2d4chan - User contributions [en]

World of Darkness

2023-06-01T22:59:07Z

2600:387:9:3:0:0:0:3A: The comparison with the horus heresy is appropriate they rebelled to defend humans yes but they were the worst of humanity infernalists make chaos cultists look sane. Tldr humans drove the fallen crazy and they got worse as demons in hell.

{{Grimdark}}
{{Game Infobox
|name = World of Darkness
|type = [[RPG]]
|picture = [[Image:WoD logo.png|200px]]
|publisher = [[White Wolf]] / Onyx Path
|system = [[World of Darkness#The System|Storyteller System / Storytelling System]]
|year = 1991 / 2004
}}
The '''''World of Darkness''''' is two different lines of [[RPG]]s published by [[White Wolf]] and later [[White Wolf|Onyx Path]] (and later still by both of them at once, it's complicated) that focus on deep role-playing and, depending on the specific sub-game, the horror genre. The setting can only be described as the modern world, but [[Grimdark|worse in every aspect]]: every creeping suspicion you have is probably true, and the world is as dirty and corrupt as it often seems to be. In the old ''World of Darkness'', each game was meant to be played separately; as a result the games often had conflicting metaplots, and despite using the same basic "Storyteller System" the games were incompatible when it came to various supernatural powers. The release of a new ''World of Darkness'' (with an updated ruleset, the "Storytelling System") features a core book that contains the basic rules for all the games, and focuses on normal human beings in horrific situations that may or may not be supernatural in nature. The new games interact in a modular fashion and also have little established fluff, making it more malleable for Storytellers (the in-game term for [[GM]]; abbreviated as "ST"). The new line has also been trying to avoid the old Gothic feel for which its predecessor was known (specifically with ''[[Vampire: The Masquerade]]''), in favor of a slightly more traditional form of horror.

As of December 2015 the new line has been renamed '''''Chronicles of Darkness''''' to allow its setting to exist separately from the now-relaunched original setting (rebranded as '''''Classic World of Darkness''''').

== The System ==
The basic system in both the new and old World of Darkness revolves around a dicepool of '''d10'''<nowiki>'</nowiki>s. Your [[dice pool]] consists of a number of dice equal to your relevant ability score plus your skill and other relevant modifiers.

In oWoD/cWoD, the [[GM|Storyteller]] sets the difficulty for each roll depending on the circumstances, with the default being a difficulty of 7. A '''success''' is a roll of that difficulty or higher (7 or above, on most rolls). A roll of 1 is called a '''botch'''. If any number of 1's are rolled, they cancel out a single success. No more than one success can be cancelled out in this way, so critical failures (A botch with zero successes) are relatively rare. The net number of successes determines how well you succeed, with one success meaning that you are barely able and a greater number indicating better achievement. When you get zero net successes (if you get no successes or if your 1s cancel out your successes, or if you get at least one success and more ones than successes), you fail the roll. When you get zero successes and at least one 1, you botch-- a critical and spectacular failure. If you have a '''specialty''' in either your attribute or ability that is relevant on the roll, you may reroll all 10s to gain extra successes, and rolls of 1 on these rerolls do not count.

In nWoD/CoD, a success is an 8, 9, or 10, and 10s [[exploding die|explode]]. A critical success is made when you get five or more successes. Instead of altering the target number of the roll, difficulty and circumstances increase or reduce the number of dice in the pool. When your dice pool is reduced to zero or less, you get a chance die. You roll the die normally, but only succeed on a ten (which still explodes) and if you get a one you get a critical failure. All other rolls are called simple failures, although any simple failure can be turned into a critical failure by the player in return for bonus Beats (basically XP).

==== Short Summary of Old Game Lines ====
* Vampire: You're the bad guy. Your friends are also villains.
* Werewolf: You're fighting a war, and you're losing.
* Mage: You're fighting a war you already lost.
* Wraith: You lost, you died, and now you're trying to avoid a fate worse than death.
* Changeling: You're fighting a war you already lost and nobody is taking you seriously.
* Hunter: You're [[Imperial Guard|fighting a war where everyone's bigger than you and trying to kill you.]]
* Mummy: You're immortal. That's it.
* Demon: You're fighting a cold war with mixed results.
* Orpheus: You're mortal and dying temporarily is part of your job.

==== Short Summary of New Game Lines ====
* Vampire: You're still the bad guy, but there are even worse guys out there.
* Werewolf: You're the bastard kids of the mad goddess of the moon, acting as border patrol on the shores of animistic hell to atone for your ancestors' divine patricide. Your distant cousins skipped out and now try to kill you, and the spirits aren't a big fan of your work either.
* Mage: You lost the first war, but are planning to win the second.
* Promethean: You're Frankenstein's monster on a journey to become Pinocchio. The world itself hates you, so you have to keep moving to avoid the mobs that spring up around you.
* Changeling: You got kidnapped, but escaped, only to find someone stole your life and your god-like kidnapper wants you back.
* Hunter: You try to kill a few monsters, then you die. Your light gets snuffed out, only to light two more.
* Geist: You died and a ghost brought you back, and that ghost now shares your body.
* Mummy: You keep coming back from the dead and are forced by your bosses to find their stuff.
* Demon: You escaped from the Matrix and are now in a cold war with God, who is the Matrix.
* Beast: You're a colossal asshole who feeds the nightmare monster that replaced your soul by scaring people into psychological trauma.
* Deviant: Your soul has been broken and your body is turning into something monstrous. The only way you can be sure to stay sane and human is to get back at the bastards who did this to you.

== Old World of Darkness ==
Shortened as "'''oWoD'''", also known as '''Classic World of Darkness''' (itself shortened to "'''cWoD'''").

=== The Big Three ===
[[Image:WOD_old_1e_cover.jpeg|thumb|oWoD 1st edition cover]]
* '''[[Vampire: The Masquerade]]:''' The original World of Darkness game. Covers playing vampire characters in the modern day World of Darkness. It gains its title from "The Masquerade", an in-game set of rules and guidelines dictated by the Camarilla sect in an attempt to keep the mortal populace unaware of vampires and their influence on society. This is also basically the only thing you can get more than one sect of vampires to agree on, and a lot of the game revolves around the resulting political intrigue. It is heavily influenced by gothic imagery and by a variety of different vampire mythos, including the romanticized version of the vampire popularized by Anne Rice.
* '''[[Werewolf: The Apocalypse]]:''' Second game to be released set in the World of Darkness. The game covers playing werewolf characters known as Garou. It gains its title from one of the major antagonistic themes in the game where supernatural forces of corruption are attempting to bring about the Apocalypse. The game tends to degenerate into hack-and-slash, mainly since it was originally written like an author tract whose authors had conflicting messages.
* '''[[Mage: The Ascension]]:''' Player characters in this game come from a variety of backgrounds, both mortal and immortal and are unified by the fact that they all practice magic of one form or another. Magic is defined by the game as a force that can shape reality with the willpower, belief or special magical techniques of the user. Had a pretty sweet metaplot/setting, but was hamstrung by the extreme clumsiness of its mechanical system.

=== The Could Have Beens ===
* '''[[Wraith: The Oblivion]]:''' You died, and now you're a ghost. You can stay around the underworld and make spooky noises for eternity, destroy everything, get turned into someone's sweater while remaining conscious forever, fall into hell and cease to exist, or try and solve the issues keeping you as a ghost so you can move on to the afterlife. Oh - and that last one's illegal. Lots of ideas that sound good on paper but tear apart groups and ruin friendships in execution, like making each player ''also'' roleplay another player's manifested personal demons in one of the most depressive settings imaginable.

* '''[[Changeling: The Dreaming]]:''' The characters are fairy souls 'trapped' in human bodies to survive in the cold banal world. The game's theme centered heavily on the concept of Chimera, where things weren't magical or mundane, but both at once. So the real world would see an old butterknife, and it would be - but in the realm of faerie, it would also be a mystical longsword. The concept of Banality is unfortunately somewhat awkwardly implemented and requires some work by the Storyteller to appropriately function. The series was cut short and a number of expansions that were announced were never released, like the supplement for the Middle-East in the Year of the Scarab. This game was and is massively popular with otherkin since its premise is their delusion, and any people who play it likely believe themselves to be elves.

