Conan the Barbarian - Revision history

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1.159.160.43 at 05:17, 14 June 2023

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	Conan is a Cimmerian (<strike>a Scythian tribe from the north of the Black Sea</strike> a likely fictional ancestral people to the Celts given the same name by Howard due to a presumed connection between the two), a barbarian of the far north. One of his grandfathers, however, came from a southern tribe. He was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian outpost of Venarium. After its destruction, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary and pirate. As he grew older, he began commanding larger units of men and escalating his ambitions. In his forties, he seized the crown of the tyrannical king of Aquilonia, the most powerful kingdom of the Hyborian Age, having strangled the previous ruler on the steps of the throne. Conan's adventures often result in him performing heroic feats, though his motivation for doing so is largely for his own survival or for personal gain, implying that the character displays the characteristics of an anti-hero and could be described as the archetypal "amoral swordsman" of the Sword and Sorcery genre. This observation could however be said to be in contrast to the assumption that Conan was merely another barbarian hero as envisioned by Howard for Weird Tales magazine.		Conan is a Cimmerian (<strike>a Scythian tribe from the north of the Black Sea</strike> a likely fictional ancestral people to the Celts given the same name by Howard due to a presumed connection between the two), a barbarian of the far north. One of his grandfathers, however, came from a southern tribe. He was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian outpost of Venarium. After its destruction, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary and pirate. As he grew older, he began commanding larger units of men and escalating his ambitions. In his forties, he seized the crown of the tyrannical king of Aquilonia, the most powerful kingdom of the Hyborian Age, having strangled the previous ruler on the steps of the throne. Conan's adventures often result in him performing heroic feats, though his motivation for doing so is largely for his own survival or for personal gain, implying that the character displays the characteristics of an anti-hero and could be described as the archetypal "amoral swordsman" of the Sword and Sorcery genre. This observation could however be said to be in contrast to the assumption that Conan was merely another barbarian hero as envisioned by Howard for Weird Tales magazine.

	On the other hand, Conan shows some character development through the stories, and to say he is amoral wouldn't be exactly true, instead it's more like he has his own code of ethics, which over time evolves to answer to new and more complex scenarios. During the story "Rogues in the House" he stays true to his contractor despite having a chance to just slip away because he felt he was in debt with him. Similarly in "Queen of the Black Coast" he didn't betray a friend despite being threatened with punishment, because according to his own views "he was a friend of him" and hence he couldn't betray his trust. In "The Scarlet Citadel" it's said he took Aquilonia's crown mostly for his own gain, yet Conan decides to face death rather than to sell his kingdom to his enemies in exchange for money and freedom. A similar scenario happens in The Hour of the Dragon, where rather than just abandoning Aquilonia Conan embarks in a quest to save the day, and he makes clear to the antagonist he will have all of his subjects sold as slaves returned without exception, on the grounds that Conan makes no difference between fellow warriors and rogues, commoners and nobility; they all are "tribe" to him and hence his own.		On the other hand, Conan shows some character development through the stories, and to say he is amoral wouldn't be exactly true, instead it's more like he has his own code of ethics, which over time evolves to answer to new and more complex scenarios. During the story "Rogues in the House" he stays true to his contractor despite having a chance to just slip away because he felt he was in debt with him. Similarly in "Queen of the Black Coast" he didn't betray a friend despite being threatened with punishment, because according to his own views "he was a friend of him" and hence he couldn't betray his trust. In "The Scarlet Citadel" it's said he took Aquilonia's crown mostly for his own gain, yet Conan decides to face death rather than to sell his kingdom to his enemies in exchange for money and freedom. A similar scenario happens in The Hour of the Dragon, where rather than just abandoning Aquilonia Conan embarks in a quest to save the day, and he makes clear to the antagonist he will have all of his subjects sold as slaves returned without exception, on the grounds that Conan makes no difference between fellow warriors and rogues, commoners and nobility; they all are "tribe" to him and hence his own. Perhaps the most obvious moral trait of Conan is his sense of chivalry; despite occasionally being very aggressive in pursuing women (to the point by modern standards he'd be committing sexual harassment), he views the very idea of actually attacking or raping a woman as extremely repugnant, and doesn't hesitate to help any wenches who happen to be menaced by the local monster or villain. In "Jewels of Gwahlur", he goes so far as to abandon the treasure he spent the entire story trying to steal in order to save a woman he knew for only a few hours at best, without any hesitation. While Conan is certainly no feminist, his mercy towards women stands out noticeably in his brutal era full of people who only see women as fit for being sex slaves at best, human sacrifices at worst.

