Approved Cartoons

This is a /co/ related article, which we allow because we find it interesting or we can't be bothered to delete it.

This is a list of /tg/ approved cartoons, organized loosely into genres. This list was only recently split from the television page, so feel free to contribute; try to keep to the formatting used in the anime page, and fix any deviations (episode counts, related games) that you can.

Action

• The Adventures of the Galaxy Rangers: 80s cartoons were all just merch-driven crap... aside this gem. Amazingly high quality show, which is still perfectly watchable today (unlike pretty much anything else from the 80s). Mostly famous for combining space exploration, western and alien invasion, without falling into camp. Oh, and killing characters left and right. Think about it as a prototype Exosquad. Also, kick-ass music.

• The Adventures of Tintin: A very faithful adaptation of classic Franco-Belgian comics series, combining quality animation, great source material and the pulpy adventure feeling. Think Indiana Jones, but with a reporter instead of an action archeologist. And just like the source material, the series swiftly balances humor, pulp qualities and serious, often dark themes (there is on average at least one dead body per episode and this is still a kid-friendly show).

• Blake and Mortimer: Another adaptation of Franco-Belgian comics series. This time it's about adventures of duo of Brits: Scottish scientist Philip Mortimer and Welsh Captain Francis Blake of MI5. Spy fiction, exotic adventures, weird science and ancient mythos - what else to expect from what started as a pulp magazine? If you ever plan to run Hollow Earth Expedition, this is one of the best possible inspirations.

• Cybersix: What was originally an adult-oriented Argentinian cyberpunk comics about Nazi escaped experiment fighting for her life was bizarrely adapted into children-oriented animated series. Probably due to how easily it is to mistake it for capeshit, despite not being even close to it. Worth watching due to sheer crazyness of the content alone. Not to be confused with Bionic Six, an obscure 80s cartoon about a ridiculously diverse family of science adventurers who have all been turned into super-powered cyborgs and use their new powers to battle a mad scientist.

• Exosquad: The European Front of World War II IN SPACE with Mechs and Power Armor. It is well plotted and can get incredibly dark for what is supposed to be a kids show with a very high body count, policies of extermination through starvation and genocide. Even so it suffered from having a small budget and a few sub par designs.

• Gargoyles: Disney's serious response to Batman: TAS (as opposed to Disney's satirical response to Batman: TAS of Darkwing Duck, which was pretty damn good itself if a bit more conventionally cartoony). Some Gargoyles (a race of winged strong humanoid creatures that turn into stone during the day, rather than mere architectural adornments) live in Scotland the middle ages fighting Vikings, get betrayed, frozen in stone and are re-awakened in modern New York by a businessman who could give Tzeentch lessons in plotting played by William Riker. That is just the beginning, as there are also stories of betrayal, robots, suits of power armor, cyborgs and a fair number of magical things borrowing from a variety of mythological sources, but most notably the works of William Shakespeare.

• Gravity Falls: 12-year-old boy-and-girl twins, Dipper and Mabel, are sent to spend a summer with their shady great-uncle ("Grunkle") Stan in the titular town of Gravity Falls. It's a Disney cartoon, so the tone is solidly Noblebright, but some of the supernatural stuff is surprisingly Grimdark for a kids' show. Notable for ending organically at two seasons, preventing any seasonal decay. In Stan's own words, the show has "a big mystery element! And a lot of humor that goes over kids' heads!"

• Highlander: The Animated Series: Yes, you are reading this right. It exists. It's kid-friendly. And it's one of the best things that ever happened to this franchise, even if it's not saying much. The crazy post-apo setting alone makes it worth watching.

• Invader Zim: A cult classic Dark sci-fi which focuses on the title character, a little green cyborg bug alien from a race of military fascist cyborg aliens called the Irkens, whose culture is centered around turning entire worlds into singular purposes, often for a excess and commercialism filled reason, like Foodcourtia the Food Court Planet. Zim is banished to Earth when he nearly accidentally destroys the Irken homeworld, and tries to pretend to be School student to conquer earth from the inside, with the aid of his insane robot GIR. Opposing Zim is a wannabe cryptozoologist nerd named Dib Membrane. The show was cancelled due to complaints from moral guardians, but was such a cult classic it was given a series finale movie in the form of a Netflix special, "Enter the Florpus".

