gave, he gave them permission to start work on the show, which would be titled after the first book, ''Game of Thrones''. They would later go on to prove that this is not a good way of choosing who should adapt your work.

The television show casts several well-known performers, such as Sean Bean as Eddard, Peter Dinklage as Tyrion, Lena Headey as Cersei, and Charles Dance as Tywin. They have also cast some comparatively less well-known actors and even ones new to cinema, such as Sophie Turner (Sansa), Maisie Williams (Arya), Kit Harington (Jon), Iwan Rheon (Ramsay), Alfie Allen (Theon), and Richard Madden (Robb).

'''TL;DR'''

[[GM|Producers Dumb&Dumber-style change characters and railroad the plot at a whim,]] [[/d/M|the tits and ultraviolence spigot is opened even wider than the books,]] and most scenes are made for the actors to show off their skills at making their signature angry/murder/brooding/etc. faces.

Thus, book snobs seem to think that every episode post-season 3 is nothing more than Emmy-bait. Regardless of the fact Kit Harington still [[Fail|doesn't have an Emmy]], there's a valid contention in that regard, with the number of liberties taken overshadowing the initial appeal.

The final season was eventually revealed to be such a train wreck because Dumb & Dumber did not want to work on the series anymore and had let the success with the earlier seasons go to their heads. In their arrogance, instead of handing the reins to someone else, they decided to plan out their own ending and use it as an audition to Disney so they could write for Star Wars. By then, they'd run out of books to adapt, there was no superior writing for them to leech off of and there was no one to gainsay them in their echo chamber of a writer's room (even George himself was cut out). The result was absolutely shit writing that caused a glorious breakage in the [[skub]] dam that left [[Butthurt|many a fan's anus weeping]] (provided they weren't early seasons fans, book series fans, or any of the other assorted onlookers [[Lulz|taking part in the mightiest of keks]]) and, if anything proved <s>George's </s> Ramsay's quote at the beginning of the article true. Goddamn Dumb & Dumber, could you talentless faggots do any worse if you tried? Luckily, comeuppance came after them and Disney, having some sense, told them to fuck off with their Star Wars ideas after the backlash towards the final season.

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'''What about the final season?'''
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Long story short, the Army of the Dead is destroyed in an epic battle, where the ancient and super-powerful BBEG gets killed by some sleight-of-hand. Meanwhile, Daenerys has spent the last two seasons being stripped of her plot armour; she's lost most of her supporters - including one of her dragons - and has been forced to confront the fact that nobody in Westeros wants her around. Especially not the Northerners, where Sansa is basically playing the "Northern Independence Now!" movement to try and get her own bum in a throne after seven seasons of being a plaything for people with actual power. The kicker is she's fallen in love with Jon Snow, but he learns he's actually her nephew - and the fruit of a legitimate marriage between her elder brother Rhaegar Targaryen and Lyanna Stark that was handled in secret. This discovery not only caused him to back away from her (because he's got Northerner values, so fucking his aunt squicks him out... not that it stopped him from doing it at least once), but also makes him a threat to her political standing, which is something Varys makes plans to exploit. When Tyrion found out Jon wouldn't back down, he told Danerys about it, for which she had Drogon burn Varys to ash. When she forces the survivors of the final battle to march on King's Landing, another of her dragons ends up dead and her only remaining friend captured and executed by Cersei. So she attacks King's Landing... and then, when her followers manoeuvre around her to get the city to surrender rather than die to the last, she snaps and burns most of the city to ashes. She then decides to continue ramming her head against the proverbial wall and embraces her personal narrative of herself as a divinely chosen hero-queen meant to "free" the world by conquering everybody, having lost interesting in just ruling Westeros around the same time she lost her fucking mind. Such is her insanity that Jon Snow ends up sticking a dagger in her heart rather than let her kill Sansa and Arya, who he knows will resist her.

Jon proceeds to somehow not get killed by her last surviving dragon who pretty much knows Jon killed his momma because plot reasons, and it destroys the Iron Throne ([[What|by accident, according to the showrunners]]) while chucking a tantrum over Dany's death before grabbing her body and flying off to parts unknown. This leaves everybody stuck trying to figure out what to do, [[The Empire (Warhammer Fantasy)|but ultimately they decide to replace a dynastic monarchy with an elective one]], and make Bran the new king because, hey, he's the 3-Eyed Raven and has the seer powers to see all of space and time, so he's the least worst option they have (he's also trying to find and take control of the aforementioned dragon). The North secedes from the Seven Kingdoms, but nobody gives a damn, and Jon Snow is formally banished to the Wall - where instead he wanders off into the wilderness with the surviving Wildlings, with the land showing signs of exiting its endless winter. [[The Lord of the Rings|Arya runs off to sail to the West,]] and Sansa is crowned Queen in the North.

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==GRRM and [[Your Dudes]]==
Want to make your own ASoIF setting for a role-playing game? Well, readers have enough room to fantasize about their own minor noble House (or kingdom during the Age of the Hundred Kingdoms).

A good example of what you could do is the House from the old [[/v/|"Telltale Game of Thrones"]], House Forrester. Their relationship to the canon is as follows:

House Forrester (lords of someplace in the Wolfswood) '''-> is sworn to ->''' House Glover (overall lords of the entire Wolfswood) '''-> is sworn to ->''' House Stark (rulers of the North).

There's also an actual tie-in tabletop RPG now, which uses its own system and looks kind of like [[Warhammer Fantasy Roleplay]] with a heavy helping of resource-management strategy feel.
Players are assuming the role of a minor House to guide to glory, or, more accurately given the setting we're in, NOT to ruin utterly in a season or two, which would still be more than many A-list players mustered in canon. Each PC has a specific position within said House, and only the role of official Head is mandatory; the rest could be wife/children/brothers and sisters/all other kinds of siblings, bastards (with rules for obtaining the legitimate recognition), maesters, sworn/subservient knights, or most of anybody else. This naturally opens up near-infinite possibilities for families screwed up seven ways to high heavens, which would make Lannister's brand of infighting-slash-inbreeding look as sane as the High Septon.

The setting is also ill-suited for "adventures in Westeros" style of gaming for two reasons:
#In the grim darkness of low fantasy, a roaming nobody with no banner to talk about, no House allegiance, no nothing isn't generally treated to a Tavern With Quest Givers, but rather more to a Tavern Where You Are Shanked For Your Sword And Boots And Dumped At The Nearest Forest. Heck, even the big wheelers and dealers are routinely seen invited to the latter when they are slow to properly introduce themselves.
#Working on your initially-puny House will quite realistically involve thy neighbours first and foremost, then liege lords from the higher House yours is sworn to, and on occasion shopping around for an advantageous marriage - there simply ain't gonna be that much spare time to "travel to see places". Both of these are also why tourism wasn't a very popular pastime in medieval Europe and why those who were "living on the road" usually enjoyed the lowest social standing.

A note to aspiring Lords: do NOT, under any circumstances, allow your "combat-optimized" siblings an unsupervised minute in a social setting. Game's "social combat" system is a thing more brutal than the physical one, and it takes a socially-optimized character all of a few minutes to mindfuck one who is not (read: everyone but dedicated diplomats and Heads of the Houses, and not every one of the latter, to boot, as illustrated by several amazing boneheads in canon) into believing pretty much anything short of Grumpkins and Snarks. Stupid NPCs or a stupid GM will make said mindfuck obvious, allowing you to "mindfuck 'em back" without abuse of OOC info; cunning ones will not.

On a side-note; GRRM is said to take a dim view of fanfiction, saying it kills creative ability. This is kind of a double-edged statement, since a lot of George's characters here are either rehashes of his characters from previous works, references to other fictional characters (like Littlefinger and Samwell being based on Jay Gatsby and [[The Lord of the Rings|Samwise Gamgee]]), walking tropes (such as Ned Stark and Robb Stark being the "[[TVTropes|Honor Before ]] [[Lawful Stupid|Reason]]" characters) or historical references (such House Lannister ripping off House Lancaster and House Tyrell being totally-not-House-Tudor - to the point that Margaery Tyrell is played by Natalie Dormer from "The Tudors" TV show). While this makes everything he wrote just another...fanfiction, and his disapproval hypocritical. Still, given the "creative" output of the average neckbeard, he does have a point. Ironically he sold the rights to make a TV series of the books to HBO, who then went on to make a glorified fanfic.

==Games==
[[image:AGot-2nd-ed-cardfan.png|thumb|250px]]
Like any fantasy author who finds themselves unexpectedly in the warm embrace of commercial success Martin quickly licensed the shit out of his setting, spawning everything from resin miniatures to replica great swords. While most of this is worthless junk to foist on [[Neckbeard|obsessive fanboys]] /tg/ has agreed that a few of the games are made of win. The first two are a collectable [[CCG|card game]] put out in 2002 by [[Fantasy Flight Games]] and a [[risk]]-esque board game that followed shortly after in 2003. One of [[White Wolf]]'s subsidiaries also put out a d20 RPG in 2005 but it quickly tanked because, come on, White Wolf. Martin since wrested the rights back and developed a new version with Green Ronin games.

Now let's have some serious talks about the Game of Thrones games because they have become some sort of endless source of amusement and frustration for the gaming fanbase. Game of Thrones is roughly speaking the second franchise with the most licensed board games, after star wars, and some of them have acquired quite a legendary status and a fanbase that goes beyond the book or series fans.

The great juggernaut for all the ASOIAF based games is Fantasy Flight Games

First and foremost we have the Game of Thrones board game, a game that after two editions still ranks high in the BGG top 100 board games, and has recently had an expansion. The Game of Thrones board game has become some sort of meme for the modern board gamers and it could be considered the equivalent of a more advanced risk, in which dice and blank character got replaced by a very flavourful and brutal combat system and a lot of thematical mechanics fueling the engine. Overall this game has been associated with concepts such as requiring maximum player count to really be entertaining, having an amazing amount of length and depth and being a very faithful representation of the political feeling the series inspired. Almost any boardgamer or wargamer worth his salt has played this game and enjoyed its highs, its lows and the amazing amount of frustrations it brings. This is probably the most well known of all the ASOIAF games and it was released way before Game of Thrones was a cultural phenomenon back in 2003.

Another game that bears mention, both for its excellent mechanics and its historical significance is the game of thrones card game. It is one of the most balanced card game experiences you can get, also full of flavour and with quite a great amount of balance and non-linear thinking. The best part is, unlike other card games, the game has a "living card game" release format, in which players know exactly what each booster pack brings and can buy cards in a more responsible manner rather than playing bingo and hoping to get a rare card. Also, the sole core set already provides more replayability than some fully-fledged board games.

Finally, the last game to mention in the FFG venerable trilogy of games is "Battles of Westeros", arguably the most ambitious and least successful of the three. Battles of Westeros was a fully-fledged wargame that used the Memoir 44/battlelore rules as a base, but then evolved into its own by introducing mechanics such as commanders, tactic cards and very creative scenario rules. Miniatures were made in 15 mm and for their time and scale they were quite detailed, some commanders are real standouts(I´m looking at you Robb Stark(with his wolf jumping at his side) and Rickard Karstark). Thanks to its scale, the game was able to provide players with a great number of options and units at a fraction of the price of other board games. With a core set that was already stacked with units and variety and then faction-specific expansions that added several more units and commanders. The game also came with scenario books that provided narrative play with quite creative rule variants, such as storming palisades, having decoys in escort missions and bombarding enemies with catapults. One scenario even tried to bring to life the battle of the blackwater (the hybrid invasion of kings landing by Stannis the Mannis). The game was incredible and quite a creative wargame, but its main issue was that the setup time was just terrible. Incredibly complex and tiresome when compared to the actual gameplay time.

And then the miniature producing Kickstarter juggernaut CMON decided to produce its own wargame, with AMAZING miniatures.

As this is CMON the game began with a [[https://www.kickstarter.com/projects/cmon/a-song-of-ice-and-fire-tabletop-miniatures-game]kickstarter], and after that, the game has had at least 2 dozen more releases with 3 more factions added.

The game has some mechanics taken from rank and file games such as KOW combining them with mechanics taken out of "battles of Westeros" particularly the tactics deck.
A new page is in the works [[ASOIAF Miniature Game]]

==Books==
*''A Game of Thrones''
*''A Clash of Kings''
*''A Storm of Swords'': Split into 2
*''A Feast for Crows'': half the characters, the point where the series goes down the toilet
*''A Dance with Dragons'': split into 2 the first is about the other half of the characters, and manages to pick things up a bit
*''The Winds of Winter'': Most recent rumours say George could have it ready in late 2018. But will he ''really''?
** Nope, though he has shared chapters of the book.
** Officially set to release in summer 2020... but now that's come and gone and it's still unreleased (unless he means December 2020, which is summer in the southern hemisphere).
** It might happen by 2030 if we're really lucky
*''A Dream of Spring'' : Unreleased and unlikely to ever be.
** GRRM will most likely die before writing this
*''The Dunk and Egg Series'': A story about a landless hedge knight travelling across Westeros with a Targaryen squire, so he can teach him how not to be an asshole to peasants.

==See Also==
*[[/tg/ Song of Ice and Fire Houses]]
*[https://www.youtube.com/watch?v=3U7NpSubAJQ Weiner, Weiner weiner]

[[category: Literature]]

Star Wars:Rebels

2020-10-05T09:10:23Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62: /* Imperial Incompetence? */

{{stub}}
{{Star Wars}}
Star Wars: Rebels was an american TV series that was released in the shadow of [[Star Wars:The Clone Wars|TCW]]. Generally considered an '''ok''' show, but not a great one. It adds the nice little bits of mysticism back into the Star Wars universe, while also making its most powerful threat look like [[Abbadon|harmless fails.]] General opinion is mixed, but the results tend to lean towards tolerable. Ultimately its up to you whether or not its good, though most fans agree its way above whatever the [[Star Wars:Resistance|hell resistance was supposed to be]].

==Imperial Incompetence?==
Especially in early seasons the Empire comes off rather poorly as they are easily tricked and befuddled by our heroes, it is however it is worth remembering:
*The primary setting in the early seasons, Lothal, is a backwater world and these are not front line troopers here.
*Based on the Academy episodes some of them may be as young as 16 with '''two months''' of training. The Academy episodes also show why Stormtroopers seem so crap compared to the Clone Troopers from The Clone Wars: where the Clones were trained to fight together as actual comrades in arms, the morons in charge of the Lothal Academy decided it was more important to train Stormtroopers to actively sabotage each other for personal gain.

Of the Imperials appearing in the early seasons, the Inquisitor (his title was later revealed to actually be '''Grand''' Inquisitor) was the only one who didn't seem like an incompetent. Agent Kallus was allegedly an elite Imperial Security Bureau agent, but the Rebels generally ran rings around him. Minister Tua was basically a glorified secretary who was in over her head, and all things considered was actually somewhat sympathetic.

However, whenever a more notable (i.e. movie) Imperial shows up, they are almost certainly played completely straight. Tarkin shows up towards the end of the second season and quickly demonstrates he's there to Get Things Done by having the Inquisitor behead the aforementioned idiots in charge of the Lothal Academy and subtly warning Kallus and Tua their heads were next on the chopping block. In the finale, Tarkin is defeated and the Inquisitor killed, but that causes the Emperor to send Tarkin some backup in the form of Darth Fucking Vader, and every encounter with him left the rebels thanking the force they simply got away alive.

Of course, both Vader and Tarkin have Plot Armor since they both have to live to see Episode IV, so they don't stick around. New Imperial characters get introduced in the form of Governor Pryce (the actual governor of Lothal who apparently spent most of the early seasons mucking around on Coruscant instead of actually doing her job), a couple of new Inquisitors eager to take the now vacant title of Grand Inquisitor, and Grand Admiral Thrawn. Unfortunately, despite being shown to be threats at first, fans noticed they became less and less of a threat as time went on. <s>In fact, even the heroes seemed to not take the new Inquisitors seriously as time went on as they got better at dealing with them.</s> Neither Kannon nor Ezra ever manage to beat the second set of inquisitors, Fulram can take them both but, given who she is that is not surprising. It isn't until the old master returns that the inquisitors are.... [[BLAM|removed]].

This was one of the biggest criticisms of the series, in fact. The heroes have plot armour, and worse at times seemed to know they had plot armour. At several points, they even dismiss the presence of Stormtroopers as being nuisances at best. Again, it was implied that the Stormtroopers assigned to Lothal are just crap, but when later in the series it's revealed Lothal is actually pretty important to the Imperial war machine it makes it strange that more competent troops aren't rotated in. This is especially odd if you're familiar with Admiral Thrawn in the old Expanded Universe stories where he was very much more 'quality over quantity' and would want important facilities protected by the best troops he could find. To be fair, Thrawn successfully tracked the Rebels to their original base of operations and would've killed or imprisoned all of the main cast if not for the intervention of godlike Force entity.

Star Wars

2020-10-05T09:06:19Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62: /* Episode 8: The Last Royalty Check (aka zomg Luke dies!) */

{{Star Wars}}
[[File:Star-Wars-Logo (1).jpg|center|500px|]]

{{Topquote|A long time ago in a galaxy far, far away....|Star Wars opening text}}
'''[https://www.youtube.com/watch?v=_D0ZQPqeJkk/ Star Wars]''' is one of, if not ''the'', most influential media franchises of modern times, let alone its effect on science-fiction and fantasy. Indeed, among [[/tg/|nerddom]], it is challenged by only a few others, like [[Star Trek]] and [[The Lord of the Rings]].

The incredibly ardent fandom is spread worldwide and has a strong presence in popular culture. Many of the characters, like Darth Vader and Yoda, are iconic even to the general public. John Williams' score for the original trilogy is one of the best-known film scores of all time, right up there with greats like Jurassic Park, Indiana Jones, Harry Potter and the Avengers. The universe has spawned numerous video games, hundreds of novels, multiple TV shows, one of the largest merchandising franchises ever, and, relevant to /tg/, a whole bunch of board, card, and roleplaying games.

It is also the current leading world source of [[Skub]].

==The Basic Concept==
Star Wars was originally a series of epic science-fantasy "space operas" that roughly followed the mythic cycle that's been around since Homer. They're set "a long time ago in a galaxy far, far away," [Note: this makes the entire series a fairy tale] where a mysterious life force called (reasonably enough) the Force permeates everything. This, in turn, can be wielded by certain people, giving them pseudo-magical abilities; thank the Emperor ([[Emperor|no, the other one]]) there were no Commissars in that universe. Those who use it for good become mystical, selfless warrior monks called Jedi, whereas those who use it for evil are ruthless, self-serving bastards called Sith. However, the Force must always be in balance, so any time the Sith arise to cause imbalance, the Jedi have to pull together and take them out to restore the natural order.

The so-called Original Trilogy (made up of films IV through VI, released from 1977 to 1983) followed a young man named Luke Skywalker who becomes a Jedi and re-balances the Force. Meanwhile, the Rebel Alliance is fighting to end the oppressive Galactic Empire, which is secretly led by the Sith. Luke and his Rebel companions eventually defeat the evil Emperor Palpatine, but along the way they discover that his lieutenant, Darth Vader, is actually Luke's father. A financial, critical, popular and cultural H-bomb, these movies are basically the filter through which Generation X perceives the world... for better or worse.

The so-called Prequel Trilogy (made up of films I through III, released from 1999 to 2005) explained how Anakin Skywalker became Darth Vader and how the Galactic Empire was established. This involves a lot of convoluted politicking in the Republic, which is then torn apart in the Clone Wars, where the Republic (with an army of clones led by the Jedi) fights against the Confederacy (with an army of robots led by [[Necrons|General Grievous]] and secretly controlled by the Sith). It was not as well received as the first trilogy, for reasons we'll talk about below.

There's also a so-called Sequel Trilogy (made up of film VII and presumably films VIII and IX), which started in 2015 and picked up the story some three decades after the Emperor's defeat with a new generation of heroes taking on the remains of the evil Empire, which is a group of extremist former Imperials calling themselves the First Order. However, Episode VII aka ''The Force Awakens'', was directed by J.J. Abrams, who's mostly known for the [[skub|skubtastic]] [[Star Trek]] reboot, while Episode VIII was written and directed by Rian Johnson who was a young director known for plot twists and genre experimentation on a handful of movies and television episodes that openly said he wanted to "subvert expectations" and make half of viewers dislike his work, then got pissed when half of them disliked his work. The result managed to fracture the Star Wars fanbase over issues of dull rehashing for VII and a whole laundry list of reasons for VIII (ranging from small ones such as it being too different, to major issues like half the movie being filler), as well as those who still enjoyed them and very little common ground between the three groups.

Finally, there are the so-called Anthology movies, standalone one-shots involving characters and plotlines that aren't a part of the main "Saga" films, except they kind of are. The first, Rogue One (2016), is an immediate prequel to Episode IV that follows those Rebel spies who stole the Death Star plans. The second film follows a young Han Solo and pals Chewie and Lando. A third rumored one follows Boba Fett.

There are also three separate TV series. The first one, ''Clone Wars'', was based on traditional animation, whereas the later one, '''''The''' Clone Wars'', was a weird 3D animation. They're both pretty good. There was also a terrible theatrical release that was basically just an advertisement for ''The Clone Wars'', but, since it's even worse than the Prequel Trilogy (hint: babysitting Jabba the Hutt's kid), nobody talks about it much. The third series is Disney's ''"Rebels"'' which is set between Episodes III-IV and it takes itself far less seriously than Clone Wars did, and is more of a homage to the original trilogy since not every character in the series is the owner of a lightsaber nor are they constantly talking about grown-up politics, senators and trade embargoes... pretty much the things that clogged up the plot of the prequel trilogy.

And then there's the whole Expanded Universe, which covers pretty much everything not covered by the films, like the Old Republic (set thousands of years before the prequel trilogy, when there were a hell of a lot more Sith and Jedi around) and the New Republic (set immediately after the original trilogy, explaining what became of all the characters. It could also reach 40k levels of grimdark with races like the [[Dark Eldar|Yuuzhan]] [[Tyranids|Vong]] characters like [[Vampire|Darth Nihilus]] and beings like [[Old Ones|Abeloth]].

The EU is no longer considered in the main canon of the films and TV series, due to the new sequel trilogy which does not follow EU, the reason for this being, according to Disney, that following EU would restrict their creative freedom. The reaction to this was, well, [[skub|mixed, for lack of a better word.]] They've since noted that they'll slot ''some'' of it in on a case-by-case basis, but the canon is in a highly fluid state at the moment. EU is now officially called Star Wars Legends, though most fans still refer to it as EU.

==Why is it so popular?==

Star Wars is as accessible as science fiction gets. It doesn't require extensive knowledge of a fictional world (a la ''[[The Lord of the Rings]]'' or ''[[Warhammer 40,000]]'') or cultural background (as ''[[Star Trek]]'' sometimes does) to make sense. Those elements are present for those who want them, but they largely stay in the (very rich and vibrant) background. It has well-shot action and good ''enough'' dialogue to make it interesting for both kids and adults (as well as allowing parents who grew up with it to watch it with their children, thereby hooking the next generation of viewers). It has simple, good-vs.-evil themes that resonate with almost anyone, anywhere, at any time. The science fiction elements are generally handled well if you don't obsess over making science fiction realistic and hard. It's a prime gateway drug for sci-fi which still holds up to the experienced eye, [[Isaac Asimov]] saw and rather enjoyed the films. All in Fourteen hours of cinema, plus optional sides for those who want it.

There's a ton of merchandise that is, of course, really cool. Also, given it's crossed over into the mainstream, many people feel comfortable being part of the community without feeling judged as "nerds" (as they might with ''Lord of the Rings'', ''D&D'', ''Star Trek'', ''Warhammer'', etc.).

Again, they roughly follow the mythic cycle that's been around since Homer. If you think about it, 6 of the 9 films can be summarized as: hero begins his journey under the tutelage of a wise (more or less) man, they encounter a threat which has captured/enslaved a princess/girl, who was in one way or another connected to an important secret (usually a superweapon but could be the identity of a political figure or the location of someone); the heroes save the princess/girl but someone dies tragically in a battle against the villain while someone else is blowing up a space station or a spaceship afterwards they are happy, they celebrate and mourn the loss of the poor bloke who died.

Additionally, the first film can be summarized as a samurai and a gunslinger team up to save a princess from Nazis in space. That is multiple cinematic genres at once, following the style of the epic myth.

==Setting==
Due to article bloat, [[Star Wars Setting]] is now its own page.

==The rise of the original trilogy==

A long long time ago, in a galaxy far far away....etc etc you all know the lines.

A man called George Lucas had the idea to create a series of epic sci-fi space operas that would become so successful that Disney would take notice and give it the franchise fluttering eye lashes, trying to seduce it.

They would be called... ''Flash Gordon''.

Unfortunately for Georgie boy, and fortunately for modern nerddom, Dino de Laurentiis already owned ''Flash Gordon'', and were busy making their own, hilariously eighties version, so he said, screw it, I'll make my own!

He decided to start with the fourth movie in the series he envisioned, for at the time he didn't have the special effects to create the first three to the standard he wanted, and/or he just kinda made up the first movie as he went along (drawing heavily on Akira Kurosawa's seminal samurai action film, ''Hidden Fortress'' in the process as well as the book [https://en.wikipedia.org/wiki/The_Hero_with_a_Thousand_Faces ''The Hero with a Thousand Faces''], a complex 1949 Joseph Campbell analysis of the various mythologies of human history all boiled down into the basic archtypes and elements required in heroic myth). So Episode Four ''A New Hope'' was created (simply titled ''Star Wars'' at the time) and it is not an exaggeration to say it changed the face of sci-fi and general moviemaking forever, bringing a new era of special effects and imagination to cinema and changing the lives of many who would go onto to become dedicated fan boys.

Originally, the studio had forced Lucas to take ever-increasing paycuts for what they were sure was going to be a flop, and only let him keep merchandising rights. However, whatever his flaws, George Lucas was a man of vision. Having helped pioneer the summer blockbuster, he went on to do the same to ginormous piles of movie-tie-in memorabilia. His production company, Lucasfilm ended up rolling in dosh, and with Episode Five ''The Empire Strikes Back'' and Episode Six ''The Return of the Jedi'', the legend of Star Wars and its place in cultural history was assured.

tl;dr: [https://www.youtube.com/watch?v=Ij4w7ChpuaM Pretty much this.]

==The coming of the prequel trilogy==
With the year 2000 coming, George Lucas felt that special effects technology had reached the level he wanted and began to create the first three movies in the star wars story he had envisioned. (As a side-note, he also made some touch-ups to the three original films, re-mastering them with special effects and a couple of extra scenes that weren't doable with the eighties' animatronics. But those were mostly accepted/shrugged away since they didn't deeply modify anything.The fandoms opinion on the matter however, remains a very heated [[Skub|debate]].)

The hype for the movies was immense.

And then the first movie, Episode One ''The Phantom Menace'' came out.....and there was nerd rage beyond expectation.

Part of the problem was that the immense expectations of the fandom had grown until anything less-than-perfect simply would not do, so perhaps that is somewhat to blame for the reaction to the prequel trilogy. In a vacuum one has to admit that they aren't completely ''[[Twilight|terrible films]]'' .

Episode Two ''Attack of the Clones'' and Episode Three ''Revenge of the Sith'' followed after a few years each and didn't garner nearly as much hatred, though fans complained they didn't match the greatness of the original trilogy, more concerned with flashy action and effects than competent story-telling; but hooo-boy did it deliver in flashy action, with laser armed [[MI-24 Hind|MI-24's]] full of <s>storm</s>troopers extracting jedi from a coliseum full of shooty killbots.

''Revenge of the Sith'' did, however, receive higher ratings than ''Return of the Jedi'', and is generally seen as the best and most-complete of the three prequel films as a story. Unusually the novelization alters some details and is considered a legitimately good book on its own merits.

What was generally more well received (despite a rocky start with a two hour pilot being pressed into service as a movie and an art style that took some time to gel) during this time for Star Wars was the Clone Wars animated series (both the traditionally-animated ''Clone Wars'' and the later seasons of the CGI show '''''The''' Clone Wars'', the latter which most everyone agrees is what the prequels should have been), following the war between the Republic and the Confederacy that sprung up during the time between the second and third of the prequels.

It'd be ''really'' hard to find a group of movies more skubtastic than the prequel trilogy, and saying a good or bad thing about it in front of the wrong crowd's sure to provoke huge amounts of nerdrage. In defense of the prequel trilogy's sins, they did at least do their own thing. Because of how much money the original trilogy made, practically every form of media in the 80s and 90s aped it to some form or another, and instead of falling back on the same old shit the prequels branched out and tried to get out of the franchise's comfort zone a bit. While a lot of it sucked, it blazed a trail for better writers to follow and helped liven up the universe by showing us the galaxy beyond fuckhueg spaceships and faux-Western shitholes like Tatooine. And all but the most [[Neckbeard|diehard OT purists]] can get behind shit like Naboo architecture, the Clone Army and Mace "The Ace" Windu. From a story perspective the worst sin of the prequels was demystifying the force, and subsequent works have largely swept that detail under the carpet. Then Disney bought Star Wars and prequels become popular. Makes sense considering they had good scenario. sense and original events and characters and other things sequels do not have.

==Disney and the sequel trilogy==

Finally, all the efforts by Disney to woo George Lucas paid off and in 2012 Disney acquired the Star Wars franchise for 4 billion dollars, with LucasFilm becoming part of Disney, appointing film producer Kathleen Kennedy as its president. This was immediately followed by an announcement that they would produce a new trilogy of films set after the original trilogy.

Expectations were almost as high as the private fears of the fans. Bringing on the creative talent behind the [[skub|skubtastic]] ''[[Star Trek]]'' reboot was equally... well, [[skub|take a wild guess (and that's before we factor in identity politics)]]. The end result saw millions of voices cry out in terror, and were suddenly subsumed into hitherto unseen levels of [[Skub]]. Tellingly, even SEVERAL OF THE LEAD ACTORS THEMSELVES have criticized the filmmakers or how the film was made, including John Boyega, Daisy Ridley and Luke Skywalker himself - Mark Hamill.

For sake of sanity, these section have been condensed. Read at your own peril.
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===Episode 7: The Mouse Awakens===
''Star Wars Episode 7: The Force Awakens'' debuted in December of 2015, and reception was what you would expect: the film was immediately a massive success from a monetary standpoint as everyone ([[China|almost]]) everywhere rushed to the theaters in response to the hype, with children engaging in as many repeat viewings as their parent's money could allow as fans did the same thing with their own. It has become a financial hit with the general public and a (critically) generally well-reviewed piece, with decent cinematography, special effects, technical stuff, etc. It also went on to become the third biggest financial success in film history (at the time), when not adjusted for inflation.
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Fan response was a good deal more mixed. Many criticize the plot for rehashing Episode IV, without doing anything to establish its own identity and claim that it had a bland main character, [[Mary Sue|who had too many abilities]] whereas others find the replication of ''Star Wars'' feel an acceptable trade and praise it for being a decent action film, [[skub|and claim the lead doesn't outdo any of the previous main characters]].

Some would argue that by rehashing the original trilogy it basically nullified the accomplishments of the original crew; the Empire's still around, they've got yet another superweapon, Han & Leia split up, Luke failed to rebuild the Jedi, etc. Other fans praised it simply for being a new Star Wars that was better than the prequel trilogy (expectations were lowered due to those, to be honest). Some see poor storytelling when there was no proper showing of what went on in the galaxy 3 decades since Palpatine died, and not explaining what caused big character changes like why Han returned to his old ways or Luke ran from his friends was critical. Other say this is going to be explained in the next film and people should keep their curiosity. Some argue even with their superweapon, none of the villains feel threatening. Others argue the incompetence of the main villain is a fresh change and the point of the plot will be to see him change, to be more competent, or even learn to become good.

Overall, those against argued JJ Abrams' mystery box approach may do well for a TV series but does not mesh with films that take years to make. Defendants held the position that fans should wait to see whether the next film will do anything with the unexplained plot points.

Coincidentally, when Hamill and Fisher were originally approached by Disney to reprise their roles as Luke and Leia, they ''didn't want to do it'' right from the start. But, they didn't want to give an out-and-out "no" answer either, so they told Disney they'd return if Harrison Ford agreed to return as Han Solo as well. Knowing how much Ford ''hated'' Solo, Hamill and Fisher figured they were safe, until Disney irresistibly sweetened the deal for Ford by agreeing to kill off his character, thus forcing a reluctant Hamill and Fisher to make good on their deal... [[skub|only for the three characters to never appear on the screen at the same time, and now that Carrie Fisher's dead...]] To be fair, Hamill has a history of saying he won’t do something only to immediately agree like he’s making a standard sitcom gag in real life, even if that usually just applies to still voicing the Joker in Batman media.
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===Star Wars Rebels===
Disney also released their own CGI series: ''Star Wars: Rebels'', which is actually pretty good (considering that it airs on Disney XD, it should be no surprise that they've toned down the graphic depictions of gratuitous violence, much to the chagrin of [[Neckbeards|those who love overly gory deaths]]). It focuses less on the Jedi that have come to dominate the franchise and more on the "boots on the ground" experience of the average characters, and while the show started slow and small, the plot gained momentum as the series progressed, especially after the first season, with season 4 often rivalling the very best Clone Wars arcs for quality of storytelling.
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The Rebel movement starts to grow, several characters return from ''The Clone Wars'', and the enemies the main characters have to face steadily get darker and more dangerous as more of the Empire’s attention gets attracted. When Darth Vader gets involved (played by none other than [[Awesome|James Earl Jones himself]]) he immediately proceeds to [[Awesome|open a 24-pack of unstoppable whoop-ass on the rebel scum]]. The return of Maul resulted in three character deaths (possibly four), the crippling of one main character with another well on his way down the dark side, and to top it all off Maul himself was on the loose once again. Things did not turn out so well [[Grimdark|last time that happened]], so expect the body count to rise. Things get worse for the Rebels when [[Creed|Grand Admiral Thrawn]] gets involved, especially since he's developing better ships for the Empire and tracking the Rebel Alliance to their homebase (things get so bad that, at one point, the main characters literally only survive Thrawn's attack because of a Deus Ex Machina). Speaking of Deus Ex Machinas, the continues the trend set by ''The Clone Wars'' in making the Force mystical again, though whether this is a good or bad thing depends on how you felt about the [[Skub|skubtastic]] midichlorian explanation of the Prequels. The animation is on point with ''The Clone Wars'', which considering it's Disney should surprise less than nobody. Oh, and Steve Blum voices one of the main characters. However, it is also noted that Star Wars Rebels had sort of a [[Grimdark|dark ending]]. Two important characters die and another is left stranded in the unknown regions while stopping the villains, leaving us with two other characters only able to start looking for him after the second Death Star blows up.

[[Skub|The way that Filoni (the creator of Rebels and The Clone Wars) has handled the Mandalorians, a fan-favorite warrior-culture based upon the Scots and Vikings, has either been met with praise from those who despised Traviss and her overpowering of said culture, or utter RAGE that he turned many of them into either pacifist morons or bloodthirsty barbarians- usually that particular criticism comes from the Traviss fanboys]]. Do take note, however, that the old ways for the Mandalorians are making their way back into canon, such as the language, the emphasis on martial honor, and the decentralized nature of their government.
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===Star Wars: Rogue One===
December of 2016 brought us the first standalone Star Wars movie, "Rogue One", showing the theft of the original Death Star plans.
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While "Rogue One" can be justly criticized for lacking in character development, that was basically mandated by being set just before another movie whose actors were now decades too old (or, in the case of Peter Cushing, too dead) to reprise their previous roles. The cast of the movie includes almost no one who appears in Episode IV, and the few familiar faces who do appear show up as cameos. (Fair warning: spoilers)

Accordingly, every main character dies by the end. It still manages to pack quite a lot of [[awesome]] into the movie, with Donnie Yen, Alan Tudyk and Darth Vader all used to great effect. Rogue One also answers several questions, plugs several plot holes, and just generally makes A New Hope make a lot more sense in retrospect. (No wonder Vader wasn't impressed when Leia claimed to be on a "diplomatic mission.") It also has the distinctions of being the only Star Wars movie to focus on regular soldiers instead of Jedi, and being more like the original Star Wars than any of the sequels, including the other two of the main trilogy. (The original, back before it was "A New Hope", was a genre mashup of samurai + gunslinger rescue princess from space Nazis, then team up for a World War II dogfight. This one is wuxia cast + heist crew do a heist in a WWII trench warfare war zone. There's surprisingly little 'War' in Star Wars.) Much, much [[Skub]] still exists of course, since no Star Wars movie will ever please all the neckbeards but out of the five post-Disney Star Wars movies released so far, this one is definitely the least divisive and arguably the best of the bunch.
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===Episode 8: The Last Royalty Check (aka zomg Luke dies!)===
On December 14 2017, ''Star Wars Episode 8: The Last Jedi'' was released world wide. The critical reception was [[Bullshit|extremely positive]], with many critics considering it the best movie in the series since The Empire Strikes Back. The fan reception has been a great deal more negative and [[Skub|mixed]], and a number of fans are convinced that Disney leaned on media outlets to shill the new movie or else. If you have watched the Empire Strikes Back, you ''WILL'' be [[Rage|disappointed at best]], if you want to see a Star Wars film that would finally expand the characters of Kylo Ren and Rey, you ''WILL'' be satisfied and disappointed at the same time, if you want to watch the film because it is the last film starring the great and wonderful Carrie Fisher, you ''WILL'' feel hollow and sad inside, and if you came to see a pair of lightsaber-wielding punks involved in one of the greatest lightsaber battles of the franchise, you ''WILL'' be pleased. The Last Jedi is seen as one of the most divisive films in the franchise by the fandom, [[FAIL|which is one hell of an achievement]] considering other films.
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The complaints about The Last Jedi are many: the treatment of Luke (which even his actor, Mark Hamill, hated, to the point that he has no interest in playing Luke again), Leia's Superman asspull, Finn's plot arc that serves practically zero purpose and has him undergo the same character arc as the last movie, the forced humor, the complete disregard for established [[fluff]], disregard for even the most basic laws of physics, the fact that the central conflict is essentially the same as the one in the originals right down to the last stand ripped straight out of ''Empire'', the PC bullshit (a hipster admiral who the plot always treats as being in the right despite killing 90% of the Resistance, the Gilded Age planet arc that [[Namek|sucks up a third of the movie to no benefit,]] Rose expressing her desire to get BLACKED with a horrendous and forced #LoveTrumpsHate one-liner in the final act) added solely to virtue-signal and the whole thing being basically a 2,5h screed against the franchise it belongs to and the culture which spawned it.

Fans have also criticized the movie for dropping or discarding major plot points from TFA and repeatedly invoking Shamalamadingdong-tier plot twists for cheap gotchas that are somehow less interesting than the recycled cliches they play off of. Director Rian Johnson responded by shitting on said critics - including also mocking them with a character in his next film "Knives Out" - and trying to defend the film on social media like something out of an ED or RW article (Important note: George Lucas never tried to defend the prequels, despite the huge backlash at the time, and he agreed with fans that [[C.S Goto|The Star Wars Holiday Special]] was an abomination.) It later came out that Johnson had not been given any kind of roadmap beyond Lucas' old and unfinished concept scripts and was not allowed to see what Abrams had done until TLJ was too far into production to write in most of the previous movie's plot points, which makes the fail Disney's fault just as much as it is Johnson's. Except we also know that he had at least a modicum of influence over the ending of TFA, so they must have talked on at least some degree, and Rian's 100% to blame for his shitting on critics. As with TFA Lucasfilm has tried to paper over the holes with tie-in material, and just like TFA the fans recognize the damage control.

The Last Jedi has without a doubt torn the fanbase apart in ways even the prequels and most of the Legends didn't come close to, with many fans declaring that they have dropped the sequel trilogy. Even Star Wars' famous merchandising has taken a mauling, as [[/toy/]] giggles at Rose Tico, Admiral Holdo and General Hux figures warming shelves while new product shipments go straight from the transport case to the clearance bin.
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===[https://www.youtube.com/watch?v=lg_FoEy8T_A I'm Solo, Han Solo, Han Solo]===
On May 25th 2018, the 41st anniversary of the franchise, ''Solo: A Star Wars Story'' was released. The general consensus seems to be that it is the most average film in the series. At the very least, most people agree that it is at least better than The Last Jedi (if barely) and the backlash from that movie can be felt even in Solo: many fans have chosen to boycott the movie. Even before release, many fans had derided the whole affair as unnecessary: no one was really asking for a Han Solo origin movie, particularly one without Harrison Ford. Han Solo's entire life history had already been explored thoroughly in EU novels and comics, so the movie could only be a retread or a retcon, both things most fanbases tend to disapprove of.
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Whether it is because of this boycott or not, [[Not as planned|something no one expected happened:]] ''Solo'' was a box office bomb. Its opening weekend performed way below expectations and as of this writing, it has only made half of the money it needs for it to break even. Disney still continued to labor under the delusion that China would save their bottom line regardless of the fact that Star Wars has never been popular in China.

So what is it like? Well, rather than being a space opera like the other films, this is a space Western. Rather than being about large-scale battles and saving the galaxy from tyranny, it's about heists and the galactic underworld. (Except for the Mimban sequence, which you'd swear was lifted from a live-action Imperial Guard movie.) It's essentially Disney's reboot/retcon of the old EU Han Solo novels, taking things that were mentioned offhand in the original trilogy (like how Han did the Kessel Run in 12 parsecs) and making that the subject of an entire movie. The film was perhaps cursed from the beginning due to its [[Fail|troubled production.]] How troubled? The lead needed an acting coach to get through his shoots (Han may have walked away with the Falcon, but Donald Glover's Lando stole the spotlight every time) and 70% of the movie had to be reshot by a different director due to [[Butthurt|creative differences]] between Lucasfilm and the original directors.

The fail only compounded when it premiered and fans got to see what those "creative differences" may have wrought: the writing staff started spewing bullshit to the press about Lando being "pansexual" with no precedent in any Star Wars production including ''Solo'', the film's tone is a schizophrenic nightmare to the last-minute reshoots and Han's sidekick for most of the movie is [[What|a self-built female droid social justice warrior]] named [[/v/|L3-37]]. Audiences ''cheered and applauded'' when that <s>man</s>human-hating self-insert character finally fucking died. Perhaps the most damning sin is that these are the movie's only notable qualities: take them away and you're left with a movie that would make you think "Huh, that was okay," and then never think about it again for the rest of your life, were it not for the crippling disappointment of seeing one of the most beloved franchises in the world fall so far. Between the boycotts, the mediocrity of the movie itself, and [https://encyclopediadramatica.rs/Gawker certain news outlets] claiming that the driving force behind said boycotts was [[/pol/]], ''Solo'' cratered so badly that [[Exterminatus|all non-''Episode 9'' Star Wars movies were for a short time shelved indefinitely, and the only side-movie still being worked on is the obligatory Boba Fett origin movie, which is more likely to sell tickets based on the name alone.]] Incidentally, one of the writers picked by Lucasfilm to handle ''Solo'''s tie-in content, Cavan Scott, has been hired by [[Games Workshop]] for the [[Warhammer Adventures]] series.
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===Episode 9: The Rise of Skywalker (aka Plan Palpa-Nine from Outer Space)===
Your opinion of this movie is very easy to predict based on what you thought of the others; if you found The Last Jedi to be "refreshing", you'll absolutely HATE this one. If you hate all Disney content aside from ''maybe'' The Mandalorian, you'll hate this one as much as the others. If you absolutely detested The Last Jedi but have mixed opinions of the rest, you'll probably consider this to be the best of the new movies to varying degrees of actual enthusiasm. The movie largely undoes or ignores swathes of the previous one.
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After finishing shooting, the film was shown to test audiences (which JJ Abrams lied never happened). The film was extremely poorly received, one of many reasons being because it had [[Mary Sue|Rey curb-stomping Palpatine by herself in the final battle]] (test audiences reportedly either laughed at the film or had to be stopped from walking out of the test screenings). The poor showing made Disney CEO Bob Iger - who was overseeing the screening - furious, and he immediately ordered the film to be reshot. The resulting reshoots were so extensive, [http://archive.ph/RLj94 they spanned months and the film didn't have a final edit till December 2019, the month of release], causing trailers to be so desperate for footage that wouldn't be cut they had to fill half the length with footage from prior films and stuff used in prior trailers. To make matters worse for Disney, the plot was leaked months before release, and said plot turned out to be ''very stupid''. Despite Disney spokespeople and media outlets extensively denying the leaks, the leaks were proven correct by getting then unrevealed names and plot objects right. Camera leaks the week before release showed very little of the fantastically stupid content leaked months beforehand was changed, only minor details.

Before reading on, be aware that Rey and Kylo are no longer movie-type Force users, they have been changed to video game characters. Like KOTOR and Jedi Academy type where you just get powers by killing enough dudes. None of the powers are new to the franchise, but have been rarely seen and in some cases never before have in movies. You should also know that unlike the first Visual Dictionary that mostly just gave little prop trivia and plot hooks for other works, and the second which was mostly irrelevant until it gets referenced in a decade or two, the final Visual Dictionary is damn near required reading (this shit will get a "VD" to indicate it) since a lot of explanations were cut in the reshoots and recuts. Like for example the connection between Rey and Kylo is a "Force Dyad", basically one soul in the Force that inhabits two bodies (setting up a bit of a snarl what happens when one dies and not the other, and implying the personality is mostly in the brain which is why they can have unique experiences, but whatever) and warps space/time. This is why Rey was inexplicably powerful and knew how to do shit instinctively, because Kylo's training passed onto her, and likewise her nonstop playing with X-Wing training sims as a child made him a badass pilot. Dyads used to be far more common in the KOTOR era, and were apparently the inspiration for the Sith Rule Of Two. This is never mentioned in the final cut of the film, but leaks show it was in one of the earlier ones.

The movie pressed on with breakneck speed that doesn't have time for musical interludes or wipe transitions, the opening crawl informing you that Palpatine has somehow returned and sent a message to the galaxy with the Resistance trying to rebuild and gather information, Rey being trained by Leia on the planet Ajan Kloss (AKA not!Yavin #2, VD) after repairing Anakin's lightsaber (VD) who had received partial training from Luke before stopping for reasons explained later in the movie and supplementing the rest with her pouring over the Jedi texts, and Kylo Ren trying to find Palpatine because his existence is a threat to his rule. The movie takes a lot of inspiration from KOTOR era lore with Ren finding a Sith McGuffin Holocron-type navigation device on Mustafar (VD) showing him the secret planet of the Sith (not Korriban/Pesegam/Moraband, this one is a planet in a red nebula that is under constant lightning storms called Exegol). There he finds a MASSIVE Sith cult that has kept itself secret and managed to not only build a fucking massive fleet of Star Destroyers equipped with planetkiller guns like something straight out of the old canon, but divisions of Stormtroopers, technicians, and officers to fill them along with the typical cultists in robes who administer to keeping Palpatine alive and seeing to his Sith alchemy shit...which includes tanks containing multiple clones of Snoke, revealing the guy was literally born looking like that with a manufactured backstory all so Palpatine could use him as a puppet to create the First Order (which is almost a meta commentary about the backstory controversy).

Kylo is offered the chance to be the new Emperor by Palpatine, who is a corpse kept barely alive through methods some would consider... Unnatural, while strapped to a machine with [[Lord Kroak|his spirit sticking nearby]] (the filmmakers zig-zagged on the nature of this; first it was the original Palpatine who had somehow duped everyone in ''Return of the Jedi'' with a clone stand in, then the reshoots changed it to the original's zombie-like rotting corpse animated by his lingering spirit and Lucasfilm later retconned him to be a zombie-like clone of Palpatine after the film's release). The only requirement for Palps to pass him Emperorship is killing Rey, although Ren is immediately suspicious of the other strings attached (including choking a guy in a hissyfit when that concern is voiced) and decides instead to recruit Rey again, this time as a co-Emperor.

Finn and Poe obtain information about a spy within the First Order (yeah, you know its fucking Hux even before they say there is a spy at all) while Rey gets visions during her training with Leia. The spy confirms that Palpatine is legit and the info about the fuckmassive deathfleet is legit, and Rey finds the Jedi texts contain notes from Luke about his search for that planet. They go to his last clue, a desert planet that isn't Tatooine and is the middle of a festival where they find Lando has been holed up enjoying himself since him and Luke traveled there. They are immediately spotted by the First Order and escape from them to find the ship of one of Palpatine's servants who had last been seen there. They fall into sinkholes around the ship created by giant tunneling worms, and find the skeleton of Sheev's boy as well as a Sith dagger. 3PO is programmed with the Sith language, but his programming from the Old Republic era forbids him from giving the translation to civilians. Rey manages to get the sand worms to leave them alone by using Force powers to heal one's wound, and they attempt to get the Sheev's servant's ship up and running before they are attacked by the First Order. Chewie is taken prisoner and Rey wrecks Kylo's TIE Fighter before the two engage in a Force tug of war to pull the transport Chewie is on, which ends in Rey accidentally Force Lightning it and causing it to explode when she becomes frustrated with the stalemate. Chewie is revealed to have been on another transport and is taken to Ren's flagship Star Destroyer while the heroes, instead of do something sensible like seek a Rebel leader who can give security clearance for 3PO's protocol (Leia's the obvious choice), they head to a planet under VERY Nazi-like occupation to find a droid technician who can hack 3PO's memory. They encounter a woman from Poe's past, revealing he was a former spice smuggler like Han until abandoning his crew (causing them to fall into debt and become bitter at him) to join the Resistance. She threatens to turn the group in to pay off their debt [[Mary Sue| but Rey kicks her ass, earning her respect and she takes them to the technician without further incident.]] The technician unlocks 3PO's memory at the cost of wiping him. The translation reveals the dagger is the key to finding the Sith navigation McGuffin they are looking for. During this BB-8 reactivates Sheev's servant's old droid, who doesn't do much.

The heroes proceed to board Ren's flagship with the help of a First Order officer's badge, and shoot their way through as they free Chewie. Rey and Ren have another linked vision where her parents are revealed to have attempted to hide her from her grandfather Palpatine, who wanted to merge the souls of himself and '''ALL''' other preceding Sith (presumably not Revan, since his redemption is canon) while he discovers they are on his ship and orders it put on lockdown. Rey is confronted in the hangar by Ren, who offers her to join him again. She refuses and the Falcon appears, the engines blowing away the Stormtroopers while Rey jumps aboard. The crew head to Endor after finding out from Sheev's servant's old droid that it was where he was going to go next (this is the only thing the droid does other than serve as a "pet the dog moment" for the cast a few times) where the Death Star wreckage of the disk and throne room landed, encountering a division of former child-soldier Stormtroopers like Finn who went AWOL. The dagger has a slide-out metal prong from the handle which perfectly lines up with the corridor leading to Sheev's throne room. The team work on repairing the Falcon while Rey presses on ahead, alone, to the Death Star wreckage. Once in the throne room a hidden door opens, revealing a sanctum full of crystal mirrors that are the same as the ones she saw in her vision in Force Awakens (the scene where she snaps her fingers and all the mirrored ones do as well). There she finds the Sith McGuffin and gets a "The Cave" vision of herself as a Sith with a red double-bladed lightsaber which she fights. Kylo is waiting for her in the throne room, and crushes the Sith McGuffin in his hand before informing her they are linked in the Force as one soul inhabiting two bodies and offering her again to be the Vader to her Palpatine which she again refuses. The two fight while Finn and one of the Stormtroopers try to rescue her. They fight their way onto the remnants of the Death Star hangar, reminiscent of Anakin and Obi-wan in Revenge Of The Sith with water instead of lava, before Ren freezes as he senses his mother start to die. This pause gives Rey time to grab his lightsaber and stab him before she freezes sensing Leia actually pass away. Rey uses the Force to heal him, then steals his TIE Fighter while Poe and Finn return to the Resistance base. Rey initially attempts to hide on Luke's monastery to let Palpatine's bloodline die with her, but after lighting Kylo's TIE on fire (so she's destroyed 2 of his personal TIE at this point) Luke appears as a Force ghost to tell her <strike>Rian Johnson</strike> he was wrong, and was motivated by fear when he tried to hide. He reveals that all the Jedi who came before are rooting for her, and tells her where Leia's lightsaber is hidden. He reveals she stopped her training because in a vision she saw that her son would be destroyed by the Dark Side, and a Light Side counterpart would take up her blade instead. Meanwhile, Kylo is visited by the memory of Han. The two reenact the scene from Force Awakens, only this time Kylo throws his lightsaber into the sea and renounces the name Kylo Ren to become simply Ben again. Meanwhile the First Order blow up Poe's home planet where the droid technician and Poe's old crew were, although they had managed to get offworld by that point. Also, R2-D2 restores C-3PO's memory wipe by finding a backup which contains everything from before the mission.

Luke lifts his X-Wing from the waves and Rey scavenges the Sith McGuffin from the flaming wreck of Kylo's ship. As she proceeds to the Sith planet she sends out a beacon to track her progress, giving the entire galaxy a map to the Sith fleet. Poe, now leader of the Resistance, sends Lando with the Falcon and Nien Nunb to gather any forces they can, all the ones who refused to aid them in The Last Jedi, while the rest of the Resistance gears up to attack Sheev's fleet before they can leave the storm cloud. The initial plan is to destroy the navigation device which orients them to the rest of the galaxy without which the fleet cannot leave, until the commander of the flagship (a former Imperial officer) realizes what they are doing and orders it to be shut down so his own ship could serve as the navigation for the rest. Rey confronts Sheev in a coliseum/throne room full of the Cultist parents of the personnel of the fleet (VD) and is informed of his plan to have her kill him so all the Sith could merge with her and rule as basically the God Emperor of Star Wars. She raises her lightsaber before using the strange wormhole Force connection thing they have to pass it to Ben, who had gotten there with a salvaged TIE from the Death Star wreckage and was being beaten by his former servants, the Knights Of Ren. Armed with Luke's old lightsaber he kills them and proceeds to the throne room. Ben arrives and the two attempt to fight him. He simply Force Pushes them back and forces them to kneel before draining a portion of their souls, the "two bodies one soul" thing apparently being a massive source of Force power he can heal himself with to rule in his own rejuvenated body again (but with Darth Maul eyes) rather than Rey's. Meanwhile, the ex-Stormtroopers and Resistance ground personnel lead by Finn land on the flagship Star Destroyer (its still in the atmosphere of the Sith planet, thus gravity and breathable air applies) and due to bringing goat-horse things from Endor are not affected by onboard EMP that would otherwise short out speeders and tanks (which is a thing from past canon, mostly comics and novels, which they use to explain why such a thing doesn't happen more often). Meanwhile, Lando appears with a fucking enormous fleet (remember the backstory that the New Republic didn't have a fleet, instead paying for every planet to have a militia of their own which would unite when there was a big enough threat? Well, JJ finally remembered because all those fucks show up alongside a neat little game of "spot that ship from the series you know" in a few shots). They begin attacking the superweapons underneath the Star Destroyers directly, causing chain reactions that blow the entire ship.

Ben is Force-pushed by Sheev into a pit as revenge for how Vader did the same thing to him before taunting the dying Rey and unleashing a MASSIVE Force Lightning storm which shorts out the fleet. While this is going on the spirits of all the dead Jedi (like pretty much anyone they could find to record a line from any of the past movies or shows, including Ahsoka; which is pretty lame since it means she was killed off-screen, with natural causes being unlikely since Ahsoka wouldn't have been 80 yet, and even that's below the average Togruta life expectancy, though this may not necessarily be the case according to Filoni) who inhabit her body the same way that Palpatine is currently full of all the Sith. Rey manages to stand and deflects his Force Lightning with Leia's lightsaber, which isn't enough until Ben manages to climb out of the pit and throw her Luke's lightsaber; with the two together she's able to walk close enough to Sheev for his Force Lightning to burn him, and despite this being the third fucking time this has happened he does not turn off the lightning and instead Raiders Of The Lost Ark's himself into a skeleton before blowing up and destroying not only himself but the spirits of all the past Sith. Despite Palpatine's plan being to possess Rey when she kills him, for some reason he doesn't do so. The Jedi spirits leave Rey and she dies, with the barely lingering on Ben healing her. They share a kiss (reminder that since Sheev created Anakin, they're basically cousins, and their relationship is so adversarial it makes Edward and Bella's from Twilight look healthy, something the novelization tries to claim is "purely platonic") before Ben dies. His body vanishes, as does Leia's. The Resistance/Militia fleet destroy all the Star Destroyers after Finn's ground crew hijacks one of the cannons of the flagship to shoot at the ship bridge, killing the last of the old Empire and First Order leadership.

The heroes return to the Resistance planet where they celebrate, scenes showing the rest of the galaxy shooting the last of the First Order Star Destroyers play, Chewie is given Han's old medal from A New Hope, and the ex-Stormtrooper leader is hinted to be Lando's daughter or grandaughter implying a spinoff with the two (also shares a gay kiss with another woman... which was cut to appease China's and Singapore's media watchdogs). After the celebrations Rey returns to Luke's old home on Tatooine where she buries Anakin and Leia's lightsabers, revealing she built her own from her Force vision only with yellow blades instead of red ones. An old woman who was a neighbor of Owen and Beru comments nobody had been to that place in years and asks Rey's name. Seeing the Force Ghosts of Luke and Leia, she tells the woman her name is Rey Skywalker. The End.