	Conan is quite emotional but in no way weak, described by Howard as a man of "...great melancholies and great mirth". Said mirth can be seen in Conan's sense of humor, a trait largely absent in the comics and movies but very much a part of Howard's original vision of the character. This is particularly evident is found in "Xuthal of the Dusk," also known as "The Slithering Shadow"; quick example, instead of slaying his treacherous ex-girlfriend he dumped her... literally... into the ancient equivalent of a septic tank, and then laughed about this feat(though this is a bit strange, considering how he murdered an innocent bystander just to get to her). He is a loyal friend to those true to him, with a barbaric code of conduct that often marks him as more honorable than the more sophisticated people he meets in his travels. Indeed, his straightforward nature and barbarism are constants in all the tales. Another aspect of him from the beginning that crops up to various degrees is Conan's dislike of magic, even fearing it at times; this comes from the fact that physical prowess and wit are of limited use against supernatural power, the amount of evil magic users he's fought and the fact that [[Satanic Panic\|casting magic in the Conanverse usually involves horrible ingredients or immoral acts]].		Conan is quite emotional but in no way weak, described by Howard as a man of "...great melancholies and great mirth". Said mirth can be seen in Conan's sense of humor, a trait largely absent in the comics and movies but very much a part of Howard's original vision of the character. This is particularly evident is found in "Xuthal of the Dusk," also known as "The Slithering Shadow"; quick example, instead of slaying his treacherous ex-girlfriend he dumped her... literally... into the ancient equivalent of a septic tank, and then laughed about this feat(though this is a bit strange, considering how he murdered an innocent bystander just to get to her). He is a loyal friend to those true to him, with a barbaric code of conduct that often marks him as more honorable than the more sophisticated people he meets in his travels. Indeed, his straightforward nature and barbarism are constants in all the tales. Another aspect of him from the beginning that crops up to various degrees is Conan's dislike of magic, even fearing it at times; this comes from the fact that physical prowess and wit are of limited use against supernatural power, the amount of evil magic users he's fought and the fact that [[Satanic Panic\|casting magic in the Conanverse usually involves horrible ingredients or immoral acts]].

1.159.160.43 at 05:54, 9 June 2023

2023-06-09T05:54:59Z

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	While the Fellowship of the Ring can be argued to be the original adventuring party (being a group of heroes of different species and classes united for a single quest), Conan himself is arguably the first proper "adventurer", being a lone wandering mercenary who travels the world slaying monsters and looting treasure. Given how he never settles down until he becomes a king in his forties and how he is very openly a self-serving thief/pirate/bandit, you can go futher and call Conan the first [[Murderhobo]].		While the Fellowship of the Ring can be argued to be the original adventuring party (being a group of heroes of different species and classes united for a single quest), Conan himself is arguably the first proper "adventurer", being a lone wandering mercenary who travels the world slaying monsters and looting treasure. Given how he never settles down until he becomes a king in his forties and how he is very openly a self-serving thief/pirate/bandit, you can go futher and call Conan the first [[Murderhobo]].

	In addition, the Conan stories were perhaps some of the earliest examples of the [[Dungeon Crawling\|dungeon crawl]]. Many stories involved Conan exploring some ancient ruin or haunted dungeon that is protected by monsters and deadly traps, sometimes motivated by the presence of a great treasure hidden within.		In addition, the Conan stories were perhaps some of the earliest examples of the [[Dungeon Crawling\|dungeon crawl]]. Many stories involved Conan exploring some ancient ruin or haunted dungeon that is protected by monsters and deadly traps, sometimes motivated by the presence of a great treasure hidden within.

			[[Frazetta Man]] also owes its existence to the many "ape-men", creatures halfway in evolution between human and ape that were Conan's third most common foes after giant serpents and evil sorcerers. The most famous of these was Thak from "Rogues in the House", who interestingly had his intelligence heavily emphasized to the point where Conan himself respected him and said "I have slain a man tonight, not a beast".