=== Apocalyptica ===
* '''[[Kindred of the East]]:''' You're essentially an Asian [[Revenant]]; you denied some part of your soul in life, and it found its way back to your body after you died. Now you've got to become Enlightened in order to deal with your shitty karma so you can escape the cycle of reincarnation or get into Heaven. The game was built more as an extension to Vampire: The Masquerade rather than its own game and was meant to be played specifically in the Far East, in the same way that Mummy: The Resurrection was made to specifically be played in the Middle East and Northern Africa.
* '''[[Hunter: The Reckoning]]:''' Mortals are imbued with weird powers by mysterious forces in a last-ditch effort to keep the world from circling the drain. Played according to the writing, it's [[Call of Cthulhu]] in the World of Darkness: a bunch of scared people who are going to die very horribly unless they're very cautious and paranoid. Played according to the art, it's the licensed video games.
* '''[[Mummy: The Resurrection]]:''' You play as a Mummy. Who has been Resurrected. And has access to a third-level power (out of five) that levels the town you're in. Mummies are people with unusual qualities who died too soon but were given a second chance at life. This compelled them to travel to the Middle East where they underwent a ritual that combined their spirit with that of an ancient Egyptian. Now they are the servants of Ma'at, the concept of divine justice and seek to destroy those who challenge Ma'at. Yes, this makes Mummies a lot like the Garou from Werewolf, but they don't walk around with bandages (unless they run out of Sekhem, the fuel for their powers, and want to slow the ensuing degradation of their bodies). Mummies are the closest thing to good guys in the World of Darkness, and have a very strict Morality track called Balance that can see a Mummy destroyed by the Judges of Ma'at if they violate it at a low level. There are only two books in the Mummy line: the core book and the Players Guide which adds new powers, as well as options for Mummies from middle and south America and China. Infamous for its vague goals and antagonists, to the point where even we don't have much on it.
* '''[[Demon: The Fallen]]:''' You're a former angel who sided with Lucifer in a [[Horus Heresy|well-intentioned but very misguided rebellion against God]], only to lose and get kicked into Hell. Now you've found a way out, and have to deal with a vastly changed world in which God and His angels are AWOL with the majority of [[Vampire:_The_Masquerade|every]] [[Hunter:_The_Reckoning|other]] [[Mage:_The_Ascension|faction]] in the world of darkness purging infernalists on sight while your old allies (having gone mad and pulled a total chaotic evil heel turn over the millennia) try to fuck everything up. Frequently derided for meddling heavily with the metaplots of other game lines like Vampire, Werewolf and Wraith, as well as its prominent Abrahamic trappings in a franchise where most of the gamelines are heavily influenced by non-Abrahamic faiths.
* '''[[Orpheus]]:''' It's like Flatliners meets Ghostbusters; focusing on teams that use cryogenics and astral projection to become semi-ghosts, all funded by a corporation called the Orpheus Group. And if you thought the Underworld from Wraith couldn't get more grimdark... well, think again.

=== Fan Games ===
* '''[http://www.scribd.com/doc/96117271/Gargoyles-the-Vigil Gargoyles: The Vigil]:''' A crossover with the cartoon ''Gargoyles'', there's work underway to convert it to GMC nWoD rules [http://forum.theonyxpath.com/forum/main-category/main-forum/the-new-world-of-darkness/383957-converting-gargoyles-the-vigil here.]
* '''[[Greys: The Abduction]]:''' A short fan-expansion from 1997, has three different types of aliens.
* '''[[Highlander: The Gathering]] ([http://vampirerpg.free.fr/Rules/Highlander/ Link], [http://www.highlander.org/roleplaying/ alt]):''' Holy shit this is a fan-made supplement where life doesn't suck! You're immortal and extremely powerful, but still human. It's kill or be killed, though. So once The Gathering comes around you have to kill most of the friends you've made through the ages. Also has a neat custom sword fight system. If you've seen Highlander, you'll love it. If not, see Highlander 2 and The Source. There's also a LARP version called [http://www.greyhawkes.com/larp/highlarp.htm Highlander: The Quickening] made by different authors exists.
* '''[[Senshi: The Merchandising]]:''' A fan-game from the 90's that is a parody of ''Sailor Moon'' and the old WoD. Remember how Mages can bend reality to their whim? Well, now imagine a bunch of 90s anime nerds Ascending... ''"The Technocracy is STILL trying to cover up the 'Tokyo-3' disaster."''
* '''[http://techinfantry.stasheff.com/ Tech Infantry]:''' oWoD meets ''Starship Troopers'', has some parallels in the ''Mirrors: Infinite Macabre'' supplement for the nWoD.
* '''[[Zombie: The Coil]] ([http://gamingnerdsrus.co/forum/index.php?topic=91.0 Link]):''' A Fan-made expansion from 2001. Brai-i-ins and grimderp ensue.
* '''[[Atlantean: The Longing]]:''' Long lost descendants from the city of Atlantis try to survive in modern day by fighting ocean pollution. While fighting on the surface, they continuously have to resist the urge to go back into the ocean.
* '''[[Exalted Versus World of Darkness]]:''' ex-[[White Wolf]] writer Gordon Shearer gives a possible answer to what would happen if the World of Darkness was ''actually'' [[Exalted]]'s Creation, and now at the End of Days, the Exalted come back. Will they save the day? Or will just push things over the brink?

== New World of Darkness ==
Shortened as "'''nWoD'''", also known as '''Chronicles of Darkness''' (itself shortened to "'''CoD'''").

=== Core Rulebooks ===
[[Image:WODcover.jpg|thumb|nWoD cover]]
* '''The Storytelling System Rulebook'''
:The core rulebook unifies the rule systems of the other game lines, as well as provides a basic system with which to play as mortal humans, and some barebones ghosts rules that are added onto in nearly every publication where ghosts are relevant. [http://www.drivethrurpg.com/product/114078 The second edition update] is available as a free pdf online and it replaces the old "Victorian" morality system with one that's more modern, and also includes most of the improvements from the ''God Machine Chronicle'' (see below).
:* '''God Machine Chronicle:''' Essentially the second edition of the core rulebook. Brings in a new morality system, "Integrity", with breaking points instead of the hierarchy of sins. Along with systems of conditions and "beats". If you don't mind the notion of God being a celestial laptop or the increased micro-management of the system, it's worth looking at as it's a big update over the old version. For better or worse depends on how you look at it.

Expanding on the core rules, White Wolf decided to release a bunch of books expanding on the core rules to make the basic NWoD/CoD system a viable game in its own right. These books are, in order of release:

* '''Antagonists:''' A whole slew of antagonists for the core game, but could also theoretically be used in the main games (especially Hunter). Includes a whole bunch of zombies including the regular kind, the primitive Prometheans called the Imbued (no relation to Hunter: The Reckoning) and those ghosts who have reentered their bodies and became Revenants in order to enact revenge. Others include a basic version of Hunters (best used as antagonists), cults of all kind and a variety of other monsters.
* '''Armory:''' Guns, a whole lot of them. Also armor, vehicles and of course swords and such. A good book to have when playing any NWoD game that relies heavily on equipment. The book takes a very responsible and mature look at weaponry without disrespecting the player's intelligence.
* '''Second Sight:''' Psychic powers, Low Magic and magical monsters for those games where using Mage: The Awakening is too high power.
* '''Skinchangers:''' Yep, skinwalkers. Not all as evil as you'd think, just... don't piss them off.
* '''Book of Spirits:''' Geist of those of you who don't want to use Geist. A good book for those who fall victim to the realm of spirits as well as those who try to conquer it.
* '''Asylum:''' Horror stories set in insane asylums are very common, so it's logical that the World of Darkness jumps that bandwagon. Also includes an in-depth look at an example asylum: Bishopgate.
* '''Reliquary:''' Everybody knows that magical items are the Good Shit, even if they're cursed. There's a ton of premade items here as well as easy rules to make your own.
* '''Changing Breeds:''' You know how Forsaken removed all the bad things from Apocalypse? Now imagine if you take all those bad things, slap them together, double, triple and quadruple down on them and have "Satyros" [[Phil Brucato]] write it. One of the worst core WoD books.
* '''Innocents:''' An add-on for the core book, you're just a kid who has to deal with the realities of the world revealing themselves to you. If you survive you'll most likely either be institutionalized, a Hunter, or a serial killer. Or more than one. Or a monster, that works too. The book you'll want if you want to play a Stranger Things game.
* '''Dogs of War:''' The stories of black ops military units dealing with the supernatural. Perfect for those times you want to go all Delta Green, including how normal soldiers deal with the supernatural, how armies work as well as the more... irregular units.
* '''Inferno:''' Rules for old-fashioned demons (or angels) almost completely different from the fallen angels of both God himself and the God Machine. As it was one of the earlier supplements, it is horribly incompatible with the GMC rules update, being focused on one half of the old morality system. Contains rules for both demons themselves and the Possessed, those unfortunates possessed by a demon and now have to deal with the perverse being living inside their head.
* '''Slasher:''' Despite being a Hunter book in all but name, Slasher can still be used on its own to create a whole bunch of serial killers to use as antagonists in a core WoD game. Also contains rules for their use in Hunter games, including a gentleman's club for serial killers and those who hunt them: the FBI's Vanguard Serial Crimes Unit (VASCU) and its psychic operatives.
* '''Armory Reloaded:''' How do you stop a grisly tentacled horror from tearing you apart? [[Team Fortress 2|Use a gun. And if that don't work? Use more gun.]] Contains rules for fighting styles, high-tech weapons, blessed and cursed weapons and alternate rules for combat. Infamous for allowing the creation of some of the most powerful mortals the World of Darkness has ever seen.
* '''Immortals:''' A supplement that was released for immortal characters that follow different ideas of immortality. Except out of the 3 Immortals in the book, the first jumps off the karma meter so fast its unplayable, primarily because its Immortality is powered by bathing in a '''LOT''' of blood, preferably virgin but any human will do. The second, the Body Thief, is almost playable but again the karma meter gets in the way of anything involving the whole body swapping thing, resulting in the character becoming unplayable again. The third Immortal lives off some sort of mystic Chi/Kai stuff and is basically powered by Feng Shui. It's the only one that could be considered playable, and the authors must have realized this because its much better worked then the others which seem to have been intended as pure NPCs initially and then left as they are now.
* '''Book of the Dead:''' Think the Book of Spirits mixed with Geist and the result is poured into a sourcebook. Good for Geist games (and also its ONLY sourcebook), but if you want to use this for a core WoD game you might as well play Geist instead.
* The '''Mirrors''' supplements and '''Translation Guides:''' Modifications for the Storytelling System itself as well as hints on adapting it for different genres (the former) while the latter guides allowed mix-and-match rules from the three main game-lines of ''oWoD'' and ''nWoD''. It's notable that the Guides not only go through the crunch but also have chapters with suggestions of how you might fluffwise justify having one nWoD Mage order here or an cWoD tribe of Werewolves there for both New and Classic World of Darkness games. So if you for example really miss Clan [[Tzimisce]] in Vampire: The Requiem or think Requiem did the [[Nosferatu]] better but you still wanna run Vampire: The Masquerade, have a look in the Vampire Translation Guide and you'll get separate chapters covering both the fluff and the crunch for porting them over from Masquerade into Requiem or vice versa.
* '''''Dudes of Legend: How To Be Fucking Awesome:''''' A joke supplement released on April 1st 2010, Dudes of Legend relentlessly pokes fun at both itself, White Wolf and the conventions of the RPG genre as a whole. Expect lesbian stripper ninjas, katanas and trenchcoats, magical gays, a more traditional XP system and loot drops from everyone you kill. It's a good laugh and might make for the ideal supplement if you're into that sort of game. Unfortunately White Wolf started to take itself way too seriously since and we'll never see a supplement like this one again.

