Editing Mary Sue (section)

===The AntiSue and Sympathy Sue===
You'd think that the opposite of a Mary Sue wouldn't be a kind of Mary Sue all its own? Well, you'd be wrong. Comes in two flavors: 

* The perpetrator of the Sue might think "I'll just pull a George Costanza, and do the opposite of my instincts!", not recognizing that what made their instincts bad was more in amplitude than in direction. There are two subflavors of this:
** Characters who are Just The Worst in some way (ugly/stupid/unpopular/what-have-you), but is still recognizably a Sue (see, for reference, the worse Neelix episodes of Star Trek: Voyager, or Bella Swan from [[Twilight]])
** There's also the "Butt Monkey" type, where the character is essentially just a Mary Sue in full reverse; there's the same "the plot entirely revolves around the main character" problem, the same "that makes no sense" and "things that only happened because the Author said so" plots, the same "there must be mind control involved" character reactions, just set to negative instead of positive. This version's inclusion in Suedom is rather more controversial, as so much is mirrored that it's hard to differentiate the "real Sues" from just "the author's chew toy". The result is still bad writing; it's just that there is some debate about whether it counts as "Mary Sue Bad Writing" or just "Bad Writing".<ref>To repeat the message of this entire collection of Sue types: The definition of "Mary Sue" can be rather slippery, even when ignoring internet trolls.</ref>
* The perpetrator of the Sue is going for Sympathy. Which, again, is only a change in direction, not in amplitude.

The "Butt Monkey" case results in an extremely noticeable character archetype that is not usually called a Mary Sue, but is just as annoying: the one guy who is theoretically on the side of the heroes, but is useless, wrong about everything, an asshole, and generally disliked by the rest of the heroes, and who spends all of his or her time complaining or offering obviously stupid ideas. Remember Eric the Cavalier from the 1980s D&D cartoon? How about Nathan Ramsey from Seven Days? The Grand Vizier from War Planets? The magical ragdoll character "One" from the movie "9"? Avoid writing characters like this. Please. It is possible to write incompetent goofballs without making them completely unlikable and no one is that dumb all the time unless they have a legitimate disability, in which case no reasonable person would expect them to take part in the important main mission. The sole exception to this are comedies in which case a total moron should be written to be funny and not as an annoying load that is actively detrimental to the plot. Develop your characters naturally.