The Earthsea Cycle - Revision history

imported>Administrator: 20 revisions imported

2023-06-23T14:10:58Z

20 revisions imported

← Older revision	Revision as of 14:10, 23 June 2023
(No difference)

imported>Administrator: 1 revision imported

2023-06-19T14:05:06Z

1 revision imported

← Older revision	Revision as of 14:05, 19 June 2023
(No difference)

1d4chan>FenaTiX: /* Film and Television */

2022-05-29T17:07:04Z

Film and Television

← Older revision		Revision as of 17:07, 29 May 2022
Line 33:		Line 33:

	==Film and Television==		==Film and Television==
	Now, some more lazy fa/tg/uys and/or ca/tg/irls may not want to read the 860 collective pages of the main series, and may probably go looking for something much more easy to consume. A quick google search of "Earthsea film" will yield two results; The sci-fi channel's "Earthsea" mini-series and studio ghibli's "Tales from Earthsea".		Now, some more lazy fa/tg/uys and/or ca/tg/irls may not want to read the 860 collective pages of the main series, and may probably go looking for something much more easy to consume. A quick google search of "Earthsea film" will yield two results; The sci-fi channel's "Earthsea" mini-series and studio ghibli's "Tales from Earthsea".<br>

	The unfortunate result from watching these two would likely be an unwillingness to investigate the books from which they came, and as such, '''watching either of these is unadvised'''.		The unfortunate result from watching these two would likely be an unwillingness to investigate the books from which they came, and as such, '''watching either of these is unadvised'''.

	The Sci-fi channel original mini-series is everything you would expect. A poorly produced, cheesily executed, and just plain [[Heresy\|bad]] [[skub\|skubfest]] that managed to turn the author, sweet old Ursula, into an [[Angry Marine]] due to how bad it was. There are many ways that this adaptation rapes the source material, from the hasty salad-toss story that mixes book one and two together, the terrible acting, cinematography and over-abundance of stock sounds but the biggest and most horrendous offence is how it turns the ethnically diverse and unique setting of Earthsea into some generic, Tolkienesque medieval world, something that, you know, the books were trying to AVOID!!!		The Sci-fi channel original mini-series is everything you would expect. A poorly produced, cheesily executed, and just plain [[Heresy\|bad]] [[skub\|skubfest]] that managed to turn the author, sweet old Ursula, into an [[Angry Marine]] due to how bad it was. There are many ways that this adaptation rapes the source material, from the hasty salad-toss story that mixes book one and two together, the terrible acting, cinematography and over-abundance of stock sounds but the biggest and most horrendous offence is how it turns the ethnically diverse and unique setting of Earthsea into some generic, Tolkienesque medieval world, something that, you know, the books were trying to AVOID!!!

	The much less offensive of the two is the studio ghibli made "Tales from Earthsea" made by the one and only Miyazaki...Goro Miyazaki, that is...Hayao's son. While the name may lead you into thinking it's an adaptation of the short-story collection, don't be fooled, because the main chunk of its story comes from "The Farthest Shore", with a bit of "Tehanu" mixed in...and book one...and book two...yeah.		The much less offensive of the two is the studio ghibli made "Tales from Earthsea" made by the one and only Miyazaki...Goro Miyazaki, that is...Hayao's son. While the name may lead you into thinking it's an adaptation of the short-story collection, don't be fooled, because the main chunk of its story comes from "The Farthest Shore", with a bit of "Tehanu" mixed in...and book one...and book two...yeah. It's kind of a mess.<br>

	It's kind of a mess.

	At least, unlike the mini-series it gets the setting and tone right enough, even if there's a bit of ghibli weirdness thrown in. Its biggest problem, however, is that it's just not that entertaining of a movie. To top it all off, it's also clearly not their best animated film, with the animation having a reasonably low frame-rate at times and a noticeable lack of detail compared to their other films.		At least, unlike the mini-series it gets the setting and tone right enough, even if there's a bit of ghibli weirdness thrown in. Its biggest problem, however, is that it's just not that entertaining of a movie. To top it all off, it's also clearly not their best animated film, with the animation having a reasonably low frame-rate at times and a noticeable lack of detail compared to their other films.