Since the advent of Chronicles of Darkness only a few core books have been released specifically for that ruleset:

* '''Dark Eras:''' A 600 page behemoth of a tome detailing a variety of historical settings in which you can play Chronicles of Darkness. From the advent of the world where you play werewolves babysitting humanity so that it won't get eaten by the monsters of the wild, all the way up to to werewolves in the New York of the 70s. Contains settings for every gameline out there, but they are rather fixed: so if you want to play a Hunter during the Great War or a Mage during the fall of Constantinople you're out of luck. Also infamous for being very expensive: the standard hardcover book is $65 while the deluxe hardcover clocks in at $100, which many people feel is way too fucking expensive for a single book that you won't even use all the content of.
:* '''Dark Eras Companion:''' The same as Dark Eras but more. A Kickstarter goal turned into a 300 page book ($40 regular hardcover $60 premium hardcore) that does the same but more and for a higher price.
:* '''Dark Eras 2''': The same as Dark Eras but EVEN MORE. Just as big and expensive as the first. Has settings ranging from wandering around The Seven Wonders of the Hellenistic era to Arabian Nights-inspired Persia to the French Revolution to The Wild West to WWI trench warfare to 1950's MAD SCIENCE!!! Has more blurbs for splats outside the main ones an Era focuses on.
* '''Hurt Locker:''' A book on pain and violence, as well as a half-dozen templates to make normal mortals a bit more attuned to violence. It takes a rather mature take on violence and injury... until you reach the Plain template; normal people who deal with violence by using radical pacifism. Yes, that's right: you can defuse a violent situation by getting punched in the face and not fighting back.
* '''The Contagion Chronicle:''' Formerly referred to as The Crossover Chronicle, this series will add a new set of chronicle hooks, potential settings, and cross-template factions geared specifically around allowing parties composed of multiple types of supernatural beings to cooperate without killing each other. The metaplot concerns The Contagion, a metaphysical sickness in The God-Machine that causes reality to break down even more than the G-M makes it do already. Supernatural creatures (and Hunters, for some unexplained reason) are the only ones who can tell when The Contagion has struck an area -- normal humans ignore a Contagion outbreak, which means you get things like nobody thinking it's weird people don't die anymore or just accepting people can walk up walls or randomly explode or whatever fucked-up thing is happening now. There are 5 Sworn splats (generally where the PCs will wind up, mostly concerned about watching, containing, or curing a Contagion Outbreak) and 3 False factions (who are either Blow It All Up zealots, using The Contagion to fuel their own schemes, or flatout working to spread it so they can rule over the ashes when everything else collapses). As with most of the CoD, there's no set canon reason of what's causing the Contagion, just a bunch of things it ''could'' be...up to and including The God-Machine being ''dead'' but not realizing it yet.

=== Principal Games ===
* '''[[Vampire: The Requiem]]:''' 13 Clans with fleshed out, restricting histories become 5 clans with vague, open-ended histories and multiple Bloodlines (sub-clans). The Camarilla becomes 5 Covenants with mutually exclusive goals. The Sabbat becomes VII, the Infernalists become the more sporadic, less-organized Belial's Brood. Arguably the biggest difference is that you can't just make someone a Vampire by draining them and feeding them your blood, now you have to permanently spend a dot of Humanity to do it. An alternate setting in ancient Rome also exists, which contains a history of the Carmarilla (and how it collapsed with the rest of the Roman Empire). Additionally, a new set of antagonists in the form of the Strix, which are demonic owl-like creatures bent on purging every last trace of Humanity from vampire society (to the point where even a Humanity 0 vampire is ''too human'' for them) and can possess corpses and vampires to lash out at mortals and undead alike.
* '''[[Werewolf: The Forsaken]]:''' A slightly more "balanced" version of Werewolf. You can't run around in 8-foot tall invincible war-form all the time, and you see humans as a flock of idiotic sheep that you have to protect from malicious spirits due to a vow sworn by your ancient ancestors as punishment for divine patricide. The "adjustments" resulted, possibly intentionally, in the average werewolf no longer being a match for the average vampire, a criticism invariably met with statements regarding the relative level of coordination between werewolf packs and vampire coteries. An example of a well run Werewolf: the Forsaken game is [http://forum.rpg.net/showthread.php?446663-Werewolf-The-Forsaken-quot-Detroit-Rock-City-quot Detroit Rock City]. It is written in novel format for ease of reading, played over Skype.
* '''[[Mage: The Awakening]]:''' Mechanically simplified and involving more magic usage than [[Mage: The Ascension|M:tAsc]], M:tA's biggest criticism is that it doesn't have as compelling a plot — specifically, the revised political landscape is the most frequent target of attack. Its second edition fixed most of that though, and it bears repeating that its rules for magic allow for a lot more freedom than what Ascension let you do.

=== Limited Release Games ===
* '''[[Promethean: The Created]]:''' Frankenstein: The RPG. You're a scorned mockery of humanity, most likely abandoned by your creator, left to fend for yourself in a world that wants you dead. You're perpetually dazed and confused, always trying to pick up the ways of humans, but you can never make real friends and have to live as a nomad because the very thing that keeps you alive also makes people hate you and poisons the land around you. Only five books, but it pretty much covers all the bases. Surprisingly, it's actually rather optimistic since in theory you can make like Pinocchio and become a true human under the right circumstances.
* '''[[Changeling: The Lost]]:''' No longer are the Changelings faeries, but humans kidnapped by the True Fae and twisted into something not quite mortal. Managed to do the exact opposite of its predecessor and sell enough copies that they extended the series instead of cutting it short. It completed its run with nine books and a long-awaited web enhancement.
* '''[[Hunter: The Vigil]]:''' Hunter, without the ridiculously overpowered gifts. You're just an average Joe with more information than other people, and on occasion ties to people with some special toys that let you use powers that can border on the supernatural themselves. For instance, you might channel the power of your demonic heritage to smite people with hellfire, you might have bullets that are extra-effective against vampires, or you might have access to religious rites that bless your weapons with the power to hurt ghosts. That, and you can break every conceivable human moral code without going insane, provided you can justify it in light of your "Vigil." Though, of course, this slowly makes you inhuman. Well-known for its antagonists - Slashers - who are the World of Darkness take on serial killers. Once again had "lite" versions of all the other supernaturals, which tended to be more singularly powerful than the real thing, but not as versatile (or player-character-friendly). See what happens when Hunter: The Vigil meets Harry Potter [[M-COM|here]].
* '''[[Geist: The Sin-Eaters]]:''' People who die and have ghosts decide to resurrect them, getting stuck with said ghost riding shotgun to said person's body and giving them all manner of powers depending on the way the first party died, all to accomplish the ghost's goals. Instead of humanity, you have "synergy" which is how in sync you are with your spirit. When you die, someone else is forced to die in your place and you lose 1/5 of your maximum possible synergy, stunting your abilities permanently and ultimately making you a slave to your spirit "partner", who often has some rather unusual ideas about what to do with its new body. The Underworld is finally fleshed out, but somehow far more foreboding than expected.
* '''[[Mummy: The Curse]]:''' You're a slave of Irem of the Pillars (Yes, the one in the Rub-Al Khali). But the city is dead and gone, and the Sorcerers who made you into what you are now live in the lands of the dead and tell you what to do. A reversal of normal "You're young and weak, they're old and powerful", Mummies wake up with a power trait of *10*...and lose it quickly, because it drops over time as the magic animating your undying body begins to fade. Most Arisen remain active for about four months, at best. And then they have to come back to life and do it all over again.
* '''[[Demon: The Descent]]:''' Remember the God Machine? From the ''God Machine Chronicle'', and the start of the core book? Yeah, turns out it has robo-angels. Sometimes, one of them decides it doesn't particularly enjoy its function. Or it fails to perform. Or ends up getting saddled with an order it can't actually carry out. Instead of returning they go on the lam, becoming 'demons'. The God Machine sends its angels looking. You don't want to go back, so you become a robot secret agent, pretending as hard as you can to be human while ruining the occult plans of the Divine Calculator; luckily, you retain the ability to hack reality thanks to your former connection to the God Machine. The angels are still Cthulhu-robots in service to the...thing that is in total control of the World of Darkness, and they would really like you to come back so they can strip you for parts. Fortunately Demons are very good at hiding their true identities- so good that even supernatural beings (and other demons, at that matter) can't see through their disguises if they don't want to reveal themselves.
* '''[[Beast: The Primordial]]:''' Another game with absolutely no tie to the Old World of Darkness. You play as a Beast, a living embodiment of primal fear running around in a meat-suit, and driven by the need to feed on fear, either passively by hanging out with your "kinfolk" (most every other monster in the WoD) or actively by going out and terrorizing folks. Pretty strongly panned, many consider it the absolute worst gameline in the New World of Darkness because it combines CtD's otherkin "appeal" with some rather hazy moral trappings that reek of schoolyard revenge fantasies. The discovery that its author was a sex offender did '''not''' help matters, especially due to how this cast a much different light on some of the attempts to justify the Beasts' actions.
* '''[[Deviant: The Renegades]]:''' The next announced gameline, which uses a "body horror" theme. You play as a Deviant, some poor soul caught by a mad scientist, a black ops bio-corp, a fucked up cult or some other kind of conspiracy and twisted into something not entirely human. Your soul is broken and your body will inevitably collapse under the strain of your continued changes, but sheer stubbornness allows you to cling to what's left of your humanity long enough to get revenge on each and every one of the sonsofbitches who did this to you. You can decide how strong you want your starting powers to be but stronger powers come with stronger drawbacks and cause the Conspiracy that made you to become more aggressive in trying to recapture you.