	==Conan the Barbarian -- Modernity==		==Conan the Barbarian -- Modernity==

1.159.160.43 at 05:44, 9 June 2023

2023-06-09T05:44:04Z

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	The rights for the character are currently held by a litigant more vexatious than [[Games Workshop]]. You'd think that's an exaggeration, but Conan O'Brien had to pay them off ''to use his real name that he was given at birth'' in a show title without fear of a trademark suit. Another result was that ''Detective Conan'', named for Sherlock Holmes author Arthur Conan Doyle, had to be released as ''Cased Closed'' in the west to avoid their wrath.		The rights for the character are currently held by a litigant more vexatious than [[Games Workshop]]. You'd think that's an exaggeration, but Conan O'Brien had to pay them off ''to use his real name that he was given at birth'' in a show title without fear of a trademark suit. Another result was that ''Detective Conan'', named for Sherlock Holmes author Arthur Conan Doyle, had to be released as ''Cased Closed'' in the west to avoid their wrath.

			==Influences on Later Works==
			As one of the earliest examples of fantasy fiction, published even before [[The Lord of the Rings]] (and The Hobbit), Conan had a huge influence on the genre. The most obvious example is creating the cliche of the "savage but honourable barbarian hero"; without Conan, there would be no [[Barbarian]] class in D&D or [[Space Wolves]] in 40k.

			While the Fellowship of the Ring can be argued to be the original adventuring party (being a group of heroes of different species and classes united for a single quest), Conan himself is arguably the first proper "adventurer", being a lone wandering mercenary who travels the world slaying monsters and looting treasure. Given how he never settles down until he becomes a king in his forties and how he is very openly a self-serving thief/pirate/bandit, you can go futher and call Conan the first [[Murderhobo]].

			In addition, the Conan stories were perhaps some of the earliest examples of the [[Dungeon Crawling\|dungeon crawl]]. Many stories involved Conan exploring some ancient ruin or haunted dungeon that is protected by monsters and deadly traps, sometimes motivated by the presence of a great treasure hidden within.

	==Conan the Barbarian -- Modernity==		==Conan the Barbarian -- Modernity==
	The above notwithstanding, in recent years, Conan has been invariably portrayed as a giant brute. A heroic and fair-minded brute, but a brute nevertheless. Over 7 feet tall, and more than 270lbs of pure muscle, his strength was legendary. He was revered for his might in much the same way that Hercules or Thor would be. His sword was gigantic and hopelessly phallic, and despite its size and weight, he wielded it with a true warrior's mastery. While he was usually clad in only scraps of clothing or even just a loincloth (in Howard's books he actually used armour whenever he could, saving his life in many instances), this just made for a better showing of his incredible physique.		The above notwithstanding, in recent years, Conan has been invariably portrayed as a giant brute. A heroic and fair-minded brute, but a brute nevertheless. Over 7 feet tall, and more than 270lbs of pure muscle, his strength was legendary. He was revered for his might in much the same way that Hercules or Thor would be. His sword was gigantic and hopelessly phallic, and despite its size and weight, he wielded it with a true warrior's mastery. While he was usually clad in only scraps of clothing or even just a loincloth (in Howard's books he actually used armour whenever he could, saving his life in many instances), this just made for a better showing of his incredible physique.

202.160.36.16: /* Conan the Barbarian -- Modernity */

2022-12-14T17:38:42Z

Conan the Barbarian -- Modernity

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	They were both giant, mighty men from the times of early human civilization. They both came from early civilizations in the <strike>Middle East (though by some accounts Conan was from northern Europe)</strike> ACKCHYUALLY, the Cimmerians in Howard's setting were supposed to be a proto-Gaelic culture (modern day Scottish and Irish which Howard's own ancestry was traced from). They wandered the lands in search of adventure and causes to fight for. And of course, they boasted flowing, raven hair and wielded incredibly large broadswords.		They were both giant, mighty men from the times of early human civilization. They both came from early civilizations in the <strike>Middle East (though by some accounts Conan was from northern Europe)</strike> ACKCHYUALLY, the Cimmerians in Howard's setting were supposed to be a proto-Gaelic culture (modern day Scottish and Irish which Howard's own ancestry was traced from). They wandered the lands in search of adventure and causes to fight for. And of course, they boasted flowing, raven hair and wielded incredibly large broadswords.

