Editing Edgy (section)

==The Anatomy of Edginess==
Edginess is in some ways like a cargo cult. During WWII in the Pacific, the US military set up bases on remote, but inhabited islands, bringing with them a lot of stuff like planes and cars and so forth that was quite amazing to the stone age natives, to whom the world had been a few dozen square kilometers of land surrounded by ocean, with hazy stories of other such islands. When the military left, some of the natives took to making coconut and wooden radios and flight towers based off of some vague recollection of the military variants, unaware that making the shape alone does not get you the functional item.

[[File:Pizza-slicer.jpg|200px|thumb|right|The ultimate apotheosis of an edgelord: All edge, no point.]]
In that vein, most of what comes to mind when people envision "edgy" artworks tends to be the result of people who wanted to make ''morally grey'' characters and subject matter, but lack the maturity/experience/focus/fairness necessary to NOT end up with anything other than a multiple-personality-disordered mess or a power fantasy wrapped in propaganda. 

Someone with (at best) mediocre creative abilities sees some fiction that makes good use of melodrama, gritty settings, dark humor and such, made by people who know what the hell they're doing and figures "I can do that!", leading to said person haphazardly applying those elements incorrectly. The results of such efforts are either tiresome, unintentionally funny or just painful. 

The stereotypical teenager, especially one with gothic/emo tendencies or problems with authority, commonly embody this - all too eager for "adult" things (eg: violence, sex, etc.) in their limited perception of such, often born of denial.  Anyone or anything standing between them and what they want - or that's presumed to do so - will be seen as a terrible "evil" and dealt with as such. Individuals who pander to said demographic, are downright hacks and/or share their mindset will favor this approach over any sense of complexity, subtlety, nuance and some actual understanding of the human condition.

===Edgy and [[Grimdark]]===
While edginess is frequently associated with invoking grimdark [[Derp|for the sake of it and nothing else]], it's important to remember that this alone does not edgy make. As an example, [[WH40K]]'s [[Imperium of Man]] has reasons to be fair and kind when capable: though it has plenty of genocide, xenocide (completely annihilating species even when they are gentle and kind), torture, forced labor (they draw the line at commercialized chattel slavery, but un-unionized indentured servitude is fair game), witch hunts and militarism that would give Hitler a chubby beyond the grave, said horrors have reasonable justifications. Aliens were buying and selling humans like pets and culling them by the billion, operating slaver outposts even in our solar system before the Emperor came into leading humanity into a roaring rampage of revenge. And regarding souls and the universe after the Heresy, any deviation from faith in the Emperor will ''literally'' send a human to hell upon death, with their soul becoming dæmon food (and/or sex toys).

Any mistreated machinery will attract foul entities and corruption that will fuck you up seven ways till Monday and chew you out; any ill-coaxed [[Machine Spirit]] will jam and blow up in your face; and any laxity will make [[Chaos]] cults pop up by the billion in a week. Then there's [[Necrons|the genocidal robots from another age]], [[Eldar|space elves that would murder a planet on the off chance that their]] [[Farseer]] would break a nail otherwise (and they're still the nice space elves despite that, as their [[Dark Eldar|webway dwelling cousins are even worse - murdering entire planets just because they like the sound of millions of people screaming]]), [[Orks|the ambulatory (AND belligerent) fungi that plague the entire galaxy in a series of wars]], and [[Tyranids|extragalactic horrors that intend to eat everyone's face.]] [[TL;DR]] The Imperium acts like an asshole Hitler/Hirohito bastard child because the alternative is much, MUCH worse.

At the level of narrative, the fact that things are very very bad is a core thematic element of this world. As pointed out there are reasons why things are so miserable in this world which flow logically and despite this there can be points of contrast. Imperials still have the same potential to love and be kind like modern real world humans do. The Tau are hopeful despite the evils of this world. Occasionally pragmatism can overcome the deep seeded prejudices to overcome greater evils, if only for a while. And even if it is preformed by Conscript Guardsmen, Commissars or Space Marines, each the product of horrendous military institutions, can fight to achieve acts of genuine (if still typically brutal) heroism.

Now if you want a senselessly edgy story in the Warhammer 40,000 universe, an example would be the now non-canon [[Khornate Knights]].

===Who's An Edgelord?===
<small>Who's a cute little Edgelord? Yes, you, you adorable little mass-murderer, you!</small>

"Edgelord" gets applied to two groups: '''Authors''' fixated on making edgy material, and the '''Edgy characters''' they write. While most of this article assumes the latter definition (as we at least try to avoid authorial mind-reading, though a few are so heavy-handed there's no other word for them), it's quite possible for an Edgelord author to create an edgy work without an Edgelord character<ref>How? Well, just to start with, picture a modern retelling of The Little Match Girl (the one where the title character freezes to death on the street--looking back on it, Hans Christian Andersen was Edgelord as fuck).</ref>, and a non-Edgelord author to create an Edgelord character (either unintentionally, satirically, or de-constructively).