• The Legend of Calamity Jane: A too-good-to-last 90s cult classic. Probably the best "serious" animated western. Since it wasn't exactly made with kids in mind, it provides a lot of mature content. Which is the main reason why moral watchdogs killed it after just 13 episodes.

• Motorcity: Corporate overlord Mark Hamill has built an apple brand hive city on top of post apocalyptic Detroit and rules it with an iron fist while a band of renegades fights him from the Detroit Underhive with high tech muscle-cars. Similar to Megas XLR in a lot of ways, including being screwed over by the Network Execs.

• Nanook's Great Hunt: A French-Canadian co-production, telling a story of a young Inuit boy on his self-declared quest to hunt down a mythical Great Bear which brought famine to his people. All in the backdrop of early 20th century and modernity slowly pushing even into the frozen fringes of the world. Borderline fantasy, since as long as things are viewed from Inuit perspective, everything is explained by magical thinking. Worth watching even for the setting and lore alone.

• Night Hood: Yet another French-Canadian co-production, this time about "the exploits of Arsène Lupin" (which is the actual title of the series everywhere outside Anglosphere), escape artist, gentleman thief and rogue extraordinaire. Very stylish, very classy, full of heist jobs and pulp feeling to it all. There is also a whole lot of lore picked up from original books by Maurice Leblanc.

• Roughnecks: Starship Troopers Chronicles: Take the best parts of the book and film and none of the crap. One of the early CGI shows (and it shows) cut short due to budget (as in just short of the ending).

• Samurai Jack: A wandering samurai lost in the future kicks ass and saves lives in his quest to get home. Elegance in simplicity. Amazing animation. Kaldor Draigo wishes he could be this cool. Finally got a conclusion on Adult Swim after years in limbo and the tragic death of Mako, the villain Aku's VA.

• Star Wars The Clone Wars: Not to be confused with the other one from 2005. A TV series that started out bad and gradually got better, while also injecting gradually enough grimdark to make some question how this show was for kids. Include the awesomeness that is the Clone Troopers and their incredibly talented VA, who was starred in several of the shows on this list, great character development all over the board and smart ass one-liners. Really just did a fantastic job with the lore and expanding the universe. It is advised to skim through the first two seasons, as the series was still trying to figure out what it wants to be. Then again, maybe don’t, since the first two do have some important plot points for later, but you have been warned.

• Todd McFarlane's Spawn: Imagine a world where animated series aren't related with kids and "animated" doesn't mean "low quality". That's the world from which Spawn was accidentally teleported from. Dark as fuck, it plays anti-hero dial so high you seriously wonder if the guy can even quality as a hero at all. Worth even for the imagery alone. It gave us Keith David as the man himself (bless his sexy, deep voice).

• War Planets/Shadow Raiders: Forgotten third show from Mainframe in the 90s, alongside Reboot and Beast Wars. Four alien races that have been screwing each other over for thousands of years because they need the resources of each other's worlds have to put aside their difference in the face of a common foe -- a "Beast Planet" that devours entire worlds and their civilisations whole, overwhelming its prey first with armies of mindless drones. Very intense, very good characters, plenty of action. The Beast Planet is kind of a "Necrons imitating Tyranids" enigma, which may be a good or a bad thing.

• Wakfu

• Where on Google Earth is Carmen Sandiego?: There is a good chance your local "Well, akshually" guy got in at least some of the trivia from this cartoon in his youth. Besides, it's one improbable heist job after another, along with random collection of pure adventuring and tomb-raiding, so what not to like.
  • Carmen Santiego: Netflix' nostalgia-driven cash grab, but from purely "scenarios for heists in exotic backdrop" standpoint it works just fine. Just keep in mind this was a low budget series.

Capeshit

• Avengers: Earth's Mightiest Heroes: A Marvel Comics animated series about the titular Avengers. Unlike the later Avengers Assemble show, it relies primarily on the comics for it's inspiration rather than the Marvel Cinematic Universe. Also unlike the later Avengers show, it's actually good. Does a good job at balancing "monster of the week" episodes with a couple of running plot arcs across two seasons.