=== Fan Games ===
Due to the lack of a Metaplot in NWOD, and the bigger focus on keeping things vague in-universe, Fan Games are FAR more common for NWOD than for it's older counterpart.

* '''[[Dragon: The Embers]]:''' A long, long time ago, the Dragons ruled. And then humans fought back. Now, you are one of the last of your kind, what do you do?
* '''[[Genius: The Transgression]]:''' A fan-built WoD set, Genius allows players to gorge themselves on Venture Brothers level superscience while drinking deep from the cup of mundane failure. While Inspiration allows a mad scientist to channel Mania into impossible inventions, their Obligation to humanity gradually gives way to that alien brilliance. If a scientist falls too far off the straight and narrow, they become Unmada, unable or unwilling to accept that they are crazy, that their ideas are true regardless of Mania. Without help or restraint, they become Illuminated. Think Hannibal Lecter in a lab coat and a fascination with altering the DNA of pregnant women. (Also don't even think of trying to get rich off your mad science; your inventions basically break the laws of physics through sheer force of will on your part and tend to malfunction explosively if the mundanes get their grubby hands on them.)
* '''[[Giant: The Perfidious]]:''' Another fan-made WoD gameline, in which you are a Giant.
* '''[[Hunchback: The Lurching]]:''' Even Quasimodo gets a game based on his poor ass. You're a Hunchback, and your goal in life is to find a nice master, pick up a hot chick, and die happily(?) from your horrible disfigurement. (So basically a WoD version of [[wikipedia:My_Life_with_Master|My Life with Master]]?)
* '''[[Leviathan: The Tempest]]:''' OOOOOCEAN MAN. In which you play as the WOD version of a Deep One/the Creature from the Black Lagoon. You're a descendent of an unknowable and powerful monster from the beginning of the planet, now you're turning into an undersea monster with your own personal cult. Yay!
* '''[[Mutant: The Aberration]]:''' A [[mutant]] is you.
* '''[[Princess: The Hopeful]]:''' Sailor Moon? ha ha no, try Sailor Nothing, or late-season Madoka Magica. Pretty dresses won't help you fight despair, but sometimes that's all you got. Began as a joke, but turned out to work surprisingly well played straight. Has two versions (Dream and Vocation) thanks to creative differences between the writers about tone and mechanics.
* '''[[Sovereign: The Autonomy]]:''' An AI is you. Do you try to go full [[Reign of Steel]], manipulate humans into making you a physical body, or just fuck with people on the Internet?
* '''[[Wraith: The Arising]]:''' Was the NWOD version of Wraith before Geist happened and filled that spot. You're dead, and unlife is not much better, can you make it in the politics of the afterlife?
* '''[[Alien: The Stranded]]:''' You're marooned on earth with your fellow aliens, with one of two long term goals - getting off this primitive rock full of savages you can barely call sapient, or saying "fuck it" and trying to go native. But right now, your business is simply surviving the various horrors of this world and figuring out just who you can trust.
* '''[[Janus: The Persona]]:''' Doctor Jekyll and Mister Hyde: WOD Edition. Not only do you have to deal with the usual supernatural shenanigans, but you also have to consider your Id that somehow became sentient and eggs you on to do terrible life choices. But hey, you get a few nifty powers in return, so it can't be *that* bad, right?
* '''[[Siren: The Drowning]]:''' [[Mermaids]]. You're a person who reached a point in your life where it seemed like you were about to give into despair, only to come out the other side and gain a Diluvian form--and knowledge that an apocalyptic disaster known as the Deluge is coming, and that only you can stop it.
* '''[[Psychic: The Gifted]]:''' Psychics, obviously. You're a person who received "the Gift" and now has to figure out whether it's really a gift, or a curse.

== Notable Differences Between the Two Lines ==
Even without getting into the specifics of each game's interpretation of one archetype (say, Masquerade vs. Requiem for vampires), the two games are very different.

World of Darkness takes place in a "Gothic Earth". Which basically amounts to an 80s-style (at least in 1e) [[grimdark]] interpretation of the world; monstrous conspiracies are involved in most major events (except World War 2, for some reason), the "Neo-Gothic" art style is popular so there's lots of [[gargoyle]]s and stuff everywhere, all forms of crimes are up, and the world is just generally a very shitty sort of place to live. Humans are generally unimportant; sheep to be fed on by vampires, slaughtered by werewolves, pushed around by mages... generally, if you don't have powers, you're pretty much everybody's bitch. [[Deadlands|Even Hunters are only viable as a threat because they have some supernatural patron giving them all kinds of nifty powers specifically to fight monsters.]]

Lore is generally very detailed and fleshed out, but not exactly crossover compatible, at least on the meta level; one of the more prominent examples is that, in Masquerade, vampires owe their origins explicitly to a Judaeo-Christian metaphysicality (being spiritual children of [[Caine]], whose biblical curse of immortality was reimagined as him becoming the first vampire), whilst in Apocalypse, the world is controlled by (totally not [[Mythology#Hindu_Mythology|Hindu Trimurti]]) Paganistic/Animistic spirit-gods, with the most powerful being the [[Wyld|Wyld (Creation)]], [[Weaver|Weaver (Order)]] and [[Wyrm|Wyrm (Destruction)]] and werewolves have every reason to believe that the Abrahamic "God" is just some bullshit that humanity came up with and has swallowed. Or probably was a powerful Celestine with influence around Middle-East.

This doesn't mean that this setting, old World of Darkness, shortened as "oWoD", didn't have its merits. The struggle between Technocracy and Traditions had amazing locations, technologies and ways to make a game session fun, vampires themselves had a long and rich history and full scale war between sects, and bloodlines themselves granted an exotic and diverse [[Fluff]].

However, said separate games, like Vampire and Mage, overlap each other's territories so badly it's illogical not to clash with each other. We have Technocracy on one hand, that has a mission to root out "Reality Deviants", and have technologies that border (and cross to) supernatural, yet Technocracy protected the world from the vampires' depredations [[Week of Nightmares|ONCE, yes, just ONCE around the 90's]] (and even then, it was only when a vampire powerful enough to serve as a plot device woke up and went on the rampage). We have wars of Tzimisce and Tremere across the streets of Medieval Europe like its the Lord of the Rings on crack cocaine with a cast of freaks, yet mages and their ilk, plus mortal rulers SOMEHOW ignore the supernatural conflict, which is even funnier in modern era with insane levels of Sabbat atrocities across the world ignored by virtually every non-vampire organization which number in the millions and have missions that concern the welfare of the people.

For example, with the power Technocracy is wielding (and that's not even saying Traditions by themselves are weak), how can Sabbat conduct horrid festivals in EVERY major city named La Palle Grande, kidnapping hundreds of girls and conducting snuff festivals on open techno parties with elaborate torture theatre without alerting the Technocrats, Mages, Werewolves, one of the millions of Hunter organisations, Celestines, some random Spirit, a sympathetic fairy, and just about any other vaguely-supernatural schmuck? How can the Camarilla apply mass blackouts and buyouts of presidents without the NWO coming down on a bunch of bloodsuckers? Every year? Short of the universe running on [[grimderp]] writing principles, it doesn't really make logical sense even with the usual suspension of disbelief.

And that's just about the consistent Fluff, not the conflicting ones. Here is an example concerning Gilgamesh, a Sumerian king:

*In Vampire: The Masquerade, Gilgamesh is a fourth generation Gangrel Vampire, fighting against the Toreador Methuselah, Ishtar. The epic is shaped into supporting this claim.

*However, According to Werewolf: The Apocalypse, Gilgamesh was offered unlife by vampires, but was talked out of it by a Child of Gaia named Siduri Sabitu. It is said that Gilgamesh was the first human to organize resistance against vampiric rule and the Garou tell that the inborn suspicion against the undead stems from his early influence.

