Editing Harlequin Masque Creation Tables (section)

==The Masque's performances==

{| border="1" cellspacing="0" cellpadding="5" align="center"
! colspan="2" |The Masque favours which location to perform? (d10)
|- 
! 1-3
| The Craftworlds
|-
! 4-6
| The Dark City of Commorragh
|-
! 7-9
| The Exodite Worlds
|-
! 10
| Other (Imperium, Tau Empire, minor Xenos planets, etc.)
|}


{| border="1" cellspacing="0" cellpadding="5" align="center"
! colspan="2" |Which tales does the Masque most often perform? (d100)
|- 
! 1-10
| The Fall of the Eldar, and tales of hubris and pride.
|-
! 11-18
| The tragedies of Isha, and stories of great loss.
|-
! 19-26
| The epics of Khaine, and fables of war and combat.
|-
! 27-34
| The legends of Asuryan, and the old history of the pre-fall empire.
|-
! 35-42
| The stories of Hoec, and tales of the webway's secrets.
|-
! 43-50
| The fables of Kurnous, and shows of the Eldar's greatest achievements.
|-
! 51-58
| The myths of Morai-Heg, and the stories of fate and destiny.
|-
! 59-66
| The tales of Lileath, and stories of mighty ambitions and hopeful dreams.
|-
! 67-74
| The legends of Vaul, and tales of confinement, punishment and weakness.
|-
! 75-82
| The epics of Ynnead, and tales of loss, suffering and new hopes.
|-
! 83-90
| The comedies of Cegorach, and performances of deception, trickery and of his Harlequins.
|-
! 91-95
| Personal tales of the Masque, and its victories against Cegorachs enemies.
|-
! 96-98
| Warnings of the Chaotic powers, and prophecies of doom and misfortune.
|-
! 99-100
| The Masques performances are far too abstract and metaphoric for those outside of it to gather any understanding of the plot or narrative, but those who know where to look and those in desperate need will find invaluable insight in critical matters.
|}


{| border="1" cellspacing="0" cellpadding="5" align="center"
! colspan="2" |What is the usual moral of the Masques performances? (d10)
|- 
! 1-2
| Hope. So that they may know a better day.
|-
! 3-4
| Fear. So that they may change their course.
|-
! 5-6
| Sorrow. So that they may better understand their loss. 
|-
! 7-8
| Joy. So that they may revel in their victories.
|-
! 9-10
| Guilt. So that they may suffer justice for their actions.
|}


{| border="1" cellspacing="0" cellpadding="5" align="center"
! colspan="2" |What shape do the Masque's performances often take? (d25)
|- 
! 1-4
| Tragedies. Performances that end in death, suffering, and loss, and where all our heroes meet truly melancholic ends.
|-
! 5-8
| Histories. Performances detailing the countless ages of the historic Eldar past, and the lessons that may be learned from them.
|-
! 9-12
| Comedies. Performances that end well and true, where no matter the costs to get here, once the end has been reached, everything is where it should be.
|-
! 13-15
| Acrobatics and dance. Daring feats of agility and majestic ballets, using the body and its motion in order to create breathtaking shows.
|-
! 16-18
| Music. Operas, ballads and songs of the pre-fall empire. By using musical performances, the Masque can truly touch its audiences soul.
|-
! 19-20
| The Masque's performances are so unique they are unable to be placed into any other category.
|-
! 21-24
| Dark Comedys, nihilistic performances where everything either ends poorly for everyone involved or a despicible protagonist achieves a bittersweet victory all presented in a mocking fashion where the joke is the inevitability of death and the futility of existence.
|-
! 25
|Performance in mime, the Masque performs its shows solely through mime with out a single word spoken roll again on this table(rerolling doubles of this result) for the type of performance the troupe acts out in silence
|}


{| border="1" cellspacing="0" cellpadding="5" align="center"
! colspan="2" |What makes the Masque's performances truly spectacular? (d20)
|- 
! 1–5
| Several audience members always find themselves playing a role.
|-
! 6-9
| At least one observer always ends up losing their life.
|-
! 10-12
| A certain number of audience members can never be found after a performance ends.
|-
! 13-15
| Each audience member remembers a different performance.
|-
! 16-17
| No one remembers the performance or its actors, simply that it happened and the feelings that the show left them.
|-
! 18-19
| The characters in the show are members of the audience, played by the Masque.
|-
! 20
| The show started long before the performance began, and continues long after the performance ends.
|}