• Batman: The Animated Series: In a time when most cartoons were still glorified half hour toy commercials BtAS dared to defy convention with a dark art style, darker themes, and characters you actually gave a shit about. This show was so iconic that a lot of the stuff you think was from the comic book (Harley Quinn, Mr. Freeze's wife Nora, Bruce being Best Friends with Harvey Dent before turning into TwoFace, and more recently, the Phantasm) actually started here. The show also gave us an incredibly well-rounded view of Bruce Wayne beyond his brooding demeanor, with episodes highlighting his philanthropic nature and genuine care for Gotham's people, even the no-name thugs that he's able to rehabilitate. This should be mandatory viewing for people making Batman films... unfortunately, DC Comics isn't that smart.
• Batman: Beyond: Sequel to the above series about a future Gotham where Bruce Wayne is a cranky old man who had to give up being Batman due to heart problems, in which a teenager is reluctantly accepted as a replacement Batman, using cyber-armor that is basically the batsuit sans cape but with rocket boots. Aside being a worthy contender for best animated Batman, it's also a great mine for cyberpunk ideas and storylines.

• The Justice League & The Justice League: Unlimited: More of the same cape stuff. These times with Superman & Batman are: Wonder Woman (WONDER WOMAN!), The Flash, Green Lantern, Martian Manhunter, Hawk Girl, and The Flash. Includes an amazing story arc involving Project Cadmus, mature story themes and jokes, and the amazingness that is The Question.

• My Life as a Teenage Robot: A cult classic Nickelodeon cartoon starring a robotic superhero based on a Teenage girl as a design, Jenny "XJ9" Wakeman, who wishes to balance out trying to have a normal life amongst humans while protecting the world from various threats. The show was cancelled shortly after the made for TV movie, due to not raking in as many viewers as SpongeBob SquarePants, but /co/ almost universally regard the show as an unappreciated gem, and Jenny as the eternal "Queen of /co/".

• Spider-Man: The Animated Series: One of the series that were Marvel's attempt to challenge the DC Animated Universe, most of which (Batman TAS, Batman Beyond, Superman TAS, Justice League) are already mentioned here. Whilst hindered by an absolutely insane chief executive who labeled ludicrous restrictions on the show (for example, Spidey was never allowed to be shown punching people), it had an amazingly creative writing team who managed to miraculously pull off a decent cartoon despite her. Drawing heavily from the 90s and late 80s comic, it had season-long story arcs, actual character development, and plenty of fantastical action sequences. It's not as good as BtAS due to a lesser budget and the aforementioned restrictions, but it is generally considered the absolute best of the Spidey cartoons, saving perhaps maybe the Spectacular Spider-Man from the early 2000s.

• Spider-Man 1966: One of several series of "motion comics" that Marvel put out in the 1960s, including ones for the Fantastic Four, the Incredible Hulk, Captain America, Iron Man and Thor. Limited animation, but the visuals and the plots are so batshit insane that it's worth watching just for laughs. A legendary fountain of memes just about everywhere on the Internet.

• Superman: The Animated Series: About the same quality of writing as the latest episodes of B:tAS (Bad, don't listen to the fanboys). This features 'the' seminal, if less popular, superhero: Superman from the planet Krypton. Made largely by the same crew as the above Batman, this series is another of the so christened 'Timmverse' that ended with Justice League.

• Teen Titans (2003): Unlike the erratic shittiness that is Go! this series is pretty good, but barely makes it onto this list. It stars a group of DC characters no one usually knew about until this show (unless you read the comics). It had mostly good character development and it had the Half-Demon awesomeness that is Raven. However, it's bogged down by bipolar tone (keeps shifting between goofy humor and serious drama, albeit not as badly as Hellsing Ultimate), a shitty character that dares to name herself after Holy Terra, and some bullshit plot devices. Hilariously, there is a villain that is literally a combination of a Neckbeard and a 4chan board full of skub. He also happens to be the monster responsible for Go!'s existence. When Control Freak dies, he's gonna be Trigon's torture buddy for the rest of eternity for such a sin.

• Transformers: Near-legendary multi-series franchise dating back to the mid-80s, all of which revolve, in some way, around giant alien robots fighting a war that has been raging for millions of years without end. Different series have different aspects, so pick carefully.