*Just in case this wasn't tangled enough, Mage: The Ascension claims that the Celestial Chorus Tradition know Gilgamesh as one of the First Singers, Exarchs (Masters) of great power that existed during the First Age and represent an inspiration for their Tradition. Using the original myth as a basis, it is said that Gilgamesh was a man who performed many wondrous acts and sought out immortality in a quest. He was flawed like any other man, but nevertheless he is considered a hero. It is also said that the First Singers ultimately passed away or were corrupted, so both previous interpretations can be valid too. Other eminent experts in supernatural ancient history, like the Hermetic Winston Brown, believe that Gilgamesh was a mortal man who was later deified by the population of Uruk, who ruled before the Babylonian Infernalists spread.

See it now?

And that's without even mentioning the End Times chronicles, which are impossible to play out without fucking the lore in the ass concerning a neighboring setting. Mage's End Times Scenario Hell on Earth simply ignores every other gadzillions of lore and creatures with one Nephandus (Nephandi are Mages who are edginess incarnate) destroying everything. That's it. No Antediluvian or hordes of vampires and werewolves even have an ounce of effect on the strange, omnipotent monstrosity that shifts in and out of reality and turns the Earth into Mordor. Same goes for Crucible of God, where Antediluvians turn the Earth into a post-apocalyptic fiefdom where humans are their slaves. Technocracy with Aurora bomber aircraft and space stations in other solar systems, Werewolves built to destroy Vampires, GOD-DAMN Kuei-jin (who are massive armies of Asian Chi-vampires) who could wipe out the get of Caine are not even mentioned once, presumably rolling over and dying when Caine rips a fart. Then there are the three stories of Demon, which can be summed up as a world-wide war against the Greater Demons, a world-wide war against the Earthbound and a world-wide war against the Earthbound but Lucifer's there.

(The Technocracy's absence in the CoG scenario makes particularly little sense - the [[Week of Nightmares]], which directly or indirectly caused the apocalyptic events of literally all the oWoD gamelines, finishes with the Technocrats permakilling a fucking Antediluvian Vampire with a barrage of spirit-nukes and a series of solar-ray killsats then easily covering the whole mess up. Despite this, there is absolutely no mention of them doing ''anything'' in the scenario, even as the world they're established as almost entirely controlling is carved up between uber-powerful vampires whose kind they've killed once before.)

Only two End Times stories have a passable niche in other settings, the first being "Fair is Foul" where Lilith tries to kill Caine without even breaking the Masquerade or influencing other mortals, with one city of Storyteller's choosing has Kaballah runes etched under it to shift some alleys, but that's it. Second is Wormwood where the Red Star is actually the Harbinger of a second, harmless-to-nonvampires Flood to wipe out vampires only, because humanity showed resolve and used its divine spirit to stop Ravnos, impressing God to get off his ass and do something. 40 days later, the world is clear of all vampires, with the other settings untouched.

To put it short, crossovers were all but impossible unless you utterly butchered the fluff of one line or another.

Chronicles of Darkness, meanwhile take place in "Earth, but with deeper shadows". So the world is basically like it is when you look out your window or look at the news, just a little creepier and more mysterious. Humanity is special, both on a crunch level (mortals are a lot beefier than in WoD) and on a metaphysical level; [[Hunter: The Vigil]] is often held up as literally [[Humanity Fuck Yeah]] the RPG, where you can face down and, if you're doing it right, curbstomp any and every monster out there. Alright, except maybe mages if you don't one-shot them, but that's just because it's a little hard to take on some asshole who can dick around with the laws of reality. Lore is more vague and nebulous, but also drastically more crossover friendly and provides more wiggle room for Storytellers to get creative without having to worry about canon. There is no immediate end of the world around the corner so much as a vague sense of dread, the supernaturals of different game lines typically have at least a uncertain idea of the existence of other supernatural beings and ''usually'' don't meddle too much in each other's affairs unless it furthers their own ends since no player side is a monstrous killer, the Paths of Edgelightenment were consigned to dustbins, and so on.

Really the biggest issue with the setting is essentially watering down the vampires and losing that sense of conflicting ideas, that for example Gilgamesh COULD have been either one of those three individuals because each race interprets the world different. Odds are he was just some regular guy, but since vampires, mages and werewolves are the centre of attention in each respected circle they believe themselves connected to iconic figures and legends. Just because you're a horrible monster doesn't mean you can't believe the world is flat or aliens built the pyramids, and in doing so it ironically give the setting a lot more humanity then you normally see. Take this and the old vampire lore and you get the best of both worlds.

== The Appeal of World of Darkness ==

== Video Games ==
There were a number of [[video games]] made (and cancelled) for the oWoD:
*Hunter: The Reckoning series
:A linear series on ''three different consoles''. If you were interested in the plot, you had to own a GameCube, PS2, and Xbox in that order. But they were also all multiplayer hack-&-slash beat-em-ups so the plot probably wasn't what their target audience was looking for.
*Vampire: The Masquerade – Redemption
:Third-person RPG from Nihilistic Software with a action-focused single-player campaign that has nothing to do with conventional tabletop (vampiric discipline scroll anyone?) and oddly customizable multiplayer.
*Vampire: The Masquerade – Bloodlines
:First-person RPG from Troika Games that used an early version of Valve's Source engine, it requires the fan-patches; but is otherwise an entertaining single-player game.
*World of Darkness: Preludes
:Two "interactive experience" non-games released by Paradox Interactive in February of 2017. Let's just let the press release speak for itself.
:*Vampire The Masquerade: We Eat Blood
::''In'' Vampire: The Masquerade - We Eat Blood ''you’re a young artist who wakes up at night to find you’re no longer human…but exactly what are you and why are you so ravenously hungry for blood?!? Told entirely through an innovate mobile messaging perspective,'' We Eat Blood ''is a sharp, mature, and terrifying story about your first nights as unwilling predator and prey. Will you join ancient vampire conspiracies, or will you turn the tables on oppressive authority and seek your own future? The temptation is real. The game is written and illustrated by Zak Sabbath and Sarah Horrocks.''
:*Mage The Ascension: Refuge
::''In'' Mage: The Ascension - Refuge ''you play a volunteer at a European camp for Syrian refugees, and suddenly you discover that magic is real, you can use it, and you’re in the middle of a secret magical war for the fate of the world. The game lets you experience today’s social and political upheavals while learning that you can shape reality itself through sheer force of belief. Your actions and choices will have profound consequences on the world and people around you. Safety or sacrifice? Let them in or build the wall? The choice is yours. The game is written by noted Swedish author Karin Tidbeck.''
*Vampire: The Masquerade - Coteries of New York
:A visual novel about a conflict between the Camarilla and the Anarchs. Also based on 5th Edition. General consensus (based on what's written in the Vampire: The Masquerade page) seems to be that its shortcomings (short length, abrupt ending, lack of meaningful choices) keep it from being great.
*Werewolf: The Apocalypse - Earthblood
:A stealth/action RPG made by Cyanide Studio. You play as a Fianna fighting against Pentex, either sneaking around as a human, then when the stealth inevitably fucks up you become a werewolf and kill all the guards. [https://www.youtube.com/watch?v=p7MRD5nTTbk Here's the most recent trailer.]

====Cancelled====
*Vampire the Masquerade [[MMORPG]]
:Used to be in the works of CCP, the studio that made [[EVE Online]], but it was canceled in 2014. This is probably for the best as it was going to be based on CCP's engine for EVE's "walking in stations" feature which had a habit of melting GPUs.
*Werewolf: The Apocalypse
:A brawler for the Sega Saturn made by Capcom. Got canceled around the same time White Wolf stopped printing their [[Street Fighter]] RPG books. [https://www.youtube.com/watch?v=ogyeHh0htKM All that remains is this prototype.]
*Werewolf: The Apocalypse - Heart of Gaia
:Another canceled oWoD game, [http://www.youtube.com/watch?v=bYmiwbO5icc 27 minutes of it have been salvaged.]

====Upcoming====
*Vampire: The Masquerade - Bloodlines 2
:Fifteen years after the last game, the cult classic is getting a sequel. Mostly based on VtM 5th Edition, little is known about the gameplay and story at this point. What ''is'' known is that the game will take place in Seattle, where a bunch of vampires descend on Pioneer Square and Embrace a whole bunch of people, turning them into Thin-Bloods (one of whom being the player-character). This means you won't have any disciplines at first and be restricted to the handful of powers Thin-Bloods got in V5 (as opposed to prior editions where they got crap-all), though the devs have said that you will eventually pick your Clan and gain the relevant disciplines and whatnot. Exactly ''how'' you gain a clan within the narrative has been the source of much speculation, but the current favorite theory is some form of diablerie. As of early 2021, Paradox Interactive canned the dev, canceled future preorders, and put the game on indefinite hold. Don't hold your breath on a release anytime soon.
*Vampire: The Masquerade - Bloodhunt
:Standard third person multiplayer last man standing battle royale game set in Prague. Has an excuse plot involving a war between anarchs + Camarilla with a human vampire hunter organization shrinking the playable area with some kind of anti-vampire gas. In early access as of Sep 2021.
*Vampire: The Masquerade — Night Road
:A text adventure of all things. You're a courier delivering messages and supplies between other vampires in the American Southwest.
*Vampire: The Masquerade - Out For Blood
:Another text adventure, though rather than playing as a vampire, this time you're a vampire hunter.
*Vampire: The Masquerade — Parliament of Knives
:One more text adventure. The Prince of Ottawa is missing and your sire sends you to find him.
*Vampire: The Masquerade - Shadows of New York
:An upcoming stand-alone expansion to Coteries of New York. You play as a Lasombra investigating the death of the Anarch leader.
*Vampire: The Masquerade - Swansong
:Yet another newly announced Vampire game. It's going to be a 'social' RPG where you control three different vampires working for the Camarilla investigating a massacre at a Kindred gathering in Boston. From the devs of 'The Council '.
*Werewolf: The Apocalypse - Heart of the Forest
:A, you guessed it, text adventure centering on a girl trekking through the forests of Poland to research her ancestry. Spoilers: they're Werewolves. [https://www.youtube.com/watch?v=hOVT5romi-I Here's the announcement trailer.]
*Wraith: The Oblivion - Afterlife
:A VR game where you get to play as a new wraith, a photographer killed during a seance in a VERY haunted Hollywood mansion. [https://www.youtube.com/watch?v=JjzK8WZRzYI Here's the announcement trailer.]