	Of minor note: Marvel comics (not the media side, the pure comics side) has been engaging in a Conan push for a while now, as of 2020; why is an open question, but it's suspected to have something to do with a possible push for a new Marvel Cinematic Universe version of the character, or the fact that Marvel's 1970s-80s Conan run was widely beloved, and why not bring it back?		Of minor note: Marvel comics (not the media side, the pure comics side) has been engaging in a Conan push for a while now, as of 2020; why is an open question, but it's suspected to have something to do with a possible push for a new Marvel Cinematic Universe version of the character, or the fact that Marvel's 1970s-80s Conan run was widely beloved, and why not bring it back? Then again, 2022, the license went to Titan Comics, so.

	It goes without saying that Conan the Barbarian will remain an awe-inspiring character for many years to come.		It goes without saying that Conan the Barbarian will remain an awe-inspiring character for many years to come.

1d4chan>Skadooshbag at 19:16, 27 October 2022

2022-10-27T19:16:32Z

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	Conan was played by Arnold Schwarzenegger (because of course it'd be Arnie), during his bodybuilding glory days, allowing him eventually to become a [[Necrons\|Terminator]] & Governator of California. Jason Momoa also took a turn prior to his more famous roles as Khal Drogo and the goddamn Aquaman.		Conan was played by Arnold Schwarzenegger (because of course it'd be Arnie), during his bodybuilding glory days, allowing him eventually to become a [[Necrons\|Terminator]] & Governator of California. Jason Momoa also took a turn prior to his more famous roles as Khal Drogo and the goddamn Aquaman.

	The various stories of Conan the Barbarian are actually set on Earth, just in the [[Hyborian Age]], a fictional time period that predates surviving historical records.		The various stories of Conan the Barbarian are actually set on Earth, just in the [[Hyborian Age]], a fictional time period that predates surviving historical records. The stories are also set in the same universe as Howard's lesser known work Kull of Atlantis which is itself based on an even earlier "Thurian Age" set about 20000 years ago.

	The ~~stories are also set in~~ the ~~same universe as Howard~~'~~s lesser known work Kull~~ of ~~Atlantis which is itself based on an even earlier "Thurian Age" set about 20000 years ago~~.		Oddly enough, the image of Conan that developed in Pop Culture-- that of a dim-witted, easily-angered, amoral brute who charges screaming abs-first into battle wearing only a loincloth --bears little resemblance to the character in the actual stories. The real Conan is an intelligent and often cheerful polyglot who wears heavy armor into battle, sneaks around, picks locks, an is generally one of the ''most'' moral characters around (though in this last department he of course still comes slightly short of our modern standards).

	==Personality and Character==		==Personality and Character==
	Conan is a Cimmerian (<strike>a Scythian tribe from the north of the Black Sea</strike> a likely fictional ancestral people to the Celts given the same name by Howard due to a presumed connection between the two), a barbarian of the far north. One of his grandfathers, however, came from a southern tribe. He was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian outpost of Venarium. After its destruction, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary and pirate ~~([[What\|that's right, the archetypal D&D barbarian was a thief multi]])~~. As he grew older, he began commanding larger units of men and escalating his ambitions. In his forties, he seized the crown of the tyrannical king of Aquilonia, the most powerful kingdom of the Hyborian Age, having strangled the previous ruler on the steps of the throne. Conan's adventures often result in him performing heroic feats, though his motivation for doing so is largely for his own survival or for personal gain, implying that the character displays the characteristics of an anti-hero and could be described as the archetypal "amoral swordsman" of the Sword and Sorcery genre. This observation could however be said to be in contrast to the assumption that Conan was merely another barbarian hero as envisioned by Howard for Weird Tales magazine.		Conan is a Cimmerian (<strike>a Scythian tribe from the north of the Black Sea</strike> a likely fictional ancestral people to the Celts given the same name by Howard due to a presumed connection between the two), a barbarian of the far north. One of his grandfathers, however, came from a southern tribe. He was born on a battlefield and is the son of a village blacksmith. Conan matured quickly as a youth and, by age fifteen, he was already a respected warrior who had participated in the destruction of the Aquilonian outpost of Venarium. After its destruction, he was struck by wanderlust and began the adventures chronicled by Howard, encountering skulking monsters, evil wizards, tavern wenches, and beautiful princesses. He roamed throughout the Hyborian Age nations as a thief, outlaw, mercenary and pirate. As he grew older, he began commanding larger units of men and escalating his ambitions. In his forties, he seized the crown of the tyrannical king of Aquilonia, the most powerful kingdom of the Hyborian Age, having strangled the previous ruler on the steps of the throne. Conan's adventures often result in him performing heroic feats, though his motivation for doing so is largely for his own survival or for personal gain, implying that the character displays the characteristics of an anti-hero and could be described as the archetypal "amoral swordsman" of the Sword and Sorcery genre. This observation could however be said to be in contrast to the assumption that Conan was merely another barbarian hero as envisioned by Howard for Weird Tales magazine.