• X-Men: The Animated Series: One of the sister shows to the aforementioned SMtAS, and generally regarded of the best of them. Takes all of Spidey's creativity and faithfulness to the comics, lifts some of the restrictions, but also piles on an extra serving of ham and cheese. The story goes the voice actors were Shakespearean theatre trainees and couldn't quite get the hang of toning it down. Still, if you like voluptuous Southern belles suplexing giant robots whilst their hot African weather witch partner rants like an angry goddess, you've come to the right show.

• Young Justice: A DC animated show wherein Batman recruits the sidekicks and super-powered relatives of various heroes to serve as a black ops team for the Justice League. In spite of starring a bunch of teenagers, everyone still gets decent character development when the show isn't trying to be Dawson's Creek with superpowers. Unfortunately canceled because the execs felt it wasn't toyetic enough. Recently renewed for a third season to drive subscriptions for DC's exclusive streaming service.

Comedy

• Adventure Time. tl;dr: A kids cartoon made by a DnD nerd. Starts off random is funny, and never really gives up on that, but slowly reveals itself to be set in a Grimdark post-apocalyptic fantasy world inhabited by mutants and whatever remains of Earth's original animal population. The main character is one of the few humans left alive. Has skubtastic reputation due to art style and later seasons writing, so thread carefully. Written to be accessible to both adults and kids, so oldfags can watch the earlier episodes with their hellspawn, should they wish. Also, you want to fuck the vampire.

• Archer: Think "Arrested Development" meets James Bond. It's an adventure comedy about an alcoholic man-child, who just so happens to be the world's most dangerous secret agent, and his equally deranged co-workers which include, but are not limited to; a sex addict accountant, a sadistic pyromaniac ditz, a bare-knuckle boxing Human Resource manager, a sassy black woman with abnormally large hands, the main-character's narcissistic mother, and a mad nazi scientist. Hilarious, ultra quotable, and great source material for secret agent role-playing.
  • Later seasons (Dreamland, Danger Island and 1999) are all self-contained genre spoofs, respectively being a hard-boiled detective story, an Indy-style pulp adventure and a military sci-fi IN SPACE! - and as such can be watched even without the broader context of the series.

• Harvey Birdman, Attorney at Law: More of Adult Swim dragging Hanna-Barbera into an alleyway, brutally mugging them, and rifling through their pockets for old cartoon clips. If you were to script a show based on a Pheonix Wright rip-off with the same manic energy of Sealab 2021 and the failing-into-success of Archer, you'd likely hit close to HB:AAL. Can be mined for plotlines for "whodunnit" adventures in addition to just plain weirdness that can inspire greatness at the table-top.

• Megas XLR: I DIG GIANT ROBOTS. YOU DIG GIANT ROBOTS. CHICKS DIG GIANT ROBOTS. That's all you really need to know. Big robots and funny shit. It's also the Orkiest show ever made, the Gork to Gurren Lagann's Mork.

• Rick and Morty: /tg/: the series. A comedy about an alcoholic mad scientist's adventures with his wimpy grandson. Has a instantly recognizable blend of fart humor and soul-crushing Nietzschean/Lovecraftian philosophy. Manages to pack a good amount of emotional punches with enough fun adventures and sci-fi/pop culture references to keep even the most stoic entertained. The third season is forever skub after the showrunner decided to replace the original writers with an all female team; speculated reasons range from "muh diversity" to "because I felt like it" but everyone agrees that it's just not the same. Rebounded somewhat in followup seasons that finally started to flesh-out the canon of the series (while also establishing it actually had canon) and still churned out some of the best episodes of the series period (while also making some of the worst...........so two steps forward one step back as usual). Reddit loves this series for the lolrandom bullshit and ebin pop culture references, so mention it on 4chan at your own peril, but it's still got some neato ideas for Genius: The Transgression campaigns.

• The Venture Bros. An absurd parody of Jonny Quest, 60's animated shows, comic books, and pretty much every action franchise ever. Episodes primarily theme around failure (so great for 4chan) and absurd comedy. Can be hilarious but like Austin Powers, it's hard to appreciate the comedy of it unless you've seen the source material.