===Edgy Villains===

There's an important argument to be made about villains and edginess. Frequently, it's necessary to engage in authorial behavior that would be considered edgy in order to properly develop a bad guy. There are a few important questions to ask in this case, the largest ones being "is this a [[Mary Sue|Villain Sue]] situation, and if so, what kind of Villain Sue are we dealing with?"<ref>For an example of a non-Edgelord Villain Sue, there are plenty of Villain Sues who the author clearly hates, but can't bring themselves to kill off for reasons of marketability. It's usually only when the Doylist definition of Mary Sue comes into play, where the Author sees themselves as the villain and has more sympathy for them than the protagonist, that Edgelordery starts to set in.</ref> and "are the author's sympathies clearly with the villain's agenda?"<ref>Not with the villain himself; plenty of villains clearly have the author's sympathy (what [[TVTropes]] might call a "Villain Woobie" or "Woobie, Destroyer of Worlds"); what matters here is does the author believe what the villain believes. That may sound odd, but many cases of "The Bad Guy Was Right" involve characters created by another author, or are (usually bad) parody of such.</ref>

===Edgelords and [[Mary Sue]]s===

A lot of edgy characters also qualify as [[Mary Sue]]s. This is because many writers who aim for "edgy" in their works are terrible at writing, and writing a [[Mary Sue]] is a common result of terrible writing.  Another reason is the "Power Fantasy" route, where the author uses their work and the character in question to attack something or someone from real-life that they oppose.  There are a few important questions to ask in this case, the largest ones being "is this a Jerk Sue situation?", "do the villains represent a work the author hates?" and "do the villains represent a real person or thing the author is against?"  

Note that not all edgelord characters are Mary Sues/Gary Stus; in particular, minor edgelords in settings with many authors will probably be treated the same as any other character who passes through many hands.

Be on the look out for plot armor, protagonists who not only share their author's values but are not challenged on these views in any way, and the other major Sue factors covered in our [[Mary Sue]] article.

==="Right Target, Wrong Method" Characters===

One important partial exception: Sometimes authors include a character that can be considered "Edgy" in theory, but in practice, it's clear the author isn't rooting for them because they take things '''way''' too far. We're talking "Utopia Justifies the Means, No Matter How Horrific" and [[Konrad Curze|"Death Penalty for Jaywalking"]]-type characters.

While they can degrade into Edgelords quite easily, as long as it's clear that either the author's sympathies are not with them, and/or the story spends a lot of time on the collateral damage they inflict, they can be considered not wish-fulfillment enough to count as Edgelords. Note that such characters tend to degrade into Edgelordery over time (particularly if allowed to be a protagonist or when placed in the hands of a different author), for subtly obvious reasons.

===Sidenote: Chuuni===

In some Weeb circles, an "Edgelord" is called "Chuuni", short for "Chuunibyou". This delightful Japanese word combines the concepts of "Sophomoric" ("Chuunibyou" literally translated means "Middle [School] 2[nd Year] Syndrome", though "Eighth-Grade Syndrome" also works and is easier to remember) and "Edgelord", with an optional side note of "I have supernatural powers IRL". 

For a simpler explanation, “Chuuni” refers to every middle school edgelord and similar types with overactive imaginations (Don Quixote is perhaps the most famous example of this latter category) - not for the character that they’re playing, but their actual real life self, and all the delusions and anti-social behavior that comes with it. Did you know a kid in school who always wore Hot Topic shit and talked in a monotone about darkness and nihilism and black magic blood rituals? Did he take lots of photos of himself trying to look cool with his mall ninja daggers while posing in a Naruto shirt with some edgy caption like “Never fuck with a Wolfkin Sanguinemancer or I’ll chop your dick off”? Yeah, we all know the type. His persona may be an edgelord, but he himself is Chuuni.

Importantly, the "Stupid and Lame" part is baked right into the word, while "Edgelord" usually only ''implies'' stupidity.

===In closing===

There are many paths to success for a storyteller, some of which include going over dark territory in various ways or by innovating and pushing boundaries. However, all of them require care and attention to detail to pull off well.  Being dark or pushing boundaries is not profound in and of itself.  Shock value, twists and subverting expectations doesn't automatically equal good storytelling.  Finally, using these things as an outlet for personal views/grievances is the writing equivalent of walking through a minefield.