== See Also ==
* [http://www.worldofdarkness.com/ World of Darkness website]
* [https://whitewolf.fandom.com/wiki/Main_Page World of Darkness wiki]
* [http://www.unmodchat.com/ Unmoderated WoD Chat]
* [https://darkcitygame.com/ Dark City World of Darkness game]
* [http://mrgone.rocksolidshells.com/ Mister Gone's Character Sheets]
* [[NWoD/Character Sheet | Template for a nWoD Character Sheet on 1d4chan]]
* [https://youtu.be/0h1U-_JFAS8 An intro from Ogre Poppenang's SpeakerD, Writer of] ''[[Hunter: The Parenting]]''

{{WoD-Games}}
{{WW-Games}}

Knight

2023-06-01T13:51:39Z

2600:387:9:3:0:0:0:3A: Knights could shift into mercenaries in politically unstable realms.

[[Image:NormansKnight.jpg|right|thumb|Medieval Europe's equivelent of Hell's Angels]]
''Not to be confused with the [[Imperial Knight|miniature Imperial Titan.]].''

{{topquote|The knight is a man of blood and iron, a man familiar with the sight of smashed faces and the ragged stumps of lopped-off limbs; he is also a demure, almost maidenlike, guest in a hall, a gentle, modest, unobtrusive man. He is not compromise or happy mean between ferocity and meekness; he is fierce to the nth and meek to the nth. The man who combines both characters – the knight – is not a work of nature but of art; of that art which has human beings, instead of canvas or marble, for its medium.|[[C. S. Lewis]]}}

{{topquote|I tell you there is not so much savor in eating or drinking or sleeping, as when I hear them scream, “There they are! Let’s get them!” on both sides, and I hear riderless horses in the shadows, neighing, and I hear them scream, “Help! Help!” and I see them fall among the ditches, little men and great men on the grass, and I see fixed in the flanks of the corpses stumps of lances with silken streamers.|-[[Bretonnia|Bertran de Born]], Occitan Troubadour}}
''

The '''"knight"''' [[Monty Python|(pronounced 'Kuh-niggit' for you Frenchies with outrageous accents)]] is a title given to a loyal servant of a [[monarchy]] in olden Europe. To start your knightly lineage, you must be valuable enough to your lord that he eventually bestows knighthood upon you. Once that is done, you are officially part of your kingdom's [[noble|nobility]] (albeit at the near bottom of the ladder, but you're leagues better off than the common folk) and any children you bear will also be knights, who will then continue your proud lineage throughout the ages.

The etymology comes from ''Cniht'' / ''Knecht'' among Saxons in England and Saxony - a house servant. But if you were serving a lord, he might lend you a horse thus making you a ''rādcniht''. Meanwhile in the post-Latin parts of the post-[[Roman Empire|Rome]], the [[cavalier]] was still riding around the estates of post-Gaul. As with the Equestrian class in the Roman Republic, they had to own the land and resources to ''keep'' a horse - and in Dark Age Western Europe, that meant signing on to some feudal lord. So the Venn between "knight" and "cavalier" was a slightly blurry single circle.

The knight started becoming the chivalrous, romantic daredevils we all know and love by the 12th, due to the influence of Christianity and Islam throughout Europe, and to a lot of romantic bullshit from the Languedoc troubadours. They are usually rich-enough blokes that knight families typically owned at least one estate that they may develop as they see fit.

These guys were the greatest thing in Europe's arsenal for nearly a thousand years before being weakened by Swiss pike formations, [[firearm|another Chinese import]], and the idea of a professional and standardized standing army which gradually put an end to the age of knights. Then, in the 19th century and after the French revolution, Romanticists who wanted to defend the old order of things against upstart ideas about "democracy" and suchlike began looking to the past with rose-coloured glasses and forgot about the shitty quality of that period and instead saw dashing knights in shining armor (a phrase that originally meant "the new guy who has never been through battle").

==Misconceptions==
In modern parlance, Knight is the catch-all term for some posh bloke who fought on horseback with decent armour and weapons. It was the case for some time, but the term 'Knight' has started to refer to the ''social rank'' of the man, not the way he fought, around the XIIth century. 'Chivalry' does refer to horsemanship, however.

Most armored guys on the battlefield of High and Late Medieval period (usually carrying shield, non rusted armor and a decent weapon) were [[Men at Arms]] -- a better equipped class of soldier. Through patronage of a wealthy lord, large groups of these blokes were kitted out with decent weaponry and armour (to varying degrees). They sometimes had a horse if there weren't enough cavalry; otherwise they were just a better equipped form of infantry. They were usually of better social standing than their comrades serving in a Lord's (or Knight's) armies as meat shields and arrow fodder (conscripted peasant), although that itself would vary: from men who their overlord might socialise with to a degree, to a better-off commoner like a merchant who simply bought better armor than the smelly peasants, or just some smelly oik with an aptitude for combat who was kitted out at his Lordship's expense.

Since most Knights were fairly wealthy, they nearly always fought as Men at Arms (being that they could afford decent plate armor, an arsenal of weapons, and a war horse, on their own), though not all Men at Arms were Knights. It is also worth noting that Men at Arms usually were poorer equipped than Knights, and often received little to no training which usually lasted between a fortnight and a month. Knights, however, were trained from the age of six and this training lasted until their mentor deemed them ready to be a full knight (that age varied, but generally was around 17-18 years; Edward the Black Prince, for example, was granted full knighthood in 16 years). They also had the option and means of having their own armor and weapons specially made/procured for them. Additionally, any non-noble who was able to attain knighthood though exemplary military service would have been a warrior few could equal.

Knight's tournaments were NOTHING like how we picture them through Hollywood; they were not leisurely affairs of organised jousting with the King's retinue and nobles looking on. Jousting itself was regarded as a sideshow compared to the main attraction of a tourney - the ''melee'', which was in many respects a mock battle, designed to keep knights practiced in combat (hopefully) without actually killing anyone and an attractive prospect for many young knights to rise in stature through winning the tourneys. Two sides of knights would meet in the tourney ground (usually a massive area encompassing the length between ''two towns'') and clash in brutal hand-to-hand combat with the aim of securing opposing knights for ransom (that were subject to the regular rules of war).

It is also worth noting that some Knights did not fight at all, being too sickly, too old when war broke out, or simply too scared. Due to this, some knights engaged in civilian leadership roles, rather than military ones.

==The Modern Take==
In our current times the misconceptions mentioned above have created a stereotype in the general public's mind of what it means to be a knight: an owner of land and a castle, wearing that ridiculous heavy armour on top of a mighty horse and being the upmost example of honour, valour and nobility. As stated in the opening paragraphs. This is because during the Victorian and Enlightenment eras, commoners started revolting against them. Around 18th and 19th centuries. The upper classes in Europe began romanticizing the dark ages, knights in particular, in poems and stories until what it originally is now buried under a mound of half-truths and plot twisting. In order to justify ruling over their former peasants and to make themselves feel better. TLDR look up the French Revolution.

Consider that tricky part of the tale of King Arthur: his dad Uther Pendragon wants to have it off with the lady Igraine, who is married to his enemy Gorlois. So, using circumstances and Merlin's magics, Uther takes on the identity of her husband, has his way with her, and then nine months down the line Arthur is born, an illegitimate child. This is left out of many tales except those seriously referencing the old poems as it is not the heroic source of the once and future king that many would expect (in later legend there is emphasis that Gorlois conveniently dies in battle before the conception occurs, therefore changing the fluff of the legend in Uther's favor. A predecessor to Matt Ward, it looks like).

Many still use knights as a standard for human warriors of chivalry going out and slaying various beasts and saving various maidens (most fantasy settings, RPGs and MMORPGs use knights as a class type, some renaming to <s>make them sound more original</s> rip off D&D like 'Paladin' or 'Crusader').