• SeaLab 2021: Conceptually in the same vein as Venture Bros but as a direct sequel to the straight-faced SeaLab 2020. At least one episode is a literal comedy redub of a vintage episode. Roughly a third of the episodes end with everyone dying in an explosion.

• The Marvelous Misadventures of Flapjack: One of the two decent cartoons that got kids through the dreaded 'CN Real' era. The show follows the eponymous (mis)adventures of Flapjack, a young boy dreaming of one day becoming an adventurer, joined by his "candyholic" friend and dubious mentor "captain" Knuckles and his adoptive mother Bubby the talking whale. While the concept seems innocuous enough the show is set in a pastiche world of 17th, 18th and 19th century nautical tropes and features as much creepy shit as the show creator could get past the network and still be kid-friendly.

Fantasy

• Avatar: The Last Airbender: Considered by many to be the gold standard for animated shows in the 00'es and one of the best Western-made narrative shows. It has garnered many a fan for their funny characters, deep story lines, character development and Asian-but-not-weeaboo flavor. The sequel series, Legend of Korra, is rather skubtastic and while generally not considered as good as the original still contains a fair amount of deep storylines, world-building and well conceived villain's (arguably even more so than the original Avatar). Regarded as only good for Rule 34 by much of /co/ and /aco/ (right down to be in their sticky). But than again knowing who your dealing with you can take that any way you want.

• Amphibia: A 13 year old girl ends up teleported to the PG version of Catachan populated by sapient frogs, toads and newts by a magical music box and moves in with a family of Frog farmers. Her two best friends are also brought along, but end up in different situations. Alternates between farce and peril at the drop of a hat and manages to pull both of them off, though it gradually shifts towards being more serious as time goes by.

• Castlevania: A Netflix animated-series about the old Castlevania games of yore, Castlevania III: Dracula's Curse to be precise. Follows the exploits of Trevor Belmont, who tries to live up to the legacy of his family and travels the grimdark land of Transsylvania in classic Castlevania fashion. To keep the whip cracking and dagger throwing from growing stale, he is accompanied by Dracula's son Alucard and the mage Sypha on his quest to exterminate the forces of evil (Grant the rogue gets shafted as usual). The show is beautifully animated, overall very well written and just an absolute joyride from front to back. Fans of the original games will feel especially jerked off, as the creators have gone to great lenghts to be as close to the source material as possible (discounting the exclusion of Grant from the hero's posse), like recreating the exact attacks of enemies and remixing the original music. A second show is in the making which will cover the exploits of Trevor's descendant Richter Belmont and his lady love Maria Renard, set during the French Revolution.

• Conan the Adventurer: A very solid cartoon from the early 90s based off of, what else? Conan the Barbarian. Probably best known for its rocking opening theme (WARRIOR WITHOUT FEAR!), but it's very mineable for Dungeons & Dragons and has a lot of actual novel lore scattered through the kid-friendly stuff.

• Delta State: All Psyker Party: The Series. Four flat-mates are trying to both figure out their life after suffering from amnesia and in the same time prevent the invasion of body-stealing Rifters from another dimension. While it sounds like nothing in particular, it packs a punch and easily hooks you up with interesting universe and very relatable characters - the series was a successful attempt to deliver something like seinen for Western animation, so it's not for kids, but also avoids all the pitfalls of your typical "adult animation".

• Dungeons & Dragons: An absolute classic, worth watching even for the sake of the status alone. While the series still shows a lot of potential, most of it was wasted on too short episodes made on shoe-string budget. Being partially entangled into the Satanic Panic didn't help either. Still, worth watching. Just bring beer and friends. And a notepad for oldschool ideas. Sadly never got a proper canon ending. Is incredibly popular in Brazil, too.

• Jumanji: Like a lot of successful and semi-successful films, Jumanji ended up with a follow-up cartoon. Pretty much what you'd want to see if Alan had stayed in Jumanji and Peter and Judy went on adventures with him. While the art style is (intentionally) weird, the episodes are amazingly mineable for campaigns and world-building ideas. Also featured many references to other works, but with a fun twist.