	On the other hand, Conan shows some character development through the stories, and to say he is amoral wouldn't be exactly true, instead it's more like he has his own code of ethics, which over time evolves to answer to new and more complex scenarios. During the story "Rogues in the House" he stays true to his contractor despite having a chance to just slip away because he felt he was in debt with him. Similarly in "Queen of the Black Coast" he didn't betray a friend despite being threatened with punishment, because according to his own views "he was a friend of him" and hence he couldn't betray his trust. In "The Scarlet Citadel" it's said he took Aquilonia's crown mostly for his own gain, yet Conan decides to face death rather than to sell his kingdom to his enemies in exchange for money and freedom. A similar scenario happens in The Hour of the Dragon, where rather than just abandoning Aquilonia Conan embarks in a quest to save the day, and he makes clear to the antagonist he will have all of his subjects sold as slaves returned without exception, on the grounds that Conan makes no difference between fellow warriors and rogues, commoners and nobility; they all are "tribe" to him and hence his own.		On the other hand, Conan shows some character development through the stories, and to say he is amoral wouldn't be exactly true, instead it's more like he has his own code of ethics, which over time evolves to answer to new and more complex scenarios. During the story "Rogues in the House" he stays true to his contractor despite having a chance to just slip away because he felt he was in debt with him. Similarly in "Queen of the Black Coast" he didn't betray a friend despite being threatened with punishment, because according to his own views "he was a friend of him" and hence he couldn't betray his trust. In "The Scarlet Citadel" it's said he took Aquilonia's crown mostly for his own gain, yet Conan decides to face death rather than to sell his kingdom to his enemies in exchange for money and freedom. A similar scenario happens in The Hour of the Dragon, where rather than just abandoning Aquilonia Conan embarks in a quest to save the day, and he makes clear to the antagonist he will have all of his subjects sold as slaves returned without exception, on the grounds that Conan makes no difference between fellow warriors and rogues, commoners and nobility; they all are "tribe" to him and hence his own.

122.155.174.74 at 00:16, 26 August 2022

2022-08-26T00:16:33Z

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	Depending on the story or setting he was being reflected, he originated from disparate places such as Gaul or Scandinavia, but most commonly, in environs reminiscent of <s>the ancient Middle East or Babylon</s> the pre-Romanic British Isles.		Depending on the story or setting he was being reflected, he originated from disparate places such as Gaul or Scandinavia, but most commonly, in environs reminiscent of <s>the ancient Middle East or Babylon</s> the pre-Romanic British Isles.

	[[Red Sonja]] was basically written as an attempt to create a female counterpart to Conan (and was herself inspired by another of Robert's characters). [[Elric]] of Melnibone was created by [[Moorcock]] as a kind of deliberate foil to him.		[[Red Sonja]] was basically written as an attempt to create a female counterpart to Conan (and was herself inspired by another of Robert's characters, specifically Red Sonya from The Shadow of The Vulture and Dark Agnes De Chastilon, both redheads, though like the original Conan, actually wore clothes). [[Elric]] of Melnibone was created by [[Moorcock]] as a kind of deliberate foil to him.

	In recent years, the most famous portrayals of Conan were in the ''Conan the Barbarian'' films of the 1980s starring Arnold Schwarzenegger (one his earliest films), and the surprisingly impressive animated television series, ''[[Conan the Adventurer]]''. The films at least ''attempted'' to capture a little more of the "surprisingly intelligent" aspect of the character (the first stresses his education in poetry, tactics, and philosophy and included a deleted scene of him melancholically reflecting on the harshness and sacrifices of his [[murderhobos\|way of life]]), but was inevitably brought up short by the fact that the leading man was cast more for his charisma and physique than his ability to act or, you know, actually speak English.		In recent years, the most famous portrayals of Conan were in the ''Conan the Barbarian'' films of the 1980s starring Arnold Schwarzenegger (one his earliest films), and the surprisingly impressive animated television series, ''[[Conan the Adventurer]]''. The films at least ''attempted'' to capture a little more of the "surprisingly intelligent" aspect of the character (the first stresses his education in poetry, tactics, and philosophy and included a deleted scene of him melancholically reflecting on the harshness and sacrifices of his [[murderhobos\|way of life]]), but was inevitably brought up short by the fact that the leading man was cast more for his charisma and physique than his ability to act or, you know, actually speak English.