Because the fandom has become fractured like never before, there was immediately fan wars going on everywhere Star Wars fans are found. Fans accused haters of review bombing, those who hated the movie claimed the critic score (which, if you recall, is mostly people who liked The Last Jedi and hate this movie for doing a U-turn on it) vindicates them. The fan fighting probably won't ever end, since now we apparently have to reevaluate if A New Hope and the Kenner Star Wars toys were ever good in the first place because some contrarians now claim the prequels are the pinnacle of Star Wars. Whatever the case, Disney CEO Bob Iger resigned in the middle of the work week in late February 2020, before coming a couple of months later, with insiders saying he's "livid" over certain changes.

For anyone interested, here is a video explaining why the Rise of Skywalker failed musically. https://www.youtube.com/watch?v=L_8-dWSLDWI

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==Expanded Universe==

It can be said what makes a franchise into a long term lasting thing is when a wealth of extra story and background is created that expands on the original story far beyond what there was. It could be argued Star Wars leads the race in this, as the sheer amount of extra novels, graphic novels and games based on Star Wars can and does overwhelm the ordinary fan.

===The original EU/Star Wars "Legends"===

[[Image: Choices_of_One_PB_art.jpg|right|200px|thumb|Before Cara, before Rey, before Darth Talon or Padme... there was Mara Jade]]
The background has expanded into the distant past before the founding of the current Jedi and Sith orders and into the (not-quite-so) far future looking at the descendants of Luke Skywalker and other popular characters. Uniquely, especially considering [[Warhammer 40K|other]] [[Star Trek|franchises']] track records, the Star Wars Expanded Universe is <strike>remarkably</strike> <strike>sorta</strike> sometimes internally consistent, both with other sources within the universe and with the films themselves, at least in comparison to other comparable settings. Of course, it's got plenty of its own [[C. S. Goto|problem children]] that slipped through, and the [[skub]] mine of it all isn't much shallower than that of 40K. Good portions of it do hold up well, largely due to the efforts of Lucas' company's continuity department leaning on everyone to hold it together. One thing that greatly helps is continuity books and articles aren't afraid to make small retcons to make even the most obscure and shitty sources (like that terrible PS1 fighting game) seem like part of an organized plot. Particularly well-loved parts include characters like Grand Admiral Thrawn (a rare alien officer in the Empire and popular enough that Disney brought him back to the canon from the EU) and Mara Jade (pictured right, a Force-using former agent of Emperor Palpatine who later turned good, became a Jedi Master, married Luke and had a son with him) - interestingly both were created by the same author [[Timothy Zahn]].

Upon their acquisition, Disney said "fuck it" and threw out everything but the films and the Clone Wars cartoons. Some popular old stuff got mentions or appearances (and Thrawn got to be a major character), but the overall quality is even lower than the old EU. What was set up as a major book contains phrases like "The TIE wibbles and wobbles through the air" and random virtue signalling. As though to top the previous, Disney literally published a book with an entire chapter about mass wedding farts (Yes. Really.). The only good stuff is from established EU authors writing stuff far away from era of the Disney films.

The [[rage]] over the EU's scrapping was major among many fans of it, but for all Disney's shortcomings, they were in a tight spot. Towards the end all that continuity and consistency got thrown out the airlock for increasingly dumb and disjointed narratives and garbled plot threads to the point that the Star Wars logo was just about as much a sign of quality as the Nintendo approval stamp on shitty SNES games.

Another problem was that Disney is mostly family-friendly, and some of the Star Wars EU could get really dark. As in Warhammer 40k levels of grimdark. Examples of this are the invasion of the Yuuzhan Vong - forcenull space-Druchii (no no, not Comorrites though they have the pain and body modification fetishes for it, space-'''Druchii''', riding enslaved tyranid bioships) from another galaxy, Mnggal-Mnggal - mindraping gelatin lost on its way to Star Trek, and Abeloth - an ancient (she predates the Jedi and the Sith) yandere Force entity more like something from the Cthulhu Mythos and is so dangerous the Jedi and the Sith '''joined forces''' to fight her. It's difficult to envision how Disney could have kept the EU when even before all that it was struggling to find a market beyond the most [[neckbeards|dedicated fans]].

===The Books===

'''The Good EU'''
[[Image: Heir-to-the-empire-cover.jpg|right|200px|thumb|Heir to the Empire (1991): The book that started it all]]
* '''The Thrawn Trilogy''': The origination point for the EU, and focuses on the conflict with the Imperial remnants left over after RotJ. Named for the main villain, Grand Admiral Thrawn, who went on to become one of Star Wars most well-loved characters. Basically the story "The Force Awakens" wishes it was. Also introduced Mara Jade, a sexy redhead that's everything Disney wishes Rey was and more.
* '''The Han Solo Adventures''': Star's End was the second spinoff book written and the first good one. Hit store shelves before Empire Strikes Back was even in theaters. Han and Chewie are trying to get some work done on the Falcon and wind up having to bust out some political prisoners to pay for it. The Z-95 Headhunter fighter comes from this one. Would have made for a better film than ''Solo'' did.
* '''Shadows of the Empire''': Shadows is set between ESB and RotJ and fills in the details of getting the Death Star II's plans, finding out where Han was taken, Luke building his own saber, etc by the introduction of another bounty hunter by the name of Dash Rendar. The Special Edition rerelease of ''A New Hope'' added the Outrider to the background of one scene. Most notable for the fact that it was also adapted into a video game for the N64 and PC.
*'''The Darth Bane Trilogy''': The origin of the Rule of Two for the Sith, along with a compelling protagonist and his apprentice.
* '''Revenge of the Sith''': The novelization is actually considered a serious improvement over the movie itself.
* '''Darth Plagueis''': Shows how Palpatine becomes a Sith Lord under his mentor. Less Star Wars than Star Politics, which is a good thing for this praticular story.

'''The Bad EU'''
* '''Jedi Academy Trilogy''': Luke sets up his academy on Yavin IV and tries to teach [[Rage|Kyp Durron]]. Imperial remnant superweapons hit ludicrous territory with the sun crusher. This was the beginning of Kevin J Anderson hammering out a couple dozen Star Wars books over about four years.
* '''Young Jedi Knights Series''': Set between Jedi Academy and New Jedi Order, mostly follows Han & Leia's kids.
* '''I, Jedi''': A retelling of the Jedi Academy Trilogy (see above) with more of Corran Horn from the first set of X-Wing books. Less derp in general but significantly more [[Mary Sue]]age of Horn.
* '''Legacy of the Force''': The survivors of the Yuuzhan Vong War are trying to rebuild the galaxy, but Jacen Solo turns Sith and becomes the main villain. The book series is infamous for nearly killing the Star Wars EU, threatening the franchise and issues between various writers years before Disney went down the same road (Jacen Solo was also a major influence for Kylo Ren). The biggest complaints were Jacen killing Mara, the heroes becoming idiots whenever they could've stopped the villains, poor dialogue, long-winded writing and the story being overstuffed with allusions to post 9/11 United States.

'''The [[Skub]] EU'''
[[Image: Yuuzhan-vong-eu2_bg.jpg|right|200px|thumb|The Yuuzhan Vong, [[Skub|either badass and interesting or grimderp canon-defiling villains]]]]
* '''New Jedi Order''': The longest-running (19 books long) and most divisive story of the EU. Luke's married to Mara and they're rebuilding the Jedi Order while Han and Leia are trying to reconcile the New Republic and Imperial Remnants. Han and Leia are also raising three kids and Mara's got a terminal illness. Then extragalactic aliens called Yuuzhan Vong - [[Imperium of Man|religious fanatics]] with [[Tyranids|organic technology]], a thing for [[Dark Eldar|pain and body modification]] along with [[Culexus|partial immunity to The Force]] - invade to take over the Star Wars Galaxy. Chewie dies Majora's Mask style, Mara's illness is cured and she gives birth to Ben Skywalker, the Vong take over Coruscant, lots is learned about the Force and the bodycount goes so high it could give Warhammer 40k a run for its money (365 TRILLION; only the War in Heaven or the Fall of the Eldar had anywhere near that many deaths in one event). A real love-it-or-hate-it series, some parts were good, some were bad and some were weird.
* '''Dark Empire''': Palpatine's back to save a dying franchise decades before Disney tried it. He even uses clone bodies to do so (but unlike Disney, Dark Horse didn't flip-flop on the lore), wrecks a fleet of enemy ships using the Force and at some point has his power reflected back at him. Starts off good, falls apart fast. Known for its love-it-or-hate-it artstyle and dialogue. Original version of Episode 9.
* '''Courtship of Princess Leia''': Deals with another Imperial remnant, where a Queen who could be potential ally against the Imperials offers a deal which hinges on Leia marrying her son. Meanwhile Luke and R2-D2 are working with a prince who was the original recipient of the offer. This one has force witches, who are encountered when Han tricked Leia into in an attempt to win her heart... it is ''really'' silly. If you like that, raise this higher. If not, it might even drop lower.
* '''Fate of the Jedi''': Want some Cthulhu with your Star Wars? People are growing dissatisfied with the Jedi Order following LotF. Luke, Ben and the remaining Jedi are trying to keep the Jedi Order in check while several Jedi are wracked with a mysterious psychosis and a ancient Sith Tribe emerges from hiding. Han and Leia are looking after the political side of things while also becoming grandparents. Things take a turn for cosmic horror when a yandere, Force-using eldritch abomination who could doom the galaxy escapes her prison. During the conflict, Sith apprentice Vestara rises through the ranks and finds herself in a Catwoman/Batman situation with Ben Skywalker. While being an OoM better than the preceding trilogy, FotJ has a very divided opinion among SW fans.

== Disney Canon ==
[[Image:Star_Wars_Disney_Princesses.jpg|right|400px|thumb|Love it or hate it, they are now official ''Disney Princesses''.]]
It's still [[skub|debatable]] whether or not the new Canon holds up to the old EU, or learns to fix the problems that plagued it. We probably won't see what comes of it for decades to come. Disney Canon, as of 2020, seems to largely be built around the nine main movies (of course), with shows like Rebels and Clone Wars alongside anthology movies fleshing out stories that had been told in comics and books back before the Disney buy-up, but can now be seen on film.

A curious thing that has begun happening: Certain elements of the old EU is slipping into the Disney Canon. Plotlines like the Emperor returning, the Death Star plans heist and Han's path to become the smuggler we know him as all have bits and pieces from EU canon in them. In some cases, whole characters are ported in; the best example is Admiral Thrawn, who appears in Rebels. Other times, popular characters has their traits or stories ported into new ones (Finn and Cassian are both expies of Kyle Katarn, for example). This gives some credence to the argument that Lucasfilms and Disney wanted to wipe the slate with all the stories that had been told in the EU, so they could create their own, fully realized canon Star Wars setting that one could make movies - ''many'' movies - from. Considering the amount of shitty fan-fiction-esque stories the EU had, this may be for the best, but of course, storylines that people have loved for ages are also thrown out with the bathwater.

Detractors of Disney-era Star Wars often talk loads about how the sequel trilogy invalidates the original trilogy. Other complaints raised are how Disney screwed over Luke and how many cool characters are either cannibalized for story elements (like Kyle Katarn) or completely removed from canon (like Mara Jade). These are semi-valid arguments of course, but they ignore some of the biggest issues with the EU originally - it wasn't sponsored by George Lucas and Lucasfilms. They were sponsored fan-fiction in a sense, semi-canon from the outset and not really something that could be considered a part of the Star Wars setting, though George Lucas did work with the writers to a point, such as with the New Jedi Order book series (he gave them permission to kill off Chewbacca in the story). In fact, George never really considered them real stories; more like a parallel universe of his own Star Wars works. He accepted it because they bring in the big bucks when people would beg to have the official Star Wars logo on anything they produced.

That, and the sequel trilogy, underwhelming as it may be, was George's idea in broad strokes. The series was always going to have a sequel trilogy, and while the outcome isn't exactly what he (or we) wanted, quite a lot of it is. Luke being an exile on a far-away planet, who has to be roused to fight by a new, female Jedi? George's idea, not Disney's. A son of Han and Leia struggling with the Dark Side? Also George's idea (though Disney lifted a lot form the original version - Jacen Solo - for Kylo Ren). If anything, much of the direction comes from Lucasfilms; Disney just wants the movie to sell well. It's similar with Marvel nowadays.

So for better or worse, the Disney Canon is the first time the wider setting of Star Wars beyond the series and movies have become irrevocably canon, rather than "kinda-sorta-canon". Much of what we've gotten that is new is based roughly on George's own work as well. Remember this when discussing EU vs Disney in Star Wars - Either setting is cool for their own reasons, but the Mouse got little to do with it - and if you don't like it, bring it up with big man Lucas. Whatever the case, CEO Big Iger briefly resigned in 2019... before being brought back in 2020 following severe financial and PR losses for Disney due to comparatively poor reception of the Disney canon, controversial statements from Disney staff against fans and shutdowns related to the global coronavirus pandemic. There have been large rumblings of change in Disney Star Wars, for better or worse.

It should be noted that the TV shows below are either now part of the Disney canon (such as the 2008 Clone Wars series), or made by Disney. There is also a major Star Wars project in the works called Star Wars: The High Republic. It's an upcoming multimedia project spanning books and comics worked on by various writers including Claudia Gray and Cavan Scott ([[Warhammer Adventures|yes, ''that'' Cavan Scott]]). The stated goal is to tell one cohesive story set in the High Republic Era, two centuries prior to Phantom Menace. It was slated for a 2020 release but was pushed back to 2021, purportedly due to the COVID-19 pandemic (purportedly because they could still work on the story from home in this day and age but have chosen to extend the deadline).

==Star Wars:The Television Shows==
===Star Wars: The Clone Wars===
Technically, there are two series called similar titles. The first was 2003's ''Star Wars: Clone Wars'', an animated miniseries made by Genndy Tartakovsky (He of Dexter's Lab and [[Samurai Jack]] fame) chronicling, among other things, the titular Clone Wars and introducing a much more sinister General Grievous to the world.

But then we have ''The Clone Wars'', a CGI animated series (and tie-in movie) that we'll be talking about more and contributed more to the EU. One of the most universally known and loved parts of Star Wars, most fans worth their action figures and limited edition movie sets have watched the show and have an opinion on it one way or another. Some of the most notable characteristics are:

* The Clone Troopers are fleshed out,and we see that they are manly motherfuckers who make Guardsmen's balls of steel look like the cardboard their armor is made out of (seriously, in the movie, they literally charge straight into close combat with ''giant armored walkers with large guns'' and jump off roofs to get top of them to shoot them point blank, and punch droids in the face)
* Anakin Skywalker is actually a good, fleshed out character, with a good voice actor and shows his descent to child-murdering Force-choking asshat wasn't just him going 'welp, guess I'll fall to the Dark Side.' There was a fair amount of bad-cop “it was him or me” murder to get there.
* Introduces Ahsoka Tano, a major character who's a female Togruta Jedi that's well-written, non-OP, non-Mary Sue and doesn't invalidate characters from the movies. Starts off a bit annoying in the Clone Wars movie, but manages to do something truly special: she ''learns''. Over the course of Clone Wars and Rebels, Ahsoka probably has the most character development out of any other Star Wars character.
* Obi-Wan being a sexy one-liner spouting sarcastic badass.
* And many others.

However, there were some pretty derp moments too, such as

* Babysitting episode/movie.
* D-squad, where a bunch of droids become heroes of the Republic.
* Mandalore and how its fluff was basically screwed 180 degrees, and then some.
* Droids were comic relief of the first and second seasons. It was annoying.

All in all, it was a good show that took some time to find its feet.

After many years, a seventh season was announced in an attempt to take away from ''The Last Jedi'' being shit and add ''something'' to the empty Disney Plus lineup. At least some of the episodes will be ones that were in production when the show ended. It promptly disappeared after that announcement for a couple years till it was announced it was going to come out in 2019. And when it did, it blew pretty much everyone away, with fantastic animation, great storytelling, and a harrowing final few episodes. Maul's speech to Ahsoka in particular is downright chilling when you realize he's 100% sincere, is ''afraid'' of what's coming, and genuinely wants to try and stop it.

===Star Wars: Rebels===
[[Image:WomanYellingAtLothcat.jpeg|right|400px|thumb|''Stop fooling our plan, you rebel scum!'']]
Now that Disney owns Star Wars they can't go a season without something new to run on Disney XD, so after ''The Clone Wars'' ended they needed a series to milk episodes out of and launched ''Rebels''. ''Rebels'' is set a few years before ''A New Hope'' and covers the early formation of the rebellion from the perspective of one cell focused on the planet Lothal. Much like the Clone Wars, it starts off weakly with slow pacing and erroneous animation, but gets better as the seasons and storyline progress, with season 4 often equalling the very best Clone Wars arcs for quality and storytelling. If you liked ''Rogue One'' but thought it should be about 25 hours long and done in cartoony CGI then this is the show for you.

So what did we see in ''Rebels''?

* All the main characters are well-written, fleshed out, with reasonable, sympathetic backstories and significant character arcs, along with different enough skill sets that they don't step on each others' toes. Each one feels like an integral part of the team; the pilot, the gunner, the muscle, the tech, the swordsman and the hot-shot rookie.
** Seriously, you'd think that with two jedi in a 6-man crew you'd get some overlap, but they feel like very different characters, both in personality and powers. Kanan is very much the quintessential combat jedi (as is to be expected as he was trained during the Clone Wars), while Ezra's signature ability to connect with the galaxy around him and especially its wildlife marks him out not only from the rest of the Ghost crew, but from every other force user we've seen on the screen.
* Grand Admiral Thrawn makes his debut in Disney Star Wars, along with the TIE Defender project. The character doesn’t lose much in the translation, and later on is arguably treated better than the source.
* The bearded old guy in the Endor strike team in RotJ turns out to be Captain Rex. Fan theory at first, later confirmed.
* You CAN [[combi-weapon]] a lightsaber and a blaster, and it's OP as shit
* Force wolves (no, not [[Rune Priest|those force wolves]])
* [[A Song of Ice and Fire|Game of Thrones-style]] Mandos (Krownest is pretty much Space-Winterfell).
* Imperial Inquisitors. Sure they don’t last long, but they were intimidating while they were, and it planted the seed that was used elsewhere.
* Good appearances by Vader and Sheev.
* The Maul vs Obi-wan decades-long duel finally comes to an end... and what an end it is.
* The season finales are, invariably, fantastic.
* Animation gets better as the show goes on.

So about the wolves... ''Rebels'' turns the force mysticism up past 11. Forget just being precog space monks with laser swords; as far as ''Rebels'' is concerned the Jedi are [[craftworld]] [[eldar]] without the racism. Rebels picks up the torch of the Clone Wars “Force Gods” and mixes in some of the straight-up fantasy shit from the Lucas era novels and the KOTOR/Old Republic Jedi philosophy schools and heresies beyond just “Light good, Dark bad”.

However, there were levels of derp that we got to see in this show, such as the following:

* Since this is a Disney cartoon, the bad guys spend a large amount of their on-screen time (though not all, mind you) losing. This changes the Imperials (other than Thrawn and Vader) from an imposing force to [[Abbadon|cartoon villains]], although Rebels villains manage to stay intimidating more than Grievous did in Clone Wars. Compared to Clone Wars, Rebels villains probably win just as often (though, given how the clone wars ends with Order 66 and Rebels ends with the Battle of Endor, Clone Wars has a much more downbeat ending).
* Battles slower paced than a Death Guard movement phase. Enjoy characters having conversations in cover-based shooting when everyone has Stormtrooper aim (which, admittedly, has been a feature often present in Star Wars from the very start).
* [[Bullshit|Helicopter lightsabers]]. Thankfully this was only present for one episode.
* Complete bipolarity in tone. This can create some great moments, but invariably ruins the mood episode by episode, or between the A and B plots.
* Iron Squadron. Just...fucking [[Rage|Iron Squadron]]. Even more thankfully, they too were only present for one episode.
* Star Destroyers take some getting used to, mostly due to their bridge towers being way taller than they should be.
* Space Squid-whales annihilating a maximum strength Imperial Blockade in under 30 seconds.
* The changes to Hondo Ohnaka's character.

All in all, it depends on your preference.

Since the show does have a fair amount of dedicated fans, <strike>likely</strike> possibly more than the sequel trilogy itself, Disney has made a habit of planting Easter Egg references to Rebels in basically everything moving forward, usually in the form of an appearance by the iconic ship The Ghost or the friendly-ish space pirate character Hondo Ohnaka.

===Star Wars: Resistance===
Annnd they had to go and change things again. With ''Rebels'' coming to a close and a burning need to keep Star Wars on their lineup, Disney had a choice: find a new plot and setting for a formula and art style that had produced two successful multi-season shows, or throw it all out and start from scratch. Remember, this is Disney we're talking about, the company that once [[Fail|paid a quarter billion dollars to fire the producer who made ''The Little Mermaid'', ''Beauty and the Beast'', ''Aladdin'', and ''The Lion King'']] only for him to go and [[profit|found Dreamworks]] out of spite.

Like its predecessor, ''Star Wars: Resistance'' sets itself up as a prequel to a trilogy, in this case following the early days of the Resistance in its fight against the First Order. Where it differs from ''Rebels'' is that ''Resistance'' is playing the warm up act for a trilogy that nobody likes. On top of which, the creators abandoned the 3D style that ''Rebels'' inherited from ''The Clone Wars'', and replaced it with a cel style that's half ''Treasure Planet'', half ''Avatar: The Last Airbender'' and all ''RWBY''.

To be blunt, this show is 100% pure crystal derp. Our star is Kazuda Xiono, a manic depressive who literally fanboy-ed his way into being a spy under the cover story of being a mechanic, two jobs he is not qualified for. This kid is the Invader Zim of Star Wars. Filling out the cast we have the original only cockney girl in space, an autistic alien, their widower boss who is definitely gonna die, D.Va and her ex-imperial officer dad, and BB-8. Poe Dameron shows up regularly so he can be TOP SUE without having to share a screen with Rey. Captain Phasma plays the show's big bad and yet stays true to form in doing absolutely nothing. Reception was so terrible it was confirmed canceled at 2 seasons before the second season even started.

Part of the problem with ''Resistance'' is that the First Order has a doomfort that can frag planets across the galaxy, yet has to resort to hiring pirates to encourage settlements into accepting the First Order's protection racket. Palpy's empire was a model of efficient, heavy handed governance; its evil intent veiled from the masses who mostly resent it for bringing order. And some instances of institutionalized racism and the occasional genocide on a planetary scale. Y'know. Empire Stuff. The First Order on the other hand is basically just Cobra Command, a font of evil hamstrung by flailing incompetence. As mentioned earlier, the backstory for the Resistance and First Order is basically that the First Order are a mobile pirate fleet with one untested secret base weapon lead by old farts of dubious actual leadership abilities from the Empire and their fanatical children with grunts made up of brainwashed child soldiers kidnapped from pioneer settlements while the Resistance is just a tiny militia that is so poorly funded they don’t even qualify as a single fleet since their few outdated capital ships are crewed by outdated droids and they don’t even have enough fighters to protect them, but rather than depict the potentially interesting dynamic this suggests the series just tries to be Rebels again, the same path the movies took even though at this point both factions are even smaller than they were in the movies.

===Star Wars: The Mandalorian===

[[Image:The_mandalorian.jpg|right|200px|thumb|[[Goblin Slayer|''Bounties?'']]]]
Because Disney didn't have enough money, they decided to try their hand at streaming services (despite already owning Hulu), and created Disney+ as a collection of their shows and movies. And with any streaming service, you need a flagship title. Thus, ''The Mandalorian'', the first live action Star Wars television series.

The show itself lives and breaths off your nostalgia for the Fetts, giving you a new lead character wearing the cool ass armor, bounty hunting, getting in gunfights, et cetera. The show's set five years after ''Return of the Jedi'', and leans into spaghetti western's so hard you wonder why Clint Eastwood hasn't shown up (John Wayne's grandson does do much of the stunt work for the titular character). Whether you like this show pretty much comes down to the question of can you accept [[Goblin Slayer|a show where the main character's face is never seen]] and whose name is almost never spoken (probably, considering this site's demographics), and can you stand a story wrapped entirely around the finger of a baby yoda who is the most well know spoiler since (joke.exe).

If you like the 2012 [[Judge Dredd]] movie you will like the show. It also might be one of the closest depictions of a Space Marine we are going to get for the foreseeable future on the "big screen". The Mandalorians (this group at least) have become almost a cult regarding "The Way" their warrior code. Highlights include a [[Looted]] [[All_Terrain_Soup|AT-ST]], getting to watch a [[Men_of_Iron|IG-11]] aimbot entire groups of hostiles multiple times (hell just watching IG-11 ''move'' is amazing), and an episode shot like a horror film except that [[awesome|the protagonist is the hunter]]. The final two episodes are a callback to almost every episode except "The Prisoner" & "The Gunslinger" and numerous characters return and get to be their own brand of awesome. The show also brought back the old style Mandalorians - it's a creed and a way of life, not a species or race. You are a Mandalorian because you chose to be, and because you follow the Mandalorian code, not because you're born that way.

There are several hiccups in writing but those might be smoothed out later, or can just be written off as the galaxy being just that big and individuals not having the same info as the audience. Overall it is the most well received addition to Star Wars since ''Empire''. With the show actually understanding why and how certain reveals should work, ie. not making there be anything special to us (the audience) about the Mandalorian's face/name, it is special because of his code not because he has laser eyes or something.

A second season (it was inevitable) was announced in November 2019, finished filming in March 2020 and is set to arrive on Disney+ in October 2020. Several characters from elsewhere in the franchise such as Boba Fett, Bo-Katan (Duchess Satine’s redhead sister from the Clone Wars, who also happens to be the last known wielder of the Darksaber before Moff Gideon turned up with it in the final episode of season 1), Sabine Wren and Ahsoka Tano are rumoured to be appearing in season 2.

==Wookieepedia==
One of the largest fan wikis ever created, this bad boy is extensively cited, has enormous variety, and has page upon page of talk. It was if Lexicanum, the 40k fan wiki, and our own glorious site were fused into a terrible beast.

==Impact on 1d4chan and associated games etc==

Star Wars has had subtle and clear impacts on a number of other franchises and genres and it can be ''incredibly'' hard to gauge the extent of it all. Certainly it didn't create the concepts of sci-fi, space battles, sweeping storylines, and a blending of mystical and scientific ideas, but it certainly popularized them during the years of the original trilogy and influenced many people that would go on to have interests in sci-fi, fantasy and epic adventure today.

Hell, look me in the eye and tell me that the lightsaber didn't give us the [[power weapon]]. But then again, magic weapons.
==Sabacc and Pazaak==
A rather unusual entry here but it's well in line, Sabacc is an actual tabletop card game from the Star Wars universe which is basically a hybrid of Poker and Blackjack. A Sabacc Deck has 76 cards, most of which in four suits of 16 cards numbered one to 16, plus sixteen wildcards in two sets with values that were either negative or (in the case of the Idiot) Zero. The goal of the game is to have a set of three cards who's total as close as possible to, but not over, 23 or -23. If you got 23/-23 (Pure Sabacc) which could only be beaten by an Idiot's Array (the Idiot, a Two and a Three, thus 23). In case of a draw, new cards are drawn. The stakes are raised every cycle until the cards go down or one player is left standing who gets the pot.

The notable thing about Sabacc that sets it apart from real world card games is that the Cards can change value every turn. A Pure Sabacc can easily become an instant lose 25 and an absolutely lousy hand can become an Idiot's Array. They can be stabilized to fix their value, but everyone knows when you do so. This feature has so far prevented Sabacc from being released in tabletop form as of yet. ''(Of course, there are ways to deal with this, such as simply re-dealing unfixed cards, but never let it be said that nerds will choose practicality over purity.)''

In universe, Han Solo won the Millenium Falcon off Lando in a game of Sabacc.

Pazaak is an older game from an in-universe perspective, similar to Blackjack but its player versus player rather than player versus dealer and also has some aspects of a collectible card game. Goal of the game is to raise cards from the main deck until their total value is 20 or they can also choose to stand if they get close but don't want to risk it. Best out of five wins.

CCG-aspect of Pazaak comes from the sidedeck: both players collect ten cards for their side deck and then randomly take four cards from their side deck to their hand in the beginning of the game. Hand cards are used to either lower or raise the total value: so if the player raises cards from the main deck to the total value of 25, they can prevent dropping out if they have a -5 card or higher in their hand.
Cards which only either raise or lower the value are the most common of the side cards.
More rarer are cards which can be used to both raise and lower the value.
Then there are flip cards, which change certain main deck cards on the table to negative ones. So if the player plays a 2&4 flip card, all 2:s and 4:s on the table become -2:s and -4:s. Flip cards exist in 2&4:s and 3&6:s.
Then there is the double card, which doubles the value of the last played card. So if the player raises a 5 from the main deck, playing the double card would turn it into a 10.
Finally, the rarest side deck card is the tiebreaker, which grants the player a win if the game would otherwise end in a tie.

==Tabletop games for Star Wars==

=== Role-playing Games ===

[[West End Games]] made a Star Wars [[role-playing game]] called [[Star Wars RPG|Star Wars: The Roleplaying Game]] AKA '''Star Wars D6'''. Like many West End products, it's a good game with the great misfortune of being published by West End games.

[[Wizards of the Coast]] picked up the license later and made two distinct RPGs based on their [[d20 System]], called [[Star Wars D20]] (imaginatively). Could be fun, but generally broken as hell, much like [[Dungeons & Dragons 3rd Edition|its parent game]]. It was then utterly revised that into what they called the '''Saga Edition''', which is relatively balanced and pretty good.

[[Fantasy Flight Games]] is presently selling [[Star Wars Roleplaying Game|a whole line of Star Wars-themed RPGs]], each one focusing on a specific style of play. You want to play a bunch of scruffy space outlaws (Edge of the Empire), members of the nascent Rebellion (Age of Rebellion), or exiled Jedi Knights (Force and Destiny), then they got you covered. Unlike their [[Warhammer 40,000 Roleplay]] games, which are all ''juuuuust'' different enough from one another to completely buttfuck any attempts at blending, all three gamelines use identical mechanics and are fully cross-compatible. Uses symbol-counting [[dice pool]]s with ludicrously overpriced custom dice.
Like the other RPGs they decided with the retardedly similar name, and thus this one is sometimes called '''Star Wars FFG''' to avoid confusion.

FFG have kept milking the franchise and in summer 2017, decided to [[Necromancer | reanimate]] the [[Star Wars RPG|Star Wars: The Roleplaying Game]] with a "30th Year Anniversary Edition" print of the original game. It '''''finally''''' shipped in July 2018 after spending a year in limbo.

=== Card Games ===

The big [[card game]] set in the Star Wars universe is the [[Star Wars Customizable Card Game]]. It's no longer produced by Decipher, but there is still a sufficiently large player community to organize annual tournaments, rule on cards, and so on. SWCCG was radically different from the norm of card games, being divided into light and dark side cards with different backings, with light and dark always playing against each other. For tournament play a player would need both a light and dark deck. The gameplay was also radically different from most CCGs; in Magic terms the closest analog would be that every SWCCG deck was fundamentally a mill deck, with some hard to assemble insta-win combos themed to the plots of the movies.

[[Wizards of the Coast]] made the [[Star Wars Trading Card Game]].

[[Fantasy Flight Games]] is presently selling [[Star Wars: The Card Game]].

Obviously, nobody is capable of creating a Star Wars card game with an interesting name.

Aside from the real, physical, games there was also ''Star Wars Galaxies Trading Card Game''. It was a real, functioning, card game within the MMO that used all virtual cards. Unfortunately no server emulators have implemented it yet.

=== Miniature Games ===
[[Wizards of the Coast]] did a tabletop battles game imaginatively called Star Wars: Miniatures, based on an extremely dumbed down version of the D&D ruleset. The figures were meant to tie in with the Saga edition RPG, it wasn't terrible on its own, just impossible to collect for competitive play since figures came in random booster packs so you never know what you were getting for what faction. Who could possibly stand for that?

[[Fantasy Flight Games]] is producing the [[X-Wing]] miniatures game based on individual starfighter combat (because, let's be honest, that's what ''Star'' Wars is all about). They have also released [[Star Wars: Armada]] which is a larger scale "fleet" combat simulator, using capital ships and squadrons of starfighters.

'''Star Wars: Imperial Assault'''

The latest [[Fantasy Flight Games]] addition to its Star Wars related games is a mix between a miniature board game and a skirmish wargame. It has two play modes:

One for campaign play where 1-4 players control a team of Rebel heroes and another player has the role of the DM, who controls the Imperial forces. The campaign, as the name suggests, focuses on character personalization, xp gain and the like, which you can find in any light RPG-esque (board)game. The main goal is to get a few friends together and casually play through the missions. Think of it as a Star Wars version of the original [[Hero Quest]].

The other play mode is skirmish play, where two players each get to assemble a team of miniatures plus a command deck (cards that have specific effects when played) and play against each other in an open-play scenario. The play area is still very limited to a few game tiles (as in a campaign mission) but players are free to bring whatever they want (with a few limitations of course). The skirmish part of Imperial assault is as close as you can get to an actual Star Wars skirmish wargame, but it is a missed opportunity from Fantasy Flight to create a true skirmish wargame (ala [[Infinity (wargame)|Infinity]]), not based on tiles and so confined spaces. Who knows what they have plans for though...

'''Star Wars Legion'''

And Fantasy Flight have now given us a fully fledged wargame, complete with AT-ST in the first wave. (They're 32mm scale, which means [[Games Workshop|no reusing your Imperial Assault miniatures]].) Legion has an integrated turn system, and the usual FF custom dice and forest worth of dead trees in cards and tokens that will be familiar to X-Wing and Armada players. The miniatures are PVC, reasonably detailed, easy to assemble pieces. A standard battle is 800 points, which could be anywhere from half a dozen to 16 units on the field, with an average army fielding 8-12 units comprising 30-ish models.

=== Board Games ===

The most famous and arguably best one is [[Star Wars: Rebellion]], an asymmetric two-player game that plays through the Original Trilogy in a wargame/worker placement-esque game. The Empire player must expand their already huge military base over the galaxy to build more ships and huge superweapons while searching for the Rebel Base, while the Rebels do their best to bite them in their heel, obscuring their movements and annoying the Empire until they have enough support to overthrow the Empire. As a [[Fantasy Flight Games|FFG]] boardgame, it's filled with a ludicrous amount of bits and pieces (including sweet models of Star Destroyers, Death Stars and Calamari Cruisers), as well as the trademark filled-with-small-exceptions ruleset. It's pretty sweet and still considered one of the best board games of its kind.

=== Card Miniature Games ===

In the late 00's, WizKids produced a short lived construct-able miniatures Star Wars game based on their styrene card system for Pirates of the Spanish Main. Although the game sold well, when NECA bought WizKids from Topps the rights did not transfer and it went out of print.

==Video Games for Star Wars==

To put it bluntly, every game which could possibly have ''Star Wars'' slapped onto it, exists. Flight simulators. Racers. Rail shooters. Doom clones. MMOs. Age of Empires reskins. Hell, there's even a Kinect variety game. Here's a few standouts...

* '''Knights of the Old Republic''': A pair of single player RPGs depicting a Sith war several thousand years before ''A New Hope''. KotOR is widely regarded as the best Star Wars video game ever, and was the framework for BioWare's ''Mass Effect'' series. Of all the Legends stuff, KotOR appears to still be in good standing with Disney since they continue to borrow from it. The sequel by Obsidian was the original skubtastic take on the franchise TLJ wanted to be but failed miserably. Got an MMO simply called "Old Republic" (since you can play as things other than Jedi and Sith) that is the sequel, which had a very rough start but stabilized enough to still survive to this day somehow). Possibly still canon in the Disney continuity since a lot of things get borrowed or referenced from it. Also the only thing in the EU to still receive new content.

* '''Jedi Knight:''' A series that started of as an early FPS named Dark Forces (so early that it was the time when FPS games were still known as [[Doom]]-clones) but Dark Forces II: Jedi Knight had the protagonist become a Jedi. The Dark Forces name was dropped in favor of Jedi Knight after this. The series combines surprisingly deep lightsaber combat with standard shooting, though the levels can get very mazy at times. Introduced Kyle Katarn, one of the most popular characters from EU. Unfortunately, there has not been a new game since 2003's ''Jedi Academy'' and likely will never be thanks to Disney.

* '''Republic Commando''': An FPS that has the player command a squad of commandos. Its a great shooter but unfortunately, it never received a sequel and to make things worse, ended on a cliffhanger. The second act of the game, set entirely on a drifting Acclamator-class assault ship is particularly memorable and highly atmospheric. If one can look past outdated graphics, its worth trying out for anyone who wants a good FPS experience.

* '''Empire at War''': Made by the original developers of [[Command and Conquer]], it is the most notable strategy game to have come out of Star Wars. Notable for featuring three different modes of play: ground battles, space battles and galactic conquest map. Though ground battles are a bit meh, the space battles are great and the galactic conquest is certainly more interesting than only playing random skirmish matches. Even though its over 10 years old, it has a very active modding community. Republic at War, which changes the games Galactic Civil War setting to Clone Wars and Thrawns Revenge, set much further into the Galactic Civil War than portrayed in the films, are particularly great. There is also a remake mod in the works, aiming to bring the game up to modern standards in terms of visuals, sound and UI and the results do look good. Unfortunately, no great 40k mod.

* '''Star Wars Galaxies''': An early MMO, launched after ''Everquest'' but before ''WoW''. Galaxies is noteworthy for making force powers a prestige achievement requiring enormous in-game effort to unlock. The first expansion pack added a subgame that's a pretty solid flight game in its own right and the game eventually added an original, fully playable, trading card game that sadly has not yet been implemented in any simulator. Then ''World of Warcraft'' hit, Sony panicked and made Jedi a starting class and replaced the skill system with massive level grind, and offered refunds to the raging army of neckbeards. Subscription numbers tanked and never recovered. It would effectively be replaced by ''The Old Republic'', an MMO using the acclaimed KotOR setting. Like most "dead" MMOs that people loved it still lives on through illegal private servers (don't worry, the guys providing it would get busted, not people playing on it).

* '''X-Wing (and TIE Fighter)''': A series of ''Wing Commander'' clones released in the 90's. While badly dated today, they were the best fighter sims of their time, and if you can get past the highly primitive graphics some people still consider them to be the best to this day. Why? The mission scripting and AI are top notch for the genre and absolutely brutal to fight against; on all but the simplest missions you're almost guaranteed to fail the first time and eventually develop a sixth sense about the fighters threatening your objective vs the fighters just there to kill you (ignore those, learn to be hard to hit). Interestingly, TIE Fighter is largely seen as the best of the series while the N64 era Rogue Squadron and Shadows Of The Empire games are seen as being far more visually modern but largely inferior sequels. Did we mention you had to use a flight stick controller basically made for these games to really do well at these?

* '''Star Wars Battlefront II (2005)''': Not to be confused with the one released by EA in 2017. Solid game from the new-defunct Pandemic studio (fuck you, EA) in 2005 told from the perspective of a clone trooper that survived all the way up to the battle of Hoth, with a very down to earth boots on the ground approach. Also, just being thrown into random matches as a soldier because fun. Despite some issues, it remains the high point of the Battlefront series as well as the entire PS2 era, and on PC still has fans via an active modding community to this day. There is of course also the original one but the second one pretty much completely overshadowed it.

* '''Star Wars Battlefront II (2017)''': The one by EA. You've probably heard everything important. An absolute mess at launch due to its lootbox-heavy progression system, so much so that it started discussion even on government level about lootboxes that continues to this day. A comment by EA that became the most downvoted comment in Reddit history. Yet despite all this, two years later, the game is arguably one of the best Star Wars experiences one can have and an Anakin-level redemption story. Like the previous Battlefront II, it completely overshadowed its predecessor.

* '''Jedi: Fallen Order''': It took them years but finally, EA managed to deliver a Star Wars game that is great on launch without cramming it with e-transactions. Its plot focuses on an unfortunate Jedi renegade between ''Revenge'' and ''A New Hope'' who's on the hunt for a hidden database that might document all the Force-sensitive individuals in the galaxy. A game inspired primarily by games such as Dark Souls and Uncharted, its a great action-adventure game in its own right and a must-play for any Star Wars fan. Also notable for making Darth Vader '''''really FUCKING SCARY'''''. As he should be.

* '''Monopoly Star Wars''': Its Star Wars Monopoly. With 90's FMV that plays for every square you land on. On floppy disks. Considered fucking amazing at the time, its too strange and tabletop to not mention. Also one of the last pre-Prequel things released.

* '''Super Star Wars''': A heavily modified retelling of the original trilogy (what, you don't remember how Luke chased down the Sandcrawler and murdered all the Jawas as well as their giant rat god in order to rescue R2-D2?) that was one of the ways to say "hard as fuck" by namedropping a game prior to Dark Souls existing. Amusing for the insanity of the added content in order to make a platformer sidescrolling beat'em'up as well as how neckbeardy you have to be to punish yourself trying to beat it without cheating. Sequels were made for Empire and Jedi, which slightly dialed back the difficulty.

* '''Star Wars: Yoda Stories''': A game geared for kids, released the same year as Monopoly above. Players play as Luke sometime after Empire Strikes Back, although an odd alternate version where Han sometimes is free from carbonite and Boba Fett and sometimes is not. They are assigned a quest by Yoda which requires them to traverse one or more procedurally generated planets doing whatever odd crap Yoda felt was necessary, including sometimes fighting Vader. Recieved middling scores as a PC release, with some individuals HATING the game and using it as a benchmark for how much they hate something when comparing the two, although to be fair that is because distributors tried to sell it like a full game when in reality its supposed to just be freebie software that came with other purchases and was meant to go with Solitaire and space pinball as default games on a computer to waste time with. It has lapsed into obscurity thanks to even those reviewers largely being forgotten on the modern internet. Noteworthy for being played on a grid with simultaneous turn-based movement with all enemies and NPCs on a screen, feeling very much like a tabletop game at times. A simple puzzle game, where getting blocked in a corner without enough space to pass the time by an idiot NPC is more dangerous than any foe.

*'''Shadows of the Empire''': Made on the Nintendo 64 and Windows PC, you play as Dash Rendar, a scoundrel in a ship like Han Solo working for the Rebellion. Takes place during Episode V as a side story. Despite being much beloved by fans for years and years, it's sadly not aged well thanks to the rather peculiar control scheme of the N64 and the graphics not having aged like cheap cheese in the sun. Main enemy of the game is a xeno named Xisor who is just a real uppity crime boss (and apparently a prince). This game has an absolute great opening first part where you're flying in a Snowspeeder on Hoth killing Imperials left and right while trying to use the cables to crash the AT-ATs like in the movie. After that the game begins to kinda just carry on with awkward controls.

==Assorted list of Awesome From Star Wars==
* Fucking ''[[Lightsaber|Lightsabers!]]''
* The fucking [[Approved music|OST]]
* What is likely the greatest duel in cinematic history, that takes place on a [[Death World|lava planet.]]
* Deathly Stormtroopers, heroic Clonetroopers or sinister First Order troopers; whatever they're called, stormtroopers are awesome! Contrary to popular belief, shot counts have proven they have ridiculously good aim.
* Darth Vader whenever he gets a speaking line or to murder rebel scum - that is to say, all the time.
* Darth Maul in The Phantom Menace, TCW and Rebels.
* Lightsaber Rifles
* The entirety of the Umbara campaign, where <s>Imperial Guardsmen</s> Clone Troopers die in the dozens attempting to win some godforsaken planet, earning them balls of titanium that make the guard look ba- {{BLAM| '''*BLAM*''' Heresy!}}
* 97% of the Creatures.
* 98% of the Starfighter designs.
* Costumes that mix about every possible inspiration, Chinese, Mongolian, Japanese, Ancient Greece and Rome, Elizabethan, Moebius or Pulp Sci-Fi from the 60's, giving the whole series a distinctive style and gives Padme Amidala an excuse to show off with all her dresses.
* Boba and Jango Fett and the rest of the Mandalorians.
* KOTOR (both games) plot making you think this shit is actually logical and has so much philosophical background. One of the creepiest depictions of the Universe. Everything is brutal, with big vibrating knives, blood, those machines for Sith snuff movies, more blood, bastards, badass bastards and so on. Everything while somebody is talking with you about existence.
* Our saviour Lord Revan. He's like if [[Horus|fucking Horus]] just became [[Big Bad Evil Guy|fucking bad]] (but not that [[Erebus|bad]]) to fucking destroy the [[Chaos Gods|Dark Gods]] so he can solve his daddy issues.
**but he's more virile, deadly, powerful, charismatic and cool.
* Lightsabers.
* Obi-Wan Kenobi.
* The High Ground.
* TIE fighters. They have the most distinctive scream of any fighter in cinematic history that just yells "I'm evil!". Tell me I'm wrong. I'll wait.
** The fact that they managed to do that using what is essentially a shitty visual pun.
* Most of Episode 3.
* The entirety of Anakin's story, especially when you add the Clone Wars and prequels. While you're at it, watch CinemaWins' perspective on it the series.
* Admiral Ackbar the Memeable!
* Palpatine getting into some Tzeentchian-level scheming and backstabbing in order to overthrow the Jedi and the Republic.
* Grand Admiral Thrawn: So awesome that he rose to a high rank in the anthropocentric Empire despite being an alien and was one of the first (and rare few) things to be imported straight from Legends to Disney.
* Imperial Pilots get a mention, seeing as they fly literal garbage fighters against superior rebel fighters. Yes, we are talking about the the same TIE Fighters we mentioned before. By garbage, we mean despite how cool looking and sounding TIE Fighters are, they are actually a ridiculously impractical design and the standard TIE Fighters are mass produced extremely cheaply even if they don't look like it. Even 40k's Imperium has better fighter designs. At least the Imperium's fighters conserve the life of the fucking pilot. Also, clearly super skilled since they have roughly an equal kill-death ratio with the Rebels in the movie battles.
* Obi-Wan Kenobi again.
* Princess, later Senator Leia Organa; the original badass-yet-hot boss lady in space. Ends up leading two separate, successful underground freedom movements against impossible odds. Did we mention she's a Jedi in both canons?
* Han Solo, who is so badass that hot Leia falls in love. He has the smuggler's best friend, a Wookie, who is also the worst opponent you can face in a [[Chess|Dejarik match]].
* Just... Star Destroyers. When you see a huge, imposing warship from an evil Empire, this is the granddaddy they all look up to.
* Oh, did we mention the lightsabers?

== See Also: ==

* ''[http://www.darthsanddroids.net/ Darths & Droids]'': A webcomic, made using photo-stills of the ''Star Wars'' movies to tell a story about gamers blundering through each of the six movies in sequence... though not quite exactly how you might expect. Think ''DM of the Rings'' in overall visual style, though unlike ''DM of the Rings'', ''Darths & Droids'' features several heavy twists on the actual events of the films, subplots about the players and their lives outside the game alongside the campaign, and a better overall quality of gamer. Whereas ''DM of the Rings'' features a railroading DM and players who are therefore somewhat antagonistic to him, ''Darths & Droids'' has a GM who adjusts his game to his players' actions and players who generally get along with both him and each other. The plot of ''DMotR'' is very similar to that of the movies (but avoids a few plot elements), but the plot (and, indeed, the universe) of ''Darths & Droids'' is only very loosely based on the ''Star Wars'' films. (For a somewhat spoilery example: "Darth" is a courtesy title for retired Jedi, such as Chancellor Palpatine.)

* "[http://www.theforce.net/swtc/holocaust.html/ Endor Holocaust]": An excellent example of the [[skub]] Star Wars can create. Rebuttal: " [http://www.darthsanddroids.net/fanart/endortruth20040810.pdf Endor Rebuttal]"

* [[Timothy Zahn]]

* [[Star Wars:The Clone Wars]]

* [[Star Wars:Rebels]]

* [[Star Wars:Resistance]]

[[Category: Television]]

[[Category: Star Wars]]

Star Wars

2020-10-05T09:05:01Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62: /* Episode 7: The Mouse Awakens */

{{Star Wars}}
[[File:Star-Wars-Logo (1).jpg|center|500px|]]

{{Topquote|A long time ago in a galaxy far, far away....|Star Wars opening text}}
'''[https://www.youtube.com/watch?v=_D0ZQPqeJkk/ Star Wars]''' is one of, if not ''the'', most influential media franchises of modern times, let alone its effect on science-fiction and fantasy. Indeed, among [[/tg/|nerddom]], it is challenged by only a few others, like [[Star Trek]] and [[The Lord of the Rings]].

The incredibly ardent fandom is spread worldwide and has a strong presence in popular culture. Many of the characters, like Darth Vader and Yoda, are iconic even to the general public. John Williams' score for the original trilogy is one of the best-known film scores of all time, right up there with greats like Jurassic Park, Indiana Jones, Harry Potter and the Avengers. The universe has spawned numerous video games, hundreds of novels, multiple TV shows, one of the largest merchandising franchises ever, and, relevant to /tg/, a whole bunch of board, card, and roleplaying games.

It is also the current leading world source of [[Skub]].

==The Basic Concept==
Star Wars was originally a series of epic science-fantasy "space operas" that roughly followed the mythic cycle that's been around since Homer. They're set "a long time ago in a galaxy far, far away," [Note: this makes the entire series a fairy tale] where a mysterious life force called (reasonably enough) the Force permeates everything. This, in turn, can be wielded by certain people, giving them pseudo-magical abilities; thank the Emperor ([[Emperor|no, the other one]]) there were no Commissars in that universe. Those who use it for good become mystical, selfless warrior monks called Jedi, whereas those who use it for evil are ruthless, self-serving bastards called Sith. However, the Force must always be in balance, so any time the Sith arise to cause imbalance, the Jedi have to pull together and take them out to restore the natural order.

The so-called Original Trilogy (made up of films IV through VI, released from 1977 to 1983) followed a young man named Luke Skywalker who becomes a Jedi and re-balances the Force. Meanwhile, the Rebel Alliance is fighting to end the oppressive Galactic Empire, which is secretly led by the Sith. Luke and his Rebel companions eventually defeat the evil Emperor Palpatine, but along the way they discover that his lieutenant, Darth Vader, is actually Luke's father. A financial, critical, popular and cultural H-bomb, these movies are basically the filter through which Generation X perceives the world... for better or worse.

The so-called Prequel Trilogy (made up of films I through III, released from 1999 to 2005) explained how Anakin Skywalker became Darth Vader and how the Galactic Empire was established. This involves a lot of convoluted politicking in the Republic, which is then torn apart in the Clone Wars, where the Republic (with an army of clones led by the Jedi) fights against the Confederacy (with an army of robots led by [[Necrons|General Grievous]] and secretly controlled by the Sith). It was not as well received as the first trilogy, for reasons we'll talk about below.

There's also a so-called Sequel Trilogy (made up of film VII and presumably films VIII and IX), which started in 2015 and picked up the story some three decades after the Emperor's defeat with a new generation of heroes taking on the remains of the evil Empire, which is a group of extremist former Imperials calling themselves the First Order. However, Episode VII aka ''The Force Awakens'', was directed by J.J. Abrams, who's mostly known for the [[skub|skubtastic]] [[Star Trek]] reboot, while Episode VIII was written and directed by Rian Johnson who was a young director known for plot twists and genre experimentation on a handful of movies and television episodes that openly said he wanted to "subvert expectations" and make half of viewers dislike his work, then got pissed when half of them disliked his work. The result managed to fracture the Star Wars fanbase over issues of dull rehashing for VII and a whole laundry list of reasons for VIII (ranging from small ones such as it being too different, to major issues like half the movie being filler), as well as those who still enjoyed them and very little common ground between the three groups.

Finally, there are the so-called Anthology movies, standalone one-shots involving characters and plotlines that aren't a part of the main "Saga" films, except they kind of are. The first, Rogue One (2016), is an immediate prequel to Episode IV that follows those Rebel spies who stole the Death Star plans. The second film follows a young Han Solo and pals Chewie and Lando. A third rumored one follows Boba Fett.

There are also three separate TV series. The first one, ''Clone Wars'', was based on traditional animation, whereas the later one, '''''The''' Clone Wars'', was a weird 3D animation. They're both pretty good. There was also a terrible theatrical release that was basically just an advertisement for ''The Clone Wars'', but, since it's even worse than the Prequel Trilogy (hint: babysitting Jabba the Hutt's kid), nobody talks about it much. The third series is Disney's ''"Rebels"'' which is set between Episodes III-IV and it takes itself far less seriously than Clone Wars did, and is more of a homage to the original trilogy since not every character in the series is the owner of a lightsaber nor are they constantly talking about grown-up politics, senators and trade embargoes... pretty much the things that clogged up the plot of the prequel trilogy.

And then there's the whole Expanded Universe, which covers pretty much everything not covered by the films, like the Old Republic (set thousands of years before the prequel trilogy, when there were a hell of a lot more Sith and Jedi around) and the New Republic (set immediately after the original trilogy, explaining what became of all the characters. It could also reach 40k levels of grimdark with races like the [[Dark Eldar|Yuuzhan]] [[Tyranids|Vong]] characters like [[Vampire|Darth Nihilus]] and beings like [[Old Ones|Abeloth]].

The EU is no longer considered in the main canon of the films and TV series, due to the new sequel trilogy which does not follow EU, the reason for this being, according to Disney, that following EU would restrict their creative freedom. The reaction to this was, well, [[skub|mixed, for lack of a better word.]] They've since noted that they'll slot ''some'' of it in on a case-by-case basis, but the canon is in a highly fluid state at the moment. EU is now officially called Star Wars Legends, though most fans still refer to it as EU.

==Why is it so popular?==

Star Wars is as accessible as science fiction gets. It doesn't require extensive knowledge of a fictional world (a la ''[[The Lord of the Rings]]'' or ''[[Warhammer 40,000]]'') or cultural background (as ''[[Star Trek]]'' sometimes does) to make sense. Those elements are present for those who want them, but they largely stay in the (very rich and vibrant) background. It has well-shot action and good ''enough'' dialogue to make it interesting for both kids and adults (as well as allowing parents who grew up with it to watch it with their children, thereby hooking the next generation of viewers). It has simple, good-vs.-evil themes that resonate with almost anyone, anywhere, at any time. The science fiction elements are generally handled well if you don't obsess over making science fiction realistic and hard. It's a prime gateway drug for sci-fi which still holds up to the experienced eye, [[Isaac Asimov]] saw and rather enjoyed the films. All in Fourteen hours of cinema, plus optional sides for those who want it.

There's a ton of merchandise that is, of course, really cool. Also, given it's crossed over into the mainstream, many people feel comfortable being part of the community without feeling judged as "nerds" (as they might with ''Lord of the Rings'', ''D&D'', ''Star Trek'', ''Warhammer'', etc.).

Again, they roughly follow the mythic cycle that's been around since Homer. If you think about it, 6 of the 9 films can be summarized as: hero begins his journey under the tutelage of a wise (more or less) man, they encounter a threat which has captured/enslaved a princess/girl, who was in one way or another connected to an important secret (usually a superweapon but could be the identity of a political figure or the location of someone); the heroes save the princess/girl but someone dies tragically in a battle against the villain while someone else is blowing up a space station or a spaceship afterwards they are happy, they celebrate and mourn the loss of the poor bloke who died.

Additionally, the first film can be summarized as a samurai and a gunslinger team up to save a princess from Nazis in space. That is multiple cinematic genres at once, following the style of the epic myth.

==Setting==
Due to article bloat, [[Star Wars Setting]] is now its own page.

==The rise of the original trilogy==

A long long time ago, in a galaxy far far away....etc etc you all know the lines.

A man called George Lucas had the idea to create a series of epic sci-fi space operas that would become so successful that Disney would take notice and give it the franchise fluttering eye lashes, trying to seduce it.

They would be called... ''Flash Gordon''.

Unfortunately for Georgie boy, and fortunately for modern nerddom, Dino de Laurentiis already owned ''Flash Gordon'', and were busy making their own, hilariously eighties version, so he said, screw it, I'll make my own!

He decided to start with the fourth movie in the series he envisioned, for at the time he didn't have the special effects to create the first three to the standard he wanted, and/or he just kinda made up the first movie as he went along (drawing heavily on Akira Kurosawa's seminal samurai action film, ''Hidden Fortress'' in the process as well as the book [https://en.wikipedia.org/wiki/The_Hero_with_a_Thousand_Faces ''The Hero with a Thousand Faces''], a complex 1949 Joseph Campbell analysis of the various mythologies of human history all boiled down into the basic archtypes and elements required in heroic myth). So Episode Four ''A New Hope'' was created (simply titled ''Star Wars'' at the time) and it is not an exaggeration to say it changed the face of sci-fi and general moviemaking forever, bringing a new era of special effects and imagination to cinema and changing the lives of many who would go onto to become dedicated fan boys.

Originally, the studio had forced Lucas to take ever-increasing paycuts for what they were sure was going to be a flop, and only let him keep merchandising rights. However, whatever his flaws, George Lucas was a man of vision. Having helped pioneer the summer blockbuster, he went on to do the same to ginormous piles of movie-tie-in memorabilia. His production company, Lucasfilm ended up rolling in dosh, and with Episode Five ''The Empire Strikes Back'' and Episode Six ''The Return of the Jedi'', the legend of Star Wars and its place in cultural history was assured.

tl;dr: [https://www.youtube.com/watch?v=Ij4w7ChpuaM Pretty much this.]