	If you absolutely have to, though, as in you're dyselxic and also deaf rendering you physically unable to read the books or listen to the audiobooks, the Ghibli version is the best way to go, but not even [[Awesome\|Willem Motherfucking Dafoe]] and Timothy [[skub\|"the best bond"]] Dalton could make this one a worthy substitute for the original.		If you absolutely have to, though, as in you're dyselxic and also deaf rendering you physically unable to read the books or listen to the audiobooks, the Ghibli version is the "best" way to go, but not even [[Awesome\|Willem Motherfucking Dafoe]] and Timothy [[skub\|"the best bond"]] Dalton could make this one a worthy substitute for the original.

	[[Category:Literature]]		[[Category:Literature]]
	[[category:Television]]		[[category:Television]]
	[[category:Film]]		[[category:Film]]

104.220.162.108: /* Main series */

2021-05-20T05:39:35Z

Main series

← Older revision		Revision as of 05:39, 20 May 2021
Line 23:		Line 23:
	==The Books==		==The Books==
	===Main series===		===Main series===
	*'''A Wizard of Earthsea''': The first book in the series is a bildungsroman about a young wizard named Ged, later to be known as the Archmage Sparrowhawk who, after discovering a talent for magic, saves his town from invaders and is apprenticed under a local wizard who sends him off to the Isle of Roke to learn the art of magic and become a wizard of his own. Here, he gets cocky and is dared by an [[that guy\|asshole kid]] into performing a huge spell which he fucks up massively bringing him back to square one. The rest of the book is his fight for redemption and self-acceptance so he can fulfil his destiny of becoming the greatest wizard in living memory. This book should be noted by DMs for its ability to, despite it's miniscule page length of 205, set up almost the entire setting of Earthsea, without so much as missing a beat from the actual story-telling. This is in part due to its detached third-person narration which makes it similar in reading to older stories like [[the Poetic Edda]] and [[Beowulf]], without the weighty and archaic words found there. It also manages to teach the reader a vital lesson, that being that even the greatest of achievers started by making mistakes, something the [[Harry Potter\|book's]] [[Eragon\|copiers]] [[Fail\|failed]] to do.		*'''A Wizard of Earthsea''': The first book in the series is a bildungsroman about a young wizard named Ged, later to be known as the Archmage Sparrowhawk, who after discovering a talent for magic saves his town from invaders and is apprenticed under a local wizard who sends him off to the Isle of Roke to learn the art of magic and become a wizard of his own. Here, he gets cocky and is dared by an [[that guy\|asshole kid]] into performing a huge spell which he fucks up massively bringing him back to square one. The rest of the book is his fight for redemption and self-acceptance so he can fulfil his destiny of becoming the greatest wizard in living memory. This book should be noted by DMs for its ability to, despite it's miniscule page length of 205, set up almost the entire setting of Earthsea, without so much as missing a beat from the actual story-telling. This is in part due to its detached third-person narration which makes it similar in reading to older stories like [[the Poetic Edda]] and [[Beowulf]], without the weighty and archaic words found there. It also manages to teach the reader a vital lesson, that being that even the greatest of achievers started by making mistakes, something the [[Harry Potter\|book's]] [[Eragon\|copiers]] [[Fail\|failed]] to do.
	*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.		*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.
	*'''The Farthest Shore''': The story of Ged, now Archmage of Roke, embarking with a teenage prince on a journey to save Earthsea from some magic affliction which is plunging the entirety of Earthsea into chaos. Turns out there's a necromancer trying to cheat death, upsetting the aforementioned balance over the world that magic has. While Ged is a main character, the main story emphasis is on Lebannen, or Arren, the prince of Enlad who later becomes the emperor of Earthsea, after going through the similar bildungsroman treatment as the first book (might seem like a spoiler, but the book makes it quite obvious that this is going to go down). A more exciting pace than the Tombs of Atuan, it still contains similar themes of morality, but also touches on more bigger human themes such as mortality and corruption, and is marked by a step towards the [[grimdark]] for the series, though ends quite positively. Worth skipping to if Tombs of Atuan sounds too boring for you.		*'''The Farthest Shore''': The story of Ged, now Archmage of Roke, embarking with a teenage prince on a journey to save Earthsea from some magic affliction which is plunging the entirety of Earthsea into chaos. Turns out there's a necromancer trying to cheat death, upsetting the aforementioned balance over the world that magic has. While Ged is a main character, the main story emphasis is on Lebannen, or Arren, the prince of Enlad who later becomes the emperor of Earthsea, after going through the similar bildungsroman treatment as the first book (might seem like a spoiler, but the book makes it quite obvious that this is going to go down). A more exciting pace than the Tombs of Atuan, it still contains similar themes of morality, but also touches on more bigger human themes such as mortality and corruption, and is marked by a step towards the [[grimdark]] for the series, though ends quite positively. Worth skipping to if Tombs of Atuan sounds too boring for you.