104.220.162.108: /* Appearance (Original Portrayals) */

2022-07-21T03:04:15Z

Appearance (Original Portrayals)

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	==Appearance (Original Portrayals)==		==Appearance (Original Portrayals)==
	Conan has "sullen blue eyes" and a black "square-cut mane". Howard once describes him as having a hairy chest and, while comic book interpretations often portray Conan as wearing a loincloth or other minimalist clothing, Howard describes the character as wearing whatever garb is typical for the land and culture in which Conan finds himself. Though Howard never gave a strict height or weight for Conan in a story, only describing him in loose terms like "giant" and "massive", he did once state that Conan and another of Howard's characters, the crusader Cormac Fitzgeoffrey, were "physical doubles" at 6'2" and 210 lb (188 cm and 95 kg, a description of Howard's own height and weight). In the tales no human is ever described as stronger than Conan, although several are mentioned as taller (such as the strangler Baal-pteor) or of larger bulk. In a letter to P. Schuyler Miller and John D. Clark in 1936 only three months before Howard's death, Conan is described as standing 6 feet and weighing 180 pounds when he takes part in an attack on Venarium only 15 years old, though being far from fully grown. Although Conan is muscular, Howard frequently compares his agility and way of moving to that of a panther (see for instance "Jewels of Gwahlur," "Beyond the Black River" or "Rogues in the House"). His skin is frequently characterized as bronzed from constant exposure to the sun. In his younger years, he is often depicted wearing a light chain shirt and a horned helmet, though appearances vary with different artists.		Conan has "sullen blue eyes" and a black "square-cut mane". Howard once describes him as having a hairy chest and, while comic book interpretations often portray Conan as wearing a loincloth or other minimalist clothing, Howard describes the character as wearing whatever garb is typical for the land and culture in which Conan finds himself (he gets knocked out and stripped of it with surprising frequency though!). Though Howard never gave a strict height or weight for Conan in a story, only describing him in loose terms like "giant" and "massive", he did once state that Conan and another of Howard's characters, the crusader Cormac Fitzgeoffrey, were "physical doubles" at 6'2" and 210 lb (188 cm and 95 kg, a description of Howard's own height and weight). In the tales no human is ever described as stronger than Conan, although several are mentioned as taller (such as the strangler Baal-pteor) or of larger bulk. In a letter to P. Schuyler Miller and John D. Clark in 1936 only three months before Howard's death, Conan is described as standing 6 feet and weighing 180 pounds when he takes part in an attack on Venarium only 15 years old, though being far from fully grown. Although Conan is muscular, Howard frequently compares his agility and way of moving to that of a panther (see for instance "Jewels of Gwahlur," "Beyond the Black River" or "Rogues in the House"). His skin is frequently characterized as bronzed from constant exposure to the sun. In his younger years, he is often depicted wearing a light chain shirt and a horned helmet, though appearances vary with different artists.

	During his reign as king of Aquilonia, Conan was "... a tall man, mightily shouldered and deep of chest, with a massive corded neck and heavily muscled limbs. He was clad in silk and velvet, with the royal lions of Aquilonia worked in gold upon his rich jupon, and the crown of Aquilonia shone on his square-cut black mane; but the great sword at his side seemed more natural to him than the regal accoutrements. His brow was low and broad, his eyes a volcanic blue that smoldered as if with some inner fire. His dark, scarred, almost sinister face was that of a fighting-man, and his velvet garments could not conceal the hard, dangerous lines of his limbs."		During his reign as king of Aquilonia, Conan was "... a tall man, mightily shouldered and deep of chest, with a massive corded neck and heavily muscled limbs. He was clad in silk and velvet, with the royal lions of Aquilonia worked in gold upon his rich jupon, and the crown of Aquilonia shone on his square-cut black mane; but the great sword at his side seemed more natural to him than the regal accoutrements. His brow was low and broad, his eyes a volcanic blue that smoldered as if with some inner fire. His dark, scarred, almost sinister face was that of a fighting-man, and his velvet garments could not conceal the hard, dangerous lines of his limbs."