==The coming of the prequel trilogy==
With the year 2000 coming, George Lucas felt that special effects technology had reached the level he wanted and began to create the first three movies in the star wars story he had envisioned. (As a side-note, he also made some touch-ups to the three original films, re-mastering them with special effects and a couple of extra scenes that weren't doable with the eighties' animatronics. But those were mostly accepted/shrugged away since they didn't deeply modify anything.The fandoms opinion on the matter however, remains a very heated [[Skub|debate]].)

The hype for the movies was immense.

And then the first movie, Episode One ''The Phantom Menace'' came out.....and there was nerd rage beyond expectation.

Part of the problem was that the immense expectations of the fandom had grown until anything less-than-perfect simply would not do, so perhaps that is somewhat to blame for the reaction to the prequel trilogy. In a vacuum one has to admit that they aren't completely ''[[Twilight|terrible films]]'' .

Episode Two ''Attack of the Clones'' and Episode Three ''Revenge of the Sith'' followed after a few years each and didn't garner nearly as much hatred, though fans complained they didn't match the greatness of the original trilogy, more concerned with flashy action and effects than competent story-telling; but hooo-boy did it deliver in flashy action, with laser armed [[MI-24 Hind|MI-24's]] full of <s>storm</s>troopers extracting jedi from a coliseum full of shooty killbots.

''Revenge of the Sith'' did, however, receive higher ratings than ''Return of the Jedi'', and is generally seen as the best and most-complete of the three prequel films as a story. Unusually the novelization alters some details and is considered a legitimately good book on its own merits.

What was generally more well received (despite a rocky start with a two hour pilot being pressed into service as a movie and an art style that took some time to gel) during this time for Star Wars was the Clone Wars animated series (both the traditionally-animated ''Clone Wars'' and the later seasons of the CGI show '''''The''' Clone Wars'', the latter which most everyone agrees is what the prequels should have been), following the war between the Republic and the Confederacy that sprung up during the time between the second and third of the prequels.

It'd be ''really'' hard to find a group of movies more skubtastic than the prequel trilogy, and saying a good or bad thing about it in front of the wrong crowd's sure to provoke huge amounts of nerdrage. In defense of the prequel trilogy's sins, they did at least do their own thing. Because of how much money the original trilogy made, practically every form of media in the 80s and 90s aped it to some form or another, and instead of falling back on the same old shit the prequels branched out and tried to get out of the franchise's comfort zone a bit. While a lot of it sucked, it blazed a trail for better writers to follow and helped liven up the universe by showing us the galaxy beyond fuckhueg spaceships and faux-Western shitholes like Tatooine. And all but the most [[Neckbeard|diehard OT purists]] can get behind shit like Naboo architecture, the Clone Army and Mace "The Ace" Windu. From a story perspective the worst sin of the prequels was demystifying the force, and subsequent works have largely swept that detail under the carpet. Then Disney bought Star Wars and prequels become popular. Makes sense considering they had good scenario. sense and original events and characters and other things sequels do not have.

==Disney and the sequel trilogy==

Finally, all the efforts by Disney to woo George Lucas paid off and in 2012 Disney acquired the Star Wars franchise for 4 billion dollars, with LucasFilm becoming part of Disney, appointing film producer Kathleen Kennedy as its president. This was immediately followed by an announcement that they would produce a new trilogy of films set after the original trilogy.

Expectations were almost as high as the private fears of the fans. Bringing on the creative talent behind the [[skub|skubtastic]] ''[[Star Trek]]'' reboot was equally... well, [[skub|take a wild guess (and that's before we factor in identity politics)]]. The end result saw millions of voices cry out in terror, and were suddenly subsumed into hitherto unseen levels of [[Skub]]. Tellingly, even SEVERAL OF THE LEAD ACTORS THEMSELVES have criticized the filmmakers or how the film was made, including John Boyega, Daisy Ridley and Luke Skywalker himself - Mark Hamill.

For sake of sanity, these section have been condensed. Read at your own peril.
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===Episode 7: The Mouse Awakens===
''Star Wars Episode 7: The Force Awakens'' debuted in December of 2015, and reception was what you would expect: the film was immediately a massive success from a monetary standpoint as everyone ([[China|almost]]) everywhere rushed to the theaters in response to the hype, with children engaging in as many repeat viewings as their parent's money could allow as fans did the same thing with their own. It has become a financial hit with the general public and a (critically) generally well-reviewed piece, with decent cinematography, special effects, technical stuff, etc. It also went on to become the third biggest financial success in film history (at the time), when not adjusted for inflation.
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Fan response was a good deal more mixed. Many criticize the plot for rehashing Episode IV, without doing anything to establish its own identity and claim that it had a bland main character, [[Mary Sue|who had too many abilities]] whereas others find the replication of ''Star Wars'' feel an acceptable trade and praise it for being a decent action film, [[skub|and claim the lead doesn't outdo any of the previous main characters]].

Some would argue that by rehashing the original trilogy it basically nullified the accomplishments of the original crew; the Empire's still around, they've got yet another superweapon, Han & Leia split up, Luke failed to rebuild the Jedi, etc. Other fans praised it simply for being a new Star Wars that was better than the prequel trilogy (expectations were lowered due to those, to be honest). Some see poor storytelling when there was no proper showing of what went on in the galaxy 3 decades since Palpatine died, and not explaining what caused big character changes like why Han returned to his old ways or Luke ran from his friends was critical. Other say this is going to be explained in the next film and people should keep their curiosity. Some argue even with their superweapon, none of the villains feel threatening. Others argue the incompetence of the main villain is a fresh change and the point of the plot will be to see him change, to be more competent, or even learn to become good.

Overall, those against argued JJ Abrams' mystery box approach may do well for a TV series but does not mesh with films that take years to make. Defendants held the position that fans should wait to see whether the next film will do anything with the unexplained plot points.

Coincidentally, when Hamill and Fisher were originally approached by Disney to reprise their roles as Luke and Leia, they ''didn't want to do it'' right from the start. But, they didn't want to give an out-and-out "no" answer either, so they told Disney they'd return if Harrison Ford agreed to return as Han Solo as well. Knowing how much Ford ''hated'' Solo, Hamill and Fisher figured they were safe, until Disney irresistibly sweetened the deal for Ford by agreeing to kill off his character, thus forcing a reluctant Hamill and Fisher to make good on their deal... [[skub|only for the three characters to never appear on the screen at the same time, and now that Carrie Fisher's dead...]] To be fair, Hamill has a history of saying he won’t do something only to immediately agree like he’s making a standard sitcom gag in real life, even if that usually just applies to still voicing the Joker in Batman media.
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===Star Wars Rebels===
Disney also released their own CGI series: ''Star Wars: Rebels'', which is actually pretty good (considering that it airs on Disney XD, it should be no surprise that they've toned down the graphic depictions of gratuitous violence, much to the chagrin of [[Neckbeards|those who love overly gory deaths]]). It focuses less on the Jedi that have come to dominate the franchise and more on the "boots on the ground" experience of the average characters, and while the show started slow and small, the plot gained momentum as the series progressed, especially after the first season, with season 4 often rivalling the very best Clone Wars arcs for quality of storytelling.
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The Rebel movement starts to grow, several characters return from ''The Clone Wars'', and the enemies the main characters have to face steadily get darker and more dangerous as more of the Empire’s attention gets attracted. When Darth Vader gets involved (played by none other than [[Awesome|James Earl Jones himself]]) he immediately proceeds to [[Awesome|open a 24-pack of unstoppable whoop-ass on the rebel scum]]. The return of Maul resulted in three character deaths (possibly four), the crippling of one main character with another well on his way down the dark side, and to top it all off Maul himself was on the loose once again. Things did not turn out so well [[Grimdark|last time that happened]], so expect the body count to rise. Things get worse for the Rebels when [[Creed|Grand Admiral Thrawn]] gets involved, especially since he's developing better ships for the Empire and tracking the Rebel Alliance to their homebase (things get so bad that, at one point, the main characters literally only survive Thrawn's attack because of a Deus Ex Machina). Speaking of Deus Ex Machinas, the continues the trend set by ''The Clone Wars'' in making the Force mystical again, though whether this is a good or bad thing depends on how you felt about the [[Skub|skubtastic]] midichlorian explanation of the Prequels. The animation is on point with ''The Clone Wars'', which considering it's Disney should surprise less than nobody. Oh, and Steve Blum voices one of the main characters. However, it is also noted that Star Wars Rebels had sort of a [[Grimdark|dark ending]]. Two important characters die and another is left stranded in the unknown regions while stopping the villains, leaving us with two other characters only able to start looking for him after the second Death Star blows up.

[[Skub|The way that Filoni (the creator of Rebels and The Clone Wars) has handled the Mandalorians, a fan-favorite warrior-culture based upon the Scots and Vikings, has either been met with praise from those who despised Traviss and her overpowering of said culture, or utter RAGE that he turned many of them into either pacifist morons or bloodthirsty barbarians- usually that particular criticism comes from the Traviss fanboys]]. Do take note, however, that the old ways for the Mandalorians are making their way back into canon, such as the language, the emphasis on martial honor, and the decentralized nature of their government.
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===Star Wars: Rogue One===
December of 2016 brought us the first standalone Star Wars movie, "Rogue One", showing the theft of the original Death Star plans.
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While "Rogue One" can be justly criticized for lacking in character development, that was basically mandated by being set just before another movie whose actors were now decades too old (or, in the case of Peter Cushing, too dead) to reprise their previous roles. The cast of the movie includes almost no one who appears in Episode IV, and the few familiar faces who do appear show up as cameos. (Fair warning: spoilers)

Accordingly, every main character dies by the end. It still manages to pack quite a lot of [[awesome]] into the movie, with Donnie Yen, Alan Tudyk and Darth Vader all used to great effect. Rogue One also answers several questions, plugs several plot holes, and just generally makes A New Hope make a lot more sense in retrospect. (No wonder Vader wasn't impressed when Leia claimed to be on a "diplomatic mission.") It also has the distinctions of being the only Star Wars movie to focus on regular soldiers instead of Jedi, and being more like the original Star Wars than any of the sequels, including the other two of the main trilogy. (The original, back before it was "A New Hope", was a genre mashup of samurai + gunslinger rescue princess from space Nazis, then team up for a World War II dogfight. This one is wuxia cast + heist crew do a heist in a WWII trench warfare war zone. There's surprisingly little 'War' in Star Wars.) Much, much [[Skub]] still exists of course, since no Star Wars movie will ever please all the neckbeards but out of the five post-Disney Star Wars movies released so far, this one is definitely the least divisive and arguably the best of the bunch.
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===Episode 8: The Last Royalty Check (aka zomg Luke dies!)===
On December 14 2017, ''Star Wars Episode 8: The Last Jedi'' was released world wide. The critical reception was [[Bullshit|extremely positive]], with many critics considering it the best movie in the series since The Empire Strikes Back. The fan reception has been a great deal more negative and [[Skub|mixed]], and a number of fans are convinced that Disney leaned on media outlets to shill the new movie or else. If you have watched the Empire Strikes Back, you ''WILL'' be [[Rage|disappointed at best]], if you want to see a Star Wars film that would finally expand the characters of Kylo Ren and Rey, you ''WILL'' be satisfied and disappointed at the same time, if you want to watch the film because it is the last film starring the great and wonderful Carrie Fisher, you ''WILL'' feel hollow and sad inside, and if you came to see a pair of lightsaber-wielding punks involved in one of the greatest lightsaber battles of the franchise, you ''WILL'' be pleased. The Last Jedi is seen as one of the most divisive films in the franchise by the fandom, [[FAIL|which is one hell of an achievement]] considering other films.
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The complaints about The Last Jedi are many: the treatment of Luke (which even his actor, Mark Hamill, hated, to the point that he has no interest in playing Luke again), Leia's Superman asspull, Finn's plot arc that serves practically zero purpose and has him undergo the same character arc as the last movie, the forced humor, the complete disregard for established [[fluff]], disregard for even the most basic laws of physics, the fact that the central conflict is essentially the same as the one in the originals right down to the last stand ripped straight out of ''Empire'', the PC bullshit (a hipster admiral who the plot always treats as being in the right despite killing 90% of the Resistance, the Gilded Age planet arc that [[Namek|sucks up a third of the movie to no benefit,]] Rose expressing her desire to get BLACKED with a horrendous and forced #LoveTrumpsHate one-liner in the final act) added solely to virtue-signal and the whole thing being basically a 2,5h screed against the franchise it belongs to and the culture which spawned it.

Fans have also criticized the movie for dropping or discarding major plot points from TFA and repeatedly invoking Shamalamadingdong-tier plot twists for cheap gotchas that are somehow less interesting than the recycled cliches they play off of. Director Rian Johnson responded by shitting on said critics to the point of mocking them with a character in his next film "Knives Out" and trying to defend the film on social media like something out of an ED or RW article (Important note: George Lucas never tried to defend the prequels, despite the huge backlash at the time, and he agreed with fans that [[C.S Goto|The Star Wars Holiday Special]] was an abomination.) It later came out that Johnson had not been given any kind of roadmap beyond Lucas' old and unfinished concept scripts and was not allowed to see what Abrams had done until TLJ was too far into production to write in most of the previous movie's plot points, which makes the fail Disney's fault just as much as it is Johnson's. Except we also know that he had at least a modicum of influence over the ending of TFA, so they must have talked on at least some degree, and Rian's 100% to blame for his shitting on critics. As with TFA Lucasfilm has tried to paper over the holes with tie-in material, and just like TFA the fans recognize the damage control.

The Last Jedi has without a doubt torn the fanbase apart in ways even the prequels and most of the Legends didn't come close to, with many fans declaring that they have dropped the sequel trilogy. Even Star Wars' famous merchandising has taken a mauling, as [[/toy/]] giggles at Rose Tico, Admiral Holdo and General Hux figures warming shelves while new product shipments go straight from the transport case to the clearance bin.
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===[https://www.youtube.com/watch?v=lg_FoEy8T_A I'm Solo, Han Solo, Han Solo]===
On May 25th 2018, the 41st anniversary of the franchise, ''Solo: A Star Wars Story'' was released. The general consensus seems to be that it is the most average film in the series. At the very least, most people agree that it is at least better than The Last Jedi (if barely) and the backlash from that movie can be felt even in Solo: many fans have chosen to boycott the movie. Even before release, many fans had derided the whole affair as unnecessary: no one was really asking for a Han Solo origin movie, particularly one without Harrison Ford. Han Solo's entire life history had already been explored thoroughly in EU novels and comics, so the movie could only be a retread or a retcon, both things most fanbases tend to disapprove of.
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Whether it is because of this boycott or not, [[Not as planned|something no one expected happened:]] ''Solo'' was a box office bomb. Its opening weekend performed way below expectations and as of this writing, it has only made half of the money it needs for it to break even. Disney still continued to labor under the delusion that China would save their bottom line regardless of the fact that Star Wars has never been popular in China.

So what is it like? Well, rather than being a space opera like the other films, this is a space Western. Rather than being about large-scale battles and saving the galaxy from tyranny, it's about heists and the galactic underworld. (Except for the Mimban sequence, which you'd swear was lifted from a live-action Imperial Guard movie.) It's essentially Disney's reboot/retcon of the old EU Han Solo novels, taking things that were mentioned offhand in the original trilogy (like how Han did the Kessel Run in 12 parsecs) and making that the subject of an entire movie. The film was perhaps cursed from the beginning due to its [[Fail|troubled production.]] How troubled? The lead needed an acting coach to get through his shoots (Han may have walked away with the Falcon, but Donald Glover's Lando stole the spotlight every time) and 70% of the movie had to be reshot by a different director due to [[Butthurt|creative differences]] between Lucasfilm and the original directors.

The fail only compounded when it premiered and fans got to see what those "creative differences" may have wrought: the writing staff started spewing bullshit to the press about Lando being "pansexual" with no precedent in any Star Wars production including ''Solo'', the film's tone is a schizophrenic nightmare to the last-minute reshoots and Han's sidekick for most of the movie is [[What|a self-built female droid social justice warrior]] named [[/v/|L3-37]]. Audiences ''cheered and applauded'' when that <s>man</s>human-hating self-insert character finally fucking died. Perhaps the most damning sin is that these are the movie's only notable qualities: take them away and you're left with a movie that would make you think "Huh, that was okay," and then never think about it again for the rest of your life, were it not for the crippling disappointment of seeing one of the most beloved franchises in the world fall so far. Between the boycotts, the mediocrity of the movie itself, and [https://encyclopediadramatica.rs/Gawker certain news outlets] claiming that the driving force behind said boycotts was [[/pol/]], ''Solo'' cratered so badly that [[Exterminatus|all non-''Episode 9'' Star Wars movies were for a short time shelved indefinitely, and the only side-movie still being worked on is the obligatory Boba Fett origin movie, which is more likely to sell tickets based on the name alone.]] Incidentally, one of the writers picked by Lucasfilm to handle ''Solo'''s tie-in content, Cavan Scott, has been hired by [[Games Workshop]] for the [[Warhammer Adventures]] series.
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===Episode 9: The Rise of Skywalker (aka Plan Palpa-Nine from Outer Space)===
Your opinion of this movie is very easy to predict based on what you thought of the others; if you found The Last Jedi to be "refreshing", you'll absolutely HATE this one. If you hate all Disney content aside from ''maybe'' The Mandalorian, you'll hate this one as much as the others. If you absolutely detested The Last Jedi but have mixed opinions of the rest, you'll probably consider this to be the best of the new movies to varying degrees of actual enthusiasm. The movie largely undoes or ignores swathes of the previous one.
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After finishing shooting, the film was shown to test audiences (which JJ Abrams lied never happened). The film was extremely poorly received, one of many reasons being because it had [[Mary Sue|Rey curb-stomping Palpatine by herself in the final battle]] (test audiences reportedly either laughed at the film or had to be stopped from walking out of the test screenings). The poor showing made Disney CEO Bob Iger - who was overseeing the screening - furious, and he immediately ordered the film to be reshot. The resulting reshoots were so extensive, [http://archive.ph/RLj94 they spanned months and the film didn't have a final edit till December 2019, the month of release], causing trailers to be so desperate for footage that wouldn't be cut they had to fill half the length with footage from prior films and stuff used in prior trailers. To make matters worse for Disney, the plot was leaked months before release, and said plot turned out to be ''very stupid''. Despite Disney spokespeople and media outlets extensively denying the leaks, the leaks were proven correct by getting then unrevealed names and plot objects right. Camera leaks the week before release showed very little of the fantastically stupid content leaked months beforehand was changed, only minor details.

Before reading on, be aware that Rey and Kylo are no longer movie-type Force users, they have been changed to video game characters. Like KOTOR and Jedi Academy type where you just get powers by killing enough dudes. None of the powers are new to the franchise, but have been rarely seen and in some cases never before have in movies. You should also know that unlike the first Visual Dictionary that mostly just gave little prop trivia and plot hooks for other works, and the second which was mostly irrelevant until it gets referenced in a decade or two, the final Visual Dictionary is damn near required reading (this shit will get a "VD" to indicate it) since a lot of explanations were cut in the reshoots and recuts. Like for example the connection between Rey and Kylo is a "Force Dyad", basically one soul in the Force that inhabits two bodies (setting up a bit of a snarl what happens when one dies and not the other, and implying the personality is mostly in the brain which is why they can have unique experiences, but whatever) and warps space/time. This is why Rey was inexplicably powerful and knew how to do shit instinctively, because Kylo's training passed onto her, and likewise her nonstop playing with X-Wing training sims as a child made him a badass pilot. Dyads used to be far more common in the KOTOR era, and were apparently the inspiration for the Sith Rule Of Two. This is never mentioned in the final cut of the film, but leaks show it was in one of the earlier ones.

The movie pressed on with breakneck speed that doesn't have time for musical interludes or wipe transitions, the opening crawl informing you that Palpatine has somehow returned and sent a message to the galaxy with the Resistance trying to rebuild and gather information, Rey being trained by Leia on the planet Ajan Kloss (AKA not!Yavin #2, VD) after repairing Anakin's lightsaber (VD) who had received partial training from Luke before stopping for reasons explained later in the movie and supplementing the rest with her pouring over the Jedi texts, and Kylo Ren trying to find Palpatine because his existence is a threat to his rule. The movie takes a lot of inspiration from KOTOR era lore with Ren finding a Sith McGuffin Holocron-type navigation device on Mustafar (VD) showing him the secret planet of the Sith (not Korriban/Pesegam/Moraband, this one is a planet in a red nebula that is under constant lightning storms called Exegol). There he finds a MASSIVE Sith cult that has kept itself secret and managed to not only build a fucking massive fleet of Star Destroyers equipped with planetkiller guns like something straight out of the old canon, but divisions of Stormtroopers, technicians, and officers to fill them along with the typical cultists in robes who administer to keeping Palpatine alive and seeing to his Sith alchemy shit...which includes tanks containing multiple clones of Snoke, revealing the guy was literally born looking like that with a manufactured backstory all so Palpatine could use him as a puppet to create the First Order (which is almost a meta commentary about the backstory controversy).

Kylo is offered the chance to be the new Emperor by Palpatine, who is a corpse kept barely alive through methods some would consider... Unnatural, while strapped to a machine with [[Lord Kroak|his spirit sticking nearby]] (the filmmakers zig-zagged on the nature of this; first it was the original Palpatine who had somehow duped everyone in ''Return of the Jedi'' with a clone stand in, then the reshoots changed it to the original's zombie-like rotting corpse animated by his lingering spirit and Lucasfilm later retconned him to be a zombie-like clone of Palpatine after the film's release). The only requirement for Palps to pass him Emperorship is killing Rey, although Ren is immediately suspicious of the other strings attached (including choking a guy in a hissyfit when that concern is voiced) and decides instead to recruit Rey again, this time as a co-Emperor.

Finn and Poe obtain information about a spy within the First Order (yeah, you know its fucking Hux even before they say there is a spy at all) while Rey gets visions during her training with Leia. The spy confirms that Palpatine is legit and the info about the fuckmassive deathfleet is legit, and Rey finds the Jedi texts contain notes from Luke about his search for that planet. They go to his last clue, a desert planet that isn't Tatooine and is the middle of a festival where they find Lando has been holed up enjoying himself since him and Luke traveled there. They are immediately spotted by the First Order and escape from them to find the ship of one of Palpatine's servants who had last been seen there. They fall into sinkholes around the ship created by giant tunneling worms, and find the skeleton of Sheev's boy as well as a Sith dagger. 3PO is programmed with the Sith language, but his programming from the Old Republic era forbids him from giving the translation to civilians. Rey manages to get the sand worms to leave them alone by using Force powers to heal one's wound, and they attempt to get the Sheev's servant's ship up and running before they are attacked by the First Order. Chewie is taken prisoner and Rey wrecks Kylo's TIE Fighter before the two engage in a Force tug of war to pull the transport Chewie is on, which ends in Rey accidentally Force Lightning it and causing it to explode when she becomes frustrated with the stalemate. Chewie is revealed to have been on another transport and is taken to Ren's flagship Star Destroyer while the heroes, instead of do something sensible like seek a Rebel leader who can give security clearance for 3PO's protocol (Leia's the obvious choice), they head to a planet under VERY Nazi-like occupation to find a droid technician who can hack 3PO's memory. They encounter a woman from Poe's past, revealing he was a former spice smuggler like Han until abandoning his crew (causing them to fall into debt and become bitter at him) to join the Resistance. She threatens to turn the group in to pay off their debt [[Mary Sue| but Rey kicks her ass, earning her respect and she takes them to the technician without further incident.]] The technician unlocks 3PO's memory at the cost of wiping him. The translation reveals the dagger is the key to finding the Sith navigation McGuffin they are looking for. During this BB-8 reactivates Sheev's servant's old droid, who doesn't do much.

The heroes proceed to board Ren's flagship with the help of a First Order officer's badge, and shoot their way through as they free Chewie. Rey and Ren have another linked vision where her parents are revealed to have attempted to hide her from her grandfather Palpatine, who wanted to merge the souls of himself and '''ALL''' other preceding Sith (presumably not Revan, since his redemption is canon) while he discovers they are on his ship and orders it put on lockdown. Rey is confronted in the hangar by Ren, who offers her to join him again. She refuses and the Falcon appears, the engines blowing away the Stormtroopers while Rey jumps aboard. The crew head to Endor after finding out from Sheev's servant's old droid that it was where he was going to go next (this is the only thing the droid does other than serve as a "pet the dog moment" for the cast a few times) where the Death Star wreckage of the disk and throne room landed, encountering a division of former child-soldier Stormtroopers like Finn who went AWOL. The dagger has a slide-out metal prong from the handle which perfectly lines up with the corridor leading to Sheev's throne room. The team work on repairing the Falcon while Rey presses on ahead, alone, to the Death Star wreckage. Once in the throne room a hidden door opens, revealing a sanctum full of crystal mirrors that are the same as the ones she saw in her vision in Force Awakens (the scene where she snaps her fingers and all the mirrored ones do as well). There she finds the Sith McGuffin and gets a "The Cave" vision of herself as a Sith with a red double-bladed lightsaber which she fights. Kylo is waiting for her in the throne room, and crushes the Sith McGuffin in his hand before informing her they are linked in the Force as one soul inhabiting two bodies and offering her again to be the Vader to her Palpatine which she again refuses. The two fight while Finn and one of the Stormtroopers try to rescue her. They fight their way onto the remnants of the Death Star hangar, reminiscent of Anakin and Obi-wan in Revenge Of The Sith with water instead of lava, before Ren freezes as he senses his mother start to die. This pause gives Rey time to grab his lightsaber and stab him before she freezes sensing Leia actually pass away. Rey uses the Force to heal him, then steals his TIE Fighter while Poe and Finn return to the Resistance base. Rey initially attempts to hide on Luke's monastery to let Palpatine's bloodline die with her, but after lighting Kylo's TIE on fire (so she's destroyed 2 of his personal TIE at this point) Luke appears as a Force ghost to tell her <strike>Rian Johnson</strike> he was wrong, and was motivated by fear when he tried to hide. He reveals that all the Jedi who came before are rooting for her, and tells her where Leia's lightsaber is hidden. He reveals she stopped her training because in a vision she saw that her son would be destroyed by the Dark Side, and a Light Side counterpart would take up her blade instead. Meanwhile, Kylo is visited by the memory of Han. The two reenact the scene from Force Awakens, only this time Kylo throws his lightsaber into the sea and renounces the name Kylo Ren to become simply Ben again. Meanwhile the First Order blow up Poe's home planet where the droid technician and Poe's old crew were, although they had managed to get offworld by that point. Also, R2-D2 restores C-3PO's memory wipe by finding a backup which contains everything from before the mission.

Luke lifts his X-Wing from the waves and Rey scavenges the Sith McGuffin from the flaming wreck of Kylo's ship. As she proceeds to the Sith planet she sends out a beacon to track her progress, giving the entire galaxy a map to the Sith fleet. Poe, now leader of the Resistance, sends Lando with the Falcon and Nien Nunb to gather any forces they can, all the ones who refused to aid them in The Last Jedi, while the rest of the Resistance gears up to attack Sheev's fleet before they can leave the storm cloud. The initial plan is to destroy the navigation device which orients them to the rest of the galaxy without which the fleet cannot leave, until the commander of the flagship (a former Imperial officer) realizes what they are doing and orders it to be shut down so his own ship could serve as the navigation for the rest. Rey confronts Sheev in a coliseum/throne room full of the Cultist parents of the personnel of the fleet (VD) and is informed of his plan to have her kill him so all the Sith could merge with her and rule as basically the God Emperor of Star Wars. She raises her lightsaber before using the strange wormhole Force connection thing they have to pass it to Ben, who had gotten there with a salvaged TIE from the Death Star wreckage and was being beaten by his former servants, the Knights Of Ren. Armed with Luke's old lightsaber he kills them and proceeds to the throne room. Ben arrives and the two attempt to fight him. He simply Force Pushes them back and forces them to kneel before draining a portion of their souls, the "two bodies one soul" thing apparently being a massive source of Force power he can heal himself with to rule in his own rejuvenated body again (but with Darth Maul eyes) rather than Rey's. Meanwhile, the ex-Stormtroopers and Resistance ground personnel lead by Finn land on the flagship Star Destroyer (its still in the atmosphere of the Sith planet, thus gravity and breathable air applies) and due to bringing goat-horse things from Endor are not affected by onboard EMP that would otherwise short out speeders and tanks (which is a thing from past canon, mostly comics and novels, which they use to explain why such a thing doesn't happen more often). Meanwhile, Lando appears with a fucking enormous fleet (remember the backstory that the New Republic didn't have a fleet, instead paying for every planet to have a militia of their own which would unite when there was a big enough threat? Well, JJ finally remembered because all those fucks show up alongside a neat little game of "spot that ship from the series you know" in a few shots). They begin attacking the superweapons underneath the Star Destroyers directly, causing chain reactions that blow the entire ship.

Ben is Force-pushed by Sheev into a pit as revenge for how Vader did the same thing to him before taunting the dying Rey and unleashing a MASSIVE Force Lightning storm which shorts out the fleet. While this is going on the spirits of all the dead Jedi (like pretty much anyone they could find to record a line from any of the past movies or shows, including Ahsoka; which is pretty lame since it means she was killed off-screen, with natural causes being unlikely since Ahsoka wouldn't have been 80 yet, and even that's below the average Togruta life expectancy, though this may not necessarily be the case according to Filoni) who inhabit her body the same way that Palpatine is currently full of all the Sith. Rey manages to stand and deflects his Force Lightning with Leia's lightsaber, which isn't enough until Ben manages to climb out of the pit and throw her Luke's lightsaber; with the two together she's able to walk close enough to Sheev for his Force Lightning to burn him, and despite this being the third fucking time this has happened he does not turn off the lightning and instead Raiders Of The Lost Ark's himself into a skeleton before blowing up and destroying not only himself but the spirits of all the past Sith. Despite Palpatine's plan being to possess Rey when she kills him, for some reason he doesn't do so. The Jedi spirits leave Rey and she dies, with the barely lingering on Ben healing her. They share a kiss (reminder that since Sheev created Anakin, they're basically cousins, and their relationship is so adversarial it makes Edward and Bella's from Twilight look healthy, something the novelization tries to claim is "purely platonic") before Ben dies. His body vanishes, as does Leia's. The Resistance/Militia fleet destroy all the Star Destroyers after Finn's ground crew hijacks one of the cannons of the flagship to shoot at the ship bridge, killing the last of the old Empire and First Order leadership.

The heroes return to the Resistance planet where they celebrate, scenes showing the rest of the galaxy shooting the last of the First Order Star Destroyers play, Chewie is given Han's old medal from A New Hope, and the ex-Stormtrooper leader is hinted to be Lando's daughter or grandaughter implying a spinoff with the two (also shares a gay kiss with another woman... which was cut to appease China's and Singapore's media watchdogs). After the celebrations Rey returns to Luke's old home on Tatooine where she buries Anakin and Leia's lightsabers, revealing she built her own from her Force vision only with yellow blades instead of red ones. An old woman who was a neighbor of Owen and Beru comments nobody had been to that place in years and asks Rey's name. Seeing the Force Ghosts of Luke and Leia, she tells the woman her name is Rey Skywalker. The End.

Because the fandom has become fractured like never before, there was immediately fan wars going on everywhere Star Wars fans are found. Fans accused haters of review bombing, those who hated the movie claimed the critic score (which, if you recall, is mostly people who liked The Last Jedi and hate this movie for doing a U-turn on it) vindicates them. The fan fighting probably won't ever end, since now we apparently have to reevaluate if A New Hope and the Kenner Star Wars toys were ever good in the first place because some contrarians now claim the prequels are the pinnacle of Star Wars. Whatever the case, Disney CEO Bob Iger resigned in the middle of the work week in late February 2020, before coming a couple of months later, with insiders saying he's "livid" over certain changes.

For anyone interested, here is a video explaining why the Rise of Skywalker failed musically. https://www.youtube.com/watch?v=L_8-dWSLDWI

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==Expanded Universe==

It can be said what makes a franchise into a long term lasting thing is when a wealth of extra story and background is created that expands on the original story far beyond what there was. It could be argued Star Wars leads the race in this, as the sheer amount of extra novels, graphic novels and games based on Star Wars can and does overwhelm the ordinary fan.

===The original EU/Star Wars "Legends"===

[[Image: Choices_of_One_PB_art.jpg|right|200px|thumb|Before Cara, before Rey, before Darth Talon or Padme... there was Mara Jade]]
The background has expanded into the distant past before the founding of the current Jedi and Sith orders and into the (not-quite-so) far future looking at the descendants of Luke Skywalker and other popular characters. Uniquely, especially considering [[Warhammer 40K|other]] [[Star Trek|franchises']] track records, the Star Wars Expanded Universe is <strike>remarkably</strike> <strike>sorta</strike> sometimes internally consistent, both with other sources within the universe and with the films themselves, at least in comparison to other comparable settings. Of course, it's got plenty of its own [[C. S. Goto|problem children]] that slipped through, and the [[skub]] mine of it all isn't much shallower than that of 40K. Good portions of it do hold up well, largely due to the efforts of Lucas' company's continuity department leaning on everyone to hold it together. One thing that greatly helps is continuity books and articles aren't afraid to make small retcons to make even the most obscure and shitty sources (like that terrible PS1 fighting game) seem like part of an organized plot. Particularly well-loved parts include characters like Grand Admiral Thrawn (a rare alien officer in the Empire and popular enough that Disney brought him back to the canon from the EU) and Mara Jade (pictured right, a Force-using former agent of Emperor Palpatine who later turned good, became a Jedi Master, married Luke and had a son with him) - interestingly both were created by the same author [[Timothy Zahn]].

Upon their acquisition, Disney said "fuck it" and threw out everything but the films and the Clone Wars cartoons. Some popular old stuff got mentions or appearances (and Thrawn got to be a major character), but the overall quality is even lower than the old EU. What was set up as a major book contains phrases like "The TIE wibbles and wobbles through the air" and random virtue signalling. As though to top the previous, Disney literally published a book with an entire chapter about mass wedding farts (Yes. Really.). The only good stuff is from established EU authors writing stuff far away from era of the Disney films.

The [[rage]] over the EU's scrapping was major among many fans of it, but for all Disney's shortcomings, they were in a tight spot. Towards the end all that continuity and consistency got thrown out the airlock for increasingly dumb and disjointed narratives and garbled plot threads to the point that the Star Wars logo was just about as much a sign of quality as the Nintendo approval stamp on shitty SNES games.

Another problem was that Disney is mostly family-friendly, and some of the Star Wars EU could get really dark. As in Warhammer 40k levels of grimdark. Examples of this are the invasion of the Yuuzhan Vong - forcenull space-Druchii (no no, not Comorrites though they have the pain and body modification fetishes for it, space-'''Druchii''', riding enslaved tyranid bioships) from another galaxy, Mnggal-Mnggal - mindraping gelatin lost on its way to Star Trek, and Abeloth - an ancient (she predates the Jedi and the Sith) yandere Force entity more like something from the Cthulhu Mythos and is so dangerous the Jedi and the Sith '''joined forces''' to fight her. It's difficult to envision how Disney could have kept the EU when even before all that it was struggling to find a market beyond the most [[neckbeards|dedicated fans]].

===The Books===

'''The Good EU'''
[[Image: Heir-to-the-empire-cover.jpg|right|200px|thumb|Heir to the Empire (1991): The book that started it all]]
* '''The Thrawn Trilogy''': The origination point for the EU, and focuses on the conflict with the Imperial remnants left over after RotJ. Named for the main villain, Grand Admiral Thrawn, who went on to become one of Star Wars most well-loved characters. Basically the story "The Force Awakens" wishes it was. Also introduced Mara Jade, a sexy redhead that's everything Disney wishes Rey was and more.
* '''The Han Solo Adventures''': Star's End was the second spinoff book written and the first good one. Hit store shelves before Empire Strikes Back was even in theaters. Han and Chewie are trying to get some work done on the Falcon and wind up having to bust out some political prisoners to pay for it. The Z-95 Headhunter fighter comes from this one. Would have made for a better film than ''Solo'' did.
* '''Shadows of the Empire''': Shadows is set between ESB and RotJ and fills in the details of getting the Death Star II's plans, finding out where Han was taken, Luke building his own saber, etc by the introduction of another bounty hunter by the name of Dash Rendar. The Special Edition rerelease of ''A New Hope'' added the Outrider to the background of one scene. Most notable for the fact that it was also adapted into a video game for the N64 and PC.
*'''The Darth Bane Trilogy''': The origin of the Rule of Two for the Sith, along with a compelling protagonist and his apprentice.
* '''Revenge of the Sith''': The novelization is actually considered a serious improvement over the movie itself.
* '''Darth Plagueis''': Shows how Palpatine becomes a Sith Lord under his mentor. Less Star Wars than Star Politics, which is a good thing for this praticular story.

'''The Bad EU'''
* '''Jedi Academy Trilogy''': Luke sets up his academy on Yavin IV and tries to teach [[Rage|Kyp Durron]]. Imperial remnant superweapons hit ludicrous territory with the sun crusher. This was the beginning of Kevin J Anderson hammering out a couple dozen Star Wars books over about four years.
* '''Young Jedi Knights Series''': Set between Jedi Academy and New Jedi Order, mostly follows Han & Leia's kids.
* '''I, Jedi''': A retelling of the Jedi Academy Trilogy (see above) with more of Corran Horn from the first set of X-Wing books. Less derp in general but significantly more [[Mary Sue]]age of Horn.
* '''Legacy of the Force''': The survivors of the Yuuzhan Vong War are trying to rebuild the galaxy, but Jacen Solo turns Sith and becomes the main villain. The book series is infamous for nearly killing the Star Wars EU, threatening the franchise and issues between various writers years before Disney went down the same road (Jacen Solo was also a major influence for Kylo Ren). The biggest complaints were Jacen killing Mara, the heroes becoming idiots whenever they could've stopped the villains, poor dialogue, long-winded writing and the story being overstuffed with allusions to post 9/11 United States.

'''The [[Skub]] EU'''
[[Image: Yuuzhan-vong-eu2_bg.jpg|right|200px|thumb|The Yuuzhan Vong, [[Skub|either badass and interesting or grimderp canon-defiling villains]]]]
* '''New Jedi Order''': The longest-running (19 books long) and most divisive story of the EU. Luke's married to Mara and they're rebuilding the Jedi Order while Han and Leia are trying to reconcile the New Republic and Imperial Remnants. Han and Leia are also raising three kids and Mara's got a terminal illness. Then extragalactic aliens called Yuuzhan Vong - [[Imperium of Man|religious fanatics]] with [[Tyranids|organic technology]], a thing for [[Dark Eldar|pain and body modification]] along with [[Culexus|partial immunity to The Force]] - invade to take over the Star Wars Galaxy. Chewie dies Majora's Mask style, Mara's illness is cured and she gives birth to Ben Skywalker, the Vong take over Coruscant, lots is learned about the Force and the bodycount goes so high it could give Warhammer 40k a run for its money (365 TRILLION; only the War in Heaven or the Fall of the Eldar had anywhere near that many deaths in one event). A real love-it-or-hate-it series, some parts were good, some were bad and some were weird.
* '''Dark Empire''': Palpatine's back to save a dying franchise decades before Disney tried it. He even uses clone bodies to do so (but unlike Disney, Dark Horse didn't flip-flop on the lore), wrecks a fleet of enemy ships using the Force and at some point has his power reflected back at him. Starts off good, falls apart fast. Known for its love-it-or-hate-it artstyle and dialogue. Original version of Episode 9.
* '''Courtship of Princess Leia''': Deals with another Imperial remnant, where a Queen who could be potential ally against the Imperials offers a deal which hinges on Leia marrying her son. Meanwhile Luke and R2-D2 are working with a prince who was the original recipient of the offer. This one has force witches, who are encountered when Han tricked Leia into in an attempt to win her heart... it is ''really'' silly. If you like that, raise this higher. If not, it might even drop lower.
* '''Fate of the Jedi''': Want some Cthulhu with your Star Wars? People are growing dissatisfied with the Jedi Order following LotF. Luke, Ben and the remaining Jedi are trying to keep the Jedi Order in check while several Jedi are wracked with a mysterious psychosis and a ancient Sith Tribe emerges from hiding. Han and Leia are looking after the political side of things while also becoming grandparents. Things take a turn for cosmic horror when a yandere, Force-using eldritch abomination who could doom the galaxy escapes her prison. During the conflict, Sith apprentice Vestara rises through the ranks and finds herself in a Catwoman/Batman situation with Ben Skywalker. While being an OoM better than the preceding trilogy, FotJ has a very divided opinion among SW fans.

== Disney Canon ==
[[Image:Star_Wars_Disney_Princesses.jpg|right|400px|thumb|Love it or hate it, they are now official ''Disney Princesses''.]]
It's still [[skub|debatable]] whether or not the new Canon holds up to the old EU, or learns to fix the problems that plagued it. We probably won't see what comes of it for decades to come. Disney Canon, as of 2020, seems to largely be built around the nine main movies (of course), with shows like Rebels and Clone Wars alongside anthology movies fleshing out stories that had been told in comics and books back before the Disney buy-up, but can now be seen on film.

A curious thing that has begun happening: Certain elements of the old EU is slipping into the Disney Canon. Plotlines like the Emperor returning, the Death Star plans heist and Han's path to become the smuggler we know him as all have bits and pieces from EU canon in them. In some cases, whole characters are ported in; the best example is Admiral Thrawn, who appears in Rebels. Other times, popular characters has their traits or stories ported into new ones (Finn and Cassian are both expies of Kyle Katarn, for example). This gives some credence to the argument that Lucasfilms and Disney wanted to wipe the slate with all the stories that had been told in the EU, so they could create their own, fully realized canon Star Wars setting that one could make movies - ''many'' movies - from. Considering the amount of shitty fan-fiction-esque stories the EU had, this may be for the best, but of course, storylines that people have loved for ages are also thrown out with the bathwater.

Detractors of Disney-era Star Wars often talk loads about how the sequel trilogy invalidates the original trilogy. Other complaints raised are how Disney screwed over Luke and how many cool characters are either cannibalized for story elements (like Kyle Katarn) or completely removed from canon (like Mara Jade). These are semi-valid arguments of course, but they ignore some of the biggest issues with the EU originally - it wasn't sponsored by George Lucas and Lucasfilms. They were sponsored fan-fiction in a sense, semi-canon from the outset and not really something that could be considered a part of the Star Wars setting, though George Lucas did work with the writers to a point, such as with the New Jedi Order book series (he gave them permission to kill off Chewbacca in the story). In fact, George never really considered them real stories; more like a parallel universe of his own Star Wars works. He accepted it because they bring in the big bucks when people would beg to have the official Star Wars logo on anything they produced.

That, and the sequel trilogy, underwhelming as it may be, was George's idea in broad strokes. The series was always going to have a sequel trilogy, and while the outcome isn't exactly what he (or we) wanted, quite a lot of it is. Luke being an exile on a far-away planet, who has to be roused to fight by a new, female Jedi? George's idea, not Disney's. A son of Han and Leia struggling with the Dark Side? Also George's idea (though Disney lifted a lot form the original version - Jacen Solo - for Kylo Ren). If anything, much of the direction comes from Lucasfilms; Disney just wants the movie to sell well. It's similar with Marvel nowadays.

So for better or worse, the Disney Canon is the first time the wider setting of Star Wars beyond the series and movies have become irrevocably canon, rather than "kinda-sorta-canon". Much of what we've gotten that is new is based roughly on George's own work as well. Remember this when discussing EU vs Disney in Star Wars - Either setting is cool for their own reasons, but the Mouse got little to do with it - and if you don't like it, bring it up with big man Lucas. Whatever the case, CEO Big Iger briefly resigned in 2019... before being brought back in 2020 following severe financial and PR losses for Disney due to comparatively poor reception of the Disney canon, controversial statements from Disney staff against fans and shutdowns related to the global coronavirus pandemic. There have been large rumblings of change in Disney Star Wars, for better or worse.

It should be noted that the TV shows below are either now part of the Disney canon (such as the 2008 Clone Wars series), or made by Disney. There is also a major Star Wars project in the works called Star Wars: The High Republic. It's an upcoming multimedia project spanning books and comics worked on by various writers including Claudia Gray and Cavan Scott ([[Warhammer Adventures|yes, ''that'' Cavan Scott]]). The stated goal is to tell one cohesive story set in the High Republic Era, two centuries prior to Phantom Menace. It was slated for a 2020 release but was pushed back to 2021, purportedly due to the COVID-19 pandemic (purportedly because they could still work on the story from home in this day and age but have chosen to extend the deadline).

==Star Wars:The Television Shows==
===Star Wars: The Clone Wars===
Technically, there are two series called similar titles. The first was 2003's ''Star Wars: Clone Wars'', an animated miniseries made by Genndy Tartakovsky (He of Dexter's Lab and [[Samurai Jack]] fame) chronicling, among other things, the titular Clone Wars and introducing a much more sinister General Grievous to the world.

But then we have ''The Clone Wars'', a CGI animated series (and tie-in movie) that we'll be talking about more and contributed more to the EU. One of the most universally known and loved parts of Star Wars, most fans worth their action figures and limited edition movie sets have watched the show and have an opinion on it one way or another. Some of the most notable characteristics are:

* The Clone Troopers are fleshed out,and we see that they are manly motherfuckers who make Guardsmen's balls of steel look like the cardboard their armor is made out of (seriously, in the movie, they literally charge straight into close combat with ''giant armored walkers with large guns'' and jump off roofs to get top of them to shoot them point blank, and punch droids in the face)
* Anakin Skywalker is actually a good, fleshed out character, with a good voice actor and shows his descent to child-murdering Force-choking asshat wasn't just him going 'welp, guess I'll fall to the Dark Side.' There was a fair amount of bad-cop “it was him or me” murder to get there.
* Introduces Ahsoka Tano, a major character who's a female Togruta Jedi that's well-written, non-OP, non-Mary Sue and doesn't invalidate characters from the movies. Starts off a bit annoying in the Clone Wars movie, but manages to do something truly special: she ''learns''. Over the course of Clone Wars and Rebels, Ahsoka probably has the most character development out of any other Star Wars character.
* Obi-Wan being a sexy one-liner spouting sarcastic badass.
* And many others.

However, there were some pretty derp moments too, such as

* Babysitting episode/movie.
* D-squad, where a bunch of droids become heroes of the Republic.
* Mandalore and how its fluff was basically screwed 180 degrees, and then some.
* Droids were comic relief of the first and second seasons. It was annoying.

All in all, it was a good show that took some time to find its feet.

After many years, a seventh season was announced in an attempt to take away from ''The Last Jedi'' being shit and add ''something'' to the empty Disney Plus lineup. At least some of the episodes will be ones that were in production when the show ended. It promptly disappeared after that announcement for a couple years till it was announced it was going to come out in 2019. And when it did, it blew pretty much everyone away, with fantastic animation, great storytelling, and a harrowing final few episodes. Maul's speech to Ahsoka in particular is downright chilling when you realize he's 100% sincere, is ''afraid'' of what's coming, and genuinely wants to try and stop it.

===Star Wars: Rebels===
[[Image:WomanYellingAtLothcat.jpeg|right|400px|thumb|''Stop fooling our plan, you rebel scum!'']]
Now that Disney owns Star Wars they can't go a season without something new to run on Disney XD, so after ''The Clone Wars'' ended they needed a series to milk episodes out of and launched ''Rebels''. ''Rebels'' is set a few years before ''A New Hope'' and covers the early formation of the rebellion from the perspective of one cell focused on the planet Lothal. Much like the Clone Wars, it starts off weakly with slow pacing and erroneous animation, but gets better as the seasons and storyline progress, with season 4 often equalling the very best Clone Wars arcs for quality and storytelling. If you liked ''Rogue One'' but thought it should be about 25 hours long and done in cartoony CGI then this is the show for you.

So what did we see in ''Rebels''?

* All the main characters are well-written, fleshed out, with reasonable, sympathetic backstories and significant character arcs, along with different enough skill sets that they don't step on each others' toes. Each one feels like an integral part of the team; the pilot, the gunner, the muscle, the tech, the swordsman and the hot-shot rookie.
** Seriously, you'd think that with two jedi in a 6-man crew you'd get some overlap, but they feel like very different characters, both in personality and powers. Kanan is very much the quintessential combat jedi (as is to be expected as he was trained during the Clone Wars), while Ezra's signature ability to connect with the galaxy around him and especially its wildlife marks him out not only from the rest of the Ghost crew, but from every other force user we've seen on the screen.
* Grand Admiral Thrawn makes his debut in Disney Star Wars, along with the TIE Defender project. The character doesn’t lose much in the translation, and later on is arguably treated better than the source.
* The bearded old guy in the Endor strike team in RotJ turns out to be Captain Rex. Fan theory at first, later confirmed.
* You CAN [[combi-weapon]] a lightsaber and a blaster, and it's OP as shit
* Force wolves (no, not [[Rune Priest|those force wolves]])
* [[A Song of Ice and Fire|Game of Thrones-style]] Mandos (Krownest is pretty much Space-Winterfell).
* Imperial Inquisitors. Sure they don’t last long, but they were intimidating while they were, and it planted the seed that was used elsewhere.
* Good appearances by Vader and Sheev.
* The Maul vs Obi-wan decades-long duel finally comes to an end... and what an end it is.
* The season finales are, invariably, fantastic.
* Animation gets better as the show goes on.

So about the wolves... ''Rebels'' turns the force mysticism up past 11. Forget just being precog space monks with laser swords; as far as ''Rebels'' is concerned the Jedi are [[craftworld]] [[eldar]] without the racism. Rebels picks up the torch of the Clone Wars “Force Gods” and mixes in some of the straight-up fantasy shit from the Lucas era novels and the KOTOR/Old Republic Jedi philosophy schools and heresies beyond just “Light good, Dark bad”.

However, there were levels of derp that we got to see in this show, such as the following:

* Since this is a Disney cartoon, the bad guys spend a large amount of their on-screen time (though not all, mind you) losing. This changes the Imperials (other than Thrawn and Vader) from an imposing force to [[Abbadon|cartoon villains]], although Rebels villains manage to stay intimidating more than Grievous did in Clone Wars. Compared to Clone Wars, Rebels villains probably win just as often (though, given how the clone wars ends with Order 66 and Rebels ends with the Battle of Endor, Clone Wars has a much more downbeat ending).
* Battles slower paced than a Death Guard movement phase. Enjoy characters having conversations in cover-based shooting when everyone has Stormtrooper aim (which, admittedly, has been a feature often present in Star Wars from the very start).
* [[Bullshit|Helicopter lightsabers]]. Thankfully this was only present for one episode.
* Complete bipolarity in tone. This can create some great moments, but invariably ruins the mood episode by episode, or between the A and B plots.
* Iron Squadron. Just...fucking [[Rage|Iron Squadron]]. Even more thankfully, they too were only present for one episode.
* Star Destroyers take some getting used to, mostly due to their bridge towers being way taller than they should be.
* Space Squid-whales annihilating a maximum strength Imperial Blockade in under 30 seconds.
* The changes to Hondo Ohnaka's character.

All in all, it depends on your preference.

Since the show does have a fair amount of dedicated fans, <strike>likely</strike> possibly more than the sequel trilogy itself, Disney has made a habit of planting Easter Egg references to Rebels in basically everything moving forward, usually in the form of an appearance by the iconic ship The Ghost or the friendly-ish space pirate character Hondo Ohnaka.

===Star Wars: Resistance===
Annnd they had to go and change things again. With ''Rebels'' coming to a close and a burning need to keep Star Wars on their lineup, Disney had a choice: find a new plot and setting for a formula and art style that had produced two successful multi-season shows, or throw it all out and start from scratch. Remember, this is Disney we're talking about, the company that once [[Fail|paid a quarter billion dollars to fire the producer who made ''The Little Mermaid'', ''Beauty and the Beast'', ''Aladdin'', and ''The Lion King'']] only for him to go and [[profit|found Dreamworks]] out of spite.

Like its predecessor, ''Star Wars: Resistance'' sets itself up as a prequel to a trilogy, in this case following the early days of the Resistance in its fight against the First Order. Where it differs from ''Rebels'' is that ''Resistance'' is playing the warm up act for a trilogy that nobody likes. On top of which, the creators abandoned the 3D style that ''Rebels'' inherited from ''The Clone Wars'', and replaced it with a cel style that's half ''Treasure Planet'', half ''Avatar: The Last Airbender'' and all ''RWBY''.

To be blunt, this show is 100% pure crystal derp. Our star is Kazuda Xiono, a manic depressive who literally fanboy-ed his way into being a spy under the cover story of being a mechanic, two jobs he is not qualified for. This kid is the Invader Zim of Star Wars. Filling out the cast we have the original only cockney girl in space, an autistic alien, their widower boss who is definitely gonna die, D.Va and her ex-imperial officer dad, and BB-8. Poe Dameron shows up regularly so he can be TOP SUE without having to share a screen with Rey. Captain Phasma plays the show's big bad and yet stays true to form in doing absolutely nothing. Reception was so terrible it was confirmed canceled at 2 seasons before the second season even started.

Part of the problem with ''Resistance'' is that the First Order has a doomfort that can frag planets across the galaxy, yet has to resort to hiring pirates to encourage settlements into accepting the First Order's protection racket. Palpy's empire was a model of efficient, heavy handed governance; its evil intent veiled from the masses who mostly resent it for bringing order. And some instances of institutionalized racism and the occasional genocide on a planetary scale. Y'know. Empire Stuff. The First Order on the other hand is basically just Cobra Command, a font of evil hamstrung by flailing incompetence. As mentioned earlier, the backstory for the Resistance and First Order is basically that the First Order are a mobile pirate fleet with one untested secret base weapon lead by old farts of dubious actual leadership abilities from the Empire and their fanatical children with grunts made up of brainwashed child soldiers kidnapped from pioneer settlements while the Resistance is just a tiny militia that is so poorly funded they don’t even qualify as a single fleet since their few outdated capital ships are crewed by outdated droids and they don’t even have enough fighters to protect them, but rather than depict the potentially interesting dynamic this suggests the series just tries to be Rebels again, the same path the movies took even though at this point both factions are even smaller than they were in the movies.

===Star Wars: The Mandalorian===

[[Image:The_mandalorian.jpg|right|200px|thumb|[[Goblin Slayer|''Bounties?'']]]]
Because Disney didn't have enough money, they decided to try their hand at streaming services (despite already owning Hulu), and created Disney+ as a collection of their shows and movies. And with any streaming service, you need a flagship title. Thus, ''The Mandalorian'', the first live action Star Wars television series.

The show itself lives and breaths off your nostalgia for the Fetts, giving you a new lead character wearing the cool ass armor, bounty hunting, getting in gunfights, et cetera. The show's set five years after ''Return of the Jedi'', and leans into spaghetti western's so hard you wonder why Clint Eastwood hasn't shown up (John Wayne's grandson does do much of the stunt work for the titular character). Whether you like this show pretty much comes down to the question of can you accept [[Goblin Slayer|a show where the main character's face is never seen]] and whose name is almost never spoken (probably, considering this site's demographics), and can you stand a story wrapped entirely around the finger of a baby yoda who is the most well know spoiler since (joke.exe).

If you like the 2012 [[Judge Dredd]] movie you will like the show. It also might be one of the closest depictions of a Space Marine we are going to get for the foreseeable future on the "big screen". The Mandalorians (this group at least) have become almost a cult regarding "The Way" their warrior code. Highlights include a [[Looted]] [[All_Terrain_Soup|AT-ST]], getting to watch a [[Men_of_Iron|IG-11]] aimbot entire groups of hostiles multiple times (hell just watching IG-11 ''move'' is amazing), and an episode shot like a horror film except that [[awesome|the protagonist is the hunter]]. The final two episodes are a callback to almost every episode except "The Prisoner" & "The Gunslinger" and numerous characters return and get to be their own brand of awesome. The show also brought back the old style Mandalorians - it's a creed and a way of life, not a species or race. You are a Mandalorian because you chose to be, and because you follow the Mandalorian code, not because you're born that way.

There are several hiccups in writing but those might be smoothed out later, or can just be written off as the galaxy being just that big and individuals not having the same info as the audience. Overall it is the most well received addition to Star Wars since ''Empire''. With the show actually understanding why and how certain reveals should work, ie. not making there be anything special to us (the audience) about the Mandalorian's face/name, it is special because of his code not because he has laser eyes or something.

A second season (it was inevitable) was announced in November 2019, finished filming in March 2020 and is set to arrive on Disney+ in October 2020. Several characters from elsewhere in the franchise such as Boba Fett, Bo-Katan (Duchess Satine’s redhead sister from the Clone Wars, who also happens to be the last known wielder of the Darksaber before Moff Gideon turned up with it in the final episode of season 1), Sabine Wren and Ahsoka Tano are rumoured to be appearing in season 2.

==Wookieepedia==
One of the largest fan wikis ever created, this bad boy is extensively cited, has enormous variety, and has page upon page of talk. It was if Lexicanum, the 40k fan wiki, and our own glorious site were fused into a terrible beast.

==Impact on 1d4chan and associated games etc==

Star Wars has had subtle and clear impacts on a number of other franchises and genres and it can be ''incredibly'' hard to gauge the extent of it all. Certainly it didn't create the concepts of sci-fi, space battles, sweeping storylines, and a blending of mystical and scientific ideas, but it certainly popularized them during the years of the original trilogy and influenced many people that would go on to have interests in sci-fi, fantasy and epic adventure today.