1d4chan>The Hat That Was at 14:00, 7 June 2020

2020-06-07T14:00:57Z

← Older revision		Revision as of 14:00, 7 June 2020
Line 9:		Line 9:
	Well, for one, it's fantasy (duh); two, it's an influential example at that; three it's an original and unique setting compared to both its predecessors and competitors from around that time; and four, they're just really well written books, filled with likeable characters, efficient yet dense and fascinating world-building, philosophical themes of morality, gender and religion, and good messages, which you'd hope it would have, given that it was written with children in mind.		Well, for one, it's fantasy (duh); two, it's an influential example at that; three it's an original and unique setting compared to both its predecessors and competitors from around that time; and four, they're just really well written books, filled with likeable characters, efficient yet dense and fascinating world-building, philosophical themes of morality, gender and religion, and good messages, which you'd hope it would have, given that it was written with children in mind.

	=Earthsea itself=		==Earthsea itself==
	[[File:EarthseaMap.jpg\|thumb\|200px\|right\|A map of the setting. As you can see, there is both much earth, and much sea.]]		[[File:EarthseaMap.jpg\|thumb\|200px\|right\|A map of the setting. As you can see, there is both much earth, and much sea.]]
	One of the key deconstructive elements of the series is the setting itself which, as the name suggests, is mostly ocean filled with many islands and archipelagos. This is compared to [[The Lord of the Rings]] where the setting is one massive continent that spans several hundred, maybe even thousands, of miles.		One of the key deconstructive elements of the series is the setting itself which, as the name suggests, is mostly ocean filled with many islands and archipelagos. This is compared to [[The Lord of the Rings]] where the setting is one massive continent that spans several hundred, maybe even thousands, of miles.
Line 21:		Line 21:
	Also unlike other series, Earthsea has a distinct lack of fantastical races. There are many different fantasy creatures, but the only intelligent ones able to communicate and have structured societies are Humans and Dragons, the latter of which only have a minor role in two books and a brief cameo in the others. To make up for this, there are many different ethnicities which are native to the various islands. This also makes this setting unique as the story-telling is deeply human and at points touches on relevant themes about culture and religion in a slightly more explicit way than others tend to do.		Also unlike other series, Earthsea has a distinct lack of fantastical races. There are many different fantasy creatures, but the only intelligent ones able to communicate and have structured societies are Humans and Dragons, the latter of which only have a minor role in two books and a brief cameo in the others. To make up for this, there are many different ethnicities which are native to the various islands. This also makes this setting unique as the story-telling is deeply human and at points touches on relevant themes about culture and religion in a slightly more explicit way than others tend to do.

	=The Books=		==The Books==
			===Main series===
	==Main series==
	*'''A Wizard of Earthsea''': The first book in the series is a bildungsroman about a young wizard named Ged, later to be known as the Archmage Sparrowhawk who, after discovering a talent for magic, saves his town from invaders and is apprenticed under a local wizard who sends him off to the Isle of Roke to learn the art of magic and become a wizard of his own. Here, he gets cocky and is dared by an [[that guy\|asshole kid]] into performing a huge spell which he fucks up massively bringing him back to square one. The rest of the book is his fight for redemption and self-acceptance so he can fulfil his destiny of becoming the greatest wizard in living memory. This book should be noted by DMs for its ability to, despite it's miniscule page length of 205, set up almost the entire setting of Earthsea, without so much as missing a beat from the actual story-telling. This is in part due to its detached third-person narration which makes it similar in reading to older stories like [[the Poetic Edda]] and [[Beowulf]], without the weighty and archaic words found there. It also manages to teach the reader a vital lesson, that being that even the greatest of achievers started by making mistakes, something the [[Harry Potter\|book's]] [[Eragon\|copiers]] [[Fail\|failed]] to do.		*'''A Wizard of Earthsea''': The first book in the series is a bildungsroman about a young wizard named Ged, later to be known as the Archmage Sparrowhawk who, after discovering a talent for magic, saves his town from invaders and is apprenticed under a local wizard who sends him off to the Isle of Roke to learn the art of magic and become a wizard of his own. Here, he gets cocky and is dared by an [[that guy\|asshole kid]] into performing a huge spell which he fucks up massively bringing him back to square one. The rest of the book is his fight for redemption and self-acceptance so he can fulfil his destiny of becoming the greatest wizard in living memory. This book should be noted by DMs for its ability to, despite it's miniscule page length of 205, set up almost the entire setting of Earthsea, without so much as missing a beat from the actual story-telling. This is in part due to its detached third-person narration which makes it similar in reading to older stories like [[the Poetic Edda]] and [[Beowulf]], without the weighty and archaic words found there. It also manages to teach the reader a vital lesson, that being that even the greatest of achievers started by making mistakes, something the [[Harry Potter\|book's]] [[Eragon\|copiers]] [[Fail\|failed]] to do.
	*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.		*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.
Line 30:		Line 29:
	*'''The Other Wind'''		*'''The Other Wind'''