===Why Knights deserved (and still do deserve) the hate===
*Most Knights were a medieval version of [[That Guy]].
*Knights were legally not allowed to be killed in battle. While ransomed by the enemy they would be entitled to food, women and booze.
*They asked the Pope to ban crossbows (and other "missile projectiles") because they were pussies and didn't want to accept the fact that a lucky peasant can royally murder them before they got close. This failed because it was impossible to enforce and unlike today one nation couldn't punish another for doing something they don't like without large military formations. Branding the enemy heretics means shit if they have better weapons than your own.
*They could kill peasants/serfs and get away with it (at least their own serfs; killing the servants of another knight without their permission is frowned upon).
*These assholes only had to work three months per year.
*They could even literally dodge military service by bribing the king instead. So yes, we have a thug that is legally not entitled to be killed, could abuse people with no repercussions and taxed the peasants extra because he could send THEM to battle, a.k.a the Landlord. By 21st century we now know that conscription makes for inferior recruits.
*The general incompetence in the way the Crusades were carried out-- general infighting between various warbands with national rivalries broke out, then murdering and raping Slavs, Poles and Byzantines while they were getting their asses kicked by Muslims and the [[Mongols]] from the East.
**The Mongols did their jobs of driving out the Muslims for them. The Crusading Knights who ran away stole all the credit.
**Instead of going home and letting the Eastern Roman Empire(aka Byzantine Empire) administrate the territory they actually did retake (due to the Byzantine army being crippled by the Turks at Manzikert due to inter-dynasty infighting), these assholes set up their own principalities between the Empire and Jerusalem. During the 4th Crusade, Knights (already ticked off at how the Byzantine populace revolted and massacred Italian merchants in the capital city <s>they were arrogant and were rich due to controlling all the banking like the Jewish people back in Western Europe</s>) led the campaign under orders from Pope Innocent III that ransacked Constantinople once they backed a coup but learned the Emperor didn't have any money to pay for their services. Set up their own empire to get their asses kicked by the "Greeks" a half century later who restored it for a short time. These wars made the eastern empire permanently crippled and easily taken over by the Ottomans. The Crusades also gave Muslims the inroads to take control of Spain for centuries.
*Knights were expensive. Lords could arm several archers and infantrymen for half the price. Knights however, were theoretically the smartest bunches he could summon, as they were trained since birth to be elite soldiers. However without real standardization (unlike modern army recruits), it's hit-or-miss if the training was actually worth a damn or if it even worked in their theater of battle.
*Training wasn't really that practical in the first place. The reason why training of modern soldiers is standardized is so that when brought together they can all function as one unit regardless of origins. Giving each knights' house carte blanche on military training means your army's effectiveness is the equivalent of playing darts blindfolded. While there were Knight Orders that could work together in unison, those groups were rare.
*Only rich kids could become Knights and you had to be part of the nobility in the first place.
*Chivalry only applied when they wanted it to or was only required among [[Templar|specific (usually religious) groups]].
*[[/pol/|Some idiots want to bring them back]], despite the fact that horses are harder to get, guns exist and will get them shot in the face by anyone with a 9mm handgun. Unlike modern wargear medieval armor is not rated against and will perform poorly against bullets, shrapnel and crossbows, etc. Even if it was brought up to spec using modern materials, modern body armor made of polymer, ceramic plates, and synthetic fibers can stop just about everything medieval armor can and more, at a fraction of the cost and weight and minus the [https://en.wikipedia.org/wiki/Spall glaring downsides].

===Why being a Knight sucked===
*Jousting was pay to win (going back to Knights being [[That Guy]]). Ever play a video game and a new item update releases with cool new weapons and armor? It might have took you days or a week just to get one of them. Then comes this guy with all that new gear stomping you with little skill on their part. Jousting was like that. If a Knight was rich enough he could buy a specialized set of jousting armor that made it impossible to unhorse him. Poorer Knights had to make do with their battle armor, which was designed for movement rather than not falling off a walking glue container.
*Knights had to buy their own equipment, as unlike modern military forces the feudal cheapskates in charge wouldn't foot the bill. If they didn't have a high enough status or weren't buddies with the armorer, there would be a chance of their weapons and armor being of questionable quality and forged by an apprentice instead. This meant that lower ranked Knights may have went into battle with the dark age equivalent of a school science project, regardless of how professional it might look on the surface.
*Becoming a Knight meant that you had to be hit in the face with a gauntlet. Made out of metal. So you could end up talking like a European Little Nicky if the guy knighting you was a big enough jerk. For obvious reasons, this was eventually replaced with the more traditional tapping of your shoulders with a sword.
*As a [[Squire]] you had a high chance of being [[rape|raped]] by the man training you, more so if you weren't a noble of high rank. Alongside that there was also the risk of being beaten constantly for failing to live up to his overly high standards.
*Because of how the nobility works, there's a decent chance you're inbred and your to-be wife chosen by arranged marriage will be closely related to you by blood (genetic diversity tends to suffer under eugenics). What's that? You don't want to marry and fuck your sister(?)? Too bad, we need an heir, do it or be disgraced.
*Crossbows, Firearms and (better trained) mercenary pikemen ruined your day. Some guys who took a vacation in the Far East came back with pretty cool stuff that kills you in an instant regardless of all that fancy gear you got. Luckily for you their weapon takes forever to reload, making a well timed charge or a sneak attack on him seem like a really good idea. Unfortunately that other guy also has a pistol, maybe even two. Worse, he is likely a German mercenary with a Flamberge, whose sword breaks your own in half. ''Then'' he shoots you with one of his handguns.
**Granted a good enough Knight could become a decent rifleman/gunslinger in his own right, but by that time the utility of your original station was pretty much over.
*The Feudalist system was pretty much the mafia of the Middle Ages. You piss off the wrong person above your rank or if they want what you have (land, wife, daughter, livestock, even just your peasants), you and your family could be stripped of your land and titles, either by other Knights, from a siege via cannons, or condemnation as a heretic and burning at the stake, with your assets divided up and even your family given to other nobility or The Church up to the Vatican itself. The fact that the Mafia arose in Sicily a short time before the Renaissance is more than enough evidence of how bad Feudalism was.
**[[Templar|STILL successful? Still powerful? Pope loves you? Act according to conscience instead of urges? Oh wait, you are now tortured to confess to bullshit charges of worshipping wooden Mohammad heads (Baphomet lul) and burned at the stake for your monies.]]
*Some angry peasant spits on you, or another noble sneezes in your direction. You are now dying of the bubonic plague.
**Or you could get Tuberculosis instead. Or both. Hell, you could just die because of the abysmal hygiene and sanitation standards of the time.
***[https://www.youtube.com/watch?v=Crh26yTqdqk The doctors of the era knew shit all about these things].

==Fantasy Knights in a Nutshell==
If you are a chivalrous knight in a modern fantasy setting, your usual duties will include:

* Quest Taking: from killing a dragon to driving the moles out of the fields of farmers, anything that troubles the people you must take care of. It doesn't have to be you directly, though. If the task is too unworthy for your stature, but still needs fixing, sending your apprentice or hiring other people to do it in your stead also works.
* Monster killing: a category of its own (although often a Quest as well). There are various nasty critters around and in ye olde times you would serve as a pest exterminator for hire. The bigger and badder the monster you slay, the more famous you are with the kingdom.
* Damsel rescuing: even if she is married (or you are), you could get a kiss, a handkerchief, and hopefully [[Profit|a hefty reward]] for giving her a hand.
* Helping out your king: at times you'll be called on to help your king or lord and hook up with a bunch of your knightly mates to rout some naughty foreigners giving the kingdom trouble.
* Wench pulling: you keep an entire industry of busty women in business with the profits from your questing.
* Looking impressive: your armor and weapons aren't just your tools but also your icons. It gives the peasants something nice to gawk at are and often symbols of your deeds and character. Many knights are recognized simply by their gear (i.e: Excalibur for King Arthur).
* Example setting: along with looking good, you have to practice being good to and showing everyone how to be a goody-two-shoes. From escorting ladies to putting your cloak out across a puddle, from saying hello to Ted the stable boy to upholding your kingdom's faith and smiting any heretic who dares besmirch your god, being a choir boy is a 24/7 job. This is also the reason why Knights are typically [[Paladin]] equivalents in fantasy.
** If you should fall short in your chivalry, it usually suffices to take on a particularly challenging and meaningful quest to restore your honor. If there's one thing peasants like better than tales of upstanding knights, it's tales of knights who stumble and get back up again (or die trying).
** The flip side of upholding the code of chivalry is enforcing the code against oath-breakers. Knights who completely ''forsake'' their vows are especially harmful to your profession's reputation, so be vigilant for rumors of 'black knights' and the like.
* Training a [[squire]]: Building up a knight household is a ton of work, and if you died without a legitimate heir to your name, all your hard work over the decades would have been for naught. So, you had to train a successor who will carry your knight household throughout the ages. Train them well and don't just treat them as a glorified servant, as that little buttmuncher will be the one who'll be representing your legacy once you're gone, and you don't want your house to be remembered for that dastard who became the unbearable shame throughout the land.

Many fantasy settings are less sexist than the actual middle ages and female knights are far more common than they were in the middle ages.