Hell, look me in the eye and tell me that the lightsaber didn't give us the [[power weapon]]. But then again, magic weapons.
==Sabacc and Pazaak==
A rather unusual entry here but it's well in line, Sabacc is an actual tabletop card game from the Star Wars universe which is basically a hybrid of Poker and Blackjack. A Sabacc Deck has 76 cards, most of which in four suits of 16 cards numbered one to 16, plus sixteen wildcards in two sets with values that were either negative or (in the case of the Idiot) Zero. The goal of the game is to have a set of three cards who's total as close as possible to, but not over, 23 or -23. If you got 23/-23 (Pure Sabacc) which could only be beaten by an Idiot's Array (the Idiot, a Two and a Three, thus 23). In case of a draw, new cards are drawn. The stakes are raised every cycle until the cards go down or one player is left standing who gets the pot.

The notable thing about Sabacc that sets it apart from real world card games is that the Cards can change value every turn. A Pure Sabacc can easily become an instant lose 25 and an absolutely lousy hand can become an Idiot's Array. They can be stabilized to fix their value, but everyone knows when you do so. This feature has so far prevented Sabacc from being released in tabletop form as of yet. ''(Of course, there are ways to deal with this, such as simply re-dealing unfixed cards, but never let it be said that nerds will choose practicality over purity.)''

In universe, Han Solo won the Millenium Falcon off Lando in a game of Sabacc.

Pazaak is an older game from an in-universe perspective, similar to Blackjack but its player versus player rather than player versus dealer and also has some aspects of a collectible card game. Goal of the game is to raise cards from the main deck until their total value is 20 or they can also choose to stand if they get close but don't want to risk it. Best out of five wins.

CCG-aspect of Pazaak comes from the sidedeck: both players collect ten cards for their side deck and then randomly take four cards from their side deck to their hand in the beginning of the game. Hand cards are used to either lower or raise the total value: so if the player raises cards from the main deck to the total value of 25, they can prevent dropping out if they have a -5 card or higher in their hand.
Cards which only either raise or lower the value are the most common of the side cards.
More rarer are cards which can be used to both raise and lower the value.
Then there are flip cards, which change certain main deck cards on the table to negative ones. So if the player plays a 2&4 flip card, all 2:s and 4:s on the table become -2:s and -4:s. Flip cards exist in 2&4:s and 3&6:s.
Then there is the double card, which doubles the value of the last played card. So if the player raises a 5 from the main deck, playing the double card would turn it into a 10.
Finally, the rarest side deck card is the tiebreaker, which grants the player a win if the game would otherwise end in a tie.

==Tabletop games for Star Wars==

=== Role-playing Games ===

[[West End Games]] made a Star Wars [[role-playing game]] called [[Star Wars RPG|Star Wars: The Roleplaying Game]] AKA '''Star Wars D6'''. Like many West End products, it's a good game with the great misfortune of being published by West End games.

[[Wizards of the Coast]] picked up the license later and made two distinct RPGs based on their [[d20 System]], called [[Star Wars D20]] (imaginatively). Could be fun, but generally broken as hell, much like [[Dungeons & Dragons 3rd Edition|its parent game]]. It was then utterly revised that into what they called the '''Saga Edition''', which is relatively balanced and pretty good.

[[Fantasy Flight Games]] is presently selling [[Star Wars Roleplaying Game|a whole line of Star Wars-themed RPGs]], each one focusing on a specific style of play. You want to play a bunch of scruffy space outlaws (Edge of the Empire), members of the nascent Rebellion (Age of Rebellion), or exiled Jedi Knights (Force and Destiny), then they got you covered. Unlike their [[Warhammer 40,000 Roleplay]] games, which are all ''juuuuust'' different enough from one another to completely buttfuck any attempts at blending, all three gamelines use identical mechanics and are fully cross-compatible. Uses symbol-counting [[dice pool]]s with ludicrously overpriced custom dice.
Like the other RPGs they decided with the retardedly similar name, and thus this one is sometimes called '''Star Wars FFG''' to avoid confusion.

FFG have kept milking the franchise and in summer 2017, decided to [[Necromancer | reanimate]] the [[Star Wars RPG|Star Wars: The Roleplaying Game]] with a "30th Year Anniversary Edition" print of the original game. It '''''finally''''' shipped in July 2018 after spending a year in limbo.

=== Card Games ===

The big [[card game]] set in the Star Wars universe is the [[Star Wars Customizable Card Game]]. It's no longer produced by Decipher, but there is still a sufficiently large player community to organize annual tournaments, rule on cards, and so on. SWCCG was radically different from the norm of card games, being divided into light and dark side cards with different backings, with light and dark always playing against each other. For tournament play a player would need both a light and dark deck. The gameplay was also radically different from most CCGs; in Magic terms the closest analog would be that every SWCCG deck was fundamentally a mill deck, with some hard to assemble insta-win combos themed to the plots of the movies.

[[Wizards of the Coast]] made the [[Star Wars Trading Card Game]].

[[Fantasy Flight Games]] is presently selling [[Star Wars: The Card Game]].

Obviously, nobody is capable of creating a Star Wars card game with an interesting name.

Aside from the real, physical, games there was also ''Star Wars Galaxies Trading Card Game''. It was a real, functioning, card game within the MMO that used all virtual cards. Unfortunately no server emulators have implemented it yet.

=== Miniature Games ===
[[Wizards of the Coast]] did a tabletop battles game imaginatively called Star Wars: Miniatures, based on an extremely dumbed down version of the D&D ruleset. The figures were meant to tie in with the Saga edition RPG, it wasn't terrible on its own, just impossible to collect for competitive play since figures came in random booster packs so you never know what you were getting for what faction. Who could possibly stand for that?

[[Fantasy Flight Games]] is producing the [[X-Wing]] miniatures game based on individual starfighter combat (because, let's be honest, that's what ''Star'' Wars is all about). They have also released [[Star Wars: Armada]] which is a larger scale "fleet" combat simulator, using capital ships and squadrons of starfighters.

'''Star Wars: Imperial Assault'''

The latest [[Fantasy Flight Games]] addition to its Star Wars related games is a mix between a miniature board game and a skirmish wargame. It has two play modes:

One for campaign play where 1-4 players control a team of Rebel heroes and another player has the role of the DM, who controls the Imperial forces. The campaign, as the name suggests, focuses on character personalization, xp gain and the like, which you can find in any light RPG-esque (board)game. The main goal is to get a few friends together and casually play through the missions. Think of it as a Star Wars version of the original [[Hero Quest]].

The other play mode is skirmish play, where two players each get to assemble a team of miniatures plus a command deck (cards that have specific effects when played) and play against each other in an open-play scenario. The play area is still very limited to a few game tiles (as in a campaign mission) but players are free to bring whatever they want (with a few limitations of course). The skirmish part of Imperial assault is as close as you can get to an actual Star Wars skirmish wargame, but it is a missed opportunity from Fantasy Flight to create a true skirmish wargame (ala [[Infinity (wargame)|Infinity]]), not based on tiles and so confined spaces. Who knows what they have plans for though...

'''Star Wars Legion'''

And Fantasy Flight have now given us a fully fledged wargame, complete with AT-ST in the first wave. (They're 32mm scale, which means [[Games Workshop|no reusing your Imperial Assault miniatures]].) Legion has an integrated turn system, and the usual FF custom dice and forest worth of dead trees in cards and tokens that will be familiar to X-Wing and Armada players. The miniatures are PVC, reasonably detailed, easy to assemble pieces. A standard battle is 800 points, which could be anywhere from half a dozen to 16 units on the field, with an average army fielding 8-12 units comprising 30-ish models.

=== Board Games ===

The most famous and arguably best one is [[Star Wars: Rebellion]], an asymmetric two-player game that plays through the Original Trilogy in a wargame/worker placement-esque game. The Empire player must expand their already huge military base over the galaxy to build more ships and huge superweapons while searching for the Rebel Base, while the Rebels do their best to bite them in their heel, obscuring their movements and annoying the Empire until they have enough support to overthrow the Empire. As a [[Fantasy Flight Games|FFG]] boardgame, it's filled with a ludicrous amount of bits and pieces (including sweet models of Star Destroyers, Death Stars and Calamari Cruisers), as well as the trademark filled-with-small-exceptions ruleset. It's pretty sweet and still considered one of the best board games of its kind.

=== Card Miniature Games ===

In the late 00's, WizKids produced a short lived construct-able miniatures Star Wars game based on their styrene card system for Pirates of the Spanish Main. Although the game sold well, when NECA bought WizKids from Topps the rights did not transfer and it went out of print.

==Video Games for Star Wars==

To put it bluntly, every game which could possibly have ''Star Wars'' slapped onto it, exists. Flight simulators. Racers. Rail shooters. Doom clones. MMOs. Age of Empires reskins. Hell, there's even a Kinect variety game. Here's a few standouts...

* '''Knights of the Old Republic''': A pair of single player RPGs depicting a Sith war several thousand years before ''A New Hope''. KotOR is widely regarded as the best Star Wars video game ever, and was the framework for BioWare's ''Mass Effect'' series. Of all the Legends stuff, KotOR appears to still be in good standing with Disney since they continue to borrow from it. The sequel by Obsidian was the original skubtastic take on the franchise TLJ wanted to be but failed miserably. Got an MMO simply called "Old Republic" (since you can play as things other than Jedi and Sith) that is the sequel, which had a very rough start but stabilized enough to still survive to this day somehow). Possibly still canon in the Disney continuity since a lot of things get borrowed or referenced from it. Also the only thing in the EU to still receive new content.

* '''Jedi Knight:''' A series that started of as an early FPS named Dark Forces (so early that it was the time when FPS games were still known as [[Doom]]-clones) but Dark Forces II: Jedi Knight had the protagonist become a Jedi. The Dark Forces name was dropped in favor of Jedi Knight after this. The series combines surprisingly deep lightsaber combat with standard shooting, though the levels can get very mazy at times. Introduced Kyle Katarn, one of the most popular characters from EU. Unfortunately, there has not been a new game since 2003's ''Jedi Academy'' and likely will never be thanks to Disney.

* '''Republic Commando''': An FPS that has the player command a squad of commandos. Its a great shooter but unfortunately, it never received a sequel and to make things worse, ended on a cliffhanger. The second act of the game, set entirely on a drifting Acclamator-class assault ship is particularly memorable and highly atmospheric. If one can look past outdated graphics, its worth trying out for anyone who wants a good FPS experience.

* '''Empire at War''': Made by the original developers of [[Command and Conquer]], it is the most notable strategy game to have come out of Star Wars. Notable for featuring three different modes of play: ground battles, space battles and galactic conquest map. Though ground battles are a bit meh, the space battles are great and the galactic conquest is certainly more interesting than only playing random skirmish matches. Even though its over 10 years old, it has a very active modding community. Republic at War, which changes the games Galactic Civil War setting to Clone Wars and Thrawns Revenge, set much further into the Galactic Civil War than portrayed in the films, are particularly great. There is also a remake mod in the works, aiming to bring the game up to modern standards in terms of visuals, sound and UI and the results do look good. Unfortunately, no great 40k mod.

* '''Star Wars Galaxies''': An early MMO, launched after ''Everquest'' but before ''WoW''. Galaxies is noteworthy for making force powers a prestige achievement requiring enormous in-game effort to unlock. The first expansion pack added a subgame that's a pretty solid flight game in its own right and the game eventually added an original, fully playable, trading card game that sadly has not yet been implemented in any simulator. Then ''World of Warcraft'' hit, Sony panicked and made Jedi a starting class and replaced the skill system with massive level grind, and offered refunds to the raging army of neckbeards. Subscription numbers tanked and never recovered. It would effectively be replaced by ''The Old Republic'', an MMO using the acclaimed KotOR setting. Like most "dead" MMOs that people loved it still lives on through illegal private servers (don't worry, the guys providing it would get busted, not people playing on it).

* '''X-Wing (and TIE Fighter)''': A series of ''Wing Commander'' clones released in the 90's. While badly dated today, they were the best fighter sims of their time, and if you can get past the highly primitive graphics some people still consider them to be the best to this day. Why? The mission scripting and AI are top notch for the genre and absolutely brutal to fight against; on all but the simplest missions you're almost guaranteed to fail the first time and eventually develop a sixth sense about the fighters threatening your objective vs the fighters just there to kill you (ignore those, learn to be hard to hit). Interestingly, TIE Fighter is largely seen as the best of the series while the N64 era Rogue Squadron and Shadows Of The Empire games are seen as being far more visually modern but largely inferior sequels. Did we mention you had to use a flight stick controller basically made for these games to really do well at these?

* '''Star Wars Battlefront II (2005)''': Not to be confused with the one released by EA in 2017. Solid game from the new-defunct Pandemic studio (fuck you, EA) in 2005 told from the perspective of a clone trooper that survived all the way up to the battle of Hoth, with a very down to earth boots on the ground approach. Also, just being thrown into random matches as a soldier because fun. Despite some issues, it remains the high point of the Battlefront series as well as the entire PS2 era, and on PC still has fans via an active modding community to this day. There is of course also the original one but the second one pretty much completely overshadowed it.

* '''Star Wars Battlefront II (2017)''': The one by EA. You've probably heard everything important. An absolute mess at launch due to its lootbox-heavy progression system, so much so that it started discussion even on government level about lootboxes that continues to this day. A comment by EA that became the most downvoted comment in Reddit history. Yet despite all this, two years later, the game is arguably one of the best Star Wars experiences one can have and an Anakin-level redemption story. Like the previous Battlefront II, it completely overshadowed its predecessor.

* '''Jedi: Fallen Order''': It took them years but finally, EA managed to deliver a Star Wars game that is great on launch without cramming it with e-transactions. Its plot focuses on an unfortunate Jedi renegade between ''Revenge'' and ''A New Hope'' who's on the hunt for a hidden database that might document all the Force-sensitive individuals in the galaxy. A game inspired primarily by games such as Dark Souls and Uncharted, its a great action-adventure game in its own right and a must-play for any Star Wars fan. Also notable for making Darth Vader '''''really FUCKING SCARY'''''. As he should be.

* '''Monopoly Star Wars''': Its Star Wars Monopoly. With 90's FMV that plays for every square you land on. On floppy disks. Considered fucking amazing at the time, its too strange and tabletop to not mention. Also one of the last pre-Prequel things released.

* '''Super Star Wars''': A heavily modified retelling of the original trilogy (what, you don't remember how Luke chased down the Sandcrawler and murdered all the Jawas as well as their giant rat god in order to rescue R2-D2?) that was one of the ways to say "hard as fuck" by namedropping a game prior to Dark Souls existing. Amusing for the insanity of the added content in order to make a platformer sidescrolling beat'em'up as well as how neckbeardy you have to be to punish yourself trying to beat it without cheating. Sequels were made for Empire and Jedi, which slightly dialed back the difficulty.

* '''Star Wars: Yoda Stories''': A game geared for kids, released the same year as Monopoly above. Players play as Luke sometime after Empire Strikes Back, although an odd alternate version where Han sometimes is free from carbonite and Boba Fett and sometimes is not. They are assigned a quest by Yoda which requires them to traverse one or more procedurally generated planets doing whatever odd crap Yoda felt was necessary, including sometimes fighting Vader. Recieved middling scores as a PC release, with some individuals HATING the game and using it as a benchmark for how much they hate something when comparing the two, although to be fair that is because distributors tried to sell it like a full game when in reality its supposed to just be freebie software that came with other purchases and was meant to go with Solitaire and space pinball as default games on a computer to waste time with. It has lapsed into obscurity thanks to even those reviewers largely being forgotten on the modern internet. Noteworthy for being played on a grid with simultaneous turn-based movement with all enemies and NPCs on a screen, feeling very much like a tabletop game at times. A simple puzzle game, where getting blocked in a corner without enough space to pass the time by an idiot NPC is more dangerous than any foe.

*'''Shadows of the Empire''': Made on the Nintendo 64 and Windows PC, you play as Dash Rendar, a scoundrel in a ship like Han Solo working for the Rebellion. Takes place during Episode V as a side story. Despite being much beloved by fans for years and years, it's sadly not aged well thanks to the rather peculiar control scheme of the N64 and the graphics not having aged like cheap cheese in the sun. Main enemy of the game is a xeno named Xisor who is just a real uppity crime boss (and apparently a prince). This game has an absolute great opening first part where you're flying in a Snowspeeder on Hoth killing Imperials left and right while trying to use the cables to crash the AT-ATs like in the movie. After that the game begins to kinda just carry on with awkward controls.

==Assorted list of Awesome From Star Wars==
* Fucking ''[[Lightsaber|Lightsabers!]]''
* The fucking [[Approved music|OST]]
* What is likely the greatest duel in cinematic history, that takes place on a [[Death World|lava planet.]]
* Deathly Stormtroopers, heroic Clonetroopers or sinister First Order troopers; whatever they're called, stormtroopers are awesome! Contrary to popular belief, shot counts have proven they have ridiculously good aim.
* Darth Vader whenever he gets a speaking line or to murder rebel scum - that is to say, all the time.
* Darth Maul in The Phantom Menace, TCW and Rebels.
* Lightsaber Rifles
* The entirety of the Umbara campaign, where <s>Imperial Guardsmen</s> Clone Troopers die in the dozens attempting to win some godforsaken planet, earning them balls of titanium that make the guard look ba- {{BLAM| '''*BLAM*''' Heresy!}}
* 97% of the Creatures.
* 98% of the Starfighter designs.
* Costumes that mix about every possible inspiration, Chinese, Mongolian, Japanese, Ancient Greece and Rome, Elizabethan, Moebius or Pulp Sci-Fi from the 60's, giving the whole series a distinctive style and gives Padme Amidala an excuse to show off with all her dresses.
* Boba and Jango Fett and the rest of the Mandalorians.
* KOTOR (both games) plot making you think this shit is actually logical and has so much philosophical background. One of the creepiest depictions of the Universe. Everything is brutal, with big vibrating knives, blood, those machines for Sith snuff movies, more blood, bastards, badass bastards and so on. Everything while somebody is talking with you about existence.
* Our saviour Lord Revan. He's like if [[Horus|fucking Horus]] just became [[Big Bad Evil Guy|fucking bad]] (but not that [[Erebus|bad]]) to fucking destroy the [[Chaos Gods|Dark Gods]] so he can solve his daddy issues.
**but he's more virile, deadly, powerful, charismatic and cool.
* Lightsabers.
* Obi-Wan Kenobi.
* The High Ground.
* TIE fighters. They have the most distinctive scream of any fighter in cinematic history that just yells "I'm evil!". Tell me I'm wrong. I'll wait.
** The fact that they managed to do that using what is essentially a shitty visual pun.
* Most of Episode 3.
* The entirety of Anakin's story, especially when you add the Clone Wars and prequels. While you're at it, watch CinemaWins' perspective on it the series.
* Admiral Ackbar the Memeable!
* Palpatine getting into some Tzeentchian-level scheming and backstabbing in order to overthrow the Jedi and the Republic.
* Grand Admiral Thrawn: So awesome that he rose to a high rank in the anthropocentric Empire despite being an alien and was one of the first (and rare few) things to be imported straight from Legends to Disney.
* Imperial Pilots get a mention, seeing as they fly literal garbage fighters against superior rebel fighters. Yes, we are talking about the the same TIE Fighters we mentioned before. By garbage, we mean despite how cool looking and sounding TIE Fighters are, they are actually a ridiculously impractical design and the standard TIE Fighters are mass produced extremely cheaply even if they don't look like it. Even 40k's Imperium has better fighter designs. At least the Imperium's fighters conserve the life of the fucking pilot. Also, clearly super skilled since they have roughly an equal kill-death ratio with the Rebels in the movie battles.
* Obi-Wan Kenobi again.
* Princess, later Senator Leia Organa; the original badass-yet-hot boss lady in space. Ends up leading two separate, successful underground freedom movements against impossible odds. Did we mention she's a Jedi in both canons?
* Han Solo, who is so badass that hot Leia falls in love. He has the smuggler's best friend, a Wookie, who is also the worst opponent you can face in a [[Chess|Dejarik match]].
* Just... Star Destroyers. When you see a huge, imposing warship from an evil Empire, this is the granddaddy they all look up to.
* Oh, did we mention the lightsabers?

== See Also: ==

* ''[http://www.darthsanddroids.net/ Darths & Droids]'': A webcomic, made using photo-stills of the ''Star Wars'' movies to tell a story about gamers blundering through each of the six movies in sequence... though not quite exactly how you might expect. Think ''DM of the Rings'' in overall visual style, though unlike ''DM of the Rings'', ''Darths & Droids'' features several heavy twists on the actual events of the films, subplots about the players and their lives outside the game alongside the campaign, and a better overall quality of gamer. Whereas ''DM of the Rings'' features a railroading DM and players who are therefore somewhat antagonistic to him, ''Darths & Droids'' has a GM who adjusts his game to his players' actions and players who generally get along with both him and each other. The plot of ''DMotR'' is very similar to that of the movies (but avoids a few plot elements), but the plot (and, indeed, the universe) of ''Darths & Droids'' is only very loosely based on the ''Star Wars'' films. (For a somewhat spoilery example: "Darth" is a courtesy title for retired Jedi, such as Chancellor Palpatine.)

* "[http://www.theforce.net/swtc/holocaust.html/ Endor Holocaust]": An excellent example of the [[skub]] Star Wars can create. Rebuttal: " [http://www.darthsanddroids.net/fanart/endortruth20040810.pdf Endor Rebuttal]"

* [[Timothy Zahn]]

* [[Star Wars:The Clone Wars]]

* [[Star Wars:Rebels]]

* [[Star Wars:Resistance]]

[[Category: Television]]

[[Category: Star Wars]]

Star Wars

2020-10-05T09:02:22Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62: /* Episode 8: The Last Royalty Check (aka zomg Luke dies!) */

{{Star Wars}}
[[File:Star-Wars-Logo (1).jpg|center|500px|]]

{{Topquote|A long time ago in a galaxy far, far away....|Star Wars opening text}}
'''[https://www.youtube.com/watch?v=_D0ZQPqeJkk/ Star Wars]''' is one of, if not ''the'', most influential media franchises of modern times, let alone its effect on science-fiction and fantasy. Indeed, among [[/tg/|nerddom]], it is challenged by only a few others, like [[Star Trek]] and [[The Lord of the Rings]].

The incredibly ardent fandom is spread worldwide and has a strong presence in popular culture. Many of the characters, like Darth Vader and Yoda, are iconic even to the general public. John Williams' score for the original trilogy is one of the best-known film scores of all time, right up there with greats like Jurassic Park, Indiana Jones, Harry Potter and the Avengers. The universe has spawned numerous video games, hundreds of novels, multiple TV shows, one of the largest merchandising franchises ever, and, relevant to /tg/, a whole bunch of board, card, and roleplaying games.

It is also the current leading world source of [[Skub]].

==The Basic Concept==
Star Wars was originally a series of epic science-fantasy "space operas" that roughly followed the mythic cycle that's been around since Homer. They're set "a long time ago in a galaxy far, far away," [Note: this makes the entire series a fairy tale] where a mysterious life force called (reasonably enough) the Force permeates everything. This, in turn, can be wielded by certain people, giving them pseudo-magical abilities; thank the Emperor ([[Emperor|no, the other one]]) there were no Commissars in that universe. Those who use it for good become mystical, selfless warrior monks called Jedi, whereas those who use it for evil are ruthless, self-serving bastards called Sith. However, the Force must always be in balance, so any time the Sith arise to cause imbalance, the Jedi have to pull together and take them out to restore the natural order.

The so-called Original Trilogy (made up of films IV through VI, released from 1977 to 1983) followed a young man named Luke Skywalker who becomes a Jedi and re-balances the Force. Meanwhile, the Rebel Alliance is fighting to end the oppressive Galactic Empire, which is secretly led by the Sith. Luke and his Rebel companions eventually defeat the evil Emperor Palpatine, but along the way they discover that his lieutenant, Darth Vader, is actually Luke's father. A financial, critical, popular and cultural H-bomb, these movies are basically the filter through which Generation X perceives the world... for better or worse.

The so-called Prequel Trilogy (made up of films I through III, released from 1999 to 2005) explained how Anakin Skywalker became Darth Vader and how the Galactic Empire was established. This involves a lot of convoluted politicking in the Republic, which is then torn apart in the Clone Wars, where the Republic (with an army of clones led by the Jedi) fights against the Confederacy (with an army of robots led by [[Necrons|General Grievous]] and secretly controlled by the Sith). It was not as well received as the first trilogy, for reasons we'll talk about below.

There's also a so-called Sequel Trilogy (made up of film VII and presumably films VIII and IX), which started in 2015 and picked up the story some three decades after the Emperor's defeat with a new generation of heroes taking on the remains of the evil Empire, which is a group of extremist former Imperials calling themselves the First Order. However, Episode VII aka ''The Force Awakens'', was directed by J.J. Abrams, who's mostly known for the [[skub|skubtastic]] [[Star Trek]] reboot, while Episode VIII was written and directed by Rian Johnson who was a young director known for plot twists and genre experimentation on a handful of movies and television episodes that openly said he wanted to "subvert expectations" and make half of viewers dislike his work, then got pissed when half of them disliked his work. The result managed to fracture the Star Wars fanbase over issues of dull rehashing for VII and a whole laundry list of reasons for VIII (ranging from small ones such as it being too different, to major issues like half the movie being filler), as well as those who still enjoyed them and very little common ground between the three groups.

Finally, there are the so-called Anthology movies, standalone one-shots involving characters and plotlines that aren't a part of the main "Saga" films, except they kind of are. The first, Rogue One (2016), is an immediate prequel to Episode IV that follows those Rebel spies who stole the Death Star plans. The second film follows a young Han Solo and pals Chewie and Lando. A third rumored one follows Boba Fett.

There are also three separate TV series. The first one, ''Clone Wars'', was based on traditional animation, whereas the later one, '''''The''' Clone Wars'', was a weird 3D animation. They're both pretty good. There was also a terrible theatrical release that was basically just an advertisement for ''The Clone Wars'', but, since it's even worse than the Prequel Trilogy (hint: babysitting Jabba the Hutt's kid), nobody talks about it much. The third series is Disney's ''"Rebels"'' which is set between Episodes III-IV and it takes itself far less seriously than Clone Wars did, and is more of a homage to the original trilogy since not every character in the series is the owner of a lightsaber nor are they constantly talking about grown-up politics, senators and trade embargoes... pretty much the things that clogged up the plot of the prequel trilogy.

And then there's the whole Expanded Universe, which covers pretty much everything not covered by the films, like the Old Republic (set thousands of years before the prequel trilogy, when there were a hell of a lot more Sith and Jedi around) and the New Republic (set immediately after the original trilogy, explaining what became of all the characters. It could also reach 40k levels of grimdark with races like the [[Dark Eldar|Yuuzhan]] [[Tyranids|Vong]] characters like [[Vampire|Darth Nihilus]] and beings like [[Old Ones|Abeloth]].

The EU is no longer considered in the main canon of the films and TV series, due to the new sequel trilogy which does not follow EU, the reason for this being, according to Disney, that following EU would restrict their creative freedom. The reaction to this was, well, [[skub|mixed, for lack of a better word.]] They've since noted that they'll slot ''some'' of it in on a case-by-case basis, but the canon is in a highly fluid state at the moment. EU is now officially called Star Wars Legends, though most fans still refer to it as EU.

==Why is it so popular?==

Star Wars is as accessible as science fiction gets. It doesn't require extensive knowledge of a fictional world (a la ''[[The Lord of the Rings]]'' or ''[[Warhammer 40,000]]'') or cultural background (as ''[[Star Trek]]'' sometimes does) to make sense. Those elements are present for those who want them, but they largely stay in the (very rich and vibrant) background. It has well-shot action and good ''enough'' dialogue to make it interesting for both kids and adults (as well as allowing parents who grew up with it to watch it with their children, thereby hooking the next generation of viewers). It has simple, good-vs.-evil themes that resonate with almost anyone, anywhere, at any time. The science fiction elements are generally handled well if you don't obsess over making science fiction realistic and hard. It's a prime gateway drug for sci-fi which still holds up to the experienced eye, [[Isaac Asimov]] saw and rather enjoyed the films. All in Fourteen hours of cinema, plus optional sides for those who want it.

There's a ton of merchandise that is, of course, really cool. Also, given it's crossed over into the mainstream, many people feel comfortable being part of the community without feeling judged as "nerds" (as they might with ''Lord of the Rings'', ''D&D'', ''Star Trek'', ''Warhammer'', etc.).

Again, they roughly follow the mythic cycle that's been around since Homer. If you think about it, 6 of the 9 films can be summarized as: hero begins his journey under the tutelage of a wise (more or less) man, they encounter a threat which has captured/enslaved a princess/girl, who was in one way or another connected to an important secret (usually a superweapon but could be the identity of a political figure or the location of someone); the heroes save the princess/girl but someone dies tragically in a battle against the villain while someone else is blowing up a space station or a spaceship afterwards they are happy, they celebrate and mourn the loss of the poor bloke who died.

Additionally, the first film can be summarized as a samurai and a gunslinger team up to save a princess from Nazis in space. That is multiple cinematic genres at once, following the style of the epic myth.

==Setting==
Due to article bloat, [[Star Wars Setting]] is now its own page.

==The rise of the original trilogy==

A long long time ago, in a galaxy far far away....etc etc you all know the lines.

A man called George Lucas had the idea to create a series of epic sci-fi space operas that would become so successful that Disney would take notice and give it the franchise fluttering eye lashes, trying to seduce it.

They would be called... ''Flash Gordon''.

Unfortunately for Georgie boy, and fortunately for modern nerddom, Dino de Laurentiis already owned ''Flash Gordon'', and were busy making their own, hilariously eighties version, so he said, screw it, I'll make my own!

He decided to start with the fourth movie in the series he envisioned, for at the time he didn't have the special effects to create the first three to the standard he wanted, and/or he just kinda made up the first movie as he went along (drawing heavily on Akira Kurosawa's seminal samurai action film, ''Hidden Fortress'' in the process as well as the book [https://en.wikipedia.org/wiki/The_Hero_with_a_Thousand_Faces ''The Hero with a Thousand Faces''], a complex 1949 Joseph Campbell analysis of the various mythologies of human history all boiled down into the basic archtypes and elements required in heroic myth). So Episode Four ''A New Hope'' was created (simply titled ''Star Wars'' at the time) and it is not an exaggeration to say it changed the face of sci-fi and general moviemaking forever, bringing a new era of special effects and imagination to cinema and changing the lives of many who would go onto to become dedicated fan boys.

Originally, the studio had forced Lucas to take ever-increasing paycuts for what they were sure was going to be a flop, and only let him keep merchandising rights. However, whatever his flaws, George Lucas was a man of vision. Having helped pioneer the summer blockbuster, he went on to do the same to ginormous piles of movie-tie-in memorabilia. His production company, Lucasfilm ended up rolling in dosh, and with Episode Five ''The Empire Strikes Back'' and Episode Six ''The Return of the Jedi'', the legend of Star Wars and its place in cultural history was assured.

tl;dr: [https://www.youtube.com/watch?v=Ij4w7ChpuaM Pretty much this.]

==The coming of the prequel trilogy==
With the year 2000 coming, George Lucas felt that special effects technology had reached the level he wanted and began to create the first three movies in the star wars story he had envisioned. (As a side-note, he also made some touch-ups to the three original films, re-mastering them with special effects and a couple of extra scenes that weren't doable with the eighties' animatronics. But those were mostly accepted/shrugged away since they didn't deeply modify anything.The fandoms opinion on the matter however, remains a very heated [[Skub|debate]].)

The hype for the movies was immense.

And then the first movie, Episode One ''The Phantom Menace'' came out.....and there was nerd rage beyond expectation.

Part of the problem was that the immense expectations of the fandom had grown until anything less-than-perfect simply would not do, so perhaps that is somewhat to blame for the reaction to the prequel trilogy. In a vacuum one has to admit that they aren't completely ''[[Twilight|terrible films]]'' .

Episode Two ''Attack of the Clones'' and Episode Three ''Revenge of the Sith'' followed after a few years each and didn't garner nearly as much hatred, though fans complained they didn't match the greatness of the original trilogy, more concerned with flashy action and effects than competent story-telling; but hooo-boy did it deliver in flashy action, with laser armed [[MI-24 Hind|MI-24's]] full of <s>storm</s>troopers extracting jedi from a coliseum full of shooty killbots.

''Revenge of the Sith'' did, however, receive higher ratings than ''Return of the Jedi'', and is generally seen as the best and most-complete of the three prequel films as a story. Unusually the novelization alters some details and is considered a legitimately good book on its own merits.

What was generally more well received (despite a rocky start with a two hour pilot being pressed into service as a movie and an art style that took some time to gel) during this time for Star Wars was the Clone Wars animated series (both the traditionally-animated ''Clone Wars'' and the later seasons of the CGI show '''''The''' Clone Wars'', the latter which most everyone agrees is what the prequels should have been), following the war between the Republic and the Confederacy that sprung up during the time between the second and third of the prequels.

It'd be ''really'' hard to find a group of movies more skubtastic than the prequel trilogy, and saying a good or bad thing about it in front of the wrong crowd's sure to provoke huge amounts of nerdrage. In defense of the prequel trilogy's sins, they did at least do their own thing. Because of how much money the original trilogy made, practically every form of media in the 80s and 90s aped it to some form or another, and instead of falling back on the same old shit the prequels branched out and tried to get out of the franchise's comfort zone a bit. While a lot of it sucked, it blazed a trail for better writers to follow and helped liven up the universe by showing us the galaxy beyond fuckhueg spaceships and faux-Western shitholes like Tatooine. And all but the most [[Neckbeard|diehard OT purists]] can get behind shit like Naboo architecture, the Clone Army and Mace "The Ace" Windu. From a story perspective the worst sin of the prequels was demystifying the force, and subsequent works have largely swept that detail under the carpet. Then Disney bought Star Wars and prequels become popular. Makes sense considering they had good scenario. sense and original events and characters and other things sequels do not have.

==Disney and the sequel trilogy==

Finally, all the efforts by Disney to woo George Lucas paid off and in 2012 Disney acquired the Star Wars franchise for 4 billion dollars, with LucasFilm becoming part of Disney, appointing film producer Kathleen Kennedy as its president. This was immediately followed by an announcement that they would produce a new trilogy of films set after the original trilogy.

Expectations were almost as high as the private fears of the fans. Bringing on the creative talent behind the [[skub|skubtastic]] ''[[Star Trek]]'' reboot was equally... well, [[skub|take a wild guess (and that's before we factor in identity politics)]]. The end result saw millions of voices cry out in terror, and were suddenly subsumed into hitherto unseen levels of [[Skub]]. Tellingly, even SEVERAL OF THE LEAD ACTORS THEMSELVES have criticized the filmmakers or how the film was made, including John Boyega, Daisy Ridley and Luke Skywalker himself - Mark Hamill.

For sake of sanity, these section have been condensed. Read at your own peril.
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===Episode 7: The Mouse Awakens===
''Star Wars Episode 7: The Force Awakens'' debuted in December of 2015, and reception was what you would expect: the film was immediately a massive success from a monetary standpoint as everyone ([[China|almost]]) everywhere rushed to the theaters in response to the hype, with children engaging in as many repeat viewings as their parent's money could allow as fans did the same thing with their own. It has become a financial hit with the general public and a (critically) generally well-reviewed piece, with decent cinematography, special effects, technical stuff, etc. It also went on to become the third biggest financial success in film history (at the time), when not adjusted for inflation.
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Fan response was a good deal more mixed. Many criticize the plot for rehashing Episode IV, without doing anything to establish its own identity and claim that it had a bland main character, [[Mary Sue|who had too many abilities]] whereas others find the replication of ''Star Wars'' feel an acceptable trade and praise it for being a decent action film, [[skub|and claim the lead doesn't outdo any of the previous main characters]].

Some would argue that by rehashing the original trilogy it basically nullified the accomplishments of the original crew; the Empire's still around, they've got yet another superweapon, Han & Leia split up, Luke failed to rebuild the Jedi, etc. Other fans praised it simply for being a new Star Wars that was better than the prequel trilogy (expectations were lowered due to those, to be honest). Some see poor storytelling when there was no proper showing of what went on in the galaxy 3 decades since Palpatine died, and not explaining what caused big character changes like why Han returned to his old ways or Luke ran from his friends was critical. Other say this is going to be explained in the next film and people should keep their curiosity. Some argue even with their superweapon, none of the villains feel threatening. Others argue the incompetence of the main villain is a fresh change and the point of the plot will be to see him change, to be more competent, or even learn to become good.

Overall, those against argued JJ Abrams' mystery box approach may do well for a TV series but does not mesh with films that take years to make. Defendants held the position that fans should wait to see whether the next film will do anything with the unexplained plot points.

Coincidentally, when Hamill and Fisher were originally approached by Disney to reprise their roles as Luke and Leia, they ''didn't want to do it'' right from the start. But, they didn't want to give an out-and-out "no" answer either, so they told Disney they'd return if Harrison Ford agreed to return as Han Solo as well. Knowing how much Ford ''hated'' Solo, Hamill and Fisher figured they were safe, until Disney irresistibly sweetened the deal for Ford by agreeing to kill off his character, thus forcing a reluctant Hamill and Fisher to make good on their deal... [[skub|only for the three characters to never appear on the screen at the same time.]] To be fair, Hamill has a history of saying he won’t do something only to immediately agree like he’s making a standard sitcom gag in real life, even if that usually just applies to still voicing the Joker in Batman media.
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===Star Wars Rebels===
Disney also released their own CGI series: ''Star Wars: Rebels'', which is actually pretty good (considering that it airs on Disney XD, it should be no surprise that they've toned down the graphic depictions of gratuitous violence, much to the chagrin of [[Neckbeards|those who love overly gory deaths]]). It focuses less on the Jedi that have come to dominate the franchise and more on the "boots on the ground" experience of the average characters, and while the show started slow and small, the plot gained momentum as the series progressed, especially after the first season, with season 4 often rivalling the very best Clone Wars arcs for quality of storytelling.
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The Rebel movement starts to grow, several characters return from ''The Clone Wars'', and the enemies the main characters have to face steadily get darker and more dangerous as more of the Empire’s attention gets attracted. When Darth Vader gets involved (played by none other than [[Awesome|James Earl Jones himself]]) he immediately proceeds to [[Awesome|open a 24-pack of unstoppable whoop-ass on the rebel scum]]. The return of Maul resulted in three character deaths (possibly four), the crippling of one main character with another well on his way down the dark side, and to top it all off Maul himself was on the loose once again. Things did not turn out so well [[Grimdark|last time that happened]], so expect the body count to rise. Things get worse for the Rebels when [[Creed|Grand Admiral Thrawn]] gets involved, especially since he's developing better ships for the Empire and tracking the Rebel Alliance to their homebase (things get so bad that, at one point, the main characters literally only survive Thrawn's attack because of a Deus Ex Machina). Speaking of Deus Ex Machinas, the continues the trend set by ''The Clone Wars'' in making the Force mystical again, though whether this is a good or bad thing depends on how you felt about the [[Skub|skubtastic]] midichlorian explanation of the Prequels. The animation is on point with ''The Clone Wars'', which considering it's Disney should surprise less than nobody. Oh, and Steve Blum voices one of the main characters. However, it is also noted that Star Wars Rebels had sort of a [[Grimdark|dark ending]]. Two important characters die and another is left stranded in the unknown regions while stopping the villains, leaving us with two other characters only able to start looking for him after the second Death Star blows up.

[[Skub|The way that Filoni (the creator of Rebels and The Clone Wars) has handled the Mandalorians, a fan-favorite warrior-culture based upon the Scots and Vikings, has either been met with praise from those who despised Traviss and her overpowering of said culture, or utter RAGE that he turned many of them into either pacifist morons or bloodthirsty barbarians- usually that particular criticism comes from the Traviss fanboys]]. Do take note, however, that the old ways for the Mandalorians are making their way back into canon, such as the language, the emphasis on martial honor, and the decentralized nature of their government.
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===Star Wars: Rogue One===
December of 2016 brought us the first standalone Star Wars movie, "Rogue One", showing the theft of the original Death Star plans.
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While "Rogue One" can be justly criticized for lacking in character development, that was basically mandated by being set just before another movie whose actors were now decades too old (or, in the case of Peter Cushing, too dead) to reprise their previous roles. The cast of the movie includes almost no one who appears in Episode IV, and the few familiar faces who do appear show up as cameos. (Fair warning: spoilers)

Accordingly, every main character dies by the end. It still manages to pack quite a lot of [[awesome]] into the movie, with Donnie Yen, Alan Tudyk and Darth Vader all used to great effect. Rogue One also answers several questions, plugs several plot holes, and just generally makes A New Hope make a lot more sense in retrospect. (No wonder Vader wasn't impressed when Leia claimed to be on a "diplomatic mission.") It also has the distinctions of being the only Star Wars movie to focus on regular soldiers instead of Jedi, and being more like the original Star Wars than any of the sequels, including the other two of the main trilogy. (The original, back before it was "A New Hope", was a genre mashup of samurai + gunslinger rescue princess from space Nazis, then team up for a World War II dogfight. This one is wuxia cast + heist crew do a heist in a WWII trench warfare war zone. There's surprisingly little 'War' in Star Wars.) Much, much [[Skub]] still exists of course, since no Star Wars movie will ever please all the neckbeards but out of the five post-Disney Star Wars movies released so far, this one is definitely the least divisive and arguably the best of the bunch.
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===Episode 8: The Last Royalty Check (aka zomg Luke dies!)===
On December 14 2017, ''Star Wars Episode 8: The Last Jedi'' was released world wide. The critical reception was [[Bullshit|extremely positive]], with many critics considering it the best movie in the series since The Empire Strikes Back. The fan reception has been a great deal more negative and [[Skub|mixed]], and a number of fans are convinced that Disney leaned on media outlets to shill the new movie or else. If you have watched the Empire Strikes Back, you ''WILL'' be [[Rage|disappointed at best]], if you want to see a Star Wars film that would finally expand the characters of Kylo Ren and Rey, you ''WILL'' be satisfied and disappointed at the same time, if you want to watch the film because it is the last film starring the great and wonderful Carrie Fisher, you ''WILL'' feel hollow and sad inside, and if you came to see a pair of lightsaber-wielding punks involved in one of the greatest lightsaber battles of the franchise, you ''WILL'' be pleased. The Last Jedi is seen as one of the most divisive films in the franchise by the fandom, [[FAIL|which is one hell of an achievement]] considering other films.
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The complaints about The Last Jedi are many: the treatment of Luke (which even his actor, Mark Hamill, hated, to the point that he has no interest in playing Luke again), Leia's Superman asspull, Finn's plot arc that serves practically zero purpose and has him undergo the same character arc as the last movie, the forced humor, the complete disregard for established [[fluff]], disregard for even the most basic laws of physics, the fact that the central conflict is essentially the same as the one in the originals right down to the last stand ripped straight out of ''Empire'', the PC bullshit (a hipster admiral who the plot always treats as being in the right despite killing 90% of the Resistance, the Gilded Age planet arc that [[Namek|sucks up a third of the movie to no benefit,]] Rose expressing her desire to get BLACKED with a horrendous and forced #LoveTrumpsHate one-liner in the final act) added solely to virtue-signal and the whole thing being basically a 2,5h screed against the franchise it belongs to and the culture which spawned it.

Fans have also criticized the movie for dropping or discarding major plot points from TFA and repeatedly invoking Shamalamadingdong-tier plot twists for cheap gotchas that are somehow less interesting than the recycled cliches they play off of. Director Rian Johnson responded by shitting on said critics to the point of mocking them with a character in his next film "Knives Out" and trying to defend the film on social media like something out of an ED or RW article (Important note: George Lucas never tried to defend the prequels, despite the huge backlash at the time, and he agreed with fans that [[C.S Goto|The Star Wars Holiday Special]] was an abomination.) It later came out that Johnson had not been given any kind of roadmap beyond Lucas' old and unfinished concept scripts and was not allowed to see what Abrams had done until TLJ was too far into production to write in most of the previous movie's plot points, which makes the fail Disney's fault just as much as it is Johnson's. Except we also know that he had at least a modicum of influence over the ending of TFA, so they must have talked on at least some degree, and Rian's 100% to blame for his shitting on critics. As with TFA Lucasfilm has tried to paper over the holes with tie-in material, and just like TFA the fans recognize the damage control.

The Last Jedi has without a doubt torn the fanbase apart in ways even the prequels and most of the Legends didn't come close to, with many fans declaring that they have dropped the sequel trilogy. Even Star Wars' famous merchandising has taken a mauling, as [[/toy/]] giggles at Rose Tico, Admiral Holdo and General Hux figures warming shelves while new product shipments go straight from the transport case to the clearance bin.
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===[https://www.youtube.com/watch?v=lg_FoEy8T_A I'm Solo, Han Solo, Han Solo]===
On May 25th 2018, the 41st anniversary of the franchise, ''Solo: A Star Wars Story'' was released. The general consensus seems to be that it is the most average film in the series. At the very least, most people agree that it is at least better than The Last Jedi (if barely) and the backlash from that movie can be felt even in Solo: many fans have chosen to boycott the movie. Even before release, many fans had derided the whole affair as unnecessary: no one was really asking for a Han Solo origin movie, particularly one without Harrison Ford. Han Solo's entire life history had already been explored thoroughly in EU novels and comics, so the movie could only be a retread or a retcon, both things most fanbases tend to disapprove of.
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Whether it is because of this boycott or not, [[Not as planned|something no one expected happened:]] ''Solo'' was a box office bomb. Its opening weekend performed way below expectations and as of this writing, it has only made half of the money it needs for it to break even. Disney still continued to labor under the delusion that China would save their bottom line regardless of the fact that Star Wars has never been popular in China.

So what is it like? Well, rather than being a space opera like the other films, this is a space Western. Rather than being about large-scale battles and saving the galaxy from tyranny, it's about heists and the galactic underworld. (Except for the Mimban sequence, which you'd swear was lifted from a live-action Imperial Guard movie.) It's essentially Disney's reboot/retcon of the old EU Han Solo novels, taking things that were mentioned offhand in the original trilogy (like how Han did the Kessel Run in 12 parsecs) and making that the subject of an entire movie. The film was perhaps cursed from the beginning due to its [[Fail|troubled production.]] How troubled? The lead needed an acting coach to get through his shoots (Han may have walked away with the Falcon, but Donald Glover's Lando stole the spotlight every time) and 70% of the movie had to be reshot by a different director due to [[Butthurt|creative differences]] between Lucasfilm and the original directors.

The fail only compounded when it premiered and fans got to see what those "creative differences" may have wrought: the writing staff started spewing bullshit to the press about Lando being "pansexual" with no precedent in any Star Wars production including ''Solo'', the film's tone is a schizophrenic nightmare to the last-minute reshoots and Han's sidekick for most of the movie is [[What|a self-built female droid social justice warrior]] named [[/v/|L3-37]]. Audiences ''cheered and applauded'' when that <s>man</s>human-hating self-insert character finally fucking died. Perhaps the most damning sin is that these are the movie's only notable qualities: take them away and you're left with a movie that would make you think "Huh, that was okay," and then never think about it again for the rest of your life, were it not for the crippling disappointment of seeing one of the most beloved franchises in the world fall so far. Between the boycotts, the mediocrity of the movie itself, and [https://encyclopediadramatica.rs/Gawker certain news outlets] claiming that the driving force behind said boycotts was [[/pol/]], ''Solo'' cratered so badly that [[Exterminatus|all non-''Episode 9'' Star Wars movies were for a short time shelved indefinitely, and the only side-movie still being worked on is the obligatory Boba Fett origin movie, which is more likely to sell tickets based on the name alone.]] Incidentally, one of the writers picked by Lucasfilm to handle ''Solo'''s tie-in content, Cavan Scott, has been hired by [[Games Workshop]] for the [[Warhammer Adventures]] series.
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===Episode 9: The Rise of Skywalker (aka Plan Palpa-Nine from Outer Space)===
Your opinion of this movie is very easy to predict based on what you thought of the others; if you found The Last Jedi to be "refreshing", you'll absolutely HATE this one. If you hate all Disney content aside from ''maybe'' The Mandalorian, you'll hate this one as much as the others. If you absolutely detested The Last Jedi but have mixed opinions of the rest, you'll probably consider this to be the best of the new movies to varying degrees of actual enthusiasm. The movie largely undoes or ignores swathes of the previous one.
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After finishing shooting, the film was shown to test audiences (which JJ Abrams lied never happened). The film was extremely poorly received, one of many reasons being because it had [[Mary Sue|Rey curb-stomping Palpatine by herself in the final battle]] (test audiences reportedly either laughed at the film or had to be stopped from walking out of the test screenings). The poor showing made Disney CEO Bob Iger - who was overseeing the screening - furious, and he immediately ordered the film to be reshot. The resulting reshoots were so extensive, [http://archive.ph/RLj94 they spanned months and the film didn't have a final edit till December 2019, the month of release], causing trailers to be so desperate for footage that wouldn't be cut they had to fill half the length with footage from prior films and stuff used in prior trailers. To make matters worse for Disney, the plot was leaked months before release, and said plot turned out to be ''very stupid''. Despite Disney spokespeople and media outlets extensively denying the leaks, the leaks were proven correct by getting then unrevealed names and plot objects right. Camera leaks the week before release showed very little of the fantastically stupid content leaked months beforehand was changed, only minor details.

Before reading on, be aware that Rey and Kylo are no longer movie-type Force users, they have been changed to video game characters. Like KOTOR and Jedi Academy type where you just get powers by killing enough dudes. None of the powers are new to the franchise, but have been rarely seen and in some cases never before have in movies. You should also know that unlike the first Visual Dictionary that mostly just gave little prop trivia and plot hooks for other works, and the second which was mostly irrelevant until it gets referenced in a decade or two, the final Visual Dictionary is damn near required reading (this shit will get a "VD" to indicate it) since a lot of explanations were cut in the reshoots and recuts. Like for example the connection between Rey and Kylo is a "Force Dyad", basically one soul in the Force that inhabits two bodies (setting up a bit of a snarl what happens when one dies and not the other, and implying the personality is mostly in the brain which is why they can have unique experiences, but whatever) and warps space/time. This is why Rey was inexplicably powerful and knew how to do shit instinctively, because Kylo's training passed onto her, and likewise her nonstop playing with X-Wing training sims as a child made him a badass pilot. Dyads used to be far more common in the KOTOR era, and were apparently the inspiration for the Sith Rule Of Two. This is never mentioned in the final cut of the film, but leaks show it was in one of the earlier ones.

The movie pressed on with breakneck speed that doesn't have time for musical interludes or wipe transitions, the opening crawl informing you that Palpatine has somehow returned and sent a message to the galaxy with the Resistance trying to rebuild and gather information, Rey being trained by Leia on the planet Ajan Kloss (AKA not!Yavin #2, VD) after repairing Anakin's lightsaber (VD) who had received partial training from Luke before stopping for reasons explained later in the movie and supplementing the rest with her pouring over the Jedi texts, and Kylo Ren trying to find Palpatine because his existence is a threat to his rule. The movie takes a lot of inspiration from KOTOR era lore with Ren finding a Sith McGuffin Holocron-type navigation device on Mustafar (VD) showing him the secret planet of the Sith (not Korriban/Pesegam/Moraband, this one is a planet in a red nebula that is under constant lightning storms called Exegol). There he finds a MASSIVE Sith cult that has kept itself secret and managed to not only build a fucking massive fleet of Star Destroyers equipped with planetkiller guns like something straight out of the old canon, but divisions of Stormtroopers, technicians, and officers to fill them along with the typical cultists in robes who administer to keeping Palpatine alive and seeing to his Sith alchemy shit...which includes tanks containing multiple clones of Snoke, revealing the guy was literally born looking like that with a manufactured backstory all so Palpatine could use him as a puppet to create the First Order (which is almost a meta commentary about the backstory controversy).

Kylo is offered the chance to be the new Emperor by Palpatine, who is a corpse kept barely alive through methods some would consider... Unnatural, while strapped to a machine with [[Lord Kroak|his spirit sticking nearby]] (the filmmakers zig-zagged on the nature of this; first it was the original Palpatine who had somehow duped everyone in ''Return of the Jedi'' with a clone stand in, then the reshoots changed it to the original's zombie-like rotting corpse animated by his lingering spirit and Lucasfilm later retconned him to be a zombie-like clone of Palpatine after the film's release). The only requirement for Palps to pass him Emperorship is killing Rey, although Ren is immediately suspicious of the other strings attached (including choking a guy in a hissyfit when that concern is voiced) and decides instead to recruit Rey again, this time as a co-Emperor.

Finn and Poe obtain information about a spy within the First Order (yeah, you know its fucking Hux even before they say there is a spy at all) while Rey gets visions during her training with Leia. The spy confirms that Palpatine is legit and the info about the fuckmassive deathfleet is legit, and Rey finds the Jedi texts contain notes from Luke about his search for that planet. They go to his last clue, a desert planet that isn't Tatooine and is the middle of a festival where they find Lando has been holed up enjoying himself since him and Luke traveled there. They are immediately spotted by the First Order and escape from them to find the ship of one of Palpatine's servants who had last been seen there. They fall into sinkholes around the ship created by giant tunneling worms, and find the skeleton of Sheev's boy as well as a Sith dagger. 3PO is programmed with the Sith language, but his programming from the Old Republic era forbids him from giving the translation to civilians. Rey manages to get the sand worms to leave them alone by using Force powers to heal one's wound, and they attempt to get the Sheev's servant's ship up and running before they are attacked by the First Order. Chewie is taken prisoner and Rey wrecks Kylo's TIE Fighter before the two engage in a Force tug of war to pull the transport Chewie is on, which ends in Rey accidentally Force Lightning it and causing it to explode when she becomes frustrated with the stalemate. Chewie is revealed to have been on another transport and is taken to Ren's flagship Star Destroyer while the heroes, instead of do something sensible like seek a Rebel leader who can give security clearance for 3PO's protocol (Leia's the obvious choice), they head to a planet under VERY Nazi-like occupation to find a droid technician who can hack 3PO's memory. They encounter a woman from Poe's past, revealing he was a former spice smuggler like Han until abandoning his crew (causing them to fall into debt and become bitter at him) to join the Resistance. She threatens to turn the group in to pay off their debt [[Mary Sue| but Rey kicks her ass, earning her respect and she takes them to the technician without further incident.]] The technician unlocks 3PO's memory at the cost of wiping him. The translation reveals the dagger is the key to finding the Sith navigation McGuffin they are looking for. During this BB-8 reactivates Sheev's servant's old droid, who doesn't do much.

The heroes proceed to board Ren's flagship with the help of a First Order officer's badge, and shoot their way through as they free Chewie. Rey and Ren have another linked vision where her parents are revealed to have attempted to hide her from her grandfather Palpatine, who wanted to merge the souls of himself and '''ALL''' other preceding Sith (presumably not Revan, since his redemption is canon) while he discovers they are on his ship and orders it put on lockdown. Rey is confronted in the hangar by Ren, who offers her to join him again. She refuses and the Falcon appears, the engines blowing away the Stormtroopers while Rey jumps aboard. The crew head to Endor after finding out from Sheev's servant's old droid that it was where he was going to go next (this is the only thing the droid does other than serve as a "pet the dog moment" for the cast a few times) where the Death Star wreckage of the disk and throne room landed, encountering a division of former child-soldier Stormtroopers like Finn who went AWOL. The dagger has a slide-out metal prong from the handle which perfectly lines up with the corridor leading to Sheev's throne room. The team work on repairing the Falcon while Rey presses on ahead, alone, to the Death Star wreckage. Once in the throne room a hidden door opens, revealing a sanctum full of crystal mirrors that are the same as the ones she saw in her vision in Force Awakens (the scene where she snaps her fingers and all the mirrored ones do as well). There she finds the Sith McGuffin and gets a "The Cave" vision of herself as a Sith with a red double-bladed lightsaber which she fights. Kylo is waiting for her in the throne room, and crushes the Sith McGuffin in his hand before informing her they are linked in the Force as one soul inhabiting two bodies and offering her again to be the Vader to her Palpatine which she again refuses. The two fight while Finn and one of the Stormtroopers try to rescue her. They fight their way onto the remnants of the Death Star hangar, reminiscent of Anakin and Obi-wan in Revenge Of The Sith with water instead of lava, before Ren freezes as he senses his mother start to die. This pause gives Rey time to grab his lightsaber and stab him before she freezes sensing Leia actually pass away. Rey uses the Force to heal him, then steals his TIE Fighter while Poe and Finn return to the Resistance base. Rey initially attempts to hide on Luke's monastery to let Palpatine's bloodline die with her, but after lighting Kylo's TIE on fire (so she's destroyed 2 of his personal TIE at this point) Luke appears as a Force ghost to tell her <strike>Rian Johnson</strike> he was wrong, and was motivated by fear when he tried to hide. He reveals that all the Jedi who came before are rooting for her, and tells her where Leia's lightsaber is hidden. He reveals she stopped her training because in a vision she saw that her son would be destroyed by the Dark Side, and a Light Side counterpart would take up her blade instead. Meanwhile, Kylo is visited by the memory of Han. The two reenact the scene from Force Awakens, only this time Kylo throws his lightsaber into the sea and renounces the name Kylo Ren to become simply Ben again. Meanwhile the First Order blow up Poe's home planet where the droid technician and Poe's old crew were, although they had managed to get offworld by that point. Also, R2-D2 restores C-3PO's memory wipe by finding a backup which contains everything from before the mission.