	==Short Stories==		===Short Stories===
	*'''Tales from Earthsea''': More or less, exactly what it says on the tin. Tales from Earthsea is a collection of short stories that seek to expand the character as well as the world building of the original novels. Some of the main characters from previous books make some noteworthy appearances, there's a story about the founding of the mage's school on Roke island, as well as an in-depth description of the world of Earthsea itself. As can probably be guessed, this book was written to tide readers over to the other wind once Ursula had decided to write some more books. Worthwhile read, though.		*'''Tales from Earthsea''': More or less, exactly what it says on the tin. Tales from Earthsea is a collection of short stories that seek to expand the character as well as the world building of the original novels. Some of the main characters from previous books make some noteworthy appearances, there's a story about the founding of the mage's school on Roke island, as well as an in-depth description of the world of Earthsea itself. As can probably be guessed, this book was written to tide readers over to the other wind once Ursula had decided to write some more books. Worthwhile read, though.

	=Film and Television=		==Film and Television==
	Now, some more lazy fa/tg/uys and/or ca/tg/irls may not want to read the 860 collective pages of the main series, and may probably go looking for something much more easy to consume. A quick google search of "Earthsea film" will yield two results; The sci-fi channel's "Earthsea" mini-series and studio ghibli's "Tales from Earthsea".		Now, some more lazy fa/tg/uys and/or ca/tg/irls may not want to read the 860 collective pages of the main series, and may probably go looking for something much more easy to consume. A quick google search of "Earthsea film" will yield two results; The sci-fi channel's "Earthsea" mini-series and studio ghibli's "Tales from Earthsea".

1d4chan>LiVetoair: /* Short Stories */

2020-05-16T06:51:54Z

Short Stories

← Older revision		Revision as of 06:51, 16 May 2020
Line 31:		Line 31:

	==Short Stories==		==Short Stories==
	*'''Tales from Earthsea'''		*'''Tales from Earthsea''': More or less, exactly what it says on the tin. Tales from Earthsea is a collection of short stories that seek to expand the character as well as the world building of the original novels. Some of the main characters from previous books make some noteworthy appearances, there's a story about the founding of the mage's school on Roke island, as well as an in-depth description of the world of Earthsea itself. As can probably be guessed, this book was written to tide readers over to the other wind once Ursula had decided to write some more books. Worthwhile read, though.