==Real Knights in a Nutshell==
* Bureaucrat: in most areas of Europe, barons were the main land holding class and baronies roughly analogous to large townships (the modern word county coming from the slightly higher rank of count). Knights owed allegiance to barons and generally served as their officers of government, from constable to tax collector. A knight's fee (the quantity of land to sustain a knight) was roughly a couple thousand acres, and the typical barony consisting of roughly a dozen fees. Since a family could reasonably tend a few dozen acres (acre being an amount of land one man with one ox could reasonably plow in a day), this basically means a knight was responsible for a few hundred homes.
* Officer: you owe service to your lord. If they call on you to fight, you have to. In this regard knights were analogous to lieutenants or sergeants. Being men at arms, knights were expected to know how to fight, how to lead and teach others to fight. If they were particularly good fighters they might be used more like champions and vanguards, while the less martially able would still be expected to be capable of organizing and leading some men. In medieval Europe, the basic formation was the "lance", roughly equivalent to a squad, consisting of a knight and his retinue (perhaps a dozen men). Lances were organized into companies, captained by a noble (typically a baron or count). Lances wouldn't necessary take the field intact; for field warfare, knights would assemble as cavalry and their retainers would form the body of infantry. As the medieval wars dragged on, the concept of lances broke down and it became more normal for nobles to outfit and lead companies of their area's local men with consistent equipment and some once-a-month training (bowmen of Dumbhollow, Shitcreek company of pike, etc), which would be the norm until wars started waging so far away that kings and governments needed armies that were liable for service anywhere, not just in their area.
* Politician: you're part of the elite which means you have to spend an infuriating amount of time jockeying for influence or just protecting your current position. If you don't play ball by engaging with the rest of the aristocracy and maintaining your status, you'll find yourself in disfavor. If you're not seen as pious enough, the church will start hectoring you with the same effect.
* Mercenary: You fight for neighboring kingdoms in search for gold to pay for your needs but most importantly land to eventually claim as your own even after you claim a county or barony your descendants are not fully guaranteed to inherit the land. One example in history with many mercenaries is the taifa state period of the reconquista. Knights turned mercenary were common as the christian realms were not truly unified yet and the caliphate had collapsed into rump states meaning mercenaries would fight for various lords in attempts to become landed nobles.

== Old-School D&D ==
Both 1st edition [[Dungeons & Dragons]] and [[Advanced Dungeons & Dragons]] 2e featured the knightly archetype in their options. For 1e, [[Gary Gygax]] himself created the [[Cavalier]] in an issue of [[Dragon Magazine]] as a variant [[Paladin]]. It... didn't work out so well. For 2e, the knightly motif was conveyed by certain [[Kits]], predominantly for the Warrior class-group, with the most obvious version being, again, the Cavalier.

The Cavalier is not held up very highly by most [[Grognard]]s, for reasons explained on its page.

==D&D 3.5==
Third Edition's version of the Knight was introduced in ''Player's Handbook II'' and [http://archive.wizards.com/default.asp?x=dnd/ex/20060501a&page=2 released for free as part of the book's preview]. They have a high base attack bonus and roll D12s for HP. Their abilities are purely related to taking hits and forcing a single target to hit them, similar in concept to a 4E tank class, but with significantly less versatility in terms of providing damage output, boosting allies or disrupting the flow of the fight to suit his party. Probably one of the weaker classes as too much of its abilities are focused on being a punching bag of HP instead of an actual tank that is hard to hurt and lacks the ability to fuck things over, if you're familiar with how Marking a target works in 4E, its based off this guy, but at least in 4E you have penalties other than the -2 to hit to control your opponent. Like paladins this class has a code of conduct. Unlike paladins, the consequences of breaking this code of conduct last a day tops (directly anyways, who knows what larger setbacks it might result in). The code of conduct consists of what they consider a "fair play". Part of the code of conduct is not dealing lethal damage to helpless foes. By the way, some creatures are immune to non-lethal damage.

Knight is [[Tier System|tier 5]]. Their one task, tanking, is theoretically useful but they aren't that good at it and simply unable to try against most threats. Outside that they aren't very useful.

'''TL;DR''' A bunch of Hit Points that prototyped the tank class mechanics of 4E that lacks any choice beyond taking it in the gut. Avoid and just refluff a paladin as an atheist.

{{D&D3-Classes}}
{{D&D3e-Variant Classes}}

==D&D 4e==
The knight was introduced in "Heroes of the Fallen Lands", the first of the two Essentials splatbooks for [[Dungeons & Dragons 4th Edition]]. Flavorwise, knights are protection-focused warriors, champions who lead village militias, caravan guards and adventuring parties, favoring the use of heavy armor, hand weapon and shield to endure attacks as hold foes in place as the rest of their party closes in for the kill. Many knights belong to benevolent military orders, and whilst they are not [[paladin]]s proper, they are still respected for their dedication to good (or at least martial perfection).

Mechanically, the knight is a "simplified" take on the 4e [[Fighter]], this Martial Defender (with some Leader aspects) abandoned the [[AEDU System]] to something closer to an old-school fighter. Instead of the traditional front-loaded approach to class-features, the 4e knight gains different features at different levels. Instead of using the martial exploits system, it uses a combination of heroic-tier Utility powers and at-will stances, which modify the effects of its basic attacks. This formula would be reused for the [[Slayer]], introduced in the same book.

A knight's core power is Defender Aura, an at-will utility used to mark foes, which goes in tandem with its Battle Guardian at-will attack to punish marked foes that try to slip past it. Its other level 1 features are Weapon Talent (+1 to your attack rolls with weapons), Shield Finesse as a bonus feat, access to two of the knight stances, and its only Encounter attack, Power Strike. It gains Improved Power Strike (use Power Strike 2/encounter) at level 3, Combat Readiness (+2 Initiative) at level 4, and Weapon Mastery (+1 damage with weapon attacks) at level 5. At level 7 it gains both an extra knight stance and one of the two Weapon Specializations, which adds a rider to its Power Strike attack; Bladed Step for heavy blades and Staggering Hammer for hammers. At level 8, it gains the utility power Shield Block, and at level 9 its Improved Combat Readiness feature boosts its initiative bonus to +4.

At level 11, it gains Stalwart Assault (Add Con bonus to Speed and melee weapon damage rolls in the first turn in an encounter), Stalwart Action (when you spend an action point, gain Resist 10 to all damage until the end of your next turn), and another Improved Power Strike (Power Strike 3/encounter). At level 12, it gains Greater Weapon Specialization, which gives it either the Shielding Blade or Bludgeoning Counterstrike utilities, ''another'' Improved Power Strike (4/encounter) at level 13, Paragon Weapon Mastery (+2 to all weapon attack rolls) at level 15, Armor of Conviction (gain Resist 5 to all damage while bloodied) and the Bolstering Strike utility at level 16, another new knight stance at level 17, Devoted Knight (using your second wind or total defense creates an aura 1 until the end of your next turn that grants your allies +2 to all defenses) at level 19, and Tactical Focus (you can slide a target you hit with Power Strike by +1 square) at level 20.

In the epic tier, it gains the Knight's Valor utility power at level 22, the Relentless Knight feature (can spend +1 healing surge when you use second wind) at level 23, Epic Weapon Mastery (+3 to all weapon attack rolls) at level 25, and finally Spirit of War (you can make a save to end an ongoing effect at both the start and end of your turns) at level 29.

It gains a chosen Utility Power at levels 2, 6 and 10.

General opinion is that it's a pretty badly handled class. It's strong at the Heroic Tier, but quickly falls behind the [[AEDU System]] classes from epic tier onwards, as its stance-modified basic attacks just don't cut it anymore.

{{D&D4-Classes}}

==[[Pathfinder]] - The Cavalier==
Paizo has added traditional knights/men-at-arms to the Pathfinder roleplaying game, as the [[Cavalier]] class. They're a lot like Paladins without the magic. They differentiate themselves from the ''other'' melee classes in two major important ways: mounts and orders.

==D&D 5e==
Since knightly orders are a big thing in [[Forgotten Realms]], the Sword Coast Adventurer's Guide for [[Dungeons & Dragons 5th Edition]] features two class variants with a knightly theme.

The Banneret (or Purple Dragon Knight, in-universe) is a [[Fighter]] martial archetype revolving around the concept of an elite and noble warrior whose skill allows them to inspire others to greatness in battle. It gets a bunch of class features reminiscent of 4e's [[Warlord]], like healing allies when the fighter uses their Second Wind, triggering an ally to attack when you use Action Surge, and the ability to extend Indomitable to your allies.

The Oath of the Crown for [[Paladin]]s, meanwhile, specifically represents the blur between knight and paladin, with a focus on lawfulness, order, and the sanctity of civilization in contrast to the paladin's general focus on doing good. It has features that let it serve as a mighty champion, and spells that tap into its spiritual authority, mostly enchantments like Command and Geas.

That not enough for you? Not only did we get a [[Cavalier]] subclass for the Fighter in the Kits of Old unearthed arcana, November 2016 gave us a full-fledged Knight subclass, which is essentially an even tankier version of the Cavalier. It can mount and dismount for only 5 feet of movement cost, has advantage on saves against falling off, always lands on its feet if it does fall off (providing it's no higher up than 10 feet and isn't incapacitated), has what is essentially the Fighter's Marking ability from 4e, a bonus skill with a "knightly" theme, the ability to make an attack as a reaction to an enemy moving within 5 feet that stops them moving if it hits, the ability to trade combat advantage for a bonus attack, gains a free opportunity attack each round, and gains +1 AC when wearing Heavy Armor.

{{D&D5-Classes}}

==See also==
*[[Bretonnia]]: A nation in [[Warhammer Fantasy]] based around these fuckers.
*[[Samurai]]: The Eastern version.

[[category:history]][[category:Pathfinder]]