Luke lifts his X-Wing from the waves and Rey scavenges the Sith McGuffin from the flaming wreck of Kylo's ship. As she proceeds to the Sith planet she sends out a beacon to track her progress, giving the entire galaxy a map to the Sith fleet. Poe, now leader of the Resistance, sends Lando with the Falcon and Nien Nunb to gather any forces they can, all the ones who refused to aid them in The Last Jedi, while the rest of the Resistance gears up to attack Sheev's fleet before they can leave the storm cloud. The initial plan is to destroy the navigation device which orients them to the rest of the galaxy without which the fleet cannot leave, until the commander of the flagship (a former Imperial officer) realizes what they are doing and orders it to be shut down so his own ship could serve as the navigation for the rest. Rey confronts Sheev in a coliseum/throne room full of the Cultist parents of the personnel of the fleet (VD) and is informed of his plan to have her kill him so all the Sith could merge with her and rule as basically the God Emperor of Star Wars. She raises her lightsaber before using the strange wormhole Force connection thing they have to pass it to Ben, who had gotten there with a salvaged TIE from the Death Star wreckage and was being beaten by his former servants, the Knights Of Ren. Armed with Luke's old lightsaber he kills them and proceeds to the throne room. Ben arrives and the two attempt to fight him. He simply Force Pushes them back and forces them to kneel before draining a portion of their souls, the "two bodies one soul" thing apparently being a massive source of Force power he can heal himself with to rule in his own rejuvenated body again (but with Darth Maul eyes) rather than Rey's. Meanwhile, the ex-Stormtroopers and Resistance ground personnel lead by Finn land on the flagship Star Destroyer (its still in the atmosphere of the Sith planet, thus gravity and breathable air applies) and due to bringing goat-horse things from Endor are not affected by onboard EMP that would otherwise short out speeders and tanks (which is a thing from past canon, mostly comics and novels, which they use to explain why such a thing doesn't happen more often). Meanwhile, Lando appears with a fucking enormous fleet (remember the backstory that the New Republic didn't have a fleet, instead paying for every planet to have a militia of their own which would unite when there was a big enough threat? Well, JJ finally remembered because all those fucks show up alongside a neat little game of "spot that ship from the series you know" in a few shots). They begin attacking the superweapons underneath the Star Destroyers directly, causing chain reactions that blow the entire ship.

Ben is Force-pushed by Sheev into a pit as revenge for how Vader did the same thing to him before taunting the dying Rey and unleashing a MASSIVE Force Lightning storm which shorts out the fleet. While this is going on the spirits of all the dead Jedi (like pretty much anyone they could find to record a line from any of the past movies or shows, including Ahsoka; which is pretty lame since it means she was killed off-screen, with natural causes being unlikely since Ahsoka wouldn't have been 80 yet, and even that's below the average Togruta life expectancy, though this may not necessarily be the case according to Filoni) who inhabit her body the same way that Palpatine is currently full of all the Sith. Rey manages to stand and deflects his Force Lightning with Leia's lightsaber, which isn't enough until Ben manages to climb out of the pit and throw her Luke's lightsaber; with the two together she's able to walk close enough to Sheev for his Force Lightning to burn him, and despite this being the third fucking time this has happened he does not turn off the lightning and instead Raiders Of The Lost Ark's himself into a skeleton before blowing up and destroying not only himself but the spirits of all the past Sith. Despite Palpatine's plan being to possess Rey when she kills him, for some reason he doesn't do so. The Jedi spirits leave Rey and she dies, with the barely lingering on Ben healing her. They share a kiss (reminder that since Sheev created Anakin, they're basically cousins, and their relationship is so adversarial it makes Edward and Bella's from Twilight look healthy, something the novelization tries to claim is "purely platonic") before Ben dies. His body vanishes, as does Leia's. The Resistance/Militia fleet destroy all the Star Destroyers after Finn's ground crew hijacks one of the cannons of the flagship to shoot at the ship bridge, killing the last of the old Empire and First Order leadership.

The heroes return to the Resistance planet where they celebrate, scenes showing the rest of the galaxy shooting the last of the First Order Star Destroyers play, Chewie is given Han's old medal from A New Hope, and the ex-Stormtrooper leader is hinted to be Lando's daughter or grandaughter implying a spinoff with the two (also shares a gay kiss with another woman... which was cut to appease China's and Singapore's media watchdogs). After the celebrations Rey returns to Luke's old home on Tatooine where she buries Anakin and Leia's lightsabers, revealing she built her own from her Force vision only with yellow blades instead of red ones. An old woman who was a neighbor of Owen and Beru comments nobody had been to that place in years and asks Rey's name. Seeing the Force Ghosts of Luke and Leia, she tells the woman her name is Rey Skywalker. The End.

Because the fandom has become fractured like never before, there was immediately fan wars going on everywhere Star Wars fans are found. Fans accused haters of review bombing, those who hated the movie claimed the critic score (which, if you recall, is mostly people who liked The Last Jedi and hate this movie for doing a U-turn on it) vindicates them. The fan fighting probably won't ever end, since now we apparently have to reevaluate if A New Hope and the Kenner Star Wars toys were ever good in the first place because some contrarians now claim the prequels are the pinnacle of Star Wars. Whatever the case, Disney CEO Bob Iger resigned in the middle of the work week in late February 2020, before coming a couple of months later, with insiders saying he's "livid" over certain changes.

For anyone interested, here is a video explaining why the Rise of Skywalker failed musically. https://www.youtube.com/watch?v=L_8-dWSLDWI

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==Expanded Universe==

It can be said what makes a franchise into a long term lasting thing is when a wealth of extra story and background is created that expands on the original story far beyond what there was. It could be argued Star Wars leads the race in this, as the sheer amount of extra novels, graphic novels and games based on Star Wars can and does overwhelm the ordinary fan.

===The original EU/Star Wars "Legends"===

[[Image: Choices_of_One_PB_art.jpg|right|200px|thumb|Before Cara, before Rey, before Darth Talon or Padme... there was Mara Jade]]
The background has expanded into the distant past before the founding of the current Jedi and Sith orders and into the (not-quite-so) far future looking at the descendants of Luke Skywalker and other popular characters. Uniquely, especially considering [[Warhammer 40K|other]] [[Star Trek|franchises']] track records, the Star Wars Expanded Universe is <strike>remarkably</strike> <strike>sorta</strike> sometimes internally consistent, both with other sources within the universe and with the films themselves, at least in comparison to other comparable settings. Of course, it's got plenty of its own [[C. S. Goto|problem children]] that slipped through, and the [[skub]] mine of it all isn't much shallower than that of 40K. Good portions of it do hold up well, largely due to the efforts of Lucas' company's continuity department leaning on everyone to hold it together. One thing that greatly helps is continuity books and articles aren't afraid to make small retcons to make even the most obscure and shitty sources (like that terrible PS1 fighting game) seem like part of an organized plot. Particularly well-loved parts include characters like Grand Admiral Thrawn (a rare alien officer in the Empire and popular enough that Disney brought him back to the canon from the EU) and Mara Jade (pictured right, a Force-using former agent of Emperor Palpatine who later turned good, became a Jedi Master, married Luke and had a son with him) - interestingly both were created by the same author [[Timothy Zahn]].

Upon their acquisition, Disney said "fuck it" and threw out everything but the films and the Clone Wars cartoons. Some popular old stuff got mentions or appearances (and Thrawn got to be a major character), but the overall quality is even lower than the old EU. What was set up as a major book contains phrases like "The TIE wibbles and wobbles through the air" and random virtue signalling. As though to top the previous, Disney literally published a book with an entire chapter about mass wedding farts (Yes. Really.). The only good stuff is from established EU authors writing stuff far away from era of the Disney films.

The [[rage]] over the EU's scrapping was major among many fans of it, but for all Disney's shortcomings, they were in a tight spot. Towards the end all that continuity and consistency got thrown out the airlock for increasingly dumb and disjointed narratives and garbled plot threads to the point that the Star Wars logo was just about as much a sign of quality as the Nintendo approval stamp on shitty SNES games.

Another problem was that Disney is mostly family-friendly, and some of the Star Wars EU could get really dark. As in Warhammer 40k levels of grimdark. Examples of this are the invasion of the Yuuzhan Vong - forcenull space-Druchii (no no, not Comorrites though they have the pain and body modification fetishes for it, space-'''Druchii''', riding enslaved tyranid bioships) from another galaxy, Mnggal-Mnggal - mindraping gelatin lost on its way to Star Trek, and Abeloth - an ancient (she predates the Jedi and the Sith) yandere Force entity more like something from the Cthulhu Mythos and is so dangerous the Jedi and the Sith '''joined forces''' to fight her. It's difficult to envision how Disney could have kept the EU when even before all that it was struggling to find a market beyond the most [[neckbeards|dedicated fans]].

===The Books===

'''The Good EU'''
[[Image: Heir-to-the-empire-cover.jpg|right|200px|thumb|Heir to the Empire (1991): The book that started it all]]
* '''The Thrawn Trilogy''': The origination point for the EU, and focuses on the conflict with the Imperial remnants left over after RotJ. Named for the main villain, Grand Admiral Thrawn, who went on to become one of Star Wars most well-loved characters. Basically the story "The Force Awakens" wishes it was. Also introduced Mara Jade, a sexy redhead that's everything Disney wishes Rey was and more.
* '''The Han Solo Adventures''': Star's End was the second spinoff book written and the first good one. Hit store shelves before Empire Strikes Back was even in theaters. Han and Chewie are trying to get some work done on the Falcon and wind up having to bust out some political prisoners to pay for it. The Z-95 Headhunter fighter comes from this one. Would have made for a better film than ''Solo'' did.
* '''Shadows of the Empire''': Shadows is set between ESB and RotJ and fills in the details of getting the Death Star II's plans, finding out where Han was taken, Luke building his own saber, etc by the introduction of another bounty hunter by the name of Dash Rendar. The Special Edition rerelease of ''A New Hope'' added the Outrider to the background of one scene. Most notable for the fact that it was also adapted into a video game for the N64 and PC.
*'''The Darth Bane Trilogy''': The origin of the Rule of Two for the Sith, along with a compelling protagonist and his apprentice.
* '''Revenge of the Sith''': The novelization is actually considered a serious improvement over the movie itself.
* '''Darth Plagueis''': Shows how Palpatine becomes a Sith Lord under his mentor. Less Star Wars than Star Politics, which is a good thing for this praticular story.

'''The Bad EU'''
* '''Jedi Academy Trilogy''': Luke sets up his academy on Yavin IV and tries to teach [[Rage|Kyp Durron]]. Imperial remnant superweapons hit ludicrous territory with the sun crusher. This was the beginning of Kevin J Anderson hammering out a couple dozen Star Wars books over about four years.
* '''Young Jedi Knights Series''': Set between Jedi Academy and New Jedi Order, mostly follows Han & Leia's kids.
* '''I, Jedi''': A retelling of the Jedi Academy Trilogy (see above) with more of Corran Horn from the first set of X-Wing books. Less derp in general but significantly more [[Mary Sue]]age of Horn.
* '''Legacy of the Force''': The survivors of the Yuuzhan Vong War are trying to rebuild the galaxy, but Jacen Solo turns Sith and becomes the main villain. The book series is infamous for nearly killing the Star Wars EU, threatening the franchise and issues between various writers years before Disney went down the same road (Jacen Solo was also a major influence for Kylo Ren). The biggest complaints were Jacen killing Mara, the heroes becoming idiots whenever they could've stopped the villains, poor dialogue, long-winded writing and the story being overstuffed with allusions to post 9/11 United States.

'''The [[Skub]] EU'''
[[Image: Yuuzhan-vong-eu2_bg.jpg|right|200px|thumb|The Yuuzhan Vong, [[Skub|either badass and interesting or grimderp canon-defiling villains]]]]
* '''New Jedi Order''': The longest-running (19 books long) and most divisive story of the EU. Luke's married to Mara and they're rebuilding the Jedi Order while Han and Leia are trying to reconcile the New Republic and Imperial Remnants. Han and Leia are also raising three kids and Mara's got a terminal illness. Then extragalactic aliens called Yuuzhan Vong - [[Imperium of Man|religious fanatics]] with [[Tyranids|organic technology]], a thing for [[Dark Eldar|pain and body modification]] along with [[Culexus|partial immunity to The Force]] - invade to take over the Star Wars Galaxy. Chewie dies Majora's Mask style, Mara's illness is cured and she gives birth to Ben Skywalker, the Vong take over Coruscant, lots is learned about the Force and the bodycount goes so high it could give Warhammer 40k a run for its money (365 TRILLION; only the War in Heaven or the Fall of the Eldar had anywhere near that many deaths in one event). A real love-it-or-hate-it series, some parts were good, some were bad and some were weird.
* '''Dark Empire''': Palpatine's back to save a dying franchise decades before Disney tried it. He even uses clone bodies to do so (but unlike Disney, Dark Horse didn't flip-flop on the lore), wrecks a fleet of enemy ships using the Force and at some point has his power reflected back at him. Starts off good, falls apart fast. Known for its love-it-or-hate-it artstyle and dialogue. Original version of Episode 9.
* '''Courtship of Princess Leia''': Deals with another Imperial remnant, where a Queen who could be potential ally against the Imperials offers a deal which hinges on Leia marrying her son. Meanwhile Luke and R2-D2 are working with a prince who was the original recipient of the offer. This one has force witches, who are encountered when Han tricked Leia into in an attempt to win her heart... it is ''really'' silly. If you like that, raise this higher. If not, it might even drop lower.
* '''Fate of the Jedi''': Want some Cthulhu with your Star Wars? People are growing dissatisfied with the Jedi Order following LotF. Luke, Ben and the remaining Jedi are trying to keep the Jedi Order in check while several Jedi are wracked with a mysterious psychosis and a ancient Sith Tribe emerges from hiding. Han and Leia are looking after the political side of things while also becoming grandparents. Things take a turn for cosmic horror when a yandere, Force-using eldritch abomination who could doom the galaxy escapes her prison. During the conflict, Sith apprentice Vestara rises through the ranks and finds herself in a Catwoman/Batman situation with Ben Skywalker. While being an OoM better than the preceding trilogy, FotJ has a very divided opinion among SW fans.

== Disney Canon ==
[[Image:Star_Wars_Disney_Princesses.jpg|right|400px|thumb|Love it or hate it, they are now official ''Disney Princesses''.]]
It's still [[skub|debatable]] whether or not the new Canon holds up to the old EU, or learns to fix the problems that plagued it. We probably won't see what comes of it for decades to come. Disney Canon, as of 2020, seems to largely be built around the nine main movies (of course), with shows like Rebels and Clone Wars alongside anthology movies fleshing out stories that had been told in comics and books back before the Disney buy-up, but can now be seen on film.

A curious thing that has begun happening: Certain elements of the old EU is slipping into the Disney Canon. Plotlines like the Emperor returning, the Death Star plans heist and Han's path to become the smuggler we know him as all have bits and pieces from EU canon in them. In some cases, whole characters are ported in; the best example is Admiral Thrawn, who appears in Rebels. Other times, popular characters has their traits or stories ported into new ones (Finn and Cassian are both expies of Kyle Katarn, for example). This gives some credence to the argument that Lucasfilms and Disney wanted to wipe the slate with all the stories that had been told in the EU, so they could create their own, fully realized canon Star Wars setting that one could make movies - ''many'' movies - from. Considering the amount of shitty fan-fiction-esque stories the EU had, this may be for the best, but of course, storylines that people have loved for ages are also thrown out with the bathwater.

Detractors of Disney-era Star Wars often talk loads about how the sequel trilogy invalidates the original trilogy. Other complaints raised are how Disney screwed over Luke and how many cool characters are either cannibalized for story elements (like Kyle Katarn) or completely removed from canon (like Mara Jade). These are semi-valid arguments of course, but they ignore some of the biggest issues with the EU originally - it wasn't sponsored by George Lucas and Lucasfilms. They were sponsored fan-fiction in a sense, semi-canon from the outset and not really something that could be considered a part of the Star Wars setting, though George Lucas did work with the writers to a point, such as with the New Jedi Order book series (he gave them permission to kill off Chewbacca in the story). In fact, George never really considered them real stories; more like a parallel universe of his own Star Wars works. He accepted it because they bring in the big bucks when people would beg to have the official Star Wars logo on anything they produced.

That, and the sequel trilogy, underwhelming as it may be, was George's idea in broad strokes. The series was always going to have a sequel trilogy, and while the outcome isn't exactly what he (or we) wanted, quite a lot of it is. Luke being an exile on a far-away planet, who has to be roused to fight by a new, female Jedi? George's idea, not Disney's. A son of Han and Leia struggling with the Dark Side? Also George's idea (though Disney lifted a lot form the original version - Jacen Solo - for Kylo Ren). If anything, much of the direction comes from Lucasfilms; Disney just wants the movie to sell well. It's similar with Marvel nowadays.

So for better or worse, the Disney Canon is the first time the wider setting of Star Wars beyond the series and movies have become irrevocably canon, rather than "kinda-sorta-canon". Much of what we've gotten that is new is based roughly on George's own work as well. Remember this when discussing EU vs Disney in Star Wars - Either setting is cool for their own reasons, but the Mouse got little to do with it - and if you don't like it, bring it up with big man Lucas. Whatever the case, CEO Big Iger briefly resigned in 2019... before being brought back in 2020 following severe financial and PR losses for Disney due to comparatively poor reception of the Disney canon, controversial statements from Disney staff against fans and shutdowns related to the global coronavirus pandemic. There have been large rumblings of change in Disney Star Wars, for better or worse.

It should be noted that the TV shows below are either now part of the Disney canon (such as the 2008 Clone Wars series), or made by Disney. There is also a major Star Wars project in the works called Star Wars: The High Republic. It's an upcoming multimedia project spanning books and comics worked on by various writers including Claudia Gray and Cavan Scott ([[Warhammer Adventures|yes, ''that'' Cavan Scott]]). The stated goal is to tell one cohesive story set in the High Republic Era, two centuries prior to Phantom Menace. It was slated for a 2020 release but was pushed back to 2021, purportedly due to the COVID-19 pandemic (purportedly because they could still work on the story from home in this day and age but have chosen to extend the deadline).

==Star Wars:The Television Shows==
===Star Wars: The Clone Wars===
Technically, there are two series called similar titles. The first was 2003's ''Star Wars: Clone Wars'', an animated miniseries made by Genndy Tartakovsky (He of Dexter's Lab and [[Samurai Jack]] fame) chronicling, among other things, the titular Clone Wars and introducing a much more sinister General Grievous to the world.

But then we have ''The Clone Wars'', a CGI animated series (and tie-in movie) that we'll be talking about more and contributed more to the EU. One of the most universally known and loved parts of Star Wars, most fans worth their action figures and limited edition movie sets have watched the show and have an opinion on it one way or another. Some of the most notable characteristics are:

* The Clone Troopers are fleshed out,and we see that they are manly motherfuckers who make Guardsmen's balls of steel look like the cardboard their armor is made out of (seriously, in the movie, they literally charge straight into close combat with ''giant armored walkers with large guns'' and jump off roofs to get top of them to shoot them point blank, and punch droids in the face)
* Anakin Skywalker is actually a good, fleshed out character, with a good voice actor and shows his descent to child-murdering Force-choking asshat wasn't just him going 'welp, guess I'll fall to the Dark Side.' There was a fair amount of bad-cop “it was him or me” murder to get there.
* Introduces Ahsoka Tano, a major character who's a female Togruta Jedi that's well-written, non-OP, non-Mary Sue and doesn't invalidate characters from the movies. Starts off a bit annoying in the Clone Wars movie, but manages to do something truly special: she ''learns''. Over the course of Clone Wars and Rebels, Ahsoka probably has the most character development out of any other Star Wars character.
* Obi-Wan being a sexy one-liner spouting sarcastic badass.
* And many others.

However, there were some pretty derp moments too, such as

* Babysitting episode/movie.
* D-squad, where a bunch of droids become heroes of the Republic.
* Mandalore and how its fluff was basically screwed 180 degrees, and then some.
* Droids were comic relief of the first and second seasons. It was annoying.

All in all, it was a good show that took some time to find its feet.

After many years, a seventh season was announced in an attempt to take away from ''The Last Jedi'' being shit and add ''something'' to the empty Disney Plus lineup. At least some of the episodes will be ones that were in production when the show ended. It promptly disappeared after that announcement for a couple years till it was announced it was going to come out in 2019. And when it did, it blew pretty much everyone away, with fantastic animation, great storytelling, and a harrowing final few episodes. Maul's speech to Ahsoka in particular is downright chilling when you realize he's 100% sincere, is ''afraid'' of what's coming, and genuinely wants to try and stop it.

===Star Wars: Rebels===
[[Image:WomanYellingAtLothcat.jpeg|right|400px|thumb|''Stop fooling our plan, you rebel scum!'']]
Now that Disney owns Star Wars they can't go a season without something new to run on Disney XD, so after ''The Clone Wars'' ended they needed a series to milk episodes out of and launched ''Rebels''. ''Rebels'' is set a few years before ''A New Hope'' and covers the early formation of the rebellion from the perspective of one cell focused on the planet Lothal. Much like the Clone Wars, it starts off weakly with slow pacing and erroneous animation, but gets better as the seasons and storyline progress, with season 4 often equalling the very best Clone Wars arcs for quality and storytelling. If you liked ''Rogue One'' but thought it should be about 25 hours long and done in cartoony CGI then this is the show for you.

So what did we see in ''Rebels''?

* All the main characters are well-written, fleshed out, with reasonable, sympathetic backstories and significant character arcs, along with different enough skill sets that they don't step on each others' toes. Each one feels like an integral part of the team; the pilot, the gunner, the muscle, the tech, the swordsman and the hot-shot rookie.
** Seriously, you'd think that with two jedi in a 6-man crew you'd get some overlap, but they feel like very different characters, both in personality and powers. Kanan is very much the quintessential combat jedi (as is to be expected as he was trained during the Clone Wars), while Ezra's signature ability to connect with the galaxy around him and especially its wildlife marks him out not only from the rest of the Ghost crew, but from every other force user we've seen on the screen.
* Grand Admiral Thrawn makes his debut in Disney Star Wars, along with the TIE Defender project. The character doesn’t lose much in the translation, and later on is arguably treated better than the source.
* The bearded old guy in the Endor strike team in RotJ turns out to be Captain Rex. Fan theory at first, later confirmed.
* You CAN [[combi-weapon]] a lightsaber and a blaster, and it's OP as shit
* Force wolves (no, not [[Rune Priest|those force wolves]])
* [[A Song of Ice and Fire|Game of Thrones-style]] Mandos (Krownest is pretty much Space-Winterfell).
* Imperial Inquisitors. Sure they don’t last long, but they were intimidating while they were, and it planted the seed that was used elsewhere.
* Good appearances by Vader and Sheev.
* The Maul vs Obi-wan decades-long duel finally comes to an end... and what an end it is.
* The season finales are, invariably, fantastic.
* Animation gets better as the show goes on.

So about the wolves... ''Rebels'' turns the force mysticism up past 11. Forget just being precog space monks with laser swords; as far as ''Rebels'' is concerned the Jedi are [[craftworld]] [[eldar]] without the racism. Rebels picks up the torch of the Clone Wars “Force Gods” and mixes in some of the straight-up fantasy shit from the Lucas era novels and the KOTOR/Old Republic Jedi philosophy schools and heresies beyond just “Light good, Dark bad”.

However, there were levels of derp that we got to see in this show, such as the following:

* Since this is a Disney cartoon, the bad guys spend a large amount of their on-screen time (though not all, mind you) losing. This changes the Imperials (other than Thrawn and Vader) from an imposing force to [[Abbadon|cartoon villains]], although Rebels villains manage to stay intimidating more than Grievous did in Clone Wars. Compared to Clone Wars, Rebels villains probably win just as often (though, given how the clone wars ends with Order 66 and Rebels ends with the Battle of Endor, Clone Wars has a much more downbeat ending).
* Battles slower paced than a Death Guard movement phase. Enjoy characters having conversations in cover-based shooting when everyone has Stormtrooper aim (which, admittedly, has been a feature often present in Star Wars from the very start).
* [[Bullshit|Helicopter lightsabers]]. Thankfully this was only present for one episode.
* Complete bipolarity in tone. This can create some great moments, but invariably ruins the mood episode by episode, or between the A and B plots.
* Iron Squadron. Just...fucking [[Rage|Iron Squadron]]. Even more thankfully, they too were only present for one episode.
* Star Destroyers take some getting used to, mostly due to their bridge towers being way taller than they should be.
* Space Squid-whales annihilating a maximum strength Imperial Blockade in under 30 seconds.
* The changes to Hondo Ohnaka's character.

All in all, it depends on your preference.

Since the show does have a fair amount of dedicated fans, <strike>likely</strike> possibly more than the sequel trilogy itself, Disney has made a habit of planting Easter Egg references to Rebels in basically everything moving forward, usually in the form of an appearance by the iconic ship The Ghost or the friendly-ish space pirate character Hondo Ohnaka.

===Star Wars: Resistance===
Annnd they had to go and change things again. With ''Rebels'' coming to a close and a burning need to keep Star Wars on their lineup, Disney had a choice: find a new plot and setting for a formula and art style that had produced two successful multi-season shows, or throw it all out and start from scratch. Remember, this is Disney we're talking about, the company that once [[Fail|paid a quarter billion dollars to fire the producer who made ''The Little Mermaid'', ''Beauty and the Beast'', ''Aladdin'', and ''The Lion King'']] only for him to go and [[profit|found Dreamworks]] out of spite.

Like its predecessor, ''Star Wars: Resistance'' sets itself up as a prequel to a trilogy, in this case following the early days of the Resistance in its fight against the First Order. Where it differs from ''Rebels'' is that ''Resistance'' is playing the warm up act for a trilogy that nobody likes. On top of which, the creators abandoned the 3D style that ''Rebels'' inherited from ''The Clone Wars'', and replaced it with a cel style that's half ''Treasure Planet'', half ''Avatar: The Last Airbender'' and all ''RWBY''.

To be blunt, this show is 100% pure crystal derp. Our star is Kazuda Xiono, a manic depressive who literally fanboy-ed his way into being a spy under the cover story of being a mechanic, two jobs he is not qualified for. This kid is the Invader Zim of Star Wars. Filling out the cast we have the original only cockney girl in space, an autistic alien, their widower boss who is definitely gonna die, D.Va and her ex-imperial officer dad, and BB-8. Poe Dameron shows up regularly so he can be TOP SUE without having to share a screen with Rey. Captain Phasma plays the show's big bad and yet stays true to form in doing absolutely nothing. Reception was so terrible it was confirmed canceled at 2 seasons before the second season even started.

Part of the problem with ''Resistance'' is that the First Order has a doomfort that can frag planets across the galaxy, yet has to resort to hiring pirates to encourage settlements into accepting the First Order's protection racket. Palpy's empire was a model of efficient, heavy handed governance; its evil intent veiled from the masses who mostly resent it for bringing order. And some instances of institutionalized racism and the occasional genocide on a planetary scale. Y'know. Empire Stuff. The First Order on the other hand is basically just Cobra Command, a font of evil hamstrung by flailing incompetence. As mentioned earlier, the backstory for the Resistance and First Order is basically that the First Order are a mobile pirate fleet with one untested secret base weapon lead by old farts of dubious actual leadership abilities from the Empire and their fanatical children with grunts made up of brainwashed child soldiers kidnapped from pioneer settlements while the Resistance is just a tiny militia that is so poorly funded they don’t even qualify as a single fleet since their few outdated capital ships are crewed by outdated droids and they don’t even have enough fighters to protect them, but rather than depict the potentially interesting dynamic this suggests the series just tries to be Rebels again, the same path the movies took even though at this point both factions are even smaller than they were in the movies.

===Star Wars: The Mandalorian===

[[Image:The_mandalorian.jpg|right|200px|thumb|[[Goblin Slayer|''Bounties?'']]]]
Because Disney didn't have enough money, they decided to try their hand at streaming services (despite already owning Hulu), and created Disney+ as a collection of their shows and movies. And with any streaming service, you need a flagship title. Thus, ''The Mandalorian'', the first live action Star Wars television series.

The show itself lives and breaths off your nostalgia for the Fetts, giving you a new lead character wearing the cool ass armor, bounty hunting, getting in gunfights, et cetera. The show's set five years after ''Return of the Jedi'', and leans into spaghetti western's so hard you wonder why Clint Eastwood hasn't shown up (John Wayne's grandson does do much of the stunt work for the titular character). Whether you like this show pretty much comes down to the question of can you accept [[Goblin Slayer|a show where the main character's face is never seen]] and whose name is almost never spoken (probably, considering this site's demographics), and can you stand a story wrapped entirely around the finger of a baby yoda who is the most well know spoiler since (joke.exe).

If you like the 2012 [[Judge Dredd]] movie you will like the show. It also might be one of the closest depictions of a Space Marine we are going to get for the foreseeable future on the "big screen". The Mandalorians (this group at least) have become almost a cult regarding "The Way" their warrior code. Highlights include a [[Looted]] [[All_Terrain_Soup|AT-ST]], getting to watch a [[Men_of_Iron|IG-11]] aimbot entire groups of hostiles multiple times (hell just watching IG-11 ''move'' is amazing), and an episode shot like a horror film except that [[awesome|the protagonist is the hunter]]. The final two episodes are a callback to almost every episode except "The Prisoner" & "The Gunslinger" and numerous characters return and get to be their own brand of awesome. The show also brought back the old style Mandalorians - it's a creed and a way of life, not a species or race. You are a Mandalorian because you chose to be, and because you follow the Mandalorian code, not because you're born that way.

There are several hiccups in writing but those might be smoothed out later, or can just be written off as the galaxy being just that big and individuals not having the same info as the audience. Overall it is the most well received addition to Star Wars since ''Empire''. With the show actually understanding why and how certain reveals should work, ie. not making there be anything special to us (the audience) about the Mandalorian's face/name, it is special because of his code not because he has laser eyes or something.

A second season (it was inevitable) was announced in November 2019, finished filming in March 2020 and is set to arrive on Disney+ in October 2020. Several characters from elsewhere in the franchise such as Boba Fett, Bo-Katan (Duchess Satine’s redhead sister from the Clone Wars, who also happens to be the last known wielder of the Darksaber before Moff Gideon turned up with it in the final episode of season 1), Sabine Wren and Ahsoka Tano are rumoured to be appearing in season 2.

==Wookieepedia==
One of the largest fan wikis ever created, this bad boy is extensively cited, has enormous variety, and has page upon page of talk. It was if Lexicanum, the 40k fan wiki, and our own glorious site were fused into a terrible beast.

==Impact on 1d4chan and associated games etc==

Star Wars has had subtle and clear impacts on a number of other franchises and genres and it can be ''incredibly'' hard to gauge the extent of it all. Certainly it didn't create the concepts of sci-fi, space battles, sweeping storylines, and a blending of mystical and scientific ideas, but it certainly popularized them during the years of the original trilogy and influenced many people that would go on to have interests in sci-fi, fantasy and epic adventure today.

Hell, look me in the eye and tell me that the lightsaber didn't give us the [[power weapon]]. But then again, magic weapons.
==Sabacc and Pazaak==
A rather unusual entry here but it's well in line, Sabacc is an actual tabletop card game from the Star Wars universe which is basically a hybrid of Poker and Blackjack. A Sabacc Deck has 76 cards, most of which in four suits of 16 cards numbered one to 16, plus sixteen wildcards in two sets with values that were either negative or (in the case of the Idiot) Zero. The goal of the game is to have a set of three cards who's total as close as possible to, but not over, 23 or -23. If you got 23/-23 (Pure Sabacc) which could only be beaten by an Idiot's Array (the Idiot, a Two and a Three, thus 23). In case of a draw, new cards are drawn. The stakes are raised every cycle until the cards go down or one player is left standing who gets the pot.

The notable thing about Sabacc that sets it apart from real world card games is that the Cards can change value every turn. A Pure Sabacc can easily become an instant lose 25 and an absolutely lousy hand can become an Idiot's Array. They can be stabilized to fix their value, but everyone knows when you do so. This feature has so far prevented Sabacc from being released in tabletop form as of yet. ''(Of course, there are ways to deal with this, such as simply re-dealing unfixed cards, but never let it be said that nerds will choose practicality over purity.)''

In universe, Han Solo won the Millenium Falcon off Lando in a game of Sabacc.

Pazaak is an older game from an in-universe perspective, similar to Blackjack but its player versus player rather than player versus dealer and also has some aspects of a collectible card game. Goal of the game is to raise cards from the main deck until their total value is 20 or they can also choose to stand if they get close but don't want to risk it. Best out of five wins.

CCG-aspect of Pazaak comes from the sidedeck: both players collect ten cards for their side deck and then randomly take four cards from their side deck to their hand in the beginning of the game. Hand cards are used to either lower or raise the total value: so if the player raises cards from the main deck to the total value of 25, they can prevent dropping out if they have a -5 card or higher in their hand.
Cards which only either raise or lower the value are the most common of the side cards.
More rarer are cards which can be used to both raise and lower the value.
Then there are flip cards, which change certain main deck cards on the table to negative ones. So if the player plays a 2&4 flip card, all 2:s and 4:s on the table become -2:s and -4:s. Flip cards exist in 2&4:s and 3&6:s.
Then there is the double card, which doubles the value of the last played card. So if the player raises a 5 from the main deck, playing the double card would turn it into a 10.
Finally, the rarest side deck card is the tiebreaker, which grants the player a win if the game would otherwise end in a tie.

==Tabletop games for Star Wars==

=== Role-playing Games ===

[[West End Games]] made a Star Wars [[role-playing game]] called [[Star Wars RPG|Star Wars: The Roleplaying Game]] AKA '''Star Wars D6'''. Like many West End products, it's a good game with the great misfortune of being published by West End games.

[[Wizards of the Coast]] picked up the license later and made two distinct RPGs based on their [[d20 System]], called [[Star Wars D20]] (imaginatively). Could be fun, but generally broken as hell, much like [[Dungeons & Dragons 3rd Edition|its parent game]]. It was then utterly revised that into what they called the '''Saga Edition''', which is relatively balanced and pretty good.

[[Fantasy Flight Games]] is presently selling [[Star Wars Roleplaying Game|a whole line of Star Wars-themed RPGs]], each one focusing on a specific style of play. You want to play a bunch of scruffy space outlaws (Edge of the Empire), members of the nascent Rebellion (Age of Rebellion), or exiled Jedi Knights (Force and Destiny), then they got you covered. Unlike their [[Warhammer 40,000 Roleplay]] games, which are all ''juuuuust'' different enough from one another to completely buttfuck any attempts at blending, all three gamelines use identical mechanics and are fully cross-compatible. Uses symbol-counting [[dice pool]]s with ludicrously overpriced custom dice.
Like the other RPGs they decided with the retardedly similar name, and thus this one is sometimes called '''Star Wars FFG''' to avoid confusion.

FFG have kept milking the franchise and in summer 2017, decided to [[Necromancer | reanimate]] the [[Star Wars RPG|Star Wars: The Roleplaying Game]] with a "30th Year Anniversary Edition" print of the original game. It '''''finally''''' shipped in July 2018 after spending a year in limbo.

=== Card Games ===

The big [[card game]] set in the Star Wars universe is the [[Star Wars Customizable Card Game]]. It's no longer produced by Decipher, but there is still a sufficiently large player community to organize annual tournaments, rule on cards, and so on. SWCCG was radically different from the norm of card games, being divided into light and dark side cards with different backings, with light and dark always playing against each other. For tournament play a player would need both a light and dark deck. The gameplay was also radically different from most CCGs; in Magic terms the closest analog would be that every SWCCG deck was fundamentally a mill deck, with some hard to assemble insta-win combos themed to the plots of the movies.

[[Wizards of the Coast]] made the [[Star Wars Trading Card Game]].

[[Fantasy Flight Games]] is presently selling [[Star Wars: The Card Game]].

Obviously, nobody is capable of creating a Star Wars card game with an interesting name.

Aside from the real, physical, games there was also ''Star Wars Galaxies Trading Card Game''. It was a real, functioning, card game within the MMO that used all virtual cards. Unfortunately no server emulators have implemented it yet.

=== Miniature Games ===
[[Wizards of the Coast]] did a tabletop battles game imaginatively called Star Wars: Miniatures, based on an extremely dumbed down version of the D&D ruleset. The figures were meant to tie in with the Saga edition RPG, it wasn't terrible on its own, just impossible to collect for competitive play since figures came in random booster packs so you never know what you were getting for what faction. Who could possibly stand for that?

[[Fantasy Flight Games]] is producing the [[X-Wing]] miniatures game based on individual starfighter combat (because, let's be honest, that's what ''Star'' Wars is all about). They have also released [[Star Wars: Armada]] which is a larger scale "fleet" combat simulator, using capital ships and squadrons of starfighters.

'''Star Wars: Imperial Assault'''

The latest [[Fantasy Flight Games]] addition to its Star Wars related games is a mix between a miniature board game and a skirmish wargame. It has two play modes:

One for campaign play where 1-4 players control a team of Rebel heroes and another player has the role of the DM, who controls the Imperial forces. The campaign, as the name suggests, focuses on character personalization, xp gain and the like, which you can find in any light RPG-esque (board)game. The main goal is to get a few friends together and casually play through the missions. Think of it as a Star Wars version of the original [[Hero Quest]].

The other play mode is skirmish play, where two players each get to assemble a team of miniatures plus a command deck (cards that have specific effects when played) and play against each other in an open-play scenario. The play area is still very limited to a few game tiles (as in a campaign mission) but players are free to bring whatever they want (with a few limitations of course). The skirmish part of Imperial assault is as close as you can get to an actual Star Wars skirmish wargame, but it is a missed opportunity from Fantasy Flight to create a true skirmish wargame (ala [[Infinity (wargame)|Infinity]]), not based on tiles and so confined spaces. Who knows what they have plans for though...

'''Star Wars Legion'''

And Fantasy Flight have now given us a fully fledged wargame, complete with AT-ST in the first wave. (They're 32mm scale, which means [[Games Workshop|no reusing your Imperial Assault miniatures]].) Legion has an integrated turn system, and the usual FF custom dice and forest worth of dead trees in cards and tokens that will be familiar to X-Wing and Armada players. The miniatures are PVC, reasonably detailed, easy to assemble pieces. A standard battle is 800 points, which could be anywhere from half a dozen to 16 units on the field, with an average army fielding 8-12 units comprising 30-ish models.

=== Board Games ===

The most famous and arguably best one is [[Star Wars: Rebellion]], an asymmetric two-player game that plays through the Original Trilogy in a wargame/worker placement-esque game. The Empire player must expand their already huge military base over the galaxy to build more ships and huge superweapons while searching for the Rebel Base, while the Rebels do their best to bite them in their heel, obscuring their movements and annoying the Empire until they have enough support to overthrow the Empire. As a [[Fantasy Flight Games|FFG]] boardgame, it's filled with a ludicrous amount of bits and pieces (including sweet models of Star Destroyers, Death Stars and Calamari Cruisers), as well as the trademark filled-with-small-exceptions ruleset. It's pretty sweet and still considered one of the best board games of its kind.

=== Card Miniature Games ===

In the late 00's, WizKids produced a short lived construct-able miniatures Star Wars game based on their styrene card system for Pirates of the Spanish Main. Although the game sold well, when NECA bought WizKids from Topps the rights did not transfer and it went out of print.

==Video Games for Star Wars==

To put it bluntly, every game which could possibly have ''Star Wars'' slapped onto it, exists. Flight simulators. Racers. Rail shooters. Doom clones. MMOs. Age of Empires reskins. Hell, there's even a Kinect variety game. Here's a few standouts...

* '''Knights of the Old Republic''': A pair of single player RPGs depicting a Sith war several thousand years before ''A New Hope''. KotOR is widely regarded as the best Star Wars video game ever, and was the framework for BioWare's ''Mass Effect'' series. Of all the Legends stuff, KotOR appears to still be in good standing with Disney since they continue to borrow from it. The sequel by Obsidian was the original skubtastic take on the franchise TLJ wanted to be but failed miserably. Got an MMO simply called "Old Republic" (since you can play as things other than Jedi and Sith) that is the sequel, which had a very rough start but stabilized enough to still survive to this day somehow). Possibly still canon in the Disney continuity since a lot of things get borrowed or referenced from it. Also the only thing in the EU to still receive new content.

* '''Jedi Knight:''' A series that started of as an early FPS named Dark Forces (so early that it was the time when FPS games were still known as [[Doom]]-clones) but Dark Forces II: Jedi Knight had the protagonist become a Jedi. The Dark Forces name was dropped in favor of Jedi Knight after this. The series combines surprisingly deep lightsaber combat with standard shooting, though the levels can get very mazy at times. Introduced Kyle Katarn, one of the most popular characters from EU. Unfortunately, there has not been a new game since 2003's ''Jedi Academy'' and likely will never be thanks to Disney.

* '''Republic Commando''': An FPS that has the player command a squad of commandos. Its a great shooter but unfortunately, it never received a sequel and to make things worse, ended on a cliffhanger. The second act of the game, set entirely on a drifting Acclamator-class assault ship is particularly memorable and highly atmospheric. If one can look past outdated graphics, its worth trying out for anyone who wants a good FPS experience.

* '''Empire at War''': Made by the original developers of [[Command and Conquer]], it is the most notable strategy game to have come out of Star Wars. Notable for featuring three different modes of play: ground battles, space battles and galactic conquest map. Though ground battles are a bit meh, the space battles are great and the galactic conquest is certainly more interesting than only playing random skirmish matches. Even though its over 10 years old, it has a very active modding community. Republic at War, which changes the games Galactic Civil War setting to Clone Wars and Thrawns Revenge, set much further into the Galactic Civil War than portrayed in the films, are particularly great. There is also a remake mod in the works, aiming to bring the game up to modern standards in terms of visuals, sound and UI and the results do look good. Unfortunately, no great 40k mod.

* '''Star Wars Galaxies''': An early MMO, launched after ''Everquest'' but before ''WoW''. Galaxies is noteworthy for making force powers a prestige achievement requiring enormous in-game effort to unlock. The first expansion pack added a subgame that's a pretty solid flight game in its own right and the game eventually added an original, fully playable, trading card game that sadly has not yet been implemented in any simulator. Then ''World of Warcraft'' hit, Sony panicked and made Jedi a starting class and replaced the skill system with massive level grind, and offered refunds to the raging army of neckbeards. Subscription numbers tanked and never recovered. It would effectively be replaced by ''The Old Republic'', an MMO using the acclaimed KotOR setting. Like most "dead" MMOs that people loved it still lives on through illegal private servers (don't worry, the guys providing it would get busted, not people playing on it).

* '''X-Wing (and TIE Fighter)''': A series of ''Wing Commander'' clones released in the 90's. While badly dated today, they were the best fighter sims of their time, and if you can get past the highly primitive graphics some people still consider them to be the best to this day. Why? The mission scripting and AI are top notch for the genre and absolutely brutal to fight against; on all but the simplest missions you're almost guaranteed to fail the first time and eventually develop a sixth sense about the fighters threatening your objective vs the fighters just there to kill you (ignore those, learn to be hard to hit). Interestingly, TIE Fighter is largely seen as the best of the series while the N64 era Rogue Squadron and Shadows Of The Empire games are seen as being far more visually modern but largely inferior sequels. Did we mention you had to use a flight stick controller basically made for these games to really do well at these?

* '''Star Wars Battlefront II (2005)''': Not to be confused with the one released by EA in 2017. Solid game from the new-defunct Pandemic studio (fuck you, EA) in 2005 told from the perspective of a clone trooper that survived all the way up to the battle of Hoth, with a very down to earth boots on the ground approach. Also, just being thrown into random matches as a soldier because fun. Despite some issues, it remains the high point of the Battlefront series as well as the entire PS2 era, and on PC still has fans via an active modding community to this day. There is of course also the original one but the second one pretty much completely overshadowed it.

* '''Star Wars Battlefront II (2017)''': The one by EA. You've probably heard everything important. An absolute mess at launch due to its lootbox-heavy progression system, so much so that it started discussion even on government level about lootboxes that continues to this day. A comment by EA that became the most downvoted comment in Reddit history. Yet despite all this, two years later, the game is arguably one of the best Star Wars experiences one can have and an Anakin-level redemption story. Like the previous Battlefront II, it completely overshadowed its predecessor.

* '''Jedi: Fallen Order''': It took them years but finally, EA managed to deliver a Star Wars game that is great on launch without cramming it with e-transactions. Its plot focuses on an unfortunate Jedi renegade between ''Revenge'' and ''A New Hope'' who's on the hunt for a hidden database that might document all the Force-sensitive individuals in the galaxy. A game inspired primarily by games such as Dark Souls and Uncharted, its a great action-adventure game in its own right and a must-play for any Star Wars fan. Also notable for making Darth Vader '''''really FUCKING SCARY'''''. As he should be.

* '''Monopoly Star Wars''': Its Star Wars Monopoly. With 90's FMV that plays for every square you land on. On floppy disks. Considered fucking amazing at the time, its too strange and tabletop to not mention. Also one of the last pre-Prequel things released.

* '''Super Star Wars''': A heavily modified retelling of the original trilogy (what, you don't remember how Luke chased down the Sandcrawler and murdered all the Jawas as well as their giant rat god in order to rescue R2-D2?) that was one of the ways to say "hard as fuck" by namedropping a game prior to Dark Souls existing. Amusing for the insanity of the added content in order to make a platformer sidescrolling beat'em'up as well as how neckbeardy you have to be to punish yourself trying to beat it without cheating. Sequels were made for Empire and Jedi, which slightly dialed back the difficulty.

* '''Star Wars: Yoda Stories''': A game geared for kids, released the same year as Monopoly above. Players play as Luke sometime after Empire Strikes Back, although an odd alternate version where Han sometimes is free from carbonite and Boba Fett and sometimes is not. They are assigned a quest by Yoda which requires them to traverse one or more procedurally generated planets doing whatever odd crap Yoda felt was necessary, including sometimes fighting Vader. Recieved middling scores as a PC release, with some individuals HATING the game and using it as a benchmark for how much they hate something when comparing the two, although to be fair that is because distributors tried to sell it like a full game when in reality its supposed to just be freebie software that came with other purchases and was meant to go with Solitaire and space pinball as default games on a computer to waste time with. It has lapsed into obscurity thanks to even those reviewers largely being forgotten on the modern internet. Noteworthy for being played on a grid with simultaneous turn-based movement with all enemies and NPCs on a screen, feeling very much like a tabletop game at times. A simple puzzle game, where getting blocked in a corner without enough space to pass the time by an idiot NPC is more dangerous than any foe.

*'''Shadows of the Empire''': Made on the Nintendo 64 and Windows PC, you play as Dash Rendar, a scoundrel in a ship like Han Solo working for the Rebellion. Takes place during Episode V as a side story. Despite being much beloved by fans for years and years, it's sadly not aged well thanks to the rather peculiar control scheme of the N64 and the graphics not having aged like cheap cheese in the sun. Main enemy of the game is a xeno named Xisor who is just a real uppity crime boss (and apparently a prince). This game has an absolute great opening first part where you're flying in a Snowspeeder on Hoth killing Imperials left and right while trying to use the cables to crash the AT-ATs like in the movie. After that the game begins to kinda just carry on with awkward controls.

==Assorted list of Awesome From Star Wars==
* Fucking ''[[Lightsaber|Lightsabers!]]''
* The fucking [[Approved music|OST]]
* What is likely the greatest duel in cinematic history, that takes place on a [[Death World|lava planet.]]
* Deathly Stormtroopers, heroic Clonetroopers or sinister First Order troopers; whatever they're called, stormtroopers are awesome! Contrary to popular belief, shot counts have proven they have ridiculously good aim.
* Darth Vader whenever he gets a speaking line or to murder rebel scum - that is to say, all the time.
* Darth Maul in The Phantom Menace, TCW and Rebels.
* Lightsaber Rifles
* The entirety of the Umbara campaign, where <s>Imperial Guardsmen</s> Clone Troopers die in the dozens attempting to win some godforsaken planet, earning them balls of titanium that make the guard look ba- {{BLAM| '''*BLAM*''' Heresy!}}
* 97% of the Creatures.
* 98% of the Starfighter designs.
* Costumes that mix about every possible inspiration, Chinese, Mongolian, Japanese, Ancient Greece and Rome, Elizabethan, Moebius or Pulp Sci-Fi from the 60's, giving the whole series a distinctive style and gives Padme Amidala an excuse to show off with all her dresses.
* Boba and Jango Fett and the rest of the Mandalorians.
* KOTOR (both games) plot making you think this shit is actually logical and has so much philosophical background. One of the creepiest depictions of the Universe. Everything is brutal, with big vibrating knives, blood, those machines for Sith snuff movies, more blood, bastards, badass bastards and so on. Everything while somebody is talking with you about existence.
* Our saviour Lord Revan. He's like if [[Horus|fucking Horus]] just became [[Big Bad Evil Guy|fucking bad]] (but not that [[Erebus|bad]]) to fucking destroy the [[Chaos Gods|Dark Gods]] so he can solve his daddy issues.
**but he's more virile, deadly, powerful, charismatic and cool.
* Lightsabers.
* Obi-Wan Kenobi.
* The High Ground.
* TIE fighters. They have the most distinctive scream of any fighter in cinematic history that just yells "I'm evil!". Tell me I'm wrong. I'll wait.
** The fact that they managed to do that using what is essentially a shitty visual pun.
* Most of Episode 3.
* The entirety of Anakin's story, especially when you add the Clone Wars and prequels. While you're at it, watch CinemaWins' perspective on it the series.
* Admiral Ackbar the Memeable!
* Palpatine getting into some Tzeentchian-level scheming and backstabbing in order to overthrow the Jedi and the Republic.
* Grand Admiral Thrawn: So awesome that he rose to a high rank in the anthropocentric Empire despite being an alien and was one of the first (and rare few) things to be imported straight from Legends to Disney.
* Imperial Pilots get a mention, seeing as they fly literal garbage fighters against superior rebel fighters. Yes, we are talking about the the same TIE Fighters we mentioned before. By garbage, we mean despite how cool looking and sounding TIE Fighters are, they are actually a ridiculously impractical design and the standard TIE Fighters are mass produced extremely cheaply even if they don't look like it. Even 40k's Imperium has better fighter designs. At least the Imperium's fighters conserve the life of the fucking pilot. Also, clearly super skilled since they have roughly an equal kill-death ratio with the Rebels in the movie battles.
* Obi-Wan Kenobi again.
* Princess, later Senator Leia Organa; the original badass-yet-hot boss lady in space. Ends up leading two separate, successful underground freedom movements against impossible odds. Did we mention she's a Jedi in both canons?
* Han Solo, who is so badass that hot Leia falls in love. He has the smuggler's best friend, a Wookie, who is also the worst opponent you can face in a [[Chess|Dejarik match]].
* Just... Star Destroyers. When you see a huge, imposing warship from an evil Empire, this is the granddaddy they all look up to.
* Oh, did we mention the lightsabers?

== See Also: ==

* ''[http://www.darthsanddroids.net/ Darths & Droids]'': A webcomic, made using photo-stills of the ''Star Wars'' movies to tell a story about gamers blundering through each of the six movies in sequence... though not quite exactly how you might expect. Think ''DM of the Rings'' in overall visual style, though unlike ''DM of the Rings'', ''Darths & Droids'' features several heavy twists on the actual events of the films, subplots about the players and their lives outside the game alongside the campaign, and a better overall quality of gamer. Whereas ''DM of the Rings'' features a railroading DM and players who are therefore somewhat antagonistic to him, ''Darths & Droids'' has a GM who adjusts his game to his players' actions and players who generally get along with both him and each other. The plot of ''DMotR'' is very similar to that of the movies (but avoids a few plot elements), but the plot (and, indeed, the universe) of ''Darths & Droids'' is only very loosely based on the ''Star Wars'' films. (For a somewhat spoilery example: "Darth" is a courtesy title for retired Jedi, such as Chancellor Palpatine.)

* "[http://www.theforce.net/swtc/holocaust.html/ Endor Holocaust]": An excellent example of the [[skub]] Star Wars can create. Rebuttal: " [http://www.darthsanddroids.net/fanart/endortruth20040810.pdf Endor Rebuttal]"

* [[Timothy Zahn]]

* [[Star Wars:The Clone Wars]]

* [[Star Wars:Rebels]]

* [[Star Wars:Resistance]]

[[Category: Television]]

[[Category: Star Wars]]

Star Wars

2020-10-05T08:53:19Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62: /* Disney and the sequel trilogy */

{{Star Wars}}
[[File:Star-Wars-Logo (1).jpg|center|500px|]]

{{Topquote|A long time ago in a galaxy far, far away....|Star Wars opening text}}
'''[https://www.youtube.com/watch?v=_D0ZQPqeJkk/ Star Wars]''' is one of, if not ''the'', most influential media franchises of modern times, let alone its effect on science-fiction and fantasy. Indeed, among [[/tg/|nerddom]], it is challenged by only a few others, like [[Star Trek]] and [[The Lord of the Rings]].

The incredibly ardent fandom is spread worldwide and has a strong presence in popular culture. Many of the characters, like Darth Vader and Yoda, are iconic even to the general public. John Williams' score for the original trilogy is one of the best-known film scores of all time, right up there with greats like Jurassic Park, Indiana Jones, Harry Potter and the Avengers. The universe has spawned numerous video games, hundreds of novels, multiple TV shows, one of the largest merchandising franchises ever, and, relevant to /tg/, a whole bunch of board, card, and roleplaying games.

It is also the current leading world source of [[Skub]].

==The Basic Concept==
Star Wars was originally a series of epic science-fantasy "space operas" that roughly followed the mythic cycle that's been around since Homer. They're set "a long time ago in a galaxy far, far away," [Note: this makes the entire series a fairy tale] where a mysterious life force called (reasonably enough) the Force permeates everything. This, in turn, can be wielded by certain people, giving them pseudo-magical abilities; thank the Emperor ([[Emperor|no, the other one]]) there were no Commissars in that universe. Those who use it for good become mystical, selfless warrior monks called Jedi, whereas those who use it for evil are ruthless, self-serving bastards called Sith. However, the Force must always be in balance, so any time the Sith arise to cause imbalance, the Jedi have to pull together and take them out to restore the natural order.

The so-called Original Trilogy (made up of films IV through VI, released from 1977 to 1983) followed a young man named Luke Skywalker who becomes a Jedi and re-balances the Force. Meanwhile, the Rebel Alliance is fighting to end the oppressive Galactic Empire, which is secretly led by the Sith. Luke and his Rebel companions eventually defeat the evil Emperor Palpatine, but along the way they discover that his lieutenant, Darth Vader, is actually Luke's father. A financial, critical, popular and cultural H-bomb, these movies are basically the filter through which Generation X perceives the world... for better or worse.

The so-called Prequel Trilogy (made up of films I through III, released from 1999 to 2005) explained how Anakin Skywalker became Darth Vader and how the Galactic Empire was established. This involves a lot of convoluted politicking in the Republic, which is then torn apart in the Clone Wars, where the Republic (with an army of clones led by the Jedi) fights against the Confederacy (with an army of robots led by [[Necrons|General Grievous]] and secretly controlled by the Sith). It was not as well received as the first trilogy, for reasons we'll talk about below.

There's also a so-called Sequel Trilogy (made up of film VII and presumably films VIII and IX), which started in 2015 and picked up the story some three decades after the Emperor's defeat with a new generation of heroes taking on the remains of the evil Empire, which is a group of extremist former Imperials calling themselves the First Order. However, Episode VII aka ''The Force Awakens'', was directed by J.J. Abrams, who's mostly known for the [[skub|skubtastic]] [[Star Trek]] reboot, while Episode VIII was written and directed by Rian Johnson who was a young director known for plot twists and genre experimentation on a handful of movies and television episodes that openly said he wanted to "subvert expectations" and make half of viewers dislike his work, then got pissed when half of them disliked his work. The result managed to fracture the Star Wars fanbase over issues of dull rehashing for VII and a whole laundry list of reasons for VIII (ranging from small ones such as it being too different, to major issues like half the movie being filler), as well as those who still enjoyed them and very little common ground between the three groups.

Finally, there are the so-called Anthology movies, standalone one-shots involving characters and plotlines that aren't a part of the main "Saga" films, except they kind of are. The first, Rogue One (2016), is an immediate prequel to Episode IV that follows those Rebel spies who stole the Death Star plans. The second film follows a young Han Solo and pals Chewie and Lando. A third rumored one follows Boba Fett.

There are also three separate TV series. The first one, ''Clone Wars'', was based on traditional animation, whereas the later one, '''''The''' Clone Wars'', was a weird 3D animation. They're both pretty good. There was also a terrible theatrical release that was basically just an advertisement for ''The Clone Wars'', but, since it's even worse than the Prequel Trilogy (hint: babysitting Jabba the Hutt's kid), nobody talks about it much. The third series is Disney's ''"Rebels"'' which is set between Episodes III-IV and it takes itself far less seriously than Clone Wars did, and is more of a homage to the original trilogy since not every character in the series is the owner of a lightsaber nor are they constantly talking about grown-up politics, senators and trade embargoes... pretty much the things that clogged up the plot of the prequel trilogy.