	=Film and Television=		=Film and Television=

61.6.230.109: /* Main series */

2019-10-25T06:31:27Z

Main series

← Older revision		Revision as of 06:31, 25 October 2019
Line 27:		Line 27:
	*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.		*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.
	*'''The Farthest Shore''': The story of Ged, now Archmage of Roke, embarking with a teenage prince on a journey to save Earthsea from some magic affliction which is plunging the entirety of Earthsea into chaos. Turns out there's a necromancer trying to cheat death, upsetting the aforementioned balance over the world that magic has. While Ged is a main character, the main story emphasis is on Lebannen, or Arren, the prince of Enlad who later becomes the emperor of Earthsea, after going through the similar bildungsroman treatment as the first book (might seem like a spoiler, but the book makes it quite obvious that this is going to go down). A more exciting pace than the Tombs of Atuan, it still contains similar themes of morality, but also touches on more bigger human themes such as mortality and corruption, and is marked by a step towards the [[grimdark]] for the series, though ends quite positively. Worth skipping to if Tombs of Atuan sounds too boring for you.		*'''The Farthest Shore''': The story of Ged, now Archmage of Roke, embarking with a teenage prince on a journey to save Earthsea from some magic affliction which is plunging the entirety of Earthsea into chaos. Turns out there's a necromancer trying to cheat death, upsetting the aforementioned balance over the world that magic has. While Ged is a main character, the main story emphasis is on Lebannen, or Arren, the prince of Enlad who later becomes the emperor of Earthsea, after going through the similar bildungsroman treatment as the first book (might seem like a spoiler, but the book makes it quite obvious that this is going to go down). A more exciting pace than the Tombs of Atuan, it still contains similar themes of morality, but also touches on more bigger human themes such as mortality and corruption, and is marked by a step towards the [[grimdark]] for the series, though ends quite positively. Worth skipping to if Tombs of Atuan sounds too boring for you.
	*'''Tehanu''': Book four returns to Tenar some decades after book two, now living on the Isle of Gont and partly looking after Ged's old teacher. Continuing the series' move towards grimdark, she's also looking after a girl with a half-burned face that was horribly treated, implied possibly raped, and is mistrusted, even despised, by the surrounding villagers. Ged returns home, this time without his powers, and is has to find new meaningful ways to live his life. This book deals more with themes of gender and taoist philosophies of being and doing. Would advise a skipping if you did the same for Tombs of Atuan.		*'''Tehanu''': Book four returns to Tenar some decades after book two, now living on the Isle of Gont and partly looking after Ged's old teacher. Continuing the series' move towards grimdark, she's also looking after a girl with a half-burned face that was horribly treated, implied possibly raped, and is mistrusted, even despised, by the surrounding villagers. Ged returns home, this time without his powers, and has to find new meaningful ways to live his life. This book deals more with themes of gender and taoist philosophies of being and doing. Would advise a skipping if you did the same for Tombs of Atuan.
	*'''The Other Wind'''		*'''The Other Wind'''

1d4chan>LiVetoair: /* Film and Television */

2018-01-24T00:36:53Z

Film and Television

← Older revision		Revision as of 00:36, 24 January 2018
Line 46:		Line 46:
	At least, unlike the mini-series it gets the setting and tone right enough, even if there's a bit of ghibli weirdness thrown in. Its biggest problem, however, is that it's just not that entertaining of a movie. To top it all off, it's also clearly not their best animated film, with the animation having a reasonably low frame-rate at times and a noticeable lack of detail compared to their other films.		At least, unlike the mini-series it gets the setting and tone right enough, even if there's a bit of ghibli weirdness thrown in. Its biggest problem, however, is that it's just not that entertaining of a movie. To top it all off, it's also clearly not their best animated film, with the animation having a reasonably low frame-rate at times and a noticeable lack of detail compared to their other films.

	If you absolutely have to, though, as in you're dyselxic and physically ~~can't~~ read the books, the Ghibli version is the best way to go, but not even [[Awesome\|Willem Motherfucking Dafoe]] and Timothy [[skub\|"the best bond"]] Dalton could make this one a worthy substitute for the original.		If you absolutely have to, though, as in you're dyselxic and also deaf rendering you physically unable to read the books or listen to the audiobooks, the Ghibli version is the best way to go, but not even [[Awesome\|Willem Motherfucking Dafoe]] and Timothy [[skub\|"the best bond"]] Dalton could make this one a worthy substitute for the original.

	[[Category:Literature]]		[[Category:Literature]]
	[[category:Television]]		[[category:Television]]
	[[category:Film]]		[[category:Film]]

1d4chan>LiVetoair: /* Main series */

2017-12-24T18:11:10Z

Main series

← Older revision		Revision as of 18:11, 24 December 2017
Line 24:		Line 24:

	==Main series==		==Main series==
	*'''A Wizard of Earthsea''': The first book in the series is a bildungsroman about a young wizard named Ged, later to be known as the Archmage Sparrowhawk who, after discovering a talent for magic, saves his town from invaders and is apprenticed under a local wizard who sends him off to the Isle of Roke to learn the art of magic and become a wizard of his own. Here, he gets cocky and is dared by an [[that guy\|asshole kid]] into performing a huge spell which he fucks up massively bringing him back to square one. The rest of the book is his fight for redemption and self-acceptance so he can fulfil his destiny of becoming the greatest wizard in living memory. This book should be noted by DMs for its ability to, despite it's miniscule page length of 205, set up almost the entire setting of Earthsea, without so much as missing a beat from the actual story-telling. This is in part due to its detached third-person narration which makes it similar in reading to older stories like ~~the~~ [[Poetic Edda]] and [[Beowulf]], without the weighty and archaic words found there. It also manages to teach the reader a vital lesson, that being that even the greatest of achievers started by making mistakes, something the [[Harry Potter\|book's]] [[Eragon\|copiers]] [[Fail\|failed]] to do.		*'''A Wizard of Earthsea''': The first book in the series is a bildungsroman about a young wizard named Ged, later to be known as the Archmage Sparrowhawk who, after discovering a talent for magic, saves his town from invaders and is apprenticed under a local wizard who sends him off to the Isle of Roke to learn the art of magic and become a wizard of his own. Here, he gets cocky and is dared by an [[that guy\|asshole kid]] into performing a huge spell which he fucks up massively bringing him back to square one. The rest of the book is his fight for redemption and self-acceptance so he can fulfil his destiny of becoming the greatest wizard in living memory. This book should be noted by DMs for its ability to, despite it's miniscule page length of 205, set up almost the entire setting of Earthsea, without so much as missing a beat from the actual story-telling. This is in part due to its detached third-person narration which makes it similar in reading to older stories like [[the Poetic Edda]] and [[Beowulf]], without the weighty and archaic words found there. It also manages to teach the reader a vital lesson, that being that even the greatest of achievers started by making mistakes, something the [[Harry Potter\|book's]] [[Eragon\|copiers]] [[Fail\|failed]] to do.
	*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.		*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.
	*'''The Farthest Shore''': The story of Ged, now Archmage of Roke, embarking with a teenage prince on a journey to save Earthsea from some magic affliction which is plunging the entirety of Earthsea into chaos. Turns out there's a necromancer trying to cheat death, upsetting the aforementioned balance over the world that magic has. While Ged is a main character, the main story emphasis is on Lebannen, or Arren, the prince of Enlad who later becomes the emperor of Earthsea, after going through the similar bildungsroman treatment as the first book (might seem like a spoiler, but the book makes it quite obvious that this is going to go down). A more exciting pace than the Tombs of Atuan, it still contains similar themes of morality, but also touches on more bigger human themes such as mortality and corruption, and is marked by a step towards the [[grimdark]] for the series, though ends quite positively. Worth skipping to if Tombs of Atuan sounds too boring for you.		*'''The Farthest Shore''': The story of Ged, now Archmage of Roke, embarking with a teenage prince on a journey to save Earthsea from some magic affliction which is plunging the entirety of Earthsea into chaos. Turns out there's a necromancer trying to cheat death, upsetting the aforementioned balance over the world that magic has. While Ged is a main character, the main story emphasis is on Lebannen, or Arren, the prince of Enlad who later becomes the emperor of Earthsea, after going through the similar bildungsroman treatment as the first book (might seem like a spoiler, but the book makes it quite obvious that this is going to go down). A more exciting pace than the Tombs of Atuan, it still contains similar themes of morality, but also touches on more bigger human themes such as mortality and corruption, and is marked by a step towards the [[grimdark]] for the series, though ends quite positively. Worth skipping to if Tombs of Atuan sounds too boring for you.