• Love, Death & Robots: An animated anthology series that's all over the place, from comedy to cosmic horror and from pure skub for easy clickbait to genuinely good content, but remains very minable. First season's "Suits", "Sucker of Souls", "Lucky 13", "Good Hunting" and especially "Beyond the Aquila Rift" and "The Secret War" are very much approved. The second season is full of shit, tho, skip it outright. Third season's entire saving grace comes in form of "Bad Travelling" and if you squint really hard, then "In Vaulted Halls Entombed" and " Swarm" (if you believe in the theory that the Eldar created the Tau) get a pass. The rest is mostly cool visuals (with acid trips) and jokes about America.

• The New Adventures of Ocean Girl: An Australian animated series, predominately aimed at teenage girls, but coming in a package with a complex world full of original races. Good world-building and bunch of interesting plot hooks and easy-to-reuse plot twists.

• Omer and the Starchild: A French animated series. A truly rich world-building mixed with a lot of New Age imagery and unexpectedly dark story for a kids show. The series follows adventures of Dan, the titular Starchild, in his quest to free "Twelve Wizards" and unite them against the evil Morkhan.

• Papyrus: An animated adaptation of Franco-Belgian comics. An epic tale of a young fisherman tangled into the conflict between Egyptian gods, tasked with the mission of freeing Horus and putting end to the reign of Seth... regardless if Papyrus himself wants to or not being a plaything of gods.

• W.I.T.C.H.: So you want magical girl warriors, but you dislike anime? Here is the answer then, as it delivers exactly that, with all the possible plot bits and the general feel without, well, being a Chinese cartoon. Plus neat urban fantasy and teen characters that feel like teens (early 00s teens, that is).

Old Stuff & Remakes

• He-Man/She-Ra: The original 80s Sword & Sorcery cartoons of choice, He-Man is about a cosmically-empowered barbarian hero who has to juggle his daily life as the foppish Prince Adam and his muscle-bound alter-ego whilst defending Castle Greyskull from the forces of Skeletor, an evil wizard who seeks to claim the castle and the cosmic powers it holds to rule the universe. Made to sell every single crazy toy the designers could come up with. It's 80s fucking bullshit to the extreme, but if you can embrace the cheese and get past the memetically limited animation, it's actually good, clean, turn-your-brain-off fun, with plenty of ideas to mine for a more S&S or old-school Science Fantasy setting. "She-Ra" is literally "He-Man for girls", with Prince Adam's twin sister Adora using the twin to He-Man's sword of power to turn into a super-powered Amazon warrior, leading a resistance on the magical world of Etheria against the Horde, an invading army of space monsters and robots.
  • An early 90s remake tried to rebrand He-Man (since it was also one of the forerunners of "cartoons as toy commercials" in the 80s) and failed flat. Mostly forgotten, since it dropped everything unique about the setting, replacing it with generic science fiction.
  • A 2001 remake of He-Man attempted to create a more serious, focused, action-orientated and generally less goofy take on the show. It worked, but sadly it died after two seasons due to a lack of an audience. Dig it up and enjoy it if you can.
  • A 2018 "remake" called She-Ra and the Princesses of Power...exists. Whilst it technically has a better plot and animation than its predecessor, it is also much more rooted in post-2010s culture memes, so view at your own risk.
    • Success of the above led to the 2021 "continuation" of the 2001 version, done to maintain copyrights and licensing agreement*BLAM* refresh the format and shakes things up. Not only it suffers from the same issues the 90s remake had, it's also Serious Business Edgefest running entirely on skub. Unlike rest of the list, fully disapproved.
  • The 2021/2022 "He-Man & The Masters of the Universe" show. Reimagines Eternia as an advanced technological world whose magical past is being brought back. Despite a rather weird animation style and some borderline SJW choices (replacing Ram-Man with a female counterpart, most notable), largely considered to not be as shit as Revelation.
• Jonny Quest: The adventure series from Hanna-Barbera, notable originally for being first "realistic" cartoon to be made and having amounts of violence and brutality - for a show ostentiably aimed at very young kids - that makes moral watchdogs twitch to this day. For those same reasons, it is also never-ending source of pulp ideas and weird science plots. Even if you never saw it, there is a high chance you can recognise the characters and hum the main theme, regardless of nationality. Comes in three distinctive flavours, all three very much approved:
  • The original series from the 60s, titled simply Jonny Quest.
  • 80s revival series, The New Adventures of Jonny Quest, which came with animation bump, updated the setting and made if far more kid-friendly, without losing the adventuring vibe
  • 90s Cartoon Network sponsored remake, Jonny Quest: The Real Adventures, which finally realised the series mostly watched by teen boys could benefit from having a teen-aged main character.