And then there's the whole Expanded Universe, which covers pretty much everything not covered by the films, like the Old Republic (set thousands of years before the prequel trilogy, when there were a hell of a lot more Sith and Jedi around) and the New Republic (set immediately after the original trilogy, explaining what became of all the characters. It could also reach 40k levels of grimdark with races like the [[Dark Eldar|Yuuzhan]] [[Tyranids|Vong]] characters like [[Vampire|Darth Nihilus]] and beings like [[Old Ones|Abeloth]].

The EU is no longer considered in the main canon of the films and TV series, due to the new sequel trilogy which does not follow EU, the reason for this being, according to Disney, that following EU would restrict their creative freedom. The reaction to this was, well, [[skub|mixed, for lack of a better word.]] They've since noted that they'll slot ''some'' of it in on a case-by-case basis, but the canon is in a highly fluid state at the moment. EU is now officially called Star Wars Legends, though most fans still refer to it as EU.

==Why is it so popular?==

Star Wars is as accessible as science fiction gets. It doesn't require extensive knowledge of a fictional world (a la ''[[The Lord of the Rings]]'' or ''[[Warhammer 40,000]]'') or cultural background (as ''[[Star Trek]]'' sometimes does) to make sense. Those elements are present for those who want them, but they largely stay in the (very rich and vibrant) background. It has well-shot action and good ''enough'' dialogue to make it interesting for both kids and adults (as well as allowing parents who grew up with it to watch it with their children, thereby hooking the next generation of viewers). It has simple, good-vs.-evil themes that resonate with almost anyone, anywhere, at any time. The science fiction elements are generally handled well if you don't obsess over making science fiction realistic and hard. It's a prime gateway drug for sci-fi which still holds up to the experienced eye, [[Isaac Asimov]] saw and rather enjoyed the films. All in Fourteen hours of cinema, plus optional sides for those who want it.

There's a ton of merchandise that is, of course, really cool. Also, given it's crossed over into the mainstream, many people feel comfortable being part of the community without feeling judged as "nerds" (as they might with ''Lord of the Rings'', ''D&D'', ''Star Trek'', ''Warhammer'', etc.).

Again, they roughly follow the mythic cycle that's been around since Homer. If you think about it, 6 of the 9 films can be summarized as: hero begins his journey under the tutelage of a wise (more or less) man, they encounter a threat which has captured/enslaved a princess/girl, who was in one way or another connected to an important secret (usually a superweapon but could be the identity of a political figure or the location of someone); the heroes save the princess/girl but someone dies tragically in a battle against the villain while someone else is blowing up a space station or a spaceship afterwards they are happy, they celebrate and mourn the loss of the poor bloke who died.

Additionally, the first film can be summarized as a samurai and a gunslinger team up to save a princess from Nazis in space. That is multiple cinematic genres at once, following the style of the epic myth.

==Setting==
Due to article bloat, [[Star Wars Setting]] is now its own page.

==The rise of the original trilogy==

A long long time ago, in a galaxy far far away....etc etc you all know the lines.

A man called George Lucas had the idea to create a series of epic sci-fi space operas that would become so successful that Disney would take notice and give it the franchise fluttering eye lashes, trying to seduce it.

They would be called... ''Flash Gordon''.

Unfortunately for Georgie boy, and fortunately for modern nerddom, Dino de Laurentiis already owned ''Flash Gordon'', and were busy making their own, hilariously eighties version, so he said, screw it, I'll make my own!

He decided to start with the fourth movie in the series he envisioned, for at the time he didn't have the special effects to create the first three to the standard he wanted, and/or he just kinda made up the first movie as he went along (drawing heavily on Akira Kurosawa's seminal samurai action film, ''Hidden Fortress'' in the process as well as the book [https://en.wikipedia.org/wiki/The_Hero_with_a_Thousand_Faces ''The Hero with a Thousand Faces''], a complex 1949 Joseph Campbell analysis of the various mythologies of human history all boiled down into the basic archtypes and elements required in heroic myth). So Episode Four ''A New Hope'' was created (simply titled ''Star Wars'' at the time) and it is not an exaggeration to say it changed the face of sci-fi and general moviemaking forever, bringing a new era of special effects and imagination to cinema and changing the lives of many who would go onto to become dedicated fan boys.

Originally, the studio had forced Lucas to take ever-increasing paycuts for what they were sure was going to be a flop, and only let him keep merchandising rights. However, whatever his flaws, George Lucas was a man of vision. Having helped pioneer the summer blockbuster, he went on to do the same to ginormous piles of movie-tie-in memorabilia. His production company, Lucasfilm ended up rolling in dosh, and with Episode Five ''The Empire Strikes Back'' and Episode Six ''The Return of the Jedi'', the legend of Star Wars and its place in cultural history was assured.

tl;dr: [https://www.youtube.com/watch?v=Ij4w7ChpuaM Pretty much this.]

==The coming of the prequel trilogy==
With the year 2000 coming, George Lucas felt that special effects technology had reached the level he wanted and began to create the first three movies in the star wars story he had envisioned. (As a side-note, he also made some touch-ups to the three original films, re-mastering them with special effects and a couple of extra scenes that weren't doable with the eighties' animatronics. But those were mostly accepted/shrugged away since they didn't deeply modify anything.The fandoms opinion on the matter however, remains a very heated [[Skub|debate]].)

The hype for the movies was immense.

And then the first movie, Episode One ''The Phantom Menace'' came out.....and there was nerd rage beyond expectation.

Part of the problem was that the immense expectations of the fandom had grown until anything less-than-perfect simply would not do, so perhaps that is somewhat to blame for the reaction to the prequel trilogy. In a vacuum one has to admit that they aren't completely ''[[Twilight|terrible films]]'' .

Episode Two ''Attack of the Clones'' and Episode Three ''Revenge of the Sith'' followed after a few years each and didn't garner nearly as much hatred, though fans complained they didn't match the greatness of the original trilogy, more concerned with flashy action and effects than competent story-telling; but hooo-boy did it deliver in flashy action, with laser armed [[MI-24 Hind|MI-24's]] full of <s>storm</s>troopers extracting jedi from a coliseum full of shooty killbots.

''Revenge of the Sith'' did, however, receive higher ratings than ''Return of the Jedi'', and is generally seen as the best and most-complete of the three prequel films as a story. Unusually the novelization alters some details and is considered a legitimately good book on its own merits.

What was generally more well received (despite a rocky start with a two hour pilot being pressed into service as a movie and an art style that took some time to gel) during this time for Star Wars was the Clone Wars animated series (both the traditionally-animated ''Clone Wars'' and the later seasons of the CGI show '''''The''' Clone Wars'', the latter which most everyone agrees is what the prequels should have been), following the war between the Republic and the Confederacy that sprung up during the time between the second and third of the prequels.

It'd be ''really'' hard to find a group of movies more skubtastic than the prequel trilogy, and saying a good or bad thing about it in front of the wrong crowd's sure to provoke huge amounts of nerdrage. In defense of the prequel trilogy's sins, they did at least do their own thing. Because of how much money the original trilogy made, practically every form of media in the 80s and 90s aped it to some form or another, and instead of falling back on the same old shit the prequels branched out and tried to get out of the franchise's comfort zone a bit. While a lot of it sucked, it blazed a trail for better writers to follow and helped liven up the universe by showing us the galaxy beyond fuckhueg spaceships and faux-Western shitholes like Tatooine. And all but the most [[Neckbeard|diehard OT purists]] can get behind shit like Naboo architecture, the Clone Army and Mace "The Ace" Windu. From a story perspective the worst sin of the prequels was demystifying the force, and subsequent works have largely swept that detail under the carpet. Then Disney bought Star Wars and prequels become popular. Makes sense considering they had good scenario. sense and original events and characters and other things sequels do not have.

==Disney and the sequel trilogy==

Finally, all the efforts by Disney to woo George Lucas paid off and in 2012 Disney acquired the Star Wars franchise for 4 billion dollars, with LucasFilm becoming part of Disney, appointing film producer Kathleen Kennedy as its president. This was immediately followed by an announcement that they would produce a new trilogy of films set after the original trilogy.

Expectations were almost as high as the private fears of the fans. Bringing on the creative talent behind the [[skub|skubtastic]] ''[[Star Trek]]'' reboot was equally... well, [[skub|take a wild guess (and that's before we factor in identity politics)]]. The end result saw millions of voices cry out in terror, and were suddenly subsumed into hitherto unseen levels of [[Skub]]. Tellingly, even SEVERAL OF THE LEAD ACTORS THEMSELVES have criticized the filmmakers or how the film was made, including John Boyega, Daisy Ridley and Luke Skywalker himself - Mark Hamill.

For sake of sanity, these section have been condensed. Read at your own peril.
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===Episode 7: The Mouse Awakens===
''Star Wars Episode 7: The Force Awakens'' debuted in December of 2015, and reception was what you would expect: the film was immediately a massive success from a monetary standpoint as everyone ([[China|almost]]) everywhere rushed to the theaters in response to the hype, with children engaging in as many repeat viewings as their parent's money could allow as fans did the same thing with their own. It has become a financial hit with the general public and a (critically) generally well-reviewed piece, with decent cinematography, special effects, technical stuff, etc. It also went on to become the third biggest financial success in film history (at the time), when not adjusted for inflation.
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Fan response was a good deal more mixed. Many criticize the plot for rehashing Episode IV, without doing anything to establish its own identity and claim that it had a bland main character, [[Mary Sue|who had too many abilities]] whereas others find the replication of ''Star Wars'' feel an acceptable trade and praise it for being a decent action film, [[skub|and claim the lead doesn't outdo any of the previous main characters]].

Some would argue that by rehashing the original trilogy it basically nullified the accomplishments of the original crew; the Empire's still around, they've got yet another superweapon, Han & Leia split up, Luke failed to rebuild the Jedi, etc. Other fans praised it simply for being a new Star Wars that was better than the prequel trilogy (expectations were lowered due to those, to be honest). Some see poor storytelling when there was no proper showing of what went on in the galaxy 3 decades since Palpatine died, and not explaining what caused big character changes like why Han returned to his old ways or Luke ran from his friends was critical. Other say this is going to be explained in the next film and people should keep their curiosity. Some argue even with their superweapon, none of the villains feel threatening. Others argue the incompetence of the main villain is a fresh change and the point of the plot will be to see him change, to be more competent, or even learn to become good.

Overall, those against argued JJ Abrams' mystery box approach may do well for a TV series but does not mesh with films that take years to make. Defendants held the position that fans should wait to see whether the next film will do anything with the unexplained plot points.

Coincidentally, when Hamill and Fisher were originally approached by Disney to reprise their roles as Luke and Leia, they ''didn't want to do it'' right from the start. But, they didn't want to give an out-and-out "no" answer either, so they told Disney they'd return if Harrison Ford agreed to return as Han Solo as well. Knowing how much Ford ''hated'' Solo, Hamill and Fisher figured they were safe, until Disney irresistibly sweetened the deal for Ford by agreeing to kill off his character, thus forcing a reluctant Hamill and Fisher to make good on their deal... [[skub|only for the three characters to never appear on the screen at the same time.]] To be fair, Hamill has a history of saying he won’t do something only to immediately agree like he’s making a standard sitcom gag in real life, even if that usually just applies to still voicing the Joker in Batman media.
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===Star Wars Rebels===
Disney also released their own CGI series: ''Star Wars: Rebels'', which is actually pretty good (considering that it airs on Disney XD, it should be no surprise that they've toned down the graphic depictions of gratuitous violence, much to the chagrin of [[Neckbeards|those who love overly gory deaths]]). It focuses less on the Jedi that have come to dominate the franchise and more on the "boots on the ground" experience of the average characters, and while the show started slow and small, the plot gained momentum as the series progressed, especially after the first season, with season 4 often rivalling the very best Clone Wars arcs for quality of storytelling.
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The Rebel movement starts to grow, several characters return from ''The Clone Wars'', and the enemies the main characters have to face steadily get darker and more dangerous as more of the Empire’s attention gets attracted. When Darth Vader gets involved (played by none other than [[Awesome|James Earl Jones himself]]) he immediately proceeds to [[Awesome|open a 24-pack of unstoppable whoop-ass on the rebel scum]]. The return of Maul resulted in three character deaths (possibly four), the crippling of one main character with another well on his way down the dark side, and to top it all off Maul himself was on the loose once again. Things did not turn out so well [[Grimdark|last time that happened]], so expect the body count to rise. Things get worse for the Rebels when [[Creed|Grand Admiral Thrawn]] gets involved, especially since he's developing better ships for the Empire and tracking the Rebel Alliance to their homebase (things get so bad that, at one point, the main characters literally only survive Thrawn's attack because of a Deus Ex Machina). Speaking of Deus Ex Machinas, the continues the trend set by ''The Clone Wars'' in making the Force mystical again, though whether this is a good or bad thing depends on how you felt about the [[Skub|skubtastic]] midichlorian explanation of the Prequels. The animation is on point with ''The Clone Wars'', which considering it's Disney should surprise less than nobody. Oh, and Steve Blum voices one of the main characters. However, it is also noted that Star Wars Rebels had sort of a [[Grimdark|dark ending]]. Two important characters die and another is left stranded in the unknown regions while stopping the villains, leaving us with two other characters only able to start looking for him after the second Death Star blows up.

[[Skub|The way that Filoni (the creator of Rebels and The Clone Wars) has handled the Mandalorians, a fan-favorite warrior-culture based upon the Scots and Vikings, has either been met with praise from those who despised Traviss and her overpowering of said culture, or utter RAGE that he turned many of them into either pacifist morons or bloodthirsty barbarians- usually that particular criticism comes from the Traviss fanboys]]. Do take note, however, that the old ways for the Mandalorians are making their way back into canon, such as the language, the emphasis on martial honor, and the decentralized nature of their government.
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===Star Wars: Rogue One===
December of 2016 brought us the first standalone Star Wars movie, "Rogue One", showing the theft of the original Death Star plans.
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While "Rogue One" can be justly criticized for lacking in character development, that was basically mandated by being set just before another movie whose actors were now decades too old (or, in the case of Peter Cushing, too dead) to reprise their previous roles. The cast of the movie includes almost no one who appears in Episode IV, and the few familiar faces who do appear show up as cameos. (Fair warning: spoilers)

Accordingly, every main character dies by the end. It still manages to pack quite a lot of [[awesome]] into the movie, with Donnie Yen, Alan Tudyk and Darth Vader all used to great effect. Rogue One also answers several questions, plugs several plot holes, and just generally makes A New Hope make a lot more sense in retrospect. (No wonder Vader wasn't impressed when Leia claimed to be on a "diplomatic mission.") It also has the distinctions of being the only Star Wars movie to focus on regular soldiers instead of Jedi, and being more like the original Star Wars than any of the sequels, including the other two of the main trilogy. (The original, back before it was "A New Hope", was a genre mashup of samurai + gunslinger rescue princess from space Nazis, then team up for a World War II dogfight. This one is wuxia cast + heist crew do a heist in a WWII trench warfare war zone. There's surprisingly little 'War' in Star Wars.) Much, much [[Skub]] still exists of course, since no Star Wars movie will ever please all the neckbeards but out of the five post-Disney Star Wars movies released so far, this one is definitely the least divisive and arguably the best of the bunch.
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===Episode 8: The Last Royalty Check (aka zomg Luke dies!)===
On December 14 2017, ''Star Wars Episode 8: The Last Jedi'' was released world wide. The critical reception was [[Bullshit|extremely positive]], with many critics considering it the best movie in the series since The Empire Strikes Back. The fan reception has been a great deal more negative and [[Skub|mixed]], and a number of fans are convinced that Disney leaned on media outlets to shill the new movie or else. If you have watched the Empire Strikes Back, you ''WILL'' be [[Rage|disappointed at best]], if you want to see a Star Wars film that would finally expand the characters of Kylo Ren and Rey, you ''WILL'' be satisfied and disappointed at the same time, if you want to watch the film because it is the last film starring the great and wonderful Carrie Fisher, you ''WILL'' feel hollow and sad inside, and if you came to see a pair of lightsaber-wielding punks involved in one of the greatest lightsaber battles of the franchise, you ''WILL'' be pleased. The Last Jedi is seen as one of the most divisive films in the franchise by the fandom, [[FAIL|which is one hell of an achievement]] considering other films.
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The complaints about The Last Jedi are many: the treatment of Luke (which even his actor, Mark Hamill, hated, to the point that he has no interest in playing Luke again), Leia's Superman asspull, Finn's plot arc that serves practically zero purpose and has him undergo the same character arc as the last movie, the forced humor, the complete disregard for established [[fluff]], disregard for even the most basic laws of physics, the fact that the central conflict is essentially the same as the one in the originals right down to the last stand ripped straight out of ''Empire'', the PC bullshit (a hipster admiral who the plot always treats as being in the right despite killing 90% of the Resistance, the Gilded Age planet arc that [[Namek|sucks up a third of the movie to no benefit,]] Rose expressing her desire to get BLACKED with a horrendous and forced #LoveTrumpsHate one-liner in the final act) added solely to virtue-signal and the whole thing being basically a 2,5h screed against the franchise it belongs to and the culture which spawned it.

Fans have also criticized the movie for dropping or discarding major plot points from TFA and repeatedly invoking Shamalamadingdong-tier plot twists for cheap gotchas that are somehow less interesting than the recycled cliches they play off of. Director Rian Johnson has responded by shitting on said critics and trying to defend the film on social media like something out of an ED or RW article. (Important note: George Lucas never tried to defend the prequels, despite the huge backlash at the time, and he agreed with fans that [[C.S Goto|The Star Wars Holiday Special]] was an abomination.) It later came out that Johnson had not been given any kind of roadmap beyond Lucas' old and unfinished concept scripts and was not allowed to see what Abrams had done until TLJ was too far into production to write in most of the previous movie's plot points, which makes the fail Disney's fault just as much as it is Johnson's. Except we also know that he had at least a modicum of influence over the ending of TFA, so they must have talked on at least some degree. As with TFA Lucasfilm has tried to paper over the holes with tie-in material, and just like TFA the fans recognize the damage control.

The Last Jedi has without a doubt torn the fanbase apart in ways even the prequels didn't come close to, with many fans declaring that they have dropped the sequel trilogy. Even Star Wars' famous merchandising has taken a mauling, as [[/toy/]] giggles at Rose Tico and General Hux figures warming shelves while new product shipments go straight from the transport case to the clearance bin.
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===[https://www.youtube.com/watch?v=lg_FoEy8T_A I'm Solo, Han Solo, Han Solo]===
On May 25th 2018, the 41st anniversary of the franchise, ''Solo: A Star Wars Story'' was released. The general consensus seems to be that it is the most average film in the series. At the very least, most people agree that it is at least better than The Last Jedi (if barely) and the backlash from that movie can be felt even in Solo: many fans have chosen to boycott the movie. Even before release, many fans had derided the whole affair as unnecessary: no one was really asking for a Han Solo origin movie, particularly one without Harrison Ford. Han Solo's entire life history had already been explored thoroughly in EU novels and comics, so the movie could only be a retread or a retcon, both things most fanbases tend to disapprove of.
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Whether it is because of this boycott or not, [[Not as planned|something no one expected happened:]] ''Solo'' was a box office bomb. Its opening weekend performed way below expectations and as of this writing, it has only made half of the money it needs for it to break even. Disney still continued to labor under the delusion that China would save their bottom line regardless of the fact that Star Wars has never been popular in China.

So what is it like? Well, rather than being a space opera like the other films, this is a space Western. Rather than being about large-scale battles and saving the galaxy from tyranny, it's about heists and the galactic underworld. (Except for the Mimban sequence, which you'd swear was lifted from a live-action Imperial Guard movie.) It's essentially Disney's reboot/retcon of the old EU Han Solo novels, taking things that were mentioned offhand in the original trilogy (like how Han did the Kessel Run in 12 parsecs) and making that the subject of an entire movie. The film was perhaps cursed from the beginning due to its [[Fail|troubled production.]] How troubled? The lead needed an acting coach to get through his shoots (Han may have walked away with the Falcon, but Donald Glover's Lando stole the spotlight every time) and 70% of the movie had to be reshot by a different director due to [[Butthurt|creative differences]] between Lucasfilm and the original directors.

The fail only compounded when it premiered and fans got to see what those "creative differences" may have wrought: the writing staff started spewing bullshit to the press about Lando being "pansexual" with no precedent in any Star Wars production including ''Solo'', the film's tone is a schizophrenic nightmare to the last-minute reshoots and Han's sidekick for most of the movie is [[What|a self-built female droid social justice warrior]] named [[/v/|L3-37]]. Audiences ''cheered and applauded'' when that <s>man</s>human-hating self-insert character finally fucking died. Perhaps the most damning sin is that these are the movie's only notable qualities: take them away and you're left with a movie that would make you think "Huh, that was okay," and then never think about it again for the rest of your life, were it not for the crippling disappointment of seeing one of the most beloved franchises in the world fall so far. Between the boycotts, the mediocrity of the movie itself, and [https://encyclopediadramatica.rs/Gawker certain news outlets] claiming that the driving force behind said boycotts was [[/pol/]], ''Solo'' cratered so badly that [[Exterminatus|all non-''Episode 9'' Star Wars movies were for a short time shelved indefinitely, and the only side-movie still being worked on is the obligatory Boba Fett origin movie, which is more likely to sell tickets based on the name alone.]] Incidentally, one of the writers picked by Lucasfilm to handle ''Solo'''s tie-in content, Cavan Scott, has been hired by [[Games Workshop]] for the [[Warhammer Adventures]] series.
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===Episode 9: The Rise of Skywalker (aka Plan Palpa-Nine from Outer Space)===
Your opinion of this movie is very easy to predict based on what you thought of the others; if you found The Last Jedi to be "refreshing", you'll absolutely HATE this one. If you hate all Disney content aside from ''maybe'' The Mandalorian, you'll hate this one as much as the others. If you absolutely detested The Last Jedi but have mixed opinions of the rest, you'll probably consider this to be the best of the new movies to varying degrees of actual enthusiasm. The movie largely undoes or ignores swathes of the previous one.
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After finishing shooting, the film was shown to test audiences (which JJ Abrams lied never happened). The film was extremely poorly received, one of many reasons being because it had [[Mary Sue|Rey curb-stomping Palpatine by herself in the final battle]] (test audiences reportedly either laughed at the film or had to be stopped from walking out of the test screenings). The poor showing made Disney CEO Bob Iger - who was overseeing the screening - furious, and he immediately ordered the film to be reshot. The resulting reshoots were so extensive, [http://archive.ph/RLj94 they spanned months and the film didn't have a final edit till December 2019, the month of release], causing trailers to be so desperate for footage that wouldn't be cut they had to fill half the length with footage from prior films and stuff used in prior trailers. To make matters worse for Disney, the plot was leaked months before release, and said plot turned out to be ''very stupid''. Despite Disney spokespeople and media outlets extensively denying the leaks, the leaks were proven correct by getting then unrevealed names and plot objects right. Camera leaks the week before release showed very little of the fantastically stupid content leaked months beforehand was changed, only minor details.

Before reading on, be aware that Rey and Kylo are no longer movie-type Force users, they have been changed to video game characters. Like KOTOR and Jedi Academy type where you just get powers by killing enough dudes. None of the powers are new to the franchise, but have been rarely seen and in some cases never before have in movies. You should also know that unlike the first Visual Dictionary that mostly just gave little prop trivia and plot hooks for other works, and the second which was mostly irrelevant until it gets referenced in a decade or two, the final Visual Dictionary is damn near required reading (this shit will get a "VD" to indicate it) since a lot of explanations were cut in the reshoots and recuts. Like for example the connection between Rey and Kylo is a "Force Dyad", basically one soul in the Force that inhabits two bodies (setting up a bit of a snarl what happens when one dies and not the other, and implying the personality is mostly in the brain which is why they can have unique experiences, but whatever) and warps space/time. This is why Rey was inexplicably powerful and knew how to do shit instinctively, because Kylo's training passed onto her, and likewise her nonstop playing with X-Wing training sims as a child made him a badass pilot. Dyads used to be far more common in the KOTOR era, and were apparently the inspiration for the Sith Rule Of Two. This is never mentioned in the final cut of the film, but leaks show it was in one of the earlier ones.

The movie pressed on with breakneck speed that doesn't have time for musical interludes or wipe transitions, the opening crawl informing you that Palpatine has somehow returned and sent a message to the galaxy with the Resistance trying to rebuild and gather information, Rey being trained by Leia on the planet Ajan Kloss (AKA not!Yavin #2, VD) after repairing Anakin's lightsaber (VD) who had received partial training from Luke before stopping for reasons explained later in the movie and supplementing the rest with her pouring over the Jedi texts, and Kylo Ren trying to find Palpatine because his existence is a threat to his rule. The movie takes a lot of inspiration from KOTOR era lore with Ren finding a Sith McGuffin Holocron-type navigation device on Mustafar (VD) showing him the secret planet of the Sith (not Korriban/Pesegam/Moraband, this one is a planet in a red nebula that is under constant lightning storms called Exegol). There he finds a MASSIVE Sith cult that has kept itself secret and managed to not only build a fucking massive fleet of Star Destroyers equipped with planetkiller guns like something straight out of the old canon, but divisions of Stormtroopers, technicians, and officers to fill them along with the typical cultists in robes who administer to keeping Palpatine alive and seeing to his Sith alchemy shit...which includes tanks containing multiple clones of Snoke, revealing the guy was literally born looking like that with a manufactured backstory all so Palpatine could use him as a puppet to create the First Order (which is almost a meta commentary about the backstory controversy).

Kylo is offered the chance to be the new Emperor by Palpatine, who is a corpse kept barely alive through methods some would consider... Unnatural, while strapped to a machine with [[Lord Kroak|his spirit sticking nearby]] (the filmmakers zig-zagged on the nature of this; first it was the original Palpatine who had somehow duped everyone in ''Return of the Jedi'' with a clone stand in, then the reshoots changed it to the original's zombie-like rotting corpse animated by his lingering spirit and Lucasfilm later retconned him to be a zombie-like clone of Palpatine after the film's release). The only requirement for Palps to pass him Emperorship is killing Rey, although Ren is immediately suspicious of the other strings attached (including choking a guy in a hissyfit when that concern is voiced) and decides instead to recruit Rey again, this time as a co-Emperor.

Finn and Poe obtain information about a spy within the First Order (yeah, you know its fucking Hux even before they say there is a spy at all) while Rey gets visions during her training with Leia. The spy confirms that Palpatine is legit and the info about the fuckmassive deathfleet is legit, and Rey finds the Jedi texts contain notes from Luke about his search for that planet. They go to his last clue, a desert planet that isn't Tatooine and is the middle of a festival where they find Lando has been holed up enjoying himself since him and Luke traveled there. They are immediately spotted by the First Order and escape from them to find the ship of one of Palpatine's servants who had last been seen there. They fall into sinkholes around the ship created by giant tunneling worms, and find the skeleton of Sheev's boy as well as a Sith dagger. 3PO is programmed with the Sith language, but his programming from the Old Republic era forbids him from giving the translation to civilians. Rey manages to get the sand worms to leave them alone by using Force powers to heal one's wound, and they attempt to get the Sheev's servant's ship up and running before they are attacked by the First Order. Chewie is taken prisoner and Rey wrecks Kylo's TIE Fighter before the two engage in a Force tug of war to pull the transport Chewie is on, which ends in Rey accidentally Force Lightning it and causing it to explode when she becomes frustrated with the stalemate. Chewie is revealed to have been on another transport and is taken to Ren's flagship Star Destroyer while the heroes, instead of do something sensible like seek a Rebel leader who can give security clearance for 3PO's protocol (Leia's the obvious choice), they head to a planet under VERY Nazi-like occupation to find a droid technician who can hack 3PO's memory. They encounter a woman from Poe's past, revealing he was a former spice smuggler like Han until abandoning his crew (causing them to fall into debt and become bitter at him) to join the Resistance. She threatens to turn the group in to pay off their debt [[Mary Sue| but Rey kicks her ass, earning her respect and she takes them to the technician without further incident.]] The technician unlocks 3PO's memory at the cost of wiping him. The translation reveals the dagger is the key to finding the Sith navigation McGuffin they are looking for. During this BB-8 reactivates Sheev's servant's old droid, who doesn't do much.

The heroes proceed to board Ren's flagship with the help of a First Order officer's badge, and shoot their way through as they free Chewie. Rey and Ren have another linked vision where her parents are revealed to have attempted to hide her from her grandfather Palpatine, who wanted to merge the souls of himself and '''ALL''' other preceding Sith (presumably not Revan, since his redemption is canon) while he discovers they are on his ship and orders it put on lockdown. Rey is confronted in the hangar by Ren, who offers her to join him again. She refuses and the Falcon appears, the engines blowing away the Stormtroopers while Rey jumps aboard. The crew head to Endor after finding out from Sheev's servant's old droid that it was where he was going to go next (this is the only thing the droid does other than serve as a "pet the dog moment" for the cast a few times) where the Death Star wreckage of the disk and throne room landed, encountering a division of former child-soldier Stormtroopers like Finn who went AWOL. The dagger has a slide-out metal prong from the handle which perfectly lines up with the corridor leading to Sheev's throne room. The team work on repairing the Falcon while Rey presses on ahead, alone, to the Death Star wreckage. Once in the throne room a hidden door opens, revealing a sanctum full of crystal mirrors that are the same as the ones she saw in her vision in Force Awakens (the scene where she snaps her fingers and all the mirrored ones do as well). There she finds the Sith McGuffin and gets a "The Cave" vision of herself as a Sith with a red double-bladed lightsaber which she fights. Kylo is waiting for her in the throne room, and crushes the Sith McGuffin in his hand before informing her they are linked in the Force as one soul inhabiting two bodies and offering her again to be the Vader to her Palpatine which she again refuses. The two fight while Finn and one of the Stormtroopers try to rescue her. They fight their way onto the remnants of the Death Star hangar, reminiscent of Anakin and Obi-wan in Revenge Of The Sith with water instead of lava, before Ren freezes as he senses his mother start to die. This pause gives Rey time to grab his lightsaber and stab him before she freezes sensing Leia actually pass away. Rey uses the Force to heal him, then steals his TIE Fighter while Poe and Finn return to the Resistance base. Rey initially attempts to hide on Luke's monastery to let Palpatine's bloodline die with her, but after lighting Kylo's TIE on fire (so she's destroyed 2 of his personal TIE at this point) Luke appears as a Force ghost to tell her <strike>Rian Johnson</strike> he was wrong, and was motivated by fear when he tried to hide. He reveals that all the Jedi who came before are rooting for her, and tells her where Leia's lightsaber is hidden. He reveals she stopped her training because in a vision she saw that her son would be destroyed by the Dark Side, and a Light Side counterpart would take up her blade instead. Meanwhile, Kylo is visited by the memory of Han. The two reenact the scene from Force Awakens, only this time Kylo throws his lightsaber into the sea and renounces the name Kylo Ren to become simply Ben again. Meanwhile the First Order blow up Poe's home planet where the droid technician and Poe's old crew were, although they had managed to get offworld by that point. Also, R2-D2 restores C-3PO's memory wipe by finding a backup which contains everything from before the mission.

Luke lifts his X-Wing from the waves and Rey scavenges the Sith McGuffin from the flaming wreck of Kylo's ship. As she proceeds to the Sith planet she sends out a beacon to track her progress, giving the entire galaxy a map to the Sith fleet. Poe, now leader of the Resistance, sends Lando with the Falcon and Nien Nunb to gather any forces they can, all the ones who refused to aid them in The Last Jedi, while the rest of the Resistance gears up to attack Sheev's fleet before they can leave the storm cloud. The initial plan is to destroy the navigation device which orients them to the rest of the galaxy without which the fleet cannot leave, until the commander of the flagship (a former Imperial officer) realizes what they are doing and orders it to be shut down so his own ship could serve as the navigation for the rest. Rey confronts Sheev in a coliseum/throne room full of the Cultist parents of the personnel of the fleet (VD) and is informed of his plan to have her kill him so all the Sith could merge with her and rule as basically the God Emperor of Star Wars. She raises her lightsaber before using the strange wormhole Force connection thing they have to pass it to Ben, who had gotten there with a salvaged TIE from the Death Star wreckage and was being beaten by his former servants, the Knights Of Ren. Armed with Luke's old lightsaber he kills them and proceeds to the throne room. Ben arrives and the two attempt to fight him. He simply Force Pushes them back and forces them to kneel before draining a portion of their souls, the "two bodies one soul" thing apparently being a massive source of Force power he can heal himself with to rule in his own rejuvenated body again (but with Darth Maul eyes) rather than Rey's. Meanwhile, the ex-Stormtroopers and Resistance ground personnel lead by Finn land on the flagship Star Destroyer (its still in the atmosphere of the Sith planet, thus gravity and breathable air applies) and due to bringing goat-horse things from Endor are not affected by onboard EMP that would otherwise short out speeders and tanks (which is a thing from past canon, mostly comics and novels, which they use to explain why such a thing doesn't happen more often). Meanwhile, Lando appears with a fucking enormous fleet (remember the backstory that the New Republic didn't have a fleet, instead paying for every planet to have a militia of their own which would unite when there was a big enough threat? Well, JJ finally remembered because all those fucks show up alongside a neat little game of "spot that ship from the series you know" in a few shots). They begin attacking the superweapons underneath the Star Destroyers directly, causing chain reactions that blow the entire ship.

Ben is Force-pushed by Sheev into a pit as revenge for how Vader did the same thing to him before taunting the dying Rey and unleashing a MASSIVE Force Lightning storm which shorts out the fleet. While this is going on the spirits of all the dead Jedi (like pretty much anyone they could find to record a line from any of the past movies or shows, including Ahsoka; which is pretty lame since it means she was killed off-screen, with natural causes being unlikely since Ahsoka wouldn't have been 80 yet, and even that's below the average Togruta life expectancy, though this may not necessarily be the case according to Filoni) who inhabit her body the same way that Palpatine is currently full of all the Sith. Rey manages to stand and deflects his Force Lightning with Leia's lightsaber, which isn't enough until Ben manages to climb out of the pit and throw her Luke's lightsaber; with the two together she's able to walk close enough to Sheev for his Force Lightning to burn him, and despite this being the third fucking time this has happened he does not turn off the lightning and instead Raiders Of The Lost Ark's himself into a skeleton before blowing up and destroying not only himself but the spirits of all the past Sith. Despite Palpatine's plan being to possess Rey when she kills him, for some reason he doesn't do so. The Jedi spirits leave Rey and she dies, with the barely lingering on Ben healing her. They share a kiss (reminder that since Sheev created Anakin, they're basically cousins, and their relationship is so adversarial it makes Edward and Bella's from Twilight look healthy, something the novelization tries to claim is "purely platonic") before Ben dies. His body vanishes, as does Leia's. The Resistance/Militia fleet destroy all the Star Destroyers after Finn's ground crew hijacks one of the cannons of the flagship to shoot at the ship bridge, killing the last of the old Empire and First Order leadership.

The heroes return to the Resistance planet where they celebrate, scenes showing the rest of the galaxy shooting the last of the First Order Star Destroyers play, Chewie is given Han's old medal from A New Hope, and the ex-Stormtrooper leader is hinted to be Lando's daughter or grandaughter implying a spinoff with the two (also shares a gay kiss with another woman... which was cut to appease China's and Singapore's media watchdogs). After the celebrations Rey returns to Luke's old home on Tatooine where she buries Anakin and Leia's lightsabers, revealing she built her own from her Force vision only with yellow blades instead of red ones. An old woman who was a neighbor of Owen and Beru comments nobody had been to that place in years and asks Rey's name. Seeing the Force Ghosts of Luke and Leia, she tells the woman her name is Rey Skywalker. The End.

Because the fandom has become fractured like never before, there was immediately fan wars going on everywhere Star Wars fans are found. Fans accused haters of review bombing, those who hated the movie claimed the critic score (which, if you recall, is mostly people who liked The Last Jedi and hate this movie for doing a U-turn on it) vindicates them. The fan fighting probably won't ever end, since now we apparently have to reevaluate if A New Hope and the Kenner Star Wars toys were ever good in the first place because some contrarians now claim the prequels are the pinnacle of Star Wars. Whatever the case, Disney CEO Bob Iger resigned in the middle of the work week in late February 2020, before coming a couple of months later, with insiders saying he's "livid" over certain changes.

For anyone interested, here is a video explaining why the Rise of Skywalker failed musically. https://www.youtube.com/watch?v=L_8-dWSLDWI

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==Expanded Universe==

It can be said what makes a franchise into a long term lasting thing is when a wealth of extra story and background is created that expands on the original story far beyond what there was. It could be argued Star Wars leads the race in this, as the sheer amount of extra novels, graphic novels and games based on Star Wars can and does overwhelm the ordinary fan.

===The original EU/Star Wars "Legends"===

[[Image: Choices_of_One_PB_art.jpg|right|200px|thumb|Before Cara, before Rey, before Darth Talon or Padme... there was Mara Jade]]
The background has expanded into the distant past before the founding of the current Jedi and Sith orders and into the (not-quite-so) far future looking at the descendants of Luke Skywalker and other popular characters. Uniquely, especially considering [[Warhammer 40K|other]] [[Star Trek|franchises']] track records, the Star Wars Expanded Universe is <strike>remarkably</strike> <strike>sorta</strike> sometimes internally consistent, both with other sources within the universe and with the films themselves, at least in comparison to other comparable settings. Of course, it's got plenty of its own [[C. S. Goto|problem children]] that slipped through, and the [[skub]] mine of it all isn't much shallower than that of 40K. Good portions of it do hold up well, largely due to the efforts of Lucas' company's continuity department leaning on everyone to hold it together. One thing that greatly helps is continuity books and articles aren't afraid to make small retcons to make even the most obscure and shitty sources (like that terrible PS1 fighting game) seem like part of an organized plot. Particularly well-loved parts include characters like Grand Admiral Thrawn (a rare alien officer in the Empire and popular enough that Disney brought him back to the canon from the EU) and Mara Jade (pictured right, a Force-using former agent of Emperor Palpatine who later turned good, became a Jedi Master, married Luke and had a son with him) - interestingly both were created by the same author [[Timothy Zahn]].

Upon their acquisition, Disney said "fuck it" and threw out everything but the films and the Clone Wars cartoons. Some popular old stuff got mentions or appearances (and Thrawn got to be a major character), but the overall quality is even lower than the old EU. What was set up as a major book contains phrases like "The TIE wibbles and wobbles through the air" and random virtue signalling. As though to top the previous, Disney literally published a book with an entire chapter about mass wedding farts (Yes. Really.). The only good stuff is from established EU authors writing stuff far away from era of the Disney films.

The [[rage]] over the EU's scrapping was major among many fans of it, but for all Disney's shortcomings, they were in a tight spot. Towards the end all that continuity and consistency got thrown out the airlock for increasingly dumb and disjointed narratives and garbled plot threads to the point that the Star Wars logo was just about as much a sign of quality as the Nintendo approval stamp on shitty SNES games.

Another problem was that Disney is mostly family-friendly, and some of the Star Wars EU could get really dark. As in Warhammer 40k levels of grimdark. Examples of this are the invasion of the Yuuzhan Vong - forcenull space-Druchii (no no, not Comorrites though they have the pain and body modification fetishes for it, space-'''Druchii''', riding enslaved tyranid bioships) from another galaxy, Mnggal-Mnggal - mindraping gelatin lost on its way to Star Trek, and Abeloth - an ancient (she predates the Jedi and the Sith) yandere Force entity more like something from the Cthulhu Mythos and is so dangerous the Jedi and the Sith '''joined forces''' to fight her. It's difficult to envision how Disney could have kept the EU when even before all that it was struggling to find a market beyond the most [[neckbeards|dedicated fans]].

===The Books===

'''The Good EU'''
[[Image: Heir-to-the-empire-cover.jpg|right|200px|thumb|Heir to the Empire (1991): The book that started it all]]
* '''The Thrawn Trilogy''': The origination point for the EU, and focuses on the conflict with the Imperial remnants left over after RotJ. Named for the main villain, Grand Admiral Thrawn, who went on to become one of Star Wars most well-loved characters. Basically the story "The Force Awakens" wishes it was. Also introduced Mara Jade, a sexy redhead that's everything Disney wishes Rey was and more.
* '''The Han Solo Adventures''': Star's End was the second spinoff book written and the first good one. Hit store shelves before Empire Strikes Back was even in theaters. Han and Chewie are trying to get some work done on the Falcon and wind up having to bust out some political prisoners to pay for it. The Z-95 Headhunter fighter comes from this one. Would have made for a better film than ''Solo'' did.
* '''Shadows of the Empire''': Shadows is set between ESB and RotJ and fills in the details of getting the Death Star II's plans, finding out where Han was taken, Luke building his own saber, etc by the introduction of another bounty hunter by the name of Dash Rendar. The Special Edition rerelease of ''A New Hope'' added the Outrider to the background of one scene. Most notable for the fact that it was also adapted into a video game for the N64 and PC.
*'''The Darth Bane Trilogy''': The origin of the Rule of Two for the Sith, along with a compelling protagonist and his apprentice.
* '''Revenge of the Sith''': The novelization is actually considered a serious improvement over the movie itself.
* '''Darth Plagueis''': Shows how Palpatine becomes a Sith Lord under his mentor. Less Star Wars than Star Politics, which is a good thing for this praticular story.

'''The Bad EU'''
* '''Jedi Academy Trilogy''': Luke sets up his academy on Yavin IV and tries to teach [[Rage|Kyp Durron]]. Imperial remnant superweapons hit ludicrous territory with the sun crusher. This was the beginning of Kevin J Anderson hammering out a couple dozen Star Wars books over about four years.
* '''Young Jedi Knights Series''': Set between Jedi Academy and New Jedi Order, mostly follows Han & Leia's kids.
* '''I, Jedi''': A retelling of the Jedi Academy Trilogy (see above) with more of Corran Horn from the first set of X-Wing books. Less derp in general but significantly more [[Mary Sue]]age of Horn.
* '''Legacy of the Force''': The survivors of the Yuuzhan Vong War are trying to rebuild the galaxy, but Jacen Solo turns Sith and becomes the main villain. The book series is infamous for nearly killing the Star Wars EU, threatening the franchise and issues between various writers years before Disney went down the same road (Jacen Solo was also a major influence for Kylo Ren). The biggest complaints were Jacen killing Mara, the heroes becoming idiots whenever they could've stopped the villains, poor dialogue, long-winded writing and the story being overstuffed with allusions to post 9/11 United States.

'''The [[Skub]] EU'''
[[Image: Yuuzhan-vong-eu2_bg.jpg|right|200px|thumb|The Yuuzhan Vong, [[Skub|either badass and interesting or grimderp canon-defiling villains]]]]
* '''New Jedi Order''': The longest-running (19 books long) and most divisive story of the EU. Luke's married to Mara and they're rebuilding the Jedi Order while Han and Leia are trying to reconcile the New Republic and Imperial Remnants. Han and Leia are also raising three kids and Mara's got a terminal illness. Then extragalactic aliens called Yuuzhan Vong - [[Imperium of Man|religious fanatics]] with [[Tyranids|organic technology]], a thing for [[Dark Eldar|pain and body modification]] along with [[Culexus|partial immunity to The Force]] - invade to take over the Star Wars Galaxy. Chewie dies Majora's Mask style, Mara's illness is cured and she gives birth to Ben Skywalker, the Vong take over Coruscant, lots is learned about the Force and the bodycount goes so high it could give Warhammer 40k a run for its money (365 TRILLION; only the War in Heaven or the Fall of the Eldar had anywhere near that many deaths in one event). A real love-it-or-hate-it series, some parts were good, some were bad and some were weird.
* '''Dark Empire''': Palpatine's back to save a dying franchise decades before Disney tried it. He even uses clone bodies to do so (but unlike Disney, Dark Horse didn't flip-flop on the lore), wrecks a fleet of enemy ships using the Force and at some point has his power reflected back at him. Starts off good, falls apart fast. Known for its love-it-or-hate-it artstyle and dialogue. Original version of Episode 9.
* '''Courtship of Princess Leia''': Deals with another Imperial remnant, where a Queen who could be potential ally against the Imperials offers a deal which hinges on Leia marrying her son. Meanwhile Luke and R2-D2 are working with a prince who was the original recipient of the offer. This one has force witches, who are encountered when Han tricked Leia into in an attempt to win her heart... it is ''really'' silly. If you like that, raise this higher. If not, it might even drop lower.
* '''Fate of the Jedi''': Want some Cthulhu with your Star Wars? People are growing dissatisfied with the Jedi Order following LotF. Luke, Ben and the remaining Jedi are trying to keep the Jedi Order in check while several Jedi are wracked with a mysterious psychosis and a ancient Sith Tribe emerges from hiding. Han and Leia are looking after the political side of things while also becoming grandparents. Things take a turn for cosmic horror when a yandere, Force-using eldritch abomination who could doom the galaxy escapes her prison. During the conflict, Sith apprentice Vestara rises through the ranks and finds herself in a Catwoman/Batman situation with Ben Skywalker. While being an OoM better than the preceding trilogy, FotJ has a very divided opinion among SW fans.

== Disney Canon ==
[[Image:Star_Wars_Disney_Princesses.jpg|right|400px|thumb|Love it or hate it, they are now official ''Disney Princesses''.]]
It's still [[skub|debatable]] whether or not the new Canon holds up to the old EU, or learns to fix the problems that plagued it. We probably won't see what comes of it for decades to come. Disney Canon, as of 2020, seems to largely be built around the nine main movies (of course), with shows like Rebels and Clone Wars alongside anthology movies fleshing out stories that had been told in comics and books back before the Disney buy-up, but can now be seen on film.

A curious thing that has begun happening: Certain elements of the old EU is slipping into the Disney Canon. Plotlines like the Emperor returning, the Death Star plans heist and Han's path to become the smuggler we know him as all have bits and pieces from EU canon in them. In some cases, whole characters are ported in; the best example is Admiral Thrawn, who appears in Rebels. Other times, popular characters has their traits or stories ported into new ones (Finn and Cassian are both expies of Kyle Katarn, for example). This gives some credence to the argument that Lucasfilms and Disney wanted to wipe the slate with all the stories that had been told in the EU, so they could create their own, fully realized canon Star Wars setting that one could make movies - ''many'' movies - from. Considering the amount of shitty fan-fiction-esque stories the EU had, this may be for the best, but of course, storylines that people have loved for ages are also thrown out with the bathwater.

Detractors of Disney-era Star Wars often talk loads about how the sequel trilogy invalidates the original trilogy. Other complaints raised are how Disney screwed over Luke and how many cool characters are either cannibalized for story elements (like Kyle Katarn) or completely removed from canon (like Mara Jade). These are semi-valid arguments of course, but they ignore some of the biggest issues with the EU originally - it wasn't sponsored by George Lucas and Lucasfilms. They were sponsored fan-fiction in a sense, semi-canon from the outset and not really something that could be considered a part of the Star Wars setting, though George Lucas did work with the writers to a point, such as with the New Jedi Order book series (he gave them permission to kill off Chewbacca in the story). In fact, George never really considered them real stories; more like a parallel universe of his own Star Wars works. He accepted it because they bring in the big bucks when people would beg to have the official Star Wars logo on anything they produced.

That, and the sequel trilogy, underwhelming as it may be, was George's idea in broad strokes. The series was always going to have a sequel trilogy, and while the outcome isn't exactly what he (or we) wanted, quite a lot of it is. Luke being an exile on a far-away planet, who has to be roused to fight by a new, female Jedi? George's idea, not Disney's. A son of Han and Leia struggling with the Dark Side? Also George's idea (though Disney lifted a lot form the original version - Jacen Solo - for Kylo Ren). If anything, much of the direction comes from Lucasfilms; Disney just wants the movie to sell well. It's similar with Marvel nowadays.

So for better or worse, the Disney Canon is the first time the wider setting of Star Wars beyond the series and movies have become irrevocably canon, rather than "kinda-sorta-canon". Much of what we've gotten that is new is based roughly on George's own work as well. Remember this when discussing EU vs Disney in Star Wars - Either setting is cool for their own reasons, but the Mouse got little to do with it - and if you don't like it, bring it up with big man Lucas. Whatever the case, CEO Big Iger briefly resigned in 2019... before being brought back in 2020 following severe financial and PR losses for Disney due to comparatively poor reception of the Disney canon, controversial statements from Disney staff against fans and shutdowns related to the global coronavirus pandemic. There have been large rumblings of change in Disney Star Wars, for better or worse.

It should be noted that the TV shows below are either now part of the Disney canon (such as the 2008 Clone Wars series), or made by Disney. There is also a major Star Wars project in the works called Star Wars: The High Republic. It's an upcoming multimedia project spanning books and comics worked on by various writers including Claudia Gray and Cavan Scott ([[Warhammer Adventures|yes, ''that'' Cavan Scott]]). The stated goal is to tell one cohesive story set in the High Republic Era, two centuries prior to Phantom Menace. It was slated for a 2020 release but was pushed back to 2021, purportedly due to the COVID-19 pandemic (purportedly because they could still work on the story from home in this day and age but have chosen to extend the deadline).

==Star Wars:The Television Shows==
===Star Wars: The Clone Wars===
Technically, there are two series called similar titles. The first was 2003's ''Star Wars: Clone Wars'', an animated miniseries made by Genndy Tartakovsky (He of Dexter's Lab and [[Samurai Jack]] fame) chronicling, among other things, the titular Clone Wars and introducing a much more sinister General Grievous to the world.

But then we have ''The Clone Wars'', a CGI animated series (and tie-in movie) that we'll be talking about more and contributed more to the EU. One of the most universally known and loved parts of Star Wars, most fans worth their action figures and limited edition movie sets have watched the show and have an opinion on it one way or another. Some of the most notable characteristics are:

* The Clone Troopers are fleshed out,and we see that they are manly motherfuckers who make Guardsmen's balls of steel look like the cardboard their armor is made out of (seriously, in the movie, they literally charge straight into close combat with ''giant armored walkers with large guns'' and jump off roofs to get top of them to shoot them point blank, and punch droids in the face)
* Anakin Skywalker is actually a good, fleshed out character, with a good voice actor and shows his descent to child-murdering Force-choking asshat wasn't just him going 'welp, guess I'll fall to the Dark Side.' There was a fair amount of bad-cop “it was him or me” murder to get there.
* Introduces Ahsoka Tano, a major character who's a female Togruta Jedi that's well-written, non-OP, non-Mary Sue and doesn't invalidate characters from the movies. Starts off a bit annoying in the Clone Wars movie, but manages to do something truly special: she ''learns''. Over the course of Clone Wars and Rebels, Ahsoka probably has the most character development out of any other Star Wars character.
* Obi-Wan being a sexy one-liner spouting sarcastic badass.
* And many others.

However, there were some pretty derp moments too, such as

* Babysitting episode/movie.
* D-squad, where a bunch of droids become heroes of the Republic.
* Mandalore and how its fluff was basically screwed 180 degrees, and then some.
* Droids were comic relief of the first and second seasons. It was annoying.

All in all, it was a good show that took some time to find its feet.

After many years, a seventh season was announced in an attempt to take away from ''The Last Jedi'' being shit and add ''something'' to the empty Disney Plus lineup. At least some of the episodes will be ones that were in production when the show ended. It promptly disappeared after that announcement for a couple years till it was announced it was going to come out in 2019. And when it did, it blew pretty much everyone away, with fantastic animation, great storytelling, and a harrowing final few episodes. Maul's speech to Ahsoka in particular is downright chilling when you realize he's 100% sincere, is ''afraid'' of what's coming, and genuinely wants to try and stop it.

===Star Wars: Rebels===
[[Image:WomanYellingAtLothcat.jpeg|right|400px|thumb|''Stop fooling our plan, you rebel scum!'']]
Now that Disney owns Star Wars they can't go a season without something new to run on Disney XD, so after ''The Clone Wars'' ended they needed a series to milk episodes out of and launched ''Rebels''. ''Rebels'' is set a few years before ''A New Hope'' and covers the early formation of the rebellion from the perspective of one cell focused on the planet Lothal. Much like the Clone Wars, it starts off weakly with slow pacing and erroneous animation, but gets better as the seasons and storyline progress, with season 4 often equalling the very best Clone Wars arcs for quality and storytelling. If you liked ''Rogue One'' but thought it should be about 25 hours long and done in cartoony CGI then this is the show for you.

So what did we see in ''Rebels''?

* All the main characters are well-written, fleshed out, with reasonable, sympathetic backstories and significant character arcs, along with different enough skill sets that they don't step on each others' toes. Each one feels like an integral part of the team; the pilot, the gunner, the muscle, the tech, the swordsman and the hot-shot rookie.
** Seriously, you'd think that with two jedi in a 6-man crew you'd get some overlap, but they feel like very different characters, both in personality and powers. Kanan is very much the quintessential combat jedi (as is to be expected as he was trained during the Clone Wars), while Ezra's signature ability to connect with the galaxy around him and especially its wildlife marks him out not only from the rest of the Ghost crew, but from every other force user we've seen on the screen.
* Grand Admiral Thrawn makes his debut in Disney Star Wars, along with the TIE Defender project. The character doesn’t lose much in the translation, and later on is arguably treated better than the source.
* The bearded old guy in the Endor strike team in RotJ turns out to be Captain Rex. Fan theory at first, later confirmed.
* You CAN [[combi-weapon]] a lightsaber and a blaster, and it's OP as shit
* Force wolves (no, not [[Rune Priest|those force wolves]])
* [[A Song of Ice and Fire|Game of Thrones-style]] Mandos (Krownest is pretty much Space-Winterfell).
* Imperial Inquisitors. Sure they don’t last long, but they were intimidating while they were, and it planted the seed that was used elsewhere.
* Good appearances by Vader and Sheev.
* The Maul vs Obi-wan decades-long duel finally comes to an end... and what an end it is.
* The season finales are, invariably, fantastic.
* Animation gets better as the show goes on.

So about the wolves... ''Rebels'' turns the force mysticism up past 11. Forget just being precog space monks with laser swords; as far as ''Rebels'' is concerned the Jedi are [[craftworld]] [[eldar]] without the racism. Rebels picks up the torch of the Clone Wars “Force Gods” and mixes in some of the straight-up fantasy shit from the Lucas era novels and the KOTOR/Old Republic Jedi philosophy schools and heresies beyond just “Light good, Dark bad”.

However, there were levels of derp that we got to see in this show, such as the following:

* Since this is a Disney cartoon, the bad guys spend a large amount of their on-screen time (though not all, mind you) losing. This changes the Imperials (other than Thrawn and Vader) from an imposing force to [[Abbadon|cartoon villains]], although Rebels villains manage to stay intimidating more than Grievous did in Clone Wars. Compared to Clone Wars, Rebels villains probably win just as often (though, given how the clone wars ends with Order 66 and Rebels ends with the Battle of Endor, Clone Wars has a much more downbeat ending).
* Battles slower paced than a Death Guard movement phase. Enjoy characters having conversations in cover-based shooting when everyone has Stormtrooper aim (which, admittedly, has been a feature often present in Star Wars from the very start).
* [[Bullshit|Helicopter lightsabers]]. Thankfully this was only present for one episode.
* Complete bipolarity in tone. This can create some great moments, but invariably ruins the mood episode by episode, or between the A and B plots.
* Iron Squadron. Just...fucking [[Rage|Iron Squadron]]. Even more thankfully, they too were only present for one episode.
* Star Destroyers take some getting used to, mostly due to their bridge towers being way taller than they should be.
* Space Squid-whales annihilating a maximum strength Imperial Blockade in under 30 seconds.
* The changes to Hondo Ohnaka's character.

All in all, it depends on your preference.

Since the show does have a fair amount of dedicated fans, <strike>likely</strike> possibly more than the sequel trilogy itself, Disney has made a habit of planting Easter Egg references to Rebels in basically everything moving forward, usually in the form of an appearance by the iconic ship The Ghost or the friendly-ish space pirate character Hondo Ohnaka.

===Star Wars: Resistance===
Annnd they had to go and change things again. With ''Rebels'' coming to a close and a burning need to keep Star Wars on their lineup, Disney had a choice: find a new plot and setting for a formula and art style that had produced two successful multi-season shows, or throw it all out and start from scratch. Remember, this is Disney we're talking about, the company that once [[Fail|paid a quarter billion dollars to fire the producer who made ''The Little Mermaid'', ''Beauty and the Beast'', ''Aladdin'', and ''The Lion King'']] only for him to go and [[profit|found Dreamworks]] out of spite.

Like its predecessor, ''Star Wars: Resistance'' sets itself up as a prequel to a trilogy, in this case following the early days of the Resistance in its fight against the First Order. Where it differs from ''Rebels'' is that ''Resistance'' is playing the warm up act for a trilogy that nobody likes. On top of which, the creators abandoned the 3D style that ''Rebels'' inherited from ''The Clone Wars'', and replaced it with a cel style that's half ''Treasure Planet'', half ''Avatar: The Last Airbender'' and all ''RWBY''.