1d4chan>Namefag: /* Main series */

2017-10-23T18:04:23Z

Main series

← Older revision		Revision as of 18:04, 23 October 2017
Line 25:		Line 25:
	==Main series==		==Main series==
	*'''A Wizard of Earthsea''': The first book in the series is a bildungsroman about a young wizard named Ged, later to be known as the Archmage Sparrowhawk who, after discovering a talent for magic, saves his town from invaders and is apprenticed under a local wizard who sends him off to the Isle of Roke to learn the art of magic and become a wizard of his own. Here, he gets cocky and is dared by an [[that guy\|asshole kid]] into performing a huge spell which he fucks up massively bringing him back to square one. The rest of the book is his fight for redemption and self-acceptance so he can fulfil his destiny of becoming the greatest wizard in living memory. This book should be noted by DMs for its ability to, despite it's miniscule page length of 205, set up almost the entire setting of Earthsea, without so much as missing a beat from the actual story-telling. This is in part due to its detached third-person narration which makes it similar in reading to older stories like the [[Poetic Edda]] and [[Beowulf]], without the weighty and archaic words found there. It also manages to teach the reader a vital lesson, that being that even the greatest of achievers started by making mistakes, something the [[Harry Potter\|book's]] [[Eragon\|copiers]] [[Fail\|failed]] to do.		*'''A Wizard of Earthsea''': The first book in the series is a bildungsroman about a young wizard named Ged, later to be known as the Archmage Sparrowhawk who, after discovering a talent for magic, saves his town from invaders and is apprenticed under a local wizard who sends him off to the Isle of Roke to learn the art of magic and become a wizard of his own. Here, he gets cocky and is dared by an [[that guy\|asshole kid]] into performing a huge spell which he fucks up massively bringing him back to square one. The rest of the book is his fight for redemption and self-acceptance so he can fulfil his destiny of becoming the greatest wizard in living memory. This book should be noted by DMs for its ability to, despite it's miniscule page length of 205, set up almost the entire setting of Earthsea, without so much as missing a beat from the actual story-telling. This is in part due to its detached third-person narration which makes it similar in reading to older stories like the [[Poetic Edda]] and [[Beowulf]], without the weighty and archaic words found there. It also manages to teach the reader a vital lesson, that being that even the greatest of achievers started by making mistakes, something the [[Harry Potter\|book's]] [[Eragon\|copiers]] [[Fail\|failed]] to do.
	*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast. Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.		*'''The Tombs of Atuan''': Book two takes a much slower pace and focuses more on a singular setting with a new main character. Tenar, known also by her sort-of use-name Arha (The swallowed one) is a woman chosen at birth to be the priestess of the titular Tombs of Atuan. Here she's taught that all magic and foreigners are evil. Part-way through the book, Ged shows up trying to steal a relic from the tomb and their interactions cause her to question the life she had been living so far. Notable for being one of the first fantasy books to have a female lead and, until Ged shows up, a majority female cast (of one). Perhaps not as engrossing as the first book, but still pretty well-written and short enough to justify a read.
	*'''The Farthest Shore''': The story of Ged, now Archmage of Roke, embarking with a teenage prince on a journey to save Earthsea from some magic affliction which is plunging the entirety of Earthsea into chaos. Turns out there's a necromancer trying to cheat death, upsetting the aforementioned balance over the world that magic has. While Ged is a main character, the main story emphasis is on Lebannen, or Arren, the prince of Enlad who later becomes the emperor of Earthsea, after going through the similar bildungsroman treatment as the first book (might seem like a spoiler, but the book makes it quite obvious that this is going to go down). A more exciting pace than the Tombs of Atuan, it still contains similar themes of morality, but also touches on more bigger human themes such as mortality and corruption, and is marked by a step towards the [[grimdark]] for the series, though ends quite positively. Worth skipping to if Tombs of Atuan sounds too boring for you.		*'''The Farthest Shore''': The story of Ged, now Archmage of Roke, embarking with a teenage prince on a journey to save Earthsea from some magic affliction which is plunging the entirety of Earthsea into chaos. Turns out there's a necromancer trying to cheat death, upsetting the aforementioned balance over the world that magic has. While Ged is a main character, the main story emphasis is on Lebannen, or Arren, the prince of Enlad who later becomes the emperor of Earthsea, after going through the similar bildungsroman treatment as the first book (might seem like a spoiler, but the book makes it quite obvious that this is going to go down). A more exciting pace than the Tombs of Atuan, it still contains similar themes of morality, but also touches on more bigger human themes such as mortality and corruption, and is marked by a step towards the [[grimdark]] for the series, though ends quite positively. Worth skipping to if Tombs of Atuan sounds too boring for you.
	*'''Tehanu''': Book four returns to Tenar some decades after book two, now living on the Isle of Gont and partly looking after Ged's old teacher. Continuing the series' move towards grimdark, she's also looking after a girl with a half-burned face that was horribly treated, implied possibly raped, and is mistrusted, even despised, by the surrounding villagers. Ged returns home, this time without his powers, and is has to find new meaningful ways to live his life. This book deals more with themes of gender and taoist philosophies of being and doing. Would advise a skipping if you did the same for Tombs of Atuan.		*'''Tehanu''': Book four returns to Tenar some decades after book two, now living on the Isle of Gont and partly looking after Ged's old teacher. Continuing the series' move towards grimdark, she's also looking after a girl with a half-burned face that was horribly treated, implied possibly raped, and is mistrusted, even despised, by the surrounding villagers. Ged returns home, this time without his powers, and is has to find new meaningful ways to live his life. This book deals more with themes of gender and taoist philosophies of being and doing. Would advise a skipping if you did the same for Tombs of Atuan.
	*'''The Other Wind'''		*'''The Other Wind'''