• Lucky Luke: An animated adaptation of a classic Franco-Belgian comics, done with help of Hanna-Barbera, following adventures of titular Lucky Luke - a cowboy so fast with his gun, he can even outdraw his shadow. Just like its source material, it's humorous in style and spoofs various staples of western genre, but never becomes an outright parody. Your gunslinger PC wishes to be this cool and suave.
  • Got a new series in 2001, aptly titled The New Adventures of Lucky Luke and it's a hit-and-miss, with quality of the writing being all over the place. Somewhat infamous for being never screened to the original creator, Morris, for review and waiting out until he died with the release.

• The Mysterious Cities of Gold: Throw into a shaker El Dorado, greedy conquistadors, dashing adventurers, an alien race of Mayan precursors... and a group of children tangled into the middle of it. Stir together, serve chilled. It's a high grade adventuring in the Latin America, easily passing modern quality standards without any issues and not struggling with any kind of typical cartoon censorship (thank God for the French). Oh, and it's a continuous plot, rather than villain-of-a-week type of deal - so you get a story of epic proportions, with equally impressive prep to to make it all work and come together, with world-building to carry it through. It's also one of the first "big" cartoons to be done in corroboration with Japanese (Studio Pierrot), so on technicality, it's an anime. Absolute classic and if you aren't a literal zoomer, you probably saw it as a kid.
  • Got renewed in 2012 and 2016, thirty goddamn years after original premiere, for two additional seasons. To make it weirder, it picks the plot where the original, self-contained series ended, so you pretty much have to watch the whole thing to "get" it. Still worth every minute.

• Thundarr the Barbarian: Hanna-Barbera's Science Fantasy series set in the far future of post-apoc ruins of the United States. It's a collection of everything popular in early 80s: fantasy, post-apo, buff barbarians, Chewbacca look-alikes, tits princesses, light sabers and cheese. Copious amounts of cheese. If you ever wanted to run pulp megadungeon, look no further for inspiration. Aged far better than most 80s cartoons, since it wasn't intended as being a 20 minute long toy commercial.

• Thundercats: Regarded by /tg/ as "Dangerously Furry: the Cartoon". A Science Fantasy series revolving around a group of survivors from the destroyed world of Thundera crashlanding on the apocalyptic ruins of a far-future Earth and trying to rebuild their civilization, whilst battling mutants, monsters, magic and the ancient mummy-lich-thing called "Mumm-Ra the Ever-Living". Essentally He-Man, but more focus on action than on goofy comedy. Like He-Man, it also got a darker, edgier, more serious 2011 remake that fell through because nobody watched it everyone was turned away by the tone shift Cartoon Network wanted to replace it with Lego Ninjago.
  • Then it had yet another - an unapproved - remake with even worse reception, the late 2010s "Thundercats Roar", which doubles down on just about everything awful in cartoons that had been pioneered by Teen Titans GO! (in fact, they did a crossover with TTG! purely for the "Teen Titans" to shill the Roar cartoon, which went down like a lead balloon). It aired early 2020 and only lasted one season. Given that COVID would force kids to stay at home, and thus have easy access to television, that is quite the accomplishment.

Unapproved, But Mineable

Any cartoons that have /tg/-worthy subject matter, but it's not like fa/tg/uys opinions really matter anyway.

• BattleTech: Yes, BattleTech had a cartoon series. It talks about a Adam Steiner and the 1st Somerset Strikers. It wasn't that good. Its production value was lacklustre and being forced into the animation age ghetto did not help. Its notable for its early use of transiting between traditional cel-animation and computer-generated imaging. While not godawful it was at best a slightly above average Saturday morning cartoon that's inappropriate to it's subject manner. What's even more notable is that the show exists in the BattleTech universe. You read that right, this cartoon that depicts BattleTech actually exists in the BattleTech universe. Can give inspiration on how the actions of a party can be distorted or changed to fit a different narrative. Also attracts much rage from fans of The Clans because the series is based around Inner Sphere protagonists, and thus the Clans are shown as a bunch of lunatics who just randomly showed up and invaded one day.