To be blunt, this show is 100% pure crystal derp. Our star is Kazuda Xiono, a manic depressive who literally fanboy-ed his way into being a spy under the cover story of being a mechanic, two jobs he is not qualified for. This kid is the Invader Zim of Star Wars. Filling out the cast we have the original only cockney girl in space, an autistic alien, their widower boss who is definitely gonna die, D.Va and her ex-imperial officer dad, and BB-8. Poe Dameron shows up regularly so he can be TOP SUE without having to share a screen with Rey. Captain Phasma plays the show's big bad and yet stays true to form in doing absolutely nothing. Reception was so terrible it was confirmed canceled at 2 seasons before the second season even started.

Part of the problem with ''Resistance'' is that the First Order has a doomfort that can frag planets across the galaxy, yet has to resort to hiring pirates to encourage settlements into accepting the First Order's protection racket. Palpy's empire was a model of efficient, heavy handed governance; its evil intent veiled from the masses who mostly resent it for bringing order. And some instances of institutionalized racism and the occasional genocide on a planetary scale. Y'know. Empire Stuff. The First Order on the other hand is basically just Cobra Command, a font of evil hamstrung by flailing incompetence. As mentioned earlier, the backstory for the Resistance and First Order is basically that the First Order are a mobile pirate fleet with one untested secret base weapon lead by old farts of dubious actual leadership abilities from the Empire and their fanatical children with grunts made up of brainwashed child soldiers kidnapped from pioneer settlements while the Resistance is just a tiny militia that is so poorly funded they don’t even qualify as a single fleet since their few outdated capital ships are crewed by outdated droids and they don’t even have enough fighters to protect them, but rather than depict the potentially interesting dynamic this suggests the series just tries to be Rebels again, the same path the movies took even though at this point both factions are even smaller than they were in the movies.

===Star Wars: The Mandalorian===

[[Image:The_mandalorian.jpg|right|200px|thumb|[[Goblin Slayer|''Bounties?'']]]]
Because Disney didn't have enough money, they decided to try their hand at streaming services (despite already owning Hulu), and created Disney+ as a collection of their shows and movies. And with any streaming service, you need a flagship title. Thus, ''The Mandalorian'', the first live action Star Wars television series.

The show itself lives and breaths off your nostalgia for the Fetts, giving you a new lead character wearing the cool ass armor, bounty hunting, getting in gunfights, et cetera. The show's set five years after ''Return of the Jedi'', and leans into spaghetti western's so hard you wonder why Clint Eastwood hasn't shown up (John Wayne's grandson does do much of the stunt work for the titular character). Whether you like this show pretty much comes down to the question of can you accept [[Goblin Slayer|a show where the main character's face is never seen]] and whose name is almost never spoken (probably, considering this site's demographics), and can you stand a story wrapped entirely around the finger of a baby yoda who is the most well know spoiler since (joke.exe).

If you like the 2012 [[Judge Dredd]] movie you will like the show. It also might be one of the closest depictions of a Space Marine we are going to get for the foreseeable future on the "big screen". The Mandalorians (this group at least) have become almost a cult regarding "The Way" their warrior code. Highlights include a [[Looted]] [[All_Terrain_Soup|AT-ST]], getting to watch a [[Men_of_Iron|IG-11]] aimbot entire groups of hostiles multiple times (hell just watching IG-11 ''move'' is amazing), and an episode shot like a horror film except that [[awesome|the protagonist is the hunter]]. The final two episodes are a callback to almost every episode except "The Prisoner" & "The Gunslinger" and numerous characters return and get to be their own brand of awesome. The show also brought back the old style Mandalorians - it's a creed and a way of life, not a species or race. You are a Mandalorian because you chose to be, and because you follow the Mandalorian code, not because you're born that way.

There are several hiccups in writing but those might be smoothed out later, or can just be written off as the galaxy being just that big and individuals not having the same info as the audience. Overall it is the most well received addition to Star Wars since ''Empire''. With the show actually understanding why and how certain reveals should work, ie. not making there be anything special to us (the audience) about the Mandalorian's face/name, it is special because of his code not because he has laser eyes or something.

A second season (it was inevitable) was announced in November 2019, finished filming in March 2020 and is set to arrive on Disney+ in October 2020. Several characters from elsewhere in the franchise such as Boba Fett, Bo-Katan (Duchess Satine’s redhead sister from the Clone Wars, who also happens to be the last known wielder of the Darksaber before Moff Gideon turned up with it in the final episode of season 1), Sabine Wren and Ahsoka Tano are rumoured to be appearing in season 2.

==Wookieepedia==
One of the largest fan wikis ever created, this bad boy is extensively cited, has enormous variety, and has page upon page of talk. It was if Lexicanum, the 40k fan wiki, and our own glorious site were fused into a terrible beast.

==Impact on 1d4chan and associated games etc==

Star Wars has had subtle and clear impacts on a number of other franchises and genres and it can be ''incredibly'' hard to gauge the extent of it all. Certainly it didn't create the concepts of sci-fi, space battles, sweeping storylines, and a blending of mystical and scientific ideas, but it certainly popularized them during the years of the original trilogy and influenced many people that would go on to have interests in sci-fi, fantasy and epic adventure today.

Hell, look me in the eye and tell me that the lightsaber didn't give us the [[power weapon]]. But then again, magic weapons.
==Sabacc and Pazaak==
A rather unusual entry here but it's well in line, Sabacc is an actual tabletop card game from the Star Wars universe which is basically a hybrid of Poker and Blackjack. A Sabacc Deck has 76 cards, most of which in four suits of 16 cards numbered one to 16, plus sixteen wildcards in two sets with values that were either negative or (in the case of the Idiot) Zero. The goal of the game is to have a set of three cards who's total as close as possible to, but not over, 23 or -23. If you got 23/-23 (Pure Sabacc) which could only be beaten by an Idiot's Array (the Idiot, a Two and a Three, thus 23). In case of a draw, new cards are drawn. The stakes are raised every cycle until the cards go down or one player is left standing who gets the pot.

The notable thing about Sabacc that sets it apart from real world card games is that the Cards can change value every turn. A Pure Sabacc can easily become an instant lose 25 and an absolutely lousy hand can become an Idiot's Array. They can be stabilized to fix their value, but everyone knows when you do so. This feature has so far prevented Sabacc from being released in tabletop form as of yet. ''(Of course, there are ways to deal with this, such as simply re-dealing unfixed cards, but never let it be said that nerds will choose practicality over purity.)''

In universe, Han Solo won the Millenium Falcon off Lando in a game of Sabacc.

Pazaak is an older game from an in-universe perspective, similar to Blackjack but its player versus player rather than player versus dealer and also has some aspects of a collectible card game. Goal of the game is to raise cards from the main deck until their total value is 20 or they can also choose to stand if they get close but don't want to risk it. Best out of five wins.

CCG-aspect of Pazaak comes from the sidedeck: both players collect ten cards for their side deck and then randomly take four cards from their side deck to their hand in the beginning of the game. Hand cards are used to either lower or raise the total value: so if the player raises cards from the main deck to the total value of 25, they can prevent dropping out if they have a -5 card or higher in their hand.
Cards which only either raise or lower the value are the most common of the side cards.
More rarer are cards which can be used to both raise and lower the value.
Then there are flip cards, which change certain main deck cards on the table to negative ones. So if the player plays a 2&4 flip card, all 2:s and 4:s on the table become -2:s and -4:s. Flip cards exist in 2&4:s and 3&6:s.
Then there is the double card, which doubles the value of the last played card. So if the player raises a 5 from the main deck, playing the double card would turn it into a 10.
Finally, the rarest side deck card is the tiebreaker, which grants the player a win if the game would otherwise end in a tie.

==Tabletop games for Star Wars==

=== Role-playing Games ===

[[West End Games]] made a Star Wars [[role-playing game]] called [[Star Wars RPG|Star Wars: The Roleplaying Game]] AKA '''Star Wars D6'''. Like many West End products, it's a good game with the great misfortune of being published by West End games.

[[Wizards of the Coast]] picked up the license later and made two distinct RPGs based on their [[d20 System]], called [[Star Wars D20]] (imaginatively). Could be fun, but generally broken as hell, much like [[Dungeons & Dragons 3rd Edition|its parent game]]. It was then utterly revised that into what they called the '''Saga Edition''', which is relatively balanced and pretty good.

[[Fantasy Flight Games]] is presently selling [[Star Wars Roleplaying Game|a whole line of Star Wars-themed RPGs]], each one focusing on a specific style of play. You want to play a bunch of scruffy space outlaws (Edge of the Empire), members of the nascent Rebellion (Age of Rebellion), or exiled Jedi Knights (Force and Destiny), then they got you covered. Unlike their [[Warhammer 40,000 Roleplay]] games, which are all ''juuuuust'' different enough from one another to completely buttfuck any attempts at blending, all three gamelines use identical mechanics and are fully cross-compatible. Uses symbol-counting [[dice pool]]s with ludicrously overpriced custom dice.
Like the other RPGs they decided with the retardedly similar name, and thus this one is sometimes called '''Star Wars FFG''' to avoid confusion.

FFG have kept milking the franchise and in summer 2017, decided to [[Necromancer | reanimate]] the [[Star Wars RPG|Star Wars: The Roleplaying Game]] with a "30th Year Anniversary Edition" print of the original game. It '''''finally''''' shipped in July 2018 after spending a year in limbo.

=== Card Games ===

The big [[card game]] set in the Star Wars universe is the [[Star Wars Customizable Card Game]]. It's no longer produced by Decipher, but there is still a sufficiently large player community to organize annual tournaments, rule on cards, and so on. SWCCG was radically different from the norm of card games, being divided into light and dark side cards with different backings, with light and dark always playing against each other. For tournament play a player would need both a light and dark deck. The gameplay was also radically different from most CCGs; in Magic terms the closest analog would be that every SWCCG deck was fundamentally a mill deck, with some hard to assemble insta-win combos themed to the plots of the movies.

[[Wizards of the Coast]] made the [[Star Wars Trading Card Game]].

[[Fantasy Flight Games]] is presently selling [[Star Wars: The Card Game]].

Obviously, nobody is capable of creating a Star Wars card game with an interesting name.

Aside from the real, physical, games there was also ''Star Wars Galaxies Trading Card Game''. It was a real, functioning, card game within the MMO that used all virtual cards. Unfortunately no server emulators have implemented it yet.

=== Miniature Games ===
[[Wizards of the Coast]] did a tabletop battles game imaginatively called Star Wars: Miniatures, based on an extremely dumbed down version of the D&D ruleset. The figures were meant to tie in with the Saga edition RPG, it wasn't terrible on its own, just impossible to collect for competitive play since figures came in random booster packs so you never know what you were getting for what faction. Who could possibly stand for that?

[[Fantasy Flight Games]] is producing the [[X-Wing]] miniatures game based on individual starfighter combat (because, let's be honest, that's what ''Star'' Wars is all about). They have also released [[Star Wars: Armada]] which is a larger scale "fleet" combat simulator, using capital ships and squadrons of starfighters.

'''Star Wars: Imperial Assault'''

The latest [[Fantasy Flight Games]] addition to its Star Wars related games is a mix between a miniature board game and a skirmish wargame. It has two play modes:

One for campaign play where 1-4 players control a team of Rebel heroes and another player has the role of the DM, who controls the Imperial forces. The campaign, as the name suggests, focuses on character personalization, xp gain and the like, which you can find in any light RPG-esque (board)game. The main goal is to get a few friends together and casually play through the missions. Think of it as a Star Wars version of the original [[Hero Quest]].

The other play mode is skirmish play, where two players each get to assemble a team of miniatures plus a command deck (cards that have specific effects when played) and play against each other in an open-play scenario. The play area is still very limited to a few game tiles (as in a campaign mission) but players are free to bring whatever they want (with a few limitations of course). The skirmish part of Imperial assault is as close as you can get to an actual Star Wars skirmish wargame, but it is a missed opportunity from Fantasy Flight to create a true skirmish wargame (ala [[Infinity (wargame)|Infinity]]), not based on tiles and so confined spaces. Who knows what they have plans for though...

'''Star Wars Legion'''

And Fantasy Flight have now given us a fully fledged wargame, complete with AT-ST in the first wave. (They're 32mm scale, which means [[Games Workshop|no reusing your Imperial Assault miniatures]].) Legion has an integrated turn system, and the usual FF custom dice and forest worth of dead trees in cards and tokens that will be familiar to X-Wing and Armada players. The miniatures are PVC, reasonably detailed, easy to assemble pieces. A standard battle is 800 points, which could be anywhere from half a dozen to 16 units on the field, with an average army fielding 8-12 units comprising 30-ish models.

=== Board Games ===

The most famous and arguably best one is [[Star Wars: Rebellion]], an asymmetric two-player game that plays through the Original Trilogy in a wargame/worker placement-esque game. The Empire player must expand their already huge military base over the galaxy to build more ships and huge superweapons while searching for the Rebel Base, while the Rebels do their best to bite them in their heel, obscuring their movements and annoying the Empire until they have enough support to overthrow the Empire. As a [[Fantasy Flight Games|FFG]] boardgame, it's filled with a ludicrous amount of bits and pieces (including sweet models of Star Destroyers, Death Stars and Calamari Cruisers), as well as the trademark filled-with-small-exceptions ruleset. It's pretty sweet and still considered one of the best board games of its kind.

=== Card Miniature Games ===

In the late 00's, WizKids produced a short lived construct-able miniatures Star Wars game based on their styrene card system for Pirates of the Spanish Main. Although the game sold well, when NECA bought WizKids from Topps the rights did not transfer and it went out of print.

==Video Games for Star Wars==

To put it bluntly, every game which could possibly have ''Star Wars'' slapped onto it, exists. Flight simulators. Racers. Rail shooters. Doom clones. MMOs. Age of Empires reskins. Hell, there's even a Kinect variety game. Here's a few standouts...

* '''Knights of the Old Republic''': A pair of single player RPGs depicting a Sith war several thousand years before ''A New Hope''. KotOR is widely regarded as the best Star Wars video game ever, and was the framework for BioWare's ''Mass Effect'' series. Of all the Legends stuff, KotOR appears to still be in good standing with Disney since they continue to borrow from it. The sequel by Obsidian was the original skubtastic take on the franchise TLJ wanted to be but failed miserably. Got an MMO simply called "Old Republic" (since you can play as things other than Jedi and Sith) that is the sequel, which had a very rough start but stabilized enough to still survive to this day somehow). Possibly still canon in the Disney continuity since a lot of things get borrowed or referenced from it. Also the only thing in the EU to still receive new content.

* '''Jedi Knight:''' A series that started of as an early FPS named Dark Forces (so early that it was the time when FPS games were still known as [[Doom]]-clones) but Dark Forces II: Jedi Knight had the protagonist become a Jedi. The Dark Forces name was dropped in favor of Jedi Knight after this. The series combines surprisingly deep lightsaber combat with standard shooting, though the levels can get very mazy at times. Introduced Kyle Katarn, one of the most popular characters from EU. Unfortunately, there has not been a new game since 2003's ''Jedi Academy'' and likely will never be thanks to Disney.

* '''Republic Commando''': An FPS that has the player command a squad of commandos. Its a great shooter but unfortunately, it never received a sequel and to make things worse, ended on a cliffhanger. The second act of the game, set entirely on a drifting Acclamator-class assault ship is particularly memorable and highly atmospheric. If one can look past outdated graphics, its worth trying out for anyone who wants a good FPS experience.

* '''Empire at War''': Made by the original developers of [[Command and Conquer]], it is the most notable strategy game to have come out of Star Wars. Notable for featuring three different modes of play: ground battles, space battles and galactic conquest map. Though ground battles are a bit meh, the space battles are great and the galactic conquest is certainly more interesting than only playing random skirmish matches. Even though its over 10 years old, it has a very active modding community. Republic at War, which changes the games Galactic Civil War setting to Clone Wars and Thrawns Revenge, set much further into the Galactic Civil War than portrayed in the films, are particularly great. There is also a remake mod in the works, aiming to bring the game up to modern standards in terms of visuals, sound and UI and the results do look good. Unfortunately, no great 40k mod.

* '''Star Wars Galaxies''': An early MMO, launched after ''Everquest'' but before ''WoW''. Galaxies is noteworthy for making force powers a prestige achievement requiring enormous in-game effort to unlock. The first expansion pack added a subgame that's a pretty solid flight game in its own right and the game eventually added an original, fully playable, trading card game that sadly has not yet been implemented in any simulator. Then ''World of Warcraft'' hit, Sony panicked and made Jedi a starting class and replaced the skill system with massive level grind, and offered refunds to the raging army of neckbeards. Subscription numbers tanked and never recovered. It would effectively be replaced by ''The Old Republic'', an MMO using the acclaimed KotOR setting. Like most "dead" MMOs that people loved it still lives on through illegal private servers (don't worry, the guys providing it would get busted, not people playing on it).

* '''X-Wing (and TIE Fighter)''': A series of ''Wing Commander'' clones released in the 90's. While badly dated today, they were the best fighter sims of their time, and if you can get past the highly primitive graphics some people still consider them to be the best to this day. Why? The mission scripting and AI are top notch for the genre and absolutely brutal to fight against; on all but the simplest missions you're almost guaranteed to fail the first time and eventually develop a sixth sense about the fighters threatening your objective vs the fighters just there to kill you (ignore those, learn to be hard to hit). Interestingly, TIE Fighter is largely seen as the best of the series while the N64 era Rogue Squadron and Shadows Of The Empire games are seen as being far more visually modern but largely inferior sequels. Did we mention you had to use a flight stick controller basically made for these games to really do well at these?

* '''Star Wars Battlefront II (2005)''': Not to be confused with the one released by EA in 2017. Solid game from the new-defunct Pandemic studio (fuck you, EA) in 2005 told from the perspective of a clone trooper that survived all the way up to the battle of Hoth, with a very down to earth boots on the ground approach. Also, just being thrown into random matches as a soldier because fun. Despite some issues, it remains the high point of the Battlefront series as well as the entire PS2 era, and on PC still has fans via an active modding community to this day. There is of course also the original one but the second one pretty much completely overshadowed it.

* '''Star Wars Battlefront II (2017)''': The one by EA. You've probably heard everything important. An absolute mess at launch due to its lootbox-heavy progression system, so much so that it started discussion even on government level about lootboxes that continues to this day. A comment by EA that became the most downvoted comment in Reddit history. Yet despite all this, two years later, the game is arguably one of the best Star Wars experiences one can have and an Anakin-level redemption story. Like the previous Battlefront II, it completely overshadowed its predecessor.

* '''Jedi: Fallen Order''': It took them years but finally, EA managed to deliver a Star Wars game that is great on launch without cramming it with e-transactions. Its plot focuses on an unfortunate Jedi renegade between ''Revenge'' and ''A New Hope'' who's on the hunt for a hidden database that might document all the Force-sensitive individuals in the galaxy. A game inspired primarily by games such as Dark Souls and Uncharted, its a great action-adventure game in its own right and a must-play for any Star Wars fan. Also notable for making Darth Vader '''''really FUCKING SCARY'''''. As he should be.

* '''Monopoly Star Wars''': Its Star Wars Monopoly. With 90's FMV that plays for every square you land on. On floppy disks. Considered fucking amazing at the time, its too strange and tabletop to not mention. Also one of the last pre-Prequel things released.

* '''Super Star Wars''': A heavily modified retelling of the original trilogy (what, you don't remember how Luke chased down the Sandcrawler and murdered all the Jawas as well as their giant rat god in order to rescue R2-D2?) that was one of the ways to say "hard as fuck" by namedropping a game prior to Dark Souls existing. Amusing for the insanity of the added content in order to make a platformer sidescrolling beat'em'up as well as how neckbeardy you have to be to punish yourself trying to beat it without cheating. Sequels were made for Empire and Jedi, which slightly dialed back the difficulty.

* '''Star Wars: Yoda Stories''': A game geared for kids, released the same year as Monopoly above. Players play as Luke sometime after Empire Strikes Back, although an odd alternate version where Han sometimes is free from carbonite and Boba Fett and sometimes is not. They are assigned a quest by Yoda which requires them to traverse one or more procedurally generated planets doing whatever odd crap Yoda felt was necessary, including sometimes fighting Vader. Recieved middling scores as a PC release, with some individuals HATING the game and using it as a benchmark for how much they hate something when comparing the two, although to be fair that is because distributors tried to sell it like a full game when in reality its supposed to just be freebie software that came with other purchases and was meant to go with Solitaire and space pinball as default games on a computer to waste time with. It has lapsed into obscurity thanks to even those reviewers largely being forgotten on the modern internet. Noteworthy for being played on a grid with simultaneous turn-based movement with all enemies and NPCs on a screen, feeling very much like a tabletop game at times. A simple puzzle game, where getting blocked in a corner without enough space to pass the time by an idiot NPC is more dangerous than any foe.

*'''Shadows of the Empire''': Made on the Nintendo 64 and Windows PC, you play as Dash Rendar, a scoundrel in a ship like Han Solo working for the Rebellion. Takes place during Episode V as a side story. Despite being much beloved by fans for years and years, it's sadly not aged well thanks to the rather peculiar control scheme of the N64 and the graphics not having aged like cheap cheese in the sun. Main enemy of the game is a xeno named Xisor who is just a real uppity crime boss (and apparently a prince). This game has an absolute great opening first part where you're flying in a Snowspeeder on Hoth killing Imperials left and right while trying to use the cables to crash the AT-ATs like in the movie. After that the game begins to kinda just carry on with awkward controls.

==Assorted list of Awesome From Star Wars==
* Fucking ''[[Lightsaber|Lightsabers!]]''
* The fucking [[Approved music|OST]]
* What is likely the greatest duel in cinematic history, that takes place on a [[Death World|lava planet.]]
* Deathly Stormtroopers, heroic Clonetroopers or sinister First Order troopers; whatever they're called, stormtroopers are awesome! Contrary to popular belief, shot counts have proven they have ridiculously good aim.
* Darth Vader whenever he gets a speaking line or to murder rebel scum - that is to say, all the time.
* Darth Maul in The Phantom Menace, TCW and Rebels.
* Lightsaber Rifles
* The entirety of the Umbara campaign, where <s>Imperial Guardsmen</s> Clone Troopers die in the dozens attempting to win some godforsaken planet, earning them balls of titanium that make the guard look ba- {{BLAM| '''*BLAM*''' Heresy!}}
* 97% of the Creatures.
* 98% of the Starfighter designs.
* Costumes that mix about every possible inspiration, Chinese, Mongolian, Japanese, Ancient Greece and Rome, Elizabethan, Moebius or Pulp Sci-Fi from the 60's, giving the whole series a distinctive style and gives Padme Amidala an excuse to show off with all her dresses.
* Boba and Jango Fett and the rest of the Mandalorians.
* KOTOR (both games) plot making you think this shit is actually logical and has so much philosophical background. One of the creepiest depictions of the Universe. Everything is brutal, with big vibrating knives, blood, those machines for Sith snuff movies, more blood, bastards, badass bastards and so on. Everything while somebody is talking with you about existence.
* Our saviour Lord Revan. He's like if [[Horus|fucking Horus]] just became [[Big Bad Evil Guy|fucking bad]] (but not that [[Erebus|bad]]) to fucking destroy the [[Chaos Gods|Dark Gods]] so he can solve his daddy issues.
**but he's more virile, deadly, powerful, charismatic and cool.
* Lightsabers.
* Obi-Wan Kenobi.
* The High Ground.
* TIE fighters. They have the most distinctive scream of any fighter in cinematic history that just yells "I'm evil!". Tell me I'm wrong. I'll wait.
** The fact that they managed to do that using what is essentially a shitty visual pun.
* Most of Episode 3.
* The entirety of Anakin's story, especially when you add the Clone Wars and prequels. While you're at it, watch CinemaWins' perspective on it the series.
* Admiral Ackbar the Memeable!
* Palpatine getting into some Tzeentchian-level scheming and backstabbing in order to overthrow the Jedi and the Republic.
* Grand Admiral Thrawn: So awesome that he rose to a high rank in the anthropocentric Empire despite being an alien and was one of the first (and rare few) things to be imported straight from Legends to Disney.
* Imperial Pilots get a mention, seeing as they fly literal garbage fighters against superior rebel fighters. Yes, we are talking about the the same TIE Fighters we mentioned before. By garbage, we mean despite how cool looking and sounding TIE Fighters are, they are actually a ridiculously impractical design and the standard TIE Fighters are mass produced extremely cheaply even if they don't look like it. Even 40k's Imperium has better fighter designs. At least the Imperium's fighters conserve the life of the fucking pilot. Also, clearly super skilled since they have roughly an equal kill-death ratio with the Rebels in the movie battles.
* Obi-Wan Kenobi again.
* Princess, later Senator Leia Organa; the original badass-yet-hot boss lady in space. Ends up leading two separate, successful underground freedom movements against impossible odds. Did we mention she's a Jedi in both canons?
* Han Solo, who is so badass that hot Leia falls in love. He has the smuggler's best friend, a Wookie, who is also the worst opponent you can face in a [[Chess|Dejarik match]].
* Just... Star Destroyers. When you see a huge, imposing warship from an evil Empire, this is the granddaddy they all look up to.
* Oh, did we mention the lightsabers?

== See Also: ==

* ''[http://www.darthsanddroids.net/ Darths & Droids]'': A webcomic, made using photo-stills of the ''Star Wars'' movies to tell a story about gamers blundering through each of the six movies in sequence... though not quite exactly how you might expect. Think ''DM of the Rings'' in overall visual style, though unlike ''DM of the Rings'', ''Darths & Droids'' features several heavy twists on the actual events of the films, subplots about the players and their lives outside the game alongside the campaign, and a better overall quality of gamer. Whereas ''DM of the Rings'' features a railroading DM and players who are therefore somewhat antagonistic to him, ''Darths & Droids'' has a GM who adjusts his game to his players' actions and players who generally get along with both him and each other. The plot of ''DMotR'' is very similar to that of the movies (but avoids a few plot elements), but the plot (and, indeed, the universe) of ''Darths & Droids'' is only very loosely based on the ''Star Wars'' films. (For a somewhat spoilery example: "Darth" is a courtesy title for retired Jedi, such as Chancellor Palpatine.)

* "[http://www.theforce.net/swtc/holocaust.html/ Endor Holocaust]": An excellent example of the [[skub]] Star Wars can create. Rebuttal: " [http://www.darthsanddroids.net/fanart/endortruth20040810.pdf Endor Rebuttal]"

* [[Timothy Zahn]]

* [[Star Wars:The Clone Wars]]

* [[Star Wars:Rebels]]

* [[Star Wars:Resistance]]

[[Category: Television]]

[[Category: Star Wars]]

Star Wars

2020-10-05T08:16:16Z

2406:3400:20F:FFC0:F893:4F71:3AD3:2F62: /* Star Wars Rebels */

{{Star Wars}}
[[File:Star-Wars-Logo (1).jpg|center|500px|]]

{{Topquote|A long time ago in a galaxy far, far away....|Star Wars opening text}}
'''[https://www.youtube.com/watch?v=_D0ZQPqeJkk/ Star Wars]''' is one of, if not ''the'', most influential media franchises of modern times, let alone its effect on science-fiction and fantasy. Indeed, among [[/tg/|nerddom]], it is challenged by only a few others, like [[Star Trek]] and [[The Lord of the Rings]].

The incredibly ardent fandom is spread worldwide and has a strong presence in popular culture. Many of the characters, like Darth Vader and Yoda, are iconic even to the general public. John Williams' score for the original trilogy is one of the best-known film scores of all time, right up there with greats like Jurassic Park, Indiana Jones, Harry Potter and the Avengers. The universe has spawned numerous video games, hundreds of novels, multiple TV shows, one of the largest merchandising franchises ever, and, relevant to /tg/, a whole bunch of board, card, and roleplaying games.

It is also the current leading world source of [[Skub]].

==The Basic Concept==
Star Wars was originally a series of epic science-fantasy "space operas" that roughly followed the mythic cycle that's been around since Homer. They're set "a long time ago in a galaxy far, far away," [Note: this makes the entire series a fairy tale] where a mysterious life force called (reasonably enough) the Force permeates everything. This, in turn, can be wielded by certain people, giving them pseudo-magical abilities; thank the Emperor ([[Emperor|no, the other one]]) there were no Commissars in that universe. Those who use it for good become mystical, selfless warrior monks called Jedi, whereas those who use it for evil are ruthless, self-serving bastards called Sith. However, the Force must always be in balance, so any time the Sith arise to cause imbalance, the Jedi have to pull together and take them out to restore the natural order.

The so-called Original Trilogy (made up of films IV through VI, released from 1977 to 1983) followed a young man named Luke Skywalker who becomes a Jedi and re-balances the Force. Meanwhile, the Rebel Alliance is fighting to end the oppressive Galactic Empire, which is secretly led by the Sith. Luke and his Rebel companions eventually defeat the evil Emperor Palpatine, but along the way they discover that his lieutenant, Darth Vader, is actually Luke's father. A financial, critical, popular and cultural H-bomb, these movies are basically the filter through which Generation X perceives the world... for better or worse.

The so-called Prequel Trilogy (made up of films I through III, released from 1999 to 2005) explained how Anakin Skywalker became Darth Vader and how the Galactic Empire was established. This involves a lot of convoluted politicking in the Republic, which is then torn apart in the Clone Wars, where the Republic (with an army of clones led by the Jedi) fights against the Confederacy (with an army of robots led by [[Necrons|General Grievous]] and secretly controlled by the Sith). It was not as well received as the first trilogy, for reasons we'll talk about below.

There's also a so-called Sequel Trilogy (made up of film VII and presumably films VIII and IX), which started in 2015 and picked up the story some three decades after the Emperor's defeat with a new generation of heroes taking on the remains of the evil Empire, which is a group of extremist former Imperials calling themselves the First Order. However, Episode VII aka ''The Force Awakens'', was directed by J.J. Abrams, who's mostly known for the [[skub|skubtastic]] [[Star Trek]] reboot, while Episode VIII was written and directed by Rian Johnson who was a young director known for plot twists and genre experimentation on a handful of movies and television episodes that openly said he wanted to "subvert expectations" and make half of viewers dislike his work, then got pissed when half of them disliked his work. The result managed to fracture the Star Wars fanbase over issues of dull rehashing for VII and a whole laundry list of reasons for VIII (ranging from small ones such as it being too different, to major issues like half the movie being filler), as well as those who still enjoyed them and very little common ground between the three groups.

Finally, there are the so-called Anthology movies, standalone one-shots involving characters and plotlines that aren't a part of the main "Saga" films, except they kind of are. The first, Rogue One (2016), is an immediate prequel to Episode IV that follows those Rebel spies who stole the Death Star plans. The second film follows a young Han Solo and pals Chewie and Lando. A third rumored one follows Boba Fett.

There are also three separate TV series. The first one, ''Clone Wars'', was based on traditional animation, whereas the later one, '''''The''' Clone Wars'', was a weird 3D animation. They're both pretty good. There was also a terrible theatrical release that was basically just an advertisement for ''The Clone Wars'', but, since it's even worse than the Prequel Trilogy (hint: babysitting Jabba the Hutt's kid), nobody talks about it much. The third series is Disney's ''"Rebels"'' which is set between Episodes III-IV and it takes itself far less seriously than Clone Wars did, and is more of a homage to the original trilogy since not every character in the series is the owner of a lightsaber nor are they constantly talking about grown-up politics, senators and trade embargoes... pretty much the things that clogged up the plot of the prequel trilogy.

And then there's the whole Expanded Universe, which covers pretty much everything not covered by the films, like the Old Republic (set thousands of years before the prequel trilogy, when there were a hell of a lot more Sith and Jedi around) and the New Republic (set immediately after the original trilogy, explaining what became of all the characters. It could also reach 40k levels of grimdark with races like the [[Dark Eldar|Yuuzhan]] [[Tyranids|Vong]] characters like [[Vampire|Darth Nihilus]] and beings like [[Old Ones|Abeloth]].

The EU is no longer considered in the main canon of the films and TV series, due to the new sequel trilogy which does not follow EU, the reason for this being, according to Disney, that following EU would restrict their creative freedom. The reaction to this was, well, [[skub|mixed, for lack of a better word.]] They've since noted that they'll slot ''some'' of it in on a case-by-case basis, but the canon is in a highly fluid state at the moment. EU is now officially called Star Wars Legends, though most fans still refer to it as EU.

==Why is it so popular?==

Star Wars is as accessible as science fiction gets. It doesn't require extensive knowledge of a fictional world (a la ''[[The Lord of the Rings]]'' or ''[[Warhammer 40,000]]'') or cultural background (as ''[[Star Trek]]'' sometimes does) to make sense. Those elements are present for those who want them, but they largely stay in the (very rich and vibrant) background. It has well-shot action and good ''enough'' dialogue to make it interesting for both kids and adults (as well as allowing parents who grew up with it to watch it with their children, thereby hooking the next generation of viewers). It has simple, good-vs.-evil themes that resonate with almost anyone, anywhere, at any time. The science fiction elements are generally handled well if you don't obsess over making science fiction realistic and hard. It's a prime gateway drug for sci-fi which still holds up to the experienced eye, [[Isaac Asimov]] saw and rather enjoyed the films. All in Fourteen hours of cinema, plus optional sides for those who want it.

There's a ton of merchandise that is, of course, really cool. Also, given it's crossed over into the mainstream, many people feel comfortable being part of the community without feeling judged as "nerds" (as they might with ''Lord of the Rings'', ''D&D'', ''Star Trek'', ''Warhammer'', etc.).

Again, they roughly follow the mythic cycle that's been around since Homer. If you think about it, 6 of the 9 films can be summarized as: hero begins his journey under the tutelage of a wise (more or less) man, they encounter a threat which has captured/enslaved a princess/girl, who was in one way or another connected to an important secret (usually a superweapon but could be the identity of a political figure or the location of someone); the heroes save the princess/girl but someone dies tragically in a battle against the villain while someone else is blowing up a space station or a spaceship afterwards they are happy, they celebrate and mourn the loss of the poor bloke who died.

Additionally, the first film can be summarized as a samurai and a gunslinger team up to save a princess from Nazis in space. That is multiple cinematic genres at once, following the style of the epic myth.

==Setting==
Due to article bloat, [[Star Wars Setting]] is now its own page.

==The rise of the original trilogy==

A long long time ago, in a galaxy far far away....etc etc you all know the lines.

A man called George Lucas had the idea to create a series of epic sci-fi space operas that would become so successful that Disney would take notice and give it the franchise fluttering eye lashes, trying to seduce it.

They would be called... ''Flash Gordon''.

Unfortunately for Georgie boy, and fortunately for modern nerddom, Dino de Laurentiis already owned ''Flash Gordon'', and were busy making their own, hilariously eighties version, so he said, screw it, I'll make my own!

He decided to start with the fourth movie in the series he envisioned, for at the time he didn't have the special effects to create the first three to the standard he wanted, and/or he just kinda made up the first movie as he went along (drawing heavily on Akira Kurosawa's seminal samurai action film, ''Hidden Fortress'' in the process as well as the book [https://en.wikipedia.org/wiki/The_Hero_with_a_Thousand_Faces ''The Hero with a Thousand Faces''], a complex 1949 Joseph Campbell analysis of the various mythologies of human history all boiled down into the basic archtypes and elements required in heroic myth). So Episode Four ''A New Hope'' was created (simply titled ''Star Wars'' at the time) and it is not an exaggeration to say it changed the face of sci-fi and general moviemaking forever, bringing a new era of special effects and imagination to cinema and changing the lives of many who would go onto to become dedicated fan boys.

Originally, the studio had forced Lucas to take ever-increasing paycuts for what they were sure was going to be a flop, and only let him keep merchandising rights. However, whatever his flaws, George Lucas was a man of vision. Having helped pioneer the summer blockbuster, he went on to do the same to ginormous piles of movie-tie-in memorabilia. His production company, Lucasfilm ended up rolling in dosh, and with Episode Five ''The Empire Strikes Back'' and Episode Six ''The Return of the Jedi'', the legend of Star Wars and its place in cultural history was assured.

tl;dr: [https://www.youtube.com/watch?v=Ij4w7ChpuaM Pretty much this.]

==The coming of the prequel trilogy==
With the year 2000 coming, George Lucas felt that special effects technology had reached the level he wanted and began to create the first three movies in the star wars story he had envisioned. (As a side-note, he also made some touch-ups to the three original films, re-mastering them with special effects and a couple of extra scenes that weren't doable with the eighties' animatronics. But those were mostly accepted/shrugged away since they didn't deeply modify anything.The fandoms opinion on the matter however, remains a very heated [[Skub|debate]].)

The hype for the movies was immense.

And then the first movie, Episode One ''The Phantom Menace'' came out.....and there was nerd rage beyond expectation.

Part of the problem was that the immense expectations of the fandom had grown until anything less-than-perfect simply would not do, so perhaps that is somewhat to blame for the reaction to the prequel trilogy. In a vacuum one has to admit that they aren't completely ''[[Twilight|terrible films]]'' .

Episode Two ''Attack of the Clones'' and Episode Three ''Revenge of the Sith'' followed after a few years each and didn't garner nearly as much hatred, though fans complained they didn't match the greatness of the original trilogy, more concerned with flashy action and effects than competent story-telling; but hooo-boy did it deliver in flashy action, with laser armed [[MI-24 Hind|MI-24's]] full of <s>storm</s>troopers extracting jedi from a coliseum full of shooty killbots.

''Revenge of the Sith'' did, however, receive higher ratings than ''Return of the Jedi'', and is generally seen as the best and most-complete of the three prequel films as a story. Unusually the novelization alters some details and is considered a legitimately good book on its own merits.

What was generally more well received (despite a rocky start with a two hour pilot being pressed into service as a movie and an art style that took some time to gel) during this time for Star Wars was the Clone Wars animated series (both the traditionally-animated ''Clone Wars'' and the later seasons of the CGI show '''''The''' Clone Wars'', the latter which most everyone agrees is what the prequels should have been), following the war between the Republic and the Confederacy that sprung up during the time between the second and third of the prequels.

It'd be ''really'' hard to find a group of movies more skubtastic than the prequel trilogy, and saying a good or bad thing about it in front of the wrong crowd's sure to provoke huge amounts of nerdrage. In defense of the prequel trilogy's sins, they did at least do their own thing. Because of how much money the original trilogy made, practically every form of media in the 80s and 90s aped it to some form or another, and instead of falling back on the same old shit the prequels branched out and tried to get out of the franchise's comfort zone a bit. While a lot of it sucked, it blazed a trail for better writers to follow and helped liven up the universe by showing us the galaxy beyond fuckhueg spaceships and faux-Western shitholes like Tatooine. And all but the most [[Neckbeard|diehard OT purists]] can get behind shit like Naboo architecture, the Clone Army and Mace "The Ace" Windu. From a story perspective the worst sin of the prequels was demystifying the force, and subsequent works have largely swept that detail under the carpet. Then Disney bought Star Wars and prequels become popular. Makes sense considering they had good scenario. sense and original events and characters and other things sequels do not have.

==Disney and the sequel trilogy==

Finally, all the efforts by Disney to woo George Lucas paid off and in 2012 Disney acquired the Star Wars franchise for 4 billion dollars and immediately announced they would produce a new trilogy of films set after the original trilogy.

Expectations were almost as high as the private fears of the fans. Bringing on the creative talent behind the [[skub|skubtastic]] ''[[Star Trek]]'' reboot was equally... well, [[skub|take a wild guess]]. The end result saw millions of voices cry out in terror, and were suddenly subsumed into hitherto unseen levels of [[Skub]]. Tellingly, even SEVERAL OF THE LEAD ACTORS THEMSELVES have criticized the filmmakers or how the film was made, including John Boyega, Daisy Ridley and Luke Skywalker himself - Mark Hamill.

For sake of sanity, these section have been condensed. Read at your own peril.
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===Episode 7: The Mouse Awakens===
''Star Wars Episode 7: The Force Awakens'' debuted in December of 2015, and reception was what you would expect: the film was immediately a massive success from a monetary standpoint as everyone ([[China|almost]]) everywhere rushed to the theaters in response to the hype, with children engaging in as many repeat viewings as their parent's money could allow as fans did the same thing with their own. It has become a financial hit with the general public and a (critically) generally well-reviewed piece, with decent cinematography, special effects, technical stuff, etc. It also went on to become the third biggest financial success in film history (at the time), when not adjusted for inflation.
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Fan response was a good deal more mixed. Many criticize the plot for rehashing Episode IV, without doing anything to establish its own identity and claim that it had a bland main character, [[Mary Sue|who had too many abilities]] whereas others find the replication of ''Star Wars'' feel an acceptable trade and praise it for being a decent action film, [[skub|and claim the lead doesn't outdo any of the previous main characters]].

Some would argue that by rehashing the original trilogy it basically nullified the accomplishments of the original crew; the Empire's still around, they've got yet another superweapon, Han & Leia split up, Luke failed to rebuild the Jedi, etc. Other fans praised it simply for being a new Star Wars that was better than the prequel trilogy (expectations were lowered due to those, to be honest). Some see poor storytelling when there was no proper showing of what went on in the galaxy 3 decades since Palpatine died, and not explaining what caused big character changes like why Han returned to his old ways or Luke ran from his friends was critical. Other say this is going to be explained in the next film and people should keep their curiosity. Some argue even with their superweapon, none of the villains feel threatening. Others argue the incompetence of the main villain is a fresh change and the point of the plot will be to see him change, to be more competent, or even learn to become good.

Overall, those against argued JJ Abrams' mystery box approach may do well for a TV series but does not mesh with films that take years to make. Defendants held the position that fans should wait to see whether the next film will do anything with the unexplained plot points.

Coincidentally, when Hamill and Fisher were originally approached by Disney to reprise their roles as Luke and Leia, they ''didn't want to do it'' right from the start. But, they didn't want to give an out-and-out "no" answer either, so they told Disney they'd return if Harrison Ford agreed to return as Han Solo as well. Knowing how much Ford ''hated'' Solo, Hamill and Fisher figured they were safe, until Disney irresistibly sweetened the deal for Ford by agreeing to kill off his character, thus forcing a reluctant Hamill and Fisher to make good on their deal... [[skub|only for the three characters to never appear on the screen at the same time.]] To be fair, Hamill has a history of saying he won’t do something only to immediately agree like he’s making a standard sitcom gag in real life, even if that usually just applies to still voicing the Joker in Batman media.
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===Star Wars Rebels===
Disney also released their own CGI series: ''Star Wars: Rebels'', which is actually pretty good (considering that it airs on Disney XD, it should be no surprise that they've toned down the graphic depictions of gratuitous violence, much to the chagrin of [[Neckbeards|those who love overly gory deaths]]). It focuses less on the Jedi that have come to dominate the franchise and more on the "boots on the ground" experience of the average characters, and while the show started slow and small, the plot gained momentum as the series progressed, especially after the first season, with season 4 often rivalling the very best Clone Wars arcs for quality of storytelling.
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The Rebel movement starts to grow, several characters return from ''The Clone Wars'', and the enemies the main characters have to face steadily get darker and more dangerous as more of the Empire’s attention gets attracted. When Darth Vader gets involved (played by none other than [[Awesome|James Earl Jones himself]]) he immediately proceeds to [[Awesome|open a 24-pack of unstoppable whoop-ass on the rebel scum]]. The return of Maul resulted in three character deaths (possibly four), the crippling of one main character with another well on his way down the dark side, and to top it all off Maul himself was on the loose once again. Things did not turn out so well [[Grimdark|last time that happened]], so expect the body count to rise. Things get worse for the Rebels when [[Creed|Grand Admiral Thrawn]] gets involved, especially since he's developing better ships for the Empire and tracking the Rebel Alliance to their homebase (things get so bad that, at one point, the main characters literally only survive Thrawn's attack because of a Deus Ex Machina). Speaking of Deus Ex Machinas, the continues the trend set by ''The Clone Wars'' in making the Force mystical again, though whether this is a good or bad thing depends on how you felt about the [[Skub|skubtastic]] midichlorian explanation of the Prequels. The animation is on point with ''The Clone Wars'', which considering it's Disney should surprise less than nobody. Oh, and Steve Blum voices one of the main characters. However, it is also noted that Star Wars Rebels had sort of a [[Grimdark|dark ending]]. Two important characters die and another is left stranded in the unknown regions while stopping the villains, leaving us with two other characters only able to start looking for him after the second Death Star blows up.

[[Skub|The way that Filoni (the creator of Rebels and The Clone Wars) has handled the Mandalorians, a fan-favorite warrior-culture based upon the Scots and Vikings, has either been met with praise from those who despised Traviss and her overpowering of said culture, or utter RAGE that he turned many of them into either pacifist morons or bloodthirsty barbarians- usually that particular criticism comes from the Traviss fanboys]]. Do take note, however, that the old ways for the Mandalorians are making their way back into canon, such as the language, the emphasis on martial honor, and the decentralized nature of their government.
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===Star Wars: Rogue One===
December of 2016 brought us the first standalone Star Wars movie, "Rogue One", showing the theft of the original Death Star plans.
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While "Rogue One" can be justly criticized for lacking in character development, that was basically mandated by being set just before another movie whose actors were now decades too old (or, in the case of Peter Cushing, too dead) to reprise their previous roles. The cast of the movie includes almost no one who appears in Episode IV, and the few familiar faces who do appear show up as cameos. (Fair warning: spoilers)

Accordingly, every main character dies by the end. It still manages to pack quite a lot of [[awesome]] into the movie, with Donnie Yen, Alan Tudyk and Darth Vader all used to great effect. Rogue One also answers several questions, plugs several plot holes, and just generally makes A New Hope make a lot more sense in retrospect. (No wonder Vader wasn't impressed when Leia claimed to be on a "diplomatic mission.") It also has the distinctions of being the only Star Wars movie to focus on regular soldiers instead of Jedi, and being more like the original Star Wars than any of the sequels, including the other two of the main trilogy. (The original, back before it was "A New Hope", was a genre mashup of samurai + gunslinger rescue princess from space Nazis, then team up for a World War II dogfight. This one is wuxia cast + heist crew do a heist in a WWII trench warfare war zone. There's surprisingly little 'War' in Star Wars.) Much, much [[Skub]] still exists of course, since no Star Wars movie will ever please all the neckbeards but out of the five post-Disney Star Wars movies released so far, this one is definitely the least divisive and arguably the best of the bunch.
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===Episode 8: The Last Royalty Check (aka zomg Luke dies!)===
On December 14 2017, ''Star Wars Episode 8: The Last Jedi'' was released world wide. The critical reception was [[Bullshit|extremely positive]], with many critics considering it the best movie in the series since The Empire Strikes Back. The fan reception has been a great deal more negative and [[Skub|mixed]], and a number of fans are convinced that Disney leaned on media outlets to shill the new movie or else. If you have watched the Empire Strikes Back, you ''WILL'' be [[Rage|disappointed at best]], if you want to see a Star Wars film that would finally expand the characters of Kylo Ren and Rey, you ''WILL'' be satisfied and disappointed at the same time, if you want to watch the film because it is the last film starring the great and wonderful Carrie Fisher, you ''WILL'' feel hollow and sad inside, and if you came to see a pair of lightsaber-wielding punks involved in one of the greatest lightsaber battles of the franchise, you ''WILL'' be pleased. The Last Jedi is seen as one of the most divisive films in the franchise by the fandom, [[FAIL|which is one hell of an achievement]] considering other films.
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The complaints about The Last Jedi are many: the treatment of Luke (which even his actor, Mark Hamill, hated, to the point that he has no interest in playing Luke again), Leia's Superman asspull, Finn's plot arc that serves practically zero purpose and has him undergo the same character arc as the last movie, the forced humor, the complete disregard for established [[fluff]], disregard for even the most basic laws of physics, the fact that the central conflict is essentially the same as the one in the originals right down to the last stand ripped straight out of ''Empire'', the PC bullshit (a hipster admiral who the plot always treats as being in the right despite killing 90% of the Resistance, the Gilded Age planet arc that [[Namek|sucks up a third of the movie to no benefit,]] Rose expressing her desire to get BLACKED with a horrendous and forced #LoveTrumpsHate one-liner in the final act) added solely to virtue-signal and the whole thing being basically a 2,5h screed against the franchise it belongs to and the culture which spawned it.

Fans have also criticized the movie for dropping or discarding major plot points from TFA and repeatedly invoking Shamalamadingdong-tier plot twists for cheap gotchas that are somehow less interesting than the recycled cliches they play off of. Director Rian Johnson has responded by shitting on said critics and trying to defend the film on social media like something out of an ED or RW article. (Important note: George Lucas never tried to defend the prequels, despite the huge backlash at the time, and he agreed with fans that [[C.S Goto|The Star Wars Holiday Special]] was an abomination.) It later came out that Johnson had not been given any kind of roadmap beyond Lucas' old and unfinished concept scripts and was not allowed to see what Abrams had done until TLJ was too far into production to write in most of the previous movie's plot points, which makes the fail Disney's fault just as much as it is Johnson's. Except we also know that he had at least a modicum of influence over the ending of TFA, so they must have talked on at least some degree. As with TFA Lucasfilm has tried to paper over the holes with tie-in material, and just like TFA the fans recognize the damage control.

The Last Jedi has without a doubt torn the fanbase apart in ways even the prequels didn't come close to, with many fans declaring that they have dropped the sequel trilogy. Even Star Wars' famous merchandising has taken a mauling, as [[/toy/]] giggles at Rose Tico and General Hux figures warming shelves while new product shipments go straight from the transport case to the clearance bin.
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===[https://www.youtube.com/watch?v=lg_FoEy8T_A I'm Solo, Han Solo, Han Solo]===
On May 25th 2018, the 41st anniversary of the franchise, ''Solo: A Star Wars Story'' was released. The general consensus seems to be that it is the most average film in the series. At the very least, most people agree that it is at least better than The Last Jedi (if barely) and the backlash from that movie can be felt even in Solo: many fans have chosen to boycott the movie. Even before release, many fans had derided the whole affair as unnecessary: no one was really asking for a Han Solo origin movie, particularly one without Harrison Ford. Han Solo's entire life history had already been explored thoroughly in EU novels and comics, so the movie could only be a retread or a retcon, both things most fanbases tend to disapprove of.
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Whether it is because of this boycott or not, [[Not as planned|something no one expected happened:]] ''Solo'' was a box office bomb. Its opening weekend performed way below expectations and as of this writing, it has only made half of the money it needs for it to break even. Disney still continued to labor under the delusion that China would save their bottom line regardless of the fact that Star Wars has never been popular in China.

So what is it like? Well, rather than being a space opera like the other films, this is a space Western. Rather than being about large-scale battles and saving the galaxy from tyranny, it's about heists and the galactic underworld. (Except for the Mimban sequence, which you'd swear was lifted from a live-action Imperial Guard movie.) It's essentially Disney's reboot/retcon of the old EU Han Solo novels, taking things that were mentioned offhand in the original trilogy (like how Han did the Kessel Run in 12 parsecs) and making that the subject of an entire movie. The film was perhaps cursed from the beginning due to its [[Fail|troubled production.]] How troubled? The lead needed an acting coach to get through his shoots (Han may have walked away with the Falcon, but Donald Glover's Lando stole the spotlight every time) and 70% of the movie had to be reshot by a different director due to [[Butthurt|creative differences]] between Lucasfilm and the original directors.

The fail only compounded when it premiered and fans got to see what those "creative differences" may have wrought: the writing staff started spewing bullshit to the press about Lando being "pansexual" with no precedent in any Star Wars production including ''Solo'', the film's tone is a schizophrenic nightmare to the last-minute reshoots and Han's sidekick for most of the movie is [[What|a self-built female droid social justice warrior]] named [[/v/|L3-37]]. Audiences ''cheered and applauded'' when that <s>man</s>human-hating self-insert character finally fucking died. Perhaps the most damning sin is that these are the movie's only notable qualities: take them away and you're left with a movie that would make you think "Huh, that was okay," and then never think about it again for the rest of your life, were it not for the crippling disappointment of seeing one of the most beloved franchises in the world fall so far. Between the boycotts, the mediocrity of the movie itself, and [https://encyclopediadramatica.rs/Gawker certain news outlets] claiming that the driving force behind said boycotts was [[/pol/]], ''Solo'' cratered so badly that [[Exterminatus|all non-''Episode 9'' Star Wars movies were for a short time shelved indefinitely, and the only side-movie still being worked on is the obligatory Boba Fett origin movie, which is more likely to sell tickets based on the name alone.]] Incidentally, one of the writers picked by Lucasfilm to handle ''Solo'''s tie-in content, Cavan Scott, has been hired by [[Games Workshop]] for the [[Warhammer Adventures]] series.
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===Episode 9: The Rise of Skywalker (aka Plan Palpa-Nine from Outer Space)===
Your opinion of this movie is very easy to predict based on what you thought of the others; if you found The Last Jedi to be "refreshing", you'll absolutely HATE this one. If you hate all Disney content aside from ''maybe'' The Mandalorian, you'll hate this one as much as the others. If you absolutely detested The Last Jedi but have mixed opinions of the rest, you'll probably consider this to be the best of the new movies to varying degrees of actual enthusiasm. The movie largely undoes or ignores swathes of the previous one.
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After finishing shooting, the film was shown to test audiences (which JJ Abrams lied never happened). The film was extremely poorly received, one of many reasons being because it had [[Mary Sue|Rey curb-stomping Palpatine by herself in the final battle]] (test audiences reportedly either laughed at the film or had to be stopped from walking out of the test screenings). The poor showing made Disney CEO Bob Iger - who was overseeing the screening - furious, and he immediately ordered the film to be reshot. The resulting reshoots were so extensive, [http://archive.ph/RLj94 they spanned months and the film didn't have a final edit till December 2019, the month of release], causing trailers to be so desperate for footage that wouldn't be cut they had to fill half the length with footage from prior films and stuff used in prior trailers. To make matters worse for Disney, the plot was leaked months before release, and said plot turned out to be ''very stupid''. Despite Disney spokespeople and media outlets extensively denying the leaks, the leaks were proven correct by getting then unrevealed names and plot objects right. Camera leaks the week before release showed very little of the fantastically stupid content leaked months beforehand was changed, only minor details.

Before reading on, be aware that Rey and Kylo are no longer movie-type Force users, they have been changed to video game characters. Like KOTOR and Jedi Academy type where you just get powers by killing enough dudes. None of the powers are new to the franchise, but have been rarely seen and in some cases never before have in movies. You should also know that unlike the first Visual Dictionary that mostly just gave little prop trivia and plot hooks for other works, and the second which was mostly irrelevant until it gets referenced in a decade or two, the final Visual Dictionary is damn near required reading (this shit will get a "VD" to indicate it) since a lot of explanations were cut in the reshoots and recuts. Like for example the connection between Rey and Kylo is a "Force Dyad", basically one soul in the Force that inhabits two bodies (setting up a bit of a snarl what happens when one dies and not the other, and implying the personality is mostly in the brain which is why they can have unique experiences, but whatever) and warps space/time. This is why Rey was inexplicably powerful and knew how to do shit instinctively, because Kylo's training passed onto her, and likewise her nonstop playing with X-Wing training sims as a child made him a badass pilot. Dyads used to be far more common in the KOTOR era, and were apparently the inspiration for the Sith Rule Of Two. This is never mentioned in the final cut of the film, but leaks show it was in one of the earlier ones.

The movie pressed on with breakneck speed that doesn't have time for musical interludes or wipe transitions, the opening crawl informing you that Palpatine has somehow returned and sent a message to the galaxy with the Resistance trying to rebuild and gather information, Rey being trained by Leia on the planet Ajan Kloss (AKA not!Yavin #2, VD) after repairing Anakin's lightsaber (VD) who had received partial training from Luke before stopping for reasons explained later in the movie and supplementing the rest with her pouring over the Jedi texts, and Kylo Ren trying to find Palpatine because his existence is a threat to his rule. The movie takes a lot of inspiration from KOTOR era lore with Ren finding a Sith McGuffin Holocron-type navigation device on Mustafar (VD) showing him the secret planet of the Sith (not Korriban/Pesegam/Moraband, this one is a planet in a red nebula that is under constant lightning storms called Exegol). There he finds a MASSIVE Sith cult that has kept itself secret and managed to not only build a fucking massive fleet of Star Destroyers equipped with planetkiller guns like something straight out of the old canon, but divisions of Stormtroopers, technicians, and officers to fill them along with the typical cultists in robes who administer to keeping Palpatine alive and seeing to his Sith alchemy shit...which includes tanks containing multiple clones of Snoke, revealing the guy was literally born looking like that with a manufactured backstory all so Palpatine could use him as a puppet to create the First Order (which is almost a meta commentary about the backstory controversy).

Kylo is offered the chance to be the new Emperor by Palpatine, who is a corpse kept barely alive through methods some would consider... Unnatural, while strapped to a machine with [[Lord Kroak|his spirit sticking nearby]] (the filmmakers zig-zagged on the nature of this; first it was the original Palpatine who had somehow duped everyone in ''Return of the Jedi'' with a clone stand in, then the reshoots changed it to the original's zombie-like rotting corpse animated by his lingering spirit and Lucasfilm later retconned him to be a zombie-like clone of Palpatine after the film's release). The only requirement for Palps to pass him Emperorship is killing Rey, although Ren is immediately suspicious of the other strings attached (including choking a guy in a hissyfit when that concern is voiced) and decides instead to recruit Rey again, this time as a co-Emperor.