95.245.174.129: /* Personality and Character */

2022-03-30T09:51:41Z

Personality and Character

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	On the other hand, Conan shows some character development through the stories, and to say he is amoral wouldn't be exactly true, instead it's more like he has his own code of ethics, which over time evolves to answer to new and more complex scenarios. During the story "Rogues in the House" he stays true to his contractor despite having a chance to just slip away because he felt he was in debt with him. Similarly in "Queen of the Black Coast" he didn't betray a friend despite being threatened with punishment, because according to his own views "he was a friend of him" and hence he couldn't betray his trust. In "The Scarlet Citadel" it's said he took Aquilonia's crown mostly for his own gain, yet Conan decides to face death rather than to sell his kingdom to his enemies in exchange for money and freedom. A similar scenario happens in The Hour of the Dragon, where rather than just abandoning Aquilonia Conan embarks in a quest to save the day, and he makes clear to the antagonist he will have all of his subjects sold as slaves returned without exception, on the grounds that Conan makes no difference between fellow warriors and rogues, commoners and nobility; they all are "tribe" to him and hence his own.		On the other hand, Conan shows some character development through the stories, and to say he is amoral wouldn't be exactly true, instead it's more like he has his own code of ethics, which over time evolves to answer to new and more complex scenarios. During the story "Rogues in the House" he stays true to his contractor despite having a chance to just slip away because he felt he was in debt with him. Similarly in "Queen of the Black Coast" he didn't betray a friend despite being threatened with punishment, because according to his own views "he was a friend of him" and hence he couldn't betray his trust. In "The Scarlet Citadel" it's said he took Aquilonia's crown mostly for his own gain, yet Conan decides to face death rather than to sell his kingdom to his enemies in exchange for money and freedom. A similar scenario happens in The Hour of the Dragon, where rather than just abandoning Aquilonia Conan embarks in a quest to save the day, and he makes clear to the antagonist he will have all of his subjects sold as slaves returned without exception, on the grounds that Conan makes no difference between fellow warriors and rogues, commoners and nobility; they all are "tribe" to him and hence his own.

	Conan is quite emotional but in no way weak, described by Howard as a man of "...great melancholies and great mirth". Said mirth can be seen in Conan's sense of humor, a trait largely absent in the comics and movies but very much a part of Howard's original vision of the character. This is particularly evident is found in "Xuthal of the Dusk," also known as "The Slithering Shadow"; quick example, instead of slaying his treacherous ex-girlfriend he dumped her... literally... into the ancient equivalent of a septic tank, and then laughed about this feat. He is a loyal friend to those true to him, with a barbaric code of conduct that often marks him as more honorable than the more sophisticated people he meets in his travels. Indeed, his straightforward nature and barbarism are constants in all the tales. Another aspect of him from the beginning that crops up to various degrees is Conan's dislike of magic, even fearing it at times; this comes from the fact that physical prowess and wit are of limited use against supernatural power, the amount of evil magic users he's fought and the fact that [[Satanic Panic\|casting magic in the Conanverse usually involves horrible ingredients or immoral acts]].		Conan is quite emotional but in no way weak, described by Howard as a man of "...great melancholies and great mirth". Said mirth can be seen in Conan's sense of humor, a trait largely absent in the comics and movies but very much a part of Howard's original vision of the character. This is particularly evident is found in "Xuthal of the Dusk," also known as "The Slithering Shadow"; quick example, instead of slaying his treacherous ex-girlfriend he dumped her... literally... into the ancient equivalent of a septic tank, and then laughed about this feat(though this is a bit strange, considering how he murdered an innocent bystander just to get to her). He is a loyal friend to those true to him, with a barbaric code of conduct that often marks him as more honorable than the more sophisticated people he meets in his travels. Indeed, his straightforward nature and barbarism are constants in all the tales. Another aspect of him from the beginning that crops up to various degrees is Conan's dislike of magic, even fearing it at times; this comes from the fact that physical prowess and wit are of limited use against supernatural power, the amount of evil magic users he's fought and the fact that [[Satanic Panic\|casting magic in the Conanverse usually involves horrible ingredients or immoral acts]].

	==Appearance (Original Portrayals)==		==Appearance (Original Portrayals)==