• Hazbin Hotel: Cartoon Network-tier Slaaneshii stuff, man. A grimdark musical dramedy about the princess of hell (who acts like a typical Disney princess) and her girlfriend opening a hotel where demons are reformed in the hope that they will be able to checkout into Heaven, so that Hell won't be forced to go through regular population purges anymore. Their first test subject is a drug addicted spider demon porn star. A mysterious and extremely powerful demon known as Alastor (A.K.A.: The Radio Demon), who is convinced that demons are irredeemable so their plan is impossible, offers to help so that he can enjoy watching them fail. Pretty good for character ideas if you want to make a demon or demon-like entity that isn't another cliché Always Chaotic Evil stereotype. Has had absolutely nothing since the pilot episode is is for all intents and purposes dead.
  • Helluva Boss: a spin-off of Hazbin Hotel. A low ranking demon manages to steal access to the mortal world from a powerful demon lord (who lets him keep it in exchange for sexual favours), and forms a company where damned souls pay for the assassination of the humans who wronged them in life. More comedy focused than Hazbin Hotel.

• Hilda: Based on a series of comics and books of the same name, this Netflix series focuses on the eponymous Hilda, a young and blue-haired girl who is absolutely fascinated by the natural world and lives (at first) with her mother in a cabin in the woods before moving to a quaint and rather comfy-looking town and making some friends her own age (while still hanging out with a tiny two-inch tall elf and her pet deerfox Twig). The series is rather cute overall with some heavy touches of creepiness spread throughout. Recently got a second season released and rumors of a third being in the works.

• Regular Show: A weird show that appeared on Cartoon Network with a really crappy final season. Still, quirky characters, more than a few /tg/ worthy references, and a few decent jokes with lol random stuff all over the place make it decent enough if you need something to play while you paint that Gaunt Swarm.

• Sonic the Hedgehog AKA Sonic SatAM: A animated adaption of Sonic the Hedgehog. Well regarded by fans as something of a cult classic. Do be warned it is full of 90's cheese, it was a Saturday morning cartoon meant to make money off of a cartoon character after all. One special note is Jim Cummings in one of the scarier depictions of Dr. Robotnik. Also features one of the better depictions of nature vs industrialization, less green Aesop and more freedom from slavery (most of the time). Mineable for concepts and a good villain. Possibly even watched by the God-Emperor of Mankind. The Archie comic is also of note since it does technically continue the story, though do be warned of Ken Penders. He is considered the Matt Ward of the Sonic Fandom.

• Steven Universe: A fairly average show with some surprisingly interesting world-building. Thousands of years ago, a caste-based race of mineral-based "Crystal Gems" with holographic bodies dominated the galaxy. A small band of Gems refused to let this continue, rebelling against their masters and shattering their empire at great cost to both sides. Now, a small cadre of Gems remains on the planet Earth, protecting humanity from the monsters their civil war left behind and raising the rebel leader's "son". Unfortunately, he's kind of a fuckup, and he's going to have to learn how to use his powers fast because the Gem empire is coming back for round two. Incredibly mineable for campaign and adventure ideas, when it decides to stop being hollow slice of life and gets its ass in gear. Warning: prolonged viewing may will cause SAN loss.
  • The fandom for this one is... mostly okay. While it's pretty chill overall, it's got its share of froth-mouthed SJWs (infamous for trying to drive an artist to suicide over drawing a fat character thin) and psychotic "You don't like [Character] x [Character]! DIE, SCUM!" shippers. Stay the fuck out of the Tumblrtards/Twitterati's way, and you'll be good.

• Tigtone: Similar to Adventure Time but even more insane and a lot more bloody. The surreal adventures of a murderhobo named Tigtone who is obsessed with completing quests, writing about his quests in his journal, and shouting his own name. Takes place in a world that runs on a mixture of video game and dream logic. Has a unique animation style created with realistic paintings brought to life with motion capture to look deliberately uncanny like a poorly animated video game but also strangely beautiful.