Finn and Poe obtain information about a spy within the First Order (yeah, you know its fucking Hux even before they say there is a spy at all) while Rey gets visions during her training with Leia. The spy confirms that Palpatine is legit and the info about the fuckmassive deathfleet is legit, and Rey finds the Jedi texts contain notes from Luke about his search for that planet. They go to his last clue, a desert planet that isn't Tatooine and is the middle of a festival where they find Lando has been holed up enjoying himself since him and Luke traveled there. They are immediately spotted by the First Order and escape from them to find the ship of one of Palpatine's servants who had last been seen there. They fall into sinkholes around the ship created by giant tunneling worms, and find the skeleton of Sheev's boy as well as a Sith dagger. 3PO is programmed with the Sith language, but his programming from the Old Republic era forbids him from giving the translation to civilians. Rey manages to get the sand worms to leave them alone by using Force powers to heal one's wound, and they attempt to get the Sheev's servant's ship up and running before they are attacked by the First Order. Chewie is taken prisoner and Rey wrecks Kylo's TIE Fighter before the two engage in a Force tug of war to pull the transport Chewie is on, which ends in Rey accidentally Force Lightning it and causing it to explode when she becomes frustrated with the stalemate. Chewie is revealed to have been on another transport and is taken to Ren's flagship Star Destroyer while the heroes, instead of do something sensible like seek a Rebel leader who can give security clearance for 3PO's protocol (Leia's the obvious choice), they head to a planet under VERY Nazi-like occupation to find a droid technician who can hack 3PO's memory. They encounter a woman from Poe's past, revealing he was a former spice smuggler like Han until abandoning his crew (causing them to fall into debt and become bitter at him) to join the Resistance. She threatens to turn the group in to pay off their debt [[Mary Sue| but Rey kicks her ass, earning her respect and she takes them to the technician without further incident.]] The technician unlocks 3PO's memory at the cost of wiping him. The translation reveals the dagger is the key to finding the Sith navigation McGuffin they are looking for. During this BB-8 reactivates Sheev's servant's old droid, who doesn't do much.

The heroes proceed to board Ren's flagship with the help of a First Order officer's badge, and shoot their way through as they free Chewie. Rey and Ren have another linked vision where her parents are revealed to have attempted to hide her from her grandfather Palpatine, who wanted to merge the souls of himself and '''ALL''' other preceding Sith (presumably not Revan, since his redemption is canon) while he discovers they are on his ship and orders it put on lockdown. Rey is confronted in the hangar by Ren, who offers her to join him again. She refuses and the Falcon appears, the engines blowing away the Stormtroopers while Rey jumps aboard. The crew head to Endor after finding out from Sheev's servant's old droid that it was where he was going to go next (this is the only thing the droid does other than serve as a "pet the dog moment" for the cast a few times) where the Death Star wreckage of the disk and throne room landed, encountering a division of former child-soldier Stormtroopers like Finn who went AWOL. The dagger has a slide-out metal prong from the handle which perfectly lines up with the corridor leading to Sheev's throne room. The team work on repairing the Falcon while Rey presses on ahead, alone, to the Death Star wreckage. Once in the throne room a hidden door opens, revealing a sanctum full of crystal mirrors that are the same as the ones she saw in her vision in Force Awakens (the scene where she snaps her fingers and all the mirrored ones do as well). There she finds the Sith McGuffin and gets a "The Cave" vision of herself as a Sith with a red double-bladed lightsaber which she fights. Kylo is waiting for her in the throne room, and crushes the Sith McGuffin in his hand before informing her they are linked in the Force as one soul inhabiting two bodies and offering her again to be the Vader to her Palpatine which she again refuses. The two fight while Finn and one of the Stormtroopers try to rescue her. They fight their way onto the remnants of the Death Star hangar, reminiscent of Anakin and Obi-wan in Revenge Of The Sith with water instead of lava, before Ren freezes as he senses his mother start to die. This pause gives Rey time to grab his lightsaber and stab him before she freezes sensing Leia actually pass away. Rey uses the Force to heal him, then steals his TIE Fighter while Poe and Finn return to the Resistance base. Rey initially attempts to hide on Luke's monastery to let Palpatine's bloodline die with her, but after lighting Kylo's TIE on fire (so she's destroyed 2 of his personal TIE at this point) Luke appears as a Force ghost to tell her <strike>Rian Johnson</strike> he was wrong, and was motivated by fear when he tried to hide. He reveals that all the Jedi who came before are rooting for her, and tells her where Leia's lightsaber is hidden. He reveals she stopped her training because in a vision she saw that her son would be destroyed by the Dark Side, and a Light Side counterpart would take up her blade instead. Meanwhile, Kylo is visited by the memory of Han. The two reenact the scene from Force Awakens, only this time Kylo throws his lightsaber into the sea and renounces the name Kylo Ren to become simply Ben again. Meanwhile the First Order blow up Poe's home planet where the droid technician and Poe's old crew were, although they had managed to get offworld by that point. Also, R2-D2 restores C-3PO's memory wipe by finding a backup which contains everything from before the mission.

Luke lifts his X-Wing from the waves and Rey scavenges the Sith McGuffin from the flaming wreck of Kylo's ship. As she proceeds to the Sith planet she sends out a beacon to track her progress, giving the entire galaxy a map to the Sith fleet. Poe, now leader of the Resistance, sends Lando with the Falcon and Nien Nunb to gather any forces they can, all the ones who refused to aid them in The Last Jedi, while the rest of the Resistance gears up to attack Sheev's fleet before they can leave the storm cloud. The initial plan is to destroy the navigation device which orients them to the rest of the galaxy without which the fleet cannot leave, until the commander of the flagship (a former Imperial officer) realizes what they are doing and orders it to be shut down so his own ship could serve as the navigation for the rest. Rey confronts Sheev in a coliseum/throne room full of the Cultist parents of the personnel of the fleet (VD) and is informed of his plan to have her kill him so all the Sith could merge with her and rule as basically the God Emperor of Star Wars. She raises her lightsaber before using the strange wormhole Force connection thing they have to pass it to Ben, who had gotten there with a salvaged TIE from the Death Star wreckage and was being beaten by his former servants, the Knights Of Ren. Armed with Luke's old lightsaber he kills them and proceeds to the throne room. Ben arrives and the two attempt to fight him. He simply Force Pushes them back and forces them to kneel before draining a portion of their souls, the "two bodies one soul" thing apparently being a massive source of Force power he can heal himself with to rule in his own rejuvenated body again (but with Darth Maul eyes) rather than Rey's. Meanwhile, the ex-Stormtroopers and Resistance ground personnel lead by Finn land on the flagship Star Destroyer (its still in the atmosphere of the Sith planet, thus gravity and breathable air applies) and due to bringing goat-horse things from Endor are not affected by onboard EMP that would otherwise short out speeders and tanks (which is a thing from past canon, mostly comics and novels, which they use to explain why such a thing doesn't happen more often). Meanwhile, Lando appears with a fucking enormous fleet (remember the backstory that the New Republic didn't have a fleet, instead paying for every planet to have a militia of their own which would unite when there was a big enough threat? Well, JJ finally remembered because all those fucks show up alongside a neat little game of "spot that ship from the series you know" in a few shots). They begin attacking the superweapons underneath the Star Destroyers directly, causing chain reactions that blow the entire ship.

Ben is Force-pushed by Sheev into a pit as revenge for how Vader did the same thing to him before taunting the dying Rey and unleashing a MASSIVE Force Lightning storm which shorts out the fleet. While this is going on the spirits of all the dead Jedi (like pretty much anyone they could find to record a line from any of the past movies or shows, including Ahsoka; which is pretty lame since it means she was killed off-screen, with natural causes being unlikely since Ahsoka wouldn't have been 80 yet, and even that's below the average Togruta life expectancy, though this may not necessarily be the case according to Filoni) who inhabit her body the same way that Palpatine is currently full of all the Sith. Rey manages to stand and deflects his Force Lightning with Leia's lightsaber, which isn't enough until Ben manages to climb out of the pit and throw her Luke's lightsaber; with the two together she's able to walk close enough to Sheev for his Force Lightning to burn him, and despite this being the third fucking time this has happened he does not turn off the lightning and instead Raiders Of The Lost Ark's himself into a skeleton before blowing up and destroying not only himself but the spirits of all the past Sith. Despite Palpatine's plan being to possess Rey when she kills him, for some reason he doesn't do so. The Jedi spirits leave Rey and she dies, with the barely lingering on Ben healing her. They share a kiss (reminder that since Sheev created Anakin, they're basically cousins, and their relationship is so adversarial it makes Edward and Bella's from Twilight look healthy, something the novelization tries to claim is "purely platonic") before Ben dies. His body vanishes, as does Leia's. The Resistance/Militia fleet destroy all the Star Destroyers after Finn's ground crew hijacks one of the cannons of the flagship to shoot at the ship bridge, killing the last of the old Empire and First Order leadership.

The heroes return to the Resistance planet where they celebrate, scenes showing the rest of the galaxy shooting the last of the First Order Star Destroyers play, Chewie is given Han's old medal from A New Hope, and the ex-Stormtrooper leader is hinted to be Lando's daughter or grandaughter implying a spinoff with the two (also shares a gay kiss with another woman... which was cut to appease China's and Singapore's media watchdogs). After the celebrations Rey returns to Luke's old home on Tatooine where she buries Anakin and Leia's lightsabers, revealing she built her own from her Force vision only with yellow blades instead of red ones. An old woman who was a neighbor of Owen and Beru comments nobody had been to that place in years and asks Rey's name. Seeing the Force Ghosts of Luke and Leia, she tells the woman her name is Rey Skywalker. The End.

Because the fandom has become fractured like never before, there was immediately fan wars going on everywhere Star Wars fans are found. Fans accused haters of review bombing, those who hated the movie claimed the critic score (which, if you recall, is mostly people who liked The Last Jedi and hate this movie for doing a U-turn on it) vindicates them. The fan fighting probably won't ever end, since now we apparently have to reevaluate if A New Hope and the Kenner Star Wars toys were ever good in the first place because some contrarians now claim the prequels are the pinnacle of Star Wars. Whatever the case, Disney CEO Bob Iger resigned in the middle of the work week in late February 2020, before coming a couple of months later, with insiders saying he's "livid" over certain changes.

For anyone interested, here is a video explaining why the Rise of Skywalker failed musically. https://www.youtube.com/watch?v=L_8-dWSLDWI

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==Expanded Universe==

It can be said what makes a franchise into a long term lasting thing is when a wealth of extra story and background is created that expands on the original story far beyond what there was. It could be argued Star Wars leads the race in this, as the sheer amount of extra novels, graphic novels and games based on Star Wars can and does overwhelm the ordinary fan.

===The original EU/Star Wars "Legends"===

[[Image: Choices_of_One_PB_art.jpg|right|200px|thumb|Before Cara, before Rey, before Darth Talon or Padme... there was Mara Jade]]
The background has expanded into the distant past before the founding of the current Jedi and Sith orders and into the (not-quite-so) far future looking at the descendants of Luke Skywalker and other popular characters. Uniquely, especially considering [[Warhammer 40K|other]] [[Star Trek|franchises']] track records, the Star Wars Expanded Universe is <strike>remarkably</strike> <strike>sorta</strike> sometimes internally consistent, both with other sources within the universe and with the films themselves, at least in comparison to other comparable settings. Of course, it's got plenty of its own [[C. S. Goto|problem children]] that slipped through, and the [[skub]] mine of it all isn't much shallower than that of 40K. Good portions of it do hold up well, largely due to the efforts of Lucas' company's continuity department leaning on everyone to hold it together. One thing that greatly helps is continuity books and articles aren't afraid to make small retcons to make even the most obscure and shitty sources (like that terrible PS1 fighting game) seem like part of an organized plot. Particularly well-loved parts include characters like Grand Admiral Thrawn (a rare alien officer in the Empire and popular enough that Disney brought him back to the canon from the EU) and Mara Jade (pictured right, a Force-using former agent of Emperor Palpatine who later turned good, became a Jedi Master, married Luke and had a son with him) - interestingly both were created by the same author [[Timothy Zahn]].

Upon their acquisition, Disney said "fuck it" and threw out everything but the films and the Clone Wars cartoons. Some popular old stuff got mentions or appearances (and Thrawn got to be a major character), but the overall quality is even lower than the old EU. What was set up as a major book contains phrases like "The TIE wibbles and wobbles through the air" and random virtue signalling. As though to top the previous, Disney literally published a book with an entire chapter about mass wedding farts (Yes. Really.). The only good stuff is from established EU authors writing stuff far away from era of the Disney films.

The [[rage]] over the EU's scrapping was major among many fans of it, but for all Disney's shortcomings, they were in a tight spot. Towards the end all that continuity and consistency got thrown out the airlock for increasingly dumb and disjointed narratives and garbled plot threads to the point that the Star Wars logo was just about as much a sign of quality as the Nintendo approval stamp on shitty SNES games.

Another problem was that Disney is mostly family-friendly, and some of the Star Wars EU could get really dark. As in Warhammer 40k levels of grimdark. Examples of this are the invasion of the Yuuzhan Vong - forcenull space-Druchii (no no, not Comorrites though they have the pain and body modification fetishes for it, space-'''Druchii''', riding enslaved tyranid bioships) from another galaxy, Mnggal-Mnggal - mindraping gelatin lost on its way to Star Trek, and Abeloth - an ancient (she predates the Jedi and the Sith) yandere Force entity more like something from the Cthulhu Mythos and is so dangerous the Jedi and the Sith '''joined forces''' to fight her. It's difficult to envision how Disney could have kept the EU when even before all that it was struggling to find a market beyond the most [[neckbeards|dedicated fans]].

===The Books===

'''The Good EU'''
[[Image: Heir-to-the-empire-cover.jpg|right|200px|thumb|Heir to the Empire (1991): The book that started it all]]
* '''The Thrawn Trilogy''': The origination point for the EU, and focuses on the conflict with the Imperial remnants left over after RotJ. Named for the main villain, Grand Admiral Thrawn, who went on to become one of Star Wars most well-loved characters. Basically the story "The Force Awakens" wishes it was. Also introduced Mara Jade, a sexy redhead that's everything Disney wishes Rey was and more.
* '''The Han Solo Adventures''': Star's End was the second spinoff book written and the first good one. Hit store shelves before Empire Strikes Back was even in theaters. Han and Chewie are trying to get some work done on the Falcon and wind up having to bust out some political prisoners to pay for it. The Z-95 Headhunter fighter comes from this one. Would have made for a better film than ''Solo'' did.
* '''Shadows of the Empire''': Shadows is set between ESB and RotJ and fills in the details of getting the Death Star II's plans, finding out where Han was taken, Luke building his own saber, etc by the introduction of another bounty hunter by the name of Dash Rendar. The Special Edition rerelease of ''A New Hope'' added the Outrider to the background of one scene. Most notable for the fact that it was also adapted into a video game for the N64 and PC.
*'''The Darth Bane Trilogy''': The origin of the Rule of Two for the Sith, along with a compelling protagonist and his apprentice.
* '''Revenge of the Sith''': The novelization is actually considered a serious improvement over the movie itself.
* '''Darth Plagueis''': Shows how Palpatine becomes a Sith Lord under his mentor. Less Star Wars than Star Politics, which is a good thing for this praticular story.

'''The Bad EU'''
* '''Jedi Academy Trilogy''': Luke sets up his academy on Yavin IV and tries to teach [[Rage|Kyp Durron]]. Imperial remnant superweapons hit ludicrous territory with the sun crusher. This was the beginning of Kevin J Anderson hammering out a couple dozen Star Wars books over about four years.
* '''Young Jedi Knights Series''': Set between Jedi Academy and New Jedi Order, mostly follows Han & Leia's kids.
* '''I, Jedi''': A retelling of the Jedi Academy Trilogy (see above) with more of Corran Horn from the first set of X-Wing books. Less derp in general but significantly more [[Mary Sue]]age of Horn.
* '''Legacy of the Force''': The survivors of the Yuuzhan Vong War are trying to rebuild the galaxy, but Jacen Solo turns Sith and becomes the main villain. The book series is infamous for nearly killing the Star Wars EU, threatening the franchise and issues between various writers years before Disney went down the same road (Jacen Solo was also a major influence for Kylo Ren). The biggest complaints were Jacen killing Mara, the heroes becoming idiots whenever they could've stopped the villains, poor dialogue, long-winded writing and the story being overstuffed with allusions to post 9/11 United States.

'''The [[Skub]] EU'''
[[Image: Yuuzhan-vong-eu2_bg.jpg|right|200px|thumb|The Yuuzhan Vong, [[Skub|either badass and interesting or grimderp canon-defiling villains]]]]
* '''New Jedi Order''': The longest-running (19 books long) and most divisive story of the EU. Luke's married to Mara and they're rebuilding the Jedi Order while Han and Leia are trying to reconcile the New Republic and Imperial Remnants. Han and Leia are also raising three kids and Mara's got a terminal illness. Then extragalactic aliens called Yuuzhan Vong - [[Imperium of Man|religious fanatics]] with [[Tyranids|organic technology]], a thing for [[Dark Eldar|pain and body modification]] along with [[Culexus|partial immunity to The Force]] - invade to take over the Star Wars Galaxy. Chewie dies Majora's Mask style, Mara's illness is cured and she gives birth to Ben Skywalker, the Vong take over Coruscant, lots is learned about the Force and the bodycount goes so high it could give Warhammer 40k a run for its money (365 TRILLION; only the War in Heaven or the Fall of the Eldar had anywhere near that many deaths in one event). A real love-it-or-hate-it series, some parts were good, some were bad and some were weird.
* '''Dark Empire''': Palpatine's back to save a dying franchise decades before Disney tried it. He even uses clone bodies to do so (but unlike Disney, Dark Horse didn't flip-flop on the lore), wrecks a fleet of enemy ships using the Force and at some point has his power reflected back at him. Starts off good, falls apart fast. Known for its love-it-or-hate-it artstyle and dialogue. Original version of Episode 9.
* '''Courtship of Princess Leia''': Deals with another Imperial remnant, where a Queen who could be potential ally against the Imperials offers a deal which hinges on Leia marrying her son. Meanwhile Luke and R2-D2 are working with a prince who was the original recipient of the offer. This one has force witches, who are encountered when Han tricked Leia into in an attempt to win her heart... it is ''really'' silly. If you like that, raise this higher. If not, it might even drop lower.
* '''Fate of the Jedi''': Want some Cthulhu with your Star Wars? People are growing dissatisfied with the Jedi Order following LotF. Luke, Ben and the remaining Jedi are trying to keep the Jedi Order in check while several Jedi are wracked with a mysterious psychosis and a ancient Sith Tribe emerges from hiding. Han and Leia are looking after the political side of things while also becoming grandparents. Things take a turn for cosmic horror when a yandere, Force-using eldritch abomination who could doom the galaxy escapes her prison. During the conflict, Sith apprentice Vestara rises through the ranks and finds herself in a Catwoman/Batman situation with Ben Skywalker. While being an OoM better than the preceding trilogy, FotJ has a very divided opinion among SW fans.

== Disney Canon ==
[[Image:Star_Wars_Disney_Princesses.jpg|right|400px|thumb|Love it or hate it, they are now official ''Disney Princesses''.]]
It's still [[skub|debatable]] whether or not the new Canon holds up to the old EU, or learns to fix the problems that plagued it. We probably won't see what comes of it for decades to come. Disney Canon, as of 2020, seems to largely be built around the nine main movies (of course), with shows like Rebels and Clone Wars alongside anthology movies fleshing out stories that had been told in comics and books back before the Disney buy-up, but can now be seen on film.

A curious thing that has begun happening: Certain elements of the old EU is slipping into the Disney Canon. Plotlines like the Emperor returning, the Death Star plans heist and Han's path to become the smuggler we know him as all have bits and pieces from EU canon in them. In some cases, whole characters are ported in; the best example is Admiral Thrawn, who appears in Rebels. Other times, popular characters has their traits or stories ported into new ones (Finn and Cassian are both expies of Kyle Katarn, for example). This gives some credence to the argument that Lucasfilms and Disney wanted to wipe the slate with all the stories that had been told in the EU, so they could create their own, fully realized canon Star Wars setting that one could make movies - ''many'' movies - from. Considering the amount of shitty fan-fiction-esque stories the EU had, this may be for the best, but of course, storylines that people have loved for ages are also thrown out with the bathwater.

Detractors of Disney-era Star Wars often talk loads about how the sequel trilogy invalidates the original trilogy. Other complaints raised are how Disney screwed over Luke and how many cool characters are either cannibalized for story elements (like Kyle Katarn) or completely removed from canon (like Mara Jade). These are semi-valid arguments of course, but they ignore some of the biggest issues with the EU originally - it wasn't sponsored by George Lucas and Lucasfilms. They were sponsored fan-fiction in a sense, semi-canon from the outset and not really something that could be considered a part of the Star Wars setting, though George Lucas did work with the writers to a point, such as with the New Jedi Order book series (he gave them permission to kill off Chewbacca in the story). In fact, George never really considered them real stories; more like a parallel universe of his own Star Wars works. He accepted it because they bring in the big bucks when people would beg to have the official Star Wars logo on anything they produced.

That, and the sequel trilogy, underwhelming as it may be, was George's idea in broad strokes. The series was always going to have a sequel trilogy, and while the outcome isn't exactly what he (or we) wanted, quite a lot of it is. Luke being an exile on a far-away planet, who has to be roused to fight by a new, female Jedi? George's idea, not Disney's. A son of Han and Leia struggling with the Dark Side? Also George's idea (though Disney lifted a lot form the original version - Jacen Solo - for Kylo Ren). If anything, much of the direction comes from Lucasfilms; Disney just wants the movie to sell well. It's similar with Marvel nowadays.

So for better or worse, the Disney Canon is the first time the wider setting of Star Wars beyond the series and movies have become irrevocably canon, rather than "kinda-sorta-canon". Much of what we've gotten that is new is based roughly on George's own work as well. Remember this when discussing EU vs Disney in Star Wars - Either setting is cool for their own reasons, but the Mouse got little to do with it - and if you don't like it, bring it up with big man Lucas. Whatever the case, CEO Big Iger briefly resigned in 2019... before being brought back in 2020 following severe financial and PR losses for Disney due to comparatively poor reception of the Disney canon, controversial statements from Disney staff against fans and shutdowns related to the global coronavirus pandemic. There have been large rumblings of change in Disney Star Wars, for better or worse.

It should be noted that the TV shows below are either now part of the Disney canon (such as the 2008 Clone Wars series), or made by Disney. There is also a major Star Wars project in the works called Star Wars: The High Republic. It's an upcoming multimedia project spanning books and comics worked on by various writers including Claudia Gray and Cavan Scott ([[Warhammer Adventures|yes, ''that'' Cavan Scott]]). The stated goal is to tell one cohesive story set in the High Republic Era, two centuries prior to Phantom Menace. It was slated for a 2020 release but was pushed back to 2021, purportedly due to the COVID-19 pandemic (purportedly because they could still work on the story from home in this day and age but have chosen to extend the deadline).

==Star Wars:The Television Shows==
===Star Wars: The Clone Wars===
Technically, there are two series called similar titles. The first was 2003's ''Star Wars: Clone Wars'', an animated miniseries made by Genndy Tartakovsky (He of Dexter's Lab and [[Samurai Jack]] fame) chronicling, among other things, the titular Clone Wars and introducing a much more sinister General Grievous to the world.

But then we have ''The Clone Wars'', a CGI animated series (and tie-in movie) that we'll be talking about more and contributed more to the EU. One of the most universally known and loved parts of Star Wars, most fans worth their action figures and limited edition movie sets have watched the show and have an opinion on it one way or another. Some of the most notable characteristics are:

* The Clone Troopers are fleshed out,and we see that they are manly motherfuckers who make Guardsmen's balls of steel look like the cardboard their armor is made out of (seriously, in the movie, they literally charge straight into close combat with ''giant armored walkers with large guns'' and jump off roofs to get top of them to shoot them point blank, and punch droids in the face)
* Anakin Skywalker is actually a good, fleshed out character, with a good voice actor and shows his descent to child-murdering Force-choking asshat wasn't just him going 'welp, guess I'll fall to the Dark Side.' There was a fair amount of bad-cop “it was him or me” murder to get there.
* Introduces Ahsoka Tano, a major character who's a female Togruta Jedi that's well-written, non-OP, non-Mary Sue and doesn't invalidate characters from the movies. Starts off a bit annoying in the Clone Wars movie, but manages to do something truly special: she ''learns''. Over the course of Clone Wars and Rebels, Ahsoka probably has the most character development out of any other Star Wars character.
* Obi-Wan being a sexy one-liner spouting sarcastic badass.
* And many others.

However, there were some pretty derp moments too, such as

* Babysitting episode/movie.
* D-squad, where a bunch of droids become heroes of the Republic.
* Mandalore and how its fluff was basically screwed 180 degrees, and then some.
* Droids were comic relief of the first and second seasons. It was annoying.

All in all, it was a good show that took some time to find its feet.

After many years, a seventh season was announced in an attempt to take away from ''The Last Jedi'' being shit and add ''something'' to the empty Disney Plus lineup. At least some of the episodes will be ones that were in production when the show ended. It promptly disappeared after that announcement for a couple years till it was announced it was going to come out in 2019. And when it did, it blew pretty much everyone away, with fantastic animation, great storytelling, and a harrowing final few episodes. Maul's speech to Ahsoka in particular is downright chilling when you realize he's 100% sincere, is ''afraid'' of what's coming, and genuinely wants to try and stop it.

===Star Wars: Rebels===
[[Image:WomanYellingAtLothcat.jpeg|right|400px|thumb|''Stop fooling our plan, you rebel scum!'']]
Now that Disney owns Star Wars they can't go a season without something new to run on Disney XD, so after ''The Clone Wars'' ended they needed a series to milk episodes out of and launched ''Rebels''. ''Rebels'' is set a few years before ''A New Hope'' and covers the early formation of the rebellion from the perspective of one cell focused on the planet Lothal. Much like the Clone Wars, it starts off weakly with slow pacing and erroneous animation, but gets better as the seasons and storyline progress, with season 4 often equalling the very best Clone Wars arcs for quality and storytelling. If you liked ''Rogue One'' but thought it should be about 25 hours long and done in cartoony CGI then this is the show for you.

So what did we see in ''Rebels''?

* All the main characters are well-written, fleshed out, with reasonable, sympathetic backstories and significant character arcs, along with different enough skill sets that they don't step on each others' toes. Each one feels like an integral part of the team; the pilot, the gunner, the muscle, the tech, the swordsman and the hot-shot rookie.
** Seriously, you'd think that with two jedi in a 6-man crew you'd get some overlap, but they feel like very different characters, both in personality and powers. Kanan is very much the quintessential combat jedi (as is to be expected as he was trained during the Clone Wars), while Ezra's signature ability to connect with the galaxy around him and especially its wildlife marks him out not only from the rest of the Ghost crew, but from every other force user we've seen on the screen.
* Grand Admiral Thrawn makes his debut in Disney Star Wars, along with the TIE Defender project. The character doesn’t lose much in the translation, and later on is arguably treated better than the source.
* The bearded old guy in the Endor strike team in RotJ turns out to be Captain Rex. Fan theory at first, later confirmed.
* You CAN [[combi-weapon]] a lightsaber and a blaster, and it's OP as shit
* Force wolves (no, not [[Rune Priest|those force wolves]])
* [[A Song of Ice and Fire|Game of Thrones-style]] Mandos (Krownest is pretty much Space-Winterfell).
* Imperial Inquisitors. Sure they don’t last long, but they were intimidating while they were, and it planted the seed that was used elsewhere.
* Good appearances by Vader and Sheev.
* The Maul vs Obi-wan decades-long duel finally comes to an end... and what an end it is.
* The season finales are, invariably, fantastic.
* Animation gets better as the show goes on.

So about the wolves... ''Rebels'' turns the force mysticism up past 11. Forget just being precog space monks with laser swords; as far as ''Rebels'' is concerned the Jedi are [[craftworld]] [[eldar]] without the racism. Rebels picks up the torch of the Clone Wars “Force Gods” and mixes in some of the straight-up fantasy shit from the Lucas era novels and the KOTOR/Old Republic Jedi philosophy schools and heresies beyond just “Light good, Dark bad”.

However, there were levels of derp that we got to see in this show, such as the following:

* Since this is a Disney cartoon, the bad guys spend a large amount of their on-screen time (though not all, mind you) losing. This changes the Imperials (other than Thrawn and Vader) from an imposing force to [[Abbadon|cartoon villains]], although Rebels villains manage to stay intimidating more than Grievous did in Clone Wars. Compared to Clone Wars, Rebels villains probably win just as often (though, given how the clone wars ends with Order 66 and Rebels ends with the Battle of Endor, Clone Wars has a much more downbeat ending).
* Battles slower paced than a Death Guard movement phase. Enjoy characters having conversations in cover-based shooting when everyone has Stormtrooper aim (which, admittedly, has been a feature often present in Star Wars from the very start).
* [[Bullshit|Helicopter lightsabers]]. Thankfully this was only present for one episode.
* Complete bipolarity in tone. This can create some great moments, but invariably ruins the mood episode by episode, or between the A and B plots.
* Iron Squadron. Just...fucking [[Rage|Iron Squadron]]. Even more thankfully, they too were only present for one episode.
* Star Destroyers take some getting used to, mostly due to their bridge towers being way taller than they should be.
* Space Squid-whales annihilating a maximum strength Imperial Blockade in under 30 seconds.
* The changes to Hondo Ohnaka's character.

All in all, it depends on your preference.

Since the show does have a fair amount of dedicated fans, <strike>likely</strike> possibly more than the sequel trilogy itself, Disney has made a habit of planting Easter Egg references to Rebels in basically everything moving forward, usually in the form of an appearance by the iconic ship The Ghost or the friendly-ish space pirate character Hondo Ohnaka.

===Star Wars: Resistance===
Annnd they had to go and change things again. With ''Rebels'' coming to a close and a burning need to keep Star Wars on their lineup, Disney had a choice: find a new plot and setting for a formula and art style that had produced two successful multi-season shows, or throw it all out and start from scratch. Remember, this is Disney we're talking about, the company that once [[Fail|paid a quarter billion dollars to fire the producer who made ''The Little Mermaid'', ''Beauty and the Beast'', ''Aladdin'', and ''The Lion King'']] only for him to go and [[profit|found Dreamworks]] out of spite.

Like its predecessor, ''Star Wars: Resistance'' sets itself up as a prequel to a trilogy, in this case following the early days of the Resistance in its fight against the First Order. Where it differs from ''Rebels'' is that ''Resistance'' is playing the warm up act for a trilogy that nobody likes. On top of which, the creators abandoned the 3D style that ''Rebels'' inherited from ''The Clone Wars'', and replaced it with a cel style that's half ''Treasure Planet'', half ''Avatar: The Last Airbender'' and all ''RWBY''.

To be blunt, this show is 100% pure crystal derp. Our star is Kazuda Xiono, a manic depressive who literally fanboy-ed his way into being a spy under the cover story of being a mechanic, two jobs he is not qualified for. This kid is the Invader Zim of Star Wars. Filling out the cast we have the original only cockney girl in space, an autistic alien, their widower boss who is definitely gonna die, D.Va and her ex-imperial officer dad, and BB-8. Poe Dameron shows up regularly so he can be TOP SUE without having to share a screen with Rey. Captain Phasma plays the show's big bad and yet stays true to form in doing absolutely nothing. Reception was so terrible it was confirmed canceled at 2 seasons before the second season even started.

Part of the problem with ''Resistance'' is that the First Order has a doomfort that can frag planets across the galaxy, yet has to resort to hiring pirates to encourage settlements into accepting the First Order's protection racket. Palpy's empire was a model of efficient, heavy handed governance; its evil intent veiled from the masses who mostly resent it for bringing order. And some instances of institutionalized racism and the occasional genocide on a planetary scale. Y'know. Empire Stuff. The First Order on the other hand is basically just Cobra Command, a font of evil hamstrung by flailing incompetence. As mentioned earlier, the backstory for the Resistance and First Order is basically that the First Order are a mobile pirate fleet with one untested secret base weapon lead by old farts of dubious actual leadership abilities from the Empire and their fanatical children with grunts made up of brainwashed child soldiers kidnapped from pioneer settlements while the Resistance is just a tiny militia that is so poorly funded they don’t even qualify as a single fleet since their few outdated capital ships are crewed by outdated droids and they don’t even have enough fighters to protect them, but rather than depict the potentially interesting dynamic this suggests the series just tries to be Rebels again, the same path the movies took even though at this point both factions are even smaller than they were in the movies.

===Star Wars: The Mandalorian===

[[Image:The_mandalorian.jpg|right|200px|thumb|[[Goblin Slayer|''Bounties?'']]]]
Because Disney didn't have enough money, they decided to try their hand at streaming services (despite already owning Hulu), and created Disney+ as a collection of their shows and movies. And with any streaming service, you need a flagship title. Thus, ''The Mandalorian'', the first live action Star Wars television series.

The show itself lives and breaths off your nostalgia for the Fetts, giving you a new lead character wearing the cool ass armor, bounty hunting, getting in gunfights, et cetera. The show's set five years after ''Return of the Jedi'', and leans into spaghetti western's so hard you wonder why Clint Eastwood hasn't shown up (John Wayne's grandson does do much of the stunt work for the titular character). Whether you like this show pretty much comes down to the question of can you accept [[Goblin Slayer|a show where the main character's face is never seen]] and whose name is almost never spoken (probably, considering this site's demographics), and can you stand a story wrapped entirely around the finger of a baby yoda who is the most well know spoiler since (joke.exe).

If you like the 2012 [[Judge Dredd]] movie you will like the show. It also might be one of the closest depictions of a Space Marine we are going to get for the foreseeable future on the "big screen". The Mandalorians (this group at least) have become almost a cult regarding "The Way" their warrior code. Highlights include a [[Looted]] [[All_Terrain_Soup|AT-ST]], getting to watch a [[Men_of_Iron|IG-11]] aimbot entire groups of hostiles multiple times (hell just watching IG-11 ''move'' is amazing), and an episode shot like a horror film except that [[awesome|the protagonist is the hunter]]. The final two episodes are a callback to almost every episode except "The Prisoner" & "The Gunslinger" and numerous characters return and get to be their own brand of awesome. The show also brought back the old style Mandalorians - it's a creed and a way of life, not a species or race. You are a Mandalorian because you chose to be, and because you follow the Mandalorian code, not because you're born that way.

There are several hiccups in writing but those might be smoothed out later, or can just be written off as the galaxy being just that big and individuals not having the same info as the audience. Overall it is the most well received addition to Star Wars since ''Empire''. With the show actually understanding why and how certain reveals should work, ie. not making there be anything special to us (the audience) about the Mandalorian's face/name, it is special because of his code not because he has laser eyes or something.

A second season (it was inevitable) was announced in November 2019, finished filming in March 2020 and is set to arrive on Disney+ in October 2020. Several characters from elsewhere in the franchise such as Boba Fett, Bo-Katan (Duchess Satine’s redhead sister from the Clone Wars, who also happens to be the last known wielder of the Darksaber before Moff Gideon turned up with it in the final episode of season 1), Sabine Wren and Ahsoka Tano are rumoured to be appearing in season 2.

==Wookieepedia==
One of the largest fan wikis ever created, this bad boy is extensively cited, has enormous variety, and has page upon page of talk. It was if Lexicanum, the 40k fan wiki, and our own glorious site were fused into a terrible beast.

==Impact on 1d4chan and associated games etc==

Star Wars has had subtle and clear impacts on a number of other franchises and genres and it can be ''incredibly'' hard to gauge the extent of it all. Certainly it didn't create the concepts of sci-fi, space battles, sweeping storylines, and a blending of mystical and scientific ideas, but it certainly popularized them during the years of the original trilogy and influenced many people that would go on to have interests in sci-fi, fantasy and epic adventure today.

Hell, look me in the eye and tell me that the lightsaber didn't give us the [[power weapon]]. But then again, magic weapons.
==Sabacc and Pazaak==
A rather unusual entry here but it's well in line, Sabacc is an actual tabletop card game from the Star Wars universe which is basically a hybrid of Poker and Blackjack. A Sabacc Deck has 76 cards, most of which in four suits of 16 cards numbered one to 16, plus sixteen wildcards in two sets with values that were either negative or (in the case of the Idiot) Zero. The goal of the game is to have a set of three cards who's total as close as possible to, but not over, 23 or -23. If you got 23/-23 (Pure Sabacc) which could only be beaten by an Idiot's Array (the Idiot, a Two and a Three, thus 23). In case of a draw, new cards are drawn. The stakes are raised every cycle until the cards go down or one player is left standing who gets the pot.

The notable thing about Sabacc that sets it apart from real world card games is that the Cards can change value every turn. A Pure Sabacc can easily become an instant lose 25 and an absolutely lousy hand can become an Idiot's Array. They can be stabilized to fix their value, but everyone knows when you do so. This feature has so far prevented Sabacc from being released in tabletop form as of yet. ''(Of course, there are ways to deal with this, such as simply re-dealing unfixed cards, but never let it be said that nerds will choose practicality over purity.)''

In universe, Han Solo won the Millenium Falcon off Lando in a game of Sabacc.

Pazaak is an older game from an in-universe perspective, similar to Blackjack but its player versus player rather than player versus dealer and also has some aspects of a collectible card game. Goal of the game is to raise cards from the main deck until their total value is 20 or they can also choose to stand if they get close but don't want to risk it. Best out of five wins.

CCG-aspect of Pazaak comes from the sidedeck: both players collect ten cards for their side deck and then randomly take four cards from their side deck to their hand in the beginning of the game. Hand cards are used to either lower or raise the total value: so if the player raises cards from the main deck to the total value of 25, they can prevent dropping out if they have a -5 card or higher in their hand.
Cards which only either raise or lower the value are the most common of the side cards.
More rarer are cards which can be used to both raise and lower the value.
Then there are flip cards, which change certain main deck cards on the table to negative ones. So if the player plays a 2&4 flip card, all 2:s and 4:s on the table become -2:s and -4:s. Flip cards exist in 2&4:s and 3&6:s.
Then there is the double card, which doubles the value of the last played card. So if the player raises a 5 from the main deck, playing the double card would turn it into a 10.
Finally, the rarest side deck card is the tiebreaker, which grants the player a win if the game would otherwise end in a tie.

==Tabletop games for Star Wars==

=== Role-playing Games ===

[[West End Games]] made a Star Wars [[role-playing game]] called [[Star Wars RPG|Star Wars: The Roleplaying Game]] AKA '''Star Wars D6'''. Like many West End products, it's a good game with the great misfortune of being published by West End games.

[[Wizards of the Coast]] picked up the license later and made two distinct RPGs based on their [[d20 System]], called [[Star Wars D20]] (imaginatively). Could be fun, but generally broken as hell, much like [[Dungeons & Dragons 3rd Edition|its parent game]]. It was then utterly revised that into what they called the '''Saga Edition''', which is relatively balanced and pretty good.

[[Fantasy Flight Games]] is presently selling [[Star Wars Roleplaying Game|a whole line of Star Wars-themed RPGs]], each one focusing on a specific style of play. You want to play a bunch of scruffy space outlaws (Edge of the Empire), members of the nascent Rebellion (Age of Rebellion), or exiled Jedi Knights (Force and Destiny), then they got you covered. Unlike their [[Warhammer 40,000 Roleplay]] games, which are all ''juuuuust'' different enough from one another to completely buttfuck any attempts at blending, all three gamelines use identical mechanics and are fully cross-compatible. Uses symbol-counting [[dice pool]]s with ludicrously overpriced custom dice.
Like the other RPGs they decided with the retardedly similar name, and thus this one is sometimes called '''Star Wars FFG''' to avoid confusion.

FFG have kept milking the franchise and in summer 2017, decided to [[Necromancer | reanimate]] the [[Star Wars RPG|Star Wars: The Roleplaying Game]] with a "30th Year Anniversary Edition" print of the original game. It '''''finally''''' shipped in July 2018 after spending a year in limbo.

=== Card Games ===

The big [[card game]] set in the Star Wars universe is the [[Star Wars Customizable Card Game]]. It's no longer produced by Decipher, but there is still a sufficiently large player community to organize annual tournaments, rule on cards, and so on. SWCCG was radically different from the norm of card games, being divided into light and dark side cards with different backings, with light and dark always playing against each other. For tournament play a player would need both a light and dark deck. The gameplay was also radically different from most CCGs; in Magic terms the closest analog would be that every SWCCG deck was fundamentally a mill deck, with some hard to assemble insta-win combos themed to the plots of the movies.

[[Wizards of the Coast]] made the [[Star Wars Trading Card Game]].

[[Fantasy Flight Games]] is presently selling [[Star Wars: The Card Game]].

Obviously, nobody is capable of creating a Star Wars card game with an interesting name.

Aside from the real, physical, games there was also ''Star Wars Galaxies Trading Card Game''. It was a real, functioning, card game within the MMO that used all virtual cards. Unfortunately no server emulators have implemented it yet.

=== Miniature Games ===
[[Wizards of the Coast]] did a tabletop battles game imaginatively called Star Wars: Miniatures, based on an extremely dumbed down version of the D&D ruleset. The figures were meant to tie in with the Saga edition RPG, it wasn't terrible on its own, just impossible to collect for competitive play since figures came in random booster packs so you never know what you were getting for what faction. Who could possibly stand for that?

[[Fantasy Flight Games]] is producing the [[X-Wing]] miniatures game based on individual starfighter combat (because, let's be honest, that's what ''Star'' Wars is all about). They have also released [[Star Wars: Armada]] which is a larger scale "fleet" combat simulator, using capital ships and squadrons of starfighters.

'''Star Wars: Imperial Assault'''

The latest [[Fantasy Flight Games]] addition to its Star Wars related games is a mix between a miniature board game and a skirmish wargame. It has two play modes:

One for campaign play where 1-4 players control a team of Rebel heroes and another player has the role of the DM, who controls the Imperial forces. The campaign, as the name suggests, focuses on character personalization, xp gain and the like, which you can find in any light RPG-esque (board)game. The main goal is to get a few friends together and casually play through the missions. Think of it as a Star Wars version of the original [[Hero Quest]].

The other play mode is skirmish play, where two players each get to assemble a team of miniatures plus a command deck (cards that have specific effects when played) and play against each other in an open-play scenario. The play area is still very limited to a few game tiles (as in a campaign mission) but players are free to bring whatever they want (with a few limitations of course). The skirmish part of Imperial assault is as close as you can get to an actual Star Wars skirmish wargame, but it is a missed opportunity from Fantasy Flight to create a true skirmish wargame (ala [[Infinity (wargame)|Infinity]]), not based on tiles and so confined spaces. Who knows what they have plans for though...

'''Star Wars Legion'''

And Fantasy Flight have now given us a fully fledged wargame, complete with AT-ST in the first wave. (They're 32mm scale, which means [[Games Workshop|no reusing your Imperial Assault miniatures]].) Legion has an integrated turn system, and the usual FF custom dice and forest worth of dead trees in cards and tokens that will be familiar to X-Wing and Armada players. The miniatures are PVC, reasonably detailed, easy to assemble pieces. A standard battle is 800 points, which could be anywhere from half a dozen to 16 units on the field, with an average army fielding 8-12 units comprising 30-ish models.

=== Board Games ===

The most famous and arguably best one is [[Star Wars: Rebellion]], an asymmetric two-player game that plays through the Original Trilogy in a wargame/worker placement-esque game. The Empire player must expand their already huge military base over the galaxy to build more ships and huge superweapons while searching for the Rebel Base, while the Rebels do their best to bite them in their heel, obscuring their movements and annoying the Empire until they have enough support to overthrow the Empire. As a [[Fantasy Flight Games|FFG]] boardgame, it's filled with a ludicrous amount of bits and pieces (including sweet models of Star Destroyers, Death Stars and Calamari Cruisers), as well as the trademark filled-with-small-exceptions ruleset. It's pretty sweet and still considered one of the best board games of its kind.

=== Card Miniature Games ===

In the late 00's, WizKids produced a short lived construct-able miniatures Star Wars game based on their styrene card system for Pirates of the Spanish Main. Although the game sold well, when NECA bought WizKids from Topps the rights did not transfer and it went out of print.

==Video Games for Star Wars==

To put it bluntly, every game which could possibly have ''Star Wars'' slapped onto it, exists. Flight simulators. Racers. Rail shooters. Doom clones. MMOs. Age of Empires reskins. Hell, there's even a Kinect variety game. Here's a few standouts...

* '''Knights of the Old Republic''': A pair of single player RPGs depicting a Sith war several thousand years before ''A New Hope''. KotOR is widely regarded as the best Star Wars video game ever, and was the framework for BioWare's ''Mass Effect'' series. Of all the Legends stuff, KotOR appears to still be in good standing with Disney since they continue to borrow from it. The sequel by Obsidian was the original skubtastic take on the franchise TLJ wanted to be but failed miserably. Got an MMO simply called "Old Republic" (since you can play as things other than Jedi and Sith) that is the sequel, which had a very rough start but stabilized enough to still survive to this day somehow). Possibly still canon in the Disney continuity since a lot of things get borrowed or referenced from it. Also the only thing in the EU to still receive new content.

* '''Jedi Knight:''' A series that started of as an early FPS named Dark Forces (so early that it was the time when FPS games were still known as [[Doom]]-clones) but Dark Forces II: Jedi Knight had the protagonist become a Jedi. The Dark Forces name was dropped in favor of Jedi Knight after this. The series combines surprisingly deep lightsaber combat with standard shooting, though the levels can get very mazy at times. Introduced Kyle Katarn, one of the most popular characters from EU. Unfortunately, there has not been a new game since 2003's ''Jedi Academy'' and likely will never be thanks to Disney.

* '''Republic Commando''': An FPS that has the player command a squad of commandos. Its a great shooter but unfortunately, it never received a sequel and to make things worse, ended on a cliffhanger. The second act of the game, set entirely on a drifting Acclamator-class assault ship is particularly memorable and highly atmospheric. If one can look past outdated graphics, its worth trying out for anyone who wants a good FPS experience.

* '''Empire at War''': Made by the original developers of [[Command and Conquer]], it is the most notable strategy game to have come out of Star Wars. Notable for featuring three different modes of play: ground battles, space battles and galactic conquest map. Though ground battles are a bit meh, the space battles are great and the galactic conquest is certainly more interesting than only playing random skirmish matches. Even though its over 10 years old, it has a very active modding community. Republic at War, which changes the games Galactic Civil War setting to Clone Wars and Thrawns Revenge, set much further into the Galactic Civil War than portrayed in the films, are particularly great. There is also a remake mod in the works, aiming to bring the game up to modern standards in terms of visuals, sound and UI and the results do look good. Unfortunately, no great 40k mod.

* '''Star Wars Galaxies''': An early MMO, launched after ''Everquest'' but before ''WoW''. Galaxies is noteworthy for making force powers a prestige achievement requiring enormous in-game effort to unlock. The first expansion pack added a subgame that's a pretty solid flight game in its own right and the game eventually added an original, fully playable, trading card game that sadly has not yet been implemented in any simulator. Then ''World of Warcraft'' hit, Sony panicked and made Jedi a starting class and replaced the skill system with massive level grind, and offered refunds to the raging army of neckbeards. Subscription numbers tanked and never recovered. It would effectively be replaced by ''The Old Republic'', an MMO using the acclaimed KotOR setting. Like most "dead" MMOs that people loved it still lives on through illegal private servers (don't worry, the guys providing it would get busted, not people playing on it).

* '''X-Wing (and TIE Fighter)''': A series of ''Wing Commander'' clones released in the 90's. While badly dated today, they were the best fighter sims of their time, and if you can get past the highly primitive graphics some people still consider them to be the best to this day. Why? The mission scripting and AI are top notch for the genre and absolutely brutal to fight against; on all but the simplest missions you're almost guaranteed to fail the first time and eventually develop a sixth sense about the fighters threatening your objective vs the fighters just there to kill you (ignore those, learn to be hard to hit). Interestingly, TIE Fighter is largely seen as the best of the series while the N64 era Rogue Squadron and Shadows Of The Empire games are seen as being far more visually modern but largely inferior sequels. Did we mention you had to use a flight stick controller basically made for these games to really do well at these?

* '''Star Wars Battlefront II (2005)''': Not to be confused with the one released by EA in 2017. Solid game from the new-defunct Pandemic studio (fuck you, EA) in 2005 told from the perspective of a clone trooper that survived all the way up to the battle of Hoth, with a very down to earth boots on the ground approach. Also, just being thrown into random matches as a soldier because fun. Despite some issues, it remains the high point of the Battlefront series as well as the entire PS2 era, and on PC still has fans via an active modding community to this day. There is of course also the original one but the second one pretty much completely overshadowed it.

* '''Star Wars Battlefront II (2017)''': The one by EA. You've probably heard everything important. An absolute mess at launch due to its lootbox-heavy progression system, so much so that it started discussion even on government level about lootboxes that continues to this day. A comment by EA that became the most downvoted comment in Reddit history. Yet despite all this, two years later, the game is arguably one of the best Star Wars experiences one can have and an Anakin-level redemption story. Like the previous Battlefront II, it completely overshadowed its predecessor.

* '''Jedi: Fallen Order''': It took them years but finally, EA managed to deliver a Star Wars game that is great on launch without cramming it with e-transactions. Its plot focuses on an unfortunate Jedi renegade between ''Revenge'' and ''A New Hope'' who's on the hunt for a hidden database that might document all the Force-sensitive individuals in the galaxy. A game inspired primarily by games such as Dark Souls and Uncharted, its a great action-adventure game in its own right and a must-play for any Star Wars fan. Also notable for making Darth Vader '''''really FUCKING SCARY'''''. As he should be.

* '''Monopoly Star Wars''': Its Star Wars Monopoly. With 90's FMV that plays for every square you land on. On floppy disks. Considered fucking amazing at the time, its too strange and tabletop to not mention. Also one of the last pre-Prequel things released.

* '''Super Star Wars''': A heavily modified retelling of the original trilogy (what, you don't remember how Luke chased down the Sandcrawler and murdered all the Jawas as well as their giant rat god in order to rescue R2-D2?) that was one of the ways to say "hard as fuck" by namedropping a game prior to Dark Souls existing. Amusing for the insanity of the added content in order to make a platformer sidescrolling beat'em'up as well as how neckbeardy you have to be to punish yourself trying to beat it without cheating. Sequels were made for Empire and Jedi, which slightly dialed back the difficulty.

* '''Star Wars: Yoda Stories''': A game geared for kids, released the same year as Monopoly above. Players play as Luke sometime after Empire Strikes Back, although an odd alternate version where Han sometimes is free from carbonite and Boba Fett and sometimes is not. They are assigned a quest by Yoda which requires them to traverse one or more procedurally generated planets doing whatever odd crap Yoda felt was necessary, including sometimes fighting Vader. Recieved middling scores as a PC release, with some individuals HATING the game and using it as a benchmark for how much they hate something when comparing the two, although to be fair that is because distributors tried to sell it like a full game when in reality its supposed to just be freebie software that came with other purchases and was meant to go with Solitaire and space pinball as default games on a computer to waste time with. It has lapsed into obscurity thanks to even those reviewers largely being forgotten on the modern internet. Noteworthy for being played on a grid with simultaneous turn-based movement with all enemies and NPCs on a screen, feeling very much like a tabletop game at times. A simple puzzle game, where getting blocked in a corner without enough space to pass the time by an idiot NPC is more dangerous than any foe.

*'''Shadows of the Empire''': Made on the Nintendo 64 and Windows PC, you play as Dash Rendar, a scoundrel in a ship like Han Solo working for the Rebellion. Takes place during Episode V as a side story. Despite being much beloved by fans for years and years, it's sadly not aged well thanks to the rather peculiar control scheme of the N64 and the graphics not having aged like cheap cheese in the sun. Main enemy of the game is a xeno named Xisor who is just a real uppity crime boss (and apparently a prince). This game has an absolute great opening first part where you're flying in a Snowspeeder on Hoth killing Imperials left and right while trying to use the cables to crash the AT-ATs like in the movie. After that the game begins to kinda just carry on with awkward controls.

==Assorted list of Awesome From Star Wars==
* Fucking ''[[Lightsaber|Lightsabers!]]''
* The fucking [[Approved music|OST]]
* What is likely the greatest duel in cinematic history, that takes place on a [[Death World|lava planet.]]
* Deathly Stormtroopers, heroic Clonetroopers or sinister First Order troopers; whatever they're called, stormtroopers are awesome! Contrary to popular belief, shot counts have proven they have ridiculously good aim.
* Darth Vader whenever he gets a speaking line or to murder rebel scum - that is to say, all the time.
* Darth Maul in The Phantom Menace, TCW and Rebels.
* Lightsaber Rifles
* The entirety of the Umbara campaign, where <s>Imperial Guardsmen</s> Clone Troopers die in the dozens attempting to win some godforsaken planet, earning them balls of titanium that make the guard look ba- {{BLAM| '''*BLAM*''' Heresy!}}
* 97% of the Creatures.
* 98% of the Starfighter designs.
* Costumes that mix about every possible inspiration, Chinese, Mongolian, Japanese, Ancient Greece and Rome, Elizabethan, Moebius or Pulp Sci-Fi from the 60's, giving the whole series a distinctive style and gives Padme Amidala an excuse to show off with all her dresses.
* Boba and Jango Fett and the rest of the Mandalorians.
* KOTOR (both games) plot making you think this shit is actually logical and has so much philosophical background. One of the creepiest depictions of the Universe. Everything is brutal, with big vibrating knives, blood, those machines for Sith snuff movies, more blood, bastards, badass bastards and so on. Everything while somebody is talking with you about existence.
* Our saviour Lord Revan. He's like if [[Horus|fucking Horus]] just became [[Big Bad Evil Guy|fucking bad]] (but not that [[Erebus|bad]]) to fucking destroy the [[Chaos Gods|Dark Gods]] so he can solve his daddy issues.
**but he's more virile, deadly, powerful, charismatic and cool.
* Lightsabers.
* Obi-Wan Kenobi.
* The High Ground.
* TIE fighters. They have the most distinctive scream of any fighter in cinematic history that just yells "I'm evil!". Tell me I'm wrong. I'll wait.
** The fact that they managed to do that using what is essentially a shitty visual pun.
* Most of Episode 3.
* The entirety of Anakin's story, especially when you add the Clone Wars and prequels. While you're at it, watch CinemaWins' perspective on it the series.
* Admiral Ackbar the Memeable!
* Palpatine getting into some Tzeentchian-level scheming and backstabbing in order to overthrow the Jedi and the Republic.
* Grand Admiral Thrawn: So awesome that he rose to a high rank in the anthropocentric Empire despite being an alien and was one of the first (and rare few) things to be imported straight from Legends to Disney.
* Imperial Pilots get a mention, seeing as they fly literal garbage fighters against superior rebel fighters. Yes, we are talking about the the same TIE Fighters we mentioned before. By garbage, we mean despite how cool looking and sounding TIE Fighters are, they are actually a ridiculously impractical design and the standard TIE Fighters are mass produced extremely cheaply even if they don't look like it. Even 40k's Imperium has better fighter designs. At least the Imperium's fighters conserve the life of the fucking pilot. Also, clearly super skilled since they have roughly an equal kill-death ratio with the Rebels in the movie battles.
* Obi-Wan Kenobi again.
* Princess, later Senator Leia Organa; the original badass-yet-hot boss lady in space. Ends up leading two separate, successful underground freedom movements against impossible odds. Did we mention she's a Jedi in both canons?
* Han Solo, who is so badass that hot Leia falls in love. He has the smuggler's best friend, a Wookie, who is also the worst opponent you can face in a [[Chess|Dejarik match]].
* Just... Star Destroyers. When you see a huge, imposing warship from an evil Empire, this is the granddaddy they all look up to.
* Oh, did we mention the lightsabers?

== See Also: ==

* ''[http://www.darthsanddroids.net/ Darths & Droids]'': A webcomic, made using photo-stills of the ''Star Wars'' movies to tell a story about gamers blundering through each of the six movies in sequence... though not quite exactly how you might expect. Think ''DM of the Rings'' in overall visual style, though unlike ''DM of the Rings'', ''Darths & Droids'' features several heavy twists on the actual events of the films, subplots about the players and their lives outside the game alongside the campaign, and a better overall quality of gamer. Whereas ''DM of the Rings'' features a railroading DM and players who are therefore somewhat antagonistic to him, ''Darths & Droids'' has a GM who adjusts his game to his players' actions and players who generally get along with both him and each other. The plot of ''DMotR'' is very similar to that of the movies (but avoids a few plot elements), but the plot (and, indeed, the universe) of ''Darths & Droids'' is only very loosely based on the ''Star Wars'' films. (For a somewhat spoilery example: "Darth" is a courtesy title for retired Jedi, such as Chancellor Palpatine.)

* "[http://www.theforce.net/swtc/holocaust.html/ Endor Holocaust]": An excellent example of the [[skub]] Star Wars can create. Rebuttal: " [http://www.darthsanddroids.net/fanart/endortruth20040810.pdf Endor Rebuttal]"

* [[Timothy Zahn]]

* [[Star Wars:The Clone Wars]]

* [[Star Wars:Rebels]]

* [[Star Wars:Resistance]]

[[Category: Television]]

[[Category: Star Wars]]