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====For art==== *Weird anatomy - weird bending limbs, unrealistic proportions and various parts just... vanishing into nothing **Hands tend to be a dead giveaway for AI art. Most programs struggle very much with creating believable hands and thus tend to create weirdly proportioned hands at best and horribly misshapen blobs at worst. This only gets magnified if you want someone to hold an item. That said, remember a lot of humans struggle with hands as well so it's not a 100% giveaway. *Very static poses and expressions. *Flat and overexposed lighting (but see also Thomas Kinkade). *Nonsensical scribbles pretending to be writing. *Backgrounds that make no sense, like lines that should be parallel converging. *A "piss" filter. Because the AI actually [[Derp|doesn't have enough human-created data]] to train itself on, it resorts to using its own material. Which means it quickly deteriorates because unless you're keeping a close eye on it, it will inevitably go back to generate the same garbage it did prior to intense training. However, the most glaring of those degenerations is the application of a colored filter, most notably yellow, which can't be removed even if asked. *A shit ton of very similar, but not identical, images all uploaded in a row. There are ways for humans to batch make art, such as making one image and photoshopping layers onto it, putting arms on a different layer so you can easily draw them for different poses, or the various other tricks Hanna Barbera pulled off to make their cartoons cheap. But if you see a bunch of art with slightly different backgrounds and/or slightly different poses and random details getting changed around, it's more then likely the AI was told to batch make a bunch of different images and no two images turned out identical. * Stuff that emulates a specific style (Miyazaki, etc); AI is actually pretty good at questions like "make an illustrated version of this photo in the style of this artist"; it's a task that plays to AI's strengths of pattern learning and replication.
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